- 2 days ago
Watch Killer Sofa (2018) — a horror-comedy cult film that turns furniture into a nightmare! Perfect for horror fans in the USA, UK, Canada, and Germany. Creepy, weird, and unforgettable!
#HorrorMovie #KillerSofa #ScaryMovie #WeirdHorror #SupernaturalHorror #CreepyMovie #DailymotionHorror #WatchHorrorOnline #UKHorror #USAHorror #CanadianHorror #GermanHorror #CultHorror
#HorrorMovie #KillerSofa #ScaryMovie #WeirdHorror #SupernaturalHorror #CreepyMovie #DailymotionHorror #WatchHorrorOnline #UKHorror #USAHorror #CanadianHorror #GermanHorror #CultHorror
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Short filmTranscript
00:00:00To be continued...
00:00:30God.
00:00:44I'm just...
00:00:50I'm just...
00:01:00I'm just...
00:01:04I'm just...
00:01:06Oh, my God.
00:01:36Oh, my God.
00:02:06Oh, my God.
00:02:35Oh, my God.
00:03:05Oh, my God.
00:03:35Oh, my God.
00:04:05Oh, my God.
00:04:35Oh, my God.
00:04:37Did he kill someone?
00:04:39This is my friend, Maxie.
00:04:41She knows Frederico as well.
00:04:43So what happened?
00:04:44Maybe we should sit down.
00:04:46The neighbour found his dog playing with a human foot.
00:04:50It's how we identified the remains.
00:04:53The guy was a loony.
00:04:55One of those guys you just want to punch in the face, you know.
00:04:58Punching someone in the face is one thing.
00:05:00Cutting him into pieces is another.
00:05:03Did he try and contact you recently?
00:05:05No, I filed a restraining order against him about two years ago.
00:05:11Things got kind of out of hand.
00:05:15Frederico was very dedicated to me.
00:05:17Dedicated?
00:05:19The guy was obsessed.
00:05:21Francesca makes a habit of attracting weirdos.
00:05:23Maxie, they're not weirdos.
00:05:26They're just dedicated.
00:05:29Obsessed.
00:05:30I'm sorry, this is so terrible.
00:05:34Hey, we've got to go.
00:05:35Sorry, I'm going out.
00:05:35Um, sorry, we've got to go now.
00:05:41I'm having some furniture to be heard.
00:05:43Really, what kind of furniture?
00:05:46Um, a recliner.
00:05:48We may need to ask you some more questions, if that's okay.
00:05:53Sure.
00:05:55See you.
00:05:57Something about her, isn't there?
00:06:00I can see why they went crazy.
00:06:02I don't see it.
00:06:03I want to check out this restraining order.
00:06:13Okay, these chains are about to go.
00:06:14Are you guys ready?
00:06:15Um, just grab the middle bit.
00:06:20Ow!
00:06:21My, my hand!
00:06:23Hold it!
00:06:24Ow!
00:06:24Ow!
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00:07:02I have a delivery for Francesca Morton.
00:07:08Francesca? There's no Francesca here.
00:07:10Are you sure it doesn't say Maxie?
00:07:13I mean, that's my granddaughter.
00:07:15Must have got the wrong address.
00:07:17This happens all the time.
00:07:19I should give this Francesca a call.
00:07:32Hey, there's blood here.
00:07:44Yeah, that recliner almost chopped my mate's finger off.
00:07:58Oh!
00:08:02Oh!
00:08:32You sure you're okay?
00:08:45Yeah.
00:08:48Really?
00:08:49You're shaking on the ground.
00:08:50You can go.
00:08:51It must have been the heat.
00:08:53Now, go.
00:09:02That guy is so annoying.
00:09:12Honestly, I don't know how you stand him.
00:09:16I just like him because he's not clingy.
00:09:24You know he's gay, right?
00:09:27Yeah, yeah, yeah.
00:09:28Yeah, yeah, well, that was his fault.
00:09:30I mean, he wanted to go.
00:09:32Thanks for the ride, Maxie.
00:09:38Do you need help moving the recliner?
00:09:41TJ will help me.
00:09:43Okay.
00:09:47Bye.
00:09:48Bye.
00:09:52No.
00:10:02See, the cops found pieces of him.
00:10:18That's pretty rad.
00:10:20Is that why you're upset?
00:10:20Of course it is.
00:10:23This is a horrible thing, TJ.
00:10:25Don't you think it's strange what happened?
00:10:27Not really.
00:10:29Me and Josh went to a cafe one time,
00:10:30called the dude taking photos of us.
00:10:32Why would he take pictures of you?
00:10:34It's just a weirdo.
00:10:38Can you please stay home tomorrow?
00:10:39Oh, come on, baby.
00:10:40No, I can't do that.
00:10:42Marco's getting married tomorrow,
00:10:43and me and Josh are going to take him to town.
00:10:44We can take a shower together.
00:10:47I'm sorry.
00:11:05Okay, bye.
00:11:06Bye.
00:11:08Don't wait up for me.
00:11:09Oi, granddad.
00:11:23Granddad.
00:11:25Jack.
00:11:26Hmm?
00:11:27What's up?
00:11:29Oh.
00:11:30Just something that happened at the shop.
00:11:33It's probably nothing.
00:11:35Hey, I was thinking about the shop.
00:11:38What do you reckon?
00:11:39I think we should create a page on your website
00:11:41where people can put the dimensions
00:11:43of the furniture that they want.
00:11:45That's important, granddad,
00:11:46because people buy antiques mostly to decorate their house.
00:11:50And houses are getting smaller.
00:11:52There's not enough space, so...
00:11:59You sure it was a debacle?
00:12:00Yes.
00:12:02Yeah, and a strong one as well.
00:12:05I saw a young woman running through a forest.
00:12:08Some people were chasing her.
00:12:12She was in danger.
00:12:13Jack, you know what this means?
00:12:17That you have the gift like your father.
00:12:19He's in danger.
00:12:20Okay.
00:12:21Yeah.
00:12:21Oh, my God.
00:12:51Maxi, what are you doing?
00:13:17You told me to come over.
00:13:21Are you okay?
00:13:23Yeah.
00:13:25I just felt like there was somebody else here.
00:13:33What's it smell?
00:13:35Oh shit, the popcorn.
00:13:51Yeah.
00:13:53Yeah.
00:13:55Yeah.
00:13:57Yeah.
00:13:59Yeah.
00:14:01Yeah.
00:14:03Yeah.
00:14:05Yeah.
00:14:06Yeah.
00:14:07Yeah.
00:14:09Yeah.
00:14:10Yeah.
00:14:11Yeah.
00:14:12I might have to close this door.
00:14:13I might have to close the store.
00:14:25Why?
00:14:27There's too many debts.
00:14:30The antique business isn't really doing so well.
00:14:32I've been trying to get some jobs on the side, but it's not really cutting it.
00:14:36You should focus on your music, Mixie.
00:14:41You're really talented.
00:14:43When you meet your mother, one day, one day, um, when we get home.
00:14:50It's beautiful, but they can't accept it.
00:15:01Thanks for coming over, Mixie.
00:15:03Stop thinking about Federico, okay?
00:15:06What happened to him was not your fault.
00:15:11Come here.
00:15:11I'll ignore it.
00:15:12Let's do it.
00:15:18Take them out.
00:15:20Good to meet him as a stranger.
00:15:21Good to meet you.
00:15:30I don't know.
00:16:00Ah!
00:16:02Ah!
00:16:04Ah!
00:16:06Ah!
00:16:30So,
00:16:32you
00:16:36you
00:16:38you
00:16:40you
00:16:42you
00:16:53you
00:16:55you
00:16:55you
00:19:00If you have touched a tabuk, you have established a connection and opened a door to allow the beast to enter your body and your mind.
00:19:10If you have touched a tabuk, you may soon experience strange health problems such as hives, coughing up blood, head-to-toe welts, crushing chest pains, paralyzing headaches.
00:19:24Don't even attempt to face it to book unless you are in perfect health, physically and especially mentally.
00:19:32For it is the weak-willed mind that will first succumb to the spirits, flirtations and manipulations.
00:19:41TJ?
00:19:53TJ?
00:19:55TJ?
00:19:57TJ?
00:19:59TJ?
00:20:01TJ?
00:20:03TJ?
00:20:05TJ?
00:20:07TJ?
00:20:09TJ?
00:20:11TJ?
00:20:13TJ?
00:20:15TJ?
00:20:17TJ?
00:20:19TJ?
00:20:25TJ?
00:20:27TJ?
00:20:29TJ?
00:20:31TJ?
00:20:33TJ?
00:20:35TJ?
00:20:37TJ?
00:20:39TJ?
00:20:41TJ?
00:20:43TJ?
00:20:45TJ?
00:20:47TJ?
00:20:48TJ?
00:20:49TJ?
00:20:50TJ?
00:20:51TJ?
00:20:53TJ?
00:20:54TJ?
00:20:55TJ?
00:20:56TJ?
00:20:57TJ?
00:20:58TJ?
00:20:59TJ?
00:21:00TJ?
00:21:01TJ?
00:21:02TJ?
00:21:03TJ?
00:21:04TJ?
00:21:05TJ?
00:21:06TJ?
00:21:07TJ?
00:21:08TJ?
00:21:09TJ?
00:21:10TJ?
00:21:11TJ?
00:21:12TJ?
00:21:13TJ?
00:21:14TJ?
00:21:15TJ?
00:21:16TJ?
00:21:17What did you get up to last night?
00:21:24I just stayed at home with Maxie.
00:21:29I was really sad about Frederico, you know.
00:21:32I even had nightmares.
00:21:35Oh, okay.
00:21:38Are you okay?
00:21:42Yeah, just, um...
00:21:45Little more drunk than I thought.
00:21:50And you still had time to bake cookies for me.
00:21:54Yeah, yeah, for sure.
00:22:15Okay, so, I don't know.
00:22:17Okay, so, I'll be back.
00:22:20I have to go to the next day.
00:22:24I'll do it.
00:22:25Okay.
00:22:26I'll do it.
00:22:27The next day, I'll get to the next day.
00:22:31The next day, I'll get to the next day.
00:22:34I'll get to the next day.
00:22:36what a freak did you know frederico was into voodoo and that he even had a blog
00:23:06he had a lot of phasers inspector i'm not sure have you been feeling okay health wise yes why do you
00:23:17ask just asking that's all we saw that you had filed restraining orders against some of these
00:23:24men in the past we also see in each restraining order you seem to provide a different address
00:23:30the only constant thing in my life is my dancing and my friend maxi
00:23:41look i know what you're thinking i know this looks strange and it is very strange see
00:23:50ever since i can remember i've had this effect on men and sometimes women
00:23:56but men especially just seem to get very attached to me you mean they become obsessed with you
00:24:07yes i already told you this so have you had romantic relationships with these men
00:24:14with some of them but frederico no we would we were just friends of course he he wanted more
00:24:22they always want more did any of these men ever show violent behavior i don't know what do you
00:24:29mean by violent behavior did they ever slap you or punch you yeah i guess you guess you know how it
00:24:40goes in the bedroom sometimes things get a little violent but it's okay francesca violence is never okay
00:24:49did you ever report any of those incidents no not i don't mean that sort of violence
00:24:54i mean the sort of violence that happens when there's sexual tension
00:25:04like i said i've always had this effect on men it's like they go crazy for me or something
00:25:10well what about your um your current partner tj no he's somehow immune to me sexually i mean but
00:25:24it's it's a good thing he's gay
00:25:28i just don't want people to get hurt anymore inspector
00:25:40that one
00:25:57oh yeah
00:26:01Oh, oh, oh, oh, oh.
00:26:31Ah!
00:26:38Ah!
00:26:42Ah, fuck!
00:26:45Ah!
00:26:47Ah!
00:26:49You know, when she's running around, she never stops screaming.
00:26:53Every time she sees the baddie, it's screaming.
00:26:56It looks awful.
00:26:58It's the same thing I've seen for years and years.
00:27:00It's just crap, basically.
00:27:04The lead actor.
00:27:06TJ, what is it? I can't talk now.
00:27:08I just hated him.
00:27:10So don't...
00:27:11What?
00:27:12TJ!
00:27:14Oh, oh!
00:27:17Oh, oh, oh!
00:27:20Oh, oh!
00:27:22Oh, oh, oh!
00:27:24Ugh!
00:27:28No!
00:27:36No!
00:27:38No!
00:27:42No!
00:27:44No!
00:27:46No!
00:27:48Yeah!
00:27:50Wait!
00:27:52No!
00:27:58Shalom, Abba.
00:28:07No, what do you want?
00:28:09I think I found a Dibbuk.
00:28:12You are not prepared.
00:28:14Abba.
00:28:15Or educated.
00:28:17Abba, listen to me.
00:28:18Deal with these matters.
00:28:21You're dealing with things that you don't understand.
00:28:24Abba, I'm your son.
00:28:25I have the gift.
00:28:26You don't have the gift.
00:28:29You don't even have the right to call yourself a rabbi.
00:28:31Oh, here we go again.
00:28:33We've talked about this already.
00:28:35I'm more than capable of doing what we need to do.
00:28:38People will get hurt if you try to intervene.
00:28:44Abba, I think the Dibbuk will try to do...
00:28:49Let it do what it has to do.
00:28:51Let other people deal with it.
00:28:54Just get out of this.
00:28:56Get away!
00:28:59How do you turn this thing off?
00:29:08So he's gonna be okay?
00:29:10He keeps saying the recliner's possessed.
00:29:13I really don't know what's gotten into him.
00:29:17Maxie, there's someone behind you.
00:29:19Hi, Ashanti.
00:29:20It's my granddad's new girlfriend.
00:29:27So where's TJ staying?
00:29:29It is Mum's.
00:29:31She just lives three houses down the street.
00:29:47Mum!
00:29:50Mum!
00:29:52Mum!
00:29:54Mum!
00:30:20Mum!
00:30:22Mum!
00:30:23Mum!
00:30:24Mum!
00:30:25Mum!
00:30:26Mum!
00:30:27Mum!
00:30:28Mum!
00:30:29Mum!
00:30:30Mum!
00:30:31Mum!
00:30:33Mum!
00:30:34Mum!
00:30:35Mum!
00:30:36Mum!
00:30:37Mum!
00:30:38Mum!
00:30:39Mum!
00:30:40Mum!
00:30:41Mum!
00:30:42Mum!
00:30:43Mum!
00:30:44Mum!
00:30:45Mum!
00:30:46Mum!
00:30:47Oh, my God.
00:31:17A Dubuque must feed on the souls of its victims to get stronger, those who have come across
00:31:31a Dubuque feeding. Speak of a lingering putrid smell of burnt flesh in the air. They found
00:31:39burn marks on walls and on ceilings, pointing to extremely powerful electrical currents produced
00:31:46in the transition of an unwilling soul to a demonic Dubuque. Whatever you do, never interrupt
00:31:54the feeding process, as the soul you were trying to save has already been domed.
00:32:01Close your eyes. Feel yourself going back. What do you see?
00:32:16Dubuque. Use yourself. Use all of them. Focused. Focused. Focused. Focused. Focused. Focused.
00:32:43Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. Focused. F
00:33:13Oh
00:33:33Oh
00:33:43She poisoned someone that's why they were chasing her but why did she kill herself we need to find
00:34:05out where that recliner is tomorrow morning we'll call every delivery company in the city if we have
00:34:11to whoever has that recliner is in great danger
00:34:41who's there
00:35:11so
00:35:15so
00:35:19so
00:35:23I don't know.
00:35:53I don't know.
00:36:23I don't know.
00:36:53I don't know.
00:37:23I don't know.
00:37:24Why didn't you go to TJ's?
00:37:38I rang the doorbell and nobody answered.
00:37:40Hey.
00:37:42Please don't make me go up there, Maxie.
00:37:47We'll just take a look, okay?
00:37:50Well, it's not moving now.
00:38:02Well, it's not moving now.
00:38:14Can we go to your place?
00:38:16I don't want to stay here tonight.
00:38:18I don't know.
00:38:19I don't know.
00:38:20I don't know.
00:38:22TJ, honey.
00:38:23I've got to clean your room.
00:38:34TJ, honey.
00:38:35I've got to clean your room.
00:38:46I don't know.
00:38:48I don't know.
00:38:52I don't know.
00:38:54I don't care for you.
00:38:55I don't know.
00:39:25Hey, Francesca.
00:39:42Ralph!
00:39:43I'm really sorry.
00:39:45I have to go.
00:39:46Have you thought about what I asked?
00:39:52I told you, I can't marry you, Ralph.
00:39:54I've got a boyfriend.
00:39:55Maxie told me about TJ.
00:39:57Horrible thing.
00:39:59He has weak bones.
00:40:01I have strong bones.
00:40:03But make strong babies.
00:40:05Babies?
00:40:06I'm too young for babies, Ralph.
00:40:08I'm sorry.
00:40:10You couldn't let me in, Francesca.
00:40:17You're pretty old, mate.
00:40:34Hello, Maxie.
00:40:35It's Inspector Gravy speaking.
00:40:36Can you come down to the police station, please?
00:40:40Francesca really needs your help.
00:40:44Francesca, when TJ was dying he left a message.
00:40:52You know what I think?
00:40:55I think he left this message for you.
00:40:59Do you think he was trying to write Francesca?
00:41:02I think Frederico and TJ's deaths are related.
00:41:10This list you gave us.
00:41:13You think one of them did this?
00:41:15Perhaps.
00:41:17Who?
00:41:18You tell me.
00:41:20Who would you say, hypothetically of course, is capable of doing something like this?
00:41:25Yep. My cousin Ralph.
00:41:43Remember that rubber glove they found at Frederico's place?
00:41:48We've got a match.
00:41:50Warren Lee. Criminal record.
00:41:53Yep. I think this could be a two man job.
00:41:57Finally. Things are starting to make some sense.
00:42:23Mhm.
00:42:24Look at all the other things.
00:42:25You just got to Availa.
00:42:26So I'm looking for a little bit.
00:42:28You just got to take a couple of those things, so I'm going to make another one thing.
00:42:29Let's see what's going on again.
00:42:31Why don't you just go, maybe what do you want?
00:42:32Let's have a little bit of a little bit of a message.
00:42:34And let's do this because we need to come out and handle all the differences.
00:42:36I don't know what's going on either.
00:42:37I'm going to leave a little bit here.
00:42:38I need to eat some sort of different stuff.
00:42:39I don't know what you want to do with this.
00:44:40Oh, Francesca.
00:44:47Francesca!
00:44:49Did you deliver a reclining chair to an address in the CBD within the last few days?
00:45:00Well, they delivered a chair to a girl named Francesca, but they wouldn't give me your address.
00:45:08What's the name of Maxie's friend, the girl who dances?
00:45:13Patricia.
00:45:13Isn't it Francesca?
00:45:18It's all too confusing.
00:45:21Who are you calling?
00:45:22Maxie!
00:45:23It's turned off.
00:45:28I'll leave a message.
00:45:29Hey, Maxie.
00:45:31Come home.
00:45:32We need to talk.
00:45:34Urgently.
00:45:35Maxie, this really isn't necessary.
00:45:38I want to go home.
00:45:38Trust me, you can't go home until this thing is solved.
00:45:42There's a killer out there who could be looking for you.
00:45:46Hey.
00:45:47I'll bring you your laptop and your pajamas later.
00:45:52But for now, you can use mine.
00:45:57And if you need anything, you can call me.
00:45:58I need to go meet my granddad.
00:46:06I'll be back soon.
00:46:08Maxie, do you mind just passing through mine and seeing if the recliner's okay?
00:46:13What?
00:46:14Please.
00:46:16You're hurting me.
00:46:18I just need to know that the recliner's okay.
00:46:21Are you okay?
00:46:26It's my sister's birthday.
00:46:28I should give her a call.
00:46:33Yeah.
00:46:35That's a great idea.
00:46:40So this is an authentic prop sword from Death Slayer 6.
00:46:44You should go home to your wife, Gravy.
00:46:47She left me two weeks ago.
00:46:51Took the kids with her.
00:46:54This time it's for real.
00:46:58Gravy, the pressure cooker.
00:47:03You need to let some steam out.
00:47:09Do you want to come back to my place?
00:47:11Drink some wine?
00:47:13Or blow off some steam?
00:47:16What do you reckon?
00:47:17No.
00:47:19Thanks.
00:47:19I think I should stay here and do some work.
00:47:23Huh.
00:47:26Yeah.
00:47:28Must be a popular model.
00:47:29You know that friend you're always hanging out with, um, what's her name?
00:47:37Who, Francesca?
00:47:38No.
00:47:39I told you it wasn't Patricia.
00:47:41Who's Patricia?
00:47:42I don't have time to explain right now, Maxie, but your friend is in great danger.
00:47:48That recliner she bought is possessed.
00:47:53Maxie!
00:47:54I knew there was something wrong with that recliner.
00:47:56She hasn't been herself since she got it.
00:47:58Well, we need it.
00:47:59There's no time to lose.
00:48:01We've got to go get it.
00:48:03Get it.
00:48:03Oh.
00:48:04Oh.
00:48:05Stay with him, Rashanti.
00:48:06I'll go.
00:48:06Oh, no, no, no.
00:48:08It's too dangerous.
00:48:31Oh.
00:48:36Oh.
00:49:06Oh, no, no, no, no, no, no, no, no.
00:49:36Oh, no, no, no, no, no, no, no.
00:50:06Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:50:36Who's there?
00:51:06Alex!
00:51:13Alex!
00:51:18Alex!
00:51:25Alex!
00:51:36Alex!
00:51:51Valerie!
00:51:55Valerie!
00:52:00Valerie!
00:52:07Sorry.
00:52:08Door's open.
00:52:09We just wanted to make sure you're okay.
00:52:10You okay?
00:52:11No!
00:52:12I'm worried about Maxie.
00:52:14She left like two hours ago and she's still not back.
00:52:19I think I'm hearing things.
00:52:21Things?
00:52:22What kind of things?
00:52:25I thought I heard someone saying the name Valerie out of the drain.
00:52:31How long have you been taking these?
00:52:33I've been taking those pills for years.
00:52:36You said before you were worried about Maxie.
00:52:39Yes, she left like two hours ago and she's still not back.
00:52:43Okay, okay.
00:52:44Just settle down.
00:52:45We're gonna go there now.
00:52:46Make sure she's okay.
00:52:48You can even come with us if you want.
00:52:55Maxie!
00:53:02Maybe she left already.
00:53:08I left your car outside.
00:53:10These are Maxie's keys.
00:53:23You try calling her?
00:53:26Try again.
00:53:53Do you want her?
00:53:54It stinks here.
00:53:55Oh, god.
00:53:56Oh...
00:53:57Oh, god.
00:53:58No!
00:53:59No!
00:54:00Oh, god!
00:54:01No!
00:54:02No!
00:54:03No!
00:54:04No!
00:54:05No!
00:54:06No!
00:54:07No!
00:54:08Hold on!
00:54:09No!
00:54:10Not at all!
00:54:11No!
00:54:12No!
00:54:13No!
00:54:14No!
00:54:15No!
00:54:16No!
00:54:17No!
00:54:18Oh, no!
00:54:19No!
00:54:20No!
00:54:22Oh, Valerie, Valerie, Valerie.
00:54:29Valerie.
00:54:43Valerie, Valerie.
00:54:52Valerie.
00:55:02This is bad gravy.
00:55:22This is bad gravy.
00:55:32This is bad gravy.
00:55:34This is bad gravy.
00:55:36This is bad gravy.
00:55:53Francesca, this is Maxie's grandfather.
00:56:12We have to talk.
00:56:23We have to talk.
00:56:30We have to talk.
00:56:32We have to talk.
00:56:37We have to talk.
00:56:42What do you think happened to Maxie?
00:56:56I don't know, but she's strong.
00:57:00She's very strong.
00:57:03So, can you help me?
00:57:07I'll give it a try.
00:57:11Why am I seeing these dead people?
00:57:14Sometimes fragments of souls linger in this world.
00:57:18They're perhaps trying to tell you something or do something.
00:57:22And this voice I keep hearing, it says Valerie.
00:57:26But who is Valerie?
00:57:29Valerie.
00:57:32Valerie and Gerard, of course!
00:57:35Here it is, Valerie and Gerard Collette.
00:57:38They were a French couple who lived in Akaroa in the 1800s.
00:57:41And they practiced witchcraft.
00:57:44Gerard and Valerie were demonic soul-eaters.
00:57:47They used the highly toxic petals of nerium oleander to poison their victims.
00:57:54They were found out and chased by a mob.
00:57:57Gerard was killed, burned alive.
00:57:59But Valerie committed suicide in front of a peasant woman named Marie St. Clair.
00:58:06That's my great-grandmother Marie.
00:58:09Marie suffered from hallucinations.
00:58:12She claimed she had been possessed by Valerie's spirit.
00:58:15After she became the center of fights between men in the village who blindly fought for her love,
00:58:22on several occasions to the death,
00:58:25she joined a monastery and lived in isolation until she passed in 1876.
00:58:31Both Valerie and Gerard had the power to ignite obsessive devotion from whoever crossed their path.
00:58:40That's exactly what happens to me.
00:58:43But that's because Valerie is living inside of you.
00:58:46You see, Dibbos can move from generation to generation, especially within the same family.
00:58:52She was fully awakened by the presence of Gerard.
00:58:56They simply want to be together again.
00:58:59Gerard's in the recliner.
00:59:01Yeah.
00:59:02Somehow a portal was opened and Gerard inhabited the recliner.
00:59:07It was Frederico.
00:59:09He was obsessed with the occult and the detective said he was into voodoo.
00:59:14But something's still not right here.
00:59:18You see, a Dibbos always needs a human body to cling to.
00:59:23And if Valerie is clinging to you,
00:59:27then Gerard would be clinging to Frederico.
00:59:32But...
00:59:34Frederico was cut into little pieces.
00:59:37He's dead.
00:59:39Yeah.
00:59:40It's a mystery, alright?
00:59:42Okay.
00:59:43Here's our plan.
00:59:45One, we build two Dibbos boxes.
00:59:51Two, we put the Dibbos into the boxes.
00:59:58Three, we burn the boxes.
01:00:03It's gonna be a long night.
01:00:06One, we burn the boxes.
01:00:16They have to be little
01:00:21A lot of coal.
01:00:23Two, we burn the boxes.
01:00:26Three, two, three, four, five, six, six, six, six, seven.
01:00:29Two, we burn the boxes,
01:00:31Two, we burn the boxes,
01:00:32Two, we burn the boxes.
01:00:34Oh, my God.
01:01:04What happened to you?
01:01:34What happened to you?
01:02:04What happened to you?
01:02:34What happened to you?
01:02:36What happened to you?
01:02:38What happened to you?
01:02:40Rabbi!
01:02:41What is it, Rabbi?
01:02:43How can I help?
01:02:45Okay.
01:02:46I'll call for help.
01:02:56Jack!
01:02:57It's an emergency.
01:02:58I need an ambulance.
01:03:00Why were you trying to leave the country, Warren?
01:03:07Look, I saw Frederic on the news and I freaked out.
01:03:10Did you kill him?
01:03:11No, I didn't kill him.
01:03:12But you were at his house.
01:03:13Yes.
01:03:14What were you doing there?
01:03:15He asked me to cut his legs off.
01:03:16Why?
01:03:17Why?
01:03:18I don't know why.
01:03:32I just thought the less I know, the better.
01:03:34But you're a veterinarian, Warren.
01:03:35You're not even a surgeon.
01:03:37Look, I left him alive, yeah?
01:03:40It's not like I left him bleeding out.
01:03:42I sutured him up and I gave him some drugs.
01:03:45I figured the guy would go to hospital, eventually.
01:04:00Look, I even got him to sign a contract to say if anything happened, I wouldn't be held
01:04:07responsible.
01:04:08You think this means anything?
01:04:09I don't know.
01:04:10Look, I know what I did was wrong, but if it wasn't him...
01:04:13He cares how it's gonna work.
01:04:15You take us to where the body is and we'll get you a deal.
01:04:18I already told you I didn't kill him!
01:04:20And how do you even know he's dead?
01:04:21Have you even found a body?
01:04:25Well, here we are, detective.
01:04:27Ralph Kilkelly's apartment.
01:04:29Couldn't believe it when I saw him on the news.
01:04:32Horrible thing.
01:04:36Yeah, he was an odd bloke.
01:04:38Not much for talking.
01:04:40Always paid his rent though.
01:04:41Never late.
01:04:43Not to imagine such a thing could happen in New Zealand.
01:04:50Why do you think he wanted you to cut his legs off, Warren?
01:04:52Was there something wrong with his legs?
01:04:54The guy was into some weird stuff, man.
01:04:58I don't know.
01:05:00All he told me was that it was urgent.
01:05:03He didn't have much time.
01:05:05He was desperate to get the legs off.
01:05:07Oh, yeah.
01:05:08He installed the CCTV cameras in our building.
01:05:12He did a store that specialised in that sort of thing.
01:05:15This is Francesca Morton's apartment.
01:05:23It's been recorded.
01:05:25What?
01:05:26He was one of those guys, you know.
01:05:27He wasn't all there.
01:05:28He was somewhere else.
01:05:29You better give us something soon, Warren.
01:05:31Oh, God.
01:05:32He was spying on her.
01:05:41What the hell is that?
01:05:46I'll be damned.
01:05:59I'll be damned.
01:06:00Get into the box.
01:06:01Right now!
01:06:06Get into the box!
01:06:22Right now!
01:06:31Get in the box!
01:06:32Shoot!
01:06:33Please! Just get into the fogs!
01:06:44No!
01:06:55Hey, hey, hey!
01:06:58Hey!
01:07:00Hey!
01:07:01Hey!
01:07:02Hey!
01:07:28Hey, hey.
01:07:30Hey, hey!
01:07:32Hey!
01:07:33Hey!
01:07:37Hey, hey!
01:07:38Look at this girl in the car!
01:07:41Hey!
01:07:42Oh, my God.
01:08:12You're not going to believe me.
01:08:17Try me.
01:08:19I think you want to be able to fit a insider.
01:08:22What, Warren?
01:08:24A recliner.
01:08:42Oh, my God.
01:09:12Oh, my God.
01:09:42Oh, my God.
01:09:50Francesca?
01:09:54I'm coming in.
01:09:58No, thank you, Inspector.
01:10:01I'm okay.
01:10:01I'm coming in.
01:10:09I'm coming in.
01:10:10I'm coming in.
01:10:11I'm coming in.
01:10:13I'm coming in.
01:10:22I'm coming in.
01:10:26I'm coming in.
01:10:30Mixie!
01:10:55Hey.
01:11:00Where have you been?
01:11:01Um, what happened to you?
01:11:04Frederico was inside the recliner.
01:11:07Are you okay?
01:11:11It's over.
01:11:25So, you decided to keep it after all.
01:11:33I need to stop running, Inspector.
01:11:42I have to say, this is a very unusual tea.
01:11:45It's nice, but it has a very unusual flavor.
01:11:50Would you like some more, Inspector?
01:11:52Yes, please.
01:12:18Yep.
01:12:19Not great.
01:12:20Just completed the autopsy of Frederico Morton.
01:12:23Date of death and the file's incorrect.
01:12:25What do you mean, incorrect?
01:12:27It was two days ago I was there.
01:12:29Well, the body I've got here has been decomposing
01:12:31for at least two weeks.
01:12:33You're absolutely sure?
01:12:35Yep.
01:12:35This body's been dead for weeks.
01:12:50It's not unusual for the book, after he's done with the human, to use the human carcass to store souls.
01:13:05If the carcass becomes unusable, the souls will be transferred to the nearest object, until the perfect host body can be found.
01:13:21Thank you, Inspector.
01:13:25Thank you, Inspector.
01:13:27Thank you, Inspector.
01:13:28Please.
01:13:29Call me Gravy.
01:13:30Say, you didn't bring your pistol this evening, did you?
01:13:43You didn't bring your pistol this evening, did you?
01:13:47I will never bring a gun to a date.
01:13:51Let it go, gravy.
01:14:13Let it go.
01:14:43Darling, look who he came to visit.
01:15:13Come to me, my sweetheart.
01:15:19Welcome home, my love.
01:15:35Come to me.
01:15:41Come to me.
01:15:43Come to me.
01:15:45Come to me.
01:15:51Come to me.
01:15:53Come to me.
01:15:59Come to me.
01:16:05Come to me.
01:16:07Come to me.
01:16:13Ambulance.
01:16:14I need an ambulance.
01:16:15And police.
01:16:16Come to me.
01:16:22Come to me.
01:16:24Come to me.
01:16:26If you get fooled by the De Book's apparent passive behavior, then you've already lost.
01:16:32So choose your battles wisely, as the demon, as a formidable adversary.
01:16:39And never, ever underestimate the seducing power of the beast.
01:16:47And never, ever, ever, ever, ever.
01:16:53And never, ever, ever, ever, ever, ever, ever.
01:17:09You're cold.
01:17:10You're cold.
01:17:11You're cold.
01:17:13You made me shiver.
01:17:15You're high.
01:17:17You're cold.
01:17:19You're cold.
01:17:20You're mountains and rivers.
01:17:24Your hair floats in the air around me.
01:17:32I'm painting your body naked in a canvas.
01:17:38Someone found me.
01:17:40You said I should be brave.
01:17:44Is it me who needs bravery?
01:17:48After all, you did cry over the flowers I gave you.
01:17:56It's cold.
01:17:58It's cold.
01:18:00And I'm painting you by the flame of a candle burning itself in vain.
01:18:12Will the lover you've chosen, will he kiss like I did?
01:18:20His lips I've just painted red.
01:18:26With this lover admiring the beauty, the finesse of his neck, took me hours to perfect.
01:18:41To perfect.
01:18:45You're cold.
01:18:47You're cold.
01:18:49You made me shiver.
01:18:53You hide.
01:18:55You're cold.
01:18:57In mountains and rivers.
01:19:01You're cold.
01:19:03You're cold, you're cold.
01:19:47Like I did, these lips, I've just painted red.
01:19:57Will this lover admire, the beauty, the finesse of this neck, took me hours to perfect.
01:20:10It's cold, it's cold, and I'm craving food and wine.
01:20:21But I'm here with this brush, perfecting your lines.
01:20:29You're cold.
01:20:32You're cold.
01:20:34You're cold.
01:20:46You're cold.
01:20:47You're cold.
01:20:48You
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