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  • 7/10/2025
مدي 1 تي في : مع ميا فرح - 09/07/2025

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03:24and the character of his character was the same as the character of his character.
03:28It was the switch between the style that he used to be and the style that he used to be.
03:34Let's talk about the switch between the two and the two years,
03:36but the 100 of us today doesn't have anything to do with the 100 of us.
03:40I'm looking forward to this girl's name.
03:42Yes.
03:43The girl's name.
03:44The girl's name.
03:45The girl's name.
03:46The girl's name is Kheddama.
03:48What is Kheddama?
03:50Kheddama, in fact,
03:52I wanted to give value to the Moroccan women who are playing, etc.
03:59Of course, I wanted to give the music career,
04:03but I wanted to give the strong women who are fighting, who are playing, etc.
04:09Do you have a relationship with you, with your life?
04:15Of course.
04:17Of course.
04:19Of course, I wanted to give a lot of respect to her.
04:22Of course, I wanted to give her a lot of respect to the women who work, etc.
04:28What do you want to give her a lot of respect?
04:30For example, I wanted to give her a lot of respect to the women,
04:33if you were in the art world,
04:34you would be able to give her a lot of respect to the women.
04:35Yes.
04:36Of course.
04:37Of course.
04:38Of course.
04:39Of course.
04:40Of course.
04:41Of course.
04:42Of course.
04:43Yes.
04:46Yes.
04:47Of course.
04:48Of course.
04:49Of course.
04:50But if you can elaborate on the museum,
04:52what's your meaning of the image?
04:54The image is a women who is doing very good in the art world.
04:58How do we get injections from?
05:00We want to help with a family,
05:02and we want to feel it for them
05:04and to work together.
05:08But we want to work with a lot of people.
05:10We want to work with a lot of people,
05:12we want to work with a lot of people.
05:14Ok.
05:16But, with these injections,
05:18does it have a good feeling?
05:20Sure.
05:22It's a good feeling.
05:24I just want to work with her.
05:26I think it's a great job in the world.
05:29But how old are you from 20 to 24 years old?
05:35Do you see that in 20 to 24 years old?
05:42Personally, I was at 25 years old.
05:46When we talk about science and medicine,
05:51we recommend it at 25 years old.
05:55When we talk about science and medicine,
06:00we don't have a lot of experience.
06:03What do you think about it?
06:05Of course.
06:07What do you think about it in 25 years old?
06:10I'm natural,
06:13but I also think about skin booster,
06:16Botox, baby Botox,
06:18PRP.
06:20It's very important to take care of yourself.
06:23What do you think about it in the results?
06:26Alhamdulillah.
06:27Yes.
06:28Okay.
06:29It's not over.
06:31Because the blood pressure comes from someone.
06:35Okay.
06:36Okay.
06:37Okay.
06:38Okay.
06:39But it's important to talk about the people.
06:41Yes.
06:42Yes.
06:43Yes.
06:44Yes.
06:45Yes.
06:46Yes.
06:47Yes.
06:48Yes.
06:49Yes.
06:50Yes.
06:51Yes.
06:52Yes.
06:53Yes.
06:54Yes.
06:55Yes.
06:56In fact, when I started writing this song, I saw how people interacted with the DJs, etc.
07:08It attracted my attention, and I told myself why I don't play a song in the house.
07:13Because when you hear a lot of people, it's like a Moroccan song.
07:16Okay.
07:17And the song is a little bit in the Arabian and a little bit in the English.
07:21Okay.
07:22Did you write it?
07:23Yes.
07:24Can you see this clip?
07:26Yes, of course.
07:27Yes, of course.
07:28So, it's a project?
07:29Yes, of course.
07:30Even though I'm really interested in this project, it's coming to me.
07:37Okay.
07:38Very good.
07:39In fact, Mia, I saw you freestyle in the studio.
07:43Is there a home studio?
07:45Yes.
07:46Home studio.
07:47And these videos that are freestyle in your home studio,
07:51are you doing a lot of work?
07:52Yes.
07:53Yes.
07:54What's the story of this new style?
07:56So, freestyle is a great way to get your skills.
08:00Like, I don't think you're in studio, you're working with a project from A to Z.
08:05I'm going to have an opportunity to get my kids.
08:07It's very good to hear.
08:08I'm going to have to get my kids.
08:09I'm going to have to get my kids out here and go home studio.
08:10And I'm going to have to get my kids out here and get my kids out here.
08:11I don't have a connection or a connection with the first one.
08:17I don't want to help them.
08:20How did you teach Home Studio?
08:23Home Studio is a personal investment in my work.
08:30I didn't know how to have a home studio before I started music.
08:38I didn't know how to work at home studio.
08:51But in a few years, you are a producer, producer, master, etc.
08:56So in the series of Home Studio, you start your work.
08:59And then you professionalize the process.
09:03First of all, give me a new vision.
09:07What did you do in your life?
09:14As a person, I was very timid.
09:22I was very timid.
09:24I was very timid.
09:25I didn't have a camera, etc.
09:28I was very timid.
09:41Why? Because we knew that the French was the second language that the French was the second language.
09:48I said that we were working on the English.
09:51For the next one, I would say that it was an ego trip.
10:00I mix between the rap and the song.
10:03The song is a style, the rap is a style.
10:06I try to invent something that comes between the two.
10:10What did you do in the first one?
10:12What did you do in your career?
10:14How did you create a new character?
10:18What did you do with the new style?
10:24Yes, I tried to adapt and adapt.
10:28It's true that when I was in the comfort zone,
10:31when I was in the mood,
10:33when I was in the mood,
10:35when I was in the mood,
10:37I was in the mood.
10:39When I was in the mood,
10:41you were attacking a little bit.
10:42You were criticizing.
10:44But there was a lot of people who wanted to like you.
10:46They understood what I wanted you.
10:48What's the message of your friends?
10:50What's the value of your friends in the industry?
10:54What did you do with the feedback?
10:56What did you do with the criticism?
10:57Was it an antepad or was it a change?
10:59It was a change?
11:01A change, right.
11:02It was a change.
11:03We had a change.
11:04We started to move on a little bit, but we started to move on a little bit.
11:09It's hard to move on.
11:10And I know that you have a lot of negative comments.
11:14How did you do it with them?
11:16How did you do it with them?
11:18How did you do it with your eyes when you answered me?
11:21In the first place, I was able to answer a few times.
11:24Just if I had a negative comment that I felt like I was going to get rid of it.
11:29I was able to answer the question only in order to get a message to the person.
11:34Automatically, the person is the fan of you, with the time you understand.
11:37You want to get rid of it.
11:38Yes, because we know that the public and the Greek people are not afraid.
11:44Even in the first place, they don't understand you.
11:46I was able to get rid of the time to accept the vision of you.
11:50Okay, so did you get rid of the negative comments?
11:56It's okay.
11:56It's okay.
11:57It's okay.
11:59I'm trying to move on to the negative comments.
12:00I'm trying to move on to the negative comments.
12:02In the first place, I was able to answer the question.
12:05Yes.
12:06But the question is,
12:08I'm going to answer the question.
12:10It's not a problem.
12:11The question is, why is it?
12:13Yes.
12:14I think it's just a freestyle freestyle without a mistake.
12:18What is it?
12:19Without a mistake.
12:20Without a mistake.
12:22It's a goal,
12:24it's not a good answer.
12:27It's a problem.
12:29I've learned how to get rid of it.
12:31I'm going to get rid of it.
12:32three events, and we're going to do one of the projects
12:37completely, I, I, I, and I, and Minerva, but
12:40we don't have a relationship with the Lebanese,
12:42without a doubt, the person who sees it as an artist
12:47who is a jury in an emissary, and is criticising
12:52a rapist or another, and Allah, in the style of it,
12:57I think it's not professional, and I don't want you to
13:00see what happens when you're in a film, but you see
13:03an artist that you're in a very, very serious.
13:06Yes, of course.
13:08So, are you going to judge a person who is going to?
13:11Of course, it's right to judge but if you judge
13:15the person that is being used to be a person,
13:20yes, but if you ask the direction of an artist
13:22by another person, I find it very good.
13:25Yes.
13:26But it's just because she is
13:28They tried to provoke a lot of things in the industry between rappers and rapists, so that's what I'm going to do.
13:39Yes, very good.
13:40Do you think you're going to be able to share one more time?
13:43Who's going to be able to share one more time?
13:46It's true.
13:47I was hoping that the bass, the fans, the radio, and the radio, and the radio are the ones who attack at the beginning.
13:56But it's true that it's more for the person.
14:00Do you have a class with me?
14:01No, I don't have a class.
14:02Okay, I'm going to go with you.
14:04Of course.
14:05Very good, okay.
14:06How did you get to the stream,
14:09the numbers, the statistics?
14:11It's true that the manager is the one who is able to do it.
14:16I'm going to get to the music.
14:19It's true.
14:20And I'm going to get to it a little bit.
14:22Thank God, that's what it's going on.
14:23Do you want to tell us that the film is an investment,
14:26and the job that you have to do with the investment
14:30in terms of what you want in the film?
14:32We can say that, yes.
14:34And how did it go until now?
14:36Until now, it's gone.
14:37I've just got a card artist.
14:40I want to thank the government and the citizens of this country.
14:46So, thank God, our country has advanced a little bit, a little bit.
14:51I want to thank the people, the people, and the people of this country,
14:55and I hope that it will be better.
14:59Inshallah.
14:59Do you have a lot of events, a lot of festivals?
15:01Do you have any memories of your date?
15:04I have a memory of the Yo-Fest.
15:07Yo-Fest, it's a beautiful vibe.
15:12The love of the people, I had to share my life with the people.
15:18But the love of the people and the people who don't know me,
15:21I am not a person,
15:22I am not a person.
15:22I don't have any help with the community.
15:25I don't have any help with the community.
15:27I don't have any respect.
15:29I want to give a good energy.
15:31It's really good.
15:32You were with your husband and you were with your husband.
15:37So, it's a very good souvenir.
15:38Yes, it's true.
15:39Very good.
15:40What's going on in the future?
15:41The new one is EP.
15:43It's a very good song.
15:48I'm featuring artists here, rappers in the U.S. and outside.
15:54How do you want to get EP?
15:56The EP is in October.
15:59Very good.
16:00You gave us a sneak peek.
16:02What's the feature of this?
16:04It's a very good feature.
16:05You want to go to the patchwork?
16:06It's a very good one.
16:08It's not a good one.
16:09Yes, come on.
16:10I'll tell you about the double H.
16:13The double H is a Moroccan rap in Flandre and the Moroccan rap.
16:19And I'm a very good one.
16:21I'm a very good one.
16:22I'm a very good one.
16:23I'm a very good one.
16:24I'm a very good one.
16:25A little drill.
16:26A little drill.
16:27Do you have a style of style?
16:31Do you have a style of style?
16:33Do you have a style of style?
16:34Do you have a style of style?
16:35Yes, of course.
16:36It's a very good one.
16:37It's a very important one.
16:41You have a style of style of style.
16:45You have a style of style.
16:47You have to use that style as sort of style.
16:48It makes you, you have a style of style.
16:50You have a style of style as well.
16:51It actually makes you a style of style as well.
16:51Brought to you.
16:52lısia
17:00Do youе
17:02musica, musica, musica
17:04Why do you invest a lot in the clipage?
17:08It's not that
17:10It's that musica
17:11It needs a lot of investment
17:14It needs an investment
17:16in the clip, in the recording
17:18in the mix, mastering
17:20in the beats
17:22It's a lot of things that come out
17:24We had the featuring
17:25but we didn't have the prod
17:27We have the productors, the compositors
17:30We have the team
17:32who worked with them, the EP
17:34So, the EP, I'm still working
17:36with it, it's a lot of
17:38we have the West
17:41we work with it
17:44we have the ADES
17:45we have a lot of profils
17:46thank you for the producers
17:48in other countries
17:49who are aware of the domain
17:53we have the two
17:55and we have the
17:57Russian producer
18:00Russian producer
18:02he's called
18:03Jilly Beats
18:04Kane Cactus
18:05J Cactus
18:08who works with Travis Scott
18:09Wow
18:10Kane Marvel
18:12Kane Marvel
18:13Kane Marvel
18:15Kane Marvel
18:16Kane
18:17How can we get to see you
18:19as an influence
18:22Yes
18:23I'm sure
18:24I'm going to see you
18:25as an influence
18:26What's the next one?
18:27What's the next one?
18:28The next one is music
18:30What's the next one?
18:32What's the next one?
18:34What's the next one?
18:35I'm going to see you
18:37I'm going to see you
18:39I'm going to see you
18:40It's a lot of
18:41I'm going to see you
18:42even in the rap
18:43or in the street
18:44what's the life of your life
18:45that's the same thing
18:46You understand?
18:47Even if you want to see you
18:48you can't change
18:49your person's direction
18:50and artistically in your job,
18:52when you feel like a person
18:54trying to teach your Lego
18:56or your career
18:58or your image,
19:00you have to get out of the room
19:02and say, I am not.
19:04I am not.
19:06But I am not.
19:08After the interview,
19:10you talked about Jump Show.
19:12How was the level of the previous
19:14and the previous ones in Jump Show?
19:16Yes.
19:18Honestly,
19:20I don't want to go to Camille.
19:22I don't want to lie.
19:24But I noticed
19:26that this year,
19:28there are a lot of profiles
19:30from the majority,
19:32etc.
19:34But there are profiles
19:36like a camera,
19:38there are other people
19:40who are in your fest.
19:42So, I am not sure
19:44you have a lot of profiles.
19:46I am not sure
19:48you are in your office.
19:54I am not sure
19:56you are in your office.
19:58I am not sure
20:00you are in your office.
20:02I am not sure
20:04you are in your office.
20:06I am not sure
20:07you are in your office.
20:10Thank you,
20:11and tell the rest of the webinar.
20:12I'll see you next time.
20:13Bye.