Zero Se Restart Full Movie 2024

Name: Zero Se Restart Full Movie 2024
Uploaded: 2025-07-10T17:55:23+00:00
Duration: 1 h 25 min 29 s
Channel: Select India
Description: #SelectIndia

Select India

yesterday

#SelectIndia

Category

🎥

Short film

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00:00:30Mr. Sharma, let me tell you one last thing.

00:00:47If Sir Edmund Hillary had not found the way, your Sherpa would have never reached the peak.

00:00:54He may go now.

00:00:58Waste of time.

00:01:00Such arrogance.

00:01:01Waste of time.

00:01:31Waste of time.

00:01:32Waste of time.

00:01:33Waste of time.

00:01:34Waste of time.

00:01:36Waste of time.

00:01:38Waste of time.

00:01:39Waste of time.

00:01:42Waste of time.

00:01:44I will be here tomorrow.

00:02:09What happened?

00:02:11Laroj!

00:02:12You see me, I don't want to tell you.

00:02:15I'm going to go, please.

00:02:16You go, don't be calm.

00:02:28Based on time.

00:02:30Such arrogance.

00:02:37What do you think, Ms. Qureshi?

00:02:38I think as in India,

00:02:39you've been very quiet.

00:02:42If you come, you will give the image of the police.

00:02:44And you, Yadav Ji?

00:02:45You've been very quiet.

00:02:50People who are talking about this.

00:02:54If we don't select this candidate,

00:02:56then it won't be useful for this exam.

00:03:09If I tell you that the 12th fail,

00:03:14then you'll be confident.

00:03:18But something was like this.

00:03:20Let's listen to this story.

00:03:24L.A.

00:03:24कहानी सुनते है.

00:03:25Beginning

00:03:26January 2022

00:03:28कहानी सुनते है,

00:03:29जब ये गाना बन रहा था,

00:03:31तब भी कोई श्योर नी था,

00:03:33कि ये पिक्चर कभी बनेगी.

00:03:34जब ये गाना बन रहा था,

00:03:52तब भी कोई श्योर नी था,

00:03:53कि ये पिक्चर कभी बनेगी.

00:03:55क्यूंकि विनोज सत्ने लिखी दी सोचते वे,

00:03:57कि कोई नई यंग डिरेक्टर को दे देंगे बनाने के लिए,

00:04:00लेकिन जब पहला यंग डिरेक्टर आया,

00:04:03तो वो कहता है,

00:04:05The story doesn't appeal to me.

00:04:07तो फिर दूसरा यंग डिरेक्टर आया,

00:04:09वो तो सीधा सीधा बोला,

00:04:11It's unoriginal and not worth my time.

00:04:17फिर एक तीसरा डिरेक्टर आया,

00:04:18तो जान में जान नहीं,

00:04:20क्योंकि वो विनोज सर को मिलते ही कहते,

00:04:22Sir, मैं आपके call का पान साल से वेट कर रहा हूँ, Sir.

00:04:25Thank you, Sir.

00:04:26तो हमें लगा, चलो मिल गया, डिरेक्टर.

00:04:28लेकिन जब उसने कहानी पड़ी,

00:04:30तो वो भी गायब.

00:04:32Sir, ने बोला, पता करो यार, किदर गया, वो ठीक तो है?

00:04:35चार दिन के बाद उसका जवाब आया.

00:04:38Please convey that it's not my kind of story.

00:04:41Sorry.

00:04:44फिर चौथा डेरेक्टर बोलता है,

00:04:45Sir, ये गरीबी की कहानी नहीं,

00:04:47मैं मुन्ना भाई 3 बनाता हू नजर.

00:04:49फिर वेवी सी को लगने लगा कि शायद 12th फेल्ड की कहानी कमजोर है,

00:04:54तो मदद के लिए उन्होंने एक जर्णिलिस्ट को बुलाया,

00:04:57जो उसी एडिया का था जहां की कहानी थी.

00:04:59अब उन्होंने जब स्क्रिप्प पड़ी,

00:05:01तो उन्हें शायद इतनी बकवास लगी कि वो बिना कुछ बोले,

00:05:05बस उठके चले गए.

00:05:08तब विनोज सर को पहली बार ये खयाल आया,

00:05:15कि वो तीन साल से कर क्या रहे थे,

00:05:18क्योंकि किसी को भी 12th फेल्ड में जरह सा भी विश्वास नहीं था.

00:05:23मैंने सर से एक चीज़ पूछी थी,

00:05:27सर ये कहानी ना ऐसा है कि बहुत खास नहीं है.

00:05:31एक मावली सा आदमी स्ट्रगल करके कुछ बन जाता है.

00:05:35ये कहानी आशी कि बहुत सारे लोगों की है.

00:05:37और शायर इसी लिए उन डारिक्टर्स को ये कहानी अन ओरिजनल लग रही थी.

00:05:41तब उन्होंने एक चीज़ बोले थी ये कुना लोगों.

00:05:43प्रिसाइसली, ये फिल्म क्यों बननी चाहिए?

00:05:46क्योंकि ये कहानी सब की है.

00:05:49और बस हम लोग निकल पड़े, लोकेशन ढूंडे.

00:05:56आठ महीने रह गए, साथ महीने, छे महीने.

00:06:01और फिर छोटे-छोटे शहरों और कज़बों से ढूंडे गए वही के चहरे, वही के कलाकार.

00:06:06और ये सब के चलते भी, 12th fame is still without a director.

00:06:11अब गलियों गलियों एक तरफ एक टीम लोकेशन तून रही थी और दूसरी तरफ एक के बाद एक फिल्म की कास्त लॉक हो रही थी.

00:06:19इन इस वोल प्रोसेस, we kept changing draft, we kept rewriting,

00:06:23लिखते रहे, लिखते रहे, नया सीन, पुराना सीन, अच्छा सीन, गंदा सीन.

00:06:28Out of frustration, I said, sir, we keep rewriting, we have been doing this for two years,

00:06:32we need to get a director on board, and I remember the very next day, he came to office,

00:06:37he invited all of us, and he said, I'm clarifying, because there are clearly some doubts,

00:06:43I have decided to direct this film.

00:06:46Are you directing this film?

00:06:50This is not, you cannot do this.

00:06:52Because it's not his kind of film at all.

00:06:54कुई मरनी रहे है समय?

00:06:58कुई रहे हैं कुई गून नही हैं

00:07:08कोई थ 69 गून नही हैं

00:07:15कुई रहाँ नही हैं

00:07:16I said, Vinod, this is not your film.

00:07:29There's nothing in this film, it is you.

00:07:34No, it means a young guy with so much hunger in his belly.

00:07:40This film is so much in my blood now.

00:07:45The only way I can get it out is I go ahead and make the film.

00:07:48Restart! Restart! Restart! Restart!

00:07:54Restart! Restart!

00:07:56I'm a joke, I'm a joke!

00:07:58Restart! Restart! Restart!

00:08:01Restart! Restart! Restart!

00:08:08Restart!

00:08:15Restart!

00:08:17Got it! Got it!

00:08:19Flapping?

00:08:20I did!

00:08:21Soundproof!

00:08:22I got here!

00:08:23My debut, bro!

00:08:25Do you want to make it good?

00:08:27Do you want to make it good?

00:08:28Take a big camera!

00:08:29I'm going to shoot!

00:08:30I'm going to shoot!

00:08:32I'm going to shoot!

00:08:34I'm going to shoot!

00:08:36I'm going to shoot!

00:08:37Finally, we've got a director at home, so our team has presented our plans.

00:08:41This is a great job.

00:08:43Because we were in the first scene, we were in the first scene.

00:08:45There was a tunnel, a jeep, a cycle, and a lot of people were in the future.

00:08:51Because of our plans, we had to divide the scene in 24 short shots.

00:08:58And then, we had to leave.

00:09:00For the final wreckage.

00:09:02Where all of this planning went,

00:09:07because it was a small mistake.

00:09:11Oh, I'm going to shoot!

00:09:14I showed the footage for those years,

00:09:18you can tell them all.

00:09:19Like when I wrote a story.

00:09:20Oh, I'm going to die!

00:09:21I'm going to die!

00:09:22I'm going to die!

00:09:23I'm going to die!

00:09:24I'm going to take the first time.

00:09:28That was a big thing.

00:09:29Plane, 23 hours,

00:09:30there by three hours,

00:09:32in the dark as well from the jungle.

00:09:33Why?

00:09:35Ooo Ochoambal.

00:09:58When I reached here, I came to my hand.

00:10:07My biggest problem was that I hid the village in my mind.

00:10:18Now, when I went up and went up, I understood everything else.

00:10:24I'm not understanding anything.

00:10:29First, my head was quiet.

00:10:34And then, when I said,

00:10:35I want you to check.

00:10:37Let me ask, I'm crazy.

00:10:39I'm cracking up.

00:10:50What has happened?

00:10:52I'll tell you what has happened.

00:10:55I thought that this house is behind the village.

00:11:00It was clear.

00:11:02You know what has happened, guys?

00:11:08The pictures that you have, and just only you look at it because I want to know whether I'm still playing.

00:11:14These pictures are there like this.

00:11:17I've seen these pictures.

00:11:21Yeah?

00:11:23Because I have not seen a single picture which is from here to here.

00:11:33I've seen these pictures and I always thought that this is behind the house.

00:11:38I mean, this house is my house.

00:11:42I thought that the village is behind it.

00:11:52Oh, it was here.

00:11:53So I did all the shots and I think it's the village.

00:11:59You go to there and I'm the house.

00:12:00You're the village here.

00:12:03It's the village the village there.

00:12:05So I came up and I think that's the village where I came from.

00:12:10I didn't know what the f**k to do.

00:12:15He gave up.

00:12:18All I had gone, all I had gone.

00:12:21I had done everything.

00:12:23Restart. Zero sir.

00:12:25I am never going to show this.

00:12:30That I will never show.

00:12:34This is what I will show.

00:12:37I will have to sit somewhere and rethink everything.

00:12:47The scene happens here.

00:12:51That is your kitchen?

00:12:53Where is someone sitting?

00:12:55Go back.

00:12:57Steep steps.

00:13:01So the frame will not move.

00:13:0338-40 degrees.

00:13:05I will have to sit here.

00:13:07In those sit, I will have to reconceive.

00:13:13After reconceive, sir,

00:13:15we have to rehearse the scene of 24-24 shots.

00:13:19What did you think?

00:13:20You have to leave the gun.

00:13:22What did you do?

00:13:24You have to tell me.

00:13:25You have to give the suspension.

00:13:27You have to give the suspension.

00:13:29The Jeep is not.

00:13:30The Jeep is not.

00:13:31No, it is.

00:13:33This saker is holding the gun

00:13:35and does the top move.

00:13:37Keep going.

00:13:39We are going a flashback.

00:13:41For the short division head,

00:13:42Mr Amdir,

00:13:43let me know where,

00:13:44when I came up...

00:13:45You will be throwing on the hag...

00:13:47You won't fall, son.

00:13:48You want to try to nick the usual plan.

00:13:49If you need aFire Island,

00:13:50you don't want the suffering scourge,

00:13:51Kameris.

00:13:52What is he?

00:13:53In this picture,

00:13:55In this picture, what I was thinking was that the whole film, the camera is flying on the wall, we are seeing it like this.

00:14:02The camera is also looking like a human being. What is it?

00:14:06Don't kill me! Don't kill me!

00:14:08Don't kill me!

00:14:09What happened to me?

00:14:11We were talking about this. This is the texture of the film.

00:14:15I don't know, brother.

00:14:17Suspend came.

00:14:18The story is so, that we don't have to guide the viewer's attention to this film.

00:14:25This is never going to happen.

00:14:26You will never leave me.

00:14:28Don't kill me!

00:14:34This movie should not say Yogesh.

00:14:38And look here.

00:14:44Am I making sense, guys?

00:14:46It's completely reconciled.

00:14:48All I'm trying to do, is make this film look as if it is actually happening.

00:14:53Let's go, what's up, guys?

00:14:55It's a single shot.

00:14:57Restart!

00:14:58Let's go!

00:15:00Let's go!

00:15:01Let's go!

00:15:02Let's go!

00:15:03Let's go!

00:15:04Let's go!

00:15:05Let's go!

00:15:06Let's go!

00:15:07Let's go!

00:15:08Let's go!

00:15:09Let's go!

00:15:10Let's go!

00:15:11Let's go!

00:15:12Let's go!

00:15:13Let's go!

00:15:14Let's go!

00:15:15What's up!

00:15:16Let's go!

00:15:17Two times!

00:15:18I'm going to kill you.

00:15:19I'll kill you.

00:15:21Oh!

00:15:22Oh!

00:15:23Oh!

00:15:24Come on, man!

00:15:26My brother!

00:15:27Come on!

00:15:28Oh!

00:15:29How do you do that?

00:15:30I'll have to take a notice.

00:15:31I'll have to take a notice.

00:15:33I'll have to take a notice.

00:15:34You're going to take a notice.

00:15:35And you've eaten from the village.

00:15:37I'll have to take a notice.

00:15:40Sambir, don't leave you to the village.

00:15:43You've got to take a notice for your father.

00:15:46Yes, sir.

00:15:47And the wrong thing that was our biggest problem,

00:15:50became our biggest strength.

00:15:53A scene that was in 24 shots,

00:15:55was in one single shot.

00:15:58I got a smile on the scene.

00:16:05If I die yesterday,

00:16:07I have a full picture shot.

00:16:09I have done a full picture shot.

00:16:12I have never done that.

00:16:14Yes, I have done it.

00:16:15Then you have to praise God.

00:16:19It's unbelievable,

00:16:20because I didn't know how to shoot this film.

00:16:23There's no killing, no murder, no bomb,

00:16:26nobody dies, nothing.

00:16:27What is this film?

00:16:29Listen to me,

00:16:30all of you,

00:16:32all of you,

00:16:33all of you.

00:16:34I will read all the answers on the board,

00:16:37and you,

00:16:38just tell me.

00:16:40You know how to do it?

00:16:42You understand how to do it?

00:16:44Established school,

00:16:45it will be a first scene,

00:16:46it will be the work,

00:16:47the other one.

00:16:48Then they saw,

00:16:49that police,

00:16:50this shot is the one.

00:16:51You can't do that.

00:16:55I am going to go in?

00:16:56What's going on?

00:17:10What are you doing?

00:17:26My DSP, one of them will become a DSP doctor and engineer.

00:17:36I'm here.

00:17:38I'm here.

00:17:44Hello?

00:17:45Vidaiq Ji?

00:17:47Yes.

00:17:48Ushind Ji is here.

00:17:50Come here.

00:17:53Vidaiq Ji.

00:17:56Is everybody happy?

00:17:58Yes, sir.

00:17:59Everybody happy with this?

00:18:00You're happy?

00:18:01You're happy?

00:18:02Shall I switch off my mind?

00:18:03No.

00:18:04Abhitya?

00:18:05No, I'll just ask a logistic question.

00:18:07What are you doing in the classroom?

00:18:09How are you doing in the classroom?

00:18:10Yes, I'm doing my mind.

00:18:11How are you doing in the classroom?

00:18:12Let's go.

00:18:13Let's go.

00:18:14And tell me.

00:18:15It's so easy.

00:18:16How are you doing in the classroom?

00:18:17It's done.

00:18:18It's done.

00:18:19It's done.

00:18:20It's done.

00:18:21Let's see.

00:18:23Now, I've taken the first lesson in real.

00:18:26You have to pay attention to everything.

00:18:28It's not a free lecture.

00:18:29You go and learn.

00:18:31You don't give any guru-dekshina.

00:18:33I've taken the first lesson.

00:18:36I've taken the first student's first guru-dekshina.

00:18:39You're standing right now.

00:18:40Why don't you see it?

00:18:41Whenever you're up, we'll go inside.

00:18:43I'll ask the last salary.

00:18:44I'll tell you, I'll go not to salary.

00:18:45You're going to tell me your salary.

00:18:46I'll tell you something.

00:18:47I'll tell you!

00:18:48You're not going to do my job!

00:18:49I'll tell you!

00:18:50Yes, sir!

00:18:53I have to find the last trip.

00:18:54Such as the years!

00:18:55Such as the young people who are watching.

00:18:56What do you want for that?

00:18:57What are you doing?

00:18:58What's the truth?

00:18:59What are you doing?

00:19:00I'll tell you.

00:19:01I'll tell you, what's your hero.

00:19:02I'll tell you.

00:19:03He's a hero.

00:19:04He's a hero.

00:19:05He's a hero.

00:19:06He's a hero.

00:19:07You too.

00:19:08You too.

00:19:09You.

00:19:10You are the man.

00:19:11Oh, my God, I'm standing on the train.

00:19:20He didn't want to keep his happy in the train.

00:19:25But when we reached Delhi,

00:19:28we had our ideal.

00:19:31Now, what do I do?

00:19:34This camera is like a girl.

00:19:37Manoj's state of mind.

00:19:40Manoj's state of mind.

00:19:52Manoj's state of mind.

00:19:56And on the trimax,

00:20:00the camera is steady because Manoj's growth

00:20:03and the camera is also mature.

00:20:05Yes, please sit.

00:20:07I'm feeling okay.

00:20:09Am I making sense or am I talking about something?

00:20:14I'm also trying.

00:20:16The camera will become sophisticated with Manoj.

00:20:18With Manoj?

00:20:19That's the beauty of it.

00:20:23That everything is his state of mind, including the way the camera moves.

00:20:29He goes out of the frame.

00:20:31You understand, Ranga?

00:20:32We live back, man.

00:20:34He leaves the camera and leaves the camera,

00:20:36because he leaves the camera.

00:20:38This is your camera.

00:20:39He's running out of the way.

00:20:40You're seeing it?

00:20:41Imagine, reverse dissolve.

00:20:43You're seeing what I'm seeing?

00:20:45A long reverse dissolve, man.

00:20:47He's going right to left,

00:20:49and the camera is dissolved from left to right.

00:20:51And in that dissolve,

00:20:52we see the reflection of Masoori.

00:20:54We see his reflection.

00:20:56We see his shadow.

00:20:57We see his real self.

00:20:59Three Manoj.

00:21:00His fragmented state of mind.

00:21:03You get what I'm saying, what will happen?

00:21:05His state of mind will be represented by the camera.

00:21:09So here, he's so eager to reach her,

00:21:12that he actually leaves me behind.

00:21:14That's how I'm looking at him.

00:21:16Sir.

00:21:17Twenty.

00:21:18Twenty.

00:21:19Now or now?

00:21:20Now?

00:21:21Now?

00:21:22Now?

00:21:23Now?

00:21:24Now?

00:21:25Now?

00:21:26Now?

00:21:27Now?

00:21:28Actually.

00:21:29That's a deal.

00:21:30Yeah?

00:21:31Now?

00:21:33Well done.

00:21:34After retirement

00:21:55If you ask Prashant, anything you need to ask Kunal, Raga, anything, anybody has any confusions, now is the time.

00:22:03So 15th to shoot, let's start with this schedule, tomorrow...

00:22:06But this meeting is going for 5 hours.

00:22:09Let's make a cake for them, who are going to go out and go out and eat it.

00:22:16Before we eat this meeting, let's go to the meeting.

00:22:20Let's go first, let's go to zero.

00:22:25Let's go first, let's go first, let's go first, let's go first.

00:22:30Two years ago, when this film started.

00:22:34Have you read this book, Kamna Ji? No, this is the 12th film.

00:22:38When I'm making a film, you can see it.

00:22:41This is one of the book's authors.

00:22:44This is Kamna Ji, who has written a love story with me.

00:22:48Okay, okay, madam. Namaskar.

00:22:50Namaskar, madam.

00:22:51I've seen an interview, I've heard you sometimes, and I've heard you.

00:22:55Someone asked me in the interview, how did you do it with your head?

00:22:58It's not a problem with your head.

00:23:00It's not a problem with your head, it's not a fight.

00:23:02I said, no, tomorrow you've seen me, you've seen me, you've seen me, you've seen me, you've seen me, now you've seen me.

00:23:08Right, this happens.

00:23:10Yes, that happens.

00:23:12I'm saying this.

00:23:14I've written so much.

00:23:15Why are you feeling so emotionally attached to them?

00:23:17You've seen such a scene.

00:23:22How will the story grow?

00:23:24Don't get emotionally attached to your writing.

00:23:28Yes, absolutely right.

00:23:32This is the story of the two years when COVID was opened

00:23:35and the whole world was closed in their homes.

00:23:58Yes, sir.

00:24:05Sir, my name is Vikas.

00:24:19Hello Vikas, sir. I am Abhijat. How are you, sir?

00:24:22I am fine, sir.

00:24:23I have heard a lot about you.

00:24:25I have heard a lot about you.

00:24:28I am fine, son.

00:24:30Yes, I am fine.

00:24:33Sir, the first time I read the script,

00:24:35I studied it in seven parts.

00:24:39I was a little disappointed with the script,

00:24:42which I have told you.

00:24:43Disappointing shabh,

00:24:45when the BBC saw it,

00:24:47you know that there is a big problem in the picture.

00:24:50My mother is doing a lot in my hometown.

00:24:55I am fine.

00:24:57I am fine.

00:24:58I am fine.

00:24:59I am fine.

00:25:00I am fine.

00:25:01My brother is in some other village.

00:25:03I am fine.

00:25:04Listen,

00:25:05we have put Manoj's voice over in the picture.

00:25:08But Manoj's voice over is a rotala.

00:25:10One day I said,

00:25:12Manoj's voice over is a rotala.

00:25:14He is a rotala.

00:25:15He is a rotala.

00:25:16The artist's voice over is a rotala.

00:25:17One day I was a rotala.

00:25:18He is a rotala.

00:25:19He is a rotala.

00:25:20I am fine.

00:25:21Notice her as a rotala.

00:25:22He does not have a voice over.

00:25:23Then he is a rotala.

00:25:24He is a rotala.

00:25:25He is a rotala.

00:25:26He has got a rotala.

00:25:27It has got a rotala.

00:25:28The voice over came.

00:25:29No matter the truth,

00:25:30Mr. Manoj's voice over is a great deal.

00:25:31How is it?

00:25:32My mother is a very quick decision.

00:25:34I will decide that I am the most successful

00:25:36psychologist to join the extreme upsideans.

00:25:40Then the co-producer Yogi Sir wrote a script.

00:25:47Then the obsession with BBC.

00:25:56Let's come back to the script.

00:25:58Tell me how can I make it better?

00:26:00What is it that's not good?

00:26:02We were thinking about the scripting and about the scripting.

00:26:06Abhishek, one thing about you and Vikas Sir, I don't like it.

00:26:11As an actor, it's okay with Varun Dhawan.

00:26:15Varun Dhawan is January, February, March, April, May.

00:26:18Five months busy, sir.

00:26:20You don't have anything to do with that.

00:26:22Five months before that.

00:26:24Five months before that.

00:26:26The film is late for two months,

00:26:28but three months in the theater.

00:26:30It's important.

00:26:32The film's reach of the popularity of Varun Dhawan.

00:26:38I mean, when he got a good job, he did a good job.

00:26:41He did a good job, he did a good job.

00:26:43He did a good job, he did a good job.

00:26:45But you're talking about my own.

00:26:46There are three stages of your film.

00:26:47First stage, you see the girls' attention to the girls' attention.

00:26:50Then the girls' attention to Varun Dhawan.

00:26:52It's not fit, it's standout.

00:26:54Second stage.

00:26:55There will be a star in front of the students.

00:27:00And the third, he will be brilliant.

00:27:02Absolutely perfect as a cop.

00:27:04But in the first two stages,

00:27:06we will feel like we have casted him.

00:27:08Wrong casting.

00:27:09After that, our sir got COVID.

00:27:12But the job didn't stop.

00:27:14You have to listen to a scene, sir.

00:27:16What?

00:27:17Oh, Manoj.

00:27:18What happened, Manoj?

00:27:19Sir, I need your help.

00:27:20My last attempt is, sir.

00:27:21Not now, Manoj.

00:27:22Sir, please, sir.

00:27:23Some other time.

00:27:24Sir, you've told me that you owe me.

00:27:49Very nice.

00:27:51I love that you owe me one. I have two corrections. Very small corrections.

00:27:55I mean, there's never been such an accident that, sir, just tell me,

00:27:58Very good. I have no corrections.

00:28:01Sir, I'll take a break. I don't always have to take a break.

00:28:05Sir, I'll take a break. I can't take a break.

00:28:07One word and one line of correction.

00:28:10They say, you should have to take the right box.

00:28:14I'll take a break. You just have to check the right box.

00:28:17Bye, guys. Good night. Well done, everybody. One more time.

00:28:21Same to you, sir.

00:28:23And this is our daily story.

00:28:26Day and night, it just works.

00:28:28This is the same thing.

00:28:29This is the same thing.

00:28:30This is the same thing.

00:28:33Brother, we send a new script to BBC a day.

00:28:36We send all the changes to the line.

00:28:39And he send a thousand notes in his ajeeb handwriting.

00:28:43Every day, man.

00:28:46Oh, my God.

00:28:49This is too much, bro.

00:28:50This is the same thing.

00:28:51This is the same thing.

00:28:52This is the same thing.

00:28:53But in this accident,

00:28:55we started to see our film.

00:28:57Sometimes we started to see our film.

00:29:03Sir, sir, sir, sir.

00:29:08Sir, I want to make it like you.

00:29:10then he looks at him he says that you don't know all right then he says that you don't know

00:29:29I think I'm not cheating so long I didn't know the question he'll tell me I'll stop cheating

00:29:37sir I didn't know what he said

00:29:38oh wait what the line is going to be the first time the police will look at the

00:29:42and he'll say sir I've left cheating

00:29:46I've left cheating sir

00:29:51the last dialogue we read the script

00:29:55IPS Officer Manoj and IRS Officer Shaddha.

00:30:25Yes.

00:30:27I'm going to eat food.

00:30:28I'm going to eat food, brother.

00:30:32And there was Vikas Sir and our film hero Mr. Vikrant Massey.

00:30:37I promise you I don't want to let you.

00:30:39No, we won't let you let us down.

00:30:41Vikrant and BBC's first meeting was very interesting.

00:30:44He said, Sir, my dream is to work with you, sir.

00:30:48I said, brother, I give a lot of grief.

00:30:51I do not do a lot of grief.

00:30:53I said, if I tell you the truth,

00:30:55it's a good job.

00:30:56I don't want to hurt myself today, sir.

00:30:58I will hurt myself when I know I am going to work.

00:31:01He told me that I will take a year off to work.

00:31:04If there will be a commitment to this level,

00:31:07then it will happen again.

00:31:10Vikrant came to two years.

00:31:12Covid was finished.

00:31:14And we finally got to get to that wrecking,

00:31:17which you have seen before.

00:31:19Where the BBC came from.

00:31:22Where the BBC came from.

00:31:23Where the real cash came from.

00:31:25And there was a meeting for five hours.

00:31:27You have to make a beef.

00:31:28You have to make a beef.

00:31:29You have to go out and eat.

00:31:30Yes, that's the beef.

00:31:32That's the beef.

00:31:33Anyway.

00:31:34Now let's come.

00:31:35Kunal, you leave this discussion.

00:31:37So, 15th shoot, sir.

00:31:40This is what happened in the movies.

00:31:43In the middle of the jungle.

00:31:45Yeah.

00:31:46Look at our many cars, generators.

00:31:48This is our little kingdom in the middle of the jungle.

00:31:51Guys, we are in Chambal.

00:31:53Look at our location.

00:31:55Fan car camera.

00:31:57Sir, they were showing our family to Chambal.

00:31:59And I was thinking behind them,

00:32:00I was thinking that this picture was never going to be made.

00:32:01First day of shoot, finally.

00:32:02Finally, yeah.

00:32:03And they didn't have to do this film with the director.

00:32:04Who is the director?

00:32:05Gun, buddy!

00:32:06Gun!

00:32:07Gun!

00:32:08Gun!

00:32:09Gun!

00:32:10Gun!

00:32:11Gun!

00:32:12Gun!

00:32:13Gun!

00:32:14Gun!

00:32:16Gun!

00:32:17Gun!

00:32:18Gun!

00:32:19Gun!

00:32:20Gun!

00:32:21Gun!

00:32:22Gun!

00:32:23Gun!

00:32:24Gun!

00:32:25Gun!

00:32:26Gun!

00:32:27Gun!

00:32:28Gun!

00:32:29Gun!

00:32:30Gun!

00:32:31Gun!

00:32:32Gun!

00:32:33Gun!

00:32:34Gun!

00:32:35Can I die to systems?

00:32:36Once they started paying attention to these people,

00:32:37they pushed the Yurakwatt tapphat by the while speaking.

00:32:39If they wanted me to a dream!

00:32:40This person was very well known.

00:32:41This person was not willing to run on the vehicle,

00:32:42let me get into those people.

00:32:44God.

00:32:56Analytics!

00:32:57and then think about what will happen with dad when it's all gone when you say

00:33:14that i've lost everything this is the moment very nice for a first day this was a great

00:33:22birthday thank you the best first day my entire life tell my life now i'm doing what you didn't let

00:33:34me do in new zealand i'm driving on a highway going home after a day's work good morning

00:33:42i'm going to chambal to shoot lovely sunrise

00:33:44solar eclipse solar eclipse from chambal

00:34:04look at that

00:34:09show them where we are middle of chambal look at this where are we in the middle of a jungle

00:34:14tying a rope because our vehicle has given up

00:34:18go go show them show them jungle ke beech mein jeep bant pade gai thi puri team rasiyan pahandri thi

00:34:23sabki laghi pade thi aur waha vc bholte hain chal jasi video record ko ra meri family ko bhej

00:34:29look at where we are guys in the middle of beherd full of leopards and god knows what all camera

00:34:35actor and actor is shooting wake up and that's the camera control you're having fun man

00:34:48excellent good day i want to put on record two of the best actors i've worked really excellent

00:34:55really

00:35:01let's wrap for push

00:35:02push

00:35:04push

00:35:06push

00:35:08push

00:35:10push

00:35:12She's going, she'll come back in the next movie.

00:35:29Thank you so much.

00:35:31Thank you so much.

00:36:01Thank you so much.

00:36:31Thank you so much.

00:37:47I will give you all the answers to the border and you just call me three.

00:37:55The first answer.

00:37:58X, X, T, minus three, X.

00:38:02Cut.

00:38:04Very nice.

00:38:05Very good.

00:38:06Very good.

00:38:07Very good.

00:38:08I will turn.

00:38:16Hey guys, howre little?

00:38:20Oh he's fighting for a wollte!

00:38:26Oh he's inside!

00:38:29Just approaching him.

00:38:31Shoot him.

00:38:33Oh, oh, oh, oh, oh.

00:39:03Oh, oh, oh, oh, oh, oh, oh.

00:39:33to you.

00:39:42One last time, we'll all say,

00:39:44Happy birthday!

00:39:45Happy birthday!

00:40:03I'll tell you the thing that I'm stressed about.

00:40:11I'm slightly stressed about that.

00:40:13Actually, there's nothing else I'm stressed about.

00:40:21The last time of the village, we were living in three locations.

00:40:28One bus stand where Manoj's bag is was purchased.

00:40:35One bhojanala where he's on the Pande.

00:40:40What can I do?

00:40:42One railway station to Delhi,

00:40:44where he's on the bus.

00:40:47The stress was that we had such a small bhojanala.

00:40:51which is about a bus stand and a railway station.

00:40:56In 6 months, we have changed how many times we have changed.

00:41:00But one thing is never changed.

00:41:02My mind is not changing.

00:41:03We have said that if we eat, we will do it.

00:41:05Why don't we eat?

00:41:06Why don't we eat?

00:41:08How do we eat?

00:41:09How do we eat?

00:41:10How do we eat?

00:41:12How do we eat?

00:41:13We have done all these actors in small places.

00:41:16Because we thought that we eat.

00:41:19It will be small.

00:41:20We must have seen, I don't know, how many bhojnalais.

00:41:23Wherever we went in terms of scouting, we were looking for a bhojnalai.

00:41:27And in the script, it was always called a bhojnalai.

00:41:30We could not have anything to elaborate because, you know, Manoj Sharma,

00:41:35who does not have any money in his pocket,

00:41:37he would go to a very ordinary small bhojnalai

00:41:40where he would request the manager,

00:41:42give me food and I will do it for you.

00:41:44If you get food, I will do it for you.

00:41:47Anyway, I didn't tell anyone about this.

00:41:49I saw the location.

00:41:52I had a nightmare.

00:41:53I was thinking,

00:41:54can I get a bhojnalai or not?

00:41:57Just before the shooting, maybe two or three weeks before the shoot,

00:42:01I had gone scouting to Masuri and I made a stopover in Deradun.

00:42:16And I saw the bus station in Deradun,

00:42:18I immediately sent the video to Vinod.

00:42:20More like, hi Yogi.

00:42:24He always like calls within 30 seconds.

00:42:26Kahan yeh?

00:42:27Aray perfect hai.

00:42:28Yeh to chihyeh.

00:42:29Exactly what I had in mind.

00:42:30Let's do this.

00:42:31Just finalize this.

00:42:32Okay.

00:42:33And yet, you know, working with Vinod,

00:42:36everything is final but nothing is final.

00:42:39It's like every day he finalizes the script

00:42:41and next morning he reopens it.

00:42:43There is at least three times more of this in the store.

00:42:46These are all scripts.

00:42:47So we had found the bhojnalai,

00:42:50but we were still looking for bhojnalai.

00:42:52We were in Agra.

00:42:53Koi ek location dekhenem ja rahe the.

00:42:59I looked at the left and I just saw a flash of something.

00:43:04Door se ohoh structure ke jhalak nagarai.

00:43:07Or deha toh yeh purana asara train station.

00:43:18Yogi sar nye toh BBC ka poora stress khatam kertiya.

00:43:21Kiyunki hunhye railway station, bhojnalai,

00:43:24aur bus stand tinoe ek hi jagah mil gaye.

00:43:27BBC itinye khush ki aagli dini waha pounch gahe.

00:43:31Or pounch tini kertai,

00:43:32yeh script change karo, bhojnalai delete karo,

00:43:34aur uski jagah likho zara railway canteen.

00:43:37I'll tell you what to do.

00:43:38Instead of bhejnalai, call it the railway canteen.

00:43:42Just call it railway canteen.

00:43:44Make two, three stores.

00:43:46Make one here, meet one there.

00:43:49Baat pas itini thi ki building toh badiya thi.

00:43:53Lekan puri tuti phuti thi.

00:43:55Just the shell.

00:43:56There's nothing inside.

00:43:57Now let me play this character.

00:43:59Ah ji, papadhi.

00:44:00Pradhampita ji.

00:44:01Now let's sit there in the train.

00:44:02Yep what, maa Dren men?

00:44:03I should sit there in the train.

00:44:04Yeah bye bye.

00:44:05What you get to try and stop on this train is ,

00:44:07here they are just looking good.

00:44:08So we found out that real trains do come there.

00:44:11And there are only two trains in the whole day.

00:44:14Apodha Bajiwali athe jaihs ride great,

00:44:17次 the train athe ends iamomega.

00:44:19I will start when the crane is there.

00:44:21The timing of the crane is really practical.

00:44:24No, you will take this shot first.

00:44:26Then you will not talk about it.

00:44:28There is no problem.

00:44:29I will give the timing perfect.

00:44:31I will not give a retake to us.

00:44:33What name is it?

00:44:34100 reasons it can go wrong.

00:44:36100 reasons it can make a shot wrong.

00:44:38That's my concern.

00:44:39We will not get a retake.

00:44:41If it is a retake, it will go.

00:44:43Why don't you get a retake?

00:44:45The next day will get a retake.

00:44:47Just for the shot.

00:44:49One thing.

00:44:50You will do a favour for me.

00:44:52Friendly favour.

00:44:54A camel sequence.

00:44:59I have seen that, sir.

00:45:00It will restrict us a lot.

00:45:01There were 100 camels.

00:45:02There was a train.

00:45:03Where did he get a retake?

00:45:06Sir, we don't need retake.

00:45:09My husband is well prepared.

00:45:11Tell me the train.

00:45:13The timing is perfect.

00:45:15Come and keep waiting...

00:45:17It's working.

00:45:18This is the most important challenge for our people.

00:45:21The biggest challenge was to make a shot at the right time.

00:45:23And the challenge of my brother in the right time was to make a great set.

00:45:27Did you make that police station?

00:45:30That's the thing.

00:45:32It's brilliant.

00:45:34Is it?

00:45:35Yes.

00:45:45Hello, Mr. Prashant. Are you happy? I gave you extra time today.

00:45:51This is your big art world.

00:45:57This is a great fun compared to all those movies.

00:46:04Yeah, this is brilliant.

00:46:20Hi, Suni. This is my Harry Potter watch.

00:46:22Trains in Harry Potter leaves at 11, so at 10, 15 people are coming to this station.

00:46:27This is a set I have made and it's reminding me of you, my love.

00:46:31Bye-bye.

00:46:32How are you doing?

00:46:34You're very nervous.

00:46:36How are you doing?

00:46:37What are you doing?

00:46:38How are you doing?

00:46:39I am doing well.

00:46:41The bus came, the bus came, they made a dirty bus stand and thousands of people ran away from railway station.

00:46:52And so, a small scene has become the biggest scene of the film.

00:46:58That was the first day of shoot, because sir was shooting linearly, so for me that was the first day on set.

00:47:14And it was my birthday.

00:47:16And in many months, it was so symbolical and metaphorical that birthday, birth of Pandey, like first day of Pandey on set.

00:47:27And also then the scale of the location was huge.

00:47:37It's a real functioning station, like trains are going from behind.

00:47:46And being there with so many artists working together, main artists, background artists, everybody working together.

00:47:54And sir, keeping his eye on every single person.

00:48:03Yes, I did get like little lost in that whole surrounding.

00:48:07So, I think I lost that endearing store of Pandey that Vinod sir fell in love with.

00:48:16And behind the monitor, he kept on telling Jussi that,

00:48:33Yeah, this is Pandey, this is Pandey.

00:48:35This is Pandey.

00:48:36This is Pandey.

00:48:37Just keep watching him.

00:48:38Stop eating your food now.

00:48:39Look at him.

00:48:40And I could hear it.

00:48:41And I'm like, okay.

00:48:42So, I'm not doing it right.

00:48:45So, there was a lot of voices in my head.

00:48:46So, there was a lot of voices in my head.

00:48:54So, only two trains.

00:48:55It's not going to give retake to us.

00:48:59We had talked to the station master.

00:49:03When it was 10 minutes for the train, he informed us.

00:49:05But, he came to me and he said,

00:49:18Look, you're doing a lot of good.

00:49:23And this is, I'm quoting him when he said that.

00:49:26And this is the first time, I think the last time any producer or director would come to me and will say something like this.

00:49:33Because he came to me and he said,

00:49:35Look, I have a lot of money.

00:49:37If you want this set tomorrow, I will give you this set tomorrow.

00:49:40But, you give me honesty in your eyes.

00:49:45He's not about what physical comedy I can do.

00:49:48How can I make Pandey look very nice and everything.

00:49:52He's all about eyes.

00:49:58That, yeah, pulled me back to Pandey, I guess.

00:50:03There's only a possibility for one take.

00:50:06There's only a possibility for one take.

00:50:10One take.

00:50:17This is a big deal.

00:50:18It was a big deal.

00:50:19It was a big deal, man.

00:50:20I was saying, what would you have to take me?

00:50:22I would take my hand.

00:50:23But, before that I could take my hand, I would take my hand.

00:50:25When I came from a place.

00:50:26I would take my hand.

00:50:27Come on.

00:50:28I will take my hand.

00:50:29Now when I'm eating my hand.

00:50:30Come on.

00:50:31Come on.

00:50:32Come on.

00:50:33Come on.

00:50:34Come on.

00:50:35Come on.

00:50:36And we got it.

00:50:47Happy birthday to you.

00:50:50Happy birthday dear Pandey.

00:50:54Happy birthday to you.

00:50:58To the birth of Pandey.

00:51:00To the birth of Pandey.

00:51:02To you first.

00:51:03To the birth of Pandey.

00:51:04To the creator of Pandey.

00:51:05To the birth of Pandey.

00:51:06Pandey the day and the day and the day will go.

00:51:08To the birth of Pandey.

00:51:10To the birth of Pandey.

00:51:11Do you mind?

00:51:13From that, to the birth of Pandey.

00:51:14To the birth of Pandey..

00:51:15That's true.

00:51:16This is a real life Pandey..

00:51:19Real life Pandey.

00:51:20Would you mind?

00:51:21You know that.

00:51:22He is here with Pandey..

00:51:23Would you mind?

00:51:24That's true.

00:51:25All the time..

00:51:26To the birth of Pandey..

00:51:27Sleepy..

00:51:28A car DJ is here..

00:51:29Come back..

00:51:30Oh..

00:51:31Absolutely.

00:51:32Dog sound episode. That is epic.

00:51:47Sir decided that on location.

00:51:49We put a little food and our new friend came back again.

00:52:05And then that became the state of mind of Manoj.

00:52:08And from there we have picked up that to the entire film.

00:52:13There is no one with the losers.

00:52:24What is going on?

00:52:26Interesting.

00:52:27Now every day there was a new problem.

00:52:31When we were shooting this scene, our junior artists were watching the camera.

00:52:36And the thought that Kunal was crying and crying.

00:52:39Then the BBC had a new idea.

00:52:42Handheld and then he went to the iPhone.

00:52:44All the actors would say.

00:52:46Your heart is in the camera.

00:52:48In the camera.

00:52:49Everyone is in the camera.

00:52:51Chill out.

00:52:56This is a new scene that has never been in the script.

00:53:00Manoj's nightmare scene.

00:53:02It's been saved by a lot of problems.

00:53:05Your mother's money.

00:53:07It's about half an hour before.

00:53:09It's about half an hour before.

00:53:14It's over.

00:53:15It's about half an hour before.

00:53:16It's about half an hour before.

00:53:17And finally,

00:53:18this railway station was created.

00:53:20Manoj's life was created.

00:53:22One of the other was the old world.

00:53:24Where it came from.

00:53:26And the other was the new world.

00:53:30Chithar, he will go now.

00:54:00Keep going, keep going, keep going, don't stop, keep going.

00:54:03We know that shooting in Mukherjee Nagar is so easy and difficult.

00:54:06Keep going to the minimum focus.

00:54:09And we were...blown.

00:54:31Sorry.

00:54:34Thankfully, we had a shot from inside.

00:54:37As per the script, he is just looking at the people.

00:54:40The number of people.

00:54:41How will they do it?

00:54:43So that number was working out for us.

00:54:45But the problem was, the people who were sitting in their hands were phones.

00:54:50And the film we were making, we didn't even know about mobile.

00:54:53And cut.

00:54:55I think he got the shot.

00:54:56How was it?

00:54:57Playback?

00:54:58We were almost accepted.

00:54:59We could do VFX.

00:55:01Then, after we had found our OK take, I requested him.

00:55:05I wanted to try something.

00:55:07I wanted to take one.

00:55:13My team was standing downstairs, who was on the road, trying to manage the crowd.

00:55:17I was like, do a job.

00:55:18They just took 50 steps.

00:55:25We started that take.

00:55:26I was just trying my luck.

00:55:27I didn't know if it will work or not.

00:55:28I was just trying my luck.

00:55:29I didn't know if it will work or not.

00:55:32And I told my team to lock up.

00:55:33Leave it.

00:55:34So, as many people were standing with the light, the people were coming.

00:55:35They kept their phones down and everybody started walking towards that shooting.

00:55:48That is what made that shot come alive.

00:55:49That is what made that shot come alive.

00:55:55I caught that shot come alive.

00:55:56I expected that, I thought that they were going to kill VIKRANTH.

00:55:57Everyone said they are going to die in the real location.

00:55:58And the VVC said in confidence that they are going to kill VIKRANTH, who is not going to defeat VIKRANTH.

00:56:01They are going to be a problem.

00:56:02And a lot of people said they are going to kill VIKRANTH on the road.

00:56:03They are going to kill VIKRANTH.

00:56:04They are not going to kill VIKRANTH.

00:56:05And everyone said, sir, we'll bring Vikrant to the real location, so we'll have a problem.

00:56:10And VVC said in confidence,

00:56:13no, he's not going to be aware of Vikrant.

00:56:35Oh, shit.

00:56:59Now, the goal is to help him.

00:57:05The shooting is going on and the whole family is going on.

00:57:20People are going to kill him.

00:57:22And the problem is that the gun-de-gud-de sects were killed, but the BBC took the gun-de-gud-de-gud-de-gud-de.

00:57:39I don't know.

00:58:09I don't know.

00:58:17I don't know.

00:58:22I don't know.

00:58:35Oh, what?

00:58:36In Nehru Vyar, Kauri is a plant.

00:58:388 years ago, Kauri is a cyber cafe.

00:58:41Re-start!

00:58:42Re-start!

00:58:43Panias Teres.

00:58:44Ah, Chotu, what time do I come?

00:58:46Coffee beer?

00:58:47That is not Chotu.

00:58:48Re-start T-stall.

00:58:49Do you have a paper of prelims today, Babu?

00:58:51Do not need to go out there.

00:58:52I need to say coaching.

00:58:54Nikas Sar's coaching.

00:58:55I need to say coaching.

00:58:56I need to say coaching.

00:58:57I need to say coaching.

00:58:58I need to say coaching.

00:58:59I need to say coaching.

00:59:00On the street.

00:59:01On the street.

00:59:05I need to leave here more than a month.

00:59:09More than 30 days of school doesn't vary.

00:59:15Good morning.

00:59:16Good morning.

00:59:18Good morning.

00:59:19Good morning.

00:59:20Morning sir.

00:59:26Let's all take good.

00:59:27Happy birthday to you.

00:59:30Happy birthday to you.

00:59:33foreign

00:59:47foreign

01:00:03So I met Vinod Pradhan from Vinod Pradhan.

01:00:05We didn't have a house because we didn't have a house.

01:00:08So I said, man, this house is where the house is.

01:00:11So suddenly, Khurana Sahib said,

01:00:13Khurana Sahib.

01:00:15And I said, Khurana Sahib, how much did you do it?

01:00:17He said, sir, he said,

01:00:19he didn't have a house.

01:00:21You didn't have to be prepared.

01:00:23Khurana Sahib said,

01:00:25Khurana Sahib,

01:00:27he said,

01:00:29just be yourself and look like a student.

01:00:31We were shooting with students before.

01:00:35But that's the problem.

01:00:37And there were thousands of students in Mukherjee Nagar.

01:00:41If they saw the camera,

01:00:43they would stop shooting.

01:00:45And guys, please don't look here to the camera.

01:00:47No one will see in the camera.

01:00:49Action!

01:00:51I must tell you,

01:00:53and I honestly want to say this,

01:00:57this is one of the best crowds he has handled.

01:00:59I am so worried about the looks.

01:01:01And none of you look at the camera.

01:01:03So hats off to you.

01:01:05Niça Hu, Niça Hu.

01:01:09Niça Hu.

01:01:11Niça Hu.

01:01:13Niça Hu.

01:01:15In Taaliyo Ghe Beach Me Kunal sir ho boulta hai.

01:01:17Sarin sabko siber cafe bhi lejaate hai na.

01:01:19And baarang majhe raat ko sabko bula gya.

01:01:21Sabhi logo moorning 5.30.

01:01:23Haram se. Haram se. Haram se.

01:01:24Hi, my name is Basu, I work in LA, in the Hollywood area, and this is mind-blowing, all these holdings, all these billboards are there, there are about 1200 people over here, they've shut down entire neighborhoods, I cannot even imagine, I cannot even believe

01:01:54What it would take to mount this production in Hollywood

01:02:01In 10 minutes I want to roll

01:02:03Today is insane

01:02:06Can I?

01:02:08Do not

01:02:09I'll do the next time.

01:02:11I'm going to go to school for the next time.

01:02:13Brother!

01:02:14Brother, please phone me.

01:02:15I want to tell my mom.

01:02:16What?

01:02:17That's my killer.

01:02:18Manoj!

01:02:19Manoj!

01:02:20Manoj!

01:02:21Manoj!

01:02:22Manoj!

01:02:23Manoj!

01:02:24Manoj!

01:02:26Manoj!

01:02:27Manoj!

01:02:28Manoj!

01:02:29Manoj!

01:02:30Manoj!

01:02:31Manoj!

01:02:32Manoj!

01:02:33Manoj!

01:02:34Manoj!

01:02:35Manoj!

01:02:36Manoj!

01:02:37Manoj!

01:02:38Manoj!

01:02:39Manoj!

01:02:41Manoj!

01:02:42Go inor!

01:02:43Kjæls!

01:02:44gangsterbakkar!

01:03:09Gauri Bhaiya.

01:03:12Gauri Bhaiya.

01:03:18Gauri Bhaiya.

01:03:20Gauri Bhaiya.

01:03:24Gauri Bhaiya.

01:03:27Gauri Bhaiya.

01:03:29The shoot in which Gauri Bhaiya gets angry with him.

01:03:33Kutrila! Kutrila!

01:03:35Take one! Kutrila!

01:03:37Hey!

01:03:39Hard dog!

01:03:40Get out!

01:03:48I've seen the test, I thought I'll tell you.

01:03:51I didn't want to go to that level.

01:03:53I want to go to that level.

01:03:55What's the matter?

01:03:56It's a great deal.

01:03:58It wasn't good. It was very stiff.

01:04:00But in 2-4 places, you smiled.

01:04:03What?

01:04:04And that smile is very magical.

01:04:09VVC had a lot of fun.

01:04:11That's why it was a rehearsal for months and months.

01:04:14But they were struggling a lot.

01:04:20All is well in Delhi?

01:04:21Yes, sir. It was a better condition.

01:04:24What happened?

01:04:26What is the problem?

01:04:32She has a kind of blood cancer.

01:04:36When I go out, I go out.

01:04:38But your father is not there?

01:04:40No, my father is no more.

01:04:44I wish you well. I wish her well.

01:04:46I wish you, sir.

01:04:47I wish you too.

01:04:48I wish you could have a lot of fun.

01:04:49There are many people who say,

01:04:51Yes.

01:04:52Passion.

01:04:53Yeah.

01:04:54Yeah.

01:04:55Yeah.

01:04:56Yeah.

01:04:57Yeah.

01:04:58Yeah.

01:04:59Yeah.

01:05:00Yeah.

01:05:01Yeah.

01:05:02Yeah.

01:05:03I'm standing up and saying, come on, keep your hands on your hands and tell you how to do it.

01:05:07Now, what happened?

01:05:09Now, you talked to your mother.

01:05:11I saw your face in the video.

01:05:14There was so much anguish in your face.

01:05:17What you're saying is you're seeing your face on your face.

01:05:20There was no projection.

01:05:24No one told me that you're not going to die.

01:05:28So I said, this is it.

01:05:29There's no need to do it.

01:05:32How do you do it, sir?

01:05:34I'm doing a lot of effort.

01:05:37You've learned so much from love with me.

01:05:42Everything that you've said, I felt pain in your face.

01:05:47Now, if I tell you, these lines are.

01:05:50Now, you understand that this is not real life, this is a situation.

01:05:54I'm giving you this scene in the film.

01:05:56Now, I tell you that this is your test.

01:05:5899% say that you're going to be different.

01:06:02That's how much it is.

01:06:03It's so dramatic.

01:06:04It's such a dramatic situation, my mother, like this.

01:06:06How do I interpret it?

01:06:07You could throw it up and tell you your ass.

01:06:09And you also play it, but we do.

01:06:11If you just feel that situation, one man has put a uniform in the castle.

01:06:19But he didn't put his hand.

01:06:21I don't think that I'm going to go to my house and I want to say that my mother-in-law

01:06:26will not salute her.

01:06:27But Gauri has also failed in its last attempt.

01:06:31What, man?

01:06:32This means everyone comes from the old village, like the old village, and the old village

01:06:36will become an IPS.

01:06:37Then, after studying, all of them will get a problem.

01:06:42Mr. Sridi, my brother.

01:06:43It's a difficult time.

01:06:44You guys are not going to be an IPS officer.

01:06:45We have to control a lot of crowd.

01:06:47And this was the day that was the day

01:06:53Rolls up!

01:06:54When we were in our set, the guns were gone

01:07:00Hey!

01:07:02Hey!

01:07:03Hey!

01:07:04Hey!

01:07:05Hey!

01:07:06Hey!

01:07:07Hey!

01:07:08Hey!

01:07:09Hey!

01:07:10Hey!

01:07:11Hey!

01:07:12Hey!

01:07:13Hey!

01:07:14Hey!

01:07:15Hey!

01:07:16Hey!

01:07:17Let's go!

01:07:18Let's go!

01:07:19When this drama ended, the BBC went to Gowri and said

01:07:23Look, this is a shame!

01:07:25How do I make this?

01:07:27I'll do this!

01:07:29I'll do this!

01:07:30Okay, go for a take!

01:07:33And action!

01:07:35I'll do this!

01:07:36I'll do this!

01:07:37I'll do this!

01:07:38I'll do this!

01:07:39I'll do it!

01:07:40I'll do this!

01:07:41I'll do it!

01:07:42I'll do this!

01:07:43I'll do it!

01:07:44I'll do it!

01:07:45I'll do it!

01:07:46I'll do it!

01:07:47I mean, no disrespect!

01:07:48You're just wasting the country's resources, man!

01:07:50You're not going to make these officers!

01:07:51I'll do it!

01:07:52I'll do it!

01:07:53I'll do it!

01:07:54You're just going to accept it and move on!

01:07:56You're not going to accept it!

01:07:57I'll do it!

01:07:58You're not going to accept it!

01:08:00No, no!

01:08:01Too bad!

01:08:03All the boys get off the bhaiers,

01:08:04They'll go together on the bus, trucks and trains!

01:08:06There's nothing to do with them!

01:08:09There's nothing wrong with them!

01:08:16It's nasty!

01:08:17They're trading the neuroscience of cheese.

01:08:20They are selling the optics.

01:08:21If you don't know what to do, it doesn't matter.

01:08:26In the warm-up of June,

01:08:29I'm proud of my father.

01:08:33I'm not able to study my father's children in school or college.

01:08:37I'm not able to study their money in their home.

01:08:42But you know,

01:08:44they don't come out of their hands.

01:08:46They say that these people will become I.S.I.P.S.

01:08:51They have to clean their toilet in some library

01:08:53or clean their toilet.

01:08:55They don't come back.

01:08:57They don't come back.

01:08:59They are very sure.

01:09:02But they are very sure, Nubal.

01:09:05They don't come to study in school or college.

01:09:09They come from the hundreds of thousands of Hindus.

01:09:12But this is their punishment.

01:09:17They are all sitting there, Nubal Babu.

01:09:20But the day when someone comes to us,

01:09:23they will win the millions of Hindus.

01:09:27They will win the millions of Hindus.

01:09:28They are they only tripping themselves up in a hundred years.

01:09:29Good thing, buddy.

01:09:30Bye.

01:09:31See you soon

01:09:40So all these 2008 people was going to continue shooting out soon.

01:09:45Therefore it is not followed by then.

01:09:46See you from now and see you.

01:09:48See you

01:09:49See you cycle.

01:09:51Kindly

01:09:53If you think about it, then what will happen?

01:09:55We'll handle our hands.

01:09:57He's a superman.

01:09:59We can do anything.

01:10:01And everyone knows everything.

01:10:05But let me tell you a secret in his language.

01:10:09He knew it.

01:10:11He knew all.

01:10:13If you don't know,

01:10:15then you'll hear another story.

01:10:19The Atta Chakki store.

01:10:23I don't know how we found that Atta Chakki.

01:10:25Atta Chakki store.

01:10:27Listen to this story.

01:10:29We were in North India.

01:10:33We were looking for Atta Chakki, sir.

01:10:35We found it in Agra.

01:10:43I don't like it at all.

01:10:45The sound is good.

01:10:47Atta Chakki, the sound is good.

01:10:49Atta Chakki, the sound is good.

01:10:51Atta Chakki, the sound is good.

01:10:53Atta Chakki, the sound is good.

01:10:55Atta Chakki, the sound is good.

01:10:57Atta Chakki, the sound is good.

01:11:03Atta Chakki, the sound is good.

01:11:05Atta Chakki.

01:11:07Atta Chakki, I did an Ottawa Tandamani

01:11:21Atta Chakki, the sound is good.

01:11:23We were thinking, what are we doing?

01:11:25Then we said sir again, sir, let me select them.

01:11:28Everything is okay, sir.

01:11:29You're going to be a child.

01:11:31I'm going to go with you.

01:11:33It doesn't mean that I'm going to go with you.

01:11:35I don't have a picture in my mind.

01:11:37But what was the picture in his mind?

01:11:39When I'm dying today,

01:11:42they were a little confused.

01:11:53And then,

01:12:17the day came,

01:12:19when their whole confusion had come.

01:12:21And then these guys found a go-down.

01:12:24It's Kamala Nagar, right?

01:12:26Malka Ganj.

01:12:27Malka Ganj, in Delhi.

01:12:31So, we went there.

01:12:32That's mine.

01:12:35Did they go down there?

01:12:36I don't know.

01:12:38There's nothing here.

01:12:39We're back.

01:12:42And then there was a house on the right side.

01:12:48They're like, why is he stopped here?

01:12:50They're like, we're talking about opening the door of the house.

01:12:53Why are they not opening the door?

01:12:56And they don't know who's random.

01:12:58We're trying to keep it.

01:12:59I don't know what they're doing.

01:13:00People are clueless now.

01:13:02Just like they're saying, cut it out.

01:13:04Open the door.

01:13:05And no, but of course, who will ask the question?

01:13:08They went inside the house.

01:13:10They opened the door and opened the door.

01:13:14Before I went inside, I was Raiyush.

01:13:17It was a normal camera.

01:13:19There's nothing else.

01:13:20We thought, let's go.

01:13:21Let's go.

01:13:22Another waste.

01:13:23But then they came inside.

01:13:25They killed one door.

01:13:27And they say...

01:13:28Okay.

01:13:29I think we found our chakki, guys.

01:13:30Congratulations.

01:13:33Found our chakki?

01:13:34What do you mean?

01:13:35This was a random person's store room.

01:13:38You saw how we found it?

01:13:40We've shown you so many chakki, sir.

01:13:42Where are you at?

01:13:43They came inside the door.

01:13:45They came inside the door.

01:13:47Are you directing this film?

01:13:48You're not meant to make this film.

01:13:49It's not his film at all.

01:13:51You don't have any script.

01:13:53No one's dying at all.

01:13:54No one's dying at all.

01:13:57We're all thinking about the door.

01:13:59We're all thinking about the door.

01:14:00We're all doing chakki-chakki.

01:14:01We don't need chakki-chakki.

01:14:03We don't need chakki-chakki.

01:14:05No one's dying at all.

01:14:07We're all talking about the door.

01:14:09And he said,

01:14:10I'm going to teach you something today.

01:14:12But I'm not going to charge you for everything...

01:14:13because I've learned everything.

01:14:16And he said...

01:14:17Oh, I know.

01:14:18I didn't like those chakki.

01:14:20Because I was not looking for a king at a chakki.

01:14:24What kind of shoes are you living in?

01:14:27Let's go back home.

01:14:28Look, where are you from here, living in the kitchen?

01:14:31We go back home.

01:14:33We've got a lot of money in our village.

01:14:37We've got a lot of money.

01:14:40We've got a lot of money.

01:14:42We've got a good house.

01:14:44We've got a lot of money.

01:14:45We've got a lot of money.

01:14:47We've got a lot of money.

01:14:49Now, for the first time, when you said,

01:14:51how can you be here, get out.

01:14:53I felt it.

01:14:54Get out of this hellhole.

01:14:56And now I know why I didn't like those chaktis.

01:14:59Because in all those big chaktis,

01:15:01that dialogue doesn't make sense yet.

01:15:04Wow.

01:15:06It was like...

01:15:08Amen.

01:15:10That hellhole is not there in that Agarwal chakti.

01:15:12It's from .

01:15:13It's not there anywhere.

01:15:14I was looking for a hellhole.

01:15:16I was looking for a place where I would not wish

01:15:18my worst enemy to live in.

01:15:20And you read the scene.

01:15:21Don't look at the location written on top,

01:15:23but read the scene.

01:15:24Our mistake was, we were looking for atta chakti.

01:15:27Don't look at location.

01:15:28Atta chakti.

01:15:29Don't read atta chakti.

01:15:30Don't do that.

01:15:31Don't do that.

01:15:32Don't look at the scene.

01:15:33Always read the scene.

01:15:35Read the scene.

01:15:37Understand what the scene is.

01:15:39There is a literal line written in the dialogue.

01:15:53The dialogue is not that the danger is outside, the danger is inside.

01:15:56So, if we look at the location of the dialogue,

01:16:01Papa said that not the danger is outside, the danger is inside.

01:16:05The danger is in the dark.

01:16:08Tell me.

01:16:09Yes.

01:16:10What did you say about me?

01:16:12Needless to say, Madaavit.

01:16:14It's a master's story.

01:16:15Don't go by my expression, go by my emotion.

01:16:234th person, 4th person, 4th person, 5th person, 6th person, 5th person, 5th person.

01:16:33Please understand.

01:16:34You think you can tell me everything.

01:16:36I've written a story about me.

01:16:38I've written a story about three times.

01:16:40I don't know what is happening at all.

01:16:42I've been asking her to ask her how to ask the question.

01:16:44You've heard it.

01:16:45How many times do I ask her?

01:16:46What's the first shot?

01:16:47What's the first shot?

01:16:48This is what?

01:16:49Before this is what?

01:16:50We've said it before.

01:16:51What is the first shot?

01:16:52I don't like it, I don't like it.

01:17:12I don't like it.

01:17:14I don't like it.

01:17:17Don't ask me, I found my chakki.

01:17:21When I saw chakki, I realized that I didn't feel good for this.

01:17:25I just realized that what changed my chakki is.

01:17:28Now I realized that our sir never knew anything.

01:17:33When I realized, that it was so bad.

01:17:37That was crazy.

01:17:39Your village is here, you did the whole give-up.

01:17:41Sir, this camera is also turned on.

01:17:43To Pijada. Pijada, Pijada.

01:17:45Yeah, sir.

01:17:47I like this, if we get the...

01:17:49Mother, I didn't know what to do.

01:17:51I had known.

01:17:53I did.

01:17:55No one had no sense of how big the confession was.

01:18:01But I'm completely open to you.

01:18:05I'm saying, let it hit.

01:18:07I was a little disappointed with the script.

01:18:09Tell me how can I make it better.

01:18:11There are very good writers.

01:18:13They write a script for 8 times.

01:18:15He would want me to come and read the script.

01:18:17They are very perfectionist.

01:18:19And again, giving him a feedback.

01:18:21Like, who am I in front of him giving any kind of feedback?

01:18:23Sir, he started the work script.

01:18:25He wrote the script.

01:18:27Everything is fine.

01:18:29189 times, the final script.

01:18:31It's too much, bro.

01:18:33Why are we living in the room?

01:18:35Because there's no secret formula, sir.

01:18:37Quickly, one more.

01:18:39I don't know how much we can move forward.

01:18:41I don't know how much we can find.

01:18:43I don't know how much we can find.

01:18:45I don't know how much we can find.

01:18:47What do you say to the camera?

01:18:49Genius.

01:18:50Genius record.

01:18:51He just keeps saying the same thing over and over again.

01:18:57Never give up.

01:18:59Never ever give up.

01:19:01Never give up.

01:19:03This one.

01:19:09I was told by everyone, including my dearest wife, to put it out on OTT.

01:19:13I was told by everyone, including my dearest wife, to put it out on OTT.

01:19:26She said, nobody will go to see Vinod,

01:19:29you film or Vikrami will see anything.

01:19:32And the agencies are also writing.

01:19:352,000,000 opening.

01:19:3630,000,000 life business.

01:19:38We're scared.

01:19:39Don't be scared in life.

01:19:41The fear of failure that all of us kind of grapple with.

01:19:44He said, but Dariyo mat, and just be fearless and go out there and make the best win that you can.

01:19:48So guys, never give up.

01:19:50Please don't give up.

01:19:51Bobby just said, I'm 66, I'm 72 years old.

01:19:55I'm standing here and telling you, don't ever f***ing give up.

01:19:58Yeah, thank you.

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