- 5 days ago
#fullmovie #freemovie #freedrama #newmovies #newdrama #bestmovie #bestshortfilm #bestdrama #viralfilm #viralshortdrama #lovemovie
Category
🎥
Short filmTranscript
00:00:00Oh
00:00:19Hey, baby, tell me who do you love me of a lesson? Oh
00:00:25Yeah, as is she isn't I since you got those horrible scars
00:00:36Are you on the other
00:00:55Please don't stop on my account. I've never filmed a porno, especially not one starring my own boyfriend and sister
00:01:15All right, give me the camera come on now delete that shit why you always said you wanted fame this will make you go super viral
00:01:23Oh
00:01:25Vanessa name's the company's top model. If this gets out we're all finished
00:01:31Dad's never gonna forgive you now. Give me that damn camera
00:01:37Fine
00:01:41Wise because you know what?
00:01:44Shooting sexually explicit content of your boyfriend and your sister
00:01:49That's probably gonna damage your career a lot more than it will
00:01:53Yes
00:02:03Well, Blaine you got what you wanted it's over
00:02:07Look up you were the one who turned Blaine from nothing to a top model and now he's messing about with Abby
00:02:24I don't get how he could do that to you doesn't matter. We've already separated
00:02:28It's because you've not been with enough guys
00:02:30It's because you've not been with enough guys
00:02:34I've got the perfect stripper lined up for you
00:02:36He's a real wizard in the bedroom
00:02:40This
00:02:42Adam
00:02:46Adam
00:02:48Just hang tight
00:02:50He'll be your suit
00:02:52Speaking of
00:02:54Dad looks like the guy I booked
00:02:56So just wait for Adam
00:02:58He'll be wearing a suit and tie
00:03:00He's gonna blow your mind
00:03:02Cassidy I work with the most beautiful people in the world
00:03:04It takes a true stunner to impress me
00:03:06You can keep him
00:03:08Mr. Todd
00:03:10Still no updates on the woman with the scar on her arm
00:03:12We're running out to please
00:03:14Look, just expand the search radius
00:03:16Okay, I need to find her, now
00:03:20You're late
00:03:22That's not it
00:03:24You're late
00:03:26That's not it
00:03:28You're late
00:03:30That's not it
00:03:32You're late
00:03:34You're late
00:03:36You're late
00:03:38You're late
00:03:40You're late
00:03:42You're late
00:03:44That's not very professional
00:03:45Yeah, excuse me
00:03:46I'm in a rush
00:03:47You shouldn't be so rude to your customers
00:03:48Look, I'm losing my pace
00:03:54It's, it's you
00:03:56Yes
00:03:57It's me
00:04:00So
00:04:01Are we fucking here?
00:04:02Or do you want to go to Adam?
00:04:08Finally
00:04:09I found you
00:04:12I found you
00:04:14I found you
00:04:15I found you
00:04:16I found you
00:04:17I found you
00:04:18I found you
00:04:19What's the name?
00:04:20What's the name?
00:04:21Can you happen?
00:04:22No
00:04:23I'm not imbalanced
00:04:24I'm not imbalanced
00:04:25I'm not in a hurry
00:04:27You're not in a hurry
00:04:28No
00:04:30No
00:04:31It's not in an order
00:04:33It doesn't matter
00:04:34It's fine
00:04:37I'm not in a hurry
00:04:38In the peace.
00:04:41I'm talking.
00:05:08Oh my god, are you okay?
00:05:34Can you get up?
00:05:36Come on, stay with me.
00:05:38Come on.
00:05:39Come on.
00:05:40Come on.
00:05:41Come on.
00:05:42Come on.
00:05:43Come on.
00:05:44Come on.
00:05:45I'll get you out of here.
00:05:56From now on, I'll look out for you.
00:06:04Good morning.
00:06:05Good morning.
00:06:06Good morning.
00:06:11Does it bother you?
00:06:13No, not at all.
00:06:15It's a symbol of your bravery.
00:06:16Well, you certainly know how to charm a woman and please her.
00:06:32Last night was, um, it was really good.
00:06:37Here's a little something for you.
00:06:43I don't want your money.
00:06:44Why-
00:06:45No.
00:06:46Keep it.
00:06:47Keep buried it.
00:06:50Wait a minute.
00:06:53You don't remember me?
00:06:54You don't remember me?
00:06:55You don't remember me?
00:07:00I'm the one-
00:07:01Sorry.
00:07:02One second.
00:07:03Yeah?
00:07:04What's up?
00:07:05Vanessa, bad news.
00:07:06Blaine's throwing a tantrum about the shoot.
00:07:08What should I do?
00:07:09Um, okay.
00:07:10Calm down.
00:07:11I'm on my way.
00:07:12Shit.
00:07:13This is for the Todd group shoot.
00:07:14If this goes sideways, that nightmare Mr. Todd is going to be on my case again.
00:07:18Me?
00:07:19A nightmare?
00:07:20Wait, um, thank you for last night.
00:07:21I will see you.
00:07:24I guess.
00:07:25Hey, yeah.
00:07:26Alright.
00:07:27Alright.
00:07:28Thank you for last night. I will see you, I guess.
00:07:45Hey, yeah. All right. Find out which studio Vanessa's at, okay?
00:07:58Vanessa, thank goodness. Blaine is flipping out. He's saying his arm is broken.
00:08:04I'm sure you know how to handle that spoiled brat.
00:08:08Yeah, I'll handle it.
00:08:09Blaine, are you seriously going to throw away this deal?
00:08:13It's not like I want to. You broke my arm.
00:08:17And you tell me how I'm meant to shoot if I can't even strike the pose.
00:08:24If you said I broke your brain, I'd believe you.
00:08:27What's that got to do with your arm, though?
00:08:29Give it a rest, will you, love?
00:08:31How's this? If you publicly apologize to me?
00:08:38Not happening.
00:08:40It's on you, remember? Today's the last day for shooting.
00:08:43If you can't pull this off, can you really deal with the Todd Group's wrath?
00:08:49Today's the last day for shooting. If you can't pull this off, can you really deal with the Todd Group's wrath?
00:08:53Vanessa, if we lose the Todd Group as a client, our company's in serious trouble.
00:08:59There must be some other models available.
00:09:01I reached out. All the top models are booked today.
00:09:05Christ, fine. I'll apologize.
00:09:08Blaine, I'm so sorry. Can you come back for the shoot?
00:09:10Oh, you know, I would really like to, but there is one little stipulation.
00:09:17Abbie here has got to be behind the camera.
00:09:21Abbie is an amateur photographer. She's not ready for the Todd Group.
00:09:25Blaine and I ran over all the details last night. The Todd Group are going to love it.
00:09:29So you two are just here to cause trouble?
00:09:35As if you haven't messed me about enough already?
00:09:47Since this shoot is a bust, I might as well take the heat.
00:09:52So your arm's broken?
00:09:53Yeah.
00:09:54You can't move it?
00:09:55No.
00:09:55Oh, it looks like it's working perfectly fine.
00:10:06It's you.
00:10:10You know what? I'm not doing the shoot period. Do you know why?
00:10:15Because I want to see how you clean up this little mess.
00:10:19If you won't shoot, Blaine, I'll find someone who will.
00:10:29If you won't shoot, Blaine, I'll find someone who will.
00:10:34Where are you going to find a new model in, like, two seconds?
00:10:46Guess what? Here's my new model.
00:10:49Wait, what, me?
00:10:53I'll pay double the standard rate. Just help me out. I'm desperate.
00:11:00Yeah, okay. All right.
00:11:01Awesome. You're going to be great. You two can scram now.
00:11:05You really think you can just snatch someone off the street to replace Blaine?
00:11:09Modeling isn't just about looking pretty.
00:11:11He might freeze up and make a fool of himself in front of the camera.
00:11:15Vanessa, he might have the looks, but he's got no experience.
00:11:19This flops, we might lose the Todd group as a client.
00:11:21I wouldn't be where I am now if I didn't take a few risks.
00:11:34Let's start with this.
00:11:35Keep his makeup natural.
00:11:37Highlight his features and contours.
00:11:39Let's make him glow.
00:11:42Got it?
00:11:47Sticky forever. Why isn't he out yet?
00:11:49He's probably pissing his pants. He's not a star.
00:11:52Hmm.
00:11:52Unlike Blaine.
00:11:53Hmm.
00:11:54That's right. I am a star.
00:11:57And I'm very, very sexy.
00:11:59And I just don't believe it's some random nobody off the street to be close to that.
00:12:05Okay?
00:12:06Yeah, of course.
00:12:07Yeah, of course.
00:12:37Damn.
00:12:42He's gorgeous.
00:12:43It's not just his face.
00:12:45His whole vibe screams top model.
00:12:47He could steal anyone's spotlight.
00:12:49Oh, for fuck's sake.
00:12:51Anyone can look good with a bit of makeup and a blazer with no shirt.
00:12:56Come on.
00:12:56I want to see.
00:12:57I want to see how he crashes and burns when the lights start flashing.
00:13:02That's what I want to see.
00:13:04That's what I want to see.
00:13:04Better than I expected.
00:13:09It's okay to be a little nervous before your first shoot.
00:13:13But I'm here.
00:13:16Just trust me.
00:13:18You're going to be great.
00:13:19I want to see how he's going to be.
00:13:21Okay.
00:13:22Light.
00:13:22Let's shoot.
00:13:25Yeah.
00:13:27That's so cute.
00:13:28Okay.
00:13:30That's so good.
00:13:32For real.
00:13:32That's so cute.
00:13:33Open up your shirt a little bit.
00:13:36Yeah.
00:13:37Yeah.
00:13:38Wow.
00:13:39Maybe pick up the magazine.
00:13:41I'll look through there.
00:13:42Yeah.
00:13:43You're a top model.
00:13:44You're so good.
00:13:47Okay.
00:13:47That's it.
00:13:48Joyce, let's get his next look ready.
00:13:58This is the L.A. premium brand shoot, Blaine.
00:14:02This would have taken you to the next level.
00:14:04It's too bad.
00:14:05You're such a whiny little bitch.
00:14:06You both messed up.
00:14:10Big time.
00:14:29Oh, I can't believe that this shoot has just landed on this random gobshine slap.
00:14:36Would you do something about it?
00:14:38Chill.
00:14:39I'm working on it.
00:14:40No way, he's new.
00:14:42Look at him go.
00:14:43His outfit is practically perfect.
00:14:45It's, like, made for him.
00:14:47It's going to sell out in no time.
00:14:49I used to put Blaine on pedestal, but he's nowhere near it now.
00:14:51Exactly.
00:14:52He was the company's top guy, but now he's got outshone by a newbie.
00:14:57Wow, babe.
00:14:58You've crushed it.
00:15:00These shots are turning out better than anyone would have expected.
00:15:03Sure you're not thinking of ditching your job, Marvin?
00:15:07Hey, look.
00:15:08I'm just glad I didn't screw it up.
00:15:11I was actually wondering, are you free tonight?
00:15:14I was thinking we could go on, like, an actual, like, date for-
00:15:16Ah, is this yours?
00:15:18Your phone's been going off.
00:15:19Oh, uh, nice.
00:15:27Six-pack strippers.
00:15:30Guess we know how he pays his bills.
00:15:33Dude's a stripper.
00:15:37A cheap one, too.
00:15:41He's got that serious look, but he's in that line of work.
00:15:45And this is pretty cozy with that male stripper.
00:15:48Could she be his regular?
00:15:51Who knew she would be living that kind of life behind the scenes?
00:15:59You have no shame.
00:16:02And I thought you were a professional bringing a stripper to work.
00:16:08Nothing short of fucking embarrassing love.
00:16:12Don't show me a lot of professionalism, Lane.
00:16:15Oh, it concerns him now.
00:16:18When the talk group finds out you've used a stripper for their campaign,
00:16:23think they'll be cool with that?
00:16:26Is the chute still not wrapped?
00:16:28Why are you guys dragging your feet?
00:16:30Mr. Dale, the chute's done.
00:16:31The photographer insisted on using a stripper as their model.
00:16:35This could really hurt the talk group's image.
00:16:40What?
00:16:41A stripper?
00:16:44Who's the photographer?
00:16:46Where's this guy?
00:16:47Bring him here.
00:16:49That's them.
00:16:51Look, it has nothing to do with him.
00:16:53It's all on me.
00:16:54No one messes with the talk group and walks away with it.
00:16:59Let's see what the stripper thinks.
00:17:04Mr. Todd.
00:17:08Mr. Todd.
00:17:10You didn't tell me you were coming in tonight.
00:17:13The hell?
00:17:13Why did he just call you Mr. Todd?
00:17:16No, no, no.
00:17:17You've misheard him.
00:17:19She mentioned hating Mr. Todd before.
00:17:21If she figures out who I really am,
00:17:23she won't come near me at all.
00:17:25What he meant to say was
00:17:27Mr. Todd doesn't judge people on their occupations, right?
00:17:31Exactly.
00:17:32This guy's got it all.
00:17:37He perfectly embodies the brand's executive vibe.
00:17:43I'm sure Mr. Todd would be delighted with his work here.
00:17:51Lauren, you have an eye for talent.
00:17:53I'll show you the shots.
00:17:54He absolutely nails his outfit.
00:17:56How could he not?
00:17:58The brand is perfectly made for the...
00:18:00Mr. Lawrence,
00:18:05by the way,
00:18:06I was the original model
00:18:08and if this shoot had been done with me,
00:18:10if I was given a chance,
00:18:11it would have been a lot fucking better.
00:18:16Exactly.
00:18:17Blaine's a pro.
00:18:18He's lightiest ahead of these amateurs.
00:18:21Aren't you the ones who turned it down?
00:18:24Let me get the backtrack now.
00:18:27But if you guys can't show some respect,
00:18:30what's the point of being a pro?
00:18:33You're messing up the shoot.
00:18:35What?
00:18:35Both of you,
00:18:37get out.
00:18:38Lawrence,
00:18:39I'm at the heart.
00:18:40Get them out.
00:18:40Just listen.
00:18:42You're a man's high slipper.
00:18:43Take it.
00:18:44Take it.
00:18:44Mr. Dale,
00:18:46you should take a look at these photos.
00:18:55No need.
00:18:56I was just stopping by to take a quick look.
00:18:58I'll let you get back to it.
00:19:02Why are the Todd group reps being so nice all of a sudden?
00:19:06Are they usually that bad?
00:19:07You have no idea how picky Mr. Todd is.
00:19:12He is a total perfectionist,
00:19:15moody,
00:19:16just asshole.
00:19:18Okay,
00:19:18there was one time,
00:19:20everything was arranged on set,
00:19:21but he nitpicked every single tiny detail.
00:19:24He had me pulling all my others.
00:19:26And one time,
00:19:27he fired someone.
00:19:29Just randomly,
00:19:30out of the blue,
00:19:30because he was in a bad mood.
00:19:32So yeah,
00:19:32I don't like him at all.
00:19:34He's a jerk.
00:19:35I swear to God,
00:19:36if I ever meet him,
00:19:38I'm going to give him a piece of my mind.
00:19:40Maybe it was a misunderstanding?
00:19:44You've never met this guy.
00:19:45And you're seeing these things?
00:19:48Yeah,
00:19:48don't bring him up again.
00:19:50She's got the wrong impression here.
00:19:52I need to fix this.
00:19:54These shots are amazing.
00:19:56Have you ever thought about ditching your job from huddling?
00:20:00Ditching my job?
00:20:01Well, yeah,
00:20:02you can't be a stripper forever, right?
00:20:04What?
00:20:05No, no,
00:20:05Vanessa,
00:20:06I am not a stripper.
00:20:07Luke, come on.
00:20:08You've got the look,
00:20:09you've got the charm,
00:20:11you kill it in front of a camera.
00:20:14I'll sign you up.
00:20:15Whatever deal you want.
00:20:17Really?
00:20:19Whatever deal I want.
00:20:20So,
00:20:29this is it.
00:20:32Are you sure you're cool with staying here?
00:20:35Um,
00:20:36yeah,
00:20:37not really feeling it.
00:20:38You got any other options?
00:20:40Nope.
00:20:42Master bedroom's off limits,
00:20:43obviously.
00:20:45This place isn't a mansion.
00:20:47I don't know why you insist on staying here.
00:20:50Well,
00:20:50I switched jobs for you.
00:20:51I don't have anywhere to go.
00:20:52Come on,
00:20:53have me back here.
00:20:53All right,
00:20:58look,
00:20:59if I'm being honest,
00:21:00I'd, uh,
00:21:01rather stay with you.
00:21:04Stop.
00:21:06I'm your boss now.
00:21:08You gave me a roof.
00:21:10All right,
00:21:10I'll pay it back.
00:21:12Yeah,
00:21:12well,
00:21:12you're not a stripper anymore,
00:21:14so you can't stop at that point.
00:21:16All right.
00:21:17Just get some rest,
00:21:19okay?
00:21:19We have somewhere to be tomorrow.
00:21:21Where are we going?
00:21:22We'll find out when we get there.
00:21:33Mr. Todd,
00:21:34Ms. Clark sent over the LA's final promo shots.
00:21:37Want to take a look?
00:21:38I have to admit,
00:21:39you've got a knack for this modeling thing, sir.
00:21:41The photos turned out amazing.
00:21:43No, no, no,
00:21:44listen,
00:21:44just, just,
00:21:44just get someone else to redo the shoot,
00:21:46okay?
00:21:47What about Ms. Clark?
00:21:48I don't know.
00:21:49Tell her that the brand
00:21:50postponed the campaign or something.
00:21:51But look,
00:21:52these photos cannot leak,
00:21:54okay?
00:21:55If they do,
00:21:56people might figure out
00:21:57who I really am.
00:21:58Right?
00:21:59Figure out what?
00:22:04Um,
00:22:05my,
00:22:05my secret side job,
00:22:07yeah.
00:22:09Um,
00:22:09I'm worried that it might
00:22:10cause you some problems.
00:22:14Uh,
00:22:14why did Jim come back?
00:22:17Change your mind?
00:22:19Want to stay another night with me?
00:22:20sweet dreams.
00:22:32All right,
00:22:33what's going on?
00:22:34Why are we here?
00:22:35Clothes.
00:22:35Duh.
00:22:36You're my new model.
00:22:38I need you to look sharp.
00:22:40Welcome.
00:22:41Hi.
00:22:42These two.
00:22:43Okay,
00:22:43we need these ASAP.
00:22:46By car.
00:22:46Absolutely.
00:22:47Um,
00:22:48just a sec.
00:22:51Wait,
00:22:52wait,
00:22:52wait.
00:22:53Hold on.
00:22:55I want to buy those outfits.
00:22:57Mr. White,
00:22:58what brings you here?
00:22:59I'm afraid we'll have to prioritise
00:23:04Mr. White's order.
00:23:05Yours will have to pay.
00:23:06But we order first.
00:23:08Isn't it first come,
00:23:09first serve?
00:23:11In this world?
00:23:13Please.
00:23:14Lane's at the top.
00:23:17So yeah,
00:23:18he comes first.
00:23:26So,
00:23:27you're waiting or not?
00:23:29Is this how you treat your customers?
00:23:32Yeah,
00:23:32I'd like to talk to your manager.
00:23:33Manager's tied up.
00:23:35If you insist on causing trouble,
00:23:37I'll have security to show you out.
00:23:54What seems to be the problem?
00:23:56It's them.
00:23:57They're trying to mess up Mr. White's order.
00:24:01Mr.
00:24:03Yeah,
00:24:03start talking now.
00:24:06Of course.
00:24:11You're done.
00:24:14Fired.
00:24:15Now get out.
00:24:22I am so sorry about all this.
00:24:25We'll get your order processed right away
00:24:27and throw in
00:24:28an 100% discount for your trouble.
00:24:30How does that sound?
00:24:39What a load of shit!
00:24:43That's mad!
00:24:44These are no name,
00:24:45no fame,
00:24:46and you're treating them like this?
00:24:47How we run this place
00:24:48is not your concern.
00:24:50From now on,
00:24:51the two of you
00:24:52are blacklisted.
00:24:56Don't expect
00:24:56any future collaborations
00:24:58with us.
00:25:03Bye.
00:25:14What a day, huh?
00:25:17Yep.
00:25:18Abby and Blaine were practically glowing with envy.
00:25:20You've got my back,
00:25:21but are you not worried
00:25:22about pissing off the brand?
00:25:24No.
00:25:25No?
00:25:25No, not at all.
00:25:26No, there's plenty of other luxury brands out there.
00:25:41What are you looking at?
00:25:42I'm just
00:25:43looking at you.
00:25:44I feel the weight
00:25:47behind my eyes
00:25:50lean towards
00:25:54the color that lies within
00:25:57I've been waiting
00:26:01I've been waiting
00:26:05It's late.
00:26:09We have work for now.
00:26:11We should get some rest.
00:26:23Good morning.
00:26:25Thought you might want to start your day right.
00:26:27Get a grip, Vanessa.
00:26:41He's your model now.
00:26:42Now it's some wild fling.
00:26:47Morning.
00:26:49So,
00:26:50you made all this?
00:26:53I thought you might be hungry.
00:26:54Try it.
00:27:06Hmm.
00:27:07Yeah?
00:27:08Yeah, it's better than I expected.
00:27:12Wow.
00:27:13Confident.
00:27:14Yeah, don't get used to it.
00:27:18You try it.
00:27:22Really?
00:27:23Is that
00:27:25what it's going to be like
00:27:26having you in my house?
00:27:28Well, thank you.
00:27:37Morning, everyone.
00:27:39Morning, Vanessa.
00:27:40Wait a second.
00:27:41Hasn't that the same guy
00:27:42you brought in a few days ago?
00:27:45Yeah.
00:27:45He's my new mom.
00:27:46Hey, guys.
00:27:47I'm Jason.
00:27:48I look forward to working with you all.
00:27:49I thought you said your name was Aaron.
00:27:55I said to him.
00:27:56So,
00:27:57you two arrived together.
00:27:59What, are you living together now?
00:28:00Oh, Joyce, seriously,
00:28:02let's just get this done.
00:28:04Okay, are the cameras ready?
00:28:06She really signed that cool boy into the company.
00:28:09Just wait.
00:28:10This is going to be fun to watch.
00:28:12Vanessa,
00:28:18over here, now.
00:28:21All right, everyone.
00:28:23Take five.
00:28:29It's one thing messing around
00:28:31in your personal life,
00:28:32but bringing a stripper
00:28:33into the company.
00:28:38You ready to deal with the fallout
00:28:39if this backfires?
00:28:40Dad, I didn't pull this out of thin air.
00:28:43Jason is talented.
00:28:44Talented.
00:28:46He's playing you with smooth talk.
00:28:50I've let you run things your way,
00:28:52but hiring him,
00:28:54that's where I draw the line.
00:28:56I need to fire him now.
00:28:58I'm not going to fire him.
00:29:02I promise, he's really talented.
00:29:05Just look at him.
00:29:07You're really going to take sides
00:29:09against your father?
00:29:10Sis,
00:29:10Dad's only trying to protect
00:29:12the company's reputation.
00:29:13Just do what's right.
00:29:16And let him go.
00:29:18Abby, stay out of this.
00:29:19It's none of your business.
00:29:22Dad, can you please just trust me for once?
00:29:26I've been pulling in projects first for you.
00:29:28Dad,
00:29:29when another client,
00:29:30Vertex Group,
00:29:30finds out
00:29:31you've let her use a stripper
00:29:32for the shoot,
00:29:33they're going to flip.
00:29:34Abby's got a point.
00:29:36Either he goes,
00:29:37or Abby and Blaine take over.
00:29:40Your choice.
00:29:45Either he goes,
00:29:47or Abby and Blaine take over.
00:29:49Your choice.
00:29:50I appreciate it, Dad.
00:29:51I've always led the Vertex Group's shoots.
00:29:55And you're just going to let Abby take it,
00:29:56just like that?
00:29:58You took it for granted, Vanessa.
00:30:00Don't blame Abby.
00:30:02Abby,
00:30:03if you think you can steal this shoot from me,
00:30:04you better know how to handle it.
00:30:08You know what, actually?
00:30:09Let's make this interesting.
00:30:13Let's split into teams.
00:30:14If the Vertex manager choose the winner,
00:30:16and you want a competition,
00:30:17fine by me.
00:30:19Just don't cry if you lose.
00:30:21What would I be losing?
00:30:23Your model's an amateur.
00:30:24I think it's going to run circles around him.
00:30:28We'll see.
00:30:30Hey.
00:30:31You good?
00:30:32Yeah, I'm fine.
00:30:35All right, listen.
00:30:36The Vertex shoots in three days.
00:30:38You got a plan yet?
00:30:40No.
00:30:41Not yet.
00:30:42All right, well.
00:30:44Vertex is all about the bold jewelry design, right?
00:30:48So,
00:30:49why don't we work with that?
00:30:51Like this.
00:30:52Oh, yeah.
00:30:56That's it.
00:30:59Based the idea around the Eternal Night Rose.
00:31:01You know,
00:31:01dark,
00:31:02edgy.
00:31:05Allison can pull off some really killer outfits.
00:31:07Eternal Night Rose?
00:31:10It sounds cool,
00:31:11but will I look right in that?
00:31:13Are you kidding?
00:31:14Black is your vibe.
00:31:17Look, this is going to be great.
00:31:18Can you just please trust me?
00:31:22Dark theme, huh?
00:31:24Nice move, Vanessa.
00:31:25But I'm still going to outshine you.
00:31:36Still forcing that stripper to be a model, huh?
00:31:40This is getting embarrassing.
00:31:43Maybe you don't worry about yourself.
00:31:44From us.
00:31:45I can't wait to see you crash and burn today.
00:31:58Hi.
00:31:59I'm Abby Clark,
00:32:00the lead photographer for this project.
00:32:03Vanessa Clark.
00:32:04Good to see you everywhere.
00:32:05At Vertex,
00:32:06we only care about results.
00:32:10I trust both of you will deliver.
00:32:12My shoot is inspired by Vertex's latest feature,
00:32:23Eternal Night Rose.
00:32:26Centered around the themes
00:32:27of darkness and the duality of man.
00:32:36This worked for me.
00:32:38Definitely fits the brand.
00:32:39This is stunning.
00:32:47I'm already seeing the partnership potential.
00:32:58My little faces.
00:33:01Did we both go for the same thing?
00:33:03Well, what do you know?
00:33:14We both also went for the Eternal Night Rose theme.
00:33:18No, are you serious?
00:33:20You copied me.
00:33:22But I decided to take it a step further.
00:33:26I've gone for a more gothic theme.
00:33:28Creating a real sensual beauty.
00:33:31Darker, more sensual.
00:33:32I know our customers are going to love this.
00:33:42These are absolutely
00:33:43incredible.
00:33:46The detail,
00:33:47the mood,
00:33:48it's...
00:33:48It's all perfect.
00:33:54The model nails it.
00:33:55It brings the right kind of balance.
00:33:58The right energy.
00:33:58With him,
00:34:00you can actually see the jury.
00:34:01Not just the model.
00:34:03This, uh,
00:34:04fits our brand to a T.
00:34:06It's both.
00:34:08The other,
00:34:09previous one,
00:34:10just doesn't have the same influence.
00:34:16This is going to be happening.
00:34:18Looks like you might have to know
00:34:19your kids' sense.
00:34:20Hmm.
00:34:21All right.
00:34:24Well, after our discussion,
00:34:25we're all in agreement.
00:34:29We'll go with the second set.
00:34:33Miss Vanessa Clark.
00:34:35Looking forward to collaborating with you.
00:34:37Amazing.
00:34:38Thank you so much.
00:34:39Love you.
00:34:41God.
00:34:47You know,
00:34:48you really can't steal what someone just has.
00:34:52Naturally.
00:34:55True creativity comes from within,
00:34:58sis.
00:34:59Better luck next time.
00:35:03Right.
00:35:04I'm off.
00:35:06To celebrate.
00:35:08Have a good day.
00:35:08Bye.
00:35:09Bye.
00:35:09Bye.
00:35:09Bye.
00:35:09Bye.
00:35:11Bye.
00:35:14Look at you.
00:35:16Come on.
00:35:17I knew you had it.
00:35:18You're my lucky charm.
00:35:21So, what are we, uh, celebrating?
00:35:23I was thinking I'd take you out.
00:35:25I know the best sushi restaurant.
00:35:27What, just sushi?
00:35:28What else were you expecting?
00:35:30I don't know.
00:35:31Something a little more, uh,
00:35:33exciting.
00:35:36Take it early, then.
00:35:37All right, fine.
00:35:38Take it early.
00:35:39Hey!
00:35:49Hi!
00:35:49Oh, my God!
00:35:50I missed you so much!
00:35:53Oh, this is Cassie, my bestie.
00:35:55Nice to meet you.
00:35:55Nice to meet you.
00:35:56Nice to meet you too.
00:35:57It's all nice.
00:35:57Yeah, it's nice to meet you.
00:35:59I thought you were so mysterious about that.
00:36:02Oh my god, will you?
00:36:03Looks like you've upgraded.
00:36:05So, come on, Spill. How did you two meet? How long has this been going on?
00:36:11That stripper the other night, that wasn't him.
00:36:21That stripper the other night, that wasn't him.
00:36:25No way. The guy that I hired just called me and said he couldn't find you.
00:36:30I assumed you'd bailed or something.
00:36:33Look, to be fair, you were the one, you know, coming on to me that night, but...
00:36:39Yeah, you mixed me up with someone else.
00:36:43But you were the one who was asking me to do the whole thing.
00:36:47That's enough. That's enough of that.
00:36:51Maybe it's a sign, Vanessa.
00:36:55I mean, he's not bad.
00:36:57Why don't you give him a shot?
00:36:59Yeah, it's not like that.
00:37:02He's just my model.
00:37:10Oh, looks like everyone's gone to lunch, so if we can just go.
00:37:13Hey.
00:37:15Jason, what are you doing?
00:37:17Vanessa, what are we?
00:37:19Like, are you seriously telling me there's nothing between us?
00:37:25What are you talking about?
00:37:27You know exactly what I'm talking about.
00:37:29Vanessa, we've got a problem.
00:37:42The Vertex group announced their collaboration with the Clark group.
00:37:45Yeah, I know. They picked my pitch earlier.
00:37:48I didn't think they'd move this fast, though.
00:37:50They did use your photos.
00:37:51But Abby's the official photographer.
00:37:55What?
00:37:57Hey!
00:38:04You better knock this Vertex deal out of the park.
00:38:08Don't let your old man down.
00:38:10I won't dance.
00:38:12I've got this.
00:38:16Ever thought of knocking, Vanessa?
00:38:19What's this, hon?
00:38:20Couldn't come up with your own ideas.
00:38:21I had to steal mine.
00:38:23Is that what we're doing now, Abby?
00:38:25That's enough.
00:38:27I don't know what you're talking about.
00:38:29This wasn't her doing, it was mine.
00:38:32What are you saying?
00:38:34Abby's fresh.
00:38:35She needs this high profile project to boost her career.
00:38:39I made the call, and she's getting it.
00:38:42Are you serious?
00:38:44That was my idea.
00:38:45Why should she take all the credit?
00:38:47It's all staying in the family, Vanessa.
00:38:50Whether it's Abby or you, the company benefits.
00:38:54We're family.
00:38:56Don't be so selfish.
00:38:59Selfish?
00:39:01Do you know how many hours my team spent working on this project?
00:39:07As chairman of this company, my word is final.
00:39:12If you've a problem with that, we'll have to leave.
00:39:19Fine. I don't want to work here anymore, anyway.
00:39:21Anything.
00:39:29Podesta, are you really leaving?
00:39:31It's your company.
00:39:33Yeah, but there's more out there for me.
00:39:36Don't worry, it won't affect you guys.
00:39:38Oh, I'm coming with you.
00:39:40I've literally had it with this place.
00:39:42Way too much drama.
00:39:44Count me in.
00:39:45I only sign off because of Bieber and Vanessa.
00:39:48I'm not staying here without you.
00:39:49I've been itching to start out on my own.
00:39:52Let's start a studio.
00:39:54We're with you, Vanessa.
00:39:55And with yourself.
00:39:56Yeah.
00:39:57You guys!
00:39:58Hey, what about me?
00:40:00I switched jobs for you, remember?
00:40:02You owe me one.
00:40:04Alright.
00:40:06I will let you down.
00:40:07Let's start a studio together.
00:40:11Yay!
00:40:13Woo!
00:40:15Alright, let's get out of here.
00:40:19Dad.
00:40:20Those people who are pirates, were really letting Vanessa take them?
00:40:23They're loyal to Vanessa.
00:40:24If they want to go, there's not much I can do to stop them.
00:40:25So she's just going to go off and compete against us now?
00:40:26Don't worry.
00:40:27I'll make sure people know.
00:40:28If they work with her, they're crossing us.
00:40:29She'll learn quickly.
00:40:30Without us, she won't get far.
00:40:32Since we've launched the Phoenix Studios, we haven't landed anywhere.
00:40:34Let's go.
00:40:35No, no.
00:40:36We have to know.
00:40:37I can see you.
00:40:38No, no, no.
00:40:39But we're going to go.
00:40:40We're going to go to the Phoenix Studios.
00:40:41We're going to go.
00:40:42No, no, no.
00:40:43No, no, no.
00:40:44No, no.
00:40:45No, no, no.
00:40:46No, no.
00:40:47That's just a big thing.
00:40:48I've got to go.
00:40:49I've got to go.
00:40:50No, no, no.
00:40:51She wouldn't get far.
00:40:58Since we've launched the Phoenix Studios, we haven't landed a single deal.
00:41:03Every brand we've reached out to either thinks we're amateurs or flat out ignores us.
00:41:09How do we fix this?
00:41:12Just, just trust me.
00:41:14I'll figure something out.
00:41:16That's it for today.
00:41:18Meeting dismissed.
00:41:21You all right?
00:41:29My father's told every big brand not to work for me.
00:41:35If we don't learn something soon, Phoenix will die before it's even taken off.
00:41:40Hey, come on.
00:41:42It's gonna get better.
00:41:44But it's late.
00:41:47You should go home and get some rest.
00:41:50No.
00:41:51No, I can't give up that easy.
00:41:55You go ahead, though.
00:41:57I'll make some more calls.
00:42:00Yeah, all right.
00:42:01So, can I see Mr. Scott?
00:42:17No.
00:42:18Just five minutes of his time.
00:42:19He has already made it clear he's not interested in your studio.
00:42:23Please don't come back.
00:42:24Sis, without the family behind you, you've really hit rock bottom, Mark.
00:42:28It's none of your business, Abby.
00:42:30Look at this.
00:42:32Look at this.
00:42:35An invite to the Todd Group banquet.
00:42:38They're announcing their collaboration with the Clark Group there.
00:42:42Too bad you're not invited.
00:42:45The Todd Group banquet?
00:42:46Why didn't I think of that?
00:42:50Don't get too excited.
00:42:52The Todd Group is picky with their photographers.
00:42:54I'm not sure you're up to it.
00:42:55What's going on here?
00:43:07Oh, I'm making invites to the Todd Group banquet.
00:43:13Pretty convincing, right?
00:43:15I'm just hoping they don't notice it's fake.
00:43:19Wait, why?
00:43:21Why?
00:43:22Yeah, why?
00:43:23Because it's the Todd Group.
00:43:26There's going to be major players from all over the place.
00:43:29I could land some killer collaborations from this.
00:43:32Yeah, but you know that's risky, right?
00:43:36Yeah.
00:43:37Of course I know.
00:43:40But I'm all out of options.
00:43:44It's this or nothing.
00:43:48So, are you coming with me?
00:43:51With me?
00:43:52To the Todd Group banquet?
00:43:54Yeah?
00:43:57Yeah, I...
00:43:59No, I actually have something I need to handle that day.
00:44:04But to answer your question, yeah, that does look...
00:44:09real.
00:44:11I'm just...
00:44:12I gotta...
00:44:13Yeah.
00:44:18This is my shot.
00:44:24If this doesn't work,
00:44:26my studio's done.
00:44:32Invitation, please.
00:44:36Invitation, please.
00:44:37Go ahead.
00:44:51Mr. Todd?
00:44:52She's going inside.
00:44:55That was way too easy.
00:44:57Did I just pull this off?
00:44:59Guess the Todd Group's security isn't as tight as their reputation.
00:45:01Vanessa?
00:45:09Why the hell are you here?
00:45:11What, you get to Watson and I don't?
00:45:13How did she get an invite?
00:45:15You didn't sneak in, did you?
00:45:17I'm too busy for this, Abby.
00:45:19Court rude-handed, huh?
00:45:21You really think you can crash the Todd Group's banquet without an invitation?
00:45:24It's fake.
00:45:34Let's try, though.
00:45:39Vanessa, did you really sneak in with a fake invite?
00:45:44A fake invite?
00:45:46She must really be desperate.
00:45:48Can you believe that?
00:45:49No one will want to work with her after this.
00:45:52What makes you so sure it's fake?
00:45:55Well, because they're real ones.
00:45:57I've got a code right here in the corner.
00:46:01Yours?
00:46:02It's missing.
00:46:04Care to explain?
00:46:07Mrs. Simpson!
00:46:10Just the man I need.
00:46:12How can I help?
00:46:13Someone crashed the party.
00:46:15Can you help her find the door?
00:46:18Let me see.
00:46:22I'm afraid if you don't have a legitimate invitation, you'll let me.
00:46:34Miss Clark!
00:46:36Just, just, wait a second.
00:46:38Um, Danny Rogers.
00:46:41Mr. Todd's personal assistant.
00:46:45I've been sent here to collection.
00:46:47Are you sure you didn't mix things up, Mr. Rogers?
00:46:49She wasn't invited.
00:46:52She snuck in with a fake invite.
00:46:55Look.
00:46:57There's no number.
00:46:59Miss Clark here is one of Mr. Todd's honoured guests.
00:47:04The reason why it doesn't have a code on there is because I personally sent her the invitation.
00:47:10She's Mr. Todd's honoured guest.
00:47:13How the heck is that even possible?
00:47:19Who is she?
00:47:20How does she get to be one of Mr. Todd's VIPs?
00:47:22Even Mr. Rogers is giving her respect.
00:47:24That bitch always steals my spotlight.
00:47:48After careful consideration, we've chosen our partner for the upcoming season.
00:47:52Let's get to the moment we've all been waiting for.
00:47:57Mr. Simpson.
00:47:59There better not be any slip-ups.
00:48:02Remember our little deal?
00:48:04Chill out, Miss Clark.
00:48:07Everything's locked in.
00:48:08I do the business deals around here.
00:48:12No one can change my mind unless it's Mr. Todd.
00:48:16And he doesn't usually get involved in this.
00:48:19Good to know.
00:48:21Vanessa, no matter how hard you crash this banquet, you'll always be in my shadow.
00:48:26Once I nail this partnership with the Todd group, let's see how you deal with the fallout.
00:48:30The partner for the Todd group is...
00:48:35Thank you, Todd group, for selecting...
00:48:38Phoenix Studios.
00:48:42What?
00:48:45How is this happening?
00:48:46What makes her think she can be part of the Todd group?
00:48:59The Queen didn't just watch it.
00:49:04I've got a project that may get your eye.
00:49:07Wow.
00:49:08Yeah.
00:49:10Didn't you say everything was set?
00:49:14Are you playing me?
00:49:15No!
00:49:16I've got no idea.
00:49:20Danny, what the hell happened?
00:49:23There's no mistake.
00:49:25The Todd group chose Vanessa's studio to be our partner.
00:49:31You're corrupt, Colin.
00:49:33So you're out.
00:49:43Danny, come on.
00:49:45I messed up.
00:49:46But I won't do it again.
00:49:49After all I've done for you, can you not cut me some slack?
00:49:52Mr. Todd is cutting you some slack by not calling the police.
00:49:58So, are you leaving on your own, or do I need to call security?
00:50:02Mr. Clark?
00:50:03Mr. Clark?
00:50:04If you'd like to follow me, our contracts are ready.
00:50:08Mr. Clark?
00:50:09Mr. Clark?
00:50:10If you'd like to follow me, our contracts are ready.
00:50:11Let's make this official!
00:50:12Mr. Clark?
00:50:13Mr. Clark?
00:50:14There's the contract.
00:50:15Have a look through.
00:50:16If everything's in order, then feel free to sign.
00:50:18So, um, what made the Todd group sign with the Phoenix Studios?
00:50:29Timple?
00:50:30It's your talent.
00:50:31It speaks for itself.
00:50:32Well, you won't be disappointed.
00:50:36Excuse me, may I ask who that is?
00:50:49Oh!
00:50:50That is, uh, Mrs. Todd.
00:50:53Um, Mr. Todd's mother.
00:50:55She's the chairwoman.
00:50:56After Mr. Todd's father passed, she took over just to keep the business thriving.
00:51:01That's really impressive.
00:51:03How come he looks just like Jason?
00:51:18So, any more questions about the contract?
00:51:24Yep.
00:51:25All set.
00:51:26I look forward to working with the Todd group again.
00:51:31Great!
00:51:32I don't know how you could throw away such a major deal.
00:51:34She's only after your money and the Todd name.
00:51:36Yeah, that's fine.
00:51:37Jason, what's he doing here?
00:51:38And who's that woman?
00:51:39He doesn't even know who I really am.
00:51:40No way.
00:51:41Isn't that the chairwoman of the Todd group?
00:51:44I can't believe you'd throw away such a major deal.
00:51:45All for some woman.
00:51:46She saved my life, Mom.
00:51:47She's not just some woman.
00:51:48Some woman.
00:51:49Some woman.
00:51:50You could have just written her a check and called it a day.
00:51:51Yeah, I have my reasons.
00:51:52So stay out of it.
00:51:53What's she done to make you so obsessed?
00:51:54You could have just written her a check and called it a day.
00:51:56Yeah, I have my reasons.
00:51:57So stay out of it.
00:51:58What's she done to make you so obsessed?
00:51:59She's only after your money and the Todd name.
00:52:00Yeah, that's all it was.
00:52:01It'd be easier.
00:52:02What?
00:52:03Nothing, Mom.
00:52:04Look, just what you were afraid of.
00:52:05I can't believe you'd throw away such a major deal.
00:52:06I can't believe you'd throw away such a major deal.
00:52:07All for some woman.
00:52:08She saved my life, Mom.
00:52:09She's not just some woman.
00:52:10Some woman.
00:52:11You could have just written her a check and called it a day.
00:52:13Yeah, I have my reasons.
00:52:14So stay out of it.
00:52:16What's she done to make you so obsessed?
00:52:19She's only after your money and the Todd name.
00:52:22That's all it was.
00:52:23It'd be easier.
00:52:24What?
00:52:25Nothing, Mom.
00:52:26Look, just what you were afraid of won't happen.
00:52:29Okay, she doesn't even know who I really am.
00:52:32You say her.
00:52:33You see her.
00:52:34I won't say anything.
00:52:36Okay?
00:52:37Yeah?
00:52:38Only you could fool something this obvious.
00:52:44Yeah, all right.
00:52:45And don't you have a meeting?
00:52:46Come on, go, go, go.
00:52:56Oh, hey, are you, uh, are you done with work?
00:53:00The chairwoman of the Todd group.
00:53:03How do you know her?
00:53:05Don't.
00:53:08You were laughing with her.
00:53:15What are you talking about?
00:53:16No, no.
00:53:17I just, I ran into her and I thought maybe I'd help you secure the Todd deal.
00:53:25Oh, I'm sorry.
00:53:26So I was real.
00:53:27Yeah.
00:53:29But, I have good news.
00:53:31I secured the Todd group deal.
00:53:33No way!
00:53:34That's huge!
00:53:35I honestly didn't even think my studio would be in the running for it.
00:53:38Yeah, well, you deserve it.
00:53:40Come on.
00:53:42So, uh, where do you want to go?
00:53:44The studio?
00:53:45Yep.
00:53:46Where do you want to go?
00:53:47The scene here.
00:53:48To us and to our company for nailing that Todd group collaboration.
00:53:58You know what?
00:53:59Cheers, everyone.
00:54:00Woo!
00:54:01Cheers!
00:54:02Vanessa, you're a genius.
00:54:05You really made it happen with this Todd group.
00:54:07And that's not all.
00:54:08We had calls from big brands that want to work with us too.
00:54:12Well, tomorrow's a big shoot.
00:54:13So let's crush it.
00:54:14More deals are just around the corner.
00:54:18Okay, joking is fun and all, but let's switch it up.
00:54:22Truth or dare?
00:54:23Yeah.
00:54:32Alright, truth.
00:54:34Do you have a girlfriend?
00:54:40Not yet.
00:54:42Ah, not yet.
00:54:43Does that mean there's one on the horizon?
00:54:46That's your next question.
00:54:54Looks like you're not off the hook.
00:54:55So, is there anyone you have your eye on?
00:55:03Yeah.
00:55:04Yeah, I do.
00:55:11Alright, alright.
00:55:12Quit staring at me.
00:55:13Just please spin the bottle again.
00:55:14What's up?
00:55:15This is the master bedroom?
00:55:16Yeah.
00:55:17Okay.
00:55:18Alright.
00:55:19I thought this was off limits.
00:55:20Not anymore.
00:55:21No?
00:55:22No?
00:55:23No?
00:55:24No?
00:55:25No?
00:55:26No?
00:55:27No?
00:55:28No?
00:55:29No?
00:55:30No?
00:55:31No?
00:55:32No?
00:55:33No?
00:55:34No?
00:55:35No?
00:55:36No?
00:55:37No?
00:55:38No?
00:55:39No?
00:55:40No?
00:55:41No?
00:55:42No?
00:55:43No?
00:55:44No?
00:55:45No?
00:55:46No?
00:55:47No?
00:55:49He's passionate, and he knows how to make a girl feel special.
00:56:19Why aren't we prepping yet? It's almost time to shoot.
00:56:24We've been waiting for over an hour. What's the holdup inside?
00:56:28Are you Vanessa?
00:56:30Yes, that's me. Hi, Mr. Bailey.
00:56:33Can we get started?
00:56:36Just keep waiting. Can you see? I'm not ready.
00:56:41But we said we'd start at nine, and it's past that, so what are we waiting for?
00:56:47If you can't be patient, you really think you're ready for a partnership with the Todd Group.
00:56:52I don't understand why Mr. Todd partners with all these small studios.
00:56:56I think the studios might be small, but we can handle ourselves against the big companies.
00:57:02You think you can compare with the big boys?
00:57:06What do you have? Pretty face?
00:57:10Boy, did you...
00:57:13You slept your way into this job.
00:57:21Huh. Shocking.
00:57:23A big company like the Todd Group can't get timing right.
00:57:27Or show basic respect to its partners.
00:57:30If that's how it's gonna be, we're out.
00:57:32Oh, you're leaving so soon.
00:57:35I've hit the nail on the head, and you're feeling guilty.
00:57:39See, you can't take the heat.
00:57:41If you want the shoot to keep going, I suggest that you beg me for it, and nicely.
00:57:50My mouth is fucking foul. Consider that free mouthwash. No need to connect.
00:57:55You bitch! Just you wait, I'll...
00:58:04Yo, Mr. Todd, welcome to see you.
00:58:08Do you want a tour of the studio?
00:58:11Where's everybody from Vanessa's studio?
00:58:13Wasn't they meant to shoot today?
00:58:15It was a total disaster.
00:58:16She had to wait a little bit longer, and then she splashed water on the phone and left.
00:58:21What?
00:58:22You drove her away?
00:58:23I didn't...
00:58:24I...
00:58:26I didn't...
00:58:31This is truly outrageous.
00:58:33What's our next meeting, sir?
00:58:35Let's just head back for now.
00:58:40Miss Clark, I'm so sorry for the trouble.
00:58:43It's on us at the Todd Group for dropping the ball with our team.
00:58:46Edwin's been let go.
00:58:48We'd be so grateful if you'd reconsider and come back for the shoot.
00:58:50Great! Okay, thank you. You're all done.
00:59:01Well, I think we've had it.
00:59:04Stunning.
00:59:05Amazing.
00:59:06We'll see you later.
00:59:07Bye, guys.
00:59:09Miss Clark!
00:59:10Hi.
00:59:11Um...
00:59:13I just wanted to come by personally and apologize for what happened earlier on.
00:59:17Um, I hope that doesn't change your view on the Todd Group.
00:59:20No way! I'm really appreciative to the Todd Group for this opportunity.
00:59:23Good. Good.
00:59:25Good.
00:59:27And Mr. Todd is, uh, very impressed with your skills.
00:59:32We look forward to seeing what you do next.
00:59:35I really appreciate your help today.
00:59:37The shoot turned out way better than I expected.
00:59:39Good. I'm glad.
00:59:40And, uh, if you need any help in the future, just let me know.
00:59:49Danny's been stepping up for me, helping out more than I expected.
00:59:53So, uh, how was today?
00:59:59Smooth sailing?
01:00:01Hey.
01:00:03Oh, I'm sorry. What did you say?
01:00:05I asked how today was. You seem kind of... out of it.
01:00:09It's nothing.
01:00:12I'm probably just overthinking, but, uh...
01:00:15I think Danny might have a crush on me.
01:00:18Wait, what?
01:00:19Wait, what?
01:00:24I think Danny might have a crush on you.
01:00:27Wait, what?
01:00:29Yeah, he's always coming in, like, last minute to save me.
01:00:33I mean, why else would he be so attentive?
01:00:36Look, I swear, if you start swooning over other guys, I'm gonna turn green.
01:00:40Swooning?
01:00:41Yeah.
01:00:42I don't like Danny at all.
01:00:45Well, then who do you like?
01:00:46I like...
01:00:52You're trying to trap me into saying something.
01:00:55Well, yeah, I've been very obvious about how I feel about you, Vanessa.
01:01:00Like, I want to be with you. Like, forever.
01:01:05You not see that?
01:01:12Hi.
01:01:13Hi.
01:01:18Come on, I know you feel something for me, too.
01:01:25I guess...
01:01:28I am kind of into you.
01:01:30I want to take the longest trip with you.
01:01:36The one that starts right when we say I do.
01:01:43From Mary Hall...
01:01:49Guess what?
01:01:50The Todd Group loved our promo shot.
01:01:54Our studio is making waves. We've got brands lining up to collaborate with us.
01:02:02You guys are killing it at the moment, so I say we head to the shooting gallery.
01:02:07You're the best!
01:02:08Oh, my God!
01:02:09This shooting stuff is way harder than it looks.
01:02:10If I'd have known, I would have chosen something less intense.
01:02:24Eh, don't worry. I'll show you the ropes.
01:02:26Ha, ha, ha!
01:02:28Look who's trying to be a sharp shooter.
01:02:31Well, if you think you can do better, why don't you give it a shot?
01:02:35Seriously, you think you can stack up against Blaine?
01:02:38He's got the second best aim in the city, right after Mr. Todd.
01:02:42Mr. Todd?
01:02:44Yeah, this place is owned by Mr. Todd.
01:02:47He's got the top score, but watch out.
01:02:50Blaine's gunning for that record.
01:02:53You didn't know that, no, Vanessa?
01:02:57And what, you just thought you'd stroll in here and embarrass yourself?
01:03:05You think you can beat the record?
01:03:08Aye.
01:03:11You can't even beat me.
01:03:13Ha!
01:03:15Oh!
01:03:16Very confident.
01:03:26Alright then, how about we make ourselves a little deal?
01:03:29You lose, you hand over your portion of the Todd Groove's partnership to me, eh?
01:03:35So, when you can't win fair and square, you resort to cheating!
01:03:39Classic blame.
01:03:42Come on, let's go.
01:03:43No, no, no, no, no, no. I can take you on.
01:03:46But if you lose, what's your game plan?
01:03:50Lose, ha ha! Lose me!
01:03:53You think you can just walk in here and break a record like it's a walk in the park?
01:04:00We'll see.
01:04:02Oh, alright, very confident.
01:04:05My goodness, I have never seen somebody so eager to get embarrassed.
01:04:09You can't even swing that thing, man.
01:04:13I'm not buying it either.
01:04:14But how about this?
01:04:16If you beat Blaine, Vanessa can take any project for you.
01:04:21I don't think I'm sure about this. You don't have to do it just to prove off of me.
01:04:25Lose, your boyfriend's got this.
01:04:27Ooh!
01:04:28Ooh!
01:04:29Ooh!
01:04:30Ooh!
01:04:31Ooh!
01:04:32Ooh!
01:04:34Baby, you're on fire!
01:04:37Ah, yes!
01:04:38Even better than last time.
01:04:39Indeed.
01:04:40You know something, I think you should just throw in the towel to save yourself a bit of embarrassment.
01:04:50Not a chance. I believe in Jason.
01:04:54Ah, no.
01:04:55and Jason.
01:04:56You know something, Jason.
01:04:57Woah...
01:04:58Ooh...
01:04:59Yeah.
01:05:00Oh, no.
01:05:01Oh, no.
01:05:03Yeah.
01:05:04Ooh!
01:05:05Ooh!
01:05:07Ooh!
01:05:09Ooh!
01:05:13Ooh!
01:05:17Ooh!
01:05:18Ooh!
01:05:20Ooh!
01:05:21Ooh!
01:05:22Did I just see that?
01:05:28Ten shots, ten hits.
01:05:30He just broke the record.
01:05:32Someone just beat Mr. Todd's record.
01:05:35Beat Mr. Todd's record?
01:05:36How's that even possible?
01:05:38How's that possible? Who are you?
01:05:41Breaking Mr. Todd's record
01:05:42and sharing his last name.
01:05:45Could he be?
01:05:48How are you so good?
01:05:49You just shattered Mr. Todd's record.
01:05:52It's nothing. I just
01:05:53picked it up in college, you know.
01:05:55I was shooting champ every year.
01:05:58Okay, I'm definitely
01:06:00overthinking this. He's just a regular
01:06:02guy. There's no way he could be
01:06:04Mr. Todd. Remember,
01:06:07you owe us a project.
01:06:08Why should I? These projects I've lost in my
01:06:10box are secure.
01:06:12No way. You've obviously
01:06:14cheated, you've obviously done something
01:06:16for the gums, the second right, and that.
01:06:18Not a chance I'd have made.
01:06:20Why is it really that hard
01:06:21to just admit someone's better, Blaine?
01:06:26I'm gonna get you, too.
01:06:34You're so good!
01:06:36I thought Blaine and Abby
01:06:37were gonna explode.
01:06:39Yeah, look, I'm done
01:06:40letting them push you around.
01:06:41Yeah, you're the best.
01:06:43You know, it takes me
01:06:44my lucky day.
01:06:44I learned how to shoot
01:06:46and secure the projects
01:06:47for free.
01:06:48Well, what if Abby
01:06:49goes back in our deal?
01:06:51Then I'll snatch
01:06:52the projects from her.
01:06:53Lion gets under my skin.
01:06:56What if you find out
01:06:57I've been hiding something?
01:07:01I dare you to try me.
01:07:03If Vanessa discovers
01:07:04I've been keeping
01:07:05my true identity a secret,
01:07:07will she walk away?
01:07:08I need to tell her soon.
01:07:16Vanessa.
01:07:21What's going on?
01:07:22I'm here to apologize.
01:07:26Come back with me.
01:07:28I've saved a spot
01:07:29for you at the Clark Group.
01:07:30You kicked me out.
01:07:32Remember, Dad?
01:07:34I've been much happier
01:07:36since I left,
01:07:36so why would I come back?
01:07:38The Clark Group
01:07:39is struggling.
01:07:40We need your talent.
01:07:42Sounds like you
01:07:43can't handle it, Abby.
01:07:45If Dad's here
01:07:46begging for my help,
01:07:47things must be bad.
01:07:49You do.
01:07:53Vanessa.
01:07:54What will it take
01:07:57to bring you back?
01:08:00I'll give you
01:08:00half the company's shares.
01:08:02How does that sound?
01:08:03Dad, are you serious?
01:08:04That's not fair.
01:08:09I'll think about it.
01:08:11Excellent.
01:08:12Give it some serious thought.
01:08:14I'll be waiting for you
01:08:15at the Clark Group.
01:08:18Get out of my fucking way.
01:08:19The shares are meant
01:08:20for me, Vanessa!
01:08:21Just wait.
01:08:22I'll make sure
01:08:23you never enjoy
01:08:24you.
01:08:32You know,
01:08:33I like your car.
01:08:34It's a smooth ride,
01:08:35like you.
01:08:40Stop it.
01:08:41Are you sure
01:08:41you can't come to dinner?
01:08:45No, look, I can't.
01:08:46I've got something
01:08:46to do tonight,
01:08:47but call me when you're done
01:08:49and I'll pick you up.
01:08:51What could you possibly
01:08:52have to do at night?
01:08:54Better not have
01:08:54another client.
01:09:04No way to have the energy.
01:09:05Good.
01:09:06Better keep it that way.
01:09:07I'll be right back to you.
01:09:08I'll be right back to you.
01:09:09I'll be right back to you.
01:09:10I'll be right back to you.
01:09:10I'll be right back to you.
01:09:11I'll be right back to you.
01:09:11I'll be right back to you.
01:09:12I'll be right back to you.
01:09:12I'll be right back to you.
01:09:13I'll be right back to you.
01:09:13I'll be right back to you.
01:09:14I'll be right back to you.
01:09:15I'll be right back to you.
01:09:15I'll be right back to you.
01:09:16I'll be right back to you.
01:09:17I'll be right back to you.
01:09:17I'll be right back to you.
01:09:18I'll be right back to you.
01:09:19I'll be right back to you.
01:09:20Oh, shit.
01:09:50Is this Vanessa Clark?
01:10:04I'm calling about Jason.
01:10:06He's been in a car accident.
01:10:07You need to come to the hospital immediately.
01:10:11I'm here for Jason.
01:10:13He was in a car accident.
01:10:14Where is he?
01:10:17He's down in the hall to my left.
01:10:19Thanks.
01:10:20Jason, are you okay?
01:10:26Are you seriously hurt?
01:10:29No, I'm fine.
01:10:30Just a scratch.
01:10:33Nothing major.
01:10:34Thank God.
01:10:35You scared the life out of me.
01:10:37How did this happen?
01:10:40Someone cut the brakes, Vanessa.
01:10:43This was your car.
01:10:45They're aiming for you.
01:10:46It's Abby.
01:10:51It has to be.
01:10:53It's all about the sheriff.
01:10:54She's trying to take me out.
01:10:57I'm so sorry.
01:10:59It's all my fault you got her.
01:11:00I promise I'll get to the bottom of this.
01:11:04Oh, my God.
01:11:06You all right, dear?
01:11:11You all right, dear?
01:11:12Uh, Mrs. Todd, what are you doing here?
01:11:19Oh, you must be here to see Mr. Todd, right?
01:11:22The nurse just told me he's across the hall.
01:11:27Yeah, yeah.
01:11:28He's fine.
01:11:30Just a few scratches.
01:11:37Wait.
01:11:38Mr. Todd got in a car accident, too?
01:11:42Yeah, yeah.
01:11:42That's right.
01:11:46So, so you and Mr. Todd in a car accident at the same time?
01:11:53Yeah.
01:11:54Crazy coincidence, huh?
01:11:56Should I go and see him?
01:11:57He's been so good to the studio.
01:11:59Ow!
01:12:00Are you okay?
01:12:01Where does it hurt?
01:12:02Should I call someone?
01:12:03No, no.
01:12:04I just, I need, I need you.
01:12:07You know, a spoonful of sugar and all.
01:12:08Even now, you're talking nonsense.
01:12:12I'm glad you're safe.
01:12:15Okay, if this was you,
01:12:16I don't, I don't know what I'd do.
01:12:22You're so stupid.
01:12:24Look, it's late.
01:12:26I'll go get you something to eat.
01:12:27Just rest, okay?
01:12:38I have a question.
01:12:49Okay.
01:12:50How would you feel if, like, someone close to you told you a lie?
01:12:58Depends on the lie.
01:13:00If they had good reason?
01:13:03Um, I mean, I'd still be upset.
01:13:06A lie's a lie.
01:13:07They just really have to make it up to me.
01:13:10Uh, why are you asking?
01:13:12Are you lying to me?
01:13:13No, no.
01:13:14I'm just, um, just wondering.
01:13:20Wondering if you want to go out sometime.
01:13:23I mean, we've not been on a real date since we got together.
01:13:25That's true.
01:13:27Okay, so, we'll go on one after you've been discharged.
01:13:31All right, deal.
01:13:32I'll, uh, make a plan.
01:13:34All right.
01:13:36Surprise me.
01:13:37Surprise you.
01:13:38Mm-hmm.
01:13:42You're so dumb.
01:13:45It's in your hair.
01:13:46Mm-hmm.
01:13:47Where are we?
01:13:53Jason, why all the suspense?
01:13:55Okay.
01:13:55Ready?
01:13:56Yeah.
01:13:57Yeah.
01:14:06Oh, my God.
01:14:08Easy.
01:14:08You like it?
01:14:09Yeah.
01:14:09Yeah.
01:14:09Okay.
01:14:17You're welcome.
01:14:17You really know how to treat a woman, don't you?
01:14:24Vanessa, I can't keep hiding this from you.
01:14:27Tonight, I'll tell you everything.
01:14:30And then, I'll propose.
01:14:36Vanessa.
01:14:37Vanessa.
01:14:37I love you.
01:14:44And I want to be with you forever.
01:14:50I love you, too.
01:14:52Vanessa.
01:14:56Actually, there's something that I've been, like, dying to tell you.
01:15:01And...
01:15:01Oh, my gosh.
01:15:03They're so pretty.
01:15:06A love like me.
01:15:08Vanessa, I've got a secret, okay?
01:15:20Okay.
01:15:23I hope that you won't be upset.
01:15:24You're really hiding something?
01:15:26Just say it, Ernie.
01:15:29Actually...
01:15:38I-I am...
01:15:40Oh, shit.
01:15:46Shit.
01:15:47Oh.
01:15:57Jason, Grandpa's very ill.
01:16:00You need to come home now.
01:16:01Um, I've got some, like, personal stuff that I have to handle.
01:16:09Can you head home?
01:16:11So you-you can't stay tonight?
01:16:14What's going on is so urgent.
01:16:16It's really important, but I'll fill you in when I'm home.
01:16:19All right?
01:16:20Here.
01:16:21Okay.
01:16:23I don't get it.
01:16:24What's the rush?
01:16:31So this is your urgent matter?
01:16:36Comforting the other woman?
01:16:38What's really between you and Mrs. Todd?
01:16:41Why the closeness?
01:16:58What?
01:17:01Hey, Vanessa, are you in there?
01:17:11Hey, Allison.
01:17:12Yeah.
01:17:13Hey, have you seen Vanessa?
01:17:14Is she at the office?
01:17:15She wanted me to tell you.
01:17:17You're fired.
01:17:18What?
01:17:19Seriously?
01:17:19Why?
01:17:20Yeah.
01:17:21She seemed really upset.
01:17:23Good luck, okay?
01:17:24Upset?
01:17:25Hey, Allison, hey!
01:17:31Hey, Vanessa, hey!
01:17:39Hey, what's going on?
01:17:40Hey, everything was fine yesterday.
01:17:41What happened?
01:17:42You're asking me?
01:17:44You were with some other woman, and you're asking Theo what's wrong?
01:17:48When was I ever...
01:17:53Mrs. Todd?
01:17:55No, I can explain that.
01:17:56I saw it with my own eyes.
01:17:58I don't need you to explain.
01:18:00Just let go.
01:18:00No, I'm not moving.
01:18:01Let go!
01:18:02Come on, Vanessa.
01:18:11Don't start feeling sorry for a playboy.
01:18:15The Todd Group is hosting a photography competition, Max Bud.
01:18:19Where's we gonna chance at a long-term strategic partnership?
01:18:23A long-term partnership?
01:18:25If I can nail this competition, my studio's future is set.
01:18:42Vanessa, what brings you to the National Photo Contest hosted by the Todd Group?
01:18:46Aren't you just a little ashamed to show your face here?
01:18:49Ashamed?
01:18:50Please.
01:18:52Speaking of shame, look in the mirror.
01:18:55This is a national contest, Abby, remember?
01:18:59Better not play any plagiarism stunts.
01:19:02You'll be blacklisted quicker than you can cry about it.
01:19:04You bitch.
01:19:06Go ahead.
01:19:07Say one word, I dare you.
01:19:09Welcome, ladies and gentlemen, to the annual photo contest of the Todd Group.
01:19:13Just wait.
01:19:14When the results are in, I'll make sure you're crushed beneath my feet.
01:19:17Oh, I'll be right here.
01:19:19Eagerly waiting for the fallout.
01:19:21Let's kick things off by welcoming our first contestants.
01:19:29Hey, everyone.
01:19:31The photos I'm sharing today are from my incredible travels.
01:19:34This shot is breathtaking.
01:19:40I give it 98 points out of 100.
01:19:43I'm in love with this.
01:19:45This part is truly a star on the rise.
01:19:4799 points.
01:19:49Vanessa, get ready to be beneath my feet.
01:19:51I need to report this work.
01:19:55Vanessa, are you seriously doing this out of spite?
01:19:58This photo clearly shows signs of AI generation.
01:20:01And stealing the work of the renowned photographer, Feliciano Bowe.
01:20:08You're lying.
01:20:09This is a setup.
01:20:10I have the original shot right here.
01:20:15What's your excuse now, Abby?
01:20:16Don't listen to her.
01:20:18She's just out to get me.
01:20:20Two photos don't prove anything.
01:20:23Yeah.
01:20:24I heard they're not exactly the best of buds.
01:20:27And now this is ruining the competition.
01:20:29The judges have thoroughly vetted this work.
01:20:32Miss Vanessa Clark, please do not disrupt the competition.
01:20:36But this is clearly AI generated.
01:20:38I want a judge to review this.
01:20:40Come on, sis.
01:20:41Everyone knows that you're just jealous and trying to make me look bad.
01:20:44Give it a rest.
01:20:47Vanessa, please do not disrupt the competition.
01:20:51You see, I had the Todd Group's tech team run the numbers.
01:20:54Abby's work, total AI generation.
01:20:59Now that breaks the rules.
01:21:02So, I'm announcing Abby's disqualification
01:21:05and banning her from working with the Todd Group and any of their associates.
01:21:10Jason?
01:21:11What's he doing here?
01:21:12Who do you think you are?
01:21:13You can't just ban me.
01:21:15The Todd Group tech team isn't your personal squad.
01:21:18Get a load of this guy.
01:21:20Some stripper playing Mr. Todd.
01:21:24Imagine that.
01:21:28Get a load of this guy.
01:21:31Some stripper playing Mr. Todd.
01:21:33Imagine that.
01:21:37Mr. Rogers, he's here to cause chaos.
01:21:39Get him out of here fast.
01:21:42Using AI to cheat, hmm?
01:21:44Seems like you're the real troublemaker, yeah?
01:21:46Shit.
01:21:47It looks like Jason's really got Mr. Todd backing him.
01:21:50Even Mr. Rogers is in his corner.
01:21:52Mr. Rogers, that man is a male stripper.
01:21:56It's all for this.
01:21:57Fucking shit.
01:21:59The judges here have been bribed by Abby.
01:22:01I mean, she's ruining the contest and the whole industry.
01:22:04And the Todd Group's not going to touch this.
01:22:11I'm looking for Abby Clark.
01:22:13You're under arrest on the suspicion of attempted murder.
01:22:16Yeah.
01:22:16No, you've mistaken me for someone else.
01:22:19Easy.
01:22:19Let me go.
01:22:21I didn't kill anyone.
01:22:22I'm being framed.
01:22:23It's Vanessa.
01:22:23She's setting me up again.
01:22:25You messed up my car.
01:22:26You put lives at risk.
01:22:28Do I need to show everyone the proof, Abby?
01:22:30I can't believe she'd go this far against her own sister.
01:22:35Sister?
01:22:36They're half-sisters, remember?
01:22:38I'm going to get you.
01:22:41You're going to pay for this, you bitch.
01:22:51Blaine, help me.
01:22:53Officer, I had nothing to do with this.
01:22:55It was all Abby.
01:22:56Blaine!
01:22:57I'm a grateful jerk.
01:22:59I've done everything for you.
01:23:00How could you betray me like this?
01:23:06Are you okay?
01:23:07She hurt you?
01:23:08Don't touch me.
01:23:10Okay, look, Vanessa.
01:23:11There's something I need to say, and it's not me.
01:23:13No need for explanations.
01:23:15I already know what's going on.
01:23:18You're cozying up to Mrs. Todd, right?
01:23:20The tech team is all ears when you're around.
01:23:22No, no, no, Vanessa.
01:23:23You got this wrong.
01:23:24Mrs. Todd is my mom.
01:23:26Like my mom.
01:23:28What?
01:23:30So, so Jason Todd, the CEO of the Todd Group.
01:23:35Is it fun to play games with me, Jason?
01:23:38Watching me get played like some sort of idiot?
01:23:42Hey, hey, just listen.
01:23:43Mom, I don't need your explanation.
01:23:46Don't follow me.
01:23:47He knew I can't stand Miles.
01:23:58Yet he's strung me along like a puppet.
01:24:01I can't believe I fell for it.
01:24:06You think you can just walk away, did you?
01:24:10It's a chance.
01:24:11Ah, not a chance.
01:24:17Oh, Vanessa, my dear.
01:24:20You have fucked up my life.
01:24:25And now, you, my father, are coming to pay.
01:24:30Calm down the smoke, which way, Vanessa?
01:24:52Vanessa!
01:24:54Who are you?
01:24:54Oh, my God.
01:24:56Oh, my God.
01:24:57Oh, my God.
01:24:58Oh, my God.
01:24:58Oh, my God.
01:24:59Oh, my God.
01:24:59Oh, my God.
01:24:59What the hell?
01:25:10Is Blaine out of his mind?
01:25:11He can't seriously be trying to burn me alive.
01:25:14Help!
01:25:15Is anyone there?
01:25:16I'm trapped!
01:25:19Scared me this way.
01:25:21Hey, Nessa!
01:25:22Jason!
01:25:23Jason!
01:25:24Jason, please come in to help me!
01:25:25I'm trapped!
01:25:28Sorry it took me so long.
01:25:29Are you okay?
01:25:30I thought I lost you.
01:25:32Hey, hey, hey!
01:25:33Hey!
01:25:34Come on, let's get out of here!
01:25:48Hey, hey, you're awake, hey.
01:25:50Are you okay?
01:25:51You hurt?
01:25:53Yeah, I'm okay.
01:25:56But what were you thinking, rushing into the fire like that?
01:26:00Look, if something happened to you, I would lose my mind.
01:26:04Don't think playing the hero makes me forget that you lied to me.
01:26:09Look, I messed up.
01:26:11I didn't know who I was.
01:26:12I know that.
01:26:15I'm sorry.
01:26:16Could you give us a moment?
01:26:17Yeah, of course.
01:26:18Thanks.
01:26:18Look, you can hate me if you want.
01:26:25But don't walk away from me.
01:26:27You had a million chances to tell me who you really were.
01:26:30But you kept me in the dark.
01:26:33You made me think that you and Mrs. Todd were together.
01:26:36The only person that I love is you.
01:26:39Then why are you hiding your identity?
01:26:42And then stick around?
01:26:45This wasn't just some love at first sight thing, was it?
01:26:48You still don't remember who I am, do you?
01:26:59You really don't remember who I am, do you?
01:27:01Oh, my God.
01:27:11Are you okay?
01:27:13Can you get up?
01:27:14Oh, come on, stay with me.
01:27:16Come on.
01:27:18It was you.
01:27:24You were the one I saved from the fire.
01:27:30I've been looking for you.
01:27:32For years.
01:27:37There was so much smoke and fire.
01:27:41But I didn't see anything except your arm.
01:27:45And when I met you at the club,
01:27:48I saw the scar on your arm.
01:27:53I knew it was you.
01:27:54Jason, you don't owe me anything.
01:27:58I'm not here because you saved me.
01:28:03I'm here because I love you.
01:28:14Vanessa.
01:28:21Marry me.
01:28:25I'll marry you.
01:28:27I'll marry you.
Recommended
1:15:56
|
Up next
1:31:57
55:33
1:52:43
1:57:31
1:41:11
1:45:51
1:13:36
1:45:08
1:58:01
1:13:31
1:22:44
1:12:51
1:14:43
1:19:06
1:04:40
1:25:53
1:06:46