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FilmsActu
  • 07/07/2025
✩ Les Films à VOIR ? Ils sont ICI ► https://www.youtube.com/playlist?list=PL843D2ED8D80FA673

La trilogie Pusher de Nicolas Winding Refn, dans une version restaurée 4K, le 9 juillet au cinéma

FilmsActu X Nicolas Winding Refn (Interview)
© 2025
Transcription
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04:56Vous avez des fantômes, et j'aime l'extrême,
04:59donc j'ai pensé que je vais partir de l'autre à l'autre.
05:02Et je pense que j'ai travaillé dans le fantôme,
05:04ça a été beaucoup de fun.
05:06Donc j'ai décidé de faire Pusher 4 quelques années,
05:11mais comme un show de TV,
05:12et ça s'est devenu Copenhagen Cowboy,
05:14qui est vraiment Pusher 4.
05:16Il a des mêmes personnages et des mêmes mondes,
05:20mais je n'étais pas plus intéressé
05:24dans la manière dont j'ai eu l'habitude,
05:26parce que social media dominait cette narrative maintenant.
05:30Tout est accessible, et la plupart du tout est réel,
05:35ou à l'aise peut être très réel,
05:37capturé de moment à moment,
05:39et c'est très efficace, et je ne peux pas faire ça.
05:43Mais ce que je peux faire, c'est que je peux manipuler
05:46ça dans mon propre version.
05:48C'est fantôme, et c'est que je me suis plus intéressé.
05:51J'ai perdu la peur de vivre dans le vrai monde,
05:56et d'être plus excitée par stepping dans le théâtre,
06:02le space de l'unreality, comme un stage.
06:05Et donc, c'est comme l'évolution.
06:09Qu'est-ce que tu veux faire ?
06:12Je pense que si les directeurs veulent retourner
06:15et changer leurs films, je suis sûr qu'il y a une raison.
06:18Je n'ai pas besoin de faire.
06:20Je n'ai jamais eu la liberté de faire
06:23pour faire le film que je voulais faire.
06:25Donc, il n'y a rien à changer.
06:27J'ai quand même regardé.
06:29Donc, une fois que j'ai fait quelque chose,
06:31j'ai été ostracisé dans mon corps.
06:33Il n'est plus en moi.
06:36J'ai besoin d'aller continuer à ressentir quelque chose.
06:39J'ai
06:52des
11:40C'est comme l'énergie. C'est comme ça, juste pour le prochain.
11:43Ha ha, j'adore ça.
11:45Je suis comme toi. Je n'ai pas de regrets.
11:47Je pense que c'est une masterpiece, et c'est vrai.
11:50Je n'ai pas fait très expérimenter.
11:52Est-ce qu'il y a un docteur dans la maison ?
11:54Nous devons trouver un médecin ici.
11:58Est-ce qu'il y a un docteur ?
12:00Quand vous vous mentionnez 2001,
12:02il dit qu'il vous a oublié d'Add Drive.
12:05Nous allons laisser ça.
12:06Nous ne savons pas d'Add Drive pour un autre 30 ans.
12:1030 secondes.
12:11...whether it lives or dies.
12:12Je parle de films...
12:142001 was made in 1968.
12:18Je l'ai fait 4 ans.
12:204 ans est un zip.
12:22C'est pas un blip.
12:24C'est pas un pimple sur l'asshole de l'humanité.
12:28Ce qui est funny à parler de Billy Friedkin,
12:31c'est qu'il y a un homme qui a struggled beaucoup en Hollywood,
12:36et il a commencé très successifiquement à un jeune âge.
12:41Et il a commencé à devenir Sorcerer.
12:43Et il a toujours été traumatisé par l'expérience après so many years.
12:49Et je pense que c'est ce qui est très triste,
12:51c'est qu'il y a tellement d'affecte sur lui.
12:54C'est un peu comme Michael Cimino dans «Heaven's Gate ».
12:57Et ces fantastiques films,
13:00«Sorcerers » et «Heaven's Gate »
13:02sont probablement leurs best films,
13:04pour un certain nombre de choses,
13:07et ils perdent leur confiance.
13:10Ils perdent leur confiance.
13:12Et ça affecte tous les autres films qu'ils font après.
13:15Et je me suis dit,
13:16«I'm never going to be like that,
13:17because I'm right, you're wrong ».
13:24I mean, I've done two shows,
13:26one with Amazon,
13:27one with Netflix,
13:28and I like what I was making, obviously,
13:30but I don't know how much I want to continue.
13:36I may want to take a break
13:38and go and make movies again.
13:41I've decided to do more visual arts,
13:44you know, and trying to find other areas of creativity.
13:50But I think it's time to go make a film again.
13:54You said you work on two shows,
13:55but you work on The Famous Five or something.
13:57The Famous Five was a television show
14:00that I just, how do you say,
14:02executive produced or created,
14:04but I had no involvement in it.
14:06Otherwise, I just created the kind of concept and the story,
14:10based on these very famous books.
14:12The Famous Five was more because my kids would read the books
14:15when they were young.
14:16I remember my mother reading me the books.
14:18So it was more like a past history thing
14:21that came up as an opportunity.
14:27Well, I mean, if something is interesting,
14:30you know, why not look at it?
14:31I've had some wonderful meetings in Hollywood,
14:33met wonderful people,
14:35but in the end, I like my freedom.
14:38That's all I really want,
14:39is just to be free.
14:40When you work in Hollywood, there is a contract.
14:44Some people love that and can work within that.
14:48It's maybe not so much my thing right now,
14:51but who knows, maybe next year I'll do a big,
14:54you know, big superhero movie.
14:58That could be fun, maybe.
14:59I don't know.
14:59I'm pretty open to anything,
15:01but at the same time, at the end,
15:03you should just make what makes you happy.
15:05It's one thing having creative control, which is easier enough,
15:10but it's where all the money that's invested puts a burden on you,
15:16because all that money has to get, you know, recouped.
15:19And then you have to make a certain type of movie.
15:21You don't have the freedom to do whatever you want,
15:23because you're a slave to the economics.
15:26If your film costs $200 million or $100 million,
15:30you need to make $300, $400 million to break even.
15:33that already puts a strain on what kind of movie can you make.
15:36And I don't want any conditions on me at all.
15:42You have to be completely free.
15:47I mean, in the beginning,
15:49a lot of people were talking about another drive,
15:51but it was like, that would be the worst idea I've ever heard of.
15:55So never?
15:56Never.
16:03I've been very lucky to live a fun life.
16:09And it has nothing to do with fame.
16:14You realize very quickly.
16:16It has that I've had opportunities,
16:19and I've been able to work with people.
16:22I've met people.
16:23I've spoken with people.
16:24And it's all been a lot of fun.
16:27But I think when I started,
16:30the idea of being seen was very essential.
16:33The idea of fame.
16:34And fame being an opportunity.
16:37It's like an opportunity.
16:38It's like a stage.
16:39One thing is becoming famous.
16:41The next, what are you going to do with it?
16:43And obviously, it's like anything.
16:45It's an opportunity.
16:46I don't have any love.
16:50You have to work all the time.
16:52I also have to work.
16:54You have to work.
16:58We're going to be here in Bangkok for six months.
17:01Yang Han is going to make his next film,
17:02and I've said yes to the film process.
17:06It's new to be together with him,
17:08when he's filming.
17:10Last time he made Drive,
17:11I was home in Denmark with the children.
17:14And it took over ten months.
17:16And it was just for hard to be away from each other.
17:21My daily life is, I have a routine.
17:23I wake up.
17:24I do two-hour sports every day.
17:27Then I usually have lunch.
17:30Then I get yelled at by my kids.
17:33I work at night.
17:35And then try not to get to bed too late.
17:39And then Friday comes, and it's weekend.
17:42And you try to relax a little more.
17:45And the next day is Monday.
17:47You watch movies?
17:48I used to watch a lot of movies when I was a lot younger.
17:52But now it's just harder and harder.
17:54There's other things that I find interesting.
17:56Like what?
17:58Well, I did my first exhibition that just opened in Tokyo.
18:02And that's been a lot of fun to do that.
18:04A collaboration with Hideo Kojima?
18:06Mm-hmm, yeah.
18:07Can you talk about that?
18:08Well, I created an exhibition that opened on Friday last week in Tokyo,
18:16where I built this installation between us.
18:20I saw my wife and my daughter in the procession.
18:24Hey, it's me!
18:25Where are you going?
18:33Wait!
18:38Don't live without me!
18:42No!
18:43Don't go!
18:45Please!
18:46Don't go!
18:48And you are in Death Stranding 2.
18:51I am Heart Man, and Heart Man is forever in Death Stranding.
18:55I think that you don't believe everything you read on the internet.
19:04Okay.
19:04Can you tease us something?
19:05Well, believe everything you read on the internet.
19:08Ah, okay.
19:25I don't believe everything.
19:26I am an adviser.
19:28I am a guru human right.
19:29Why do you see it, Dr.
19:31Oindsay M.
19:32I don't have a child.
19:33A child.
19:35My teacher.
19:36I am far, okay?
19:38So, I just cent improvisation here.
19:39I'm sure, you know, here have you.
19:40It's funny there, it looks like the first person here on the internet.
19:43Maryoli?
19:44Or He prue, I know...
19:46She measures your señalit.
19:48You know,heiro, you're in10.
19:50You know?