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Short filmTranscript
00:00You used my photography to get extra finances without even asking for my
00:07permission and you're cheating with another woman and then you brought me
00:11here today to break up with me. Bartender, if I make this gesture, can you serve this wine?
00:16Something special happening tonight? Actually, it's my big day.
00:21Hey Veronica, you almost here? You should thank me. Who else would appreciate your
00:29photos like I do? What? I'm the one who sold them. I'm the one who secured the deal.
00:35How could you? You know what Eileen? You're a boring woman. What can you do besides take
00:41photos anyways? Look, we're done. Don't bother me anymore. What did you say? Who do you think you
00:47are? You can't make it? Where are you going? You can't just leave. You can't make it anymore?
00:54What the heck is the matter with you guys? Great. This is for the- Hey, here's my business.
01:09That's right. What is this? It's disgusting.
01:18I got that bottle of wine. I proposed to Veronica. This was all for her. She doesn't seem to care.
01:37Why is Brad doing this to me anymore? I've never treated her badly. I've been such a good girlfriend.
01:44Didn't Veronica ever actually cared about me? Why is Brad lying to me? I don't understand.
01:54Oh, God.
01:55I was like.
01:56Please don't.
01:57Alright.
01:58Alright.
01:59Wow.
02:00Thanks, bye.
02:01Bye, bye.
02:02Bye.
02:03Bye.
02:04Bye.
02:05Bye.
02:06Bye.
02:07Bye.
02:08Bye.
02:09Bye.
02:10Bye.
02:11Bye.
02:13Bye.
02:14Bye.
02:15Bye.
02:16Bye.
02:22Bye.
02:23Bye.
02:24Who's there?
02:35So, I think that we...
02:38Just, let's forget about this.
02:54What the fuck?
03:08What the fuck?
03:15Hey, open the door.
03:18Hey, I need my phone.
03:19We open the door.
03:20How could you bring another woman into my room?
03:22You told me that you guys broke up.
03:26What is she doing here?
03:27Tell her to go away.
03:28I don't see her.
03:30All right, I'll ask her to leave.
03:34Look, you and me are over.
03:37What the fuck are you doing scaring us, Orlita?
03:41This is my room.
03:43You guys need to...
03:43You stole my cell phone.
03:48I need that back.
03:49Come on.
03:50Hey, hey, hey.
03:50Can I open the door, please?
03:51I'm sorry, sir, but without permission, I can't...
03:54Someone in there stole my cell phone.
03:56Please help me open the door.
03:57Where did you come from?
04:26Last night, you think you missed my phone call.
04:32And then today, you bring my phone!
04:36Fine, but don't think you're all high and mighty now just because someone's got your back.
04:40Make an enemy out of me and that business of yours is going to suffer.
04:43Just you wait.
04:44Hey, what are you crying over this jerk for?
04:54He's not worth any of those tears.
04:56I don't...
04:57I don't want to cry.
04:58I just...
04:59I can't help it.
05:02I have an idea.
05:03Instead of crying over this guy,
05:05let's get some revenge.
05:06How?
05:11Follow me.
05:17See what you can do.
05:18She needs a lot of work.
05:22Maybe give her a new look.
05:24Let's make her a ten.
05:24Okay.
05:34Grandma, hi.
05:35Yeah, I'm on a trip with Veronica.
05:38Don't lie to me.
05:39I saw Veronica was in Paris on TV.
05:42She's nowhere near you.
05:44And if you don't find a life partner soon,
05:47your mom's gonna step in and arrange things her way.
05:50Would you please convince her not to do that?
05:52I don't...
05:53I don't need the help.
05:54Convince her?
05:55I'm even more anxious than she.
05:58If I hadn't taken your feelings in account,
06:00I would have teamed up with her to find a wife for you already.
06:04Grandma!
06:04Stop playing court with me.
06:06Why don't you tell me your type?
06:08What do you think about the housewife type?
06:11How about the cute type?
06:18Don't tell me that you like the sexy type.
06:28Hello?
06:30Grandma?
06:33I think I found her.
06:41Don't worry, darling.
07:08She's still an ugly duckling no matter how she dresses.
07:11She'll never be as beautiful as you.
07:14When I close this deal,
07:15we'll jet off to Europe for a photo shoot
07:17and I'll turn into a supermodel.
07:19Sir, we greatly appreciate your willingness to collaborate.
07:23With your support and our company's works,
07:25I believe we will make a phenomenal impact on the market.
07:29I appreciate Miss Eileen's work a lot.
07:31She's just a photographer in her company.
07:34To be honest, Eileen has always wanted to develop a personal relationship with me,
07:40but I've maintained my belief that this would violate our potential collaboration.
07:45Unfortunately, she became angry when things didn't go as she wished.
07:49I wouldn't want this to ruin our partnership,
07:52not to mention the future development of the studio.
07:55Okay, so I've changed like you said.
08:01What now?
08:03Did you feel that?
08:04No one's eyes on you?
08:06That was just the first part.
08:08See a guy over there?
08:09His name is Edwin.
08:11He's a very famous investor.
08:13Now, from what I can tell,
08:15Brad is trying to use your work to secure Edwin's investment.
08:18I don't know about you,
08:19but I don't think Eileen shouldn't be in business with that kind of a scumbag.
08:23What do you say?
08:25I'm not going to let Brad steal my work.
08:30Sir, rest assured,
08:32I own the rights to all the studio's photography and artwork.
08:36We decide where they go and how much they sell for.
08:41Really?
08:42I wasn't aware that you had the copyright to all of my work.
08:45Eileen, what are you doing?
08:47You shouldn't be here.
08:48You're lost.
08:48Mr. Edwin, I heard that you're interested in my photography.
08:52Before you make any last-minute decisions,
08:55I want you to know that Brad's so-called studio and artwork
08:58actually belongs to me.
09:01Mr. Brad already showed me all the artwork,
09:03and he already handed me a business proposal.
09:05He's not who you think he is.
09:06He's a thief.
09:08Please don't stand on my partner.
09:09You should fix this privately.
09:11But, Mr. Edwin...
09:18Hey, Edwin, hey!
09:22Hey, Leo. Nice to see you again.
09:25Good to see you.
09:26I want to introduce you to my friend Eileen here,
09:29who is a world-renowned, fantastic photographer.
09:32However, it does seem that her ex-boyfriend Brad here
09:35is stealing the studio from her
09:38and trying to sell all of her works out from underneath her.
09:40I apologize, but I don't want to interfere in some controversial project.
09:45Sir, that's not when you said it earlier.
09:47I'm not willing to work with dishonest people.
09:49Well, this man is a leech who just exploits my work for money,
09:54so not working with him would be a wise decision.
09:57Sir, this is a simple misunderstanding.
10:00I'm just spouting my apologies to both of you.
10:01I already decided not to invest.
10:03Neon, I have another thing to attend to.
10:06Please excuse me.
10:11Eileen, just you wait.
10:13The studio will fall apart without you.
10:15And when it does, you'll come begging for me to return.
10:18Just get lost.
10:27Hi.
10:30Hi.
10:30Are you checking out, too?
10:31I am, yes.
10:33It's wonderful to meet you, Eileen.
10:36Same, same.
10:38I would love to see you.
10:39I think maybe it's best if we remain strangers after this.
10:47Strangers.
10:48That's okay.
10:50Okay.
10:53Thank you for everything.
10:57It's better this way.
10:58I'll just treat that night as an accident.
11:01Goodbye, Leon.
11:02Goodbye, Maddie.
11:15I assure everybody I'll find a way to sustain the studio, okay?
11:20Just give me some more time.
11:21You haven't paid us for a month already.
11:23If you leave now, who do we go to?
11:25Right, just pay us right now.
11:34Boss, the studio we intend to acquire, it seems like a perfect fit.
11:38It is quite well reputable within the industry.
11:41It's great.
11:42Look, if I hadn't supposed to try and dodge my mother, I wouldn't even be here today.
11:46Just look in the future, if something kind of minor like this, just figure it out on your own, okay?
11:50Being pressured to get married and introduce the ladies by your mom again?
11:54Funny, Vance.
11:55If you don't pay us now, we're going to break everything.
11:59Just pay us already.
12:00It's you.
12:01It's you.
12:14Boss, I found out that the person in charge of the studio we were planning to acquire is the girl you sent to the hospital.
12:28Wait, I thought you said it was a male CEO.
12:31Well, the person who contacted me was a man.
12:33Are you serious?
12:35Vance, how am I just hearing about this now?
12:36Boss, they need to tell me to be the one making the decision when it's such a trivial matter.
12:40Yeah, well, this is a big deal.
12:43If this woman owns the studio, we have to cancel this deal immediately.
12:47Huh?
12:47But the letter of intent has already been signed.
12:50Well, then figure it out.
12:52I can't have anything to do with this woman anymore.
12:55Are the family members of Eileen Park here?
12:57What's wrong with you?
13:07Running out before the patient even wakes up?
13:10No, I wasn't.
13:11I was...
13:11The patient needs to pass flights for rest and observation.
13:15She's still very weak and needs care.
13:18Don't get her so worked up.
13:22Why are you here?
13:23Didn't you say it was best for us to stay strangers?
13:28So I save you.
13:29This is the kind of thanks that I get.
13:35You're right.
13:36Um, thank you.
13:38You know, why don't we start over?
13:41Hi.
13:42My name's Eileen Park, and I'm the owner of Warm Mom's Vision Studios.
13:47It's nice to meet you.
13:48You know, I think maybe it is best we stick to our initial agreement.
13:55I...
13:55I have something I have to do.
13:58I'm sorry I have to go.
14:07She's still very weak and needs care.
14:10Don't get her so worked up.
14:11Do you think that just because you can hide in a hospital, that means everything will be fine?
14:27Yeah.
14:27Give us our money, or we'll stay right here.
14:30I promise I'll find a way to pay you guys back, okay?
14:34Oh, yeah?
14:34And how?
14:35Because Brad had a plan, and you messed it all up.
14:38Yeah.
14:39Of course it's you.
14:40Who instigated them to give me trouble.
14:43Please don't listen to Brad.
14:45He just wants to exploit our work and defraud the investment for his own personal profits.
14:50We just want our money, and we deserve it.
14:54Fellow colleagues, I'm not usually one to hide when times are tough, but the studio's decision-making
15:00still requires Eileen's cooperation.
15:02Now, it all depends what she chooses.
15:07How can you be so unethical?
15:10Sign it, and the company will have nothing to do with you.
15:13So you want me to hand over my studio for free, and you'll have the copyright to my work?
15:21In your dreams.
15:24Brad is just trying to help you.
15:26You sign the contract, you can pay off all your debts.
15:29You can go back to running the studio.
15:31Don't be so ungrateful.
15:32Exactly.
15:34Just sign the contract.
15:35Hurry up and sign it.
15:36Hurry up.
15:41Eileen, didn't I tell you to take it easy and to rest?
15:45You again.
15:46Eileen, I always knew you were a suspect.
15:48Now I see exactly why he's been helping you so much.
15:51What nonsense are you spouting?
15:52Not everyone's like you.
15:53Hey, what's wrong?
15:57Want me to call you a doctor?
15:59No, no.
16:00It's okay.
16:00I'm okay.
16:01I might as well tell you guys that I've packaged the studio, and your works are for sale to
16:07the lead group.
16:08You have to sign now, even if you don't want to.
16:12Are you saying that you're selling the studio to the lead group?
16:15Yeah.
16:15Did I set her?
16:16You already have a signed contract with the lead group?
16:18And just, what does this have to do with you?
16:21That's right.
16:22We're in contact with Vance from the lead group.
16:25Brad, why are you explaining it to them?
16:27Just sign the contract.
16:30It's what's best for all of us.
16:31Thanks.
16:48What are you doing?
16:52Keep your trashy contract for yourself.
16:55And just who do you think you are, huh?
16:57First you meddle with my loan security, and now you're ruining my good fortune.
17:03Hey, Vance?
17:04You don't show up in three minutes, don't bother showing up ever again.
17:08Wait, you know Vance?
17:15Oh, Vance, why are you here?
17:16Boss, all the information on WarmVigil's acquisition is all over here.
17:21Please have a look.
17:25So this is your so-called letter of proposal, huh?
17:30Consider it null and void from this moment forward.
17:32Why?
17:33The letter of intent has already been signed.
17:36What?
17:37Are you just, like, one of those big groups that likes bullying small businesses?
17:40Then why shouldn't I bully you?
17:41Same way you bullied Eileen here?
17:43Take over her studio and try to sell it to us, not give her any credit for the profit?
17:47You violated the contract.
17:48You have to compensate me.
17:50The letter of intent specifies that if the work doesn't carry out, the acquisition cannot go through.
17:59Well, then the deal's off.
18:01There's plenty of other companies interested in WarmVigil anyways.
18:04Go ahead and try.
18:06I'll guarantee that no one around here will sign a contract with you ever again.
18:12Vance, get us a new contract and set the price for three times higher.
18:17Boss, didn't you say you don't want anything to do with this woman?
18:22Yes, boss?
18:24Look, Eileen, I see your passion for the studio for photography, and I know none of this will ever happen if it wasn't for this scumbag over here.
18:31But listen, I am genuinely interested in your studio.
18:35But that...
18:36You can rest assured that despite being acquired by us, I will never interfere with your studio.
18:41I will maintain your studio as a complete independent part of League Groups.
18:46Thank you, Leon.
18:47Vance, issue an order.
18:50Starting today, blacklist this idiot from the entire industry.
18:52Congratulations.
18:58The crisis has finally been resolved.
19:00Yeah, we can work together again.
19:03Set up a payment for these two and ask them to leave.
19:05We don't need to work with such income employees.
19:22What's wrong?
19:25Something on your mind?
19:27How do you know?
19:29Photograph.
19:30Can convey the emotions of the photographer.
19:34Nothing much.
19:36Just...
19:37Contemplating a choice.
19:40Trust your instincts.
19:42And positive results will come.
19:44Good luck.
19:47Thanks.
19:52What's wrong with me?
20:00Congratulations.
20:02You're going to be a mother.
20:04What?
20:05Yeah, you're pregnant.
20:07Well, the fetus is still in its early stages, so...
20:12You'll have to be careful.
20:14And make sure you get plenty of rest.
20:16Oh.
20:18Thank you, Pop.
20:22Should I get birth to this baby or mom?
20:38Of course you shouldn't have the baby.
20:40It'll be a burden.
20:41How would you even provide for it?
20:43Don't listen to her.
20:44Of course you should have the baby.
20:46It's a small life, after all.
20:48And once it comes, you'll finally have a family.
20:51Do you want your child to be like you?
20:53Without a father?
20:54Facing discrimination like you did growing up?
20:57That's not true.
20:59As long as you give it love and care, you'll grow a pack of mom.
21:06You are so naive.
21:08If you insist on having this baby, then I suggest you go find Leon and making it his responsibility.
21:14Don't bother Leon with this.
21:15You can do this on your own.
21:17I don't know what to do.
21:24Should I even tell Leon?
21:32Boss?
21:34Miss Eileen over here says she has something she'd like to discuss with you.
21:37Then a moment.
21:38Just hold for a second, will you?
21:40So what is it?
22:03Are you finished considering our studio's acquisition?
22:05It's okay, can you take your time?
22:10I've had Vance wrap a contract just in case.
22:12Oh, no.
22:13What's wrong?
22:14Is it Brad?
22:14Is he harassing you again?
22:16No.
22:17Then, uh, what is it?
22:20I have something to tell you.
22:22Oh.
22:22What's this?
22:35I'm...
22:35I'm pregnant.
22:42Was it that night?
22:43I'm sorry.
22:49Disregarded our initial agreement.
22:51I'm just gonna go now.
22:57Mom.
22:58Grandma.
23:00Did you say that you're pregnant with Leon's child?
23:02I'm just gonna say that you're pregnant with Leon's child?
23:07It's time to get married.
23:32I do.
23:34Eileen, do you take Leon for your lawful husband to have and to hold from this day forward for
23:40better or for worse in sickness and in health to have to be a part?
23:45Yes.
23:46I do.
23:48Leon, do you take Eileen for your lawful wife to have and to hold from this day forward for
23:54better or for worse in sickness and in health to have to be a part?
23:59I do.
24:00You may exchange your rings.
24:01Yes.
24:02You may kiss the bride.
24:10I can't believe I'm marrying you.
24:12I can't believe I'm marrying her.
24:14I can't believe I'm marrying her.
24:24I can't believe I'm marrying her.
24:26I can't believe I'm marrying her.
24:37I can't believe I'm marrying her.
24:38I can't believe I'm marrying her.
24:39Do you remember me?
24:40Right, so too. I'm glad to finally meet you in person.
24:45Oh, do you know Ucheza?
24:47We've been talking online for a very long time.
24:49Yeah, Kevin is a huge inspiration for my work.
24:54It's a big deal, he's a cameraman.
24:57He's really big in this industry. It's an honor to have him take our pictures.
25:02Looks like they won't need me to break them up after all.
25:05You should lead the dance.
25:09I don't know how to dance.
25:12It's okay, I'll show you.
25:30Oh, I'm so sorry.
25:32It's okay, it's okay, just follow my lead.
25:48Sorry, I have to take this.
25:50Are you still in love with her? Maybe I shouldn't marry you.
26:06Are you still in love with Veronica?
26:09I...
26:13I will learn to love you.
26:15Look, I know you married me because I got pregnant.
26:20So, I don't want to put any pressure on you.
26:24But I think we should lay down some ground rules.
26:27Ground rules?
26:28First, I think we should keep up the persona that we're a real couple to outsiders.
26:36Second, we need to fulfill our duties as parents.
26:41And third, we don't need to be involved in each other's personal lives.
26:47What do you say?
26:48Are those the ground rules that you want?
26:51Yeah.
26:53Then okay.
26:55This ring isn't really mine, so...
26:59It's all.
27:20Go on and enjoy the romantic moments of your wedding night.
27:24Don't even bother if it's Coco who did it.
27:30We're not getting out of here tonight.
27:32So...
27:33Don't worry, I'll sleep on the floor, you can take the bed.
27:35Oh!
27:43Sorry.
27:45Sorry.
27:47Ow!
27:49Are you okay?
27:51Yeah.
27:53Why don't you sleep on the bed?
27:54It's okay, I'm just gonna...
28:05I shouldn't have answered that call earlier today.
28:08I'm sorry.
28:12I think maybe you should...
28:14Hang on to this for now.
28:17I'll try to be a good husband.
28:20I will be a good father.
28:36Good night.
28:40Kevin.
28:41Hi.
28:42What are you doing here?
28:43Uh, the pictures of the wedding are ready, so...
28:46I just came to show them to you.
28:48Oh, really?
28:49That was fast.
28:51Um...
28:53Give me one second.
28:54I'll be right back.
28:55Okay.
28:56You're putting on makeup so early.
28:57Uh, Kevin's here.
28:58He's downstairs.
28:59You like this, Kevin?
29:00Yeah, I've liked him for many years.
29:04What's wrong with you?
29:05So, I'm sticking with, like, long, cozy colors for the overall tone, you know?
29:06What do you think?
29:07Uh...
29:08I think we're on the same page, but...
29:09The contrast can be upped a little bit.
29:10Uh...
29:11I don't know.
29:12I don't know.
29:13I don't know.
29:14I don't know.
29:15I don't know.
29:16I don't know.
29:17I don't know.
29:18I don't know.
29:19I don't know.
29:20I don't know.
29:21What's wrong with you?
29:22So, I'm sticking with, like, long, cozy colors for the overall tone, you know?
29:27What do you think?
29:29Uh...
29:30I think we're on the same page, but...
29:32Okay.
29:33The contrast can be upped a little bit, and...
29:36For this little part of the skin, do you care if I take care of that myself?
29:40Sure.
29:51Hello there.
29:52Hi.
29:53What are you two looking at?
29:54Um...
29:55Eileen and I was just looking at the wedding pictures.
30:13What are you doing?
30:15What are you doing?
30:16You're practically breaking down his neck.
30:18Thank you, Kevin.
30:20Uh...
30:21Let me see.
30:24Wow!
30:25Oh, this picture is perfect!
30:27I wanna, uh, enlarge it and hand it up here.
30:30Yeah.
30:35Eileen, come here.
30:37I have something to say.
30:40Who else is in your family now?
30:42Would you like to introduce us to them?
30:45Uh...
30:46Actually, I've been an orphan since a child, so...
30:50You guys are my family now.
30:52By the way, did you and Leon meet while traveling?
30:54I seem to recall Leon mentioning he was going to propose at that time.
30:59Was it...
31:00To you?
31:02No.
31:03Actually, we, um, we both had exes back then.
31:08But don't worry, I...
31:10I...
31:11I cut off my ex since me and Leon are married.
31:15I'll be a great wife to him.
31:16Of course.
31:18But considering you had a boyfriend at the time,
31:20How could you prove that the child is Leon's?
31:28I was only with Leon at the time.
31:31You were both drunk at the time.
31:33I do think that some things can be overlooked.
31:35But two incompatible people being together is this time for unhappiness.
31:41Take this and leave my son.
31:44I didn't marry Leon for money.
31:47All I want is for our child to be in a happy, healthy family.
31:51And I believe Leon wants the same thing.
32:01I will shred your lies to bits.
32:04Just you wait.
32:06In the ass to see the profits that have been generated, she starts to sell.
32:10Boss.
32:12What did you just say?
32:13No, nothing. Sorry. Keep going.
32:15As I was saying, the market still contains active buyers at this point.
32:19Boss.
32:21Are you waiting for a call?
32:22What? No, I'm not waiting for a call.
32:23Who's waiting for a call?
32:25Boss.
32:26This is urgent.
32:27When you have the time, please have a look at it carefully.
32:33What is keeping her so busy? Why can't she just call?
32:50What am I doing?
32:51What are you doing running around wild?
33:08Let me feed you.
33:09Why about yourself? Where is Aline?
33:20I think she went out.
33:22Husbands and wives should communicate tomorrow.
33:25We just got married and you have no idea where is your wife?
33:29I've been trying to call her, but she hasn't responded.
33:30Go and find him.
33:31Your husband, is it natural to go look for her?
33:43Your grandpa lets me out of his side for more than an hour.
33:49Do you know why I ask you to live without any hesitation?
33:53Because you want a grandson?
33:54Actually, I had known Aline for a long time.
34:01I knew grandpa had just passed away and your dad wasn't by my side either.
34:11And I even consider it to a new grandpa.
34:20And then I visited the orphanage and I met little Aline.
34:24She was so optimistic, kind, gentle, understanding.
34:28Aline was there for me during my toughest times.
34:32She's been orphan since her childhood.
34:36And she definitely doesn't want to endure the same hardships as she did.
34:42Grandma, I had no idea.
34:45Leon, maybe someone can trust your lifetime.
34:51Hello?
34:53What did you say?
34:57Hello?
35:01What did you say?
35:21I don't know.
35:51Where am I?
35:59I gave you a chance, but you forced me to do this.
36:03Alice, what are you going to do?
36:05Don't you think that I have no idea what you're thinking about?
36:09You are simply trying to use a child in your belly to get into the new family.
36:14Leon is honest while Coco, that old hag has lost her mind once again, which is why you succeeded.
36:20I gave you a choice, but since you are greedy, this is your fate.
36:28What are you going to do?
36:30Let me go.
36:31Valon, you're acting crazy.
36:33Please just let me go and I'll leave Leon, okay?
36:35I promise.
36:36Just get me out of here.
36:38Please.
36:42Valon!
36:43Help!
36:44Please get me out of here!
36:46Stop!
37:03Stop!
37:04Leon, why did you come here?
37:06Hey, it's okay.
37:09I'm here.
37:10I'm here.
37:10You're safe, okay?
37:12Unlock her.
37:14I said unlock her now!
37:18Okay.
37:21I thought I was going to lose the baby.
37:27No, no.
37:28Okay, no one's going to hurt you or the baby while I'm here.
37:31Leon, keeping a woman of unknown origin around will surely ruin the family's reputation.
37:37That means my wife.
37:39And she's holding our child.
37:45Valon, how did they issue the family?
37:47That woman is not my family.
37:49I will never accept a bastard of unknown origin.
37:52How unreasonable.
37:53Clearly you don't understand how to repent.
37:55But in this case, you don't have to concern yourself with the family matters anymore.
38:11Hello, Veronica.
38:12I have something to tell you.
38:25What if someone else tries to hurt the baby?
38:55Look, I know that because of your history and how you grew up, it's really hard for you to feel safe and secure.
39:01And I realize I made a lot of mistakes.
39:04I didn't give you enough attention.
39:07And I didn't make you feel safe.
39:09And I didn't love you enough.
39:11And I am so sorry.
39:13I don't blame you.
39:15I'm just afraid of losing my baby.
39:18I will never let that happen.
39:20I will never protect you.
39:22I will provide a really wonderful, safe home for you after the baby.
39:27I promise.
39:29And you are all that I care about.
39:33You really care about me?
39:35You know, at first, I thought I was marrying you out of obligation.
39:43And then I couldn't find you every day.
39:45And all I could think about was you.
39:47And I was praying to God not that anything happened to you.
39:51Thankfully, I arrived just in time.
39:53But I think, you know, I'm like, I'm falling for you.
40:09Please, continue, continue.
40:15That is so embarrassing.
40:19And don't forget to eat something.
40:23What is this?
40:31I thought you could work next to me from now on.
40:34I don't really want to let you out of my sight again.
40:37What about my studio?
40:38I thought this way, you wouldn't have to work quite so hard before the baby's born.
40:42Or, if you prefer, we can find you an assistant to help manage in the meantime.
40:48I think I have the perfect candidate for that one.
40:51Who?
40:53So, Kevin, this is my studio.
41:04I hope that you'll join us.
41:06I mean, the environment, to be honest, is pretty good.
41:11It is every photographer's dream.
41:14I would be more than happy to come.
41:17However,
41:19I can decide this.
41:22I disagree.
41:23I thought you said that you wouldn't interview with my studio and that I had freedom.
41:29Yes.
41:30No, but Kevin is extremely professional.
41:32My pleasure.
41:39I'll make you leave sooner or later.
41:42Leon.
41:49Leon.
41:50You know I care about you, right?
41:52Why does it have to be Kevin?
41:53Kevin is a world-renowned photographer.
41:59He's the best option I have.
42:01Yeah, but you and Kevin...
42:03His feelings for you are not...
42:06Don't worry.
42:08I'll make sure to maintain a strictly professional relationship with him.
42:12Okay?
42:12Okay?
42:12Will you promise me you'll have any contact with him outside of just work?
42:21Okay.
42:23No problem.
42:32Oh.
42:34One second.
42:36Hello?
42:37What?
42:39Okay.
42:41I'll be there in a second.
42:43What's wrong?
42:44Something happened in the studio.
42:45I have to go right now.
42:47I can take you.
42:48Okay.
42:56You should answer that first.
43:08What do you mean we're looking for trouble?
43:10Go ask around and you'll see that's your privilege to be working.
43:12Vivian, what an amateur team.
43:14This disgusts us.
43:16You're being so unreasonable right now.
43:20This disgusts us.
43:22You're being so unreasonable right now.
43:24Well, I told you that the lighting with Vivian wasn't right.
43:26What's the problem with finding somebody to make these necessary changes?
43:29Sorry, but the shooting style was approved by the client beforehand.
43:32Any temporary changes, we wouldn't be able to do so on our own.
43:35Then find someone who can make those decisions, because otherwise, we won't be shooting.
43:41What's the situation?
43:42There was a slight situation with lighting, but overall, the client has approved the visual
43:46problem from the beginning.
43:47I'm so sorry, but we already discussed all the details and finalized it.
43:54Any temporary changes would probably disrupt the shoot.
43:57Well, let's disrupt it.
43:58Who cares?
43:59The maximum that can happen today is we won't shoot.
44:03You mentioned, um...
44:33Vivian, from here on out, the lead group is going to halt all collaboration with you
44:38and Vivian, and no one in the industry will even dare dream about working with you guys
44:42again.
44:43You're free to go.
44:44Hey, hey, what's the matter with you?
44:47You know what's going to happen if I didn't arrive when I did?
44:49If you had followed me in there, maybe that wouldn't have even happened.
44:52You told me that you would never take me out of your sight.
44:55And then one phone call from Veronica got you distracted.
45:03You're right, I'm sorry.
45:18I didn't even answer her call.
45:21Promise that you'll look after me?
45:25Of course.
45:26Just answer her or she'll keep calling.
45:39Wait, wait.
45:40I'll tell her.
45:42Veronica, you have to stop calling me.
45:45Leon, I just miss you.
45:47Veronica, we're already broken up.
45:49I promise I'll never happen again.
45:57Come here.
45:58Plus, the model has been taken care of.
46:20I think he's up to.
46:22He's always texting her and chatting with her.
46:24If you don't work hard a little, she might be taken away.
46:28Come on, he's a broke photographer.
46:30He's not a real competition.
46:33Do me a favor.
46:35Just go find out what it is he's talking to her about.
46:38Keep it quiet.
46:47What is it?
46:48I told you, it's a surprise.
46:50Almost there.
46:52Ready?
46:53Mm-hmm.
46:58This is...
47:00It's incredible, right?
47:04Are these the same photographs that Kevin showed?
47:08Mm-hmm.
47:09This is amazing, but I didn't expect to see this exhibition in my home.
47:17I'm just wondering how you got these prints.
47:28You think I would buy prints for my wife?
47:30Are you saying these are the originals?
47:33Of course!
47:34See, Kevin can show you all the copies online, but I can get the whole exhibition for my wife.
47:41What do you think of that?
47:41I'm sorry.
47:46I will try and stay out of your work life as much as I can.
47:50But can you promise me to try to limit your interaction with Kevin going forward?
47:57I still want to see the exhibition with my idol.
48:02Okay?
48:03What did you say?
48:05Say that again!
48:06Okay.
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