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  • 2 days ago
Transcript
00:00:00Music
00:00:04Music
00:00:08Music
00:06:55Amanda.
00:06:57Amanda.
00:06:59She's hungry.
00:07:01She's hungry.
00:07:24Come on.
00:07:31Come and take a bath.
00:07:48She's called Christina.
00:07:50Chris, you don't like Chris?
00:07:55I do, I do, I do.
00:08:20Toma-me a tua boca de linho sobre a minha boca, austera. Toma-me agora, antes...
00:08:34Antes que a carnadura se desfaça, sangue. Antes da morte, amor, da minha morte. Toma-me.
00:08:43Crava a tua mão, respira meu sopro, deglute. Tempo do corpo, esse tempo da fome.
00:08:52Do de dentro, corpo se conhecendo, lento.
00:08:57Sol de diamante alimentando o ventre. O leite da tua carne, a minha fugidia.
00:09:05E sobre nós esse tempo, futuro, ordindo a grande teia.
00:09:10Sobre nós, a vida, a vida se derramando, cíclica, escorrendo.
00:09:21Fora, fora! Isso é sem vergonha e se pura.
00:09:25Ora, ora, ora, sem vergonha e se pura.
00:09:29Algum escândalo por aqui? Há uma voz discordante na plateia?
00:09:35Há um senhor, ah, está ali, que discorda do mavioso texto dito por essas duas senhoritas aqui presentes?
00:09:44Pra mim isso é merda.
00:09:46Isso é teatro, senhores. O conflito iminente.
00:09:52Nem sempre. Vamos entrar num acordo.
00:09:56Isso é bom para o teatro. Diga merda para o povo e seja sempre novo.
00:10:05Ah, nossa boca de vento. Blá, blá, blá.
00:10:11Boca de vento. Boca de vento, deixa ver.
00:10:15A nossa boca de vento, que aparentemente é vazia, seria o primeiro momento de uma escatologia comparada.
00:10:27A nossa boca de vento, na verdade, são duas bocas de vento.
00:10:34Boca do nada.
00:10:36Partindo do nada, nós chegaremos a infinitas conclusões.
00:10:44Caro senhor, depois do nada, vem tudo de mão beijada.
00:10:53Fora! Fora! Fora! Fora!
00:10:57A minha loucura, outros que me atorem com que nela ia.
00:11:10Se é loucura o que é o homem, mas que besta sadia. Cadáver adiado que procria.
00:11:14Oh, teatro é arte do agraço. O imprevisível já tá no roteiro.
00:11:20But what is happening?
00:11:27It seems that we hit the exposed nerve of this nice society.
00:11:34We shot them. Everyone liked it.
00:11:40We caused a catarse. We caused a catarse in these people.
00:11:47Not this is our function?
00:11:52We liberate the fantasies, the supernatural forces, the odious reprimed, the desires recalcated.
00:12:00We divide the crowd. We enloucate the public.
00:12:07That's wonderful!
00:12:10What a beautiful example you give.
00:12:14A bunch of thieves, trying to convince me that they do theater.
00:12:18What kind of theater is this that you do?
00:12:20Mr. Delegado...
00:12:23We could not transfer the aesthetic discussion to later?
00:12:27What are we accused of?
00:12:30Atentment to the poor.
00:12:33And we will stay for a long time here?
00:12:37For a long time here.
00:12:39For a long time here.
00:12:40To have a drink and the washing of them?
00:12:45The children of you forgot?
00:12:49I'm not going to pay for the money, I'm not going to pay for the money.
00:12:56Senhoras e senhores, passando por aqui, resolvemos alegrar esse distinto público
00:13:26and tell us a little bit of our lives.
00:13:31We are doing theater.
00:13:34You know what is theater?
00:13:40The theater is like a mirror.
00:13:44You understand?
00:13:45We look and see reflect.
00:13:47With a beautiful scene behind.
00:13:50Luzes, colors, music.
00:13:53Everything, as if it were life.
00:13:57It's life, reflected in the mirror.
00:14:00And you are our scenario.
00:14:03It's a life, it's a piece.
00:14:05It's made to pieces.
00:14:09Respeitable public,
00:14:11the company of artists Mbembe
00:14:14presents a show entitled
00:14:15The history of pieces of our lives
00:14:18and how we were forbidden to exercise our profession
00:14:22with Amanda,
00:14:26Sônia,
00:14:27Santiago,
00:14:29this that you tell us
00:14:31and the little Cris, of course.
00:14:34The history of the music.
00:14:44Já se ouve o rufar do tambor.
00:14:46Chegou a hora de rir.
00:14:48Chegou a hora de chorar
00:14:50que o espetáculo vai começar.
00:14:54Enquanto eles arrumam o cenário lá atrás,
00:14:56permitam-me
00:14:57apresentar.
00:14:59I am a poet, I create the characters, I create the dialogue, I invent...
00:15:09If you want to call your voice, you have to say, the show will start, and ready?
00:15:15Yes, sir.
00:15:17And you don't have the right to be revealing our secrets?
00:15:21Yes, sir.
00:15:23I don't pay very well?
00:15:25I have my doubts, sir.
00:15:27Calm your mouth, I'll break your face.
00:15:29Calm, sir.
00:15:31Not, sir.
00:15:33Tell what has to be said, so the public know what is the truth.
00:15:38Distinto public,
00:15:40the theater is a very well-paid activity,
00:15:44and the most honorable profession.
00:15:47And it cannot be a bad example for anyone.
00:15:50And it cannot be a bad example for anyone.
00:15:53And it cannot be a bad example, Mr. Delegado.
00:15:56And it cannot be a bad example, Mr. Delegado.
00:15:59Very well.
00:16:01How much I give you?
00:16:02Five coins, sir.
00:16:04I give you one.
00:16:06And now, let's start!
00:16:17Open the door, my dear Comédia.
00:16:19Let's enter in function?
00:16:21Peraí, my poetin.
00:16:23I'm still wearing makeup.
00:16:24What kind of tragedy?
00:16:26What are we waiting for?
00:16:28I always enter for last.
00:16:29Who will give me this?
00:16:31This time, let's improvise.
00:16:33What role will I make, my dear?
00:16:35Your own.
00:16:36You will tell my story?
00:16:37More or less.
00:16:39Ah, I don't want to know drama.
00:16:41I don't want to see anyone crying in my face.
00:16:43I'll get back.
00:16:44I can't be afraid.
00:16:45I'll never be gonna be together in the stage.
00:16:47Calm down, everyone.
00:16:48No problem, don't let's argue.
00:16:49The public is waiting for us.
00:16:51The show cannot stop.
00:16:54Come here, come here.
00:17:00What are we going to do?
00:17:05My Juliet?
00:17:07Stop with this.
00:17:11Come here.
00:17:13I'm going to love you.
00:17:15Always running away.
00:17:33That's not it.
00:17:35I'm always in movement.
00:17:38Where?
00:17:40Where?
00:17:41From there or from there.
00:17:44We never know.
00:17:46She left me there.
00:17:49No adeus.
00:17:51Why?
00:17:53What difference does it make?
00:17:55In this world of shit, what difference does it make?
00:17:59It's not a world perfumado,
00:18:01but it's a world where we live.
00:18:04I'm full of life.
00:18:07What do we do?
00:18:09We call it art.
00:18:13It's a virtue.
00:18:16A redenção.
00:18:18Bela droga.
00:18:20It can be a tragedy.
00:18:25If it's a tragedy, it's better.
00:18:28It can be a rage of a strong man.
00:18:35It's true.
00:18:37It's true.
00:18:38Onde for you?
00:18:39It's true.
00:18:40Someone wrote.
00:18:42It's a word that goes prostitutes and armed forces.
00:18:47It's not a reality.
00:18:51It's not a reality.
00:18:53It's a reality.
00:18:55It's a reality.
00:18:56People are a baby.
00:18:57He is a common man, or can't live with the common people.
00:19:06He doesn't accept the dishonest money of anyone.
00:19:10And he doesn't accept the insolence of anyone.
00:19:14He speaks like a person of his age.
00:19:20He is áspero, he has a sense of grotesque, but he is spiritual.
00:19:28And he speaks...
00:19:31...with total despair by the mesquinez alheia.
00:19:36A beautiful profile.
00:19:39What's your story?
00:19:43Your story...
00:19:47...is the adventure of looking for a false truth.
00:19:50It would not be an adventure...
00:19:55...if it would not happen to be a man who is tall to the adventure.
00:20:00If everyone is like him...
00:20:04...the world would be more beautiful.
00:20:06But not interesting to not want to live with him.
00:20:13I would like to love him.
00:20:16I would like to know him.
00:20:17I would like to know him.
00:20:21Oh no...
00:20:23Oh no...
00:20:25Oh no...
00:20:27Oh no...
00:20:29Oh no...
00:20:31Oh no...
00:20:32Oh, my God.
00:21:02Oh, my God.
00:21:32Oh, my God.
00:22:02Oh, my God.
00:22:32Oh, my God.
00:23:01Oh, my God.
00:23:31Oh, my God.
00:24:01Oh, my God.
00:24:31Oh, my God.
00:25:01Oh, my God.
00:25:31Oh, my God.
00:26:01Oh, my God.
00:26:31Oh, my God.
00:27:01Oh, my God.
00:27:31Oh, my God.
00:28:01Oh, my God.
00:28:31Oh, my God.
00:29:01Oh, my God.
00:29:31Oh, my God.
00:30:01Oh, my God.
00:30:31Oh, my God.
00:31:01Oh, my God.
00:31:31Oh, my God.
00:32:01Oh, my God.
00:32:31Oh, my God.
00:33:01Oh, my God.
00:33:31Oh, my God.
00:34:01Oh, my God.
00:34:31Oh, my God.
00:35:01Oh, my God.
00:35:31Oh, my God.
00:36:01Oh, my God.
00:36:31Oh, my God.
00:37:01Oh, my God.
00:37:31Oh, my God.
00:38:01Oh, my God.
00:38:31Oh, my God.
00:39:01Oh, my God.
00:39:31Oh, my God.
00:40:01Oh, my God.
00:40:31Oh, my God.
00:41:01Oh, my God.
00:41:31Oh, my God.
00:42:01Oh, my God.
00:42:31Oh, my God.
00:43:01Oh, my God.
00:43:31Oh, my God.
00:44:01Oh, my God.
00:44:31Oh, my God.
00:45:01Oh, my God.
00:45:31Oh, my God.
00:46:01Oh, my God.
00:46:31Oh, my God.
00:47:01Oh, my God.
00:47:31Oh, my God.
00:48:01Oh, my God.
00:48:31Oh, my God.
00:49:01Oh, my God.
00:49:31Oh, my God.
00:50:01Oh, my God.
00:50:31Oh, my God.
00:51:01Oh, my God.
00:51:31Oh, my God.
00:52:01Oh, my God.
00:52:31Oh, my God.
00:53:01Oh, my God.
00:53:31Oh, my God.
00:54:01Oh, my God.
00:54:31Oh, my God.
00:55:01Oh, my God.
00:55:31Oh, my God.
00:56:01Oh, my God.
00:56:31Oh, my God.
00:57:00Oh, my God.
00:57:30Oh, my God.
00:58:00Oh, my God.
00:58:30Oh, my God.
00:59:00Oh, my God.
00:59:30Oh, my God.
01:00:00Oh, my God.
01:00:30Oh, my God.
01:01:00Oh, my God.
01:01:30Oh, my God.
01:02:00Oh, my God.
01:02:30Oh, my God.
01:03:00Oh, my God.
01:03:30Oh, my God.
01:04:00Oh, my God.
01:04:30Oh, my God.
01:05:00Oh, my God.
01:05:30Oh, my God.
01:06:00Oh, my God.
01:06:30Oh, my God.
01:07:00Oh, my God.
01:07:30Oh, my God.
01:08:00Oh, my God.
01:08:30Oh, my God.
01:09:00Oh, my God.
01:09:30Oh, my God.
01:10:00Oh, my God.
01:10:30Oh, my God.
01:11:00Oh, my God.
01:11:30Oh, my God.
01:12:00Oh, my God.
01:12:30Oh, my God.
01:13:00Oh, my God.
01:13:30Oh, my God.
01:14:00Oh, my God.
01:14:30Oh, my God.
01:15:00Oh, my God.
01:15:30Oh, my God.
01:16:00Oh, my God.
01:16:30Oh, my God.
01:17:00Oh, my God.
01:17:30Oh, my God.
01:18:00Oh, my God.
01:18:30Oh, my God.
01:19:00Oh, my God.
01:19:30Oh, my God.
01:20:00Oh, my God.
01:20:30Oh, my God.
01:21:00Oh, my God.
01:21:30Oh, my God.
01:22:00Oh, my God.
01:22:30Oh, my God.