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NewsTranscript
00:00Actually, what did you say to your mom?
00:02Yes, you were very emotional.
00:04But, you were very emotional.
00:11Siddharth Sir, he is very happy.
00:15He is very important to know his life.
00:19When we say this, I am very happy.
00:22I am very happy to know his performance.
00:25You are very happy to tell me this script.
00:29He did a lot of things.
00:34He was a hero,
00:36and there was one guy who was doing what he was doing.
00:40He was like, I'm not a guy, I'm a guy.
00:43He was a guy, he was screamin' with a lot,
00:45he was a guy, he was a guy.
00:48He was a guy and got a guy.
00:50He was a guy in the edit.
00:53I was like, oh my god, I have a sense.
00:57Like I said, I have a sense of innocence.
01:00I have no idea how to identify my dad.
01:05How are you going to get a thing?
01:09I'm going to get a little bit later.
01:12I'm going to get a little bit later.
01:13Did he see you in the background?
01:15Yes, I'm going to get a little bit later.
01:18I'm going to get a little bit later.
01:20I'm going to get a little bit later.
01:23So, literally, if you go to the bus, you'll get a signal on the bus.
01:29If you go to the bus, you'll go to the bus, and you'll get a call at the same time.
01:35So, that's all I can understand.
01:39One thing is that we have to talk about.
01:41When we talk about a story,
01:44there are many characters that we have in the story.
01:50But that's what we call the 3BHK.
01:54So, we'll come back to the street Ganesha.
01:58If you have a great experience,
02:00that's why everyone is connected.
02:02Everyone is emotional,
02:03where you can find the street in the world.
02:07This is the most favorite place.
02:10If you find the street,
02:11where you can find the street,
02:13where you can find the street.
02:14Why do you call the 3BHK?
02:16I think there are two places here.
02:18That's why everyone is a crime thriller.
02:20That's why we're going to go to the street.
02:22This is a family drama,
02:24and another entertainment.
02:26It's emotional.
02:27So, everyone is a package.
02:29Why did you edit this?
02:31I'm very happy with the intro.
02:33Everyone is connected to the person.
02:36Yes, I'm very happy with the show.
02:37That's the intention.
02:39Okay.
02:40It's a very personal,
02:43and emotional connection to everyone.
02:46It's a very personal idea.
02:53It's not a personal idea.
02:53It's not a personal life.
02:56It's not an emotional connection to everyone.
02:58It's not an emotional connection to everyone.
03:02So, that's why I can see the audience's reaction to the theater.
03:05That's why there are families, families, and families.
03:07Everyone is saying,
03:08that's why you're here.
03:09You're here.
03:10You're here.
03:11You're here.
03:12You're here.
03:13You're here.
03:14That's why you're so happy.
03:15You're here.
03:17Okay.
03:17Actually, what did you say to your mom?
03:20He's like,
03:22that you're very emotional.
03:22He's your mom.
03:23And you need to know,
03:24that you're here.
03:25You're here.
03:26You're here.
03:26You're here.
03:27Wow.
03:28Because you're here to express your life's memories.
03:30Everybody needs to help you learn everything.
03:30Yes, yes.
03:31Because you are.
03:31That we should say your family,
03:33it's a simple words,
03:34that we can show you why or why.
03:36But they've grown up with a skill.
03:38If you're here to express them,
03:40I'm really happy about it.
03:41Do you use your character's name?
03:44Do you use that?
03:45No, I use that name.
03:47If you use Shanti,
03:50if you can use a name to represent a house,
03:54you can't use Shanti.
03:57That house is a good place.
03:59But that's Shanti.
04:02That house is Shanti.
04:05That's how I feel.
04:10Nice, nice.
04:11You said that there is a lot of food that you talked about.
04:16Can you tell us about a lot of food that you can tell us?
04:21Is there something in this scene?
04:24There is a lot of food that is in a small way.
04:29That's why I have a lot of food that doesn't have any emotion.
04:36Because if you look at a place, your home will be able to get a place.
04:40That's why we can tell you if you look at a place.
04:44Now, there is a lot of food that is being told to you too.
04:50That's not a lot of food that is used to be a lot of food.
04:57The food that is used to be a lot of food and food is used to be a lot of food.
05:01But this is not a food that is used to be a lot of food.
05:05If you are not alone, or not, you will be a small problem.
05:13That's why I am connected with this emotion.
05:17What I think is important to you.
05:20You can't go to the side of this, saying that you can write these things online,
05:24or you can write it online, or you can write and you can write it in a comment.
05:30In Tamil Nadu, there is a family in Tamil Nadu.
05:35There is a family in Tamil Nadu.
05:37So first, you can tell Siddhartha.
05:40What's your reaction to those people?
05:43Siddhartha, in fact, is very happy.
05:46He is very important in his life.
05:51He is a common man, a common man.
05:54He is very small in that role.
05:58He is very happy.
06:00He is very proud of me.
06:04He is very proud of me.
06:08Siddhartha, that's why he is very proud of me.
06:10He is not a real life anymore.
06:12He is not a character in the screen.
06:14I am convinced that he is a 100% person.
06:20That's why everyone is watching.
06:22Siddhartha, that's why he is such an age group.
06:25How do you feel that you are matured in school?
06:28Do you feel like you are doing something like that?
06:31They are talking about body language.
06:33That's why you have to take a time period.
06:37Yes, yes.
06:38In the overlook, you have to take a weight loss at school.
06:42You have to do some weight gain.
06:45You have to take a little bit of weight gain.
06:47You have to take a little bit of a light.
06:51You have to take a little bit of a young person.
06:54You have to take a little bit of a young person.
06:57They are doing body language in one of the episodes.
07:00They are doing body language.
07:03You are like this.
07:03If you go to school in school,
07:05they will take a little bit of a young person.
07:06You will see that.
07:07They will take a little bit of a young person.
07:10They will take a little bit of a young person.
07:12So, in fact, if you are doing something like that,
07:14I know that this is an expressionary reaction.
07:17In that episode, you have to correct it.
07:20So, if you are doing body language,
07:23everyone is conscious of it.
07:25So, that's why I have to say thanks to that.
07:29That's why I have input.
07:31Sarathar is a character.
07:34He is a woman who is a young person.
07:37He is also a woman who is a woman.
07:39In this episode, the middle class is a man who is a woman.
07:44You have to try something else.
07:46The only thing you are doing is Sarathar.
07:48That's the first choice of Arun.
07:52I used to say Sarathar's name.
07:54I used to say Sarathar's name,
07:57and I thought, Sarathar is a hero.
08:00He is a man who is a father.
08:03But I used to say that Sarathar is beautiful.
08:07What an experience actor is, we realize that he is very silent and he is very silent.
08:16He can see everything on the screen and see everything on the screen.
08:19He is doing a lot of great.
08:22He is doing a lot of his experience.
08:29In fact, there is a scene.
08:31I would suggest that he is very emotional.
08:36I said that I am a great father.
08:39When the master comes to an emotional feeling, he shows up a lot of expression and then he's told him to come back at the door.
08:44He's told me I am a great father.
08:46As I said to my family, he realized that he was a great father.
08:50In our family, we were able to express him and he said that he had to say that he was very invisible.
08:58That was very beautiful.
09:00In fact, he is a great father in the 20th of the year.
09:04So, you can start with a lot of time.
09:05If you start with a lot of time, you can start with a lot of time.
09:11You can start with that.
09:12So, if you start with a lot of time, you can reflect on the dialogue.
09:19So, that's the point.
09:21They have the experience of acting.
09:23They have the life experience.
09:25They have the experience of doing that.
09:29How did you tell Deviyani Mam or your mother's character?
09:34I told Deviyani Mam that I was telling Deviyani Mam.
09:37I told you to tell Deviyani Mam that I was a little girl in my mother.
09:44Nice.
09:45I told you to tell Deviyani Mam that she was an innocent.
09:49That's why we all identified the same thing as my mother.
09:55If I'm not sure, I'll ask you to give my husband an option.
09:58I feel like everyone are always here.
10:02I'm afraid to give my husband an innosence and sweetness.
10:06In fact, I'm the person who comes in this world.
10:10They are so sweet.
10:14I don't have energy to create that,
10:16but it doesn't have an actor.
10:19The person who is in that world will help.
10:21That's the person who is in that world.
10:24I was surprised that I was the one who did that.
10:31Actually, you've come to a show called Malayala, Ekunar Piriya Darshan.
10:36Actually, you're happy, but you're a person who's a person who's a person who's a person who's a person who's a person who's a person who's a person.
10:41So, they're coming to Malayala, which is a remake of Malayala.
10:45So, you've added some vibe to that.
10:48They're still talking to you.
10:49Yes, yes. I don't know what to do.
10:54In fact, for the first time, I was doing dubbing in four frames.
10:58That's the business.
11:01No, I was doing dubbing in four frames.
11:05I was designed in the sound of the studio.
11:08So, the studio is super.
11:10At that time, I opened it up and I asked the manager,
11:15and I told you, I asked him to show you the video.
11:21He was going to shoot the video.
11:24So, he was going to shoot the video.
11:25But I told you, I was going to do this,
11:27and I asked him to do this.
11:29So, the conversation was about to do this.
11:31The first time I told you,
11:33I tried to do it in Hindi.
11:35He was a star who was playing in Hindi.
11:39He was going to do it.
11:40He said, I think it was.
11:42Amitabh Sir was playing in Hindi.
11:44Wow, nice.
11:45That's why we talked about it.
11:47It's correct that when we started the time of COVID-19,
11:51then we talked about Amitabh Sir's two years ago.
11:57So, that's why we talked about Amitabh Sir's presence.
12:01It's beautiful in Hindi.
12:03Then, they came to a call,
12:06we talked about how we talked about it.
12:09We talked about Amitabh Sir's presence in Hindi.
12:12That's why Amitabh is our mindset.
12:15That's why we talked about it and we talked about it.
12:21We talked about it in Malayalam.
12:24Sir, we talked about the shoot-up on the first day of Pooja.
12:28We talked about it and we talked about it.
12:30In fact, there is LVJ Sir.
12:32Sir is a relationship with a brother.
12:36We talked about it and we talked about it.
12:39We talked about it and we talked about it.
12:41and he talked about it and we talked about it and we talked about it.
12:47Sir, we are the original writer.
12:51We talked about it and he told everyone to talk about it.
12:55If you look at the screen, the preview will be ready for the first time.
13:02I am a fan of Santosh Chivan, P.C. Sv. Ram, sir.
13:06Oh my god.
13:06We will see everyone.
13:08I am very emotional.
13:11We will see legends in the cinema.
13:16We will see the pre-dession,
13:19and we will see them.
13:22I think it's a nice life.
13:25Nice. Super.
13:26I don't know if I'm like this.
13:29Wow.
13:30Mr. Mishkin, you've seen your videos.
13:32Mr. Sir, I've used a lot of phones.
13:36That's why I don't like to see 3BHK.
13:40Mr. Sir, if you want to see 3BHK,
13:45I think 3BHK will be very difficult.
13:49Mr. Sir, you'll be very happy.
13:51Mr. Sir, when I saw them,
13:53I said that they would say that I've given you a video for the Miskin,
13:56Mr. SONY.
13:57Mr. HONORA MESKIN was a lot of customer.
14:01Mr. SONY.
14:03Mr. SONY.
14:08Mr. SONY MCCAR, you've seen your video on the show?
14:10Mr. SONY.
14:12Mr. SONY.
14:13Mr. SONY.
14:16Mr. SONY.
14:18Mr. SONY.
14:20When you see a marriage, you can see a house where you can see a house and you can see a house in the house.
14:29There is a reason for that house.
14:32There is a empty plot in the house.
14:34If you look at the house, you can see the house and the sun.
14:38That's why I am not in the house.
14:40That house is beautiful.
14:42If you want to tell me, you will be in the city.
14:45If you want to see the house and the house is in the house,
14:48there is an emotional feeling.
14:50That is why I am not in the house.
14:52I am not in the house.
14:54If you want to tell me,
14:56you will be in the house,
14:58you will be in the house.
15:00Nice.
15:01How did you see Miss King's Are?
15:05I am a high school.
15:09I am a big boy.
15:11I am a big boy.
15:13I am a big boy.
15:15I am a big boy.
15:18I am a big boy.
15:19I am a big boy.
15:21I am a big boy.
15:23All the girls in the house.
15:25I am a big boy.
15:27I am a big boy.
15:29He is a big boy.
15:31You know, you know, you know.
15:35I am very proud of you.
15:39You are very proud of yourself.
15:42You are very proud of yourself.
15:46You are very proud of yourself.
15:49If you look at me and see you,
15:51I will not be able to see you in the theater.
15:53I will be able to see you in the theater.
15:55Sir, I am proud of you.
15:58I am proud of you.
16:03Ok.
16:04I will be able to see you in the theater.
16:07You are very proud of me.
16:09I am proud of you.
16:11I am proud of you and be proud of you.
16:13I have a good idea to do this in the future.
16:17You are very proud of me.
16:21Why do you think about it?
16:22You are too excited to be here.
16:24You are too excited to be here.
16:26How did you learn my book? How did you learn my book?
16:28If you learn my book, you can learn my book.
16:31How did you learn a genre or taste?
16:33How did you go?
16:35Sir, there is a reason for my work.
16:38I'm afraid they didn't learn a book or a book.
16:44In fact, there is a scene in an interview.
16:48I'm going to tell you what I'm trying to do.
16:52In fact, there is an issue.
16:54There is an interview.
16:56On Monday night, I went to a hotel for ten days.
17:00Sir, I was in the hotel and the manager.
17:03Sir, I'm in the hotel.
17:05I was in the hotel and I was there.
17:07I was there in October twenty.
17:10I'm going to come at the hotel.
17:12You can go out and get a seat seat.
17:15I'm going to go in the bus.
17:18The bus will start from the bus.
17:22They are all overpetting.
17:24Yes, they are at the bridge.
17:27So, I am walking in the area,
17:31I am going to Malay to go to the calling.
17:33At the time, I am going to go to Malay.
17:34Then, I can't understand all of the things.
17:36Nice!
17:38So, I am going to say,
17:41I am going to go to Malay.
17:45Then, I am going to go to Malay.
17:47I am going to go to Malay.
17:49I am going to say, I am not a guy.
17:50I realized that someone is going to come to me.
17:52No sir, Aston Director's interview had asked him to ask him to say,
17:55I have seen him in a full room.
17:57He has seen him in a full room.
17:59He asked him to make an email.
18:02Yes sir?
18:03He was not able to send him to the parking.
18:05He said he was able to send a bus.
18:07He was able to send a signal to the bus.
18:10He was able to send him to the bus.
18:12Sir, he told me he was able to send a bus to the bus.
18:15We had to send a bus to the bus and he was able to send a towel to the bus.
18:20He asked him to eat the same thing.
18:24He told me to eat the same thing.
18:28Then he asked me to talk to him.
18:31In fact, he said,
18:33I have a son who told him to come to the same time.
18:37He told him to come to the same time.
18:41He said, I am sincere.
18:43He was the same in the same time.
18:46He said that he was a same.
18:48In fact, they don't have to go to the hotel.
18:50If you have discussed any of your team,
18:52then you have to go to the hotel and see the night.
18:55Then, I'll tell you,
18:57I'll tell you how to go to the hotel.
18:58Sir, I'll talk to you in the hotel.
19:02No, sir, sir.
19:04The night is at the hotel and the night is at the hotel.
19:07I'll tell you how to go to the hotel.
19:10That's how I go to the hotel.
19:13Actually, they don't know how to go to the hotel.
19:17But I feel very sweet and sweet, sir.
19:22Sir, I'm very happy to be an actor.
19:26If you take a friend, the dragon, Ashwat.
19:28Sir, you're a very good person.
19:32Sir, you're an actor.
19:34I'm very happy to be an actor.
19:37You've got to be an actor and direct.
19:41I can't do any of those things.
19:45Sir, you've got to go to the hotel.
19:48I'm very happy to be an actor.
19:50I'm very happy to be an actor.
19:53In fact, Ashwat is doing Ashwin.
19:57I'm very happy to be with my friends.
20:00I'm very happy to be an actor.
20:04I'm a student.
20:06I'm a student.
20:07That's why it's an emotion.
20:09Maybe if I'm a role, sir, if I'm going to do this, sir, I'll tell you.
20:16Did you finish the script and finish the first script?
20:19What did you say?
20:21Sir, I'm very happy to say that.
20:26I want to advise you a lot.
20:28In your life, it's what you're doing and what you're doing.
20:32So, that's why I'm going to be disturbed by the script.
20:35Sir, I don't know.
20:36He knows.
20:36Yes.
20:37If I'm going to be an emotional blackmail,
20:41I'm not going to be an emotional blackmail.
20:45But I'm very happy to be here.
20:48First to first, a copy is almost ready.
20:51A copy is ready.
20:53A team will go to a D.I.
20:56The team will go to a D.I.
20:56In the area, Vishal, sir, is in an office.
20:59So, I'm going to shoot for a long time.
21:02So, I'm going to go to Vishal, sir.
21:06I'm very happy to go to the D.I., sir.
21:10I'm going to say, sir, what are you doing?
21:11Sir, I'm ready for a long time.
21:13Sir, I'm going to let you get out of it.
21:18So, I just know the release, sir, and viper.
21:21Sir is notblicating, sir.
21:23Sir, this is a shot with us.
21:26He's seeing you all in the distance.
21:29Sir is a very long time meeting.
21:31Sir, I got asked you to see the path.
21:34Maybe sir, but it's a viper.
21:37Even though the path is obvious, sir, the path is a lot.
21:40I think it's good. It's good. It's good. That's our relationship.
21:45Nice.
21:46How did you tell us that in a cinema,
21:49we were able to see them and see them as an influence,
21:53and we were able to see them as an influence.
21:55We were able to see them as well.
21:57We were able to see them as well.
21:59So, how do you feel about it?
22:02I'm happy.
22:04In almost 15 years, I saw a short film in 2011.
22:08You did not have a short film?
22:10Yes, I did not have a short film.
22:14I selected a short film in 2011.
22:19I will take a short film in 2011.
22:23In 2011, I selected a short film in 2011.
22:29So, I did not have a short film in 2011.
22:35I got a short film in 2011.
22:38I was very emotional in the stage.
22:41I was able to talk to Marisel Rajan in 2011.
22:44That's why I supported a short film in 2011.
22:48I was able to tweet and share it.
22:50I was able to get a short film in 2011.
22:54So, I was able to see that in my journey.
22:57I was able to tell you that I was able to do something that I wanted to do something in 2011.
23:03We were able to do something that we could do in the life of the earth.
23:06It was a small film that we could do.
23:08It was a very good film.
23:10So, I was able to tell you that.
23:12In fact, I was able to tell you that I was able to see you guys in 2011.
23:15I couldn't understand anyone.
23:17I'd like to know everyone who's talking about it.
23:18I'm going to be able to relate and identify and see you.
23:21You will be able to find something like Jake.
23:23I've been able to work in a lot of effort.
23:26Now, everyone has come to 3BEHK,
23:28and I didn't want to succeed.
23:31If there is a new name, I'm happy to see that.
23:37Gracie Moken Satya is doing it.
23:39That's a stage play.
23:43Do you think that's the time of the time that you are missing?
23:46No, that's it. I was taught in college.
23:48But when I was a kid,
23:51you can send a message to the internet.
23:56You can reach out in a social media.
23:59You can't do a work-up on your phone and release.
24:02I said, there was a lot of internet in 2010.
24:06I think it was 2008 to 2010.
24:09So, you didn't have internet.
24:12If you were a director,
24:14you would have to go to the office and see all this.
24:17That's why I couldn't find a place.
24:19There are many customers.
24:22I was in the chair and sir.
24:24I was in the chair and sir.
24:26So, I was teaching a very good teacher.
24:29I was in the chair and sir.
24:33I was in the chair and sir.
24:35But if you were a chair and sir, you would have to go to the chair and sir.
24:38You would have to go to the life experience.
24:41But if you were the customer, you would have to go to the office.
24:43Sir, what did you say?
24:44You could get a degree.
24:45Then you were in the chair and you could have to go to the office.
24:47You can't do anything, you could have to go to the cinema.
24:51And then you can't be an assistant director.
24:53You could have to go to the short film.
24:55So, that's why I'm going to do something like that.
24:58I'm going to tell you later.
25:00I'm going to work with a still photographer and an assistant.
25:04I can't see anything in a shooting spot.
25:07That's why I went to Crazy Moonsire.
25:11I saw that there was a number of people, the troop manager's number.
25:16He followed the number and followed the number.
25:18If I'm going to work with anything, I'm going to work with them.
25:25I'm going to work with a set-up.
25:28That's why I'm doing it.
25:29I'm going to work with the camera and the screen.
25:32So, I'm going to work with an assistant and I'm going to work with them.
25:37That's why I learned a lot.
25:40Later, I'm going to work with my students,
25:43I'm going to work with the costume, art, etc.
25:47That's why I'm going to work with them.
25:50Actually, I'm going to work with them.
25:54That's why I'm going to work with them.
25:56Because of how to do things, I'm going to work with them.
25:58That's why I'm going to work with them.
26:01I'm going to see that my experience is a real experience.
26:04If I'm going to work with them,
26:07I think they don't work with the set,
26:09but when I'm going to work with them,
26:12I'm going to talk to my friends.
26:14They talk to me about Asool Raj,
26:16Kaddla Kaddla,
26:18Mr. Aburosa guy, Michael Madden is a camera guy.
26:21Mr. Sir is talking about classics.
26:24Mr. If you try something like this, you will be encouraged.
26:29Mr. I am very thankful for that.
26:32Mr. In fact, I don't know how crazy I am.
26:35Mr. Sir, I don't know how positive I am.
26:38Mr. Sir is a very happy person.
26:40Mr. Sir is a heart attack.
26:42Mr. Sir is not a bad person.
26:44Mr. I am going to go to the funeral.
26:46Mr. Now I have been with 3BHK Sir.
26:50Mr. We are talking about the time of MADU.
26:52Mr. We have been talking about some interviews.
26:55Mr. When I saw the trailer,
26:57Mr. Ganesha is very happy.
27:00Mr. I am very happy.
27:02Mr. Where you are at?
27:04Mr. I am very happy.
27:06Mr. Go and come here.
27:09Mr. This is a great answer.
27:11Mr. We are very happy.
27:13Mr. I am very happy.
27:15That's crazy, sir.
27:16How did Kamal sir see that?
27:19Is there a stage play?
27:21There was a play of Chocolate Krishna.
27:24It was the 150th show.
27:27They came to Kamal sir's guest.
27:29So, you can see that in the pocket, sir.
27:33So, there was a Korean phone.
27:36There was a photo.
27:39There was a photo.
27:41There was a low-pixel picture.
27:43But I thought,
27:45I saw Kamal sir's guest here.
27:48I saw Kamal sir's guest.
27:52It was the first time I saw Kamal sir's photo.
27:55Oh, nice.
27:56Then, did you go to the office?
27:58Did you work in the office?
28:02No, I did work in the office.
28:05Now, if you say it, then you realize it.
28:07Why is that?
28:08I didn't do that.
28:11I did short films and then,
28:14I did the office and I received the office in the chair and sir's office.
28:18I saw him in the office.
28:20I was working in the chair and sir's office a month.
28:23I called him to join him.
28:25Sir, we have to try and wait for a few years to try and wait for a few years.
28:32But then I told him that he is also a Mishkin Sir.
28:35Sir, he is a big one and he is a big one and he is a big one.
28:43So, we are also a Sir.
28:45Sir, we are also going to go to the store.
28:48I told him that, but I told him that he is a Mishkin Sir.
28:51So, I told him that he is in the office.
28:53I told him that he is also a big one and he is a big one and he is a big one.
28:59So, he is very happy.
29:01Once he is in the office, he is a chair.
29:04Then he told him that he is a big one and he is a big one.
29:11So, now he is in the office and he is a big one.
29:16He is a big one and I am a big one.
29:22Now, we have to talk to him about three days and he is a big one.
29:25That is nice.
29:26But I am very happy with that.
29:28One day, I am very inspired by him.
29:32I am very excited to talk about him and talk about him.
29:35I am very happy to hear his life.
29:38I am very memorable.
29:40I am very happy to hear his life.
29:42Actually, I am very happy to hear his life.
29:45I am very happy to hear his life.
29:46So, he is also a content learning.
29:48Yeah, I am very happy to hear his health.
29:51I am very happy to hear his life.
29:54Shree is a great person.
29:56Shree is a person who is a regular person.
30:00He is an introvert.
30:01He is a person who is in the space.
30:03That is why I am very disturbed.
30:05In fact, I am very happy to hear his story.
30:08He is a person who is telling him about that.
30:11He is a person who is talking about the information.
30:13When I am the author of the release of the path,
30:17Shree is a person who is reading.
30:18Shree is a person who is listening to that.
30:19Shree is a person who is regular.
30:20I am very happy to hear him.
30:22He was in a mood and he was in a mood.
30:26I asked him a message.
30:30Shree, you are very happy.
30:32I know Shree is very happy.
30:35He is very happy.
30:37He is very happy.
30:41But I know Shree is not available.
30:46I know Shree is not available.
30:50My friends and family are able to reach out to all of us.
30:54So, we need to thank the location for the location.
30:56We need to trace the location and trace the location.
31:01We need to trace the location of Sri.
31:03Sri is almost required.
31:05Now, a photo is required.
31:08Sri will be able to see his health.
31:11If you think about my life, you will be successful in cinema.
31:14You will be able to do it.
31:15It is a secondary issue.
31:17First, a life is a good health, mental health, physical health.
31:23That is a good thing.
31:25Sri is a good health.
31:27Sri is a good thing.
31:29In fact, there is a comparison.
31:32Sri is stressed.
31:35I am not sure if I am going to study the therapy.
31:39Sri is a good thing.
31:43Sri will be able to see you.
31:45The location is a good thing.
31:47It is a good thing.
31:48We will discuss the movies in a room.
31:52We will talk about the F.O.A.
31:54We will talk about the F.O.A.
31:55So, when everyone comes first, we will talk about the hangouts.
31:59They will talk about the A.D.A.
32:02Yes.
32:02I think it is a good thing.
32:03We will talk about the location first.
32:05We will talk about the F.O.A.
32:07A dream warrior or a monogram.
32:09Yes, it is a potential.
32:11I will talk about the day.
32:13I will talk about the group.
32:15I will talk about the sign.
32:16I will talk about it.
32:17I will talk about it.
32:18I will talk about the night that I am going to talk about the name of the F.O.A.
32:20A dream warrior.
32:21Yes, I will talk about the name of the F.O.A.
32:23Yes, I will talk about the name of the F.O.A.
32:24Yes.
32:25It is a very happy.
32:26It is a friend that I will teach.
32:28Who is the guy in that gang?
32:31My name is Olokesh, Madonashwin, Ashwath, Karthik Yogi.
32:38I'm not going to miss anything.
32:40Chandru is talking about Maviran and Kooli.
32:47There are many other names.
32:49There are many other names in cinema.
32:51But all the friendship is different.
32:53There is a lawyer for Karthik.
32:56There are many other cinema companies.
32:59There are many other names.
33:01In fact, now there is a location.
33:03For this reason, Sriya reached out to me.
33:07He was able to reach out to me.
33:09So, all the friendship is here.
33:11Do you have any group?
33:13There is a WhatsApp group.
33:15There is a WhatsApp group.
33:17There is a WhatsApp group.
33:19If you don't have any photo or phone,
33:21if you don't have any photo,
33:23you can go to a group.
33:25Nice. There are many memories.
33:27You have had a lot of money.
33:31That's a lot of mind.
33:33It's a lot of people.
33:35You're talking about it.
33:37You're talking about it.
33:39You're talking about it.
33:41I'm talking about the interview.
33:43I feel that you're doing it.
33:45You're talking about it.
33:47You're talking about it.
33:49You're talking about it.
33:51There are many memories,
33:53but there are many other two.
33:55They are still around the cinema,
33:56and in the personal life.
33:57I'm really happy.
33:59I'm really happy to hear you.
34:01You have talked about it.
34:03You're talking about it.
34:05You can share your memories and details.
34:07The details are sharp.
34:09If you have the time for this interview, I would like to thank you very much.
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