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  • 7/8/2025
Jorgovani (2024)
Transcript
00:00:00I'm sorry.
00:00:02I'm sorry.
00:00:04I'm sorry.
00:00:06I'm sorry.
00:00:08I'm sorry.
00:00:10I'm sorry.
00:00:12I'm sorry.
00:00:14I'm sorry.
00:00:16I'm sorry.
00:00:18I'm sorry.
00:00:20Igor, first of all, you're playing in modern adaptations.
00:00:24How would you take a long and demanding film in Moscow without Katarina?
00:00:29Katarina?
00:00:30Yeah, meni Katarina već nadostaje.
00:00:32Katarina?
00:00:33Kako se vi osjećate kada Igor snima ljubavne scene sa drugim koleginicam?
00:00:36Ma, dobro, to je sve dio našeg posla.
00:00:38Ja se jako radojem.
00:00:39Igorujem uspesima, zaista.
00:00:41Ajmo, fotkaj nešto.
00:00:43Fotkaj ne, evo ga.
00:00:44Matori, ti ja treba da radim nešto.
00:00:46Naša umrednost, razumiješ?
00:00:48Da si pročitao naša scena i jošta sam ti posao.
00:00:51Kaj, Matori, nemoj ti da me jebeš, ljubite brate.
00:00:53Vidiš da ne znam dje su ženom, najviđane jebali te.
00:00:55Kaj ti kurac je?
00:00:56Svrke!
00:00:57Jel?
00:00:58Ja samo da te pozdravim i da poželim sreću.
00:01:00Hvala ti.
00:01:01E, Matori, nisi dobio nagradu, znaš?
00:01:03Daj nas da i ja.
00:01:04Pozvijem.
00:01:05Priča sam sa Jugoslavom, pokušao sam nešto dobro.
00:01:07Nikakav.
00:01:10K'o je ova nagrada koju sam ti skijenil?
00:01:11Peta, šesta?
00:01:12Osma.
00:01:13E, jemik.
00:01:14Pa, bolje ti nego ja, ja?
00:01:15Pa, normalno.
00:01:16Mhm.
00:01:17E, iz Gobrake je posao, eh?
00:01:19K'o je da Gobrake?
00:01:20Pa je dao svi, ti, on, ja, svi.
00:01:22Ti ideš, Kobra, pa da?
00:01:28Ne, ovo je potpuno nenormal.
00:01:29Ovi ljudi više ne kapiraju, smo mi zasadni individuoji.
00:01:32Oni u stvari mislili smo mi jedna osoba.
00:01:35Provaljala da više niko ne pita gde je Igor, nego,
00:01:37gde su Igor i Katarina?
00:01:38Ja ću lijepo rodim da izvedim novoličnu kartu,
00:01:40gdje te bitne stanično upiš oko Igor i Katarina i čao.
00:01:43Da, i sad me navodiš kao drugu.
00:01:45E, ne mi se duriš.
00:01:48Nego, ako imaš neki problem, lepo ga izgovori na glas, da ti to rešim.
00:01:52A ti ne možeš da shvatiš da sam tužna zato što nisam dobila ulogu
00:01:55i tu ulogu s kojom sam diplomirala.
00:01:58Srećo, ti si diplomirala pred 20 godina.
00:02:00Da, pa?
00:02:01Pa, Kitty je devojčica i za ovo će to biti.
00:02:04To zavisi od koncepta.
00:02:06Mhm.
00:02:07Šta šta?
00:02:09Ti mene zajebaloš?
00:02:10Pa, drug.
00:02:11Ja sam krzbog tebe propišao da bi jedno veče mogo da sedim sa svojim ljudima,
00:02:15da popijem piće, da iskuliram, i ti mi dovodiš ovog degenerika.
00:02:19Nema da se praviš blesam ono tvoje nekapirem o čemu govorim i te fore.
00:02:23Vrlo dobro znaš šta mislim o njemu.
00:02:25Iskreno me kazem kao tvoj stari kolega, kao tvoj prijatelj,
00:02:29nemoj bere da jedeš govna, se ponašaš kao neka primadona.
00:02:32Šta tebe briga ko će dvude na žurci?
00:02:34Me što lijepo da se veselimo, što ćemo primiti tu nagradu,
00:02:38što vas je podržao jedan Oleg Kirilenko, što hoće s nama da uđe u koprodukciju.
00:02:43E pa nabijem i njega na kurec.
00:02:45Stefana, dragi i moji Stefane, hoću da se smiriš i tako smiram da ostaneš do kraja živog mogta.
00:02:51Inače ću da ti izbacim sa žurke i nabit ću ja tebe na kurec.
00:02:57Svi li kako si ponašao malo što?
00:02:59Ne, ne, ne može. Znam šta radiš, neće se da zvoliti.
00:03:01Znači ovo je moj moment.
00:03:03Konačno sam dobio priliku da ured me što veliko da me ljudi vide.
00:03:06I što je još bitnije, da zaradim pare kojima ću ubezbediti našu budućnost,
00:03:10što tvoju i moju i budućnost naše dece, ukoliko se ti gospodje predomisliš.
00:03:15Ja sam tebi rekla da i ja želim deco, ali ne sada.
00:03:18Ne želiš sada, već deset godina.
00:03:20Ja mogu da rađem još petnest ako hoću.
00:03:22Srećo.
00:03:23Prekidam nešto?
00:03:24Ne, nešto da se po konceptujemo samo.
00:03:26Dobro, čekam vas ja tamo.
00:03:27Sad ćemo.
00:03:28Ajde.
00:03:29Uopšte nisu tema deca.
00:03:30Nego je tema to što ti ne umeš da se obraduješ mom uspeho.
00:03:33Ali evo, sam da ti kažem nešto.
00:03:35Ozbiljno me shvatio sam da saslušaj.
00:03:37Slušaj.
00:03:38Znači, moj uspeh je mnogo dobar pod tebe.
00:03:41Pa ako već ne možda budeš srećna zbog mene,
00:03:43a ti prvoj da budeš srećna zbog sebe.
00:03:46Dulumbice.
00:03:48Biće i tebi lakše kad budeš shvatio da si i ovu ulogu i sve ostale dobio
00:03:52isključivo i zahvaljujući meni.
00:03:54Šta kazas?
00:03:55To što si čuo.
00:04:09Draga publiko, kao što znate,
00:04:12za sobom ostavljamo godinu hiperprodukcije igranog televizijskog sadržaja.
00:04:17I kao što su predviđali mnogi,
00:04:20iz toga kvantiteta se posle izvesnog vremena napokon izrodio i kvalitet.
00:04:25Dobro, Danijela, ne budi oštra.
00:04:26Svi znamo da i majici treba 9 meseci da rodi dete.
00:04:30Tako i za dobru seriju ipak treba vremena.
00:04:33Dobro, pa kako bi se te serije pisale,
00:04:35a kamoli snimale tih 9 meseci,
00:04:37svakako bismo ranije došli do toga kvaliteta.
00:04:40Dobro, sada kada smo došli do toga kvaliteta,
00:04:42molim vas da aplauzom pozdravimo prvog kandidata za najbolju seriju godine.
00:04:46Službeni ubica!
00:04:57Punokrvni kriminalistički thriller koji sa produkcijanog stanovišta
00:05:01parira vodećim svetskim naslovima.
00:05:04Tajna njihovog uspeha naravno leži u plavom filteru i...
00:05:08Nepredvidivom zapletu punom iznenađenja.
00:05:11To si htjela da kažeš, zar ne?
00:05:12Dobro, ne bi bilo iznenađenje da je predvidivo.
00:05:15Voli ona mene, ali voli i da me ispravlja.
00:05:18Ja se ne ljutim. Znate, uvek kažem da su zabavniji oni koji greše
00:05:23od onih koji ispravljaju.
00:05:24Ti si meni uvek zabavan.
00:05:26Sljedeći kandidat je jedna od čak šest serija koja je ušla u koštat sa vlaškom magijom,
00:05:34nepravedno zaboravljanim kulturnim fenomenom istočne Srbije,
00:05:38zove se jednostavno, direktno i nadam sve iskreno.
00:05:44Blaška magija!
00:05:50Dobro je. Nismo dobili nagradu.
00:05:54I za kraj, ostavljamo seriju,
00:06:00zbog koje sam, evo moram lično da kažem, isplakao galone suza.
00:06:04I to nisu samo moje suze, ljudi. To su suze moje majke, moje sestre, moje tetke, moje bake.
00:06:10Čak sam i bivšu devojku nagovorio da pogleda seriju.
00:06:13Ona u početku nije htjela, na kraju je pogledala i naravno plakala.
00:06:17Bivšo?
00:06:19Pričat ću ti.
00:06:21Moram da priznam da i kod mene u kući je bilo slično sranje stanje.
00:06:25Mislim to sa plakanjem.
00:06:27Po svemu sudeći, poslednji kandidat za najprestižniju nagradu godine je
00:06:31serija zaslužna za suze cele Srbije.
00:06:36KAD?
00:06:37ZAMIRIŠU!
00:06:38KAD?
00:06:39JORNOVANI!
00:06:40Naš najlepši par, Igor i Katarina.
00:06:55Nismo ni Milošina, ne?
00:06:57Da znaš da nismo, Daniela. Uostalo mi smo diplomirani glumci, trebalo bi da se bavimo glumom, zar ne?
00:07:01Od glumi voditelja, Daniela.
00:07:04Naše pobednike i dobitnike Zlatne Pančićeve omorike nagrade za najbolju TV seriju godine.
00:07:11Proglasit će ovogodišnji predsednik žirija i uvek radoviđen gost ovde kod nas u Beogradu.
00:07:18Producent i reditelj iz Bratske nam Rusije, Oleg Kirilenko!
00:07:23UNEThese! UNEIVE! UNE notorje!
00:07:40Sdravuviđ AĖJEO!
00:07:43Sdar Italij tech show!
00:07:45thank you thank you very much my serbsky
00:07:52нет добро простите вы знаете обычно мне
00:07:59вручают награду никогда мне не давали чест
00:08:03вручить награду кому-то другому так что
00:08:06будете со мной нежны награда идет
00:08:11кати зиме
00:08:21замири шуи орговани
00:08:23правильно
00:08:24молодцы
00:08:27ну так
00:08:30посмотрите
00:08:33ай бро
00:08:35замири шуи орговани
00:08:38молодцы
00:08:40господа
00:08:50господа ова награда не припада мене ова награда не припада ни овим
00:08:59ова награда не припада
00:09:09ова награда не припада ни овим дорогим
00:09:12дорогим даровитим вредним льудима ова награда припада исключено и само вам
00:09:22джаба
00:09:31джабо палме
00:09:33джабо морике
00:09:34джабо
00:09:36джабо
00:09:37джабо
00:09:37джабо
00:09:38джабо
00:09:39джабо
00:09:43джабо
00:09:44джабо
00:09:45джабо
00:09:46джабо
00:09:47джабо
00:09:54джабо
00:09:56but I can't, because for me the job is simply not done.
00:10:01A good film doesn't mean anything.
00:10:04A good series doesn't mean anything.
00:10:08All until the entire cinematography of this country
00:10:11won't be standing on their feet,
00:10:12until the state won't fall into the film,
00:10:15until we won't have any representatives
00:10:17at all European and world festivals,
00:10:19all until it doesn't happen,
00:10:22I don't have to do what to do.
00:10:24One thing I can so clearly,
00:10:26is that I will fight all my forces,
00:10:28the last atom, my forces,
00:10:30to fight myself,
00:10:31and to be recognized in the world.
00:10:33Live the humanity.
00:10:34Live the strength.
00:10:35Live the strength.
00:10:46I'm...
00:10:49I'm genuinely surprised,
00:10:51even when we were singing
00:10:52from the world,
00:10:53I will ask for the first part of the world,
00:10:54I will ask for the first question,
00:10:55whether it is to be a place,
00:10:56if you,
00:10:58if you,
00:10:59if you,
00:11:00if you,
00:11:01a team,
00:11:02they are a new energy to the fulls of our work,
00:11:04and you can also think that information,
00:11:06the new spirit,
00:11:07the young colleague,
00:11:08who,
00:11:10you know the people,
00:11:11who have been given this role.
00:11:12Thank you very much.
00:11:42Thank you very much.
00:12:12Thank you very much.
00:12:42Thank you very much.
00:13:12Thank you very much.
00:13:42Thank you very much.
00:14:12Thank you very much.
00:14:42Thank you very much.
00:15:12Thank you very much.
00:15:42Thank you very much.
00:16:12Thank you very much.
00:16:42Thank you very much.
00:17:12Thank you very much.
00:17:42Thank you very much.
00:18:42Thank you very much.
00:23:54Hello, Catherine.
00:23:57Do you want me to do the circus?
00:24:00I didn't stand by that moment when I was able to die.
00:24:02No, I'm sure I'm going to die.
00:24:03I'm going to die.
00:24:05Boba Mičeović.
00:24:06You're welcome.
00:24:08I'm still going.
00:24:09I'm sorry, is there a picture?
00:24:16Yes, yes, of course.
00:24:19I'm sorry because of the light.
00:24:30Hello, hello, hello.
00:24:39Good morning, Katarina.
00:24:44Thank you, colleague.
00:34:33What happened? What happened? You knew everything and heard.
00:34:37Because the most important is your film. The most important is your series.
00:34:40And the idiots will kill themselves. And someone will lose someone.
00:34:43There's nothing to do with it, right?
00:34:46I'm going home and drinking tea with Lexi and I'm going to fight the night.
00:35:03Some nights don't forget them.
00:35:07But they can enjoy themselves.
00:35:09I'm a lawyer with Lexi.
00:35:10You've got my advice.
00:35:12I'm going to publish them last year'satan.
00:35:18Usually it's time for the time.
00:35:20I have to guess like these things.
00:35:21While we're leaving, we're going to stop shadows and I'm going to kick down declines.
00:35:22I've seen some change in my life.
00:35:23Back to the next little hoe.
00:35:25It's so close to me.
00:35:26It's extra enough.
00:35:27It's тем how it makes us write and take some time.
00:35:28I don't mind.
00:35:30Well, I think we can talk about that.
00:35:34Come on, let's go over the place.
00:35:36What do you say, buddy?
00:35:38Let's go over the place.
00:35:41No, no, no.
00:35:42No, seriously.
00:35:43You're a little one, you know?
00:35:45You're a little one.
00:35:53Where's the house?
00:35:55Where's the wife?
00:35:56Where's the wife?
00:35:57Where's the wife?
00:35:58Where's the wife?
00:35:59What do you do?
00:36:06Let me know if I'm sleeping.
00:36:09Is it right?
00:36:10That's not the case like a Katarina said, for me and for you.
00:36:15I'm sorry.
00:36:16What are you doing?
00:36:18That's your problem.
00:36:19Yes, that's our problem.
00:36:20If someone will do it, I have to tell them.
00:36:23Is that right?
00:36:24What's the case?
00:36:25This is not the first time to do this demonstration.
00:36:28When I go to set up, I go to her.
00:36:30Okay.
00:36:31Then she gets hurt, I get hurt.
00:36:33She feels like this because she knows she can.
00:36:36I tell her how she's super, how she's all with me.
00:36:39Yeah, that's right.
00:36:41To be back to set up.
00:36:42Yeah, that's right.
00:36:43What's interesting?
00:36:44I think it's funny when she goes to set up.
00:36:46Why?
00:36:47You don't go to her.
00:36:48Why?
00:36:49She goes to her.
00:36:50That's right.
00:36:51Because I've been talking to her so many times.
00:36:53Wait, wait, wait.
00:36:55You're not normal.
00:36:57Let's go.
00:36:58Let's go.
00:36:59I mean, you need to go to them.
00:37:00You need to go.
00:37:01I need to go.
00:37:02Yes.
00:37:03Because you're their children.
00:37:04They're your vegetables.
00:37:05What's your vegetables?
00:37:06Well, that's right.
00:37:07Let's go.
00:37:08Eat them.
00:37:09What are you then?
00:37:10Well, I am.
00:37:11I came to her as a owner of the farm.
00:37:17Every time.
00:37:18Yeah.
00:37:19What am I?
00:37:20Well, what am I?
00:37:21Well, you're...
00:37:22You're...
00:37:23You're...
00:37:24You're...
00:37:25Jurišove Junice, Dang.
00:37:28You...
00:37:29You're Tammy's men that you're wearing Today.
00:37:32That's why I'm not paying for that.
00:37:34Look,ارl.
00:37:35All of your animals.
00:37:36How can I do this new holl�in?
00:37:38Let's go, farm.
00:37:40What?
00:37:42It's like a chicken and a chicken.
00:37:46I mean, power. Like an Orwell.
00:37:52I have an idea for a new series.
00:38:12We will film a series about making a series.
00:38:23We have all the images. We have a director, a producer...
00:38:29We have a director, we have...
00:38:32We have a young man.
00:38:35Now, I'm going to turn on something.
00:38:38No, no, no.
00:38:39Kaja has an idea for this series.
00:38:43Let's go.
00:38:45We are watching two movies,
00:38:47who are the main movies in the series,
00:38:48but they are also privately together.
00:38:51The drama begins when the series is in the series.
00:38:56The main movie is...
00:38:58I don't know if he is really married
00:39:00or he is going to throw the crisis in the middle of the year
00:39:02and that's what's going on.
00:39:04In any case,
00:39:05he is going to prevent his wife
00:39:08with a young girl.
00:39:10A little cliche, a little cliche.
00:39:11A little cliche.
00:39:12No, no, no, no.
00:39:13We will think about it.
00:39:14We will think about it.
00:39:15In any case, everyone knows everything.
00:39:17They hide it from her.
00:39:18Then we have the criticism of the patriarchy,
00:39:20where women are guarding one another.
00:39:22We have the criticism of the cultural elite.
00:39:25and we have the feminism
00:39:28where the woman will get out of the whole system.
00:39:32I mean, you have to help me a little.
00:39:34I can't.
00:39:35I can't.
00:39:37What are you saying?
00:39:38Is it good?
00:39:39Sit there.
00:39:40Sit there.
00:39:41Sit there.
00:39:42Sit there.
00:39:43Sit there.
00:39:49I know what you are doing.
00:39:51I know that you are a person
00:39:52with special needs
00:39:54to get a job
00:39:55to be my father
00:39:56and my goodwill.
00:39:58I know that you are going to throw him
00:40:00and where you are going.
00:40:02I pray.
00:40:09Wait.
00:40:10I'm serious.
00:40:11We are going to shoot a film.
00:40:12We are going to shoot all the shit
00:40:13that they are looking for
00:40:14at these musical festivals.
00:40:15We are going to get more.
00:40:16I want to play the man
00:40:17that is Stokan.
00:40:18You will not play.
00:40:19You will not play.
00:40:20You will not play.
00:40:21I will not play.
00:40:22I will not play.
00:40:23I will not play.
00:40:24I will not play.
00:40:25I want to play something from the blood,
00:40:26a little bit more brutal.
00:40:27But we will play together.
00:40:28You are right.
00:40:29But I have a good idea.
00:40:30Who can play this young man?
00:40:31You will not play.
00:40:32Who?
00:40:34Maia.
00:40:38Who is Maia?
00:40:39Who is Maia?
00:40:40Who is Maia?
00:40:42What is Maia?
00:40:43Yes!
00:40:44I'll be over.
00:40:45Wow, wow!
00:41:01Please, don't you?
00:41:15I would like to ask Pavlov to bring him to you,
00:41:22which would be a guarantee for you.
00:41:26But I think I can find a happy solution.
00:41:45Mali, do you like me?
00:41:55No, I'll stop you.
00:41:59You're sure you're a meteorologist.
00:42:03I want him.
00:42:06If you take him for me, you won't let me show you
00:42:10and leave you until now.
00:42:14We'll have a meeting.
00:42:36I don't want to get out of me, brother.
00:42:40If you don't want to get out of me,
00:42:42if you don't want to get out of me,
00:42:44if you don't want to get out of me,
00:42:46come back to your wife.
00:42:48You don't want to get out of me.
00:42:50Mali, it's not just as simple as it looks like it is.
00:42:53It's not just as simple as it looks like it is.
00:42:56What's wrong with you?
00:42:58I don't want to get out of me,
00:43:00I'm going to get out of me.
00:43:02I'm going to get out of me.
00:43:04That's right, bro.
00:43:06Do you want me?
00:43:08Tell me.
00:43:11They have cameras here.
00:43:13Did you shoot this conversation?
00:43:15I'm listening, Igor.
00:43:23Do you want to tell me something?
00:43:25I mean, it's a little stupid,
00:43:27but I'm honest.
00:43:29Tell me.
00:43:31I'm sorry.
00:43:33I'm sorry.
00:43:35Do you want to tell me?
00:43:38Tell me.
00:43:40Tell me.
00:43:42Tell me.
00:43:44First, just a little.
00:43:47Just a little.
00:43:49Just a little.
00:43:51Just a little.
00:43:53Yes.
00:43:55Even?
00:43:56Sure.
00:43:58Just a little.
00:44:00Yes.
00:44:02You're sorry?
00:44:04Yes, sir.
00:44:06Yes.
00:44:08Maybe.
00:44:09Yes, sir.
00:44:10Yes.
00:44:11Yes.
00:44:12Okay, so where.
00:44:13Yes.
00:44:14Yes.
00:44:15Yes.
00:44:16Yes.
00:44:17How are you?
00:44:18Yes.
00:44:19Yes.
00:44:20You are doing it.
00:44:22We are going to church.
00:44:24Let's go.
00:44:43Let's go.
00:45:09I pray a little space for the art.
00:45:13I pray a little space for the art.
00:45:26I love you, I watch you,
00:45:30I watch every smile and look at your face
00:45:35and I cry.
00:45:37I listen to your voice
00:45:40and I see my soul, my love,
00:45:44and the perfection of all of you.
00:45:47I see you in the end of the day.
00:45:50And I see you in the end of the day.
00:45:53That's a joy.
00:45:55Good boy. Genial.
00:45:58Amazing.
00:46:00Amazing.
00:46:02Well, let's listen to the lady.
00:46:05No, no.
00:46:06Well, what?
00:46:07Come on.
00:46:08Tell me your love stories.
00:46:11Come on.
00:46:13For me.
00:46:15I can't wait.
00:46:23To know that I really wanted to be
00:46:26and what others whom you would never know
00:46:28why now.
00:46:30Being such a choice,
00:46:31even though every smile
00:46:32is to be so responsible
00:46:34and I will come back with you
00:46:40To see you in the village, to see you in the village, to see you in the voice of your voice.
00:46:45To tell you what I'm saying and to think about the same thing and to suffer.
00:46:50Days and nights are the same, until you don't come back to us again.
00:46:56But you know yourself, you are the same.
00:46:59And it's hard to tell you the village.
00:47:02And we, we are nothing.
00:47:05But we are truly.
00:47:07It works for you.
00:47:10GENIALO!
00:47:13GENIALO!
00:47:14Klass!
00:47:15BOMBA!
00:47:16I don't know what to say.
00:47:18You are amazing!
00:47:20GENIALO!
00:47:22I don't know what to say.
00:47:26GENIALO!
00:47:27GENIALO!
00:47:28GENIALO!
00:47:29GENIALO!
00:47:30GENIALO!
00:47:31GENIALO!
00:47:32GENIALO!
00:47:34GENIALO!
00:47:35GENIALO!
00:47:35There is only a perfume that feels like Igor's perfume, right?
00:47:52Ha?
00:47:53I just felt that Igor's perfume is going to be a little more tough.
00:47:58I don't feel anything.
00:48:02I feel it because I bought that perfume for the children.
00:48:08Do you know what? I don't know how to get to it,
00:48:10where the two people are going to love
00:48:12and then I just love it.
00:48:15How do you get to it?
00:48:16Let me explain.
00:48:17No, I don't know.
00:48:19Nobody knows what it is.
00:48:20When you write.
00:48:22When you write.
00:48:23How do you do that?
00:48:26You don't know.
00:48:28Do you want to kiss?
00:48:29Peta.
00:48:30Pumetaši.
00:48:31Pumetaši.
00:48:32Stražno.
00:48:33I don't have anyone to say.
00:48:34I didn't know.
00:48:35I didn't know anything.
00:48:36Hear the secret.
00:48:38Let me hear it.
00:48:42You know what?
00:48:43It's very nice with you.
00:48:45And you and me are going to blame me a little bit.
00:48:48A little bit?
00:48:49Yes.
00:48:50Yes.
00:48:51I have to lie to you in the background.
00:48:52Really?
00:48:53Really?
00:48:54Yes.
00:48:55In the background, my mother.
00:48:56No, no.
00:48:57I didn't think so.
00:48:58You look great.
00:48:59You look better, certainly.
00:49:00Yes.
00:49:01Yes.
00:49:02Yes.
00:49:03Yes.
00:49:04Yes.
00:49:05Yes.
00:49:06Yes.
00:49:07Yes.
00:49:08Yes.
00:49:09Yes.
00:49:10Yes.
00:49:11Yes.
00:49:12Yes.
00:49:13Yes.
00:49:14Yes.
00:49:15Yes.
00:49:16Yes.
00:49:17Yes.
00:49:18Yes.
00:49:19Yes.
00:49:20Yes.
00:49:21Yes.
00:49:22Yes.
00:49:35Yes.
00:49:36Yes.
00:49:37Yes.
00:49:42Yes.
00:49:44Yes you are.
00:49:46Huh?
00:50:08Excuse me, please.
00:50:10No, excuse me.
00:50:12This is a lot more than I thought it was possible.
00:50:42I don't know what I wanted.
00:50:44I don't know how many people would like me.
00:50:46I'll tell you what I wanted.
00:50:48No, no, I'll tell you.
00:50:50Let's go.
00:50:51You're the only one who can take me to the table, okay?
00:50:54I'll tell you.
00:50:56I'm going to ask you, Brk.
00:50:58I'll ask you, if you don't do anything, I'll never go.
00:51:00I'll ask you.
00:51:02I'll ask you, first.
00:51:03Just go.
00:51:04Daniel.
00:51:05I'll ask you.
00:51:06Daniel, we'll do the decision.
00:51:08Okay?
00:51:09Do you understand? You decrease yourself.
00:51:13I try it, Daniela.
00:51:15Find another way.
00:51:16Who is it?
00:51:24Good evening.
00:51:26Daniel, and this is how I look at him,
00:51:29we go around and ask people to give us a role somewhere,
00:51:32and we don't think about who is better than you.
00:51:37We know everything we need.
00:51:40Scenes, akrobatics, emotional learning.
00:51:44Brko!
00:51:45We were diplomated.
00:51:47Did you understand your own?
00:51:49Oh, my God!
00:51:51Let's go!
00:52:07You 화장или!
00:52:08Okay.
00:52:09Wow!
00:52:11Pozoach, Walton
00:52:17Are you in your kitchen?
00:52:20Yeah!
00:52:21Yeah!
00:52:25Yeah!
00:52:26Hey.
00:52:38Maturi.
00:52:40That's your tulumbica, is it something,
00:52:42about your penises?
00:52:44Or is it like a memory of Antalya,
00:52:46while you were on the flight,
00:52:48and you were really rich,
00:52:50and you are my tulumbica,
00:52:52and you are the fason, lol.
00:52:54Listen, don't go off the keyboard, you'll get the shit out of it.
00:52:59Listen!
00:53:08Come on, come on!
00:53:11What are you doing?
00:53:12Don't go off the keyboard!
00:53:14Don't go off the keyboard!
00:53:16Come on, come on!
00:53:18Come on!
00:53:20You can't go off the keyboard!
00:53:22Come on, come on!
00:53:26What are you doing?
00:53:28What are you doing?
00:53:30What are you doing?
00:53:34All idiots!
00:53:36First!
00:53:38First!
00:53:40What are you doing?
00:53:42What are you doing?
00:53:43What are you doing now?
00:53:44No.
00:53:45...
00:53:47Oh, sorry.
00:53:49What did you do?
00:53:51What did you do?
00:53:53Wait, what did you do?
00:53:55I didn't see it, I wasn't looking for the effect.
00:53:57No, I won't do that.
00:53:59I will not call you...
00:54:01What did you do?
00:54:03That's my Tulumbice.
00:54:05What did you do?
00:54:07What did you do with the other hand?
00:54:09What did you do with the other hand?
00:54:11You're a little bit for a cake!
00:54:13Sorry, I'm sorry.
00:54:15I'm so sorry.
00:54:17I'm so sorry.
00:54:19What did you know?
00:54:21When I knew how I was gonna lie,
00:54:24because you weren't convinced that she got the money,
00:54:27and you wouldn't have seen it.
00:54:29You know what?
00:54:31You're telling me.
00:54:33You're not telling me.
00:54:35You're telling me what's wrong now.
00:54:37You're telling me,
00:54:39and I'll solve it.
00:54:41I'll give you the answer.
00:54:43I'm not saying that we're going to do it.
00:54:45We're going to do it now,
00:54:46and we're going to do it.
00:54:48And we'll be going to talk about it.
00:54:50You look at me in the eyes, you're lying.
00:54:52I'm not lying.
00:54:54I'm not lying. I'm not lying.
00:54:56I'm not lying.
00:54:57I'm not lying, man.
00:54:58What's happening?
00:54:59Well, tomorrow I'll call the newsman.
00:55:01I have everything to tell you from the point of the point.
00:55:04Your tongue is not going to sound like this.
00:55:07One more, one more.
00:55:09I'm going to do it.
00:55:10I'm going to be in the black.
00:55:11I'm going to do it.
00:55:13You understand?
00:55:14When the media will be confused.
00:55:16You're going to be dead.
00:55:17I don't want to do it.
00:55:18I don't want to do it.
00:55:19I don't want to do it.
00:55:20I don't want to do it.
00:55:24What did I say?
00:55:26All your friends wanted to sleep with me.
00:55:30I can't regret it.
00:55:32Some of them tried it.
00:55:34And now I'm going to die.
00:55:37I don't want to die.
00:55:38I don't want to die.
00:55:39You can't die.
00:55:40I don't want to die.
00:55:41I don't want to die.
00:55:42That's the理由.
00:55:43Stop, stop, stop.
00:55:45Dear friends, you know Kalinko.
00:55:48Where do I buy one?
00:55:50What he said?
00:55:51He said, you need to give a couple of drinks.
00:55:54The other thing is.
00:55:56The other thing is.
00:55:57The other thing.
00:55:58The other thing.
00:55:59The other thing is, you leave some kind of drinks.
00:56:00Well, of course, friend, of course, of course, of course, but unfortunately, this is just impossible now, because I have only credit card.
00:56:08I have no credit card.
00:56:10Well, you have a beautiful idea.
00:56:13You pay now, I'll pay tomorrow.
00:56:16Can't you?
00:56:17You can't pay, I'll pay tomorrow and tomorrow and tomorrow.
00:56:20Let's go, friend.
00:56:22Let's go.
00:56:23Let's go, Kalinka.
00:56:24Kalinka!
00:56:30You need help, Kalinka.
00:56:34Thank you, Kalinka.
00:56:40Thank you, Kalinka, Volina.
00:56:45Let's go, Kalinka, Volina.
00:56:46I'll Mean,いつ none of you'll be well.
00:56:49Oh, my dawg, my law.
00:56:51Right now, we'll keep in mind when you come away.
00:56:53BEGINNING
00:57:04OYAH SO SNOW
00:57:08OYAH SO SNOW
00:57:10POSPATRY!
00:57:11POSPATRY!
00:57:12POSPATRY!
00:57:15I love you all you have. You are my family.
00:57:22Are you again in the church?
00:57:23No, no, I don't have to talk.
00:57:25Here you are, you know?
00:57:28As long as you are not in the number,
00:57:31then you are young in your life.
00:57:33You are young in your life.
00:57:42Stefano, I would like you to take a look like my son.
00:57:47You think I am a club?
00:57:51Of course, you think I am a bad guy.
00:57:53I feel in your voice, I feel that I am organically gay with you.
00:57:58Then you start with you.
00:58:00I am a bad guy.
00:58:01No one loves you from us and does not respect you.
00:58:05You deserve it.
00:58:06You are not a bad guy.
00:58:08You are not a normal father-in-law.
00:58:11You are all great.
00:58:13What do you need to fight?
00:58:14Do you fight against me?
00:58:16Or do you talk to someone who fights me?
00:58:18I will not do anything with you.
00:58:20You will not do a job that you love.
00:58:23Do you understand that I do not want to love you because of you?
00:58:28And the award?
00:58:29What award?
00:58:30The audience, the audience.
00:58:31Who is the audience?
00:58:32The audience who loves you!
00:58:33Me!
00:58:34You!
00:58:35They love Kaju and Gigu!
00:58:37Kaja and Giga are our series.
00:58:39I cannot say that you do not know that.
00:58:41It is unusual for the text.
00:58:43It is unusual for my ears.
00:58:44At the end, it is not important for them to play.
00:58:46It was a shame.
00:58:48It was a shame.
00:58:50It was a shame.
00:58:51You do not support the audience who loves you.
00:58:53You do not support me who pays you.
00:58:55You do not support my colleagues.
00:58:57This beloved man here.
00:58:59And Europe.
00:59:00Europe!
00:59:01Europe!
00:59:02For the people who did not turn it off to you.
00:59:03Only the head of the head will appear in Europe.
00:59:05You do not support some capitalists, colonialists, imperialists.
00:59:09What do you say?
00:59:10You lose the difference.
00:59:12You do not support us.
00:59:13No big
00:59:36...the sea is shining behind me...
00:59:55What's wrong with you, Igor? Did you destroy me?
00:59:58No.
00:59:59What did you do?
01:00:05Why do you do that?
01:00:07I can't do this, I can't do this.
01:00:09I can't do this.
01:00:11How do you do this?
01:00:17Stop, stop.
01:00:19I'm sorry.
01:00:23I can't leave Katarin, sorry.
01:00:29Don't go.
01:00:31Don't go.
01:00:35Don't go.
01:00:37Don't go.
01:00:39Don't go.
01:00:45Prud, come here.
01:00:47I think the most because you're smart with all these tears and tears,
01:00:51it's yours the first thing in life you're good, right?
01:00:55Wow.
01:00:57Don't, don't.
01:00:59Why did you tell me that I'm a Serbian George Clooney?
01:01:07Well, Igor, that Katarina didn't hurt you,
01:01:09you wouldn't be able to get any hatred and hatred.
01:01:13I know.
01:01:17Excuse me.
01:01:19Well, you can't excuse me, Igor.
01:01:22You can't always tell me sweetly.
01:01:25Excuse me, Maio, everything is done.
01:01:27You have to be a consequence.
01:01:31You have to be a curse.
01:01:32You have to be a curse.
01:01:34I believe you are a curse.
01:01:35No, Igor, you don't be a curse.
01:01:37You're only a curse.
01:01:40What happened?
01:01:42Why are you crying, Igor?
01:01:46You're like a baby when they hurt their parents.
01:01:49You're not aware of your sins in your head.
01:01:53You're the victim now.
01:01:55You're not Katarina who you have betrayed.
01:01:58You're not me who you have betrayed.
01:02:00In your head, we are your followers.
01:02:03And not people who can be hurt and who you have a responsibility.
01:02:09Sorry.
01:02:10What happened?
01:02:11What happened?
01:02:12What happened?
01:02:13What happened?
01:02:14What happened?
01:02:15What happened?
01:02:16You're again, Igor.
01:02:17Is that a shame?
01:02:19No.
01:02:21No.
01:02:22You're when you look back to your house.
01:02:23You're a hypocrite.
01:02:24You're a liar.
01:02:25You're a liar.
01:02:27You're a liar.
01:02:28You're a liar, Igor.
01:02:29And you are, let me see, you are the ligav, the crv that is covered.
01:02:45Do you know how the crv is covered in the flesh?
01:02:53I know, gross.
01:02:55So?
01:02:56So.
01:02:57I can tell you something?
01:03:01First time in the life, I think I will kill myself.
01:03:11Just go ahead.
01:03:26But we always have to die like this.
01:03:30Did you just say that you are the owner of the farm?
01:03:34Because of which the farm is destroyed?
01:03:38Because of which all this is inside?
01:03:40Because of you!
01:03:41The main clown is being punished at the basement.
01:03:42Is that a man?
01:03:44No.
01:03:46We have to go to the floor.
01:03:48Later, later.
01:03:49Nothing else is better.
01:03:50We didn't let the clowns go to the floor.
01:03:51Where do you don't let the clowns go?
01:03:53You don't let us go?
01:03:54No.
01:03:55We have to go to the room.
01:03:57Later, later.
01:03:59Nothing else.
01:04:01We said that we don't let us go to the room.
01:04:03Where do you not let us go?
01:04:08Gig is the first time.
01:04:09It's always the first time.
01:04:24Whatsapp.
01:04:36What do you need to go to the room?
01:04:37You can't trust me.
01:04:38I'll tell you something.
01:04:40I'm not buying anything for that.
01:04:41You know what you're afraid of.
01:04:43Don't think about it.
01:04:45Believe it.
01:04:46We have to do this on our side.
01:04:47Look.
01:04:48Man's got to do.
01:04:49You're the man's got to do.
01:04:54Let's go.
01:05:24Let's go.
01:05:54Let's go.
01:06:24I'm sorry, I'm sorry!
01:06:26I'm sorry, I'm sorry!
01:06:28I'm sorry, I'm sorry, don't leave me!
01:06:30What is this genre?
01:06:32Is this horror?
01:06:34Don't worry, I'm sorry!
01:06:40You're right now, you're right now,
01:06:42you're right now, you're right now!
01:06:44Don't worry, you're right now!
01:06:46When I asked you for May,
01:06:48you said it was normal,
01:06:50and it's not a stop!
01:06:52I'm cursed!
01:06:54I'm a sinner!
01:06:56I'm a human!
01:07:00I'm not Tulumba!
01:07:02I'm not Tulumba!
01:07:04I'm not Tulumba!
01:07:06I'm not Tulumba!
01:07:08I'm not Tulumba!
01:07:12I'm not...
01:07:14I'm not...
01:07:16I'm a little of milk.
01:07:22Oh
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