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Transcript
00:00I don't want Bobby to be uncomfortable.
00:07That's why I have hired a manager for preparing for marriage.
00:11Manager!
00:31Keto!
00:35Hiro!
00:36I've seen such a big function as Kingzor Queen in the film.
00:40Mary too.
00:42Now Dadu, tell us again how we are related to people.
00:46This is my boy's daughter's daughter's daughter's daughter's daughter.
00:50Before I was mounted, I would have shifted.
00:53After that, you can't meet each other.
00:56There was a chance once, but it was two years old.
01:00Oh, Sanjay!
01:02How big are you?
01:04First of all, you told me your daughter's daughter's daughter.
01:07Thank you so much, Mama.
01:09How many years have we been?
01:11Look, I'm still fit now.
01:15I'm still alive.
01:16I'm still alive.
01:17I'm still alive, son.
01:18Do you keep your attention?
01:20If you don't have any advice, you don't have to be afraid of it.
01:27Which one of my previous experiences is my first experience?
01:31Gitu!
01:33You don't remember to meet Sanjay from Sanjay.
01:35How do you remember, Mama?
01:37It was so much, I couldn't even tell.
01:39You take my class.
01:42I'm sorry.
01:43You're right.
01:44You're right.
01:45You're right.
01:46You're right.
01:47You're right.
01:48You're right.
01:49How much time is that, Mama?
01:52How much time is that, Mama?
01:53How much time is that, Mama?
01:54How much time is that, Mama?
01:56I'm right, now.
01:58For starting time.
02:03Oh, stop, stop, stop.
02:04Wow!
02:08How sweet you are.
02:10You're so happy.
02:11You're happy.
02:12And then I'm even big.
02:14And finally, I'm so happy.
02:15Kitanji,
02:16your daughter is so much.
02:19We will keep this in our house.
02:21What's your name?
02:22Myra from 2C.
02:24Myra from 2C?
02:25That's a very nice name.
02:27Do you know?
02:28We have put a chocolate fountain for cute guests.
02:31Will you see it?
02:32Yes, yes.
02:33Let's see it quickly.
02:34Let's go.
02:38Come on, Mama.
02:39Let's start.
02:40Come on.
02:43Masa.
02:44I love you.
02:46Asa.
03:14Rise.
03:16I love you.
03:18My eyes are very sensitive.
03:20No one cannot become so beautiful.
03:24When I'm angry, come on.
03:26Come on.
03:27Let's go.
03:28Come on.
03:29Now we're back and are away.
03:30Let's go.
03:31Come on.
03:32Come on.
03:33Come on.
03:34Come on.
03:35Come on.
03:36Come on.
03:37Come on.
03:38Come on.
03:39Come on.
03:40Come on.
03:41Come on.
03:42That's really good.
03:44But with Aamira.
03:54Why did you bring me here, Anshuman?
03:56What are you doing with me?
03:58Relax Aamira.
04:02You are the parent of our home.
04:05And Taniya's mother.
04:07So you will do the peace of Krish?
04:12Tanya, did you tell me what to do with Chris?
04:23Yes, yes, don't worry.
04:25Before, they were doing a little bit.
04:27So, I just met them.
04:33Sorry, Gitu. I didn't stop with chocolate.
04:37Mahiru, you don't stop a little while.
04:39You don't have to start the function and you will get dirty.
04:42Shaitan.
04:43Where is Patakrish?
04:45Babu, you promised me.
04:47Three, two, one.
04:51Music.
05:07Music.
05:19Music.
05:25Music.
05:29Music.
05:31My name is Dula Me
05:35I will see my heart
05:40My name is Dula Me
05:45I will be filled with me
05:48Now I will upset you from your marriage in a new way.
06:02And if you are giving Tania,
06:05I will expose you from the marriage first.
06:08Happy?
06:11Very happy.
06:18Now this is the entry of groom's groom.
06:22And now it will be the welcome of groom.
06:25Happy?
06:48Cute auntie!
06:52Cute auntie!
06:54Cute auntie!
06:56Cute auntie!
06:59Cute auntie!
07:00Cute auntie!
07:03Cute auntie!
07:04Cute auntie!
07:06Cute auntie!
07:08Cute auntie!
07:10Cute auntie!
07:11Cute auntie!
07:12Cute auntie!
07:13Cute auntie!
07:14Cute auntie!
07:15Cute auntie!
08:46I don't want to be uncomfortable.
11:44You and my family are quite old.
11:55Oops! I mean,
11:57you and my knowledge are quite old,
12:00but this family is quite old for everyone.
12:04So, for your new family,
12:06I'll give you a small gift.
12:09Is it good, right?
12:14It's very good.
12:16In fact, it's so good that
12:20I'll give it to Tanya.
12:27Look, Krish,
12:29you can't even believe.
12:31Because you've said
12:33that our knowledge is quite old.
12:39Come, Tanya.
12:45You look very pretty, Tanya.
12:50If you have a young girl,
12:52you'll have to say the need.
12:58Right, baby?
13:14You have to make Arman's manager.
13:15If you've met Arman and Abhira,
13:16you'll know what happens.
13:17You can't do that.
13:18It'll be.
13:19It'll be.
13:20It'll be.
13:21It'll be.
13:22It'll be.
13:23It'll be.
13:24It'll be.
13:26It'll be.
13:28It'll be.
13:29It'll be.
13:31It'll be.
13:33Oh, please.
13:35But Arman can't do everything from us.
13:38Don't do wrong with him.
13:40You'll eat it.
13:42Papa, you're scared of that person
13:45who has beaten me by helping me.
13:49I wish for watching you.
13:51You're wrong, Chris.
13:53Why did Arman hire?
13:55Because I was bored in my marriage.
13:58But now, I'm so excited.
14:03My hero has come.
14:11Now, it won't be a marriage.
14:13Why?
14:14My hero has come.
14:16Now, it won't be a marriage.
14:18It won't be a marriage.
14:20It will be.
14:21Arman will not be able to do it.
14:24Manisha, I don't know who you are in a different world.
14:27I don't understand why Gitanjali's daughter
14:30Arman is calling Papa.
14:32What?
14:33He has made a different family with them.
14:38That's why I pray for their marriage
14:40and I pray for her.
14:41I pray for her to get a little happy in her life.
14:43Mother's mother's real happiness is in her children.
14:46And my beauty was that happy for her years ago.
14:50I just hope that all the functions will get smoothly.
14:58I know, Arman, you've moved on from my brother.
15:00But you've moved on from my brother.
15:01But brother and brother,
15:02you've moved on from my brother.
15:03But there's a little awkwardness to see both of them.
15:08Ma'am, you'll see the guest list.
15:10I'll see you.
15:11Yes.
15:12I'll come now.
15:13Let's go.
15:14Let's go.
15:15Let's go.
15:16Let's go.
15:17Let's go.
15:18Let's go.
15:19Let's go.
15:20Let's go.
15:21Let's go.
15:22Let's go.
15:23One聽って.
15:24Drance asked,
15:25we're going to create an the wrong act ofImran.
15:30I am sure that she'll must blackmail her as well.
15:34And of course,
15:35outside of the sky,
15:36he can't email 승ran'd go by there.
15:39He may be able to not do blackmail.
15:40But you can't let him join.
15:41There's no doubt.
15:44Was that reason for an actor to become an Arman well-g Catalamps?
15:49What's your mind is opinions?
15:51One day he goes to the house and goes to the chris, and the other day he becomes the manager.
15:57What is the house?
15:59Mount Abu will go.
16:01If he doesn't go, he doesn't have to go to the wedding's functions.
16:06There are many of us in this wedding that we don't know.
16:10You also have to pay for his own.
16:16It's not that he's going to be his own.
16:18Then, there is no difference between him and his own.
16:29How many of you are hiding?
16:31You and the Arman have a pain.
16:34My mother wants that the child's pain will go away.
16:39But I want you to feel this pain.
16:43Maybe you will feel that you can't be happy without one another.
16:49I'm going to take Maira here.
16:51I don't know.
16:54Arman, I didn't know that the dad who talked about the relatives will be out of you.
16:58And if I took Maira here, what is your excuse?
17:02Why are you thinking about Maira?
17:05Arman, I don't have to ask you.
17:08I don't know your personal matter, but Maira is involved.
17:13Maira is involved.
17:14That's why I'm all right.
17:16My mother left her job.
17:20But I don't think about her daughter.
17:23I don't think about Maira.
17:24If you are here, Maira is here, you can never know Maira's truth.
17:27But you don't think about her now.
17:29You are very wrong.
17:31You are very wrong.
17:33You are very wrong.
17:34You are very wrong.
17:35You have to see how Abhira is uncomfortable.
17:36Brother, my father told me that she needs money.
17:37That's why she hired her.
17:38I don't care, Tani.
17:39I can't see Abhira's upset.
17:40That's why Arman will go here.
17:42That's it.
17:43Brother...
17:44Brother...
17:45Brother...
17:46I don't care, Tani.
17:47I don't care, Tani.
17:48I don't care, Tani.
17:49I can't see Abhira's upset.
17:50That's why Arman will go here.
17:51That's it.
17:52But...
17:53Heya...
17:54I don't care, Tani.
17:55I don't care, Tani.
17:56I don't care, Tani.
17:57I can't see Abhira's upset.
17:58That's it.
17:59But...
18:00Abhira...
18:01I will come and Maira will go here.
18:04You will say something.
18:07What do you want?
18:10The fact that Maira calls you Papa,
18:13you see Abhira's heart is broken.
18:15Or...
18:16I'm not afraid of Maira's truth.
18:20If you are someone who is a manager,
18:23Maira was so confused.
18:25Why did you take your job here, Arman?
18:30I can't tell you how much.
18:33Okay.
18:34Don't tell me.
18:36Just tell me so that I can take Maira back.
18:41Then...
18:42When you have done your job,
18:44you will come back.
18:45Okay?
18:48I see Maira came and we will go out here.
18:54Now we will go out here.
18:55I have to take my job.
18:56I have to take my job further.
18:57I have to take my job further.
18:58I have to take my job further.
18:59But...
19:00...
19:04...
19:08...
19:09...
19:30Please!
19:31Move on to her.
19:32She will live with her.
19:34I made a priority to make her.
19:39We had forgotten all of her, Tanjali.
19:46But at that time, my family has to be required.
19:51For me,
19:54I will not be able to achieve this responsibility.
19:56After that, maybe I will never be there.
20:06But I can't tell you this story, Tanjali.
20:11We are always just one connection.
20:17And one will remain.
20:21Myra.
20:23Manager, where are the lights?
20:25Sir, I forgot to make one dish.
20:28Sir, I don't have a dress yet.
20:29He's saying that it will take time to make a mangal sutra.
20:32Sir, where do I keep this full?
20:33I keep it in my head.
20:34Yes.
20:36The problem is sorted.
20:38And what's the problem?
20:40And you?
20:41Tell me that one dish will forget the whole menu.
20:44Tell me to the designer.
20:45And tell me to the jeweler.
20:46Tell me to the mangal sutra.
20:47Tell him to the mangal sutra.
20:48Yes.
20:49Tell him to the mangal sutra.
20:50And give him to the mangal musun.
20:51So you want to break this marriage?
21:06If you're going to break this marriage, what will you do to break this marriage?
21:10Here was my responsibility.
21:12What was the responsibility, Arman, that you had to come to your ex-wife?
21:16Why did you take this job?
21:18It's a financial problem.
21:21If you don't have money to go back, then I'll give it to you.
21:25Save your money for those people who are interested in your money.
21:30I don't have any interest in your money.
21:32And you don't have to ask this question to me.
21:36But Abhira's fault is now my fault.
21:41To keep her happy is my fault.
21:44And you're not happy here.
21:47Why are you so insecure?
21:49What?
21:50When I came here, leave your money.
21:53Don't talk to your mother and dad.
21:56Abhira didn't say anything.
21:58Why are you insecure?
22:00You always tell me that Abhira's fault is your duty.
22:03You don't have to do your duty.
22:05And if you don't have to do your duty,
22:07you stop blaming me.
22:09Hey, manager.
22:18This is my room locker in the room.
22:33Mehta, Senni, Kapoor, all the files.
22:36I need the files to complete.
22:45What happened?
22:47You're so happy.
22:49I got the job of a lawyer.
22:51That's why.
22:52No, that's me.
22:54Dadu and Meira are playing together.
22:56I was happy to see them.
23:02I'll go check the files.
23:05Stop.
23:07We have to do that.
23:09I'll take this.
23:12The first thing to prove this list is Tanya's father.
23:16Today is Thursday.
23:18Why are you taking my phone?
23:20Why are you taking my phone?
23:21Ma'am, let's start a photo shoot.
23:25Ma'am, let's start a photo shoot.
23:26Yes, sure.
23:27Ma'am, let's start a photo shoot.
23:31Yes, sure.
23:32Ma'am, let's start a photo shoot.
23:36Ma'am, let's start a photo shoot.
23:37Ma'am, let's start a photo shoot.
23:38Yes, sure.
23:39Ma'am, let's start a photo shoot.
23:41Ma'am, let's start a photo shoot.
23:46Ma'am, let's start a photo shoot.
23:48Ma'am, you will come back to your head.
24:07Abeera,
24:09if you want, we can do a photo shoot for some other day.
24:14No, the whole set up has been done.
24:16And at the last moment of cancellation, everyone will be frustrated.
24:20So please,
24:21we have to think about you now.
24:24Not only if we are married for convenience,
24:28or not a photo shoot.
24:30Now tell me.
24:32Are you sure?
24:46Why are you waiting for me to find this new piece of art?
24:48Why are you there?
24:49Maybe not?
24:51The best you have ever had,
24:52but it is impossible for me.
24:54So I am sure I am going to buy my book.
24:55Why is there that you want to buy?
24:56Or were you going to buy home?
24:57Or you can't buy home.
24:59Or are you going to buy home?
25:01The rest of the world is going to buy home.
25:03Oh yeah!
25:05Oh yeah!
25:07Oh yeah!
25:11Oh yeah!
25:13Oh yeah!
25:15Oh yeah!
25:16Did Arman have seen her Maira?
25:19Yes, she is playing with her dad.
25:36If she fell down, then Maira will ask you again.
25:39But you will not have any answer again.
25:46türkcs
25:52A
25:56K
25:59A
26:00il
26:03A
26:04Heello, Aabhira, ma'am.
26:06Puki, are you met?
26:07No ma'am. It's been so many years, it's possible that it's not in this world.
26:11My Puki won't leave anything.
26:13She is waiting for me. She is here. She is in this world.
26:19Good girl. Brave girl.
26:21Mahiru, why are you here? Why are you coming here?
26:23We both. Now, please, follow your name with my child.
26:26This is my daughter.

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