- 7/9/2025
Deported to Mexico, an actor (Nicholas Turturro) tries to recross the border into the U.S. with the help of some orphans.
Category
🎥
Short filmTranscript
00:00:00New York
00:00:30Hello, Dad. This is so embarrassing.
00:00:46Oh, what do you care, honey?
00:00:47People are looking at us.
00:00:48Now, look, sweetheart. Let them look. What do I care?
00:00:51The 18th century does not pick well with me anymore, Dad.
00:00:54Get to the real world, right?
00:01:00You live in the valley, honey. What can you do?
00:01:14Well, I'm sorry. I didn't grow up in New York.
00:01:17Oh, yeah, yeah. Too bad.
00:01:19Oh, my name. Oh, my name. Oh, my name. Oh, my name.
00:01:24Oh, my name. Oh, my name.
00:01:27Every part of my...
00:01:29You're starving.
00:01:30You need to...
00:01:30Whoa!
00:01:31Hey, I'm sorry about that.
00:01:32Excuse me. Excuse me.
00:01:33Excuse me.
00:01:33You want to go first?
00:01:34No, no, you go first.
00:01:34Are you sure?
00:01:35Yeah, absolutely.
00:01:37Okay, welcome to Sam Philly's Cheese Steak. How may I help you?
00:01:40How you doing, pal?
00:01:41That's how I'm doing.
00:01:42Be-Wit. Be-Wit. Be-Wit is my last name. Be-Wit. Be-Wit is my last name.
00:01:50Wow.
00:01:51Now that we know that Be-Wit is your last name, can we order one of these famous Philly cheesesteaks?
00:01:56Okay, sir. Coming right up.
00:01:57Be-Wit. Be-Wit. Be-Wit. Be-Wit. Be-Wit is my last name.
00:02:02Wow. That's unbelievable. Very interesting.
00:02:06Okay, can you just take a seat right there and somebody will be coming right up.
00:02:11It's so nasty.
00:02:13I ordered to go. Call the phone.
00:02:16Okay, here's your takeout.
00:02:17Thank you very much.
00:02:19Okay, I'm a senior.
00:02:24Excuse me. I know you. You were on TV or something, right?
00:02:30Yeah, a while back in the woods.
00:02:32Yeah, yeah, yeah, yeah. You were really good. Really good.
00:02:37Thanks.
00:02:37What about that nitwit behind the counter?
00:02:42What'd you say?
00:02:43That moron you gave your order to.
00:02:46Didn't even know who you are.
00:02:48Doesn't that piss you off when they don't recognize you?
00:02:52Not really.
00:02:53Well, it should.
00:02:54Does it piss you off when they don't recognize you? Huh?
00:02:57Is that a tone I'm hearing?
00:03:00Excuse me for you on in-skater.
00:03:03Honey, I got it, okay?
00:03:05Got what?
00:03:07Yeah.
00:03:08I want you to take that big, fat square head of yours and go right through the door before I throw you through the door.
00:03:13All right?
00:03:16Who you calling a square head?
00:03:18You, sir.
00:03:20It's all right, honey. I'll handle it from here.
00:03:23You want to fight?
00:03:24What are you going to do, tough guy?
00:03:26You looking for trouble?
00:03:27Let's go, sweetie.
00:03:27You're a troublemaker, right?
00:03:29Make your move.
00:03:29Oh, yeah, you want to fight?
00:03:30Make your move.
00:03:31Let me see what you got.
00:03:32Let me see what you got.
00:03:32No, no, please.
00:03:33I know what I got. I want to see what you got.
00:03:35Because I'll wipe the floor with you.
00:03:36Let's go.
00:03:36Come on.
00:03:37Take your best shot.
00:03:37Take your shot with that big head of yours.
00:03:40Come on.
00:03:40Ladies first.
00:03:42Oh, really?
00:03:42Let's go.
00:03:43No, no, no.
00:03:43Come on.
00:03:43Come on.
00:03:44Let me see.
00:03:44Come on.
00:03:45Make your move.
00:03:45Make your move.
00:03:46You make the move.
00:03:47You're the one who is...
00:03:48Be with me.
00:03:51Be with me.
00:03:51Be with me.
00:03:53Be with me.
00:03:53Be with me.
00:03:54Be with me.
00:03:54Be with me.
00:03:54Be with me.
00:03:54Be with me.
00:03:55I like that guy.
00:04:00Be with me.
00:04:03What's up, Boris Wig?
00:04:04Yeah, what's this Maury Wig saying, huh?
00:04:06What's that?
00:04:07That guy, you know, from that movie with the wind-tested tunnel hair?
00:04:10Oh, the guy that choked Bobby D.
00:04:12Yeah, the guy in the car.
00:04:14They stabbed him in the neck, you know what I mean?
00:04:16Take that coffee to go.
00:04:18Yeah, I got news for you.
00:04:19This is real hair.
00:04:20You know what I'm talking about, girls?
00:04:22Huh?
00:04:22My little cupcakes.
00:04:23What's up, buddy?
00:04:25Listen, I got a movie part for you.
00:04:27What do you got?
00:04:28You saw a short bus, right?
00:04:30Never heard of it.
00:04:31Yeah, that's the John Cameron Mitchell project.
00:04:34You mean the shampoo guy?
00:04:35No, no, no, no.
00:04:36That's John Paul Mitchell.
00:04:37This is the guy who did the blow-dryer movies with the girls.
00:04:41Give me ten minutes, all right?
00:04:42All right?
00:04:43Now take that icing right off the cupcake, okay?
00:04:45Hey, Maury, would you take a deep breath for a second?
00:04:48Tell me what, sir.
00:04:48What are you talking about?
00:04:49I have no idea.
00:04:51How do you feel about being balls-ass naked?
00:04:55What'd you say?
00:04:56Balls-ass naked.
00:04:57Like we're gonna be in a little bit.
00:04:58Ha, ha, ha.
00:05:00Hey, Maury, I'm not too comfortable in that territory, all right?
00:05:02All right, listen, it's classy.
00:05:04Hey, Maury, I'm sitting here with my daughter.
00:05:07Hey, Tiff, you didn't hear that.
00:05:08I did.
00:05:09Well, you didn't.
00:05:10Giotti, listen to me, okay?
00:05:12Settle yourself down.
00:05:13You need to work, okay?
00:05:15You haven't been doing anything in a while,
00:05:16and you really need the money.
00:05:18Come on.
00:05:19Maury, I gotta go.
00:05:21Dad, it's late.
00:05:23I know it's late.
00:05:25No, Mom.
00:05:27Oh, Dad.
00:05:28All right, come on, let's go.
00:05:29And you didn't hear that.
00:05:30But I did.
00:05:32All right.
00:05:48Hold on, sweetie.
00:05:49Hold on.
00:05:51Late again, G.
00:05:52What a surprise.
00:05:54What?
00:05:54You're late.
00:05:56You don't say hello.
00:05:57I just got here.
00:05:59You know, how do you expect to save us, G,
00:06:02if you can't even show up on time?
00:06:04And you're empty-handed.
00:06:06How do you know I'm empty-handed?
00:06:08And why is it always about the money with you, huh?
00:06:10It is not always about the money,
00:06:11and stop saying that.
00:06:13It's about being responsible, G.
00:06:15It's about stepping up to the plate.
00:06:18It's about caring.
00:06:19I do care.
00:06:20And I am responsible.
00:06:22You're responsible?
00:06:24I'm here, ain't I?
00:06:25You're only as good as your word.
00:06:30Take it easy, guys.
00:06:32Daddy loves me, Mommy.
00:06:34I know that, sweetheart.
00:06:36That's right.
00:06:37You know, why don't you try to stop thinking about yourself for once?
00:06:40Why don't you cut the crap?
00:06:42And be thankful for what you got for a change.
00:06:45I'll get you your money.
00:06:48Stop buzzing his balls.
00:06:51What'd you just say?
00:06:52Nothing.
00:06:52That's my girl.
00:06:54You know, you are so crude, Johnny.
00:06:56Why don't you just disappear?
00:06:58Hey, this doesn't concern you, my friend.
00:07:01Fiafaleeth.
00:07:03And by the way, what kind of name is that?
00:07:05It is Greek, and it is fabulous.
00:07:08You are not Greek.
00:07:10I'll bet my life on it.
00:07:12If I met you in a bar, the only reason I'd want to pick you up would be to throw you further away, honey.
00:07:17You wouldn't want to pick me up, pal.
00:07:19Not in a million years.
00:07:22Ghastly animal.
00:07:23Horrible man.
00:07:24Cynthia Lettos.
00:07:25That's it.
00:07:26Johnny, send your daughter the check.
00:07:28Tip, I'll see you in a week, all right?
00:07:30Bye, Daddy.
00:07:31Love you.
00:07:34Fagless.
00:07:35What a joke.
00:07:37I mean, why is everything so ethnic?
00:07:40I mean, look at you and me.
00:07:41It's not like we're foreigners, right, Agent Lopez?
00:07:44I could look white.
00:07:46What we need is a new angle.
00:07:48You know what I mean?
00:07:48I get a contact in Santa Carla, which is, like, the haven for the upper crust of society.
00:07:59They tell me they'll make us some real money for a hard-working American.
00:08:05What are you talking about?
00:08:07Deporting an American big shot.
00:08:10One of our own?
00:08:12Yeah, for real money.
00:08:14Untraceable.
00:08:15Oh, no, no, no, that's interesting.
00:08:17That's really interesting.
00:08:25Johnny.
00:08:26Hey, Mr. Lance.
00:08:28How's it going?
00:08:28All right.
00:08:29This is China.
00:08:30She's Japanese.
00:08:31Wow.
00:08:32China from Japan.
00:08:33What do you know?
00:08:34That's unique.
00:08:34Welcome to my restaurant.
00:08:35Anyway, why should the politicians rake it all in?
00:08:37I mean, what's wrong with us making a little extra on the side, right?
00:08:41Right.
00:08:41Let's do this, man.
00:08:42We work hard.
00:08:43We should make a little more money.
00:08:45I caught a movie of yours last week, man.
00:08:47You don't age.
00:08:48That's because I moisturize.
00:08:49Whoa.
00:08:50Mr. Lance, exfoliation.
00:08:52That's where it's at.
00:08:53I'm telling you.
00:08:53I should do that.
00:08:54You should.
00:08:55Thanks for everything.
00:08:56Set a waiter right over.
00:08:57Okay.
00:08:58How's it going?
00:09:01Look at that.
00:09:02That's a Mexican right there.
00:09:04With a hot Asian chick.
00:09:06No, no, no.
00:09:06He's not Mexican.
00:09:08He's Puerto Rican.
00:09:09You want to bet?
00:09:10Yeah.
00:09:11Excuse me.
00:09:14Yeah.
00:09:15We got a little bet going here.
00:09:16Okay.
00:09:17Where's that guy from?
00:09:18That's Gianni DiCarlo.
00:09:20DiCarlo.
00:09:21That's Italian.
00:09:22Yeah, from that TV show?
00:09:29He's Puerto Rican.
00:09:31He's a TV star, though.
00:09:32Go get his autograph.
00:09:34Hey, Mr. Gianni, how about an autograph?
00:09:36Maybe later, all right, buddy?
00:09:38He's that guy from the sitcom
00:09:40who wanted to be in the movies.
00:09:42A wannabe.
00:09:44He's worth something.
00:09:45Yeah, he's been on TV.
00:09:46He's gotta be.
00:09:47This is beautiful.
00:09:49We got our pig.
00:09:52Hey, Michael Rappaport.
00:09:54Johnny Di, what are you doing?
00:09:56My man.
00:09:57What's up, buddy?
00:09:58You having a sandwich by yourself?
00:09:59What are you doing over here?
00:10:01This side of the hill.
00:10:02I thought you only stay in the city.
00:10:04I come back and forth.
00:10:05I'm just getting ready to go to that spot down the way.
00:10:07How you doing?
00:10:08What are you doing?
00:10:08What are you doing?
00:10:09I'm just, I'm stressed.
00:10:10I've been, you know, trying to, trying to, trying to survive.
00:10:12Trying to go.
00:10:13You've been working?
00:10:14Not that much, you know.
00:10:15A little bit, but I'm, you know, I didn't get paid enough.
00:10:17No?
00:10:17You've been, you're still doing action movies?
00:10:19Well, you know, I tried, but, you know.
00:10:21You, what, are you, Wesley Snipes?
00:10:22No.
00:10:23Steven Seagal?
00:10:24No, it's not my thing.
00:10:25Leave the action to the governor, right?
00:10:26He does the action stuff.
00:10:28You're funny.
00:10:28How come you don't do comedy?
00:10:29I'm trying to do comedy.
00:10:30I mean, I also got to get, you know, I got to get a break.
00:10:33I had this pilot, that pilot.
00:10:35You know, I had a series.
00:10:36Or this is they, they, they.
00:10:37You got to go out there and get it.
00:10:38I go, I try.
00:10:40Remember Rocky I?
00:10:41Yeah.
00:10:41Shot didn't just come in your lap, right?
00:10:42He took it.
00:10:43Yeah, he took that shot.
00:10:44He took it.
00:10:44Don't, don't, you know, don't.
00:10:46But you're smart.
00:10:47You're smarter than me.
00:10:48With some things.
00:10:49I got my own problems.
00:10:50You do, right?
00:10:51You know, I got my own problems.
00:10:52I got alimony.
00:10:53You got alimony?
00:10:54I got alimony.
00:10:55I call it alimony.
00:10:57I know.
00:10:58You still look good.
00:11:00You look good.
00:11:01How's your stress level?
00:11:02Is this good?
00:11:02I'm very stressed.
00:11:04I know.
00:11:04This is like 40-something years of Italian brick.
00:11:07I'm almost uncrackable.
00:11:08I know you're unbreakable.
00:11:09You got to relax.
00:11:10Things aren't that bad.
00:11:11I'm all right.
00:11:12I'm not bad.
00:11:12How's your mother?
00:11:13My mother's, you know, she's going to see that doctor right now.
00:11:15That guy Freelander.
00:11:16She's still seeing that guy?
00:11:17I don't like that guy.
00:11:17He used to come to my house.
00:11:19Oh, yeah.
00:11:19He had a bag and big needles.
00:11:21Yeah.
00:11:22I threatened him when I was a kid.
00:11:23I threatened him a few times.
00:11:24Dr. Freehander, watch that guy.
00:11:26Yeah.
00:11:26I don't like that guy.
00:11:27He's frisky, you know?
00:11:28He's got those, uh...
00:11:29Those big mitts.
00:11:30Listen, I'm going to go get a massage.
00:11:31You want to come with me to get a massage?
00:11:33No.
00:11:33I can't go there.
00:11:34You're stressed out.
00:11:34Come with me to get a massage.
00:11:36I can't go there.
00:11:36I have to go.
00:11:37It's a good massage.
00:11:38I got to see my mother.
00:11:38Did you vote?
00:11:39I voted.
00:11:40Who did you vote for?
00:11:41Vote for Obama.
00:11:43Is it Barack Obama or Barack Obama?
00:11:44No.
00:11:45Are you dyslexic?
00:11:47Do you read backwards or something?
00:11:48Because I think you're dyslexic.
00:11:50You think he goes get massages?
00:11:52I get a massage.
00:11:52That's why I like that guy.
00:11:53He seems like he's one of us.
00:11:55Yeah, but it's legit.
00:11:56It's legit.
00:11:56Yeah.
00:11:57You're going for legit, right?
00:11:58Bro, I'm going it's legit.
00:12:00They stretch it?
00:12:01They do a lot of things to you.
00:12:03Trust me, it's legit.
00:12:04I want my president to get massages.
00:12:06I know he's like me.
00:12:07He feels the pain.
00:12:08That's why we hired him.
00:12:09I mean, that's why we voted for him, right?
00:12:11That is why we hired him.
00:12:12Tell your mother I said hello.
00:12:14I will.
00:12:14I'm going to go get a massage.
00:12:15You come over.
00:12:16We'll get together.
00:12:17I'll make some sauce or something, all right?
00:12:18You call me, all right?
00:12:19I will.
00:12:19You got my number, right?
00:12:20I got your number.
00:12:21You got the right number?
00:12:21You're big, man.
00:12:22Yeah, I'm big.
00:12:23I'm big.
00:12:24What do you weigh, man?
00:12:24220?
00:12:26I think I'm going to get personal.
00:12:28Get out of here.
00:12:29All right.
00:12:29Yeah, get some of that fresh, fresh oil you like.
00:12:32Jenny D.
00:12:33My wife, Mike.
00:12:34Jenny D.
00:12:35I'll see you later.
00:12:36All right, Mike.
00:12:37Don't beat yourself up.
00:12:38Listen, thank you.
00:12:39You're funny, man.
00:12:40Save the jumping off the building to Wesley Snipes.
00:12:42Just, you know, just a bunch of stiffs.
00:12:52No, you, Dad.
00:12:53Yeah.
00:12:53I mean, what do they got?
00:12:55Well, they're good.
00:12:56They're not as good looking as you are.
00:12:58They're pretty boys.
00:12:58Right.
00:13:00Soft, pretty boys.
00:13:01That's what they're into now.
00:13:03That's what they want to cast.
00:13:04No, no, no.
00:13:04They're not as good looking as you are.
00:13:06Forget about it.
00:13:06It's got nothing to do with looks, Mom.
00:13:08It's character.
00:13:10I know.
00:13:11You look good.
00:13:12Well, you know.
00:13:13You look all right.
00:13:14No, I don't look the way I used to look when I was young.
00:13:17Girl, no.
00:13:18My God.
00:13:19Your father was like a little bull then, you know.
00:13:22But since he lost his manhood, I think I'd like to sort of keep myself looking nicer.
00:13:27The two of us are going to wither.
00:13:29He lost his manhood?
00:13:31Yes.
00:13:32His manhood.
00:13:35I don't need to know anymore.
00:13:36That's a night.
00:13:37That's too much information.
00:13:38Yeah.
00:13:39Anyway.
00:13:41You're in a slump, right?
00:13:43Yeah, yeah.
00:13:43It's a very long, long slump.
00:13:46But you're going to get out of it.
00:13:47But you need to go out.
00:13:48You need to meet people.
00:13:49You need to see new faces for inspiration.
00:13:54You've got to try new things.
00:13:55You know, maybe baseball.
00:13:58Remember when we were...
00:13:58Well, you sucked at baseball.
00:14:00But you tried.
00:14:01I got up to plate.
00:14:02I swung, right?
00:14:02What about...
00:14:03Yes, you were...
00:14:04Hey, Dee Dee.
00:14:04Dr. Freelander.
00:14:06You look absolutely gorgeous.
00:14:09But how are you feeling?
00:14:10Well, my neck is like still...
00:14:12Still a little...
00:14:13Stiff.
00:14:15Stiff.
00:14:15Yes.
00:14:16Stiff.
00:14:17We know what to do with stiff, don't we?
00:14:19Yeah.
00:14:20Dee Dee, huh?
00:14:22Hey, Gianni.
00:14:23How you doing?
00:14:23Hey, Don.
00:14:24Still acting?
00:14:26Yeah, sometimes.
00:14:27Yeah.
00:14:28I haven't seen you that much.
00:14:31Well, are you ready?
00:14:32Sure.
00:14:33Yes.
00:14:33To do what?
00:14:34She's in good hands.
00:14:37Look at these puppies.
00:14:39They're big.
00:14:40And they're strong.
00:14:42But they're sensitive.
00:14:44I get in.
00:14:45I get out.
00:14:46Five minutes.
00:14:47Oh.
00:14:48Well, it's quick, huh?
00:14:50Yeah.
00:14:50High five.
00:14:50Are you sure?
00:14:51Five minutes.
00:14:52Sometimes less.
00:14:53It's going to make you feel really good.
00:14:56If you need me, I'm right here.
00:14:58We don't need you.
00:14:58Come in?
00:14:59Can he come in?
00:15:01No, we don't need you.
00:15:02Okay.
00:15:02Okay, we'll try.
00:15:03Okay.
00:15:04Just holler.
00:15:05Okay.
00:15:05It's all right.
00:15:05If anything happens.
00:15:06Okay.
00:15:07I see.
00:15:09Quiet.
00:15:09That person is great.
00:15:10No, no, no.
00:15:11What is that?
00:15:12Oh.
00:15:15Inspiration.
00:15:16All right.
00:15:17All right.
00:15:17Okay.
00:15:18I'll be right here.
00:15:18Very good.
00:15:19Hey, guys.
00:15:37It's a classic car.
00:15:38You want to give me a break?
00:15:40What?
00:15:41We're not good enough for autographs?
00:15:44Where do I know you guys from, huh?
00:15:46Restaurant?
00:15:47The other night?
00:15:49Oh, yeah.
00:15:50Hey.
00:15:51How you doing?
00:15:52All right?
00:15:52I'm Agent Levin Rothsteinberg, and this is my partner, Agent Christian Cross Lopez.
00:15:58Hmm.
00:15:58Agent Levin Rothsteinberg and Agent Christian Cross Lopez.
00:16:03A lot of memes.
00:16:05You guys shop at the same store.
00:16:08I'm just kidding.
00:16:10Listen, I don't need an agent, but thank you anyway, guys.
00:16:12We're not talent agents.
00:16:14Oh.
00:16:15What do you like?
00:16:15Special agents?
00:16:18Huh?
00:16:18You like Mexican food?
00:16:20Why?
00:16:21You want to go out on a date?
00:16:22Huh?
00:16:23We understand that your visa's expired.
00:16:26What?
00:16:27I'm American, guys.
00:16:28You don't look American.
00:16:29You look Mexican to me.
00:16:31No.
00:16:32Puerto Rican.
00:16:33Hey.
00:16:33I'm Italian, jerk-off.
00:16:35You know who I am?
00:16:35Huh?
00:16:36Now, that's not nice.
00:16:38Hey.
00:16:39What are you pushing for?
00:16:40I didn't do anything.
00:16:42What's your problem?
00:16:43Do I offend you guys?
00:16:45Yeah.
00:16:45I did, huh?
00:16:49You know, listen.
00:16:50Maybe we got off on the wrong foot or something, but this is getting out of hand.
00:16:54Next time, pick on somebody your own size.
00:16:57Come on.
00:16:58All right?
00:16:59Hey!
00:17:02Say goodnight.
00:17:03What the hell is this?
00:17:29I took my wallet and everything.
00:17:36Where am I?
00:17:41Son of a gun.
00:17:43Son of a gun.
00:18:08Yeah, this really works.
00:18:38Hey, anybody speak English?
00:19:04Hey.
00:19:16Hey.
00:19:18Hey.
00:19:30Hey.
00:19:34Hey.
00:19:44Hey.
00:19:46No thanks, kid.
00:19:48American?
00:19:49Yeah.
00:19:50We gringos gotta stick together.
00:19:53Gringos?
00:19:54Yeah, right.
00:19:55We're in Mexico.
00:19:57No kidding.
00:19:58You don't sound like a Mexican to me.
00:20:00I'm Juan.
00:20:01Juan.
00:20:02It's a real American name.
00:20:04I know who you are.
00:20:05Yeah?
00:20:06That's of course you probably have my wallet.
00:20:08I'm no thief!
00:20:09Then how do you know who I am?
00:20:10Tell me that, huh?
00:20:11We all do.
00:20:12We?
00:20:13Hey, Juan, where have you been?
00:20:15That's great.
00:20:16A bunch of freeloaders.
00:20:18Freeloaders?
00:20:19Ha!
00:20:20You taking a look at yourself?
00:20:21What?
00:20:22Welcome to Santa Carla, my town.
00:20:24Yeah.
00:20:25Okay, big shot.
00:20:26Just tell me where the police station is.
00:20:28You don't want to do that.
00:20:29Why's that?
00:20:30You're not too observant, are you?
00:20:32You're in Mexico.
00:20:33Hey, if I were you, I'd watch that mouth of yours.
00:20:35If I were you, I'd show some respect.
00:20:39What?
00:20:40Yeah, what?
00:20:41Because you're the one who looks like you could use some help.
00:20:43Hey, you know what, kid?
00:20:44They took my wallet, they took my car, even my damn shoes.
00:20:47Then guess what?
00:20:48Why?
00:20:49I want them back.
00:20:50And then I want to get the hell out of here, okay?
00:20:52Come on, let's go.
00:20:53That's a lot of wants, but I have a feeling I know who did this.
00:20:57Keep talking, come on.
00:20:58Zapathias.
00:21:03Just a minute.
00:21:06What's she saying?
00:21:08She said there was some old woman.
00:21:10Old woman?
00:21:11She had boobs like she's seen on a novella.
00:21:15Novella?
00:21:16Yeah.
00:21:17Look what I'm doing talking to kids.
00:21:18Listen, I got to get some help, all right?
00:21:20Look at me when I talk to you.
00:21:22You got us.
00:21:23For all I know, you banditos could have taken my stuff.
00:21:25Banditos?
00:21:26You've been watching too many westerns, man.
00:21:28Want help or not?
00:21:30Yeah.
00:21:35Shoes.
00:21:36That's nice.
00:21:39Okay.
00:21:40Tell you what.
00:21:41Why don't you show me where the police station is, then we part ways.
00:21:43Okay, kid?
00:21:44Hey, police station's right there.
00:21:46Why didn't you just tell me it was over there?
00:21:48Christ's sakes.
00:21:49All right.
00:21:50Come on, guys.
00:21:51Thanks.
00:22:09Well, there's some shit.
00:22:11What?
00:22:12You say something, lady?
00:22:30Excuse me, buddy.
00:22:34State your issue.
00:22:36Identification.
00:22:38Who's in charge here?
00:22:40Passaporte.
00:22:43Police.
00:22:44Policía.
00:22:45In America, USA?
00:22:51Uh-huh.
00:22:53Okay.
00:22:55You see the judge.
00:22:56What?
00:22:58Sit down.
00:22:59Who are you?
00:23:00Sit down.
00:23:01I said, who are you?
00:23:02Sit down!
00:23:09Damn good.
00:23:10That's all you know how to say, huh, kid?
00:23:11That's all you know how to say, huh, kid?
00:23:12Hey, you see that?
00:23:13That's me.
00:23:14I'm not like you.
00:23:15I'm not like you.
00:23:16I'm not like you.
00:23:17I'm not like you.
00:23:18The TV star.
00:23:19Can you carry me?
00:23:20You're too damn heavy.
00:23:22You see it?
00:23:23Sit down.
00:23:24Damn good.
00:23:25That's all you know how to say, huh, kid?
00:23:26You're a clueless bastard.
00:23:27I heard that.
00:23:28Good.
00:23:29I want you to hear it.
00:23:30That's a joke.
00:23:33Hey, Mr. Goat.
00:23:35Come on.
00:23:36Take a hike.
00:23:37Hey, Mr. Goat.
00:23:38Come on.
00:23:39Take a hike.
00:23:40You're a clueless bastard.
00:23:43I heard that.
00:23:44Good.
00:23:45I want you to hear it.
00:23:47That's a joke.
00:23:52Hey, Mr. Goat.
00:23:54Come on.
00:23:55Take a hike.
00:23:56Hey, Johnny!
00:23:57That really worked.
00:23:58I told you.
00:23:59Cerveza?
00:24:00I heard a Mexican's being deported, but an American?
00:24:03What's the world coming to?
00:24:04I feel you, brother.
00:24:05Come on, let's go break bread.
00:24:07Come see the judge tomorrow.
00:24:08Come on, kid.
00:24:09Take a walk.
00:24:10Get out of here.
00:24:11But I got no.
00:24:12I got no.
00:24:13I said, kid, go home.
00:24:22Hey, kid.
00:24:23Come back here, all right?
00:24:27Just don't get too comfortable.
00:24:29I know, I know.
00:24:30You want to go home.
00:24:31Come on.
00:24:32Let's go.
00:24:38Where are we going, huh?
00:24:39Come on.
00:24:40Where are you going?
00:24:41Come on.
00:24:42Where are you going?
00:24:43Hammer sent me.
00:24:44Hey, that's a line from one of my movies.
00:24:45I told you.
00:24:46We know you.
00:24:47Hey, guys.
00:24:48It's Johnny Nicola.
00:24:49Hey.
00:24:50What's up?
00:24:51Come on, guys.
00:24:52How you doing?
00:24:53Hey, buddy.
00:24:54Wow.
00:24:55Hey, everybody.
00:24:56Let's sit down.
00:24:57Far out, man.
00:24:58So you guys have really seen my movies, huh?
00:24:59Christ, man.
00:25:00Yes.
00:25:01We've seen all your movies.
00:25:02We've learned to fight watching them.
00:25:03Yeah, well, I think I've seen my movies.
00:25:04How's it going?
00:25:05We know you.
00:25:06We know you.
00:25:07We know you.
00:25:08Hey, guys.
00:25:09It's Johnny Nicola.
00:25:10Hey.
00:25:11What's up?
00:25:12Hey, what's up?
00:25:13Come on, guys.
00:25:14How you doing?
00:25:15Hey, buddy.
00:25:16Wow.
00:25:17Hey, everybody.
00:25:18Let's sit down.
00:25:19Far out, man.
00:25:20So, you guys have really seen my movies, huh?
00:25:22Christ, man, yes.
00:25:23We've seen all your movies.
00:25:24We learned to fight watching them.
00:25:26watching them yeah well that's choreography not real fighting I mean so
00:25:31what do you think and am I okay you're more than okay you just haven't been
00:25:37given the right part yet you need a break inspiration I've been told that
00:25:44before thanks kid that means a lot to me so where you from Arizona my dad got his
00:25:51ass busted back here and I was with him but my mom is American huh you're not
00:25:57American though I am so you'll see one day I'm gonna find my mom and and she's
00:26:06gonna take me back home you lost your mom how could that be it's okay don't worry
00:26:13about me what do you care anyways
00:26:21I find a whole can I want to ask what kind of can it's okay she brings the
00:26:30rod off what do you think should I put it cook it a little more yeah yeah
00:26:38Maury if I find out that you are protecting him from his obligation I
00:26:43swear to you we're gonna have a problem yeah hey how's the little one fine stop
00:26:49changing the subject Maury I know you if I know Gianni he's he's surrounded
00:26:53himself with only good wise mature
00:26:57sophisticated people yeah trust me on this okay I signed him because he's
00:27:07gonna be my comeback kid just you watch a child support check Maury Gianni is
00:27:15trying to make himself a better man okay you know he is so irresponsible one
00:27:21second sweetie mommy's on the phone yeah no sweetie that's mommy's special
00:27:26juice thank you inside my god she's just like Gianni Maury you know what let me go
00:27:34because I'm calling my lawyer okay bye-bye yeah bye
00:27:38I jerk bathroom fun you bun yo okay bedtime guys school's over come on guys let's go hats off
00:28:01hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey hey
00:28:31Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey.
00:28:45Not bad, not a kid.
00:28:50And that's all I got.
00:28:53Okay, guys, go to sleep now.
00:28:54Where'd you get those moves?
00:28:56Oh, my mom was a music teacher.
00:28:57That's from something I know.
00:28:59Copacabana?
00:29:00No, no, no, no.
00:29:02Babalu.
00:29:03Babalu.
00:29:04The actor?
00:29:05Yeah.
00:29:06Now he's a fine actor.
00:29:08You got good taste.
00:29:10Yeah.
00:29:11You see?
00:29:14That's why I gotta get back.
00:29:16Because I got a daughter about your age at home.
00:29:19Really?
00:29:20I couldn't tell.
00:29:21Why is it when I talk to you I feel insulted all the time, huh?
00:29:24I'm a pushed out man.
00:29:26Live my life.
00:29:27You'll understand.
00:29:29You don't say.
00:29:30I say.
00:29:31Look, since you need money to get back home, I'll take you to the Charco brothers.
00:29:37The who?
00:29:38These guys sound shady.
00:29:40Can I trust them?
00:29:41Absolutely, no.
00:29:43But you got no choice.
00:29:45I'm gonna go to sleep now.
00:29:46You remember how the door works?
00:29:48Yeah, yeah, I know.
00:29:49And where the toilet is?
00:29:50Are you done?
00:29:51Oh, no.
00:29:52No one goes out at night in Santa Carla.
00:29:54Beware of the goats.
00:29:56Oh, Mr. Goat.
00:29:57Yeah, we met.
00:29:58Hey, what's with the box up there?
00:30:01Oh, it's just my box of inspiration.
00:30:04What's in it?
00:30:05My inspiration.
00:30:07Okay, kid.
00:30:08Then stop calling me kid.
00:30:09My name is Juan.
00:30:11Good night, Juan.
00:30:15Dina, I sent him for a meeting and I never heard back from him.
00:30:25But he met me at Dr. Freelander's office.
00:30:28I don't like that freak.
00:30:29I don't like that son of a bitch.
00:30:30And then he just disappeared.
00:30:32You haven't heard from him?
00:30:34Cynthia hasn't been able to get a hold of him either.
00:30:38Don't you mention that name in my house.
00:30:40Dina, I'm not in your house.
00:30:42You know what?
00:30:43I'll make some calls, all right?
00:30:44Could be yourself dead.
00:30:45You know, Gianni, probably out with some broads looking for clothing.
00:30:49I don't like the feeling of this whole thing.
00:30:59What is that?
00:31:00Is that your foot?
00:31:01What is that?
00:31:02That's the Viagra.
00:31:05Come here.
00:31:07Come here.
00:31:08Come on, I feel like Samson.
00:31:10Wait a minute.
00:31:14What?
00:31:15Stop.
00:31:16We have to think of our son.
00:31:18What?
00:31:19Yes.
00:31:20Huh?
00:31:21What about me?
00:31:23Later.
00:31:25Promise.
00:31:26Yeah, later.
00:31:27Okay.
00:31:45Go.
00:31:46Scoot.
00:31:55Go.
00:31:56Scoot.
00:32:15Go.
00:32:16Go.
00:32:17Go.
00:32:18Go.
00:32:19Go.
00:32:20Go.
00:32:21Go.
00:32:22Go.
00:32:23Go.
00:32:24Go.
00:32:25Go.
00:32:26Go.
00:32:27Go.
00:32:28Go.
00:32:29Go.
00:32:30Go.
00:32:31Go.
00:32:32Go.
00:32:33Go.
00:32:34That's a sight you don't see every day.
00:32:36What are you looking at?
00:32:37Go.
00:32:38Go.
00:32:39Go.
00:32:40Go.
00:32:41Go.
00:32:42Go.
00:32:43Go.
00:32:44Oh, shit.
00:33:14Oh, shit.
00:33:16Fuck.
00:33:17Oh, shit.
00:33:18Ugh.
00:33:19Oh, shit.
00:33:40Nice.
00:33:41Shit.
00:33:42Shit.
00:33:43Hey, Mr. Goat!
00:33:45Por favor! Por favor, Paño!
00:33:49Paño, I need to take it down!
00:33:53Hello? Anybody home?
00:33:57Paño! Paño!
00:33:59Paño, Paño!
00:34:01Please! Por favor, por favor!
00:34:03Por favor, please!
00:34:07Paño!
00:34:10Paño!
00:34:13Paño, Paño!
00:34:15Paño, Paño!
00:34:37Oh, viejo atascado!
00:34:39Hola!
00:34:40What happened?
00:34:41Look, this foreigner is an animal!
00:34:47Good morning, ladies.
00:34:50You gotta go, you gotta go.
00:34:57Sorry.
00:34:59I had no choice.
00:35:10Sorry.
00:35:13Hey.
00:35:14Nice going.
00:35:15Oh, what are you gonna do?
00:35:18Come on, we'll go see the judge.
00:35:23Go on.
00:35:26Here's your chance, big boy.
00:35:30Uh, I'm looking for the judge.
00:35:32Down the hall.
00:35:43You wanted this, so here goes.
00:35:47Hope that's not a bad word.
00:35:49What the hell is this?
00:36:02The judge will be out in a moment.
00:36:04It's that kid again.
00:36:06He shows up everywhere.
00:36:07He shows up everywhere.
00:36:17Ladies and gentlemen of the jury, you may be seated.
00:36:24It's like a joke.
00:36:28All right.
00:36:29You know what?
00:36:30Playtime is over.
00:36:31Give me an adult, right now.
00:36:33Listen.
00:36:34Plead your case.
00:36:35What?
00:36:36Plead my case?
00:36:37What case?
00:36:38The hell with you.
00:36:39Brock is shit.
00:36:40And so is your hair.
00:36:41I'm outta here.
00:36:42No one cusses at my court.
00:36:43I just did.
00:36:45You fool.
00:36:51Did you like that, sir?
00:36:52Good job, your nephew.
00:36:54Who teach these pinches, stupid Americanos
00:36:56from coming to Mexico.
00:36:57That Hollywood burro,
00:36:58he's gonna bring us some serious dinero.
00:37:00Entiende?
00:37:01Viva Mexico!
00:37:05Hey, Gianni!
00:37:10What am I gonna do now?
00:37:11Let's go see the Choco Brothers.
00:37:19I can't remember.
00:37:21Which guy is, uh, who's the ugly one?
00:37:24Huh?
00:37:25Who's the ugly guy?
00:37:26Okay.
00:37:27Just remember.
00:37:28The ugly one is Fernando,
00:37:29and the other one is Ernesto.
00:37:30All right.
00:37:31Good.
00:37:32I got it.
00:37:34What's this?
00:37:35Huh?
00:37:36Take these.
00:37:37What's this for?
00:37:38Just in case.
00:37:39Just in case or what?
00:37:40Trust me.
00:37:41All right, kid.
00:37:42Thanks.
00:37:43See you.
00:37:52Excuse me, uh,
00:37:53you know who the Choco Brothers are?
00:37:55Okay, thanks.
00:37:56Excuse me, guys.
00:37:57Are you the Choco Brothers?
00:37:58Look, Ernesto.
00:37:59A wet-backed gringo.
00:38:00That's great.
00:38:01What do you want,
00:38:02a wet-backed gringo?
00:38:03I got stuck here,
00:38:04and I need to get back to the States
00:38:05as soon as possible.
00:38:06I've seen this gringo before.
00:38:07Mm.
00:38:08Haven't you?
00:38:09You?
00:38:10You?
00:38:11You?
00:38:12You?
00:38:13You want to go back home, huh?
00:38:14Uh-huh.
00:38:15You want to cross the border?
00:38:16Yeah.
00:38:17But it's gonna cost.
00:38:18Why?
00:38:19How much?
00:38:20Five-thousand pesos.
00:38:21Five-thousand pesos.
00:38:22Five-thousand?
00:38:23Five-thousand?
00:38:24Five-thousand?
00:38:25Clams?
00:38:26Look at me.
00:38:27I ain't got no five-thousand laying around.
00:38:28Just get me to a phone,
00:38:29and I'll get the rest.
00:38:30I'm telling you, Ernesto,
00:38:31I've seen this gringo before.
00:38:32I'm going to go back to the States
00:38:33as soon as possible.
00:38:34I've seen this gringo before.
00:38:35Mm.
00:38:36Haven't you?
00:38:37You?
00:38:38You?
00:38:39You want to go back home, huh?
00:38:40Uh-huh.
00:38:41You want to go back home, huh?
00:38:42Uh-huh.
00:38:43You want to cross the border?
00:38:44Yeah.
00:38:45But it's gonna cost.
00:38:46Why?
00:38:47How much?
00:38:48Ernesto, I've seen this gringo before.
00:38:51No, I haven't.
00:38:52But, uh,
00:38:53Jose!
00:38:59Yes, boss?
00:39:00Oh, Jose.
00:39:01Hey, don't worry.
00:39:02Good morning to you.
00:39:03Listen, Jose.
00:39:04I want you to slap my brother
00:39:05and do it briskly.
00:39:06Slap him, not to injure him,
00:39:07but just to wake him up
00:39:08from all the tequila he had last night.
00:39:09Jose!
00:39:10If you slap me,
00:39:11I will kill you!
00:39:12Slap him, Jose.
00:39:13He's not gonna kill you.
00:39:15Slap him because I own you.
00:39:17I am your owner.
00:39:18You will do as I say?
00:39:19Slap him?
00:39:20Jose, slap me
00:39:21so I can spill your blood
00:39:22in a stinking place.
00:39:24Slap me!
00:39:25Excuse me.
00:39:26I think I can solve a mystery
00:39:27as to why you may have seen me somewhere.
00:39:28This is not your quarrel!
00:39:30I know, but I...
00:39:31I could help...
00:39:32It's between family.
00:39:33Okay.
00:39:34You want to go to American?
00:39:35Yeah.
00:39:36Yeah, I do.
00:39:37Holy, shut the hell up!
00:39:38Slap me!
00:39:39Slap me, Jose!
00:39:40Slap me, Jose!
00:39:41Slap me so I could drink your blood
00:39:42from a bottle of tequila!
00:39:44Ay, Dios mio!
00:39:45I am so confused!
00:39:47The pressure!
00:39:49What am I to do?
00:39:50I don't know!
00:39:51Tell me about it!
00:39:52Slap him!
00:39:53I command you!
00:39:54If you don't slap him,
00:39:55you will be jobless!
00:39:56Slap me!
00:39:57Come on, slap him!
00:39:58Slap him!
00:39:59Slap him!
00:40:00Come on, slap him!
00:40:01Say slap him!
00:40:02Slap!
00:40:05Slap.
00:40:06I'm sorry, Jose!
00:40:07Take him away!
00:40:08And my name is not Jose!
00:40:11I told you for several of the sissy!
00:40:13Yeah, it's just a test we do
00:40:14to make sure that our employees
00:40:16are trustworthy, you know?
00:40:17But, hey, you know what?
00:40:19You believe in God?
00:40:20Yes.
00:40:23Hey, after this exquisite
00:40:25Shakespearean dialogue,
00:40:26yes, I do.
00:40:27Well, that's wonderful, man.
00:40:29Because we don't like to work with them
00:40:31We don't like to work with unbelievers.
00:40:33We've got a job for you.
00:40:34You do?
00:40:35Yes.
00:40:37Thank you, guys.
00:40:38Please, just hold on, don't worry.
00:40:41Let's bring it.
00:40:44Gracias for bringing us a believer among heathens.
00:41:01Come, hither, child.
00:41:08Were you the priest?
00:41:13Do I look like the priest?
00:41:15I would conclude so.
00:41:17I'm not a bolero.
00:41:18I'm the custodian of this church.
00:41:20What is it that you seek my son?
00:41:23Well, I was told that you...
00:41:24By who?
00:41:25What did they say?
00:41:27What did they say?
00:41:28Did they tell you that I was flamboyant?
00:41:32Oh, well, no, they didn't say that.
00:41:34They just said that you...
00:41:36Don't get verbal with me, boy.
00:41:41Verbal?
00:41:42I hardly said a word.
00:41:44So what if I run through the town naked at night?
00:41:48I have to let off steam somehow?
00:41:51So you come into my church, tell me.
00:41:54Tell me about you.
00:41:57I've been just going through some hard times in my life, my career and separation with my wife.
00:42:03I can hear an ache in your voice.
00:42:07Tell me, have you been a virgin since you've been separated?
00:42:12No.
00:42:14Does your mother know?
00:42:16Probably.
00:42:18Do you use the F word?
00:42:28I guess.
00:42:29Fudge.
00:42:30Fudge?
00:42:31And you cheated your wife.
00:42:35Why?
00:42:36I cheated on my wife?
00:42:37Huh?
00:42:38What you need is a spiritual and physical balance in the name of God.
00:42:46And only then will you be able to convince you of this.
00:42:52How do I do that?
00:42:54It's not a process.
00:42:55It is a course in life that finds you.
00:42:59And that when it presents itself, you embark onto a journey of unfolding adventure.
00:43:04Because then you can tell the culture that you are present in that.
00:43:09And only then when you are in the spiritual presence of the culture, you pay the price and get the reward.
00:43:15Only if you have it.
00:43:17It?
00:43:18What is it?
00:43:19It?
00:43:20It.
00:43:21What is it?
00:43:22It!
00:43:23It!
00:43:24It is the adventure.
00:43:27It is what I'm going through right now in my life.
00:43:31Then it's a good idea that you make the right choices.
00:43:34Well, how do I know?
00:43:36I don't know. How am I supposed to know?
00:43:42I can tell that you have a good heart.
00:43:51You think so?
00:43:52Yes.
00:43:53But I want you to remember something.
00:43:59That what hurts and brings us discomfort in life is nothing but a blessing and a fortune.
00:44:11For our futures.
00:44:13Right.
00:44:14That's good.
00:44:15I like that.
00:44:16Good.
00:44:17I want you to like that.
00:44:18Go.
00:44:19Okay.
00:44:20Go.
00:44:21What the hell was that about?
00:44:22I don't even know what the hell the job was.
00:44:37You go through all that trouble to get you a good job and you screw it up.
00:44:46What job?
00:44:47What?
00:44:48What job?
00:44:49What job?
00:44:50The job with Dios.
00:44:51Dios?
00:44:52What are you even talking about?
00:44:53Man, let's just say it wasn't for me.
00:44:55Okay?
00:44:56You're an artist.
00:44:57And we finally found an artistic job for you.
00:45:00It involves a lot of...
00:45:01Dancing.
00:45:02Yes.
00:45:03And prancing.
00:45:04You might get a part in that movie we're doing over here.
00:45:06If Spielberg is interested.
00:45:08Juan Spielberg.
00:45:09That's our landlord.
00:45:11Nice talking to you.
00:45:12Yeah.
00:45:13Well, what are you waiting for?
00:45:14Get out.
00:45:15Get out!
00:45:16All right.
00:45:17Well, I'll speak to you later.
00:45:21I'm sorry.
00:45:22I...
00:45:23I became you for a minute.
00:45:25Get out!
00:45:27Okay.
00:45:28Bobby.
00:45:29Laurie.
00:45:30Como estas?
00:45:31To what do I owe this pleasure?
00:45:33Yeah.
00:45:34Como estas?
00:45:35Whatever.
00:45:36I'm gonna sit down.
00:45:37Listen.
00:45:38I want a full-on press blitz.
00:45:39You listening?
00:45:40You got it, babe.
00:45:41Okay?
00:45:42I want you to send out all the dogs, all the cats, all the mice, all the giraffes.
00:45:44I don't want...
00:45:45I don't care what you do.
00:45:46I want everybody out there.
00:45:47I want this whole town looking for my buddy.
00:45:49Uh, you know what?
00:45:50I want the whole country looking for my boy, Gianni DiCarlo.
00:45:53This could be big, babe.
00:45:55This could be, um...
00:45:57This could be juicier than when What's-His-Name picked up that transvestite.
00:46:00Yeah!
00:46:01What do you mean, juicy?
00:46:02What is that?
00:46:03Uh, juice.
00:46:04Juice is good.
00:46:05Juice is fabulous.
00:46:06So it's good?
00:46:07Juice is great.
00:46:08I should like juice.
00:46:09You should love juice.
00:46:10Juice is sweet.
00:46:11Ah!
00:46:12I love sweet.
00:46:13I love juice.
00:46:14Let's make this happen, buddy.
00:46:16This could be his comeback.
00:46:17I know!
00:46:18That's what I'm thinking.
00:46:19We should get on a horn right now and see what comes up, all right?
00:46:23Oh, I like you, Bobby.
00:46:25I like you, Maury.
00:46:26Yeah, I like you.
00:46:27And don't worry about what happened in the club the other night.
00:46:29Already forgotten.
00:46:30Yeah.
00:46:31She was a skank.
00:46:32I know.
00:46:33Yeah.
00:46:34Well, you didn't know that night, but that's all right.
00:46:36I did, actually.
00:46:37Yeah.
00:46:38Okay.
00:46:39No.
00:46:40Sometimes, you know, you see eye to eye as guys.
00:46:42You got it, babe.
00:46:43By the way, I love that tan.
00:46:44How long does something like that take?
00:46:46It takes about 30 minutes.
00:46:47Yeah.
00:46:48I don't like it that much.
00:46:49Okay.
00:46:50I gotta go.
00:46:51Ciao.
00:46:52All right.
00:46:53Adios.
00:46:54You like that?
00:46:55No, senor.
00:46:56Cut.
00:46:57They don't like it.
00:46:58I don't know what you're looking for.
00:46:59Tell me what you're looking for.
00:47:00Blanchero music is a feeling, a tightness of the chest that goes all the way down until
00:47:13the underwear is so tight you have to scream!
00:47:15Scream!
00:47:16It burns!
00:47:17That sounds like it hurts.
00:47:19It burns like a jalapeno in your mouth!
00:47:21Dance while you have a way with words.
00:47:23Why?
00:47:24You should always...
00:47:25What is it?
00:47:26What is it?
00:47:27Believe in yourself!
00:47:28Yes!
00:47:29You did it again!
00:47:30Yeah.
00:47:31All right.
00:47:32Let me believe.
00:47:33You can do it!
00:47:34Yes!
00:47:35Aye!
00:47:36Aye!
00:47:37Aye!
00:47:38Aye!
00:47:39Aye!
00:47:40Stop bastardizing our culture!
00:47:42Come on.
00:47:43Give me another chance.
00:47:44I just wanted to...
00:47:45You stink!
00:47:46I'm dry!
00:47:47I'm dry!
00:47:48I'm dry!
00:47:49I'm freaking dry!
00:47:50Come on!
00:47:51What do you want?
00:47:52You're not worth the rental!
00:47:58Time to leave.
00:47:59What does that mean?
00:48:00We take you home or we still have business.
00:48:02Yeah.
00:48:03Now get in.
00:48:04In the trunk?
00:48:05Yes!
00:48:06We take you to the American checkpoint.
00:48:07We pay Manolo.
00:48:08He will take you right through.
00:48:10Why I got it right in the trunk?
00:48:11Because there's no room in the front.
00:48:12And when you get in...
00:48:13I'm claustrophobic!
00:48:14And I'm a Catholic!
00:48:15Yeah!
00:48:16Hey!
00:48:17What are you wearing?
00:48:18Hang on a second.
00:48:19Hey guys!
00:48:20I'm talking to my brother, okay?
00:48:21Hang on!
00:48:22I gotta go.
00:48:23Bye!
00:48:24It's a freaking dwarf!
00:48:25Hey!
00:48:26I'm not a dwarf!
00:48:27I'm Italian, Vinny!
00:48:28No kidding!
00:48:29You're Italian?
00:48:30I'm Italian from Brooklyn!
00:48:31You're from Brooklyn?
00:48:32Hey, I'm from Brooklyn!
00:48:33You know Vinny!
00:48:34I know Vinny!
00:48:35Vinny Boombach!
00:48:36Yeah, of course!
00:48:38We gotta talk.
00:48:39I heard a couple of things about him, you know?
00:48:41Yeah, he got shot.
00:48:42No, I heard he got shot.
00:48:43Yeah, he shot him in the balls!
00:48:45You shot him in the balls?
00:48:46No!
00:48:47Clever trunk!
00:48:48He shot him!
00:48:49He shot him?
00:48:50He shot him?
00:48:51He shot him in the balls?
00:48:52In the balls!
00:49:03I don't have a key.
00:49:19Oh, no.
00:49:21Hey, that was fun, buddy.
00:49:24Yeah.
00:49:25All right, we got to pick this up.
00:49:26Absolutely.
00:49:27All right, pal.
00:49:28Give me a call when you get in town.
00:49:29Let's do pizza.
00:49:30Yeah, you got it.
00:49:31All right.
00:49:32Hey, I thought you would drop me off at the border.
00:49:34I'm dropping you off.
00:49:35You call me.
00:49:36Maybe you could call one of your little, little friends.
00:49:38What friends?
00:49:39One of these.
00:49:40Have pizza.
00:49:41See you.
00:49:43Come on, man.
00:49:44There's a lot of dwarves here.
00:49:45You'll get along.
00:49:47I need a butt lift, a teeter lift, and a facelift.
00:49:52No, no, no, no, no, no.
00:49:54That's not right.
00:49:55I don't need that.
00:49:56All I need is an eye lift.
00:49:58Hurry up, lady, with the phone sex.
00:50:00Come on.
00:50:01Come on.
00:50:02Don't bug me.
00:50:03I don't need none of that.
00:50:04I know that by asking.
00:50:06What do you think of this?
00:50:08I think you need a forklift.
00:50:11Ah!
00:50:12Ah!
00:50:13Ah!
00:50:14Ah!
00:50:15Ah!
00:50:16What you need is a phone.
00:50:18Here.
00:50:19What you need is a new face.
00:50:21And your movies suck.
00:50:23All right.
00:50:24You know what, lady?
00:50:25Look at that hairdo.
00:50:28Ah!
00:50:32Whackadoo.
00:50:34Hello, gringo.
00:50:36Yeah.
00:50:37Hey, what kind of people are these?
00:50:39Tell me about it.
00:50:41Come on.
00:50:43The only normal guy here.
00:50:46How come the only people around here who know me hate me, huh?
00:50:50I don't really like you.
00:50:52Right, guys?
00:50:53Si!
00:50:54Hmm.
00:50:55At least somebody likes me.
00:50:56Yeah.
00:50:58Hey, guys, why don't you, uh, I'll catch up with you later, all right?
00:51:01Okay.
00:51:02See you later.
00:51:03Take it easy.
00:51:06You've done a lot of damage to business, senor.
00:51:09Oh, yeah?
00:51:10You owe 5,000 pesos.
00:51:12American!
00:51:14I owe you?
00:51:15How do you figure that?
00:51:16You put me in a trunk with two walls.
00:51:18And I owe you guys?
00:51:19Precisely.
00:51:20You'll be front of the midgets again, and I will choke you, pendejo!
00:51:24And where am I gonna come up with that kind of scuttle in this hole?
00:51:26You know it's gonna be hard, difficult, but si se puede!
00:51:33I ain't doing that.
00:51:34No way.
00:51:36Come on, we'll give you another chance.
00:51:39Yeah?
00:51:40I thought you didn't have any place for me.
00:51:41Look, it's not easy to place a wet-back gringo.
00:51:44We got laws here in Mexico, también, you know?
00:51:47Get in.
00:51:48Is there enough room?
00:51:50There's enough room for 10.
00:51:52This is Mexico!
00:52:03Get out!
00:52:04Where are you?
00:52:05What is where-
00:52:06I don't see Chabullo!
00:52:07Who?
00:52:08Chabullo!
00:52:09I don't-
00:52:10I don't know.
00:52:11Come back later, they'll choke you.
00:52:12Where you going?
00:52:13Come on!
00:52:14Hey!
00:52:15Come back here.
00:52:16I don't know.
00:52:18Come back later to choke you.
00:52:20Where you going? Come on.
00:52:22Hey.
00:52:24Come back here.
00:52:30Who goes now?
00:52:34Huh?
00:52:36Come here.
00:52:38I want to see your face.
00:52:40Now who the fudge are you, huh?
00:52:44Hey, buddy.
00:52:46I can see.
00:52:48You moron.
00:52:50Oh, I thought you were having a problem.
00:52:52That's all.
00:52:54Why would you say that?
00:52:56Because I'm right here in front of your face
00:52:58and you're like looking out there
00:53:00and you speak with a French accent.
00:53:08You have something against the French accent?
00:53:12No, I'm not against the French Frenchy.
00:53:16Frenchy?
00:53:18You have?
00:53:20The goal?
00:53:22To insult me?
00:53:26Who is this?
00:53:28Oh.
00:53:30Let me tell you something.
00:53:32The French never get insulted.
00:53:38You...
00:53:39You...
00:53:40You okay?
00:53:41Hey, pal.
00:53:42I'm sorry.
00:53:43I didn't mean to insult the French.
00:53:45I...
00:53:46I like the French.
00:53:47I just...
00:53:48Just don't push me.
00:53:50Hmm?
00:53:51Don't push me.
00:53:52Okay.
00:53:53Okay.
00:53:54No violence.
00:53:55I'm sorry.
00:53:56I just...
00:53:57Tell me what you want me to do.
00:53:58Come with me.
00:54:00Okay.
00:54:01You sure?
00:54:02This way?
00:54:03Yeah.
00:54:04Wow.
00:54:05Mexicans.
00:54:06Frenchmen.
00:54:07Graveyards.
00:54:08Exotic scenery.
00:54:09Dead people.
00:54:10It just doesn't stop.
00:54:13It goes and goes.
00:54:14It gets better and better and better.
00:54:15I don't...
00:54:16I don't understand what I ever did to anybody.
00:54:17Why are you talking to this guy?
00:54:18I don't know.
00:54:19I know.
00:54:20I know.
00:54:21I know.
00:54:22I know.
00:54:23I know.
00:54:24I know.
00:54:25It's not worth it.
00:54:26I know.
00:54:27I know.
00:54:28I know.
00:54:29I know.
00:54:30I know.
00:54:31I know.
00:54:32You know.
00:54:33I know.
00:54:34You know.
00:54:35I know.
00:54:36Were you talking to them?
00:54:38Hello there.
00:54:39No, I was just commenting on how normal everything is around here.
00:54:43I'm, uh, Gianni, by the way.
00:54:46I'm Anna.
00:54:47Anna.
00:54:48Okay, give me a hand here.
00:54:49With what?
00:54:50This.
00:54:52What are you doing?
00:54:54Huh?
00:54:55I'm breaking the joints.
00:54:56Why?
00:54:57The guy's dead.
00:54:59Huh?
00:55:00And you have a problem with it?
00:55:02This is a family request.
00:55:06You want to try it?
00:55:09No, thank you.
00:55:10Okay.
00:55:11Yeah.
00:55:14What's the matter?
00:55:15Never seen a dead body before, huh?
00:55:17Nah, I just never seen people beat the hell out of them.
00:55:20Like this.
00:55:21Are you guys like a freakin' wackadoo couple here?
00:55:23Oh!
00:55:24Huh?
00:55:25Do not make a joke when you don't know so little about it.
00:55:31You know, I was thinking...
00:55:36We gave you the Statue of Liberty.
00:55:41What if we took it back?
00:55:44Go ahead.
00:55:45Whatever turns you on, buddy.
00:55:47Oh, American.
00:55:48Follow me.
00:55:49Hmm?
00:55:50Mon chéri, mon chéri.
00:55:51Huh?
00:55:52She just keep on the hospital.
00:55:53Really?
00:55:54I want you to dress her.
00:55:56Use your art.
00:55:57Use my art?
00:55:58Use my art?
00:55:59Oui, American.
00:56:00All right.
00:56:01First the Mexicans, now the French.
00:56:04You want art?
00:56:05I'll show you art, lady.
00:56:06Mm-hmm.
00:56:07Mmm-hmm.
00:56:08I want you to dress her.
00:56:10Use your art.
00:56:11Use my art?
00:56:12Oui, American.
00:56:15All right.
00:56:16First the Mexicans, now the French.
00:56:17You want art?
00:56:18I'll show you art, lady.
00:56:19Mmm.
00:56:20Hmm.
00:56:21First the Mexicans, now the French.
00:56:26You want art?
00:56:28I'll show you art, lady.
00:56:30Hm.
00:56:32Hm.
00:56:33Hm.
00:56:34Hm.
00:56:35Hm.
00:56:36Hm.
00:56:37Hm.
00:56:38Hm.
00:56:39Hm.
00:56:40Hm.
00:56:41Hm.
00:56:42Hm.
00:56:43Hm.
00:56:44Hm.
00:56:50Wong, my lost boy.
00:56:52If you've joined us again, I won't.
00:56:53Listen to me, you little squirt.
00:56:55If you don't help me, you little gringo buddy,
00:56:57I'll bring it home to you.
00:56:58M'entend it?
00:57:00Look at the way.
00:57:03Look at it!
00:57:11You like what I did?
00:57:12I even painted a face for you.
00:57:14I got my mouth shut.
00:57:16It's perfect now.
00:57:17Masterpiece.
00:57:18You did a beautiful job.
00:57:25Ah!
00:57:27I did the best I could.
00:57:28I'm...
00:57:30Sorry.
00:57:31I tried.
00:57:38What a day.
00:57:40Jose.
00:57:43Fanatic priest.
00:57:44Not to let mention little tiny people.
00:57:47Dead bodies and to top it off.
00:57:50A picnic.
00:57:51That's like totally normal.
00:57:53Yeah.
00:57:57Are you done?
00:57:59You like talking to yourself, don't you?
00:58:01Yeah.
00:58:02I do.
00:58:03Yeah, I can see that.
00:58:06That looks good.
00:58:07What is that?
00:58:08Mm.
00:58:09I made this myself.
00:58:11Pancit.
00:58:12What was the name?
00:58:13Pancit.
00:58:14Pancit?
00:58:15That's it?
00:58:16Mm-hmm.
00:58:17Looks like spaghetti to me.
00:58:18Oh, yeah.
00:58:19Something like that.
00:58:22You don't look a little like the locals around here.
00:58:25Really?
00:58:26Mm-hmm.
00:58:27Well, yeah.
00:58:28I'm from the Philippines.
00:58:29Oh, the Philippines?
00:58:30Mm-hmm.
00:58:31I'm big in the Philippines.
00:58:32In fact, I know a couple of words.
00:58:34Really?
00:58:35Yeah.
00:58:36Okay.
00:58:37Show me what you got.
00:58:38Oh, my goodness.
00:58:39That is not Tagalog, totally.
00:58:40But it's quite impressive.
00:58:41Mm-hmm.
00:58:42Well, how did you wind up in a place like this?
00:58:43Well, that was a really bad waitress.
00:58:44Really?
00:58:45Mm-hmm.
00:58:46And you like it?
00:58:47Well, yeah, it's peaceful.
00:58:48They don't talk bad.
00:58:49Well, it's peaceful for you.
00:58:50It's creepy for me.
00:58:51All right.
00:58:52Number.
00:58:53Number six, please.
00:58:54Good question.
00:58:55None.
00:58:56Well, it's really nice, Miche?
00:58:57Nah.
00:58:58Why are you going to play her?
00:58:59Really?
00:59:00Hmm-hmm.
00:59:01I like it?
00:59:02Well, yeah, it's peaceful.
00:59:03They don't talk bad.
00:59:04Well, it's peaceful for you.
00:59:05It's creepy for me.
00:59:06All right?
00:59:07No more, titit sales.
00:59:08El Ange is over.
00:59:10Oh!
00:59:11It's over.
00:59:12You know, I have been thinking
00:59:18any of your general partners can never,
00:59:21live up to uh napoleon whatever rocks your boat pal i will be watching you i will be watching you
00:59:33i will be watching you i will be watching you i will talk to you later talk to you later
00:59:51hey guys hey johnny we got something for you yeah what you got there come here pal
01:00:10hey my boots where'd you get these don't ask you help me we help you
01:00:16here you go the sun is setting it's a good time to get cleaned up go take a shower okay boss
01:00:38oh dina let's be civilized geez dina calm down all right hey you know what hand me the vase the
01:00:57face the face the right there yeah here why don't you break this this is the enemy my mother gave me
01:01:03this i understand i'll do it oh my god wow i didn't think he was gonna go for it i blame all
01:01:11of you and you as his agent because you should have known how sensitive he is but you don't
01:01:14because i made him not without me come on come on i made him too i gave him the artistic genes
01:01:22well i did all the work yeah but i gave you the little ice chips dina you just gotta watch the tv
01:01:27because they're all looking for him right now get the clicker no no no that one and actor gianni
01:01:34de carlo who's been missing has been rumored from inside sources that there's reason to believe he's
01:01:39across the border he meets his mother good point arrico pack your bags and grab your balls we're headed
01:01:48to the south mexico let's go let's go let's go mexico hey anna hi gianni it was really nice today yeah it was
01:02:01you're really uh very sweet you know gianni you have a gentle heart that other men don't have
01:02:09oh uh can i give you a kiss then right now yeah like like when johnny dinner did you hear me dinner
01:02:26hey give me a break would you i can't get rid of this game what are they doing oh no they're about
01:02:32Oh, no, I'm in trouble.
01:02:34All right, guys, give me a break, would you?
01:02:36Come on.
01:02:37Hey, guys, Gianni's got a girlfriend.
01:02:39There's nothing to see here.
01:02:41Is she going to have dinner with us?
01:02:43I guess they're inviting you.
01:02:45I would love to.
01:02:47She would love to, all right?
01:02:49Okay.
01:02:51Show's over. Let's go.
01:02:53Come on, guys.
01:02:55Come on.
01:02:57Come on, guys.
01:02:59Hey, amigo. Yeah?
01:03:04I heard you've been walking around town looking for work.
01:03:09I need to get back home, so...
01:03:11Hm. You're in big trouble, my friend.
01:03:13Why is that?
01:03:14Because you're not allowed to work in Mexico without papers, hombre.
01:03:17What are you saying?
01:03:18I'm saying you're going to jail.
01:03:19Hey, jail?
01:03:20And what makes it even worse is that you're calling me fat.
01:03:24You?
01:03:25Me.
01:03:26I don't even know you.
01:03:27It's going to cost you.
01:03:28Hold on, man.
01:03:29I do not like when people tell other people that I'm fat.
01:03:31I'm big.
01:03:32I'm not fat.
01:03:33Do I look fat to you?
01:03:34No.
01:03:35Tell me the truth.
01:03:36No, you're big.
01:03:37You're definitely not fat.
01:03:38I like you.
01:03:39I like you, too.
01:03:40You act, right?
01:03:41Yes.
01:03:42Good.
01:03:43Tomorrow you dance.
01:03:44You dance in the daytime at a cantina.
01:03:46All day.
01:03:47Ta-ta-ta-ta-ta-ta-ta-ta-ta.
01:03:49You dance to all my favorites.
01:03:51Yeah.
01:03:52Shakespeare, Stanislavski, Toyski, Nietzsche, and somebody...
01:03:57You like the classics.
01:03:58Si, the classics.
01:03:59Yeah.
01:04:00So, tomorrow you dance?
01:04:01Tomorrow I dance.
01:04:02Ha-ha-ha-ha-ha-ha-ha-ha!
01:04:03Ay, Papi.
01:04:04Okay, Papi.
01:04:05I see you tomorrow.
01:04:06All right.
01:04:07Be careful, you no cut yourself next time.
01:04:10You want to go to jail?
01:04:11No.
01:04:12No, no, no, no.
01:04:14Get the hell out of here, boy.
01:04:26Come on, Johnny.
01:04:28Hurry up. I'm getting ready to perform. What is it?
01:04:30Come on, Johnny.
01:04:32Come on. Hurry up. Spit it out.
01:04:34I must catch my breath.
01:04:36Spit it out. Come on.
01:04:38Listen to Chipoyo.
01:04:40He's a bad, bad man.
01:04:42He took all your things.
01:04:44Why didn't you warn me before?
01:04:46You're a nice guy. I thought you were a nice guy.
01:04:48He's gonna kill you. How do you know that?
01:04:50Oh, yeah. Listen to the kid.
01:04:52My dad disappeared. Remember?
01:04:54Is that right? Let me tell you something, kid.
01:04:56I'm gonna find your mom.
01:04:58I promise you, I'm gonna find your mom.
01:05:00Don't make any promises.
01:05:02You can't deliver. Don't disappoint you, kid.
01:05:06I won't.
01:05:08Well, don't. I won't.
01:05:10You hear? You hear me, kid?
01:05:12Alley! Get in!
01:05:14Alley! Alley!
01:05:16Don't break your ass, man!
01:05:18Come on, come on.
01:05:20Okay, okay. Let's go, let's go.
01:05:22Get in the coffin.
01:05:24No. Yes.
01:05:25Absolutely no. There's no way I'm getting in this box.
01:05:26You understand? No means no.
01:05:28Oh, my God. No.
01:05:30Then, you will die hold of this.
01:05:32Okay, fine.
01:05:34Want me to get in? I'll get here.
01:05:36So, as soon as they get here, we'll get in the corner and we'll head out.
01:05:42Follow me a spot. Come on, come on, come on.
01:05:44All right, all right, all right, all right.
01:05:46Come on, come on. I smell Emmy.
01:05:48Oh, would you stop at this speech?
01:05:50Cut to the chase. Cut to the chase.
01:05:52Johnny's in trouble.
01:05:53Easy, cowgirl.
01:05:54I guess Ms. X DiCarlo can't wait to see her ex-man, huh?
01:05:56Oh, come on.
01:05:57Anywho, my FBI agent down in Mexico says that Johnny's down there.
01:05:59We know that.
01:06:00Can't you tell us something we don't know, you clown?
01:06:02Come on.
01:06:03Okay, we know where he is, okay?
01:06:05We sold the scoop to the network.
01:06:06We're gonna head for the border.
01:06:07The border.
01:06:08The border.
01:06:09The border.
01:06:10The border, okay?
01:06:11The border.
01:06:12You guys go around that way.
01:06:13Yes.
01:06:14The border.
01:06:15Come on, Maureen.
01:06:16So, what do we do now?
01:06:17I got a plane.
01:06:18Okay.
01:06:19Okay.
01:06:20So, what do we do now?
01:06:21I got a plan.
01:06:22Is that right?
01:06:23Yeah.
01:06:25What is it?
01:06:28Chachos.
01:06:32You tell him about the tunnel?
01:06:33We told the kid he'll do whatever we tell him.
01:06:37Good.
01:06:38Muy bien.
01:06:39Now that we've made him suffer, he's gonna tell his family he doesn't want to stay.
01:06:43We will demand the money.
01:06:44Once we get the money, they'll never see the kid again.
01:06:49Entiendes?
01:06:50Then I choke him.
01:06:51You can choke him.
01:06:52You can kick him.
01:06:53You can light him on fire.
01:06:54Uh, uh, uh, uh, uh.
01:06:55Sheriff, not to undermine your authority, but we should consider the devaluation of the
01:07:00American peso.
01:07:01We should request these funds to be transferred to us in something more stable like the euro.
01:07:06Euros.
01:07:07I don't like euros.
01:07:08They stick to my teeth.
01:07:09Look.
01:07:10Come on.
01:07:11Come on.
01:07:12Come on.
01:07:13Come on.
01:07:14Come on.
01:07:15Come on, Vamos.
01:07:16Come on.
01:07:17Come on.
01:07:18gaz
01:07:23gaz
01:07:35Wait, wait, wait, wait.
01:07:38Jesus Christ.
01:07:40I call my Calvary.
01:07:42Yeah?
01:07:45Hey, Dave, what's up, guys?
01:07:48What's going on?
01:07:50Hey, wait a minute. This looks dangerous.
01:07:53You know I made a promise to get you to your mother,
01:07:55but this ain't the way.
01:07:56I believe in you. Do you believe in me?
01:07:59I never doubted you, kid.
01:08:00Come on, we're going to America.
01:08:02Wait a minute, hold a second.
01:08:04How'd you hear about this?
01:08:05I overheard the Chacos.
01:08:07Those clowns?
01:08:08That's the oldest trick in the book.
01:08:10Didn't you see Escape from Project Thunder?
01:08:12A hundred times.
01:08:14Yeah, me too.
01:08:15So what's next, huh?
01:08:17Let's get going before they show up.
01:08:19Look!
01:08:20Hey, hey, hey.
01:08:21Get back, get back, get back.
01:08:23Everybody.
01:08:34So funny.
01:08:35Huh?
01:08:36Gringo.
01:08:37Yeah?
01:08:38You belong to me now.
01:08:39Oh, yeah?
01:08:40All right, let me tell you something, my friend.
01:08:41You've been taking advantage of my boys.
01:08:42My boys and this town for too long.
01:08:43And it's going to stop right now.
01:08:44Ha!
01:08:45Ha!
01:08:46Ha!
01:08:47Ha!
01:08:48Ha!
01:08:49Ha!
01:08:50Ha!
01:08:51Ha!
01:08:52Ha!
01:08:53Ha!
01:08:54Ha!
01:08:55Ha!
01:08:56Ha!
01:08:57Ha!
01:08:58Ha!
01:08:59Ha!
01:09:00Ha!
01:09:01Ha!
01:09:02Ha!
01:09:03Ha!
01:09:04Ha!
01:09:05Eres mi cabrón. Eres mi comico.
01:09:08You are a clown.
01:09:10He thinks this is a movie.
01:09:14Ah!
01:09:15Johnny!
01:09:16Come on!
01:09:17Y'all away!
01:09:18Y'all away!
01:09:19That one.
01:09:20Hey?
01:09:21Enough of it!
01:09:23What do we do now, Johnny?
01:09:24This is real life, kid.
01:09:25I ain't going out without a fight.
01:09:27Si, and this is in real life.
01:09:29Sometimes people get hurt.
01:09:30Say goodbye, okay?
01:09:32Quick, bro! I'm afraid of blood!
01:09:34Me too!
01:09:34I'm sorry about this, Anna.
01:09:36It's not your fault, John.
01:09:37Out of gateway!
01:09:39Let go of the kid.
01:09:41Oh, you let go of him, you bastard!
01:09:44Fire!
01:09:46Ah!
01:09:46Fire!
01:09:49I'm going to drink your blood!
01:09:51No, I'm going to drink your blood!
01:09:52I'm going to drink your blood!
01:09:53I'm going to drink your blood!
01:09:55Well, come on!
01:09:55Yeah!
01:09:56Oh!
01:09:57Oh!
01:09:59Fight like a woman!
01:10:00Oh!
01:10:01Like that, huh?
01:10:02Say goodbye to your way, Monty.
01:10:04I'm going to drink your blood!
01:10:04I'm going to drink your blood!
01:10:05I'm going to drink your blood!
01:10:06I'm going to drink your blood!
01:10:07Hey, I think I've heard this before!
01:10:11What have you heard?
01:10:12Yeah, I heard that you and Jose like each other.
01:10:14What?
01:10:14You calling me a maricone?
01:10:15Yeah, mucho maricone.
01:10:16Oh, no!
01:10:18Why the balls?
01:10:19You call those balls, huh?
01:10:21Oh!
01:10:24Oh, I'm confused!
01:10:25You're confused?
01:10:26That's because your English sucks!
01:10:28Oh, no!
01:10:29That explains a lot!
01:10:30Exactly!
01:10:31Come on!
01:10:32Oh!
01:10:33Oh!
01:10:34That's right!
01:10:36I feel like this!
01:10:37Chibuya!
01:10:38Yeah?
01:10:39I'm leading you!
01:10:40Come on!
01:10:41Come on!
01:10:42Oh!
01:10:43Oh, no!
01:10:44I hate the violence!
01:10:45That felt good, you know?
01:10:47Nice shot!
01:10:48Oh!
01:10:49Oh!
01:10:50Oh!
01:10:51Oh!
01:10:52Oh!
01:10:53Oh!
01:10:54Oh!
01:10:55His vagina!
01:10:56Oh!
01:10:57Good!
01:10:58One more time!
01:10:59Hit him again!
01:11:00Atta boy!
01:11:06Look at that!
01:11:07Look at that!
01:11:08Victory!
01:11:09Victory!
01:11:10Yay!
01:11:12Yay!
01:11:13Yay!
01:11:14Yay!
01:11:15Yay!
01:11:16Yay!
01:11:17Yay!
01:11:18Yay!
01:11:19Yay!
01:11:20Yay!
01:11:21Yay!
01:11:22Yay!
01:11:23I have been waiting for this a long time.
01:11:27There is a reason you came to our town.
01:11:30That's what I always say.
01:11:31There's a reason for everything.
01:11:32How about that?
01:11:33Yeah.
01:11:34Yeah, me too.
01:11:35Me three.
01:11:37There it is, Johnny.
01:11:38Just on the other side.
01:11:41Home.
01:11:43How about that, huh, kid?
01:11:44Yeah.
01:11:46Juan, you have to go, too.
01:11:48It would be fun.
01:11:49You won't forget me.
01:11:50And I won't forget you.
01:11:53And you.
01:11:55Don't worry, Juan.
01:11:56I'll look after them.
01:11:57Okay.
01:11:58I hope, uh, I hope I get to see you one day again.
01:12:05You're the real deal.
01:12:07You didn't give a crap about me being a movie star or anything.
01:12:11You're a movie star?
01:12:12You didn't know that?
01:12:14Take care of yourself.
01:12:15Take care of yourself.
01:12:16Take care of yourself.
01:12:20Yeah, yeah, yeah, yeah.
01:12:21Well, au revoir.
01:12:23All right, my friend.
01:12:25It was nice meeting you.
01:12:27Yeah.
01:12:28Take care of yourself, all right?
01:12:30I thought you were French.
01:12:32Of course.
01:12:33Watch this guy.
01:12:35Come on.
01:12:36All right, guys.
01:12:37Take care.
01:12:38Take care of yourself.
01:12:39Thanks for everything.
01:12:40All right?
01:12:41You guys, too.
01:12:42All of you.
01:12:43Bye.
01:12:44Bye.
01:12:45Bye, buddy.
01:12:46I'm in New Orleans.
01:12:47Come on.
01:12:48Bye.
01:12:49Bye, buddy.
01:12:50I'm in New Orleans.
01:12:51I'm in New Orleans.
01:12:52Bye.
01:12:53Bye.
01:12:54Bye, buddy.
01:12:55I'm in New Orleans.
01:12:56Bye.
01:12:57Bye.
01:12:58Bye.
01:12:59Bye.
01:13:00Bye.
01:13:01Hey, Ma.
01:13:02What happened to you?
01:13:03What happened to you?
01:13:04I'm in New Mexico.
01:13:06I'm in New Mexico.
01:13:07I'm in New Mexico.
01:13:08I'm in New Mexico.
01:13:09You're all right, boy.
01:13:11Oh, look who you're doing.
01:13:13I'm so proud of you.
01:13:15Who's this little guy?
01:13:18Everyone, this is my new friend, Juan.
01:13:21Hey, Juan.
01:13:22Say hello, Juan.
01:13:24Hi.
01:13:25Hiya, Juan.
01:13:26Hello.
01:13:28Doesn't look like America to me.
01:13:31Well, it is.
01:13:33Come on.
01:13:34Let's go home.
01:13:35Let's see.
01:13:36Let's go home.
01:13:37Hey, buddy.
01:13:38I'm working on some stuff here.
01:13:39You got in the way I go home?
01:13:40Yeah, I got some things working.
01:13:41All right, buddy.
01:13:42Yeah, it's all in the hospital.
01:13:43And the star was kidnapped and forced into hard labor just to make it back.
01:13:48In the end, DeCarlo turned out to be a bad deportee.
01:13:51Didn't make any money.
01:13:52In fact, he cost the money being there.
01:13:54But that was enough to get the two rogue INS agents behind bars for a long time.
01:13:58This is Bobby Goodnight saying stay fabulous.
01:14:01Yeah!
01:14:02Woo!
01:14:03Woo!
01:14:04Woo!
01:14:05Woo!
01:14:06Woo!
01:14:07I want to make a toast.
01:14:08Oh.
01:14:09Toast.
01:14:10Toast.
01:14:11Toast.
01:14:12Come on, buddy.
01:14:13Hey.
01:14:14To family.
01:14:15To family.
01:14:16Family.
01:14:17Family.
01:14:18Yes.
01:14:19To family.
01:14:20That's great to be home.
01:14:21Great to be home.
01:14:22Right there.
01:14:23Good boy.
01:14:24Okay.
01:14:25Gee.
01:14:30Come here, you.
01:14:41Juan, we have a surprise for you.
01:14:43Mommy!
01:14:44Mommy!
01:14:45Mommy!
01:14:46Mommy! Mommy!
01:15:16Thank you, Juan. Thank you, Juan. You made me realize what was really important, buddy.
01:15:33I love you. I love you, buddy.
01:15:46So, why'd you get out of it?
01:16:07Inspiration. That's what I got out of it.
01:16:17That's wonderful.
01:16:20Inspiration.
01:16:37Except, I will love you.
01:16:43That's fine.
01:16:49And second, save me the dear baby in the sand.
01:16:56All right.
01:16:59Join the cargo! We're gonna collect 5,000!
01:17:22We're going to Hollywood!
01:17:25Hollywood! Hollywood! Hollywood!
01:17:27Oh!
01:17:31Yes!
01:17:32We saw it!
01:17:33See!
01:17:34See!
01:17:35See!
01:17:36See!
01:17:37See!
01:17:38See!
01:17:39See!
01:17:40See!
01:17:41See!
01:17:43See!
01:17:44See!
01:17:45See!
01:17:46See!
01:17:47See!
01:17:48See!
01:17:50See!
01:17:53See!
01:17:54See!
01:17:55See!
01:17:57See!
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