- today
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:47I don't have time to ask twice.
01:52I don't have time to ask twice.
02:22Hello, this is Cecilia.
02:29Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello? Ms. Brooks?
02:40Shit.
02:44Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:52Oh!
02:56Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes. Right now.
03:22So, Ms. Brooks, what do you see in this room?
03:26Well, it's deliberate, controlled, powerful.
03:32It's impressive, but...
03:36But?
03:37It's not...
03:39Satisfying.
03:41Bold again.
03:45Tell me, how do you know it's satisfying?
03:48Satisfaction lies...
03:50Somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
04:04All yours.
04:05The woman out there would do anything to be in the position you're in, unless you have other ideas.
04:25Don't make me regret this risk.
04:26I don't plan to.
04:28I don't plan to.
04:30The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:38Pappy, your phone's upside down.
04:56Hi, how are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14I have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey!
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that!
05:36I did not agree to this!
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:50Hmm.
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:04What the fuck?
06:04A gift in exchange for being kidnapped?
06:09No thanks.
06:13I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:20Do you think you own me now?
06:23I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my God!
06:47Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:51Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:17No, no, no, no.
07:18Why is it making that sound?
07:20And damn, if I leave, Pappy dies.
07:23Shit, I'm trapped with this monster.
07:26Oh my God, is this really happening?
07:28I'm stuck.
07:39This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:46Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:56Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir.
08:28I was just interested in your build.
08:31The building.
08:32The build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leave's in ten minutes.
08:43Great.
08:43I'll be ready.
08:55How much further?
08:59Patience, Miss Brooks.
09:00Feel pressure deeper, make hearts near.
09:03She like the danger of eating the ride.
09:07Can't fake the hunger, nowhere to hide.
09:10Oh, my pink puffer.
09:11She want the power, takes the control.
09:16Hey, Foxy.
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer.
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:46Come on.
09:51Everything's nearly finished.
09:52I'm gonna have a team come in and make some final measurements over here, and I'll ensure
09:56they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:16Wow, an elevator?
10:22By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:03So, how would you do it?
11:11Uh...
11:11Um...
11:12Paint me a picture.
11:13Right.
11:14Uh, over here, I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:30And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:53Anyway, uh, this would be a great place to mount wall cuffs.
12:19Don't pick up.
12:23Don't pick up.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay.
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:48Your contract explicitly states that I receive 100% of your attention at work.
12:53Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:19What?
13:21What?
13:24Your jacket.
13:26Uh, Mr. Mercer.
13:30I won't ask twice.
13:38Uh, what's this for?
13:41It's perfect.
13:48Now go get dressed.
13:48No need to pout in this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22When I say you are.
14:24Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural ball,
14:43proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce our newest interior designer,
14:55Mr. Celia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:07I'll fix it myself.
15:13So without further ado, please enjoy your drinks and have a wonderful night.
15:25May I have this dance?
15:27Okay.
15:31Sterling.
15:31I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:40You must be working so hard.
15:43I was thinking maybe you would benefit from a designer who really knows you.
15:50Your past.
15:52I'm not interested in rehashing our relationships, no.
15:56It was just a flight.
15:58Doesn't mean we can't be close.
15:59Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:16Get your hands off of her.
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play.
16:29Get him out of here.
16:36It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go grab a drink?
16:43Come and take care of this.
16:52Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me, how's the new position treating you?
17:04It's demanding.
17:05I'm the client.
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:17Oh!
17:19Oh, how embarrassing.
17:23What are you doing in here?
17:26Cecilia, I'm sorry.
17:27I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:55But you're not rich.
17:58Not where it counts.
18:18Do you excuse me?
18:19I have work to do.
18:25Hmm, this hand.
18:37What if?
18:39Maybe cuffs?
18:42What if we hang something around here?
18:43I have work to do.
18:55Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:17Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think?
19:38Maybe, just maybe, that's an unreasonable amount of time.
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:58Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:10Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:36I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention,
20:57I meant it.
20:58Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:11Five designs by tomorrow morning.
21:19You're welcome.
21:19I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:37Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could, I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well, I need to keep track of you.
22:30I mean, what if...
22:32Sterling.
22:34I'm not your parents.
22:36I'll be fine.
22:36I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you, but, um, you're gonna have to wait till tomorrow.
23:03Hmm.
23:04Full of surprises, aren't you?
23:11And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:34We're gonna come back tomorrow with the rest of the crew and get it resolved.
23:37Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this...
24:18elevates the intention of the space.
24:21The juxtaposition between...
24:23control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh, the client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:48Would you like to see your designs?
24:50Is it not what you thought?
25:11No, it's...
25:12It's not that.
25:12It...
25:13The power went up.
25:18There's no signal.
25:20Yeah, the...
25:20soundproofing they put up, uh...
25:22cuts signal.
25:24What?
25:25No.
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour.
25:46Maybe two.
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58more?
25:58I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:28Sir, your seven o'clock is waiting upstairs.
26:50Sir, your seven o'clock is waiting upstairs.
26:58Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:12Ah!
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:36I'm sorry.
27:37I'm so embarrassed.
27:42Um.
27:43Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay.
27:53Okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:58I'll go.
27:59Um.
28:00It was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:15He has a girlfriend?
28:16What was I thinking?
28:24What was I thinking?
28:24What was I thinking?
28:25I was thinking, oh-
28:33What were you thinking?
28:39What was I thinking?
28:40Gotcha now, bitch.
29:08I found her address.
29:10I'm here.
29:26Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35you might want to ask me why i'm here you psycho i don't give a damn what you have to say
29:50i don't trust you well maybe you should start because i know a dirty little secret about you
29:56you're about to be broke i'm here to offer you a buyout get out hear me out instead of
30:11your accounts being compromised facing bankruptcy and becoming the embarrassment of architecture
30:17we could merge as hale mercer even has a nice name oh you're way out of line am i
30:25because someone pretty close to you seems to be worried about you besides if you don't accept
30:32this buyout i'll publish the information and mercer designs will go bye-bye it's not a threat think of
30:40it more of a bribe get the hell out of my property and out of my sight now
30:55this brooks in my office immediately are you sure you want me in there or not your other woman
31:11friend what are you talking about hand me your sketches
31:14i have designs but they're not the originals the originals are missing or lost what do you mean
31:23lost i finished the designs last night and i fell asleep but when i woke up they weren't in my room
31:29anymore you're lying i'm lying why don't you tell that to the next girl you bring over excuse me
31:36you're so careless careless me i'm pretty sure you're the one who's talking about losing sketches
31:43something you won't have to deal with anymore
31:47marley's going to be taking you to the project mansion hopefully you can
31:51figure out your sketches problems there you may go
31:54take her and her belongings to the project mansion anything i should know sir she can't be trusted
32:08and check the cameras we have a mole yes sir
32:14miss brooks what are you doing here well um i uh had to get some artwork for the client
32:31you don't trust me that too you're not trusting me you were the one with another woman after all that
32:39i did this all for you okay what woman are you talking about here you can't lie to me
32:44i saw you with her i saw you okay okay okay if it makes you feel any better i
32:52i promise i'm looking into it you promise
32:58i promise
33:09i
33:19i thought you didn't trust me that you were mad at me
33:21no you're too hard to receive
33:36let's go inside
33:39i
33:49i
33:51i
34:02i can't keep breath on glass you trace my name no one else can play this game you don't ask you
34:12just take and i give and i pray
34:19well hello i'm here for mr brooks i'm sorry what exactly is this for i'm the treatment nurse i'll be
34:25taking him to his appointment for today oh mr brooks doesn't have an appointment today i can assure you he does
34:30well thank you for coming can i bring crumpet yes mr brooks bring the cat
34:40hello cecilia i'll need your full cooperation
34:50i have something of yours you might want back now that i've got your attention i need a little favor bring me mercer's legacy one design
35:12you can't do this but see i already have sweetheart get me the designs tell sterling and your sweet old pappy dies and your little cat too
35:22your choice i've been reviewing project management assets you're four days late on the hudson property the client is not happy mr mercer
35:31is not happy pick it up or i'll give your work to her she's three days ahead
35:38is that a personal email
35:40yes
35:49and so
35:58sweetie you don't have to do this too late old man
36:02who the fuck are you your worst nightmare
36:06Baby, I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No, no, you won't eat.
36:36Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:23Cecilia!
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one. I, uh, just...
37:32I needed to pick up some paint samples, and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason,
37:47that's why.
37:49Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty, and I don't want to get messed up.
38:03It's a woman thing.
38:04I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:29Good girl.
38:49Right on time.
38:51Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:06Sterling Mercer's legacy designs.
39:09Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:25Zizi, don't!
39:26Get out of here!
39:28Look, look!
39:28I've had a change of heart.
39:46Please.
39:48No.
39:49This way.
39:50This way.
39:58Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:11You see, when that timer goes off,
40:15you and that little tracker and this entire place will go bye-bye,
40:19and then that will pave way for the construction site of all hell designs.
40:25He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video,
40:33no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh.
40:39Oh.
40:39Oh.
40:40But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear,
40:51is the contact for Sterling's Project Mansion.
40:55What?
40:56Why does that matter?
40:58Well, once I have the contact,
41:02I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:13Who's the client?
41:17How much was the bid offer?
41:23I don't know.
41:26Well, you'll remember.
41:29Trust me.
41:30Even if I did,
41:32I wouldn't tell you.
41:33So, tell me,
41:45who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:02So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:08Well, I can see that you're a lady of your word,
42:13which makes it kind of hard to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me,
42:22and then you,
42:24Pappy,
42:24and little Kitty
42:25can go free
42:27while Mercer Designs burns to the ground.
42:30or
42:32I could kill you
42:35right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, don't touch him!
42:51I'll tell you!
43:00Tell me
43:02everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:11I know she's very private,
43:13very secretive.
43:15She only talks to Sterling.
43:17She's an older,
43:19conservative woman.
43:21Liar!
43:23That night that I dosed Sterling
43:25with that sleeping elixir,
43:27I found your little project mansion,
43:30and that newly built BDSM room.
43:33Oh, and then all the plans
43:34that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman
43:40wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:57and your little cat.
44:00Me too.
44:03Well then,
44:04looks like you chose...
44:08Oh!
44:09Oh, I'm sorry,
44:10my sweet miss,
44:11but our short little affair
44:13is over.
44:15Excuse me.
44:17Well,
44:18obviously I don't need
44:19your services any longer.
44:22Besides,
44:22I don't
44:24do
44:25witnesses.
44:33Sterling,
44:33help me, please!
44:34Sterling, wait,
44:35it's a trap!
44:36No!
44:36Sterling, please,
44:37you have to help me!
44:38Watch out!
44:38Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:52You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here
45:05for hours for you!
45:07Put down the knife!
45:08Come on,
45:08let me at her one last time!
45:10She betrayed you!
45:11She's the one
45:12who gave up
45:12the Legacy One
45:13and the third floor!
45:16Wait,
45:16how do you know
45:16about the Legacy One project?
45:17That was confidential.
45:19That little bitch,
45:20she told Vincent
45:21everything!
45:22No,
45:22she's lying!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't,
45:30you bitch!
45:31When I thought
45:31I saw you with that woman?
45:34The night you lost
45:35the designs.
45:36No!
45:37No,
45:37that wasn't me!
45:38Okay,
45:39Vincent made me do it!
45:40He said he threatened
45:41my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:48No!
45:51Jump the knife!
45:53No!
45:53No!
45:55Vincent did,
45:57please!
45:57You have the right
45:58when you're silent!
46:00Anything you say
46:01can't even reduce
46:01against you
46:02and you're gonna fall!
46:04Wait,
46:04no,
46:04I'm Heinzverse.
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:09But I gave him
46:09your designs,
46:10I didn't know
46:10what else to do!
46:11I was trying
46:11to save them!
46:12I didn't mean to!
46:13You're safe!
46:14You're safe!
46:15Okay?
46:16Vincent,
46:17we'll be able
46:17to touch the project.
46:25I'm so happy
46:26you found me.
46:26I thought...
46:27What ways
46:28I'll find you?
46:32How?
46:32Because I know you.
46:37That moment
46:39in the parking lot,
46:40I knew
46:40from your eyes
46:42that you needed me.
46:48I will always
46:49keep you safe.
46:53Hey!
46:54Hey!
46:54Would you two
46:54take it someplace else?
46:55I'll take you
47:00and Crump
47:00at home.
47:07Oh,
47:07thank goodness
47:08you're okay.
47:10I want to tell you
47:12something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay,
47:16Papi.
47:17Just get some rest.
47:18I mean it,
47:19Cece.
47:20When a man knows,
47:21he knows.
47:25Agnes,
47:26it's been a long time
47:27since I've met
47:28someone as caring
47:28as you.
47:30And I'd like you
47:31to be my wife.
47:33Yes!
47:35I love you,
47:36Agnes.
47:45Marley,
47:46what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
48:10I woke up
48:12when the sky was pink
48:14Coffee tastes like
48:16sugar dreams
48:17traffic sounds like
48:19melody
48:20or songs
48:21you've been around
48:22everything feels brand new
48:24sunlight doesn't
48:26come here.
48:27I don't know
48:29what you do
48:31but love just fits
48:33like truth
48:33you got
48:34this is really beautiful.
48:43We work well together.
48:45I'm glad you think so,
48:46Cecilia.
48:48Um...
48:49Yes, Sterling?
48:52I have something
48:53I need to tell you.
48:56About?
48:57There isn't
48:59a legacy,
49:00Kalyan.
49:00Well, there is,
49:02but
49:02it's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This
49:14this is my legacy.
49:18Come here.
49:20I need to show you something.
49:21I made this for you.
49:32Wait,
49:32one second.
49:40Ah.
49:43I thought
49:44if we put them next to each other
49:46it would create
49:47balance.
49:48Balance?
49:48Balance.
49:48Balance.
49:48Balance.
49:48Balance.
49:48Balance.
49:48Balance.
49:48Balance.
49:48Balance.
49:49Balance.
49:49Balance.
49:49Balance.
49:49Balance.
49:50Balance.
50:04But then you came in.
50:07You're kind.
50:09Bold.
50:11Intuitive.
50:12Sterling.
50:15Beautiful.
50:17You gave this place
50:18a soul.
50:20Every word that
50:22Cecilia Brooks.
50:26Would you share the love
50:27we built together?
50:31Yes.
50:33Yes, Sterling.
50:33Yes.
50:33Yes.
50:34Yes, Sterling.
50:36Yes.
50:38Yes.
50:38Yes.
50:39Yes.
50:40Yes.
50:41Yes.
50:42Yes.
50:43Yes.
50:43Yes.
50:44Yes.
50:44Yes.
50:45Yes.
50:45Yes.
50:46Yes.
50:46Yes.
50:47Yes.
50:47Yes.
50:48Yes.
50:48Yes.
50:49Yes.
50:49Yes.
50:49Yes.
50:50Yes.
50:50Yes.
50:51Yes.
50:51Yes.
50:52Yes.
50:52Yes.
50:53Yes.
50:53Yes.
50:54Yes.
50:54Yes.
50:55Yes.
50:55Yes.
50:56Yes.
50:56Yes.
50:57Yes.
50:57Yes.
50:58Yes.
50:58Yes.
50:59Yes.
50:59Yes.
51:00Yes.
51:00Yes.
51:01Yes.
51:01Yes.
51:02Yes.
51:02Yes.
51:03Yes.
51:03Yes.
51:04Yes.
51:04Yes.
51:05Yes.
51:05Yes.
51:06Yes.
51:06Yes.
51:07Yes.
51:07Yes.
51:08Yes.
51:08Yes.
51:09Yes.
51:09Yes.
51:10Yes.
51:10Yes.
51:11Yes.
51:11Yes.
51:12Yes.
51:12Yes.
51:13Yes.
51:13Yes.
51:14Yes.
51:14Yes.
51:15Yes.
Recommended
50:59
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