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क्या Suspect के 10 Coffin Order करने का राज़ पता लगा पाएगी CID? | CID | सी.आई.डी. | 9 July 2025
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17:55Sir, I think that once you go to Boodhi Ghats, you can't get back to the hospital.
17:59You can't get back to the hospital.
18:01That's right.
18:03I've seen how many reports are.
18:07And this relationship started from November 2009.
18:12In all the papers, where was Carlos' coffin?
18:18Sir, in Mumbai, in the Juneiria.
18:22Sir, where is Ayesha's car?
18:28Exactly.
18:29But these two cases are not connected.
18:32Absolutely.
18:34There is no connection.
18:36The sketches are ready, sir.
18:39But it may be that this is Carlos' brother.
18:43What do you mean?
18:45It was the Saji Sir's phone.
18:47Carlos' address and phone number are all wrong.
18:51So then the address of both of them is wrong.
18:53It may be, sir.
18:54Do you work.
18:55These two sketches are sent to all the police stations.
18:58And you know that this is a so-called brother Bobby.
19:01And you have to go back to that place where Ayesha's car was found.
19:06And with the name of Ayesha's car is being taken.
19:07Ah!
19:09Mr.
19:10And Mr.
19:13That was the name of Ayesha that was being arrested.
19:16And the sign of Ayesha was going straight.
19:18And the sign of Ayesha was not being taken away.
19:21And the sign of the jury didn't happen for the bodies.
19:22The sign of the truck was alone.
19:23I was of a city that wasn't here.
19:24But the sign of the bus was also along with her.
19:25Dr.
19:26And the sign of the sign of Aesha's car is going to another bus.
19:28who tells us that this road goes to Bhundi Ghat and Ayesha is going to Mumbai.
19:33So why will she take this diversion?
19:35The diversion is when she takes it,
19:38when someone has called to Bhundi Ghat.
19:42She wants to go to Bhundi Ghat. Let's see.
19:50Oh, this is the road that humans take away.
19:53We will stop all these stories.
19:56There is no way to show anything here.
19:59There is no house, no building.
20:01Why will Ayesha come here?
20:04The road is over there.
20:07The bus didn't.
20:10Why did this road go to Bhundi Ghat?
20:14The bus is now on the bus.
20:17The bus is now on the bus so that they can put a signboard here.
20:20If there is a signboard here,
20:21they can go to the bus and then go to the bus.
20:23They can't take it to the bus.
20:24They can't take it to the bus.
20:25But what was the benefit of all these people?
20:27They can't take it to the bus so that they can put a signboard here.
20:30If they put a signboard here,
20:32they can go to the bus and then go to the bus.
20:35They can't take it to the bus.
20:39But what's the benefit of all these people?
20:40Will someone do that?
20:42So that if someone asks a lift
20:43and says that they have to go to this road,
20:45they don't know if they have to go to the bus.
20:47They don't know if they have to go to the bus.
20:49It's time to go to the bus.
20:58The bus is low,
21:00and nobody says to go down from the bus.
21:02Yes, sir.
21:03How do people get their cars on the bus?
21:09See that, sir.
21:10In front of the gate,
21:11State Symmetry, 1.790
21:21Let's go, I got something in this way.
21:34What will happen in this place?
21:36I think this Khabaristan has been closed for a long time.
21:41In this way, there is no place in this way.
21:50But there is something about this place.
21:59Sir, it's good that you have started the process of making your face.
22:03No, we all think that this is the same.
22:05Yes, Tarika.
22:07But I just understood the facts.
22:09There is nothing wrong.
22:11What is wrong?
22:12What?
22:13Why did you call it so much?
22:15Sir, there is no doubt about this Aisha.
22:17There is no doubt about this.
22:18This is not Aisha's fault.
22:20That's why I called you here.
22:22What are you talking about?
22:23We had to send Aisha's photo to you.
22:25I had to send Aisha's photo to you.
22:26But I also told you that
22:27that the car's chases number
22:29got the address of his house.
22:30And the details too.
22:31That's why I wanted you to make the face again.
22:33Daya, until you sent the fax,
22:35then I was scanned by the car.
22:37But sir, the work is done, right?
22:39The girl's knowledge is gone.
22:40That's right.
22:41That's right, Daya.
22:42You sent the photo and the computer.
22:44I want to show you both.
22:46That's why I called you here.
22:48Let me show you.
22:52Look at this.
22:53This is your fax.
22:55This is your fax.
22:56This is your fax.
23:04Daya, if this is Aisha,
23:07then it is not Aisha's fault.
23:09Your foxy,
23:10this face is the face of
23:13Aisha's fault.
23:14I mean, the size of Aisha's fault
23:16was not Aisha's fault.
23:18It was Aisha's fault?
23:20If this face is a car's fault,
23:22If this is Carlos's brother, then this is Aisha. Where is this?
23:39Sir, this girl has been released in the world of crime.
23:43About 7-8 cases of fraud and fraud have been released.
23:47There are so many names, letters, IDs, all of them.
23:52When was this last report written?
23:56January 2012.
23:59Sir? Carlos?
24:02Carlos has written a report for him.
24:05Sir, this means that this Mahua was making a drama for Carlos's brother.
24:11Sir, Carlos has written an affair?
24:14Yes.
24:15Yes.
24:16It's written in it.
24:17That Mahua is trying to kill Carlos.
24:21Sir, Carlos has written an affair himself.
24:26So, his address will be true.
24:28In the school, there is a wrong address.
24:31Sir, maybe 200 people will kill him.
24:35That's right.
24:37I don't know about Carlos's family.
24:40He also knows about his death.
24:42You guys?
24:44You guys are Carlos's friends, right?
24:50You came from music school?
24:52Come inside.
24:54Come inside.
24:55Carlos hasn't come?
25:00Come.
25:02Come.
25:03Come inside.
25:07What is this?
25:08Where is Carlos?
25:10Please, come inside.
25:12Come inside.
25:17Look.
25:18As a matter of fact, we are not friends of Carlos.
25:21We are from CID.
25:24CID?
25:26What is this?
25:27My Carlos is fine, right?
25:33I mean..
25:34I am feeling like Carlos is..
25:35the problem..
25:36It's not to me.
25:37Carlos is not in this world.
25:40He's whose hand is his hand.
25:42What?
25:43Why?
25:44My hand is whose hand is gold?
25:46How can I make this?
25:47I know..
25:49I know..
25:50I know…
25:51I know that something is wrong.
25:52And it is wrong because he was gone all alone.
25:53Sheik..
25:55Somebody gave away him.
25:56My son?
25:57Hahaha
26:04Okay madam
26:08We got a fire from the police station
26:10which Carlos had written
26:12It was your mate, Mahua
26:15Do you know anything about that?
26:16Carlos gave me very much love
26:19In this life, I couldn't do all this work
26:21That's why he kept Mahua
26:24Then, what happened to my mother?
26:27Before, she was very simple.
26:29She was doing all the work.
26:31She stayed here.
26:33But later, she felt something different.
26:36I'm completely surprised.
26:38She killed my child.
26:41She killed my child.
26:45When was she here?
26:48When Carlos came out of the day,
26:50she was killed by the next day.
26:54I'm going to leave my hands with you.
26:58Once, once, I want to see my son.
27:01Once, I want to see my son, Inspector.
27:04Yes, of course.
27:07We will send her body here.
27:10Please, don't be careful.
27:12We will not leave Carlos' eyes.
27:16You have told me that he was living here.
27:18There will be no camera.
27:20Do we see him?
27:21Yes, from the back.
27:24What?
27:28You're in danger.
27:32Work.
27:34Check your house better.
27:35Look, there's something.
27:37Sir.
27:54Sir!
28:05What?
28:06Look at this.
28:10Ten coffins?
28:12Why would you buy such a lot of coffins?
28:15This would just be the one who would say to the one who would do this.
28:19Listen to something with this and don't ask you all about it.
28:22This is the M.L. Patharay Road.
28:24The four trucks are at the same time,
28:26and the three trucks are at the same time.
28:29Let me explain it in a minute.
28:31Okay?
28:32What happened is that,
28:34in one car,
28:35ten people,
28:36actually died?
28:38No, it's not like that.
28:40Take care of yourself.
28:47This car has made you ten copies here.
28:49Why?
28:51Why don't you have any doubt?
28:53You?
28:54Who are you?
28:55We are also in trouble making coffee.
28:57And we are also going to put it in the coffin.
29:00You?
29:01C.I.D.
29:02Sir, look,
29:03I don't know why the Mauga Mauga had made 10 coffins.
29:06Mauga Mauga?
29:07Yes, her name is Mauga.
29:09Is Mauga Mauga had been here for 10 coffins,
29:11or you have been taking it?
29:13Sir, I had reached the coffin.
29:14Sir,
29:15but sir,
29:16his address is gone.
29:17No,
29:18no.
29:19Listen to your address.
29:20What is his address?
29:21Why did the carpenter send the coffin in the coffin?
29:24What is there,
29:25in the coffin?
29:27Coffins?
29:28Sir, Carlos' coffin
29:29was also in the place.
29:31And there was an old burial,
29:33in the 19th century.
29:34That's such a burial, sir.
29:35The old burial, sir?
29:36Is there a burial?
29:37Yes, sir.
29:38Then the carpenter sends the coffin is gone?
29:40That's right.
29:42Daya.
29:43Sir.
29:44There's a way to find the place.
29:48There's a way to find the place.
29:52There's a way to find the case.
29:57Yes, sir.
29:59There's a way to find the place.
30:01I will send all newspapers and channels to the news.
30:04I will tell you,
30:05that the CID has closed the coffin.
30:08The area of the coffin is in Mumbai,
30:09the one in the road,
30:10the coffin is in Mumbai.
30:11There's no trouble getting out of people.
30:12There's no trouble getting out of people.
30:14The cars have been getting out of the way.
30:16The police have been telling them
30:17that they have probably died due to the accident.
30:19That's why they are saying they are saying to stop this case.
30:21The CID has told them that they will stop this case.
30:24This is a good deal.
30:25Bye-bye.
30:26Bye-bye.
30:27Is this a good deal?
30:36Please, help me.
30:37Here are some buses left and there's no help.
30:40We will drop the case so far as soon as possible.
30:44Of course.
30:45Please, continue.
30:47Gohan says that the case is closed.
30:53The case is now open.
30:55Thank you so much.
31:17Do you live here uncle?
31:19Yes, it's actually an estate.
31:21There are a lot of people inside.
31:23But it's okay.
31:25You drop me here.
31:27We'll go.
31:29No, I'll leave you there.
31:31Thanks a lot.
31:47Okay, alright.
31:49What do you have to do with your uncle's house?
31:51Did you get off of Palm Springs?
31:53No, no, no, no, no.
31:55What did you do with your uncle's home?
31:57I was able to go to the appreciate.
31:59Do you have any questions?
32:01Oh, no.
32:03I have.
32:05I've.
32:07I've.
32:09I've.
32:11I've.
32:13I've.
32:15I've.
32:16What do you think of it?
32:22It will be easy to catch you with me.
32:25No.
32:26Never.
32:27Are you watching this injection?
32:29This injection will keep you in the way.
32:34What do you think of it?
32:35It will be easy to catch you with me.
32:38No.
32:39Never.
32:40Are you watching this injection?
32:42This injection will keep you in the way.
32:58Is he dead?
33:00Thank God.
33:01I will be able to catch you with the mission.
33:06You are not able to catch you with the mission of CID.
33:08No one can't do your hair.
33:10Anyway, thanks for everything.
33:12Go to the car and sit.
33:18What was the girl talking about the way?
33:22Do it.
33:23Listen to the path.
33:24We will get to see something.
33:31Let's go.
33:32Let's try that.
33:33Let's go.
33:34Let's go.
33:35Let's go.
33:36Come.
33:38Come.
33:39Get out of here.
33:40Let's go.
33:41The scene is the clear scene.
33:42Let's go.
33:43Let's go.
33:44You can't.
33:46Let's go.
33:48They're out of here.
33:49That's it.
34:17Perfect.
34:18Good week.
34:19Good.
34:20Good.
34:21Good.
34:22Good.
34:23Good.
34:24Look at this.
34:25Now I've come to understand.
34:26There was a number written in the painting.
34:28From 1920 to 1982.
34:29It was hidden in this grave.
34:34Good.
34:35Good.
34:36Good.
34:37Good.
34:38Good.
34:39Good.
34:40Good.
34:41Good.
34:42Good.
34:43Good.
34:44Good.
34:45Good.
34:46Good.
34:47Good.
34:48Good.
34:49Good.
34:50Good.
34:51Good.
34:52Good.
34:53Good.
34:54Good.
34:55Good.
34:56My guard.
34:59Take care.
35:22Oh.
35:23Sir.
35:24Sir.
35:25Sir.
35:26His face is full.
35:27Sir.
35:28Sir.
35:29Sir.
35:30His face is full.
35:31No.
35:32No.
35:33No.
35:34No.
35:35No.
35:36No.
35:37No.
35:38No.
35:39No.
35:40No.
35:41No.
35:42No.
35:43No.
35:44No.
35:45No.
35:46No.
35:47No.
35:48Sir.
35:49Sir.
35:50His face is full.
35:51No.
35:52No.
36:06No.
36:08No.
36:09Do you want to give up on your mind?
36:114-4, let's start with which one?
36:39Let's go.
37:09All of them have died, they haven't been left alone.
37:30Sir, how are you going to ask all of them?
37:33It's not.
37:39I don't have anything to do with all of them.
37:44Yes sir.
37:45This is the only number in that person.
37:47Yes sir.
37:48Do you know that this is an ID or code number?
37:56I've seen this number before.
37:59Is this only music from here?
38:02Yes sir.
38:03There are songs, songs, instruments, piano, violin and all instruments.
38:10In the music school, sir.
38:12In the music school, there was a number of people in the hands of this type of number.
38:15Sir, it will be the same number.
38:17All of them have this racket.
38:19But sir, what does this number mean?
38:23All of them have one number.
38:26It may be that there is a course of working in a taxi.
38:30If they work for them, ask them about them.
38:34Sir, does it mean their name's boss?
38:36Yes, it can be.
38:38Don't look at the number.
38:39There is a code.
38:40There is also something.
38:41Name, name, date or name.
38:43Sir, it is a name.
38:45So how will we get out of this code?
38:48Let's try it.
38:49There are 26 alphabets in English.
38:51So this code,
38:53put it on your mobile and match it.
38:57Let's try it.
38:58The number is 6.
39:006 is MNO, sir.
39:022
39:03ABC
39:044
39:05GHI
39:068
39:07TUV
39:084
39:09GHI
39:105
39:11JKL
39:124
39:13MNO, sir.
39:14What are these combinations?
39:16All of them.
39:171
39:181
39:191
39:242
39:272
39:292
39:303
39:313
39:324
39:335
39:345
39:357
39:36A
39:371
39:372
39:381
39:392
39:402
39:411
39:422
39:43Come on, we'll be late for the function.
39:45Come on, come on, come on.
39:59Come on, sit down.
40:08Come on, come on, don't enjoy it.
40:10We'll go inside.
40:13Come on, come on.
40:20What's going on, Mr. Lee?
40:26Hello, Inspector.
40:28You're so angry.
40:30Now, your time is cut.
40:33Something's bad.
40:35The CID stood in front of his face and no fear.
40:38You're very careful.
40:41You're thinking about it.
40:43This is my second plan.
40:45These kids.
40:48I'm very happy with you.
40:50I'm going.
40:51And don't try to be smart.
40:53Hey!
40:54Hey!
40:55Hey!
40:56Hey!
40:57Hey, stop!
40:58Don't kill me.
40:59I'm going.
41:00I'm going.
41:01I'll kill you.
41:02I'm going.
41:03What's the guarantee of you don't do anything to these kids?
41:04I'm going to kill you.
41:07What do you guarantee is that you won't do anything to these kids?
41:11I can't write it on the stamp paper.
41:14That's right, you won't do anything to do,
41:17so I won't kill them too.
41:22That's right, you don't need to say anything.
41:26Don't do it back to me.
41:29Okay.
41:31You go.
41:33Let's go.
41:34Let's go.
41:41Go, move, move.
41:42They are out of shot.
41:44They'll reach him.
42:04Yes, child.
42:07No one has any concerns about Gavrani.
42:11Rubeck, all the children are going to their family.
42:17Go.
42:18It was good.
42:19But after that, you have to take care of them.
42:21Let's take care of them.
42:23You are having to take care of them.
42:25Let's take care of them.
42:26Let's take care of them.
42:28Let's take care of them.
42:31It was good, but if you think you have a better understanding from CID,
42:36it can't be a big concern.
42:38And now we are going to you to the right place.
42:46The coronavirus has broken up.
42:49Just because of you people.
42:52Now what will I answer to my boss?
42:55The answer?
42:57Do you think you will leave here?
43:01Blood, drug smuggling, fraud, there are so many cases
43:05that you will not take away from life in the air.
43:07Do you understand?
43:09What have you used to use?
43:11Do you have any smuggling?
43:13Yes.
43:14We took them to the hospital and took them to the hospital.
43:17Then they killed them,
43:19put them in the hospital,
43:21put them in the coffin and smuggling them.
43:23No one would be shocked.
43:25And everyone would understand that people are gone.
43:28Yes.
43:29And no one would have heard of anyone.
43:33That you have made a different world.
43:39This was your job.
43:42You took a lift and took them to you.
43:45Why did you kill him?
43:46Don't say that.
43:47Don't tell them.
43:48Don't tell them to me.
43:49Today I am here today.
43:50I was here today.
43:51One day I came to you.
43:52And I said...
43:53I want to leave everyone all of them.
43:55I want to start a new life.
43:57I want to start a new life.
43:58Yes.
43:59That night, Aisha came to us until the end of the night.
44:02Mahua had a wish to run on Aisha's car.
44:06She wanted to make us homeless.
44:09But I also had four steps ahead of her.
44:12I took her back to her.
44:29The last of her, her!
44:34The only one!
44:38She's killed the ground.
44:41The only one!
44:43The only one!
44:46The only one!
44:49The only one!
44:52The only one!
44:55And why did you know
44:56that we will reach her to her home to her house.
45:01You yourself become Aisha's mother and come in front of us.
45:06Is it?
45:08Tell me.
45:10What did you do with Aisha's house?
45:13No one of her.
45:15She was only a mother.
45:17So what did she do?
45:18Yes, she did.
45:20She also left her place.
45:22And I came to her place.
45:24You killed Carlos.
45:27You will listen to people like the law.
45:30You will remember the world.
45:32You don't like to say January.
45:35You have done so much.
45:38You will be lost.
45:41And your bosses,
45:43they will not save our hearts.
45:46Do you understand?
45:54Click the show links and enjoy watching the videos.
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