- 7/8/2025
No kids only one fearless widow fighting for her land in the Wild West CLASSIC WESTERN MOVIE
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Short filmTranscript
00:00:00Object in the ship.
00:00:02From my earliest memory, Isabel was more than just an elder sister.
00:00:06She was the one standing beside me, protecting me.
00:00:10With her, I felt safe from all the horrors that began to surround us.
00:00:16Two small wooden boxes with worn leather straps.
00:00:22One circumcision knife.
00:00:27Good condition.
00:00:30Good condition.
00:00:33Good condition.
00:00:35Good condition.
00:00:36Good condition.
00:00:37Good condition.
00:00:40Good condition.
00:00:45Come here.
00:00:49Isaac,
00:00:50I will bring you, Father,
00:00:52and my mother and my son of the Lord of Smith.
00:00:56I baptize you, José Luis, in the name of the Father, and the Son, and the Holy Spirit.
00:01:03Beatriz, I baptize you, Antonio, in the name of the Father, and the Son, and the Holy Spirit.
00:01:10I baptize you, Gabriel, in the name of the Father, and the Son, and the Holy Spirit.
00:01:16Beatriz, I baptize you, Isabel Maria, in the name of the Father, and the Son, and the Holy Spirit.
00:01:27Sara, I baptize you, Clara Maria, in the name of the Father, and the Son, and the Holy Spirit.
00:01:46And the Holy Spirit.
00:02:02As you do not know about the Son, and the Son, and the Holy Spirit of the Holy Spirit from the Holy Spirit.
00:02:10Amen.
00:02:40Keep this with you, always.
00:02:51Why should you come with us?
00:02:52You have to be strong for Clara.
00:02:54You're old enough now, promise me.
00:02:56I promise.
00:02:58Even when we were wrenched from our home and our family scattered, Isabel was there to comfort and console me.
00:03:14Our mother and father sent a son ahead. We would never see them again.
00:03:28Holy Father, creator of you first, maker of man in your own likeness, we humbly pray to you for this man and woman.
00:03:46After so much hardship, we had come only as far as Antwerp, where we settled and grew up.
00:03:51Isabel took control of family affairs.
00:03:54She arranged my marriage to Alfonso Salvador, a converted Jew like us.
00:03:59We lived as Catholics, but we never forgot who we really were.
00:04:10I gave birth to a baby girl, Victoria, and for a long time our family was happy.
00:04:16Until one day the Inquisition burst upon us again.
00:04:24My husband died helping others.
00:04:30For many years he had been smuggling Jews beyond the reaches of Christendom to Istanbul.
00:04:35My daughter was only 13 years old, but now, like her mother and aunt before her, fatherless in this world.
00:04:45Once more we had to abandon our home.
00:04:51Our cousin Joseph stayed behind, promising to bring out others of our faith when he could.
00:04:58When you've finished with that, give it to the wings to take out.
00:05:08Farrah, I've sent a messenger ahead to make preparations for this.
00:05:12I was a widow at 31, and now the shadow of my husband's death fell between my sister and myself,
00:05:19dividing us for the first time.
00:05:21I want you to read this out to me.
00:05:24What is it?
00:05:26Alphonse's will.
00:05:28According to the law of our family, Salvador Benveniste, one single person should be charged
00:05:36with the interests of all.
00:05:37Thus, I entrust the Salvador fortune to my sister-in-law, Isabel, being the eldest living
00:05:43member.
00:05:44She inherits all our assets in Antoapes, Lyon, Frankfurt, and Venice.
00:05:49I also entrust Isabel, my daughter, Victoria.
00:05:52She will be her guardian until such time as Victoria's marriage.
00:05:59We were so rushed.
00:06:20These few trunks were all we could manage.
00:06:22Now, here, that's the important thing.
00:06:25Of course.
00:06:26But I'll only be happy when I see Joseph and the others here as well.
00:06:29And how long do you think before we'd be able to get a boat?
00:06:36A fortnight.
00:06:37Maybe more.
00:06:39I'm in negotiations with some Turks.
00:06:42Thank you, Donato.
00:06:43I've been dreaming of our own passage to Isabel for so many years.
00:06:46You've made the right decision.
00:06:48Everyone says it's a haven for Jews.
00:06:50Is there no streets in Venice?
00:06:58Yes.
00:06:59Except sometimes at high tide.
00:07:02When I first arrived, what, 15 years ago, every piazza in Venice was underwater.
00:07:07And in all that time, you've never had any problems living here?
00:07:11Never.
00:07:12So long as you keep to yourself.
00:07:15They tolerate outsiders like us?
00:07:18If they believe we can bring them good business, for the most part, the converted Jews are welcome.
00:07:23If you break their trust, Venetians can be merciless.
00:07:26We've learned to be cautious.
00:07:37Some of the people Alfonso sent in the past have stayed on to help me.
00:07:41They're very discreet.
00:07:43You feel at ease with them.
00:07:45Has anyone asked you why we were here?
00:07:47Oh, I told them you were planning to sell.
00:07:50What, with Venetian and Turkish relations being so strained, I didn't think it would be wise to disclose your real intentions.
00:07:57Can I make this my room?
00:07:59Of course.
00:08:00Your mother agrees.
00:08:01There's some powerful Venetians you will have to meet.
00:08:04One of them, Count Foscari, the man who secured your permits, has already invited you to a ball.
00:08:10If it's not too much.
00:08:11I hope you accept it for us.
00:08:13I do.
00:08:14He expects to hear about your investments in Venice.
00:08:16Hmm.
00:08:17Hmm.
00:08:32I can't find my shoes anywhere.
00:08:33Are these the ones?
00:08:37No, not those.
00:08:38We're probably left behind in Antwerp, like everything else.
00:08:40Oh, please, we'll be late.
00:08:42We haven't even got the right clothes.
00:08:44I don't think anybody's going to notice we're in mourning.
00:08:46All the more reason to make our excuses.
00:08:47I don't know why you feel we have to go to this ball.
00:08:51What am I going to say if someone asks after Alfonso?
00:08:54I don't think you need me to tell you.
00:08:55Or Victoria, if someone asks her where her father is.
00:08:57I have a word with her, if you like.
00:08:59Now, I'll talk to her.
00:09:00As you wish.
00:09:02After all, I am her mother.
00:09:03It's only right that I should be concerned for my daughter.
00:09:06Or should I now behave differently toward her?
00:09:08You're still upset by Alfonso's will, aren't you?
00:09:10I'm not upset.
00:09:11It's just a piece of paper.
00:09:12Nothing's changed.
00:09:13I'm really concerned for my daughter.
00:09:15Besides, I don't know how anyone can describe a will as just a piece of paper.
00:09:19Count and Countess Foscombe.
00:09:36Count Foscombe.
00:09:37Donna Isabel and her sister Clara Salvador and her daughter Victoria.
00:09:42I'm honored.
00:09:43The privilege is ours.
00:09:44Having heard about you all these years, I'm delighted at last to make your acquaintance.
00:09:49My condolences on your husband.
00:09:52Allow me to introduce the people in the CIA of Venice.
00:09:55Three minutes.
00:09:56Is it bien?
00:09:56Oh!
00:10:13Oh, goodbye.
00:10:19Excuse me.
00:10:27Well, they've arrived with all their money.
00:10:30What are they like?
00:10:31Quite agreeable.
00:10:33You see the one lingering next to the Turkish ambassador?
00:10:37Well, that's the younger sister Clara.
00:10:39Pretty, isn't she?
00:10:40Husband?
00:10:41Recently deceased.
00:10:42No woman should be left alone for long.
00:10:45I wish you luck.
00:10:47These convents can be quite unpredictable, you know.
00:10:50Like all women.
00:10:51Um, if you are successful, would you kindly let me know their plans?
00:10:56I didn't acquire their permits so that they could go over to the Ottomans with all their holdings.
00:11:04Signor Sade.
00:11:04De Monte.
00:11:06What a pleasure.
00:11:07May I introduce Donna Isabel?
00:11:10I'm honored.
00:11:11And her sister, Clara Salvador.
00:11:16May I invite you to dance?
00:11:26Simple, simple.
00:11:26Double, double.
00:11:27Is it your business to know people's names before you've been introduced, Signor Sane?
00:11:54It's my nature.
00:11:58And has your nature ever let you down?
00:12:18De Monte speaks very highly of you.
00:12:22What does he say?
00:12:24If I told you, you might accuse me of trying to flatter you.
00:12:29Then you'd better not to repeat it.
00:12:35Try this one.
00:12:36What is it?
00:12:37Red wine.
00:12:39Strange question.
00:12:40I meant what kind.
00:12:41Well, what kind do you like?
00:12:43Do they not drink wine where you come from?
00:12:45Of course they do.
00:12:45There are people for whom wine is forbidden because of their religion.
00:12:48Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:49Yes, sir.
00:12:50Yes, sir.
00:12:50Yes, sir.
00:12:50Yes, sir.
00:12:51Yes, sir.
00:12:51Yes, sir.
00:12:52Yes, sir.
00:12:53Yes, sir.
00:12:54Nobles ladies and nobles gentlemen, in honor of our Turkish ambassador and for his sultan,
00:13:04a gift to celebrate this rare occasion, for our friendship and for our mutual dependence.
00:13:13Long may we live in peace and prosperity.
00:13:16It never hurts to flatter your enemies.
00:13:31Is that why you reward them with such priceless gifts?
00:13:35Just a gentle reminder that they can never reproduce glass such beauty.
00:14:09There is nothing to forgive.
00:14:11Excuse me.
00:14:12Until we meet again.
00:14:17Victoria, that's quite enough wine.
00:14:19We're leaving.
00:14:20Stay goodnight.
00:14:21But will you not let her finish her glass?
00:14:23It'll have to be for another time.
00:14:26Don't it, Isabel.
00:14:27You're not leaving us.
00:14:28I'm afraid we're still not fully recovered from our journey.
00:14:30You must call on me soon.
00:14:32You've already done so much for us.
00:14:34Well, I can do so much more.
00:14:35Now, you will call on me.
00:14:36I will.
00:14:37Good night.
00:14:38Good night.
00:14:38Good night.
00:14:49I'm having difficulty negotiating with the Turks about your boat.
00:14:53How much are they asking for?
00:14:55It's not money they're interested in.
00:14:58What do they want?
00:14:59Oh, they're obsessed with the wonders of Venetian glass.
00:15:02It's like a thorn in the Sultan's foot.
00:15:06What do they expect us to do about it?
00:15:08Well, they have some idea that you might use your influence to help them.
00:15:13How would I do that?
00:15:15It's dangerous.
00:15:17But convince someone to betray the secrets of Venetian glass to them.
00:15:21Then they will give you safe passage.
00:15:22Donna Isabel for Count Foscary.
00:15:30Please go through.
00:15:32You're expected.
00:15:33Donna Isabel, what a pleasure it is to see you again.
00:15:48And hire your charming sister and niece.
00:15:51Very happy to be here.
00:15:54I fear it has not been the easiest of times for them.
00:15:57No.
00:15:57But you made the right decision in coming to Venice.
00:16:00And we shall do everything in our power to assist you as you settle a morass.
00:16:05How reassuring.
00:16:06De Monti and I have already started to discuss the various ways in which I might be of service to you.
00:16:11All you have to do is to indicate to me what your interests are.
00:16:15Pepper, spices, silk.
00:16:18There was something that caught my eye the other night.
00:16:21Yes.
00:16:21Venetian glass.
00:16:25I've never seen anything like it.
00:16:29I must congratulate you, Donna Isabel.
00:16:33You have discovered our most prized commodity.
00:16:38And although traditionally it has always been restricted to those of us of Venetian birth,
00:16:43I'm certain that once you become a full citizen...
00:16:45I would very much like to learn more about it.
00:16:48So you shall.
00:16:49In the meantime, is there anything else that struck you?
00:16:54Something a little less fragile?
00:16:56Perhaps our maritime trade?
00:16:58I would highly recommend it.
00:17:00If, as De Monti says, your intention is to consolidate your business interests here in Venice.
00:17:07That is your intention, is it now?
00:17:09Of course.
00:17:10Good.
00:17:11Then, I would suggest an investment in cargo space on two ships.
00:17:21You would receive a return rate of 15%.
00:17:24In the past, we received twice that amount.
00:17:29Very well, then.
00:17:32Thirty percent.
00:17:34In five ships.
00:17:37I'm sure 150,000 ducats wouldn't be too big a burden on your resources.
00:17:43Please don't oblige me to go any higher, or I shall face certain ruin.
00:17:48What do you say?
00:17:53Shall we conclude our business?
00:17:57I don't see how I can refuse.
00:17:59I understand now why he was so eager to grant us our permits.
00:18:04I wasn't aware that you intended to make such a large investment here.
00:18:08I don't intend to.
00:18:09If we give in to Foscary's demands, we'll be trapped here forever.
00:18:12No.
00:18:13I'll have to find a way to give the Turks what they want, so that we can leave as soon as possible.
00:18:29Let nothing escape you.
00:18:32I want to know everything about their movements, transactions, intimacies, everything.
00:18:43Come, I want to show you something.
00:18:47This way.
00:18:54De Monte showed it to me.
00:18:58What is it?
00:19:09Careful how you step.
00:19:10I can hardly see a thing.
00:19:12Hmm.
00:19:13What's down here?
00:19:17Nothing.
00:19:18Wasted storage space.
00:19:23It's cold.
00:19:34What do you think?
00:19:38Do we really need a prayer room if we're not going to stay here?
00:19:41What if someone discovers it?
00:19:45Oh, just have to be careful, as we've always been.
00:19:49Clara, we can't just stop being who we are.
00:19:50Master's events.
00:19:51Master's events.
00:19:56Yesterday, I overheard Hernán Vázquez, an assistant glassmaker on the island of Murano,
00:20:02talking about selling the secrets of our most venerated industry to foreigners.
00:20:06I write this letter with no thought of profit to myself.
00:20:10A man is a traitor to our state and to all its citizens.
00:20:14Do not come here to adore Rivals, but to pray to the Holy One, blessed be he.
00:20:33He will let me know if I can ever be of service.
00:20:45Come.
00:20:46Come.
00:20:47Come.
00:20:48Come.
00:20:49Come.
00:20:50Come.
00:20:51Come.
00:20:52Come.
00:20:53Come.
00:20:54Come.
00:20:55Come.
00:20:56Come.
00:20:57Come.
00:20:58Come.
00:20:59Come.
00:21:00Come.
00:21:01Come.
00:21:02Come.
00:21:03Come.
00:21:04Come.
00:21:05Come.
00:21:06Come.
00:21:07Come.
00:21:08Come.
00:21:09Come.
00:21:10Come.
00:21:11Come.
00:21:12Come.
00:21:13Come.
00:21:14Come.
00:21:15Come.
00:21:16Come.
00:21:17Come.
00:21:18Come.
00:21:19Come.
00:21:20Come.
00:21:21Come.
00:21:22Come.
00:21:23Come.
00:21:24Come.
00:21:25Come.
00:21:26Come.
00:21:27Come.
00:21:28Come.
00:21:29Let's go.
00:21:59How well do you know Senor Zane?
00:22:04Not well.
00:22:06I know that he comes from an old family riddled with debt.
00:22:10The name still holds sway in the courts.
00:22:13And he said he can be bought.
00:22:16He also has a reputation as a ladies' man.
00:22:19Can he be approached?
00:22:21I believe he might be persuaded to help us.
00:22:25Would you like me to try?
00:22:26Of course.
00:22:27You can never have too many friends.
00:22:38Upon receiving an anonymous letter on the third day of June, 1518,
00:22:44with charges of the selling of state secrets and bribery of public officials,
00:22:49the Council of Ten has issued an arrest warrant for Hernán Vázquez,
00:22:53who will be sentenced by the highest authorities.
00:23:02Find Hernán Vázquez and bring him.
00:23:04I understand you went to a ball the other night.
00:23:11How was it?
00:23:12I don't remember.
00:23:13You don't remember?
00:23:15Meeting any nice people?
00:23:18No.
00:23:18Oh, I can't believe that.
00:23:21A pretty girl like you, so clever.
00:23:23So talented.
00:23:25How many languages did you say you spoke?
00:23:27Five.
00:23:28But I've never really spoken French.
00:23:31So it doesn't count?
00:23:33Oh, you're here.
00:23:39The doctor's still with Victoria.
00:23:41What doctor?
00:23:42Didn't you send for one?
00:23:43No.
00:23:44Well, somebody did.
00:23:46He's from the ghetto.
00:23:47I thought it must have been you.
00:23:48I didn't send for anyone.
00:23:51My sister, Isabel.
00:23:54My name is Ruben Montillo.
00:23:56Signor Zane asked me to look in on your niece, Victoria.
00:24:00Is she all right?
00:24:01Oh, she's fine.
00:24:03Minor stomach upset.
00:24:05Nothing serious.
00:24:07I'll go and see her.
00:24:08Goodbye.
00:24:12I told her to stay away from sweet wines.
00:24:16Well, they make better poisons.
00:24:21It is an honor to make your acquaintance, Judith Benveniste.
00:24:26How did you come to know my name?
00:24:28Well, here's things.
00:24:31I know the good you are doing.
00:24:32The lives you have saved.
00:24:34I thought people in the ghetto would find it difficult to understand us.
00:24:37It's better they don't know.
00:24:40I would very much like to.
00:24:41Oh, no, no, no.
00:24:42Signor Zane has already been very generous.
00:24:45Well, how can I thank you?
00:24:46She just promised to call on me.
00:24:48You should ever need my services.
00:24:50I will.
00:24:51Thank you again.
00:24:51Thoughtful people, these Venetians.
00:25:04Either that or seeing Zane has his eye on you.
00:25:06Hernán Vázquez, you have been found guilty of trading secrets of glassmaking to the infidel
00:25:14and forsaking the trust of our serene state.
00:25:18Denounced by your fellow men and revealed before God as you are,
00:25:23we release you into his hands for his eternal judgment.
00:25:27We release you into his hands.
00:25:57come in come in ah senior zane tell me uh how did clara salvador lose her husband an accident
00:26:09he fell from his horse how unfortunate for her still she's well provided for oh sit please
00:26:18and victoria what age did you say she was oh 14 i should think or 15 i'm not quite sure and she's
00:26:30not yet engaged no but i do know they intend to marry her here in venice you do how do you know
00:26:39that oh i wasn't told exactly in so many words no donna isabel asked me to help prepare a venetian
00:26:44dowry for her niece really and what have you suggested well she was thinking of a glassworks
00:26:52unfortunately that has not been easy to arrange of course you haven't been set an easy task have
00:27:01you de monte no i know well try not to concern yourself too much perhaps i can do something to
00:27:08help it's time my son did something with his life
00:27:14come come i'll show you quick
00:27:38what are they doing here they've come from rome to bless the fish
00:27:55and so far have a time to see the eo nunc et semper amen
00:28:14Amen.
00:28:44Just one moment.
00:29:05I take him from here.
00:29:08You realize what you've done?
00:29:09You've been a bad boy, and you're going to be punished.
00:29:17Don't come back here.
00:29:18Go!
00:29:27Thank you for sending a doctor for Victoria.
00:29:30I'm glad she's feeling better.
00:29:32Why did you give that boy a coin?
00:29:34Did I?
00:29:35I saw you.
00:29:37Well, the fathers will take it off him later.
00:29:39The church gets everything in the end, almost.
00:29:42Is that why everyone was laughing?
00:29:44We're Venetians first, Christians second.
00:29:47We believe in San Marco, a bitten god, hardly at all in the Pope.
00:29:57What language are they speaking?
00:30:01Ladino, your mother used to speak it when she was little, like all Jews in Spain.
00:30:05I thought Jews weren't allowed in Venice.
00:30:07Oh, yes, they are.
00:30:08They just have to live in the ghetto.
00:30:10Oh, can I see her?
00:30:20There are so many people.
00:30:25Isn't that where Dr. Ruben lives?
00:30:27Yes, it is.
00:30:28Can we go in?
00:30:30No.
00:30:31It's forbidden.
00:30:44Why do they keep the glasswork so far out?
00:30:46Well, it's easier to protect them from unwanted visitors.
00:30:50And there have been so many fires.
00:30:52The last one almost destroyed Venice.
00:30:54I feel privileged that you have chosen to take us.
00:30:57Why?
00:30:58You're one of us.
00:31:05Come.
00:31:07Let me start by showing you a little piece of magic I learned long ago.
00:31:21And now the mystery.
00:31:23You can hit this glass as hard as you like, but it won't break.
00:31:27Stand back, please.
00:31:33Watch your eyes.
00:31:35Victoria covering your eyes.
00:31:36And as if by a miracle...
00:31:38What is that?
00:31:42A Prince Rupert's drop.
00:31:44May I have a look around?
00:31:45Of course.
00:31:46Of course.
00:31:49This is a wonderful place.
00:31:50Thank you very much.
00:31:58It must take years to arrive at such perfection.
00:32:01Yes, and a lot of patience, too.
00:32:03When molten the glass is alive, you must understand its nature.
00:32:07It's a question of mixture, colour and heat.
00:32:11Smell, also.
00:32:13How do you know when the glass is hot enough?
00:32:14Well, that's very difficult for me to explain.
00:32:16The glass tells me.
00:32:18I feel it.
00:32:19No, I can't explain with words.
00:32:24I know of many places where your skills are envied and appreciated.
00:32:28Of course, it takes several lifetimes to learn a craft such as ours.
00:32:32Such a skill could be highly rewarded.
00:32:35I hope we can talk further.
00:32:37Victoria is full of intelligence and candour, like her mother.
00:32:53I can think of many Venetians who would be glad to welcome her to their family.
00:32:57She is still very young.
00:32:58That is the right age to marry.
00:33:00The Salvadors are a distinguished family.
00:33:10Dona Isabel would be willing to pay an exceptional price for the glassworks.
00:33:13But what would prevent her from selling our knowledge of glassmaking to foreigners?
00:33:17You'd only be encouraging her to take her affairs elsewhere.
00:33:20Not if her niece were wed in Venice.
00:33:22And who would marry this fortunate heiress?
00:33:24It's every father's duty to see his son well married.
00:33:27God bless you and you.
00:33:30Good day.
00:33:34Why are you thinking of your son, Andrea?
00:33:37He's a limited boy.
00:33:38It's the best I can do for him.
00:33:41Tread carefully, Zane.
00:33:43Are you sure it's the right family?
00:33:46Dona Isabel made a commitment to me that she seems reluctant to keep.
00:33:49Perhaps she's just being cautious.
00:33:52Scheming, more like.
00:33:52I think you'll find the Salvadors are less calculating than you would imagine.
00:33:57The younger sister, Clara, is quite a delicate creature.
00:34:00Delicate?
00:34:03You're not becoming sentimental, are you, Zane?
00:34:05You of all people.
00:34:07Delicate, you say?
00:34:15Stunning.
00:34:19Oh, so beautiful.
00:34:22I long for news of you.
00:34:37You would do me a great honour by being a guest in my humble country estate.
00:34:42Your devoted servant, Al-Azani.
00:34:49May I?
00:34:50Yes.
00:34:52There are five ways of sharpening a quill.
00:34:59Use the first to send me your news.
00:35:02The second to tell me you accept my invitation.
00:35:06The third to tell me when I shall have the pleasure of seeing you.
00:35:12The fourth to tell me it will be tomorrow.
00:35:15Do not use the fifth.
00:35:17It is intended only for rejections and unkindness.
00:35:29Whatever you do, don't use this quill.
00:35:31Zane, he's been very kind to us.
00:35:33You're all fond of him, aren't you?
00:35:34Yes.
00:35:35And you trust him?
00:35:36When is the invitation for?
00:35:39Not until Saturday.
00:35:40Good.
00:35:41Plenty of time to buy some new clothes.
00:35:43One might almost mistake you for being Venetian.
00:36:02Good afternoon, ladies.
00:36:17Count Fosco.
00:36:20Donna Isabel.
00:36:21A word, if I may.
00:36:23I'll join you in a moment.
00:36:24I, um, I had hoped that you might have settled my account by now.
00:36:32I shall speak to De Monte.
00:36:34Remember, the laws in Venice are very strict
00:36:37concerning trade and security agreements.
00:36:41Pays to conform.
00:36:43The penalty can be quite severe.
00:36:46Thank you for the reminder.
00:36:49Good day, Count Fosco.
00:36:51Donna Isabel.
00:36:51Well, I don't know.
00:36:54The dump is starting to get to these things.
00:37:21Joseph's here.
00:37:24I swear this was your first proper meal since leaving Antwerp.
00:37:31No, but it's the best.
00:37:32It's not been easy bringing out so many of our people.
00:37:40How many did you manage?
00:37:42Six families.
00:37:44For the time being, De Monte has hidden them out on the islands.
00:37:46But the sooner we leave, the better.
00:37:48We can't wait any longer.
00:37:52Now that Joseph's arrived and Fosco is breathing down my neck for the money I promised him.
00:37:57I'm afraid Senior Zane's petition on my behalf is going nowhere.
00:38:01Forget about Zane.
00:38:03We can't keep our people on the islands forever.
00:38:06I'll have to make my own deal with the glassmaker and take him with us.
00:38:08Please try to arrange a safe place for us to meet.
00:38:18Clara.
00:38:19Senior Zane.
00:38:20Victoria.
00:38:21Victoria.
00:38:26So good to see you.
00:38:28Good day.
00:38:30Thank you for coming.
00:38:31It's my pleasure.
00:38:31You remember Andrea?
00:38:33Andrea, how nice to see you again.
00:38:34You've changed your clothes.
00:38:42You're going to make all Venetian women jealous.
00:38:45Even Francesca?
00:38:47Most especially.
00:38:49Have you known her long?
00:38:50Since as far back as I can remember.
00:38:52No.
00:38:53When my wife died, she dedicated a lot of time to me.
00:38:57Ah.
00:38:58You must be very close.
00:39:01She's my sister-in-law.
00:39:03I see.
00:39:04Andrea was only six.
00:39:07And he needed someone.
00:39:08She was there.
00:39:14Let's pretend to talk, otherwise my father will worry.
00:39:16You talk, I'll reply.
00:39:19I know a lot of young girls who would like to be in your place.
00:39:22I would concede it to them with pleasure.
00:39:24I didn't choose this situation any more than you.
00:39:27However, I do not find it as disagreeable as you appear to.
00:39:31You clean the squid, taking out its mouth, eyes, stomach, and then, yesterday, you take out its black bone.
00:39:40This we give to the birds.
00:39:41Be careful.
00:39:42Keep it on notice.
00:39:43And then we squeeze out the black ink.
00:39:46Ah.
00:39:47You see, most of it's on my hand now.
00:39:50Put it into warm water.
00:39:52We get some garlic.
00:39:57We put it into a pan.
00:40:00We put a tube to turn it over, of course.
00:40:02Meanwhile, she has red chocolate.
00:40:04We add some dry white wine, salt, and cavern.
00:40:08And in the end, we take warm water and pour it over the dish slowly to achieve its color.
00:40:13How do you know all this?
00:40:16My grandmother taught me.
00:40:17Has her grandmother taught her?
00:40:19I can't be away from the glassworks for too long.
00:40:39Do you realize how difficult this decision is for me?
00:40:43Of course.
00:40:44But you accept our terms.
00:40:46Your offer is generous.
00:40:48But if I accept it, I'll be putting everything at risk.
00:40:50And glassmaking's not only my work, it's my life.
00:40:53I understand.
00:40:54You'll have everything you need when we get to Istanbul.
00:40:57You will have your own glassworks.
00:40:58I give you my word.
00:40:59The terms are agreeable to me.
00:41:06Do you miss your old life?
00:41:07No.
00:41:08Hardly at all.
00:41:10Especially now.
00:41:11It wasn't difficult at first.
00:41:13It's always hard when you're escaping the past.
00:41:15You advance with your head turned back for a while.
00:41:17And then things start to change.
00:41:20When you summon up your memories one by one, you find your home is no longer what it was.
00:41:25Your daughter has grown up.
00:41:27Your sister is a different sister.
00:41:35My marriage was arranged by Isabel.
00:41:39I was never in love with Alfonso.
00:41:42Sometimes I think he married me so that he could be closer to her.
00:41:46Your sister was never engaged?
00:41:48No.
00:41:49She's always had to look out for the rest of us.
00:41:51She was never free to live as others do.
00:41:54She never really had a childhood.
00:41:55I want to give Victoria the happiness that she deserves.
00:42:03She will find it here.
00:42:04In Venice.
00:42:15Finally.
00:42:16It seems we're going to be leaving very shortly.
00:42:20Really?
00:42:21It's good news, isn't it?
00:42:23Do you really think it's a good idea?
00:42:25What?
00:42:26Maybe we should stay a little longer and see how things turn out.
00:42:29I mean, we don't know anything about Istanbul.
00:42:32And Venice has been kind to us.
00:42:34What happened with you and Zarni today?
00:42:41Nothing.
00:42:44We just talked.
00:42:46About what?
00:42:47Oh, I don't know.
00:42:48All kinds of things.
00:42:51Life.
00:42:52Venice.
00:42:54Future.
00:42:55Even suggested Victoria should marry Andrea.
00:43:04Clara, I think it would be better if you don't see Zarni anymore.
00:43:07I thought you liked him.
00:43:09The Turks have agreed to send us a boat.
00:43:11We're leaving Venice.
00:43:12We're leaving.
00:43:42Let's go.
00:44:12Let's go.
00:44:42Let's go.
00:45:12Let's go.
00:45:42Let's go.
00:45:44Let's go.
00:45:48Let's go.
00:45:50Let's go.
00:45:52Let's go.
00:45:54Let's go.
00:45:56Let's go.
00:45:57Let's go.
00:45:58Let's go.
00:46:00Let's go.
00:46:02Let's go.
00:46:04Let's go.
00:46:06Let's go.
00:46:08Let's go.
00:46:10Let's go.
00:46:18Let's go.
00:46:20Let's go.
00:46:22Let's go.
00:46:24Let's go.
00:46:26Let's go.
00:46:28Let's go.
00:46:29Let's go.
00:46:30Let's go.
00:46:32Let's go.
00:46:33Let's go.
00:46:34Let's go.
00:46:35Let's go.
00:46:36Let's go.
00:46:38Let's go.
00:46:40Let's go.
00:46:41Let's go.
00:46:42Let's go.
00:46:43Let's go.
00:46:44Let's go.
00:46:45Let's go.
00:46:46Let's go.
00:46:47Let's go.
00:46:48Let's go.
00:46:49Let's go.
00:46:50Last night.
00:46:51I don't know what you mean.
00:46:52Don't lie to me.
00:46:53Where are you going?
00:46:55Clara.
00:46:56He didn't chase you like a child.
00:46:59You don't know anything about him.
00:47:02I don't need to.
00:47:03This...
00:47:04You can never have a life with him.
00:47:07Why not?
00:47:08Because all Zana has ever wanted from us is to secure a dowry for his son.
00:47:14He's after our money.
00:47:17Will you stop thinking about yourself and think about your daughter?
00:47:21Victoria is my daughter, and she will do as her mother sees fit.
00:47:25The will makes me her guardian.
00:47:26I'll contest the will.
00:47:28I felt bid you to see Sammy again.
00:47:30Ever.
00:47:30You are only my sister.
00:47:31You cannot forbid me from seeing whoever I want to see.
00:47:35But we're leaving.
00:47:36No.
00:47:38Victoria will marry Andrea, and I will stay here to be with her.
00:48:17We could never have a life here.
00:48:33Can you imagine what it would mean to us if we stayed?
00:48:37We would have to live as Catholics.
00:48:39We do live as Catholics.
00:48:41Do we not attend Mass?
00:48:43Do we not take communion and go to confession like all other Catholics?
00:48:47However we might behave, to them we can only ever be one thing.
00:48:50Jews.
00:48:51Jews?
00:48:52What kind of Jews?
00:48:53I mean, what kind of Jews do you think we are?
00:48:55Tell me.
00:48:55What kind of Jews are forbidden to enter a synagogue?
00:48:57What kind of Jews share their table with the same people who chase them from their homes?
00:49:00What kind of Jews allow themselves to be baptized?
00:49:03The kind that want to survive.
00:49:04That's why we're going, so that we can be Jews.
00:49:07What kind of Jews are forbidden to say?
00:49:08What kind of Jews are forbidden to say?
00:49:11That's why we're going, so that we're going, so that we're going, so that we're going.
00:49:12Let's go.
00:50:23Victoria, what are you doing here?
00:50:26I was looking for you, Dr. Rubin.
00:50:28Don't make me go back.
00:50:30I don't want to marry Andrea.
00:50:32Andrea?
00:50:33Paolo's aunt, his son.
00:50:34Oh, yes, yes, I know who he is.
00:50:36What is so wrong with Andrea that he's got you in such a state?
00:50:38What did he do?
00:50:39Nothing.
00:50:40I just don't want to marry her.
00:50:42I doubt very much.
00:50:43Your mother or your aunt would ever make it something that wasn't in your best interest.
00:50:48My dear.
00:50:48Oh, is she?
00:50:52It's not him, Paolo.
00:50:54She's not from here.
00:50:55Well, she needs my help.
00:50:56I want to help her send her away.
00:50:57It's not right that she should be here.
00:50:59Well, she's my responsibility.
00:51:00Not when she's a mother.
00:51:01What do you think I should do about Clara?
00:51:20How can I make her see?
00:51:21Have her believe we support her for now.
00:51:25The less trouble, the better.
00:51:26While we're waiting for the boat.
00:51:27When can we expect to leave?
00:51:31I think within a month.
00:51:33I was hoping you'd say a week.
00:51:35I think.
00:52:01Clara.
00:52:02Clara.
00:52:05Clara, I love you.
00:52:10I know we both want what's best for the family.
00:52:14It's just that with everything that's happening,
00:52:18we want different things.
00:52:29I don't want to stop you from doing what you feel is right.
00:52:35Please forgive me for the way I acted.
00:52:43I won't interfere anymore.
00:52:49What about Victoria?
00:52:56You're her mother. You decide.
00:53:05All the wishes we have made...
00:53:12It's important to me that we stay together.
00:53:14For emissions we have subjected ourselves...
00:53:16We will.
00:53:17As the day of the last Kippur until today
00:53:19are declared none
00:53:21and must be considered
00:53:23as absolutely
00:53:24void.
00:53:26May we therefore be pardoned
00:53:28we need children of Israel
00:53:30and the foreigners live among us
00:53:33for we have all acted through error.
00:53:36Am I really going to marry his son?
00:53:54I believe relatives of mine once lived in this house many generations ago.
00:53:58It heartens me to know it's in such good hands.
00:54:01How are you?
00:54:02I'm well.
00:54:03Come.
00:54:05Signor Zane has something he would like to discuss with us.
00:54:07Yes.
00:54:08Well, I've been thinking very seriously about Victoria and Andrea.
00:54:11And I thought we might have the engagement in a few weeks
00:54:13in the wedding soon after.
00:54:16What's important is that the idea of this wedding
00:54:18pleases you as much as it does me.
00:54:20Nothing could give me more pleasure
00:54:24than the happiness of my niece.
00:54:29Are you excited to be getting married?
00:54:33Victoria.
00:54:34Signor Zane is talking to you.
00:54:37My niece is very shy.
00:54:39Well.
00:54:40We've spent so little time together.
00:54:42I know little about you
00:54:43except that you dance wonderfully.
00:54:45And that's important.
00:54:47Isn't it?
00:54:48It's very important.
00:54:50But it's also necessary to take care of the mind.
00:54:55Men sana.
00:54:56In corporate sana.
00:54:58Excellent.
00:55:15Donna Isabel, good news.
00:55:18Your boat has arrived.
00:55:20The Turks are impatient to get their glass made.
00:55:22Well then.
00:55:23We are not staying here another day.
00:55:26I want us to be ready to leave by morning.
00:55:29What about Clara?
00:55:33Don't worry about Clara.
00:55:34I'll take care of her.
00:55:36Just be sure to bring the glass maker.
00:55:40It will be done.
00:55:41I'll get Joseph to help me.
00:55:43I'll get Joseph to help me.
00:55:43I'll get Joseph to help me.
00:55:45I'll get Joseph to help me.
00:55:47I'll get Joseph to help me.
00:55:48I'll get Joseph to help me.
00:55:49I'll get Joseph to help me.
00:55:50I'll get Joseph to help me.
00:55:50I'll get Joseph to help me.
00:55:51I'll get Joseph to help me.
00:55:51I'll get Joseph to help me.
00:55:52I'll get Joseph to help me.
00:55:52I'll get Joseph to help me.
00:55:53I'll get Joseph to help me.
00:55:53I'll get Joseph to help me.
00:55:54I'll get Joseph to help me.
00:55:54I'll get Joseph to help me.
00:55:55I'll get Joseph to help me.
00:55:55I'll get Joseph to help me.
00:55:56I'll get Joseph to help me.
00:55:56I'll get Joseph to help me.
00:55:57I'll get Joseph to help me.
00:55:58I'll get Joseph to help me.
00:55:58I'll get Joseph to help me.
00:55:59I'll get Joseph to help me.
00:55:59Oh, my God.
00:56:29together there's nothing so fragile so uncertain as the union logic constantly
00:56:37don't you agree i'll be able to settle our agreement by the end of the week
00:56:43there's an underwater channel you'll have to swim with me to get inside
00:57:03he'll be waiting for you there shouldn't be any guards there
00:57:22under the arch
00:57:33so
00:58:03we've been followed i'll have to warn joseph wait here
00:58:17so
00:58:31go
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01:01:59I don't know.
01:02:29I don't know.
01:02:59I don't know.
01:03:29I don't know.
01:03:31I don't know.
01:03:33I don't know.
01:03:35I don't know.
01:03:37I don't know.
01:03:39I don't know.
01:03:40I don't know.
01:03:41I don't know.
01:03:43I don't know.
01:03:45I don't know.
01:03:47I don't know.
01:03:49I don't know.
01:03:50I don't know.
01:03:51I don't know.
01:03:52I don't know.
01:03:53I don't know.
01:03:55I don't know.
01:03:57I don't know.
01:03:58I don't know.
01:03:59I don't know.
01:04:00I don't know.
01:04:01I don't know.
01:04:02I don't know.
01:04:03I don't know.
01:04:04I don't know.
01:04:05I don't know.
01:04:06I don't know.
01:04:07I don't know.
01:04:08I don't know.
01:04:09I don't know.
01:04:10I don't know.
01:04:11I don't know.
01:04:12I don't know.
01:04:13I don't know.
01:04:14I don't know.
01:04:15Whose loyalty and devotion to her family has helped conspire this moment.
01:04:22Please join me in raising your glasses and wishing Victoria, Andrea and the Salvadors
01:04:29A long life in Venice
01:04:31A long life in Venice
01:05:14Did you write this?
01:05:23No, I did not.
01:05:26I wish I had.
01:05:32What are you going to do?
01:05:34Find out who did write the letter.
01:05:36I don't see how that's your concern.
01:05:38Shouldn't you be inquiring after the contents of the letter?
01:05:40Inciting hatred and false claims are serious crimes.
01:05:45More serious than crimes against the Republic.
01:05:51I see how you look at me and it pains me deeply.
01:05:55Thank you for coming at such short notice, Francesca.
01:05:58I was escorted here.
01:06:01And you shall be escorted back.
01:06:02Come on!
01:06:14Ah!
01:06:17Ah!
01:06:19Ah!
01:06:24Ah!
01:06:24Why do you talk to me still?
01:06:34I swear, I don't know anything.
01:06:51Let you put these trunks in here.
01:06:54Farrah, we have to go.
01:06:58What is it?
01:07:04What are they doing here?
01:07:08I wrote a letter.
01:07:12Last night.
01:07:14Telling everything about you.
01:07:19You did what?
01:07:21I don't let you go.
01:07:23Come with me.
01:07:27All right.
01:07:29Come with me.
01:07:31Come with me.
01:07:33Come with me.
01:07:35Come with me.
01:07:37Come with me.
01:07:39Come with me.
01:07:41Come with me.
01:07:43Come with me.
01:07:45Come with me.
01:07:47Come with me.
01:07:49Come with me.
01:07:52Come with me.
01:07:53Come with me.
01:07:54Come with me.
01:07:55You're planning on leaving us?
01:07:56Why are these soldiers here?
01:07:57What are they looking for?
01:07:59Nothing, I hope.
01:08:00Nothing?
01:08:01Nothing that might confirm this letter.
01:08:03Your life depends on it.
01:08:05Isabel Benvenista is a liar and witch.
01:08:09She means to betray you.
01:08:11You wear Venice for Isabel Benvenista has no mercy.
01:08:15She will rob you of everything that you most treasure before your very eyes.
01:08:19Do not touch her money.
01:08:20It is polluted and will curse your shores.
01:08:21Already she uses it to set up business on the reality.
01:08:23Using men of influence to send merchandise aboard ships and galleys.
01:08:36She poses as an honest Christian.
01:08:40She has aboutuing chemical transformation.
01:08:42Ofку AirPods.
01:08:46men of influence to send merchandise aboard ships and galleys. She poses as an honest
01:08:51Christian. She is neither honest nor Christian. She may attend mass. In secret at home she
01:08:59still prays as a Jew. And it is as a Jew that she means to go on living in Istanbul. For
01:09:08Isabel Benveniste plans to steal the secret of Venetian glassmaking and sell it to the
01:09:13Ottomans. May I? Please. What are these? Prince Rupert drops. Yes. Exquisite. Made in Venice. They were a gift. Really.
01:09:43Enough to hold a small ceremony.
01:10:13Every servant. Every neighbour and friend. We will have to question them all.
01:10:19Attend the sister and her niece, Victoria. And bring Donna Isabel here. Now. I have affairs of state to discuss with her.
01:10:50You have betrayed my confidence.
01:11:01your confidence was bought. I gave you the right to live among us when no other land in Christendom would have you.
01:11:11I have no right other than that which must be bought, bribed and coaxed.
01:11:18You are filth to me, Isabel Benveniste. A vile duplicitous Jew. You are a thief and a usurer. And I will have you executed.
01:11:29For the injustice you have committed against us. Now where is the money you owe me?
01:11:40I already gave you my word you would have it. Bring it to me now or I swear you won't live out the day.
01:11:47I don't have it to give. You'll have it at the end of the week. All 150,000 ducats I owe you.
01:11:57I don't believe you.
01:12:12I don't believe you.
01:12:14150,000 ducats and a further 300,000 if you let my family live.
01:12:22It's all I have left in the world. De Monti will arrange it. De Monti is dead.
01:12:37Then I will have to make inquiries. What way are you going, Emond?
01:12:47I shall put it in your sister's hands. But she doesn't know anything.
01:12:51Let's see if you can convince her your life is worth saving.
01:12:56And just in case she isn't forthcoming, we're holding her daughter, your niece.
01:13:21You are lost and her daughter, your sister.
01:13:26I am I holding her daughter, my sister.
01:13:29And she is drinking.
01:13:31And the people, she has never used it.
01:13:34And now she wants me to bring her daughter.
01:13:36I will have to make her daughter.
01:13:38And now I hear the daughter.
01:13:40I am.
01:13:41I will have to make her daughter.
01:13:43And now I am not going.
01:13:44Isabel
01:13:52They've killed Demonte
01:13:58I'm so sorry
01:14:02I didn't have it
01:14:04It was me
01:14:04I failed us
01:14:07I failed you
01:14:09I failed us all
01:14:14Listen to me
01:14:22Foscary's holding Victoria somewhere
01:14:25Find her and leave Venice
01:14:27I don't know
01:14:31Ask Zanri
01:14:33Find her and then go
01:14:35Everything's been prepared
01:14:37Here
01:14:41Take this
01:14:43It's your responsibility now
01:14:46Don't worry about me
01:14:49I have my own understanding
01:14:52With Foscary
01:14:53Go to Foscary
01:15:00Go to Foscary
01:15:01Go to Foscary
01:15:18Tira, tira, tira.
01:15:48Tira, tira, tira.
01:16:19I'm sorry.
01:16:20It's out of my hands.
01:16:22You must know where they've taken her.
01:16:24Your sister crossed Foscari.
01:16:27Paolo.
01:16:28There's nothing I can do.
01:16:32Nothing.
01:16:33I never wanted to fall in love with you.
01:16:41It happened despite myself.
01:16:44Despite Victoria.
01:16:46I was prepared to give up my whole life for you.
01:16:51I was about to take my daughter away from everything she knew when I had no right.
01:16:54And then, when I saw you in that room, you must know what that meant.
01:17:05Do you feel nothing for me?
01:17:16They've taken away my daughter.
01:17:19She's being kept close to Venice.
01:17:28Where?
01:17:30Somewhere safe.
01:17:31Don't make me beg.
01:17:37The convent at San Michele.
01:17:49Clara.
01:17:49Clara.
01:17:49Don't come back here.
01:18:08They'll be looking for you.
01:18:09Be careful.
01:18:17Let's go.
01:18:18Bye.
01:18:48Victoria.
01:19:16Victoria.
01:19:18Victoria, are you well?
01:19:28You look pale.
01:19:36Please say something.
01:19:40Why did you come?
01:19:48Because we're going to get you out of here.
01:19:52They'll never let me go.
01:19:54You have to trust me.
01:19:56I promise you.
01:20:18Oh, Joseph.
01:20:38You're safe now.
01:20:41Come with me.
01:20:48Where is she?
01:21:13Who?
01:21:14Victoria, tell me where she is.
01:21:21Tell me.
01:21:25I have nothing to say.
01:21:28My family is safe.
01:21:31Burn me if you like.
01:21:37We don't burn Jews in Venice.
01:21:39We don't burn Jesus.
01:21:40We don't burn Chile.
01:21:42We don't burn Jesus.
01:21:48We don't burn Jews in Venice.
01:21:49Don't burn Christians.
01:21:50Those things are great.
01:21:51Please join your in ånd Building for.
01:21:53If you don't burn yourself so hard.
01:21:56All you have to do if you like.
01:21:57It doesn't portion of theelly Bcommittee.
01:22:00We don't burn him ис to the path but not.
01:22:02Not again, you have to find the way to find the way to find one place.
01:22:04The last.
01:22:04In the day.
01:22:06What do you think?
01:22:06Politics.
01:22:06Not again.
01:22:07I'm going to join somebody.
01:22:08Let's go.
01:22:38Let's go.
01:23:08Let's go.
01:23:38Let's go.
01:24:08Let's go.
01:24:38Let's go.
01:25:08Let's go.
01:25:38Let's go.
01:26:08Let's go.
01:26:38Let's go.
01:27:08Let's go.
01:27:38Let's go.
01:28:08Let's go.
01:28:38Let's go.
01:29:08Let's go.
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