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OYA AYDOĞAN ZAVALLILAR KÜÇÜK EMRAH ⚡ DRAM ⭐️ Macera || Aile ⚡ 1984 Tek Parça İzle ⭐️Full HD 1984 İzle⭐️
Konu Özeti
Köyde süregelen kan davası yüzünden eşi Oya (Oya Aydoğan), oğlu Emrah (Emrah İpek) ve küçük kızıyla bir gece vakti göç eden Berhan (Berhan Şimşek), İstanbul’un ıssız sokaklarında yeni bir hayat kurmaya çalışır. Ne var ki, iz peşindeki düşmanlar bir parkta Berhan’ı enseler, ayağından vurarak sakat bırakırlar. İş bulamayan Berhan, çaresizlik içinde oğlu Emrah’a bakacak tek kişinin kendisi olmadığını görür ve karısı Oya’yı varlıklı bir ailenin evinde temizlikçi olarak çalışmaya gönderir
.
Oya’nın gündelikçi olarak gittiği evde, ev sahibi zengin işadamının oğlu Eray (Eray Özbal) onun ılımlı direnişiyle yüzleşirken, Berhan’ın düşmanları peşlerini bırakmaz. Emrah ise, evin penceresinden dinlediği arabesk/uzun hava ezgileriyle büyülenir ve yavaş yavaş sokak pavyonlarında şarkı söyleyerek aileyi ayakta tutmaya karar verir. Girdiği her sahnede alkış ve gözyaşlarını beraberinde getirirken, Emrah’ın sesi hem kendisine hem de ailesine yeni bir umut kaynağı olur.
Oyuncu Kadrosu ve Karakterler
Berhan / Baba (Berhan Şimşek): Kan davası mağduru, oğlunun geleceğini kurtarmaya kendini adayan fedakâr baba.
Oya (Oya Aydoğan): Ailenin direği; temizlikçi olarak çalışırken gurur ve umudunu aynı anda korumaya çabalar.
Emrah / Oğlu (Emrah İpek): Küçük Emrah, arabesk tutkusunu sahneye taşıyarak hem seyirciyi hem de yorulmuş yüreğini mest eden çocuk star.
Eray (Eray Özbal): Zengin ailenin asi oğlu; Oya’ya duyduğu ilgi, filmin dramına farklı bir renk katar.
Yan Rollerde: Zehra Aktürk, Bayram İlvur ve Zeynep Kızıltan gibi Yeşilçam isimleri, toplumsal sınıf farklılıklarını ve mazlumların hikâyesini derinleştirir
.
Temalar ve Toplumsal Yansımalar
Köyden Kente Göç: Tarihi kan davaları ve kırsal göç olgusu, 1980’ler Türkiye’sinde hâlâ kanayan bir yara.
Gurur ve Onur Mücadelesi: Oya’nın temizlikçilik onurunu koruma çabası; babanın evine ekmek getirme azmi.
Çocuğun Kurtarıcı Gücü: Emrah’ın sesi, hem aileyi hem de dönemin duygusal açıdan yıpranmış izleyicisini ayağa kaldıran umut simgesi.
Sınıfsal Gerilimler: Temizlikçi işçi ve zengin ailenin gergin ilişkisi, Türkiye’deki ekonomik uçurumu sembolize eder.
Görsel ve İşitsel Unsurlar
Sinematografi: Kasvetli sokaklar ile pavyon ışıkları arasındaki kontrast, Hüseyin Özşahin’in ustalıklı kamera açılarıyla derinleşir.
Müzik: Filmin temel direği arabesk ezgiler; Emrah’ın performansları, Atilla Özdemiroğlu imzalı altyapılarla birleşir ve sahneleri yankılanan bir şiire çevirir.
Kostüm ve Mekan: Yoksulluk içindeki işçi mahallesi, varlıklı aile konağının soğuk asaleti; dekordaki zıtlık, temanın altını çizer.
Sonuç
“Zavallılar”, Yeşilçam’ın merhametli objektifinden baktığımızda, aile, onur ve mücadele temalarını güçlü bir dramatik ritmle işleyen bir başyapıttır.
Konu Özeti
Köyde süregelen kan davası yüzünden eşi Oya (Oya Aydoğan), oğlu Emrah (Emrah İpek) ve küçük kızıyla bir gece vakti göç eden Berhan (Berhan Şimşek), İstanbul’un ıssız sokaklarında yeni bir hayat kurmaya çalışır. Ne var ki, iz peşindeki düşmanlar bir parkta Berhan’ı enseler, ayağından vurarak sakat bırakırlar. İş bulamayan Berhan, çaresizlik içinde oğlu Emrah’a bakacak tek kişinin kendisi olmadığını görür ve karısı Oya’yı varlıklı bir ailenin evinde temizlikçi olarak çalışmaya gönderir
.
Oya’nın gündelikçi olarak gittiği evde, ev sahibi zengin işadamının oğlu Eray (Eray Özbal) onun ılımlı direnişiyle yüzleşirken, Berhan’ın düşmanları peşlerini bırakmaz. Emrah ise, evin penceresinden dinlediği arabesk/uzun hava ezgileriyle büyülenir ve yavaş yavaş sokak pavyonlarında şarkı söyleyerek aileyi ayakta tutmaya karar verir. Girdiği her sahnede alkış ve gözyaşlarını beraberinde getirirken, Emrah’ın sesi hem kendisine hem de ailesine yeni bir umut kaynağı olur.
Oyuncu Kadrosu ve Karakterler
Berhan / Baba (Berhan Şimşek): Kan davası mağduru, oğlunun geleceğini kurtarmaya kendini adayan fedakâr baba.
Oya (Oya Aydoğan): Ailenin direği; temizlikçi olarak çalışırken gurur ve umudunu aynı anda korumaya çabalar.
Emrah / Oğlu (Emrah İpek): Küçük Emrah, arabesk tutkusunu sahneye taşıyarak hem seyirciyi hem de yorulmuş yüreğini mest eden çocuk star.
Eray (Eray Özbal): Zengin ailenin asi oğlu; Oya’ya duyduğu ilgi, filmin dramına farklı bir renk katar.
Yan Rollerde: Zehra Aktürk, Bayram İlvur ve Zeynep Kızıltan gibi Yeşilçam isimleri, toplumsal sınıf farklılıklarını ve mazlumların hikâyesini derinleştirir
.
Temalar ve Toplumsal Yansımalar
Köyden Kente Göç: Tarihi kan davaları ve kırsal göç olgusu, 1980’ler Türkiye’sinde hâlâ kanayan bir yara.
Gurur ve Onur Mücadelesi: Oya’nın temizlikçilik onurunu koruma çabası; babanın evine ekmek getirme azmi.
Çocuğun Kurtarıcı Gücü: Emrah’ın sesi, hem aileyi hem de dönemin duygusal açıdan yıpranmış izleyicisini ayağa kaldıran umut simgesi.
Sınıfsal Gerilimler: Temizlikçi işçi ve zengin ailenin gergin ilişkisi, Türkiye’deki ekonomik uçurumu sembolize eder.
Görsel ve İşitsel Unsurlar
Sinematografi: Kasvetli sokaklar ile pavyon ışıkları arasındaki kontrast, Hüseyin Özşahin’in ustalıklı kamera açılarıyla derinleşir.
Müzik: Filmin temel direği arabesk ezgiler; Emrah’ın performansları, Atilla Özdemiroğlu imzalı altyapılarla birleşir ve sahneleri yankılanan bir şiire çevirir.
Kostüm ve Mekan: Yoksulluk içindeki işçi mahallesi, varlıklı aile konağının soğuk asaleti; dekordaki zıtlık, temanın altını çizer.
Sonuç
“Zavallılar”, Yeşilçam’ın merhametli objektifinden baktığımızda, aile, onur ve mücadele temalarını güçlü bir dramatik ritmle işleyen bir başyapıttır.
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00:00:00Thank you for watching.
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00:03:29It's their turn for blood, they're lying on the ground.
00:03:34After you, they will take our son's life too.
00:03:37Let's go, Tahir.
00:03:40There is a net on the head.
00:03:41Istanbul will eat us, Istanbul will eat us, it will swallow us.
00:03:44It is better for Istanbul to suffer than to be smitten with greasy bullets here.
00:03:51Let's go for our children's donation.
00:03:54Let's go for our children's donation.
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00:06:56I'm fine, you start cleaning right away!
00:07:03The lady said clean this room.
00:07:06Good, you start cleaning right away!
00:07:26Thank you for watching.
00:07:56Thank you for watching.
00:08:26Bilal!
00:08:38Open the door!
00:08:39I'm opening!
00:08:44Main!
00:08:44Did your father come?
00:08:46It has arrived!
00:08:48Where are you, woman?
00:08:50Here I come.
00:08:50Where have you been until this hour?
00:08:51You went to the diary!
00:08:52Who did you ask that made you go? Am I a donkey?
00:08:57Everyone goes to daily life.
00:08:59Aunt Hacer found this job.
00:09:00Are you hungry? Are you out in the open?
00:09:02I don't want you to work.
00:09:05Didn't I work in my hometown?
00:09:07Who cut bread for our children while you were in prison?
00:09:10Are you rubbing it in my head?
00:09:11Are you opposing me?
00:09:13Fasha! How many years has it been since I bought a new coat?
00:09:16The children are also half naked.
00:09:18Is working bad?
00:09:18Look, they paid two thousand liras.
00:09:35Touch!
00:09:36Don't you want it, girl?
00:09:37I don't want.
00:09:38I say let me help you, let me work.
00:09:40You're beating me.
00:09:42I suddenly got angry.
00:09:43What is there to be angry about? What is wrong with my work?
00:09:46The lady wants three days a week.
00:09:48Two thousand liras makes six thousand liras.
00:09:50What is a month worth?
00:09:51Twenty-four thousand.
00:09:53Bad money?
00:09:54Not bad, but I don't know.
00:09:57He has no idea.
00:09:58Our hands will be a little more free.
00:10:00They say two hands have a voice.
00:10:03So be it.
00:10:05Come on, come back.
00:10:06I hit it so hard that my jaw almost dried up.
00:10:09Let me kiss you and pass.
00:10:10The best of everything is the most beautiful.
00:10:39Yes, use olive oil in your cooking.
00:10:43Crane olive oil.
00:10:45Prices started to drop in Karamürsel.
00:10:47These beautiful clothes and shoes for your children are in Karamürsel.
00:10:50The soles of my shoes were deep, dad.
00:10:51Water is entering.
00:10:52Now the instrumental works.
00:10:54Would I wear shoes in my hometown, girl?
00:10:57We buy it during the holidays.
00:10:58Emrah has nothing left either.
00:11:01Take my sister first, mother.
00:11:02Haa!
00:11:07There's a school play this Sunday, will you come?
00:11:10Ah, one vote was missing.
00:11:11What a source of the show.
00:11:13Oh, okay?
00:11:14I'm in the school folklore group, dad.
00:11:16I will sing the song.
00:11:18There is a burning in his voice, Hınzır.
00:11:20You go with your sister.
00:11:21What is our job?
00:11:23Come on, don't swing.
00:11:24You will be late for school.
00:11:25Come on mom, come on!
00:11:39Girl, stop, okay.
00:11:40Okay, I'm done.
00:11:46I entrust it to you, my daughter.
00:11:48I'm going to the game.
00:11:50I'm already late.
00:11:52Don't forget to keep everything spotless.
00:11:53When you're done, you just walk out the door.
00:11:56Don't worry, sister.
00:12:01Ah, let me give you your money too.
00:12:11Oops, finding change was a problem too.
00:12:16Ah, there's two thousand right there.
00:12:19Here, girl, here, let me see.
00:12:21May it be blessed, sister.
00:12:25Farewell to God, may it be easy.
00:12:28Thank you, sister.
00:12:28Farewell to God, may it be easy.
00:12:41Music
00:13:10Music
00:13:13Drive, drive, don't be afraid!
00:13:14I suddenly got excited. I don't know what blush and ruddy are.
00:13:19Do you need it? Your lips are already like cherries.
00:13:23Music
00:13:24Music
00:13:25Many women came and went to this house, Zeliha.
00:13:28But no one as beautiful as you has come.
00:13:30Sir, I am married. I have two children.
00:13:33Music
00:13:33Music
00:13:34Even though you are married, I like you.
00:13:36No, I don't work in this house.
00:13:38I'll go.
00:13:38Wait, wait! Don't get angry now.
00:13:41Ok.
00:13:43I won't talk again.
00:13:45I wouldn't say I liked it either.
00:13:47Music
00:13:48Music
00:13:48Okay? You're not going, are you?
00:13:52Uh-huh.
00:13:52Music
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00:24:04Huh!
00:24:12Oh, don't ask, my dear Jari, my crazy son, my woman didn't come.
00:24:14I've been waiting for him since the morning.
00:24:16There is so much work to do.
00:24:18They are so ungrateful.
00:24:21When they learn about the job, they immediately go elsewhere.
00:24:23Okay, okay, you start, I'm coming to the game.
00:24:26Huh!
00:24:30Why didn't this woman come?
00:24:32He was doing a very good job.
00:24:37Maybe he's sick or something.
00:24:38Is he short on money?
00:24:40I swear I'll give you five thousand.
00:24:43It is very difficult to find a woman.
00:24:45I have the address, will you go, Cengiz?
00:24:48Huh!
00:25:12Who's that?
00:25:19Hello!
00:25:19What's wrong?
00:25:20Is this how you greet a guest?
00:25:22Won't you invite me in?
00:25:24I don't have a man at home.
00:25:29Do you live in this house?
00:25:32Here huh?
00:25:38Change your mind, my mother wants you.
00:25:42Get out of my house, I won't work for you anymore.
00:25:46My mother gives five thousand.
00:25:47Let it be.
00:25:51He sent a bonus of fifty thousand.
00:25:55Come on, take these.
00:25:59Don't keep me waiting.
00:26:01I'm waiting for you outside.
00:26:07You work, your husband eats. Is this work?
00:26:10My husband is disabled, what should he do?
00:26:11Your misfortune is that shitty women who can't hold a candle to you live in palaces, and you're in a place like a barn.
00:26:18Throw away that headscarf, man.
00:26:19Throw away that headscarf, man.
00:26:20Sit like a lady in the car.
00:26:23Not like a maid.
00:26:25えeh?
00:26:33What am I, not a servant?
00:26:36You are not for me.
00:26:37Thank you for watching.
00:26:46What a beautiful girl with coal black hair.
00:26:50Don't mess with me.
00:26:53Mine is also a heart-slaying one.
00:26:55You're right, for once.
00:26:58Make him fall in love.
00:27:07That's it, gentlemen.
00:27:08You're so sweet! I was coming back with two arrows.
00:27:11If you return to the grove, they will lay the pipe.
00:27:16What the hell are you talking about?
00:27:18I didn't know what a game was in my country.
00:27:21What more will you learn?
00:27:23There is no other Istanbul than here, my son.
00:27:25Come and learn!
00:27:37Thank you for watching.
00:28:02There is nothing to put in the mouth.
00:28:04I'm dying of hunger!
00:28:07Come on, let's eat out.
00:28:10Impossible!
00:28:12Why not?
00:28:13Aren't you hungry?
00:28:15I break two eggs.
00:28:16I have more work to do.
00:28:20Let the work wait.
00:28:25Don't you have a soul?
00:28:28Are you a slave?
00:28:29My parents are going to eat out tonight anyway.
00:28:32You can finish it tomorrow.
00:28:34I told you I don't want it!
00:28:36We'll have dinner and come back.
00:28:37Don't upset me, Zeliha!
00:28:40I can't go to the ground.
00:28:41Look at my current state!
00:28:44What's going on?
00:28:46Gosh!
00:28:47How could I not think of it!
00:28:48Come with me!
00:28:49You say you have no clothes.
00:28:54You say you have no clothes.
00:28:56What are these?
00:28:57My wife will cut me, I swear.
00:28:59Aaa!
00:29:00This house is my responsibility.
00:29:02Whatever I say goes.
00:29:06Come on these...
00:29:09...Whichever one you like...
00:29:12...Let's go so we don't be late for dinner.
00:29:14...Let's go so we don't be late for dinner.
00:29:15Look!
00:29:16This is for you...
00:29:18...To your olive eyes...
00:29:20...To her black hair...
00:29:22...It suits you very well.
00:29:25Come on, I'm waiting.
00:29:26How are you doing one?
00:29:32They eat.
00:29:33I'll be late.
00:29:33Laughter.
00:29:34Because of the olives in your eyes...
00:29:38...Fall into her black hair.
00:29:40What?
00:29:42What?
00:29:44What?
00:29:44What?
00:29:45What?
00:29:45What?
00:29:46What?
00:29:46What?
00:29:47What?
00:29:48What?
00:29:49What?
00:29:50How are you?
00:29:50What?
00:29:51What?
00:29:55I don't want to drink anymore.
00:29:57Am I drunk or what?
00:30:01My head hurts a lot too.
00:30:04Because you're not used to it.
00:30:08I don't know such things.
00:30:11What do you know anyway?
00:30:13You've lived like a weed until now.
00:30:16But what do you deserve with this beauty?
00:30:19My head hurts so much.
00:30:21I want to go home.
00:30:23How can you go on in this situation?
00:30:25You have a medicine.
00:30:27You will neither have a headache nor be drunk.
00:30:44Finish it in one gulp so that the medicine will be beneficial, Zeliha.
00:30:48Come on.
00:30:51Thank you for watching.
00:30:57Thank you for watching.
00:31:03Thank you for watching.
00:31:05Thank you for watching.
00:31:09Thank you for watching.
00:31:11Thank you for watching.
00:31:15subscribe.
00:31:17Thank you for watching.
00:31:19Thank you for watching.
00:31:21Thank you for watching.
00:31:51I feel dizzy.
00:31:53It will pass.
00:31:54My head.
00:31:56You will have nothing left.
00:32:04To my house...
00:32:07...I want to go home.
00:32:10I'm too late.
00:32:21...It wouldn't be this late.
00:32:41Didn't he tell you anything?
00:32:42Didn't he say he'd be late?
00:32:43When we came back from school, my mother was not at home.
00:32:55You entered my sin and burned me.
00:32:58Were there no other women in this whole Istanbul?
00:33:03What are we going to do?
00:33:05How will we look into the faces of my children?
00:33:09You weren't talking like that when you were moaning in my arms.
00:33:12You got me drunk.
00:33:14Don't look for excuses.
00:33:16We wanted each other.
00:33:18I really love you.
00:33:19Sigh, sigh, sigh, sigh.
00:33:21You divorce your husband, we get married!
00:33:24What will happen to my children?
00:33:26You enrolled Hatour in schools.
00:33:28Hihep, Fadi.
00:33:30Wipe away your tears!
00:33:32Stop crying.
00:33:33Come on!
00:33:34Heheheheh!
00:33:36Thank you for watching.
00:34:06There was also a feast, the lady said to stay, so I stayed.
00:34:09You weren't going to work in that house.
00:34:11They came and picked me up.
00:34:12I became precious when I didn't leave.
00:34:14My lady made my daily wage five thousand lira.
00:34:16Exactly five thousand lira.
00:34:17Five thousand?
00:34:19I was surprised too.
00:34:21Five thousand!
00:34:23He also gave me a lump sum of fifty thousand lira.
00:34:26Isn't it workable, Tahir?
00:34:31Oh, of course it can be worked on.
00:34:36Look brother, did you see those red shoes?
00:34:53I saw it, it's beautiful.
00:34:57His father took my deskmate.
00:34:59I like it a lot.
00:35:00I wish I had a red shoe like that.
00:35:03It will be one.
00:35:04As long as I can afford to eat, I'll buy you everything.
00:35:07Long live my brother!
00:35:09Death!
00:35:11Woman, what chance is this?
00:35:13Who lost seven hundred thousand the other day?
00:35:15But you also earned food that day.
00:35:17Really, what happened to that basketball kid?
00:35:19Oh my dear, she is Cengiz's friend, take a deep breath.
00:35:23Oh, I'm done.
00:35:24Look at your luck.
00:35:25Oh, it's not possible.
00:35:26Efez, I swear.
00:35:30Stop, don't do it, they will hear, everyone is at home.
00:35:33Never mind them.
00:35:35Nevermind.
00:35:36Never mind, those old men wouldn't hear you even if you threw a ball.
00:35:44Stop, don't do it!
00:35:45Wait girl, I really want it.
00:36:12Tahir, you lose three thousand five hundred.
00:36:16Fortune to all, righteous to us.
00:36:20I've been losing it for a week!
00:36:23The stream's water is flowing, Tahir!
00:36:25He won't put it on you!
00:36:27My bus is still running!
00:36:29What do you mean?
00:36:31We call a woman who works and brings in money a bus.
00:36:35Look!
00:36:36He even has a private chauffeur.
00:36:38It even has a nice driver.
00:36:50If I am late, I will send my wife in her private car.
00:36:54He's a broad-minded person, huh?
00:36:57If I had such a beautiful wife, I wouldn't even let her out on the street.
00:37:01Am I talking about your wife's sister?
00:37:03Does it suit a man?
00:37:04Make your wife work and pay for food?
00:37:06Don't hit me!
00:37:07Do it!
00:37:08Don't do it!
00:37:11I feel sorry for the guy!
00:37:12It's already half done.
00:37:13Hee, he got itchy.
00:37:15Aaa!
00:37:16Aaa!
00:37:27I don't have the money to buy it, my wife gave me the dress and bracelets as a gift.
00:37:31You have no more immigration left.
00:37:33You come to the neighborhood with luxury cars.
00:37:36What will the world say?
00:37:37No matter what they say.
00:37:39I am a working woman.
00:37:40If we are hungry, will anyone give us bread?
00:37:44Something happened to you.
00:37:48Do you know what I'm saying?
00:37:50What are you saying?
00:37:52I wish we hadn't come to Istanbul.
00:38:13Aaron price!
00:38:14I'm so glad you listened to me.
00:38:23We are the bus driver for the woman who works and brings in money.
00:38:26Your bus is running.
00:38:28Look, he even has a private driver.
00:38:32You made it impossible to develop, huh?
00:38:35If I had such a beautiful wife, I wouldn't even let her out.
00:38:50My dear, the gentleman will call, tell him that I went to Müjge's house.
00:38:53Sure, I'll tell you.
00:38:54Good luck.
00:38:55Thank you, sister.
00:39:09Oh my gosh, my mom couldn't get out either!
00:39:24What happened, what's wrong?
00:39:29Let's go to my room.
00:39:30Wait a minute, it can't go on like this.
00:39:33You were going to pick me up, right?
00:39:35Get a divorce and I'll take it.
00:39:37Have you talked to your husband?
00:39:39I did not speak.
00:39:41He saw us and got suspicious.
00:39:45Nevermind!
00:39:49Come on.
00:40:10...
00:42:07M.K.
00:42:21What happened, dad?
00:42:24The blood feud could not take my life, but it took my honor.
00:42:29Our mother became a bitch!
00:42:30Father!..
00:42:32Are you telling the truth?
00:42:33I caught you love!
00:42:36I killed your friend.
00:42:38My mother survived.
00:42:40Don't worry, Tahir!
00:42:41Caught!
00:42:42He will be punished.
00:42:44She was referred to court for adultery!
00:42:46What will they do to you, dad?
00:42:49I wish they would hang me, coach!
00:42:51I'm already dead!
00:42:54Your pain is entrusted to you!
00:42:56If he wants to be like his mother, let him die!
00:43:00It's up to you now to cleanse our honor!
00:43:03Find your mother, cleanse our stain!
00:43:06Don't fill the child! This is not how honor is purified!
00:43:09So what did you do?
00:43:11You left two children all alone!
00:43:14Can you tell me what their sin is?
00:43:18Find your mother!
00:43:39How do I go to school, brother?
00:43:42Won't my friends make fun of me?
00:43:45Don't they call her Katrin's daughter?
00:43:46But no one can say anything!
00:43:48I won't let you say that, brother!
00:43:50Isn't my mother coming, brother?
00:43:52He won't come!
00:43:53Know that our mother is dead, Rose! Know that she is dead!
00:43:55I love it!
00:43:56Come on, come on, come on!
00:43:57If I had chosen us we wouldn't have done that!
00:44:01I will take care of you from now on, Gul!
00:44:03I'll be both your father and your mother!
00:44:05Like my father, I will feed you halal bread!
00:44:08Rose!
00:44:10Rose!
00:44:11Rose!
00:44:12Rose!
00:44:13Rose!
00:44:14Rose!
00:44:15Rose!
00:44:16Rose!
00:44:17Rose!
00:44:18Rose!
00:44:19Rose!
00:44:20Rose!
00:44:21Rose!
00:44:22Rose!
00:44:23Rose!
00:44:24Rose!
00:44:25Rose!
00:44:26Rose!
00:44:27Rose!
00:44:28Rose!
00:44:29Rose!
00:44:30Rose!
00:44:31Rose!
00:44:32Rose!
00:44:33Rose!
00:44:34Rose!
00:44:35Rose!
00:44:36Rose!
00:44:37Rose!
00:44:38Rose!
00:44:39Rose!
00:44:40Rose!
00:44:41Rose!
00:44:42Rose!
00:44:43Rose!
00:44:44Rose!
00:44:45Rose!
00:44:46Rose!
00:44:47Rose!
00:44:48Rose!
00:44:49Rose!
00:44:50Rose!
00:44:51Rose!
00:44:52Rose!
00:44:53Rose!
00:44:54Rose!
00:44:57Rose!
00:44:58Rose!
00:44:59Rose!
00:45:01I'm a wife, I'm anorexic, my front is completely covered...
00:54:22You will be very comfortable with me, my girl.
00:54:25You will have everything, money is money, clothes are clothes.
00:54:30Thank you, sister.
00:54:31You deserve everything.
00:54:33You are ten times more beautiful than the girls in my house.
00:54:39Hah, here's the car.
00:54:52Come on, get in, girl.
00:54:56You go, sister.
00:54:58Did something happen?
00:55:00Who is that child you are looking after?
00:55:02My son.
00:55:03You go, I'll come back later.
00:55:05I'm waiting, don't ignore me.
00:55:07I won't, sister.
00:55:08It's good that.
00:55:18My son, my Emrah.
00:55:20My Emrah, my dear!
00:55:22Stop, don't come!
00:55:24Don't come near me!
00:55:26Don't come near me!
00:55:27Don't put it in your dirty hands!
00:55:28I missed you, I was burned by your longing.
00:55:31Am I not your mother?
00:55:33You are not my mother!
00:55:34You left us a dark memory!
00:55:36Emrah my dear, let's sit somewhere and talk.
00:55:39I'll tell you.
00:55:42You're hungry too.
00:55:44I don't want to!
00:55:45I won't eat your bread!
00:55:47If you want the milk you give to be haram!
00:55:49Which mother would forbid her milk to her little lamb?
00:55:53Your mother's fate was written badly.
00:55:55A bastard deceived me.
00:55:58I am ignorant, my son, I repent.
00:56:00I will be your servant and slave.
00:56:05Please don't look at each other as enemies.
00:56:07My mom, just once.
00:56:09You are not my mother!
00:56:11You have tarnished our honor!
00:56:13I will kill you!
00:56:23My life is sacrificed for you!
00:56:25Give me the knife, let me stab my heart!
00:56:27Don't stain your hands with blood, my little lamb!
00:56:29Let me shoot myself!
00:56:31I won't let you call me a mother killer!
00:56:33You made me say "son of a bitch"!
00:56:35You left my brother and me stranded!
00:56:40My father is rotting in prison because of you!
00:56:43My brother ended up in an orphanage!
00:56:46May it be our sin!
00:56:48Tell me why you gave birth to us!
00:56:50Tell me!
00:56:51Don't cry, my child!
00:56:53Take your revenge on your bitch mother!
00:56:55Hit the knife!
00:56:56But don't you cry!
00:56:58Don't cry, my unfortunate one!
00:57:01Shoot!
00:57:03Shoot!
00:57:05Hit it, baby!
00:57:08Go ahead, hit it!
00:57:10My brother!
00:57:11My brother!
00:57:12My brother!
00:57:13My brother!
00:57:14My brother!
00:57:19My brother!
00:57:20But you're angry with us!
00:57:21I don't hate you!
00:57:23I just can't bear it!
00:57:25Emrah!
00:57:26Son of a bitch..
00:57:29Sonuuu!
00:57:35There is Pandora!
00:57:37We have ourselves!
00:57:38There is Pandora!
00:57:39Who has what?
00:57:40Here you go, brother!
00:57:42There is Malmöre!
00:57:43There is a child, Malmöre, little loka!
00:57:45Aaaa!
00:58:06Sister, a woman came and wants to talk to you.
00:58:09Aaa, welcome my girl, welcome my dear.
00:58:12So where have you been?
00:58:14What happened? I'm glad you came, so tell me, what happened?
00:58:17Oh my dear daughter, my dear dear!
00:58:19Well...
00:58:20Wait, let me get you a drink, wait.
00:58:21Well, sister, I...
00:58:22What do you want? Wait, wait, drink something after that!
00:58:27Sister, I don't want to stay here.
00:58:29We'll talk later, I won't drink if you drink this first.
00:58:31Is that okay? Oh, come on, drink up!
00:58:34It's good, come on!
00:58:35Come on, drink up and we'll talk!
00:58:37So, what are you going to talk about?
00:58:39Uh-huh, uh-huh!
00:58:41Sister, I...
00:58:42Come on, come on, come on!
00:58:46So, what are you going to talk about?
00:58:48I'm glad you came!
00:58:49Older sister!
00:59:07Sister, father!
00:59:29You brought the cigarettes for nothing, son, I can't smoke.
00:59:32Well, I always get stuck!
00:59:33I also brought baklava.
00:59:35My dear, tell me whatever else you want, daddy.
00:59:37Is it my throat that's the problem, son?
00:59:45You are the one with your pain.
00:59:47You are left all alone in this world.
00:59:52We will meet, dad.
00:59:54They say there will be an amnesty.
00:59:56I'm not okay, son.
00:59:59I am ill.
01:00:03Have you seen your mother?
01:00:07You couldn't kill him, dad.
01:00:15You did good, son.
01:00:17I don't want you to rot in prison like me.
01:00:25It burned us.
01:00:27May God burn your mother too.
01:00:49There's cigarette malbora malbora malbora cigarette.
01:01:06Malbora malbora malbora var.
01:01:09There is cigarette, Malbora.
01:01:10Malbora cigarette malbora.
01:01:12Malbora.
01:01:14Oh my son.
01:01:15My teacher.
01:01:15What are you doing?
01:01:17Come on, let's talk a little bit.
01:01:19Why don't you come to school? What's wrong with you?
01:01:22Very bad things happened.
01:01:24My father is in prison, I am a teacher.
01:01:25I have to take care of my father and brother.
01:01:27What about your mother?
01:01:28I don't have a mother. It's bad.
01:01:31Should children suffer the sins of adults?
01:01:34You were a good student, a hard worker.
01:01:37You also had great talent for music.
01:01:39I missed my school and you so much, teacher.
01:01:41But what else can I do?
01:01:43You're right, son.
01:01:45First you will quit this dirty job.
01:01:47What else do I do, sir?
01:01:49I have no capital.
01:01:51Yes, son, yes, yes.
01:01:52Your capital is your voice.
01:01:54Come with me.
01:01:56Okay brother, okay.
01:01:57We'll send the tapes, we agreed.
01:01:59Here you go.
01:02:01Oh, you did me an honor, sir.
01:02:03Twenty-seven Nuri.
01:02:04I haven't forgotten you.
01:02:05Here you go, teacher.
01:02:07You ate naughty but you were a hard worker.
01:02:10Would you like something to drink, sir?
01:02:12Thanks, I won't drink it. Don't miss it.
01:02:13Come on son, sit down and let me see.
01:02:15I have a favor to ask of you.
01:02:18Yes sir.
01:02:19How can I repay you?
01:02:21Your order?
01:02:23May Allah forgive me.
01:02:24Take good care of this child, he is my student.
01:02:27His voice is like a waterfall.
01:02:30You will hold this child's hand.
01:02:32Give it a try.
01:02:33Maybe I'm wrong.
01:02:36Are you ever wrong, sir?
01:02:38You'll be taking the budding musicians out of your pocket.
01:02:40After you say okay, we'll give it a try.
01:02:43What is your name?
01:02:44Emrah.
01:02:45They named it after my grandfather.
01:02:47Good morning my baby.
01:02:48Artist name.
01:02:49We'll put a little one on top and that's it.
01:02:53Thanks, son.
01:02:54Let's buy her some clothes first.
01:02:55I'm sorry your father is in prison.
01:03:19I want to bring some gifts to my father.
01:03:21We can take whatever you want.
01:03:22Thank you, brother Nuri.
01:03:25Here you go, brother.
01:03:25Okay, okay.
01:03:28Hello uncle.
01:03:30Hello.
01:03:32I bought a thick undershirt for my father.
01:03:33Winter is coming, don't let it get cold.
01:03:35I also brought wool socks.
01:03:37Let him eat honey and butter in abundance.
01:03:40He also loves spicy kebab.
01:03:42I'll bring it next time I come.
01:03:43Don't bring anything anymore.
01:03:45From where?
01:03:46Look, son.
01:03:48Your father cannot wear or eat what he brought.
01:03:50Because my father passed away.
01:03:53My condolences.
01:04:03My baby!
01:04:04My baby!
01:04:05Darling!
01:04:08My daughter, my child!
01:04:11How you've changed!
01:04:12How did I miss you?
01:04:18How big you are!
01:04:21Look, I brought clothes.
01:04:23What else did you bring?
01:04:24I brought a baby.
01:04:27Oh, what a beautiful, what a beautiful baby!
01:04:31I also bought shoes, if they don't fit I'll exchange them.
01:04:34I'll buy you whatever you want, baby.
01:04:36Buy it for my brother too!
01:04:37Shouldn't I buy it?
01:04:38You are my darlings.
01:04:40You are my lambs.
01:04:42You are my everything.
01:04:43My everything.
01:04:44Brother, brother!
01:04:45I'm glad you came, brother.
01:04:55Look what my mom got me.
01:04:58Did you ask how he got them?
01:05:00Did he tell you how he earned the money?
01:05:04Emrah son, please be quiet.
01:05:07No, we don't want it.
01:05:08We don't want anything from you.
01:05:09Take your dirty things and get lost!
01:05:11What did you bring, take it and get out of here!
01:05:13Don't sleep, brother, she's my mother.
01:05:15Our mother.
01:05:16We don't have a mother, brother.
01:05:19If it were, would it be like this?
01:05:20They wouldn't call them children of coffee.
01:05:23Our father would not die in prison corners.
01:05:26It doesn't die, do you understand?
01:05:28He wouldn't die.
01:05:29Brother, my father, is my father dead?
01:05:32He died.
01:05:34We no longer have a father whose hand we can kiss and in whose arms we can take refuge.
01:05:38No, brother.
01:05:41Death, death ...
01:06:11MUSIC
01:06:41MUSIC
01:07:11MUSIC
01:07:21MUSIC
01:07:27MUSIC
01:07:33MUSIC
01:07:39MUSIC
01:07:45MUSIC
01:07:51MUSIC
01:07:53MUSIC
01:07:55MUSIC
01:07:57MUSIC
01:07:59MUSIC
01:08:01MUSIC
01:08:03MUSIC
01:08:05MUSIC
01:08:07MUSIC
01:08:09MUSIC
01:08:15MUSIC
01:08:17MUSIC
01:08:19MUSIC
01:08:21MUSIC
01:08:23MUSIC
01:08:25MUSIC
01:08:27MUSIC
01:08:29MUSIC
01:08:31MUSIC
01:08:33MUSIC
01:08:35MUSIC
01:08:39MUSIC
01:08:41MUSIC
01:08:45MUSIC
01:08:47MUSIC
01:08:49MUSIC
01:08:51MUSIC
01:08:53MUSIC
01:08:55MUSIC
01:08:57MUSIC
01:08:59MUSIC
01:09:01MUSIC
01:09:03MUSIC
01:09:05MUSIC
01:09:07MUSIC
01:09:09MUSIC
01:09:11MUSIC
01:09:13MUSIC
01:09:15MUSIC
01:09:48Your records are selling very well.
01:09:50Thank you, sir.
01:09:52Everything happened thanks to you.
01:09:53I'm free from vagrancy.
01:09:55You couldn't be a thug anyway, kid.
01:09:57Your heart is pure.
01:09:58God gave it according to his heart's desire.
01:10:01I am very mature for my age, teacher.
01:10:02He doesn't waste his money.
01:10:04He deposited it in the bank.
01:10:04We also bought a small apartment for him.
01:10:06Really?
01:10:07I will pick up my brother from the orphanage today, teacher.
01:10:10Of course, take it, son.
01:10:11But when schools reopen, we will continue our education.
01:10:15Of course, teacher.
01:10:15Well done.
01:10:17We can clothe at least twenty children with the money you give, Emrah.
01:10:20Thank.
01:10:21I thank you on behalf of those children, my son.
01:10:24You're welcome, sir.
01:10:24Don't forget us, Rose.
01:10:25Come visit us from time to time.
01:10:27I'll get it, manager.
01:10:29My brother had very good days here.
01:10:31We are always waiting for you.
01:10:32Goodbye, goodbye, goodbye, goodbye.
01:10:40Where did we come from, brother?
01:10:42Where is this?
01:10:43This is our new home.
01:10:46Our house?
01:10:47How nice.
01:10:48Where is this?
01:10:49Kitchen.
01:10:50What are they doing here?
01:10:52They cook and eat.
01:10:54How beautiful it is here!
01:10:55Hide and seek is played.
01:10:56Come on, come on.
01:10:58Look what else I have to show you.
01:11:08What is this place?
01:11:10Bath.
01:11:10What are they doing here?
01:11:12They are washing.
01:11:15But it was big.
01:11:1712 people wash here.
01:11:19Come on.
01:11:23This is our living room.
01:11:26We will watch TV here.
01:11:27How nice, will we have a TV too?
01:11:29It's colorful too, come with me.
01:11:33Oh, they forgot.
01:11:36They burned two bathrooms.
01:11:38Come.
01:11:42Guess where this is?
01:11:43Since when?
01:11:44This is your bedroom.
01:11:47Aya too.
01:11:48Beautiful.
01:11:48Beautiful.
01:11:49Beautiful.
01:12:32We have everything, brother. We have everything.
01:12:37My brother, if only we had a father and a mother around us.
01:12:42God took our father, Gul.
01:12:45We can't bring him back.
01:12:50Let's find our mother, brother.
01:12:52I wonder where he is?
01:12:54He has no one.
01:12:57Maybe he is sick.
01:13:00Maybe our mother is hungry.
01:13:05We don't have a mother.
01:13:06He is dead.
01:13:07No, our mother.
01:13:09I will tell you.
01:13:10You know the guy came from a bitch.
01:13:12He was sterile, let me close you.
01:13:13Then I am the housekeeper.
01:13:14So that I can get your wishes.
01:13:15Oh no, oh no.
01:13:16I guess so.
01:13:18I will be defeated too, my dear.
01:13:20What am I going to do with a guy like that, all by myself?
01:13:22I am eclipsed.
01:13:23I won't accept it because I'll pass.
01:13:24Oh, welcome.
01:13:26What is that girl, are you sick?
01:13:28You haven't come by for a few days.
01:13:29We were just wondering.
01:13:30Ahahahah.
01:13:31Oh, of course not, mom, no.
01:13:34Oh, it can be easily avoided.
01:13:35Would I accept anything?
01:13:38Come on, sit down, girl.
01:13:39How did I do it?
01:13:39Huh.
01:13:42I won't work anymore.
01:13:43I gave up everything.
01:13:46Uhh.
01:13:46Did you find another house?
01:13:53No.
01:13:54I don't want to work.
01:13:55What are you gonna do when you run out of money?
01:13:58Maybe I'll beg.
01:14:00I may die of pain, but I will not fall into the pit of sin again.
01:14:03Accustomed is worse than mad.
01:14:06What happened to you?
01:14:07I am burning with longing for my child, sister.
01:14:09Wherever I see a child, I want to hug him.
01:14:12Let go of the throats now.
01:14:13Come on.
01:14:16Get ready and come, there are customers waiting for you.
01:14:22I will not work.
01:14:24No.
01:14:25It's over now.
01:14:27Forget me, sister.
01:14:34What do you trust, girl?
01:14:36Oh my God.
01:14:38Who else is there to take refuge in?
01:14:41Who has it?
01:15:31Of course, of course, don't worry, I took care of that as soon as possible.
01:15:34Brother Nur, look, Little Emrah has arrived!
01:15:35Aaa!
01:15:37Hey, it's me, coach!
01:15:39The record sales are breaking records again.
01:15:41Now it's time for the concert.
01:15:43That day you will be given a golden record.
01:15:45The places are already sold out.
01:15:46Oh, save a seat for my sister, brother!
01:15:48Are you crazy? Your sister will be in the lead role.
01:15:50Your posters are also printed and ready.
01:15:52Sekador Istanbul Little Emrah is coming.
01:15:54Come on, let me play your tape for you.
01:15:57Welcome, we found it nice.
01:15:58Can we listen to Emrah's tape?
01:16:10Tahir Kara's son...
01:16:12...To eradicate your roots...
01:16:13...I owe it to myself.
01:16:18Oops!
01:16:19...This guy with the village...
01:16:21...Really very...
01:16:22...This guy is with the villager.
01:16:24Hahaha!
01:16:25Really a lot.
01:16:26This guy is from Köyber.
01:16:28Really a lot.
01:16:29Hahahaha!
01:16:30Beautiful...
01:16:30...Really a lot.
01:16:31Well...
01:16:31...Would you mind?
01:16:34Here you go.
01:16:34Excuse me, I'd like to come in.
01:16:36Are you invited?
01:16:37No.
01:16:38Then you cannot enter.
01:16:39They won't let you in with the invitation.
01:16:41I am Emrah's mother too.
01:16:44You wait, I'll let Mr. Emrah know.
01:16:53Who was calling me?
01:16:54She is a lady.
01:16:56Which one?
01:17:00He was here just now, I wonder where he went?
01:17:03She said she was your mother.
01:17:05My mother is dead, brother.
01:17:15Dear guests, I know you are all impatient.
01:17:20I tried to repay Emrah with a gold record.
01:17:24Now he will thank you for embracing him with his songs.
01:17:28Little Emrah, the golden-voiced child of Türkiye, who was born in the heart of Anatolia.
01:17:35Thank you.
01:17:41Thank you.
01:17:45My fat is leaving me, everyone is asking where it is.
01:18:00I have a support in my hand, looking for a half in the mountains and rocks.
01:18:10I have a support in my hand, looking for a half in the mountains and rocks.
01:18:21This step from the mountain is looking for a half in the stone with the mountain.
01:18:26Thank you.
Önerilen
1:49:03
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Sıradaki
1:52:55
1:04:12
18:24