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'Superman' - Entrevista con James Gunn
Sensacine México
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00:00
i can't imagine i know it's the most popular movie i've ever done and i would have never thought that
00:05
uh 25 years later it's a pleasure to be here talking to you i'm a huge fan of your work
00:11
um and well i want to start asking you i think that one of your greatest creative gifts is the
00:17
ability to take like these archetypal characters and give them something deeply human you know
00:26
fresh flawed vulnerable and fun yeah uh i mean you always manage to give them like an upgrade
00:32
you know and to align them into what resonates today so talking about superman what did you want
00:38
to deconstruct or reframe through your own lens yeah i think it really i think that the way i
00:45
approach you know rocket raccoon and superman are exactly the same i think that when i was first
00:50
faced with writing rocket i was like oh my god it's a talking raccoon how am i going to do this and not
00:54
be goofy and i said well what if he was real that's always i always start with that what if this was
01:00
real and um and i think that was the same with superman what if superman was real what would be
01:06
the challenges he would actually face you know how could he how could glasses actually be his disguise
01:13
how could you know what would a world be like if it had actual superheroes and it would would it be
01:19
how it's commonly portrayed as just heroes and villains or would it be people in all shades of
01:23
gray just like we have in ordinary life so i always start with that question what if it's real you
01:29
know and i think that you know that came upon where superman is in this movie with sort of balancing who
01:36
he is as a kryptonian and who he is as the son of kansas farmers and which side is is dominant
01:46
and well i get the sense that when you write or direct you're telling stories for yourself you know it's
01:52
like you're entertaining your inner child or your inner storyteller so did that happen with superman i
01:59
mean was this a story that you needed to tell for yourself before anyone else oh that's always the
02:06
case i mean i'm always going to be the first audience member whether it's the first screen you
02:11
know right reading the screenplay for the first time or watching the movie i've always got to please
02:16
myself first steven spielberg said it once he's a very good audience member and that's one of the
02:20
reasons why his movies are so good because he watches his own movies like he's the audience
02:26
i hope that i can you know do that same thing so yeah i'm always the first judge and a lot of it is
02:32
just gut you know when i'm making a a movie writing the screenplay or making the film there's like
02:37
something isn't sit right with me and i sometimes i don't know what it is and takes me days to figure
02:42
out or weeks or months what is it that isn't quite sitting right with me um and you know nothing can
02:50
ever be perfect but you you try as hard as you can to make it the best it can be and you always
02:54
entertain us a lot so um i gotta say that a lot of people might not know that before uh directing
03:02
suicide squad peacemaker and now superman you were the mastermind behind scooby-doo the live action
03:09
that's right that's right and i gotta tell you that that movie defined my childhood you you can't
03:14
imagine yeah i can't imagine i know it's the most popular movie i've ever done and i would have never
03:21
thought that uh 25 years later is there a part of that story that you or that experience that you still
03:29
carry on with each uh film or that you write or direct um a part of the experience of scooby-doo
03:39
i learned everything on those movies i mean those movies were so helpful to me and i was incredibly
03:45
embraced by the director raja gazanel and the producer chuck rovin who took me in and really you
03:52
know i was there on set every day you know dealing with them and that's very unusual for a writer in
03:58
hollywood i was sent i was sent all the you know auditions um and and gave my two cents on who i
04:04
thought i mean i saw linda carlini as velma i'm like we have to hire this girl she's so good um and
04:11
and they listened to me and that is a rare thing and i really attribute mostly that to chuck rovin who
04:19
you know really gave me my start he took me in and on the second movie we did we did that and he
04:24
brought me in to watch all the vfx so that i knew how to do vfx so that by the time i got the guardians
04:30
everybody's like well he's only directed movies that are like you know 15 million or under i'm like
04:34
yeah but i've been around effects a long time so i knew a lot about effects by that time so yeah scooby
04:40
doo was incredibly important you know for me and being able to write a cgi animal which has obviously
04:46
been something that's a part of you know guardians and peacemaker and superman it's um it's it's been
04:53
uh it was really a a great a great learning experience for me i'm super excited to see
04:59
everything that you mentioned now in superman super super excited to strike a balance between
05:04
the timeless nature of superman and your own signature style as a filmmaker how did you manage to
05:12
keep the essence but also give the james conk signature well i'm a superman fan i'm a fan of
05:17
dc comics and have been since i was a kid so i think it's kind of innately part of me that i'm not going
05:22
to do something that you know um subsumes who superman is as a character like i'm i really care about who
05:30
he is i care about um what i think of as those core values of superman of the you know the the the
05:38
kindness the goodness of superman um you know the basic you know you know super strength and flying
05:46
and beams out of his eyes and kryptonite kills him and all that stuff um so i think i i don't really
05:52
think it's something i had to try too hard to do it's just you can't you know that's a superman movie
05:56
i would want to make is one that you know adheres to the certain you know strengths of superman whether
06:02
it be you know the writing of uh you know you know grant morrison or the drawings of kurt swan or
06:08
you know any of the guys from the comics who were so great and i just want to finish last question
06:14
saying that i love superman movies because of my dad you know and we always uh like to go to the
06:21
cinema and watch the new version of it yeah and he was telling me yesterday you could ask him how
06:27
uh important it's to align superman to the time that the movie is premier so how did you manage to
06:35
align superman to this modern era what are we going to see well i think it really is seeing you know
06:40
what superman you know i think that you know in the past it's been sort of difficult to do superman
06:47
because people think of him as you know kind and corny right and um i think that those are his
06:54
strengths and so it wasn't about fighting against that kindness or the colorfulness of his costume or
07:02
the cape or the trunks it was about embracing those things and allowing those things to be what they
07:07
are um and to see that kindness and that goodness in a world that isn't so kind and that isn't the
07:14
thing that's being you know you know uh you know spread out over social networking and the media there's
07:20
a lot of meanness out there and so i think it's it's today the things that seemed you know sort of
07:26
palian and corny are actually the things that make superman the ultimate rebel and that's that's the
07:33
part of this movie that was really fun to to create thank you so much for your time you cannot imagine
07:38
how excited i am about this movie because i love your work and i love superman oh thank you it's going
07:43
it's going to be the movie of the summer can't wait for your dad to see it yeah i love it i'm super
07:48
excited
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