Yeh Rishta Kya Kehlata Hai 8th July 2025

PopCornz

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Transcript

00:00I don't want that Bobby is uncomfortable.

00:07That's why I have hired a manager for preparing for marriage.

00:10Manager!

00:30Keto!

00:33Hiro!

00:36I have seen King's or Queen in the film.

00:40I too!

00:42Now Dadu, tell us again how we are related to people.

00:46This is my boy's daughter's daughter's daughter's daughter.

00:50I was still there and then I shifted.

00:53After that, you can't get one another.

00:56There was a chance, but it was two years ago.

01:00Oh Sanjay!

01:02How big are you?

01:04Before you tell me your daughter's daughter.

01:07Thank you so much, Mama.

01:09How many years have we been?

01:11Look, I'm still fit now.

01:15I love you, Mama.

01:16I love you, I love you.

01:18Do you keep your attention?

01:20If you have any of her, you will be afraid of me.

01:27Which is my previous experience?

01:30Gitu!

01:32You don't remember to meet Sanjay from Sanjay.

01:35How do you remember, Mama?

01:37It was so much, I couldn't even say.

01:39Now you take my class.

01:42So many days are there, Mama.

01:43You start school to meet with me.

01:45Go away, Mama.

01:46You be married.

01:47Just go away.

01:48Just go away.

01:49I love you, Mama.

01:50With time...

01:51How much time is coming out from the thousands of millions, Mama.

01:52How much time is coming out, Mama.

01:53How much time is making the children again!

01:54We are so much bigger than that.

01:55Mayro...

01:56And now be back.

01:57I'll be back.

01:58Push setting time.

02:02Aray, Aray, Aray, Aray, Aray, Aray.

02:03Aray, Aray!

02:05Aray, Aray.

02:06Aray, Aray, Aray.

02:07Aray, Aray, Aray.

02:08Aray!

02:08Aray, Aray!

02:09Aray, Aray! Aray, Aray, Aray, Aray!

02:12And you'll be big too.

02:14Ketanjuri,

02:16your daughter is very beautiful.

02:19We'll keep her in our house.

02:22What's your name?

02:23Myra from 2C.

02:24Myra from 2C?

02:26That's a very nice name.

02:27Do you know?

02:28We've put a chocolate fountain for cute guests.

02:31Will you see?

02:32Yes, yes.

02:33Let me show you quickly.

02:34Let's go.

02:38Come on, Mamas.

02:39Let's start now.

02:40Yes.

02:43Mamas.

02:48It was good that you had to come to the girl.

02:51You won't believe it, Mamas.

02:53But I love you very much.

02:56And we love you.

02:58I love you.

03:00Mamas.

03:12Mamas.

03:13Mamas.

03:14Mamas.

03:15Mamas.

03:16Mamas.

03:17Mamas.

03:18I feel that my eyes are so sad.

03:33No one can't be so beautiful.

03:36only Abhira

03:46Why did you bring me like this?

03:56What do you do with me?

03:59Relax Abhira

04:02You are the one of our house

04:05and Tania's love

04:08So you will do the peace of Krish

04:20Tania, did you tell Krish what you want to do?

04:23Yes, don't worry

04:25They were doing a lot of trouble

04:27I just met them

04:30Sorry Gitu

04:35I didn't have chocolate

04:36I didn't stop

04:37Mahiru, you will stop a little while

04:39You don't have to start the function

04:41and you will get dirty

04:42Shaitan

04:43Where is Krish?

04:45Babu

04:46You promised me

04:48Three

04:49Two

04:50One

04:51Music

04:52Who's coming a day?

04:53Who's married to the prince?

04:54My mom

05:00My mom

05:01My mom

05:02My mom

05:03My mom

05:04My mom

05:05My mom

06:06I will expose you first from the wedding.

06:10Happy?

06:13Very happy.

06:20Now the entry of the groom.

06:22And now the welcome.

06:24Happy?

06:26Happy?

06:30Happy?

06:31Happy?

06:40Just ask yourself...

06:42Happy?

06:43What can you say?

06:46Cute auntie!

07:16Oh, oh, oh.

07:46Do you know each other?

08:10This is such a cute auntie!

08:12Let me go to my cute auntie!

08:14She's also a cute auntie, right?

08:16We'll meet with her later.

08:20Now it's about Anshuman Bhaiya.

08:22I've done a performance for my wife.

08:24Now I have to do a performance for you.

08:32Sorry, Krish.

08:34I don't like this all.

08:36And her happiness...

08:38is much more important to you.

08:44I don't want to be uncomfortable.

08:46That's why I've hired a manager for your marriage.

08:50That's why I hired a manager for your marriage.

08:58Manager!

09:00ToDie canaries is become anwenna,

09:02It is anyways.

09:04And now your marriage has now.

09:06It's bad.

09:08Ahlin, sir,

09:10We do something.

09:12And it's of practiceful at home.

09:14You're a little bit younger,

09:16aren't you?

09:17I don't know.

09:46Hello, sir.

09:47Hello, sir.

09:48Hey.

09:49Hey.

09:50Hey.

09:51Hey, I know.

09:52Tell this uncle.

09:53RGO, no mango.

09:54No mango, son.

09:55Manager.

09:56Okay, okay.

09:57I know actually, I know.

09:58No mango, son.

09:59Okay, okay.

10:00I know actually, I know.

10:01Your dad is always listening to you.

10:02You're listening to your father.

10:03Take care of yourself.

10:04Let's go.

10:05What is the matter?

10:06Okay, okay.

10:07Okay.

10:10I know actually, I...

10:11I know my dad is very hard to answer you.

10:13I know he's very hard to answer you.

10:14I know he's just speaking.

10:15Then, you have to answer them as much as possible.

10:25Dad, come on.

10:28Now we will do our favorite couple.

10:32Dad, Dad, come on.

10:45Dad, come on.

11:11Bobby, one minute.

11:16Manager, take a gift.

11:20Now.

11:36Papa is a delivery boy.

11:45You and my family are so old.

11:55Oops! I mean...

11:57You and my knowledge are so old.

12:00But this relationship...

12:02...is for everyone.

12:04For your new relationship,

12:06...you have a small gift.

12:09Good, right?

12:10It's very good.

12:15In fact, it's so good that...

12:17...I will give Tanya to her.

12:22...

12:23...

12:27...

12:37...

12:57Right, Bobby?

12:58...

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17:08I don't have any questions. I don't know your personal matter, but Mayra is also involved in this matter.

17:15That's why I'm sure to speak to her.

17:18She left her mother and left her job.

17:21And she didn't think about her daughter.

17:24Here, Abhira, she can never know Mayra's truth.

17:27But you don't think about her anymore.

17:30She's very wrong.

17:38Tani, today Krishna is very wrong.

17:41You can see how Abhira is uncomfortable.

17:43Brother, my father told me that she needs money.

17:48That's why she hired her.

17:49I don't care, Tani.

17:51I can't see Abhira upset.

17:53That's why Arman will go here.

17:56That's it.

17:58Brother...

18:02Me and Mayra will go here.

18:04You will say something.

18:07What do you want?

18:10The fact that Mayra calls you Papa,

18:13that Abhira's heart is broken.

18:15Or the fact that I'm blind at this time,

18:18that they don't know Mayra's truth.

18:20If you become a manager, Mayra was so confused.

18:27Why did you get your job, Arman?

18:29I can't tell you how she went.

18:33Okay.

18:35Don't tell me.

18:37Just tell me,

18:39so that I can take Mayra back here.

18:41Then, when you finish your job,

18:43you will have to come here.

18:45Okay?

18:49I see Mayra came here,

18:50and we will go out here.

18:55I see Mayra came here,

18:56and we will go out here.

19:02I have to take a step forward.

19:04I have to take a step forward.

19:05I have to take a step forward.

19:06But my one arm is a little bit of a shame.

19:09And the other one is a guilt.

19:11The guilt of this thing is that you have also

19:13given your daughter.

19:14You have forgotten your daughter.

19:15Then you will leave her daughter.

19:16But how did she forget her daughter?

19:19How did she forget her daughter?

19:20How did she forget her daughter?

19:21How did she forget her daughter?

19:22The guilt of that girl is so big that

19:24she will be less than enough.

19:26That's why you leave her daughter.

19:28Leave her and leave her.

19:29Please.

19:30Leave her and live her.

19:32Leave her and leave her.

19:34Mayra made her priority.

19:38I have forgotten everything,

19:40Mitangeli.

19:45But at that time,

19:46I need my family.

19:51For me,

19:53I will not be responsible for this.

19:58After that,

19:59I will never be able to leave her daughter.

20:05But I can't tell you this story,

20:07where did you go?

20:11We are just one of the connections.

20:17And one will remain.

20:21Mayra.

20:24Where are the lights on?

20:25Sir, I forgot to make one dish.

20:27Sir,

20:28I forgot to make one dish.

20:29Sir,

20:30I forgot to make one dish.

20:31But the lady said

20:32that she will make the mangal should be made.

20:33Where are the lights on?

20:34Where are the lights on?

20:35I'm going to keep my head on.

20:36Yes?

20:37This is not.

20:38The problem is sorted.

20:39And what is the problem?

20:40And you?

20:41Tell me,

20:42one dish is a whole menu.

20:43Tell me,

20:44the designer,

20:45the clothes,

20:46and the jeweler,

20:47tell me,

20:48the mangal should give someone.

20:49But sir,

20:50how will it be?

20:51Don't be my fault.

20:52the mangal should be cancelled.

20:53So you want to thank the wedding?

20:55What will you banish yourself?

20:57That's all for me.

20:58The mangal should go with an attorney.

20:59That's all for me.

21:01And the mangal should come?

21:02So you want to break this marriage?

21:06Who will break this marriage?

21:08What will someone break this marriage?

21:10This is my responsibility.

21:12What was the responsibility, Arman?

21:13That you have to come to your ex-wife?

21:16Why do you have a job?

21:19It's a financial problem.

21:21If you don't have money to go back,

21:23then I'll give it.

21:25Save your money for those people

21:27who have interest in your money.

21:30I don't have interest in your money.

21:32You don't have to ask me this question.

21:36But the right to keep your attention

21:39is my fault.

21:42My fault is my fault.

21:44That's not your fault here.

21:47Why are you insecure me?

21:49What?

21:50When I came here,

21:52leave your mother and dad.

21:56Why are you insecure me?

21:58Why are you insecure me?

22:00You always say that you have to keep your duty.

22:02You have to keep your duty.

22:03You have to keep your duty.

22:04Go and keep her.

22:05If you don't do your duty,

22:07then you stop blaming me.

22:09You have to keep your duty.

22:10Let's go.

22:12What?

22:13If you don't want to do that,

22:14they will be able to do that.

22:15Hey manager!

22:17Hey, manager!

22:30This is my room locker.

22:33Mehta, Senni, Kapoor, and all the files.

22:36I need those files to complete.

22:44What happened?

22:46I'm so happy.

22:48I got the job of the lawyer.

22:50That's why.

22:51No, that's me.

22:53Dad and Meira are playing together.

22:55I was happy to see them.

23:02I'll check the files.

23:04Stop!

23:07We have to do that.

23:09I'll take this.

23:10I'll prove to Tanya's list.

23:11I'll prove to Tanya's list.

23:15I'm gonna prove to Tanya.

23:16I'll prove to Tanya.

23:18I have to prove to Tanya.

23:19I have to prove to Tanya.

23:21Today is Thursday. Why are you taking my phone?

23:32Ma'am, will you start a photo shoot?

23:38Yes, sure.

23:43Ma'am, you will come back to your head.

23:50Abheera, if you want, we can do a photo shoot for another day.

24:12No, the whole set up has changed.

24:16And last moment cancellation will all be frustrated.

24:20So, please give us.

24:22We have to think about you.

24:24Not only we are married for convenience,

24:28but not a photo shoot.

24:30Now tell us.

24:32Are you sure?

24:34No.

24:38No.

24:40No.

24:42No.

24:44No.

24:46No.

24:48No.

24:50No.

24:52No.

24:54No.

24:56No.

24:58No.

25:00No.

25:01No.

25:02No.

25:03No.

25:06No.

25:08No.

25:09No.

25:10No.

25:14Did Arman have seen her Maira?

25:18Yes, she is playing with her dad.

25:35If she fell down, Maira will ask you again.

25:38But you will not have any answer again.

25:44High-pitched music

25:47High-pitched music

25:49High-pitched music

25:51High-pitched music

25:56High-pitched music

25:59High-pitched music

26:01High-pitched music

26:02High-pitched music

26:03Hello, Maira.

26:04Pookie, what happened?

26:06No, Maira.

26:07I've been so many years.

26:08It's possible that she is in this world.

26:10My Pookie, I don't have anything.

26:12She is waiting for me.

26:14She is here.

26:15She is in this world.

26:18Good girl.

26:19Brave girl.

26:20Maira, why are you coming here?

26:22We both.

26:23Please, keep your name with my child.

26:25This is my daughter.

26:27M penk Europosan.

26:41We will ride.

26:42You are full of love.

26:44The bed wont�ark.

26:46That was a child that's I love.

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