- 7/6/2025
Category
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Short filmTranscript
00:00:00THE END
00:00:30The End
00:01:00Dancy, what do you do?
00:01:30How do you do?
00:01:31I never thought that I'd live to see the day that a girl could get Drogo Gaines with all his millions to the altar.
00:01:37My Helen has done it.
00:01:39I'll believe it when I see it.
00:01:41My Helen is a very smart girl.
00:01:44My Agnes was in the running, but what chance did she have when he never kept her out after ten o'clock at night?
00:01:49Well...
00:01:51I don't know.
00:02:21I don't know.
00:02:22I don't know.
00:02:23I don't know.
00:02:24I don't know.
00:02:25I don't know.
00:02:26I don't know.
00:02:27I don't know.
00:02:28I don't know.
00:02:29I don't know.
00:02:30I don't know.
00:02:31I don't know.
00:02:32I don't know.
00:02:33I don't know.
00:02:34I don't know.
00:02:35I don't know.
00:02:36I don't know.
00:02:37I don't know.
00:02:38I don't know.
00:02:39I don't know.
00:02:40I don't know.
00:02:41I don't know.
00:02:42Dr. Johnson, will you come in, please?
00:02:59Yes, I will.
00:03:01Listen to me, Drogo Gaines.
00:03:02What do you think you're doing?
00:03:07What's the matter with him?
00:03:08I think he's nuts.
00:03:10Here he is, doctor.
00:03:11My goodness.
00:03:13We'd better put him on the couch.
00:03:14All right.
00:03:15Lend me a hand.
00:03:16Okay.
00:03:17There we go.
00:03:25There appears to be no fever, and the pulse is normal.
00:03:28It must be a mental collapse.
00:03:30I'll phone for some assistance.
00:03:33Hey, Drogo.
00:03:34Come on, wake up out of this thing.
00:03:37Well, what now?
00:03:39Well, of all things, to happen to me.
00:03:41Yeah, happen to you.
00:03:42If you'd married the dope two weeks ago, we'd have had the 10 million, and we wouldn't
00:03:45care whether he did go goofy.
00:03:47Ma, it's all your fault.
00:03:48If you'd only let me marry Jerry Van Sniven, he had plenty of dough, and besides, I might
00:03:52have learned to love him.
00:03:52How did I know?
00:03:53Look at all the money Drogo's got.
00:03:55What are we going to do?
00:03:56We can't let those people eat all that food and stuff.
00:03:59Who's going to pay for it?
00:04:00You go out there and tell them it's been postponed.
00:04:02All right.
00:04:09Are you all right?
00:04:10Oh, yes.
00:04:12I'm all right.
00:04:13You mean to say that you heard everything we said?
00:04:15Yes.
00:04:15Well, but I didn't do this for that reason.
00:04:17I was afraid to go out there.
00:04:20I realized what a momentous step I was taking.
00:04:22But now that I know where your affections really are, it's probably all for the best.
00:04:26All for the best?
00:04:27You're making a monkey out of me, leaving me at the altar?
00:04:30Well, I'm very sorry.
00:04:31Wait a minute.
00:04:34Everybody in this house thinks you're crazy.
00:04:36Now, listen to me, Drogo Gaines.
00:04:37You're going to marry me, or they're going to think you're crazy for the rest of your life.
00:04:40Oh, I don't understand.
00:04:42Helen, how are you going to influence those people?
00:04:43Help!
00:04:44Help!
00:04:45Let me go!
00:04:46Let me up!
00:04:47Let me go!
00:04:48Helen, what are you doing?
00:04:51Help!
00:04:52Don't let him come in!
00:04:53He's crazy!
00:04:55Help!
00:04:56Mother!
00:04:57Somebody come in, help me.
00:04:58He's gone violent.
00:05:00Help me!
00:05:00What's the matter, dear?
00:05:01My poor child!
00:05:16Good morning, Mr. G.
00:05:20Would you mind telling me where I am?
00:05:22The Hopedale Club.
00:05:24The Hopedale Club.
00:05:30I can't stay in a place like this.
00:05:34I'm sorry, Mr. G., but I'll have to refer your complaint to Dr. Thorndyke.
00:05:38Now, eat your breakfast like a good boy.
00:05:40I don't want any breakfast.
00:05:42Please, Mr. G., you mustn't.
00:05:48Dr. Thorndyke!
00:05:48Dr. Thorndyke!
00:05:56Oh, pardon me.
00:05:57Have you the time?
00:05:59No, I'm sorry.
00:05:59I have my watch.
00:06:00Here.
00:06:01Take mine.
00:06:02Oh, no.
00:06:03But listen.
00:06:04I...
00:06:04I want to see Dr. Thorndyke.
00:06:17Just have a seat.
00:06:18Thank you, Dr. Thorndyke.
00:06:34Okay, you're a progressing splinch.
00:06:44Now drop in and see me any time you like.
00:06:46Always glad to have you.
00:06:47Thank you, Doctor.
00:06:52Mr. N., do you mind if I send Mr. G. in ahead of you?
00:06:55Not at all.
00:07:04Well, well, Mr. Gaines, glad you dropped in.
00:07:09We'll call you Mr. G here.
00:07:12Are you feeling better?
00:07:13No, I'm not.
00:07:15I mean, I never felt bad.
00:07:16Now, don't excite yourself.
00:07:18I'm not exciting myself.
00:07:20I just want to get out of here.
00:07:22Of course, they all do at first, but you'll soon learn to like us.
00:07:26We like you.
00:07:28That's just dandy, Doc.
00:07:30And I'm sure that you and I and all the lads would become great chums.
00:07:35But really, I've got to get back to New York.
00:07:37What have you there, Mr. T.?
00:07:39Oh, that?
00:07:41A little man outside fastened a flower that he didn't have with a pin that isn't here.
00:07:47Would you mind letting me have that again, please?
00:07:50Oh, that is.
00:07:51He thought he had a pin that he put in a flower that I haven't got.
00:07:58Now, look.
00:07:59I was just...
00:07:59I understand perfectly.
00:08:01Wait a minute.
00:08:03A fellow simply gave me a flower.
00:08:05And a very pretty flower it is, too.
00:08:08Oh.
00:08:09Look, Doctor.
00:08:10There's nothing wrong with me.
00:08:19Of course, there's nothing wrong with you, Mr. G.
00:08:22Now, Doctor.
00:08:23Doctor.
00:08:29I've had enough of this foolishness.
00:08:39You've got to let me go.
00:08:44Look.
00:08:44Mr. Gaines, I hope you'll appreciate my position in this matter.
00:08:47I've no alternative but to keep you here until your conduct improves.
00:08:51But listen.
00:08:51Now, don't make it hard for yourself.
00:08:53Finish dressing and go out in the sun.
00:08:55We're allowing you the full run of the grounds.
00:09:04Ah-ah-ah-ah-ah.
00:09:05Oh, I'm sorry.
00:09:29I didn't know you were fishing.
00:09:30What did you think I was doing?
00:09:36Good fishing?
00:09:38Excellent.
00:09:40Hot many?
00:09:41Nope.
00:09:42Never catch any.
00:09:43It's a sort of new idea when it comes to fishing.
00:09:48Ah, sure.
00:09:49Brighter than I thought you were, Mr. Gaines.
00:09:51Sit down.
00:09:52Oh, you know me?
00:09:54Know all about you.
00:09:55Carraway's my name.
00:09:57Colonel Carlton Carraway.
00:09:58You've heard of Carraway Seeds.
00:09:59Well, I'm the whole corporation.
00:10:01I didn't like the business, so I came here on my own accord.
00:10:04I like it here.
00:10:05I don't.
00:10:07I'm going to escape.
00:10:08Oh, no, you're not.
00:10:09The walls are too high.
00:10:11Why'd you come here if you don't want to stay?
00:10:12I didn't come.
00:10:14I pulled a little stunt in self-defense.
00:10:16Oh, yes.
00:10:17That Newton girl.
00:10:19While you were looking at her eyes, she was looking at your checkbook.
00:10:23Well, I didn't know.
00:10:24And Agnes.
00:10:25She kissed you when you bought her a yacht.
00:10:29You'd have done better with a canoe.
00:10:31And that Argentine tomato.
00:10:33What was her name?
00:10:34Conchita Watmazuma.
00:10:36You bought her bracelets and called her angel.
00:10:38And she said,
00:10:40Mi piccioncito eres mi todo.
00:10:42Sounded sweet, didn't it?
00:10:44Just mean sucker.
00:10:47You certainly know a lot.
00:10:49Yes, that's why I'm here.
00:10:51Tell me, Colonel.
00:10:52How does a fellow know when he's found the right girl?
00:10:58The signs.
00:11:00Signs?
00:11:01Yeah.
00:11:01I don't understand.
00:11:03Well, now, supposing a girl crossed her fingers and you crossed yours at the same time.
00:11:11That's a sign.
00:11:13Go!
00:11:14Come on, Ed.
00:11:14What's the matter?
00:11:15Oh, I caught a fish.
00:11:16Well, I'll never be able to fish here anymore.
00:11:20Come on, young Drogo.
00:11:21What are you going to do now?
00:11:22Going to photograph the fish.
00:11:23Everybody does that.
00:11:24Are you leaving, Colonel?
00:11:25Yes, this place is no good.
00:11:27There's too many fish.
00:11:34Something I could do for you?
00:11:37No.
00:11:40Now this, Mr. G, is the broom and daisy.
00:11:42The what?
00:11:43The broom and daisy.
00:11:44Probably the finest camera ever invented by the human mind.
00:11:47Now, don't let her frighten you and don't ask how she works or you'll spoil all the fun.
00:11:52Now, take one step forward.
00:11:55Two backward.
00:11:57Just a mite forward.
00:11:58Now what are you playing?
00:12:00That's another invention of mine.
00:12:02I never focus the camera.
00:12:04Anyone can focus the camera.
00:12:05I focus you.
00:12:06Now, are you ready?
00:12:08Hold it.
00:12:09There you are.
00:12:10That merely takes the photograph.
00:12:12Now, we develop it.
00:12:14Come in.
00:12:23Good morning, Colonel.
00:12:24Good morning, Harry.
00:12:25Meet Mr. G.
00:12:27How do you do?
00:12:28How do you do?
00:12:31And now we shall see what we shall see.
00:12:34We release the gadget A.
00:12:39Seize the dingus B.
00:12:41And grasp the photograph.
00:12:43See?
00:12:43And there you are.
00:12:44It's blank.
00:12:45Yes.
00:12:46That's the wonderful thing about the Bloomin' Daisy.
00:12:48You never can tell what's coming out.
00:12:50Sometimes I get the most amazing pictures.
00:12:53Not very often.
00:12:53Uncle Carlton, you're going to stay with me at the country place.
00:12:58Dr. Thorndagn, I think you'll be much happier there.
00:13:01Oh, but Harry, I like it here.
00:13:02I know, but you've got to leave here sometime.
00:13:04You've been here long enough.
00:13:06People are starting to ask embarrassing questions.
00:13:07Oh, Harry.
00:13:08Not another word.
00:13:09I know what's best for you.
00:13:11You get your things together and I'll call for you in the morning.
00:13:13You understand?
00:13:13Yes.
00:13:14Well, goodbye.
00:13:16Goodbye, Mr. G.
00:13:18I hope you have fun playing with your fish.
00:13:25I'm embarrassing him, that crackpot.
00:13:28He seemed all right to me.
00:13:29Oh, he did, did he?
00:13:31Come here.
00:13:35Look at that.
00:13:43What's the matter with that?
00:14:01He's a member of the fire department.
00:14:02That's just it.
00:14:03He isn't.
00:14:04Well, most likely the whole thing's my fault anyway.
00:14:07When he was a little lad, I bought him a toy fire engine to play with.
00:14:10Said he wanted to be a fireman.
00:14:11He never outgrew it.
00:14:12He's been playing fireman ever since.
00:14:14Oh.
00:14:15Go to his country place.
00:14:17Why, the whole thing's nothing but a big fire department.
00:14:19He'll not get me up there.
00:14:21I'll run away.
00:14:22That's what I'll do.
00:14:23I'll escape.
00:14:23You said you couldn't escape.
00:14:25No, I didn't.
00:14:26I said you couldn't.
00:14:27Didn't say I couldn't.
00:14:28If I had enough money to finance the Blooming Daisy, I'd escape tonight.
00:14:31I have a hundred and twenty dollars.
00:14:33A hundred and twenty dollars?
00:14:35Say, that's enough to put the Blooming Daisy on a paying basis.
00:14:38But the Blooming Daisy won't even take a picture.
00:14:39Shh.
00:14:40You know that.
00:14:41And I know that.
00:14:42But the people we photographed wouldn't know it.
00:14:44Now look.
00:14:45You meet me at the woods near the river at nine o'clock tonight.
00:14:47Boy, we'll hit the open road.
00:14:49We'll meet people.
00:14:50Real people.
00:14:51None of the money-grabbing kind.
00:14:53Don't forget to bring the money.
00:14:54What kept you so long?
00:15:03The fool guard didn't show up in time.
00:15:05It couldn't escape unless a guard was there.
00:15:07It wouldn't be strategic.
00:15:08Here, take that pole and knock those rocks off.
00:15:09The equipment's there.
00:15:11What for?
00:15:12The boat, of course.
00:15:13We've got a launcher.
00:15:14I knew this life would be too good to last.
00:15:16Why, how did this escape years ago?
00:15:17You call wrestling a boat?
00:15:19Here, stop all that piddle paddles.
00:15:20Get this stuff on board.
00:15:22There you are.
00:15:24Here.
00:15:26Here, now give me a hand.
00:15:29Fall ashore.
00:15:30Let's go on ashore.
00:15:31Shh.
00:15:32How far do you expect to get in this thing?
00:15:34Who wants to get far?
00:15:35We just want to get.
00:15:36Eve, ho, my hearty.
00:15:38Aubrey!
00:15:53Have Mr. Gaines sent to my office right away.
00:15:55Thank you, Dr. Thorndyke.
00:15:57As Mr. Gaines' secretary, I can assure you there's absolutely nothing wrong with him.
00:16:00As his fiancée, I can assure you that there is.
00:16:03Why, this whole thing is preposterous.
00:16:08Hello, Miss White.
00:16:16What?
00:16:16Miss White, notify the police.
00:16:20Seas as smooth as glass.
00:16:22We're not at sea.
00:16:23We're in the middle of the river.
00:16:25My feet are getting wet.
00:16:26Well, a little salt water never hurt anybody.
00:16:29That's not salt water.
00:16:30I never said it was.
00:16:32I made a...
00:16:33...about water never hurt anybody.
00:16:36Oh, you're impossible.
00:16:38Miss Rat's impossible.
00:16:39It's probably sinking.
00:16:41The server's right if we both drowned.
00:16:43We never should have listened to you in the first place.
00:16:44Oh, playing the coward, eh?
00:16:46Why, this silly river's so shallow you could wade ashore at any time.
00:16:50It is?
00:16:52Well, I'm going to wade.
00:16:53This must be the wrong river.
00:17:03Silly old river's shallow, huh?
00:17:06Well, you must have hit an air pocket.
00:17:12Waterfalls.
00:17:13Waterfalls?
00:17:14Give me that thing.
00:17:15We'll go over.
00:17:16That's a silly statement.
00:17:17People don't go over falls and rides.
00:17:19They only go over and back.
00:17:36Well, that wasn't enough, you hope.
00:17:38I can't really broke my neck.
00:17:39Well, all's well that ends well.
00:17:49Say, what's the idea of throwing things and destroying people's property?
00:17:52I'll have you know, madam, that I have just perpetrated the most magnificent escape...
00:17:56...in my long and brilliant record of achievement.
00:17:58Escape?
00:17:59Well, that's it, eh?
00:18:00I might have known.
00:18:02Well, now that you know, would you mind telling me how to get to a telephone?
00:18:05Listen, you're not going anywhere to pay for what you broke.
00:18:08And a case of Kewpie dolls cost nine bucks.
00:18:10Well, here's twenty dollars.
00:18:13Keep the change.
00:18:13I said nine bucks.
00:18:15No more, no less.
00:18:17That's the smallest I've got.
00:18:18You mean you don't want the extra money?
00:18:19No, why should I?
00:18:20Oh, what a girl.
00:18:22Come on, come on.
00:18:22Play up or I'll call the police.
00:18:23I have nothing smaller than a twenty.
00:18:27Achoo!
00:18:27Say, you're soaking wet.
00:18:31Oh, sure, I've been waiting.
00:18:32Here you are, my lad.
00:18:34Change into something of mine.
00:18:35I always carry extra equipment.
00:18:37Oh, no, I'm all right.
00:18:37Now, go ahead.
00:18:38We can't carry on with sick troops, you know.
00:18:40You can change behind the car.
00:18:42Make it snappy.
00:18:48Say, uh, what's he done?
00:18:51It isn't what he's done, gal.
00:18:53It's what he might do.
00:18:55His instincts, you know, are all bad.
00:18:58He's been a terrible trial to me, but I've done the best that I could.
00:19:02If he but had the love of a good woman, someone to bring out the finer things in him, to restore
00:19:07his self-respect, then again he could become a man among men.
00:19:11Oh, ho, Moore's carnival.
00:19:26Yeah, Penguin Moore.
00:19:27That's me.
00:19:28You own this?
00:19:29Yeah, the whole works.
00:19:31Tight lights, music, the gay, pleasure-mad throngs.
00:19:34What throngs?
00:19:35Merlin' a figure of speech, my girl.
00:19:37Merlin' a figure of speech.
00:19:39Ladies and gentlemen, right out by this way.
00:19:42Come on, fellas.
00:19:43Hi, hello, Penguin.
00:19:44Glad to see you back.
00:19:45Hi, Alice.
00:19:46Uh, you got change for 20?
00:19:48Are they still makin' those things?
00:19:52It won't make you fat.
00:19:53It'll make you thin.
00:19:53Come on.
00:19:58Yum, yum, you're so delicious.
00:20:02You're sweeter than an angel cake.
00:20:06I'll bet an even baker's dozen
00:20:09that every bee that's buzzin'
00:20:12tells its pretty flower you're his long-lost cousin.
00:20:17When you promise me kisses,
00:20:20the filling in my sweet toothache.
00:20:24Because your lips are more enticing
00:20:27than Grandma's chocolate icing.
00:20:30Yum, yum, yum.
00:20:38I keep a pantry full of sugar and spice,
00:20:44Strawberry jam and everything nice.
00:20:51But what could be much sweeter
00:20:54than someone like yourself?
00:21:00You belong on my top shelf.
00:21:09Yum, yum, yum.
00:21:11You're so delicious.
00:21:13You're sweeter than an angel cake.
00:21:17I'll bet an even baker's dozen
00:21:20that every bee that's buzzin'
00:21:23tells its pretty flower you're his long-lost cousin.
00:21:27When you promise me kisses,
00:21:32the filling in my sweet toothache.
00:21:35Because your lips are more enticing
00:21:38than Grandma's chocolate icing.
00:21:41Yum, yum, yum.
00:21:43Yum, yum.
00:21:44Yum, yum.
00:21:51You are the first lucky lady
00:21:53to get the dollar-port trade for 25 cents.
00:21:56Right down that way, lady, and to your left.
00:21:58As soon as we get changed to the $20,
00:22:00we're on our way.
00:22:00Now, listen, young lady.
00:22:06I've been waitin' long enough.
00:22:07Either you give me $120,
00:22:09or this show is the tax.
00:22:11Now, patience, Sheriff, patience.
00:22:13I do not like to be rushed while I am bathing.
00:22:16In fact, I like to soak.
00:22:18After 47 minutes, you ought to be waterlogged.
00:22:21Oh, you come right out of there, young lady,
00:22:31or I'm going to come over there and pull you up.
00:22:34Why, Sheriff, police, after all...
00:22:37What's going on here?
00:22:44I was waitin' for the head of this year's show
00:22:46to get out of the shower.
00:22:48Well, I'm the head of the show.
00:22:49Oh, you are.
00:22:50You blew Brownville last night
00:22:52owing money to several citizens of our community
00:22:54for use of the lot, gas, electricity, water.
00:22:57Matter of fact, you didn't pay for nothin'.
00:23:00Just a minute, Sheriff.
00:23:02What is the attachment on this show?
00:23:04$120.
00:23:05$120.
00:23:06Well, there's your $100, and here's your $20.
00:23:08Now, thank you very much, Sheriff.
00:23:10That fixes up everything.
00:23:11Wait a minute, mister.
00:23:12I never ask anyone to pay off anything on my show.
00:23:14Who said I was paying off anything on the show?
00:23:16I merely want to buy the photographic concession for the colonel.
00:23:19You mean, you want to pay $120 so the colonel can use that bloom and daisy around here?
00:23:23That's right.
00:23:25Well, let me tell you, mister.
00:23:26It ain't worth it.
00:23:27It's worth a lot more than that to me.
00:23:29Now, goodbye, Miss Moore, and thank you very much.
00:23:33Say, not a bad guy.
00:23:36And cute, too.
00:23:37Well, goodbye, colonel.
00:23:39And lots of luck with the blooming daisy.
00:23:40Where are you going?
00:23:41Back to New York, of course.
00:23:42That's my suit you got on.
00:23:44Oh, it is.
00:23:45Well, I'll send it back to you.
00:23:46Which one of you is Penguin Moore?
00:23:48I am.
00:23:49Why?
00:23:50Well, I'm Clem Prouty, owner of this lot.
00:23:52And I want that $20 rental in advance that she promised me.
00:23:55Well, say, can't you give us a little while?
00:23:57Nothing, Dawn.
00:23:58I'll give you just 10 minutes to get the money.
00:24:01And either you'll put up or pack up.
00:24:03And I'll be waiting right here.
00:24:05Wait a minute.
00:24:13I'll get 20 bucks from these yokels for my Indian remedy
00:24:16if it's the last act of my life.
00:24:21Now, where do you think you're going?
00:24:23Well, with you, of course.
00:24:25Nowhere else to go now that the source of livelihood's been cut off.
00:24:28What a pity.
00:24:29And to the lack of only $20.
00:24:31Oh, I never saw such a mess.
00:24:32There must be some way to make $20.
00:24:34Say, I've got another attachment on the Bloomin' Daisy
00:24:37that I saved for just such an emergency.
00:24:39Now, you put one here, one here, and one here.
00:24:47Well, I'll try anything once.
00:24:52Here you are, young lady.
00:24:53Take care of my bag for me.
00:24:54Sure, bud.
00:24:57Beg your pardon, stranger.
00:24:59You look like an intelligent person,
00:25:00one who'd be interested in making a little easy money.
00:25:03Sure, who's going to mind me?
00:25:04I am.
00:25:05But in order to accomplish this feat,
00:25:06I shall have to secure a portion of your chewing gum.
00:25:09What good gum going to do you?
00:25:10Ah, that's a secret.
00:25:11I've made hundreds of dollars that way.
00:25:12Now, we attach the little pea to the chewing gum.
00:25:17We attach both to the interior of the shell.
00:25:19It's whole.
00:25:21Follow me, stranger.
00:25:22I'll show you how it works.
00:25:27Well, well, well.
00:25:28The shell game, eh?
00:25:29The object of this game is to find out which shell the little pea is under.
00:25:33I've had a lot of experience along that line.
00:25:35Say, your shoelaces untied, young fella.
00:25:36Tell you what I'll do, young man.
00:25:41I'll bet you $20 that I can tell you where the little pea is.
00:25:43I'll bet you $22.
00:25:44$20 is all I want.
00:25:46$20 is the limit.
00:25:46Wait a minute.
00:25:47Take your money back.
00:25:47It was my idea.
00:25:48Oh, no, you don't.
00:25:50I had my money up first.
00:25:51You're unfair, sir.
00:25:52Trigger, in fact.
00:25:53Just a minute.
00:25:54Just a minute.
00:25:55Say, young fella.
00:25:55Didn't you have my money down first?
00:25:57Yes, I guess you did.
00:25:58That gives you the first chance to play.
00:26:00Sorry, mister.
00:26:00Well, it's an outrage.
00:26:01Money won that way.
00:26:02It'll do you no good.
00:26:03Now, gentlemen, which shell hides the little pea?
00:26:06That one.
00:26:08It ain't there.
00:26:09No.
00:26:10Too bad, gentlemen.
00:26:11Too bad.
00:26:12Better luck next time.
00:26:14It's amazing.
00:26:15The man must be a wizard.
00:26:16I'm glad I didn't bet any of my own money.
00:26:18And there you are, ladies and gentlemen, the great Indian princess Yo-Yo in the flesh.
00:26:23She speaks not a word of anything but her native tongue.
00:26:26Now, she brings this tonic to you from the sands of the desert, the rocks of the mountains,
00:26:31the land of the mighty red man.
00:26:33Now, you've never seen a sick Indian.
00:26:37They're all big, strong, mighty men of nature.
00:26:40And why are they all big, strong, mighty men?
00:26:43Because they use Princess Yo-Yo's Indian tonic exclusively.
00:26:48And now, my good people, this wonderful remedy is worth $5 a bottle.
00:26:52But we're not going to charge you $5.
00:26:55Oh, no.
00:26:55Nor $2.
00:26:57Nor $1.
00:26:57No, sir.
00:26:59You're going to buy this wonderful tonic for just $0.25.
00:27:03And because of the great affection the princess has for the people of this community, with
00:27:08every two-bit purchase, we're going to give you a bow made by the princess's own brother, Eagleby.
00:27:15Now, you say to yourself, what will I do with just a bow?
00:27:19Well, we'll tell you.
00:27:20With every $0.25 purchase of the Princess Yo-Yo's tonic, we're going to throw in an arrow so that you have the tonic and the bow and arrow, all for the trifling sum of $0.25.
00:27:31Come on, now, folks, step up and get that first bottle.
00:27:35Don't miss this amazing opportunity to buy this great tonic for $0.25 a bottle, or five bottles for $1.
00:27:42Let me just take one bottle and pass it down among you.
00:27:45Just pull the cork out of that, my friend, and take a smell.
00:27:48And don't forget, ladies and gentlemen, that you get a bow and an arrow free with this purchase.
00:27:53Miss Jinx, here's the $20 you need.
00:27:58Would you mind keeping an eye on the colonel's camera for me?
00:28:00Why, sure. Thank you.
00:28:02Okay.
00:28:03And now, folks, step right up and get your bottle.
00:28:06Well, colonel, where's he going?
00:28:09He thinks he's going to New York.
00:28:11He's the constable now.
00:28:13I'm constable.
00:28:14Constable, there's your man right there, and I am as guilty as he is.
00:28:16You come along with me, too, then.
00:28:18You can't fornake me out of money, you city slickers.
00:28:20First, you make me look ridiculous with that fish.
00:28:23Then, you almost drown me on that silly raft of yours.
00:28:27Next, we become entangled with a broken-down carnival.
00:28:30And you get a bright idea on how to acquire $20, and we land in jail.
00:28:36If you'd kept your mouth shut, I would have been on my way to New York right now.
00:28:39Are you sure you told that girl to take good care of the Bloomin' Daisy?
00:28:46A couple of tough fellas, they put up a great struggle, but I took them single-handed.
00:28:51Nobody ever gets away from me.
00:28:53Gee, Hosserpads!
00:29:00I told you they was desperate.
00:29:02They must have dynamited.
00:29:04This looks like an outside job.
00:29:05Do you realize we've broken the law of leaving the jail in that manner?
00:29:17Well, let's go back.
00:29:18Maybe you can think of a better way.
00:29:20I guess Morris will be able to get herself in serious trouble.
00:29:23If we're caught, she'll be as guilty as we are.
00:29:25Don't think she doesn't know it.
00:29:27She's one of those regular people I've been telling you about.
00:29:29Let her go!
00:29:43Ah! Howdy, Colonel!
00:29:44Well, ho, girls! How are you?
00:29:47Jinx.
00:29:48Yeah?
00:29:48Take him in with you.
00:29:49Cops might be here any minute.
00:29:50You know what to do.
00:29:51Right.
00:29:52You come with me.
00:29:53Oh, Miss Moore, don't you think...
00:29:53Don't argue. Come on.
00:29:54Oh, Miss Moore.
00:29:56If you get a chance to talk with him, keep your fingers crossed for me, will you?
00:29:59Okay, Colonel.
00:30:03She sure isn't giving herself the worst of the deal, is she?
00:30:06Come on, snapshot, Willie. Give me your hand.
00:30:08Welcome home!
00:30:16I'm trying to make stuff at home.
00:30:17Oh, thanks.
00:30:22Miss Moore, I want you to know that I appreciate what you've done for us.
00:30:25Oh, skip it.
00:30:26You got my show out of a jam, and I got you out of one.
00:30:29It's a piece of pie.
00:30:33Do you always put salt on your apple pie?
00:30:35Sure, why?
00:30:36Well, I put salt on mine, too.
00:30:38Salt what?
00:30:38Now, Miss Moore, don't you think that could be a sort of a sign?
00:30:42Sure it is.
00:30:43It's a sign we both like salt in our apple pie.
00:30:45You know, you're not a bad-looking guy.
00:30:53Talk like you've been to school.
00:30:55You're kind of a fellow that any girl might fall for.
00:31:00Nothing wrong, though, is your instincts are all bad.
00:31:02My instincts?
00:31:04Yeah, they're kind of crooked if you ask me.
00:31:06Why, Miss Moore, I want you to know that my business integrity has never been questioned.
00:31:11Oh, stop talking like a gentleman of circumstance.
00:31:14You mean you don't like gentlemen of circumstance?
00:31:16I should say not.
00:31:18Gentleman is just a polite word for loafer if you ask me.
00:31:21Oh, why don't you get an honest job and go to work?
00:31:26You might make something out of yourself.
00:31:28I'll keep my fingers crossed for you.
00:31:30You did it!
00:31:31Did what?
00:31:32You crossed your fingers.
00:31:34So what?
00:31:35Well, Miss Moore, that is a sign.
00:31:37Now, wait a minute.
00:31:38What is the sign language?
00:31:39Well, when a boy and a girl both cro...
00:31:41What's that?
00:31:43It ain't the curfew.
00:31:51This is it, Moore's Carnival.
00:31:55All right, Sheriff, if you go that way, I'll go this way.
00:31:57We'll search every truck.
00:31:58Right.
00:31:58Come on.
00:32:03Get down.
00:32:04What?
00:32:04Get down.
00:32:05I don't...
00:32:06Come in.
00:32:10What do you mean by breaking in on a lady's privacy?
00:32:13I'm looking for a couple of jailbreakers.
00:32:17There ain't no privacy when desperate criminals is at large.
00:32:21I've got every reason to believe they're right with this carnival.
00:32:26Well, you don't think I'd have them in here, do you?
00:32:30You never can tell.
00:32:39Pardon, ladies, but I'm looking for a couple of fugitives.
00:32:41Fugitives?
00:32:42Oh, if you find anybody, you'll save the prettiest one for me, will you?
00:32:46Very funny.
00:32:51Well, any success?
00:32:56No, not a trace of them.
00:32:57What'll we do now?
00:32:58Well, I think we'd better get to a telephone and notify every sheriff in the state.
00:33:01That's a good idea.
00:33:02Excuse me, Sheriff.
00:33:03I'd like to suggest my remaining here and keeping an eye open, just in case.
00:33:06Well, it'll be all right with me.
00:33:07Thank you, sir.
00:33:08Well, that was close.
00:33:14Okay, Colonel.
00:33:16How do you feel?
00:33:17Good night.
00:33:18He's stuck.
00:33:18Oh, don't worry.
00:33:19We can always use him for a camp chair.
00:33:21Oh, get me out of this.
00:33:22Oh, don't let it get you down.
00:33:23Colonel, I had an uncle that was that way for years.
00:33:26He got us from looking through keyholes.
00:33:27Now, relax!
00:33:28That's it.
00:33:29Here, here, hold him.
00:33:30That's it.
00:33:30Here, relax.
00:33:31You're too tense.
00:33:32Come on, relax.
00:33:33That's it.
00:33:34There you are.
00:33:35There.
00:33:35Here.
00:33:35That's it.
00:33:36Here, straighten up.
00:33:37Now, how do you feel?
00:33:37Oh, I'm fine.
00:33:38You sure?
00:33:38Oh, fine.
00:33:39I have three or four more ideas.
00:33:40Oh, no.
00:33:42Miss Moore, I've caused you a lot of trouble.
00:33:44I'd like to be of some help.
00:33:46If there's anything I can do.
00:33:47Why, sure you can be of help.
00:33:49As a roustabout in this show, you probably won't be worth your salt.
00:33:52But at least it's an honest job.
00:33:54Go back and tell the girls to come up here and you bunk with the colonel.
00:33:57A roustabout?
00:33:58Yeah, a roustabout.
00:34:00Oh, thank you.
00:34:07Go back and tell the guys.
00:34:37Calliopey Jane, put on your bonnet and bloop again, or when you go bloop bloop, I'm happy to live long day, you're the talk of the town, calliopey Jane, put on your bonnet and bloop again, or when you go bloop bloop, you bloop all my cares away.
00:34:56Last week a bloke in the derby named Geiger, said he could tame a cat, just then I played hold that tiger, the tiger now holds the guy's hat, so calliopey Jane, put on your bonnet and bloop again, or when you go bloop bloop, you bloop all my cares away, away.
00:35:26Oh, oh, oh, Calliopey Jane, calliopey Jane, put on your bonnet and bloop again, or when you go bloop, you bloop, I'm happy to live long day, whoa, whoa, whoa, calliopey Jane, calliopey Jane, put on your bonnet and bloop again, or when you go bloop all my cares away.
00:35:50As we co-blunkin' a dab in a gag, I said he could tame a catquill.
00:35:57Just when I played hold the tiger well, the tiger holds the hat.
00:36:02Put on your old sun bonnet, while we swing this sonnet.
00:36:07When you bloop, you bloop, you bloop my cares all the way.
00:36:16Good morning, gentlemen.
00:36:18Morning.
00:36:19Ready for breakfast?
00:36:19Ho-ho! Breakfast servant right here.
00:36:22No hurry. We usually work a little around here before we eat.
00:36:25Work?
00:36:26Here, put those on.
00:36:28I protest. I'm a concessionaire with this carnival, and I wear what I please.
00:36:31I don't care how you dress, so long as you pound those tent steaks.
00:36:39A little work never hurt anybody.
00:36:43Good morning, Miss Moore.
00:36:45Oh, hiya, Jones.
00:36:46Oh, Miss Moore, I've had a pretty good offer from the Jones Show.
00:36:49It isn't that I want to leave, but I have a wife and kid back in Connecticut, you know.
00:36:53Oh, I understand, Joe. I don't blame you.
00:36:55Well, your pay's been a little slow, but...
00:36:57Well, we'll get along all right.
00:36:59I'll send you back pay as soon as we have a few good days.
00:37:01Oh, forget it any time.
00:37:02Oh, a trooper's nothing. If I could ever get paid, I'd quit this dump in a minute.
00:37:06What are you crabbing about?
00:37:08Crabbing? She hasn't paid me a dime in months.
00:37:10Don't you ever think of anything else besides money?
00:37:12Why don't you try smiling once in a while, you know?
00:37:16Laugh and the world laughs with you, you know?
00:37:17Oh, baloney.
00:37:18Oh, why don't you try being like me?
00:37:20Oh, that's too much.
00:37:21Very funny.
00:37:23Well, at least I like everybody. I'm a little happy.
00:37:25Did you ever see any...
00:37:26Oh, now, wait.
00:37:29Let's not go through all this again.
00:37:30Really, I have enough trouble.
00:37:32Bye.
00:37:35Oh.
00:37:37Oh, now, wait a minute.
00:37:38Let's get this thing straight.
00:37:39You see, I'm really not an Indian.
00:37:42Only kidding with that yo-yo stuff.
00:37:44You know, just kidding.
00:37:45In fact, I was born in Brooklyn.
00:37:47You know, Brooklyn would be...
00:37:48Oh, now, wait a minute.
00:37:50Mr. Gaines.
00:37:51Oh, good morning, Stanoff.
00:37:52Good morning to you, sir.
00:37:53I've been dreadfully worried about you.
00:37:55A man of your position in an environment of this kind.
00:37:58Don't worry about me. I'm all right.
00:38:00Well, I'm glad to hear that.
00:38:02Is there something I can do for you, sir?
00:38:04No, nothing at all.
00:38:05Well, if you're not too busy, you might try pounding some stakes for me.
00:38:07No, Colonel, that would never do.
00:38:09Just stay around in the background. I'll see you later.
00:38:11Yes, sir.
00:38:11Come on, Colonel.
00:38:16Oh, ho! What an invigorating morning.
00:38:18I'm ready for an order of scrambled eggs, a rasher of bacon, and a huge pot of coffee.
00:38:23All right, you guys. Start pounding this row of stakes, and that row of stakes over there.
00:38:27Then you can eat breakfast.
00:38:28I protest. I'm a concessionaire.
00:38:30So am I a concessionaire, but we pound stakes around here before we eat.
00:38:33I said that I would...
00:38:34I said pound that stake.
00:38:38Yes, sir.
00:38:41Oh, say, just a minute.
00:38:42What's on your mind?
00:38:43How would you like to be the head man of the best carnival in the world?
00:38:47Who wouldn't?
00:38:48How much would it cost?
00:38:49About 200 grand.
00:38:50I'd like to have you pick one up for me.
00:38:52Wouldn't you like a nice new electric train set, too?
00:38:55No, wait a minute. You don't understand.
00:38:57Stand up!
00:38:58What would a punk like you get? 200 grand.
00:39:00Yes, sir.
00:39:01A blank check, please.
00:39:02Yes, sir.
00:39:03I want you to accompany this gentleman.
00:39:05I'm going to buy a carnival.
00:39:06A carnival, sir?
00:39:07Yes.
00:39:08Let's fill this check in for any amount necessary.
00:39:10I want the very best. Do you understand?
00:39:11Yes, Mr. Gaines.
00:39:12Say, listen, if this check bounces back on me, I'm going to bounce right back on you.
00:39:16I beg your pardon.
00:39:17You're speaking about Mr. Gaines.
00:39:18We never have check trouble.
00:39:20Now, if you'll just come with me, we'll attend to everything.
00:39:22Hey, this is all over my head. I don't understand.
00:39:25Let me know when it's ready.
00:39:26Yes, sir.
00:39:32Take care of your own stake. I'm having trouble enough with this one.
00:39:40You pound this roll.
00:39:41I'll pound the other one.
00:39:43Okay?
00:39:43Okay?
00:39:43Okay.
00:39:43Okay.
00:40:11Hey, Colonel, come on over and help with these.
00:40:18You'll do no such thing.
00:40:36It's a fine job, Colonel. Your steaks are all down.
00:40:39You go ahead and have breakfast.
00:40:40Thank you, Miss Foote. Thank you.
00:40:44Oh, good morning, Miss Moore.
00:40:47For help, huh?
00:40:48Oh, I didn't mean...
00:40:49You notice the colonel finished all of his, don't you?
00:40:51Oh, yes, but he...
00:40:52Don't interrupt.
00:40:53Look, you pound these steaks before breakfast, and if you can't do that, well...
00:40:56Oh, hi, officer.
00:41:05Hope you like...
00:41:06And the sooner the better.
00:41:13Oh, but why?
00:41:14Well, I got word from the last town that you hit that you're carrying a couple of crooks
00:41:18with you, so come on, get going.
00:41:20Oh, now, look, Sheriff, that's...
00:41:21I said get going.
00:41:24Okay.
00:41:25All right, boys, pack it up!
00:41:30I beg your pardon, Sheriff, but I believe if you give me a moment, I can straighten out
00:41:34this little misunderstanding.
00:41:35Can that stuff?
00:41:36No, no, no.
00:41:36I want to present you with a portrait to take home to your wife.
00:41:39Oh, well, that sounds all right.
00:41:41There you are.
00:41:41You stand right there, not too far away.
00:41:43Here.
00:41:43While I extend the lens, turn the little wheel...
00:41:46Yes.
00:41:46...and pull the bulb.
00:41:47Are you ready?
00:41:48Yes.
00:41:48Hold it.
00:41:49That's it.
00:41:50I've had great success with these family portraits.
00:41:52If you will bear with me just a moment.
00:41:54While we go through the developing process here, and pull the little string here, I believe
00:41:59I'll show you something that your wife's going to be very happy about.
00:42:11That thing has got out of town before I run you in.
00:42:14I hope the new carnival will be the finest thing on wheels.
00:42:37I want to make Penguin really happy.
00:42:39Now, listen, young Drogo.
00:42:40Your idea of romance is a yacht here, a bracelet there, an ermine coat thrown in, and now a new carnival.
00:42:46Why, you're just a checkbook lover.
00:42:48Don't you know by this time that this girl is different?
00:42:50All together now, push, that's it.
00:43:02All right, that's going to do you no good in the mud.
00:43:05Get up out of the mud there, young Drogo.
00:43:07We can't have this kind of species.
00:43:08See?
00:43:08Let's get up out of the mud.
00:43:38Hey, you're getting to be an expert at this.
00:43:40Oh, thanks.
00:43:41As a matter of fact, you've been doing so well lately that I've decided to promote you to
00:43:44a better job.
00:43:45Oh, that's great.
00:43:47Well, what's it going to be?
00:43:50Here's your new outfit.
00:43:51Put it on tonight and you'll understand.
00:44:02Oh, no.
00:44:03You again.
00:44:04How?
00:44:05Listen, for the last time, I am not an Indian.
00:44:08What is this?
00:44:17You and...
00:44:18Oh, here, look.
00:44:19No coming valentines.
00:44:20Now, go away.
00:44:21I'm busy.
00:44:23Colonel, I can't go out there like this.
00:44:25Why not?
00:44:26You look beautiful.
00:44:27That's just the trouble.
00:44:28Now, ladies and gentlemen, the feature free attractions of the show.
00:44:32The world's greatest aerial artiste.
00:44:35So, one and only, Miss Penguin Moore, assisted by Don Cavalero.
00:44:40Take off your robe.
00:45:04Take off your robe.
00:45:04Take off your robe.
00:45:04Take off your robe.
00:45:05Take off your robe.
00:45:05Take off your robe.
00:45:06Take off your robe.
00:45:06Take off your robe.
00:45:07Take off your robe.
00:45:07Take off your robe.
00:45:08Take off your robe.
00:45:09Take off your robe.
00:45:09Take off your robe.
00:45:10Take off your robe.
00:45:10Take off your robe.
00:45:11Take off your robe.
00:45:11Take off your robe.
00:45:12Take off your robe.
00:45:12Take off your robe.
00:45:13Take off your robe.
00:45:13Take off your robe.
00:45:14Take off your robe.
00:45:14Take off your robe.
00:45:15Take off your robe.
00:45:15Take off your robe.
00:45:16Take off your robe.
00:45:16Take off your robe.
00:45:17Take off your robe.
00:45:17Take off your robe.
00:45:18Take off your robe.
00:45:19Take off your robe.
00:45:19Take off your robe.
00:45:20Take off your robe.
00:45:21The End
00:45:51Ladies and gentlemen, I...
00:46:21Oh, okay, officer. We'll be on our way.
00:46:28But listen, girl. Can't you see your way to give him another chance?
00:46:33You saw what happened tonight, Colonel. I gave him a chance, but he just doesn't belong in show business.
00:46:37Oh, that's funny.
00:46:39What's funny about that?
00:46:41Doesn't belong in show business. Well, I don't suppose you ever heard of the great Drogo.
00:46:45The great Drogo?
00:46:46The feature act of every show we ever played in.
00:46:49Drogo?
00:46:51Drogo?
00:46:53Aerialist?
00:46:54Mm-mm.
00:46:56Drogo.
00:46:58Equestrian?
00:47:00Mm-mm.
00:47:00Well, there was a Drogo. Drogo's Lion Act. Or was it Drogo? Drogo's Lions. Was that it?
00:47:13I didn't say it, girl. Now remember, I didn't tell you.
00:47:18But Drogo's Lions, that was the greatest act that ever played under the big top.
00:47:23Well, I can see it now. London, Paris, Vienna. The applause of thousands.
00:47:28What made him give it up?
00:47:31What's that?
00:47:32Boy, there he stood. Night after night. With guns in his hands.
00:47:36Then came a time when the animals weren't enough.
00:47:39Oh, forget the past.
00:47:41He'll come back, girl. He'll come back.
00:47:44I feel like a fool, Colonel.
00:47:47Imagine me making him pound steaks in a silly two-by-four show like this.
00:47:52Making out like I was a big shot.
00:47:55I gotta talk to him, Colonel.
00:47:56Drogo, come here.
00:48:03Oh, I'm very busy, Miss Moore.
00:48:04I wanna talk to you.
00:48:05Well, Miss Moore, I want you to know...
00:48:09...I can make up for it in any way I can.
00:48:13Oh, forget about it, Drogo.
00:48:15You look like that, Drogo. You're making you feel so foolish.
00:48:27...all I can and help.
00:48:34You're going to.
00:48:36You're going to go right back to the top where you belong.
00:48:38You won't get in with the wrong people this time,
00:48:40because I'll take the guns out of your hands every night.
00:48:43Guns?
00:48:44That's certainly nice of you, Miss Moore, but I don't...
00:48:47Now, you don't have to say anything.
00:48:49I know we're going to get along swell together from now on.
00:49:00Colonel, what do you think?
00:49:01What?
00:49:02Miss Moore just spoke to me and forgave me for what I did to her act.
00:49:05She was so sweet, I can't get over it.
00:49:08She said we'd get along swell together.
00:49:10But certainly you'll get along swell together.
00:49:11Why shouldn't two great showmen get along swell together?
00:49:14What do you mean? I don't know anything about the show business.
00:49:16Well, I know you don't, and you know you don't, but...
00:49:19But what?
00:49:20Well, I told her you were a great showman.
00:49:22Oh, Colonel, why did you tell her a thing like that?
00:49:25Well, you're an imposter, aren't you?
00:49:27Well, isn't it better to be a good imposter than a bad one?
00:49:32What kind of a showman did you tell her I was?
00:49:34Well, I, uh, I told her you were a lion tamer.
00:49:37A lot.
00:49:38A lot.
00:49:38Colonel, come back here.
00:49:41Why did you tell her that?
00:49:43Well, there's no lions with this show.
00:49:45No.
00:49:45Well, what have you got to worry about?
00:49:52Oh, boys, put this stuff in the truck over there.
00:49:55Willie, you come with me.
00:49:56Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Yes, ma'am.
00:49:58Yes, ma'am.
00:49:59Yes, ma'am.
00:50:00Yes, ma'am.
00:50:01Yes, ma'am.
00:50:02Yes, ma'am.
00:50:03Yes, ma'am.
00:50:04Yes, ma'am.
00:50:05Yes, ma'am.
00:50:07Yes, ma'am.
00:50:08Okay, take a chair.
00:50:13Come here.
00:50:14Come here.
00:50:15You sit right down here and stay out of my way, I'm missing.
00:50:23Stay there and don't move.
00:50:26Glad to see you, Penguin. How are you?
00:50:44Oh, fine. Sorry to get you up at this hour.
00:50:47Oh, that's all right. We couldn't sleep anyway. What's on your mind?
00:50:50Well, I got a spot on my show for your lions. You still got them, haven't you?
00:50:53Sure. There they are. Come on.
00:50:55Say, I got the best lion trainer in the business.
00:50:58How about letting me take them and then the season will split?
00:51:01Well, it's okay with me if it's okay with Moe.
00:51:03It's okay with me, Joe. Matter of fact, I'm glad you came.
00:51:06We were just talking about turning them over to the zoo.
00:51:09Business has been so bad, we can't even feed them. Take a peek.
00:51:16They don't look underfed to me.
00:51:17Me either. In fact, they look powerful healthy.
00:51:22There's nothing to worry about.
00:51:24All you got to do is follow the instructions in this book.
00:51:26Gives you their names, the tricks they do, and everything.
00:51:29Well, that's swell.
00:51:31Here you are, Willie. Read it over carefully.
00:51:32From now on, you're taking care of them.
00:51:34Come on, let's go.
00:51:35Okay, we'll give you a hand.
00:51:37You mean...
00:51:37I guess you do.
00:51:42Nero rolls over.
00:51:46Nero?
00:51:48Nero?
00:51:49Nero.
00:51:52Nero roll over.
00:51:58That did it.
00:51:59Good morning, Miss Moore.
00:52:07Morning, Drogo.
00:52:08I think you ought to know, though, what the colonel said.
00:52:10Oh, don't blame him.
00:52:11I'm happy to know that you're one of us.
00:52:13Well, I certainly do want to be one of us.
00:52:16There's something I want you to have.
00:52:19Belonged to my dad.
00:52:20He was a lion trainer, too.
00:52:22Oh, thanks.
00:52:24Drogo,
00:52:24I want you to know how I feel about your scenes.
00:52:28We're both showmen.
00:52:29I liked you from the start,
00:52:31but that was as far as it could ever go
00:52:33because, well, I had no idea you were my kind.
00:52:36Miss Moore, I think you ought to know the truth.
00:52:38Never mind.
00:52:39It's what's going to happen that counts.
00:52:41I'll certainly do my best.
00:52:43You have any scratches on you?
00:52:45Didn't the lions ever claw you or jump you?
00:52:47To tell the truth, they never did.
00:52:49Gosh, you must have been great.
00:52:52Wouldn't you like to take up where you left off
00:52:53cracking the whip and hearing their plus?
00:52:57Wouldn't you do it for me?
00:52:59I guess I'd do just about anything for you.
00:53:02Well,
00:53:03here they are.
00:53:04Not much after what you've had,
00:53:06but it's the beginning.
00:53:07They're lions!
00:53:08Don't expect too much of them
00:53:09because they haven't been worked for quite a while.
00:53:18Is you going to train them loud?
00:53:22Uh-oh.
00:53:23Oh, it's no use, Colonel.
00:53:39I can't go through with it.
00:53:41Now, don't be silly.
00:53:42Now, look, you're a millionaire, aren't you?
00:53:44What's that got to do with it?
00:53:46Everything.
00:53:46Why, you'd be the first millionaire lion tamer in the world.
00:53:49Think of the honor.
00:53:50And besides, I'm sure that nothing will happen to you.
00:53:53Those lions are easy to work with, aren't they, Willie?
00:53:55That's what it says here.
00:53:56There, you see?
00:53:57Now, look, I'm going to show you once more.
00:53:59You need have no fear
00:54:01why no lion has ever been known to pass a chair.
00:54:04Now, you advance boldly.
00:54:07Chair in one hand
00:54:08and whip in the other.
00:54:09All right, ladies and gentlemen,
00:54:29step right up and buy yourself a ticket
00:54:31to the greatest thrill of your life.
00:54:34Feel this, folks.
00:54:35The one and only,
00:54:37the world's greatest lion tamer
00:54:39is going to face fire
00:54:40of the most ferocious.
00:54:42How's it going?
00:54:43Oh, couldn't be better.
00:54:44Step right up, ladies and gentlemen.
00:54:46Here you are.
00:54:47They got the smelling salts.
00:54:48Yes.
00:54:48The bandages.
00:54:49Yes.
00:54:50The iodine.
00:54:51Yes.
00:54:53I forgot some pot.
00:54:55I forgot to feed.
00:54:56Shh.
00:54:59What's the matter, boy?
00:55:02Colonel, I can't go through with it.
00:55:04Well, you love her, don't you?
00:55:06All you've got to do
00:55:07is to remember what I told you.
00:55:08When you get in that cage,
00:55:09keep chatting with that chair
00:55:11and cross with your whip.
00:55:13Listen, little boy.
00:55:14Listen.
00:55:14What a crowd.
00:55:19Hurry up, Joker.
00:55:20We can't hold them much longer.
00:55:21They're waiting for you.
00:55:22The lions?
00:55:23No, the people, silly.
00:55:25Gosh, you look wonderful.
00:55:26Now, go on out there
00:55:27and knock them cold.
00:55:30Tell me, Colonel,
00:55:30is he thrilled?
00:55:32Thrilled is not the word for it.
00:55:33He's trembling.
00:55:34But with anticipation.
00:55:36You want to go in now?
00:55:37You know.
00:55:38Oh, I've got a better idea.
00:55:42There.
00:55:43Up.
00:55:43Places.
00:55:44Zero.
00:55:45Caesar.
00:55:46Hut.
00:55:47Beninic.
00:55:47Tony.
00:55:50What are you trying to do, Colonel?
00:55:53He's working the cats from the outside.
00:55:55Yes.
00:55:56Well, you wouldn't expect
00:55:57the great Drogo
00:55:58to do the usual thing.
00:55:59Anybody can work lines
00:56:00from the inside of a cage.
00:56:01What a man.
00:56:03He's working them
00:56:03from the outside.
00:56:05That may be swell, Colonel,
00:56:07but I don't think
00:56:08these yokels understand that.
00:56:10I'll tell them
00:56:11to do it the easy way.
00:56:14Yes.
00:56:15Yes.
00:56:16Drogo.
00:56:16I think you'd better
00:56:17do it the regular way.
00:56:18Oh, I'd do it fine
00:56:19from out here.
00:56:20I know,
00:56:20but these people
00:56:21don't understand.
00:56:22I think you'd better
00:56:23work on the inside.
00:56:24Okay, folks.
00:56:25Everything will be fine
00:56:26in just a minute.
00:56:31Oh, this would
00:56:32have to happen to me.
00:56:33What's going to happen
00:56:34to you?
00:56:35Well, can't you see?
00:56:35The rain is going
00:56:36to ruin the act.
00:56:37We can't put it on.
00:56:39Ow.
00:56:39Willie, put him away.
00:56:41Yes.
00:56:44Head.
00:56:45Head.
00:56:46Head.
00:56:46Head.
00:56:48It's just a little shower.
00:56:50All right.
00:56:51My head.
00:56:51All right.
00:56:52My head.
00:56:53How am I going
00:56:56to get back
00:56:56to my trailer?
00:57:06There you are.
00:57:06I was winning you,
00:57:07Drogo.
00:57:08Oh, don't miss it.
00:57:17Did you do that
00:57:18on purpose?
00:57:18What do you think?
00:57:19Did you do that?
00:57:28You figure it out.
00:57:29Why, you.
00:57:30You.
00:57:31Now, wait a minute.
00:57:32If you hadn't let your
00:57:33snooping instincts get the
00:57:34better of you,
00:57:34all this wouldn't have
00:57:35happened.
00:57:35And after all I've done for you,
00:57:38why, for two pins,
00:57:39I'd...
00:57:40Oh, you poor kid.
00:57:43Never mind.
00:57:44Someday you'll have
00:57:45a fine new carnival.
00:57:46I don't want a new carnival.
00:57:49All I want is good business
00:57:50for this one.
00:57:51You mean you don't want
00:57:52a new carnival?
00:57:53No.
00:57:53No.
00:57:54Come.
00:57:54Come.
00:57:54Come.
00:57:54Come.
00:57:55Come.
00:57:55Come.
00:57:56Come.
00:57:56Come.
00:57:56Come.
00:57:56Come.
00:57:57Come.
00:57:57Come.
00:57:58Come.
00:57:58Come.
00:57:59Come.
00:57:59Come.
00:58:00Come.
00:58:00Come.
00:58:01Come.
00:58:01Come.
00:58:02Come.
00:58:02Come.
00:58:03Come.
00:58:03Come.
00:58:04Come.
00:58:04Come.
00:58:05Come.
00:58:05Come.
00:58:06Come.
00:58:06Come.
00:58:07Come.
00:58:07Come.
00:58:08Come.
00:58:08Come.
00:58:09Come.
00:58:09Come.
00:58:10Come.
00:58:11Come.
00:58:11Come.
00:58:12Come.
00:58:13Come.
00:58:14Come.
00:58:15Come.
00:58:16Come.
00:58:17Come.
00:58:18Come.
00:58:19Come.
00:58:19Come.
00:58:20Come.
00:58:21I should have known you years ago
00:58:30Where on earth were you long years ago
00:58:37I miss so much and dreamed so little
00:58:45Before you set my heart aglow
00:58:52I should have known the way you smiled
00:58:59As I traveled each long lonely mile
00:59:07For memory lane should seem much sweeter
00:59:14If I had known you all the while
00:59:22Oh, I'm so jealous of the flowers in spring
00:59:28For they know more than I about you
00:59:35They heard your laughter and the songs you sing
00:59:45Through all the years I spent without you
00:59:54I wish that I could truly say
01:00:01That I knew you long before today
01:00:09But we'll go home
01:00:17From here together
01:00:22And I shall love you
01:00:30All the way
01:00:37Wonderful girl, Penguin
01:00:43Real, sincere, different
01:00:47Yes, the others are all alike
01:00:49But she's different
01:00:50I know, my boy, I know
01:00:52Love, love
01:00:54What follies are committed in that name
01:00:57That's Francis Bacon
01:00:59Speak love
01:01:01If you speak love
01:01:02That's William Shakespeare
01:01:04Love is like hash
01:01:06You've got to have confidence in it
01:01:09To enjoy it
01:01:10That must have been Bob Hope
01:01:12Well
01:01:13Go to sleep, my boy
01:01:15Or, uh, how are you?
01:01:16Good morning
01:01:30Oh, yes, uh, Mr. Newton
01:01:33Mr. Newton
01:01:34Oh, Mr. Whitman
01:01:35Yes, Bates, what is it?
01:01:37Begging your pardon, sir
01:01:38But I'm afraid we have gypsies on the ground
01:01:40Gypsies?
01:01:44Well, Bates, do something
01:01:45Get rid of them right away
01:01:46Yes, sir, right away, sir
01:01:48Oh, wait a minute, Bates
01:01:49Do you speak gypsy?
01:01:50Oh, no, sir
01:01:51Oh, never mind
01:01:52I'll go myself
01:01:53Order the chief's car right away
01:01:55Yes, sir
01:01:56Come on, boys
01:01:57Hurry, hurry, hurry
01:01:58Come this way
01:01:59Hear all about the big surprise, I promised you
01:02:01Come on, everybody
01:02:03This way, everybody
01:02:05Shh
01:02:07Now listen, boys and girls
01:02:10I told you I'd bring you to the land of plenty
01:02:12Well, here it is
01:02:13Why, the food lies on the ground for the taking
01:02:15Did you say food?
01:02:16Right
01:02:16Groceries
01:02:17Grub
01:02:18Bittles
01:02:19Now, some of you go that way
01:02:20And pick the berries from the vines
01:02:21The peas, beans, cabbages, and other vegetables
01:02:24Are that way
01:02:24Let your stomachs be your guide
01:02:26Pick it on
01:02:27And the watermelons
01:02:30Are that way
01:02:32Oh, Willie
01:02:34Yes, Mr. Governor
01:02:36And the chicken house
01:02:37Is over there
01:02:39Chicken house?
01:02:40Uh-huh
01:02:40What am I waiting for?
01:02:41I don't know
01:02:42Me either
01:02:43Tell you who
01:02:44Say, Joe
01:02:52What's the idea of pitching here?
01:02:53Colonel's orders
01:02:54Colonel's orders?
01:02:57Well, what are we gonna get for customers here?
01:03:00Feel my
01:03:01Quiet, quiet
01:03:03Ain't no use of squawking
01:03:04We all gotta go someday
01:03:06See if it's gonna be you or me
01:03:08It ain't gonna be me
01:03:10Take your time
01:03:18Take your time
01:03:19Don't rush me
01:03:20The man's right
01:03:20Thank you
01:03:21You're welcome
01:03:22Now, will you fix the flowers, please?
01:03:24First
01:03:24Say, Red, where'd you get these?
01:03:31Well, the colonel told us
01:03:32We could pick anything we wanted to
01:03:34Oh, he did, eh?
01:03:36Well, I'm still giving orders around here, I think
01:03:38Back him right down
01:03:38Oh, Craig, George
01:03:41You heard the boss
01:03:42Break it up
01:03:43Get this stuff out of here
01:03:44Yes, Miss Moore
01:03:45But the colonel said
01:03:45I don't care what the colonel said
01:03:47We're not taking anything
01:03:48That doesn't belong to us
01:03:49Now, put it back where you got it
01:03:50Yeah, make it snappy
01:03:51We'll all be thrown in the clink
01:03:52Sound like we'll practically in the clink
01:03:55All right, fellas
01:03:56Give it a bit quick
01:03:57All right, you heard the boss
01:03:59Get rid of it
01:04:00Come on
01:04:00Put a move on
01:04:01It's going on around here
01:04:03Come on, get going
01:04:05Come on, get going
01:04:06Well, well
01:04:07It's a shame
01:04:08I put back these tender boys
01:04:09Wait
01:04:10Are they very tender?
01:04:12Mm-hmm
01:04:13Hmm
01:04:14Sure, that would be kind of a shame, wouldn't it?
01:04:16Uh, uh, in that box
01:04:19Come on
01:04:19Be careful, but hurry
01:04:21Come on
01:04:22Here
01:04:23Now sit down
01:04:25Now, uh, back on your lawn
01:04:29What do you mean
01:04:38Trespassing on private property?
01:04:40Now, don't get excited, mister
01:04:41You've got us all wrong
01:04:42Oh, have I?
01:04:43Mm-hmm
01:04:44Well, then, I'm very sorry
01:04:46You see, I'm Penguin Moore
01:04:48And this is my carnival
01:04:49We got lost last night
01:04:50And wound up here
01:04:51We didn't know it was your property
01:04:52But we didn't take anything
01:04:54Well, if you didn't take anything
01:04:55I guess there's no harm done
01:04:57You've got quite a display
01:04:58Would you like to look around?
01:05:00Oh, I'd love to
01:05:01Do you mind?
01:05:01Oh, not at all
01:05:02There's a pin game over there
01:05:04I hate pins
01:05:05Oh, well
01:05:05Here's a merry-go-round
01:05:07Oh, it makes me dizzy
01:05:08Well, we've got a lot of other things here
01:05:09That...
01:05:09What's this contraption?
01:05:11Oh, this is a taffy machine
01:05:13Would you like to see it work?
01:05:15Oh, may I?
01:05:16Okay, Bob
01:05:16I'll take care of it
01:05:17Okay, Ms.
01:05:17Mechanical devices
01:05:18Intrigue me
01:05:19Well, here's the switch here, you see
01:05:20And you put it down
01:05:22And the machine goes around
01:05:23With the taffy on it
01:05:24Uh-oh
01:05:30What'll they fetch up next?
01:05:38The most interesting parts
01:05:39Down there was a motorist
01:05:40You're right
01:05:46It's a dandy
01:05:47My favorite gear ratio
01:05:4915 to 1
01:05:50Did you see what I saw?
01:06:15Why, did you see something?
01:06:18Let's forget it
01:06:18Farmers in the Dell
01:06:21Farmers in the Dell
01:06:23Hey, nani, nani
01:06:24Boop, boop, ba-doop
01:06:25The farmers in the Dell
01:06:27Farmers in the Dell
01:06:29Farmers in the Dell
01:06:31Oh, you said you didn't take anything, eh?
01:06:33The farmers in the Dell
01:06:35Well...
01:06:35Now, tippy, tippy
01:06:36Drop that food, thief
01:06:37Thief?
01:06:39Oh, pardon the juice
01:06:41Well, certainly it's me
01:06:42Who did you expect?
01:06:43I can't tell you how happy I am to see you
01:06:45I've been quite worried
01:06:46Well, Harry, your worries are over
01:06:47Come over here
01:06:48I want you to meet a friend of mine
01:06:49Oh, Penguin
01:06:50Uh, this is my nephew, Harry Whitman
01:06:54I'm one of his, uh, poor relations
01:06:55How do you do?
01:06:56Oh, we've met
01:06:57Well, good
01:06:57Then we can get down to business
01:06:58How many weekend guests have you?
01:07:00Oh, we have a whole house full
01:07:01There's the Vance Wiggins
01:07:02The Mortons
01:07:03The Dumont
01:07:04That's enough
01:07:04Graham
01:07:05I said, that's enough
01:07:05Have them all come down here
01:07:07I guarantee they'll have a better time
01:07:09Than they had in days
01:07:10Weeks
01:07:10Years
01:07:11If it's that good, I'll tell them
01:07:12Gangway
01:07:15Tell them not to forget their wallets
01:07:17Here, hear that sign, son
01:07:19Yes, sir
01:07:20That's it
01:07:21Now go right ahead with your work
01:07:22Two little pieces of business to do here
01:07:24De-dee-da-dum
01:07:28De-dee-da-dee-da-dum
01:07:29They'll never know the difference
01:07:30De-dee-dee-da-dum
01:07:31And I'm dee-dee
01:07:32Ten cents to a dollar
01:07:33They'll never know the difference
01:07:34When I hear them holler
01:07:35De-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
01:07:37Well, our troubles are over
01:07:54Happy days are here to end
01:07:56Don't you think you're very surprised
01:07:58It's too much
01:07:58Too much?
01:07:59Why, these people couldn't have a good time
01:08:01Unless they paid too much
01:08:02All right, boys
01:08:03Go to work
01:08:04All right, everybody
01:08:05Ready, ready
01:08:06Ready, ready, ready
01:08:16Hurry, hurry, hurry
01:08:17Step right up, play ball
01:08:19There you are
01:08:19Hurry, hurry, hurry
01:08:20Play ball
01:08:21All you're done, sir
01:08:22Hurry, hurry, hurry, hurry
01:08:24Oh, let me see
01:08:25She won again
01:08:26She went again
01:08:26How was that?
01:08:27Step right up, try do
01:08:29Hurry, hurry, hurry
01:08:29Hurry, hurry
01:08:30Now, two steps forward, please
01:08:32Two steps backward
01:08:33Now, another one forward
01:08:35Get away from me
01:08:36Son, you're annoying me.
01:08:37Hey, Colonel, it's me.
01:08:38Well, Penguin.
01:08:39Hello.
01:08:40How's business?
01:08:41Well, how did that happen?
01:08:44Never mind.
01:08:44Step right this way, folks.
01:08:45Then we'll go through the developing process.
01:08:47There you are.
01:08:48Passes through the little hill and the little handle.
01:08:50And the photograph drops in the little tank.
01:08:52There's a charming portrait of yourself and family,
01:08:54and the price is $5.
01:08:56Right this way, folks.
01:08:56But it's blank.
01:08:57That may surprise you, but it doesn't surprise me.
01:08:59The price remains the same.
01:09:00Do you mind getting out of the way, please?
01:09:02How about that man over there?
01:09:03Follow out a tap in there.
01:09:05Having fun?
01:09:07Oh, yes, and I appreciate you letting me run the machine.
01:09:09Oh, that's all right.
01:09:11So you can sell the taffy, too, if you like.
01:09:12Oh, may I?
01:09:13I'd be delighted.
01:09:14Coffee, taffy.
01:09:15What do you mean we ain't got no right here?
01:09:17The paddles are still three for a dollar.
01:09:18A dollar?
01:09:19What, a dollar for a 10-cent game?
01:09:21Oh, Bob, come with me.
01:09:24Anybody else?
01:09:26Coffee, taffy.
01:09:28Listen, buddy, you don't have to get taffy.
01:09:29Well, who's getting taffy?
01:09:30Just a minute.
01:09:31I'm sorry, boys, but we're putting the show on for a private party.
01:09:34I'll have to ask you to leave.
01:09:36Oh, be nice, baby.
01:09:37You wouldn't want us to go now, would you?
01:09:39Oh, so it's one of those things.
01:09:41Okay, do it the hard way.
01:09:43That's all I wanted to know.
01:09:44All right, just a minute.
01:09:45Wait a minute.
01:09:47Oh, you ain't heard the last of this.
01:09:49Oh, no.
01:09:50Here you are, ladies and gentlemen.
01:09:51Three strikes.
01:09:52One done.
01:09:53One done.
01:09:54$1,300.
01:09:54You can do better than that man.
01:09:55Try it again.
01:09:56Come on.
01:09:57Three strikes for an hour, folks.
01:09:58Oh, you'll never do it that way, mister.
01:10:00Stand back and I'll show you.
01:10:02No muscles needed.
01:10:02Don't be amazing.
01:10:08Introducing the one, the only, fearless struggle.
01:10:13Dare devil to the arena.
01:10:15Fearless struggle.
01:10:16Don't start immediately, folks.
01:10:17It couldn't be.
01:10:18No waiting, no delay.
01:10:19Purchase your tickets right away.
01:10:21Excuse me.
01:10:22Think of it, folks.
01:10:23A beer.
01:10:23$2.50.
01:10:25Here we go, folks.
01:10:26Don't rush.
01:10:26Don't crowd.
01:10:27Hurry, hurry, hurry.
01:10:29Come on, folks.
01:10:30You'll see one of the best shows you ever saw in your life.
01:10:32Get in there now and give them everything you've got.
01:10:33But listen, Penguin, you don't know this, but I really...
01:10:35No, but this is your chance to get back on top and you're going to take it.
01:10:38But I can.
01:10:46Hope everything goes all right.
01:10:47See you, sir?
01:10:48See you, sir?
01:10:49When the loun gets mad, he ruffles up.
01:10:52He's mad.
01:10:53He's mad.
01:10:54He's mad.
01:10:55He's mad.
01:10:56Come on.
01:10:57He's mad.
01:10:58I can't hear you.
01:10:59You can hear you.
01:11:00He's mad.
01:11:01Come on, sir.
01:11:03He's mad.
01:11:06Say, sir.
01:11:07When the loun gets mad, he ruffles up.
01:11:12He's mad.
01:11:14Well, well, Mr. Drogo Gaines, the millionaire playboy, is more cuckoo than I thought he was.
01:11:36Hey, boss, that ain't in the book.
01:11:40Look out, Mr. Drogo, here comes his mouth.
01:11:44The land can run 40 miles an hour.
01:12:00I'm sorry, really.
01:12:07I told you I'd lead you to the land of plenty.
01:12:09I told you I'd lead you to the land of plenty.
01:12:19Willie!
01:12:22Yes?
01:12:22Get that land back in the cage before you scare someone.
01:12:27Willie, get that lion back in the cage before it scares someone.
01:12:39Put what lion's loose cage before it scares who?
01:12:43Rushing here, rushing there.
01:12:45Nowhere to go.
01:12:46What's going on in there?
01:12:47The lion's loose.
01:12:48Lions!
01:12:50If I'm going to hunt for lions, I've got to get me some bait.
01:12:55Chasing lions all the time.
01:12:57He ain't there.
01:13:03Kitty, kitty.
01:13:03I sure hope I don't find him.
01:13:06There's more sure going to be made than lion chasing all them people.
01:13:10Get him!
01:13:14Kitty, kitty, kitty.
01:13:15Where's that lion?
01:13:16I'm putting you a cord in that time.
01:13:22I've got to be more careful.
01:13:26My blood pressure won't stand.
01:13:30I'm putting you a cord in that time.
01:13:39I've got to be more careful.
01:13:43My blood pressure won't stand.
01:13:49Kitty, kitty, kitty.
01:13:52Kitty, kitty.
01:13:53Whoa, whoa, whoa.
01:13:57Whoa, whoa, whoa, whoa.
01:14:08Kitty, kitty.
01:14:09Come on.
01:14:10Nice baloney.
01:14:10Come on, kitty, kitty.
01:14:11Kitty, kitty.
01:14:12Nice baloney.
01:14:15Kitty.
01:14:15Kitty.
01:14:19Was that me talking?
01:14:22It's all right, folks.
01:14:34Everything's taken care of.
01:14:35Nothing to worry about.
01:14:36Toffee, toffee.
01:14:44Toffee, toffee.
01:14:45Dollar a bag.
01:14:45Dollar a bag.
01:14:46We don't want no toffee.
01:14:48Come on, boys.
01:14:49Toffee, toffee.
01:14:51Toffee good.
01:14:52Hey, Roof!
01:14:54Hey, Roof!
01:14:55Hey, Roof!
01:14:56Hey, Roof!
01:14:57Hey, Roof!
01:14:58Hey, Roof!
01:14:59Hiya, beautiful.
01:15:01Now, listen.
01:15:01I told you we're putting this show on for a private party.
01:15:04Well, this is my private party.
01:15:06How about it, boys?
01:15:07Yeah!
01:15:08Wait a minute.
01:15:09You heard what the lady said.
01:15:10Now, get going.
01:15:11Oh, glamour boy, huh?
01:15:13Ooh!
01:15:13Oh!
01:15:14Let's break this joint.
01:15:38Oh, dear, dear.
01:16:02This is good.
01:16:03Something ought to be done.
01:16:04Oh, dear, dear, dear.
01:16:12Hens are about that lying action.
01:16:13Yes, sir.
01:16:14You don't understand.
01:16:16I understand more than a thing I do.
01:16:21They fell at mats.
01:16:25Now is the time for all the good men to come to the aid of their party.
01:16:30Don't shoot, boys.
01:16:31Oh!
01:16:32Oh!
01:16:32Oh!
01:16:33This column, stop it!
01:16:35Well, come on!
01:16:38Sorry, Chief!
01:16:42Oh!
01:16:42Oh!
01:16:42Oh!
01:16:43Ah-ha!
01:16:44The bullseye!
01:16:46Oh, dear.
01:16:56Captain Drogo!
01:16:58Reinforcement!
01:16:59Oh!
01:16:59Oh!
01:16:59Oh!
01:16:59Oh!
01:17:00Oh!
01:17:00Oh!
01:17:01Oh!
01:17:01Oh!
01:17:01Oh!
01:17:01Oh!
01:17:01Oh!
01:17:01Oh!
01:17:01Oh!
01:17:01Oh!
01:17:03Get ready!
01:17:06Say!
01:17:07Go!
01:17:12That's good shooting, Omar.
01:17:14OK, you take the high road, I'll take the low.
01:17:20What's on your mind?
01:17:21I've been looking all over for you.
01:17:23I got the new Carnaval Park at Porttersville.
01:17:27What should I do with it?
01:17:28Go back and take care of it.
01:17:29I'll get in touch with you later.
01:17:30Yes, sir.
01:17:30The situation is right there!
01:17:36Fuck!
01:17:39A bullseye!
01:17:42Ow!
01:17:51Ow!
01:18:00Help!
01:18:04Help!
01:18:08No!
01:18:11Help!
01:18:15Help me!
01:18:26There you go!
01:18:28Help!
01:18:32Give it all! Give it all!
01:18:35Give it all!
01:18:38Oh, you've had enough, huh?
01:18:50Sorry, Chief! Sorry!
01:18:57Oh!
01:19:01Hey!
01:19:03Victory is ours!
01:19:05Victory is ours, but my circus is ruined!
01:19:08Well, now, don't let that worry you. My rich stuff, you will pay for everything.
01:19:11Oh, Harry! Harry, where are you?
01:19:13Here I am.
01:19:16Oh!
01:19:18Oh, pardon my appearance.
01:19:20Hey, it's quite disarranged.
01:19:22Well, never mind. I'll have everything fixed.
01:19:24There you are. What more can you ask?
01:19:26Meantime, let's celebrate by coming up to my house and having dinner.
01:19:28Oh, I'd be delighted, sir. But I haven't a thing to wear.
01:19:31But that the house is full of clothes.
01:19:33May I?
01:19:34Well, I'm in an awful predicament. The new carnival's over at Portisville. What am I going to do?
01:19:43The new carnival?
01:19:44Yes.
01:19:45Good, good! Now, you run along with the rest of them and leave everything to me.
01:19:48Yes, but I just...
01:19:49Go right ahead, now. Don't you worry.
01:19:53Say, George.
01:19:55Yes, Colonel.
01:19:56Do you still burn the barn down every weekend?
01:19:58Yes, sir.
01:19:59Tonight?
01:20:00Nine o'clock sharp.
01:20:01Fine.
01:20:02Fine!
01:20:03Hey, boy!
01:20:04Come here!
01:20:06Now, wait a minute.
01:20:08I want you to wrap up this carnival and put it in that big barn down the road about a half a mile.
01:20:12Then I want you all to go over to Portisville.
01:20:14There's a new carnival over there, bigger and better.
01:20:17I want you to help set it up. Now, come on, get going.
01:20:26Say, hello.
01:20:29Penguin, you're beautiful.
01:20:32I'm charmed, Miss Boyd.
01:20:34Dinner is served, sir.
01:20:35Thank you, Bates.
01:20:36Right this way, everyone, for the victory dinner.
01:20:53Oh, no. Keep your hands off that chair.
01:20:55I've had that one pulled on me before.
01:20:57As you wish, madame.
01:20:58Yes.
01:21:05You know, I'm awfully happy that they have chicken tonight.
01:21:08I never eat anything but chicken.
01:21:12That's water.
01:21:14One, two, three, four.
01:21:18A four-legged chicken.
01:21:20That's cute.
01:21:21A four-legged chicken.
01:21:23Three-legged chicken.
01:21:26Three-legged chicken.
01:21:27That's a novelty.
01:21:28A three-legged chicken.
01:21:29What's the idea?
01:21:30Oh, you wouldn't like that.
01:21:31That's no good.
01:21:32No good.
01:21:33Well, here we are.
01:21:34Back to normal again.
01:21:35That's kind of muscular, isn't it, huh?
01:21:36It's nearly nine o'clock, sir.
01:21:37Oh, so it is, Bates.
01:21:38Shuffled well?
01:21:39Yes, sir.
01:21:40All right, everyone.
01:21:41Let's hurry with the usual drawing for positions on the fire trucks to see who the lucky people are.
01:21:43Will you draw, Uncle Carlton?
01:21:44Yes.
01:21:45Oh, mine's a blank.
01:21:46Better luck next time.
01:21:47Oh, I'll drive the chemical truck.
01:21:48That's nice.
01:21:49I'll just ride along with Mr. Gaines.
01:21:50Why, Colonel, this is not a blank.
01:21:51You two ride on the chemical wagon.
01:21:52By the way, Harry, what are you burning tonight?
01:21:53Oh, the same old barn.
01:21:54Oh, that's terrible.
01:21:55What's the matter, Uncle Carlton?
01:21:56Well, how was I to know that you're still burning the same old barn?
01:21:57In order to save the carnival from the hoodlums, I have the boys hide at the barn.
01:21:58You mean the carnival's on fire?
01:21:59I mean, the carnival's on fire.
01:22:00You don't know what to do.
01:22:01You don't know what to do.
01:22:02I'm going to see who the lucky people are.
01:22:03I'm going to see who the lucky people are.
01:22:04Will you draw, Uncle Carlton?
01:22:05Yes.
01:22:06Oh, mine's a blank.
01:22:07Oh, mine's a blank.
01:22:08Better luck next time.
01:22:09Well, I'll drive the chemical truck.
01:22:10That's nice.
01:22:11I'll just ride along with Mr. Gaines.
01:22:12Why, Colonel, this is not a blank.
01:22:13You two ride on the chemical wagon.
01:22:14By the way, Harry, what are you burning tonight?
01:22:15Oh, that's terrible.
01:22:16What's the matter, Uncle Carlton?
01:22:17Well, how was I to know that you're still burning the same old barn?
01:22:20In order to save the carnival from the hoodlums, I have the boys hide at the barn.
01:22:24You mean the carnival's on fire?
01:22:25I mean exactly that.
01:22:26My carnival?
01:22:27Well, how was I...
01:22:28She said the carnival's on fire!
01:22:31Come on!
01:22:32Come on!
01:22:33Come on!
01:22:34Everybody have a fire!
01:22:35Come on!
01:22:36Come on!
01:22:41Take it easy!
01:22:45Don't you think I ought to do the driving?
01:22:46Don't be silly.
01:22:47I've been pushing trucks around all my life.
01:22:48All right, let it go!
01:22:50Let it go!
01:23:09Well, we didn't think so already.
01:23:14Where is the fire?
01:23:16Never mind the fire.
01:23:17We're not going there.
01:23:18What do you mean?
01:23:19Keep going straight ahead and we'll lead them into Portersville and the new carnival.
01:23:23And what about the fire?
01:23:24Well, you told me to get rid of her carnival, didn't you?
01:23:27Maybe when she sees the new one, she'll forget the old one.
01:23:29Oh!
01:23:40Bobby!
01:23:49Get out of here!
01:24:02No!
01:24:03No!
01:24:05You told me the fire!
01:24:06It won't be me!
01:24:07No!
01:24:08I don't know!
01:24:09No!
01:24:10No!
01:24:11No!
01:24:12No!
01:24:13No!
01:24:14Go away!
01:24:15Somebody's lying to me hurt!
01:24:17It'll be me!
01:24:23Hey!
01:24:24Come, move them!
01:24:26Hey!
01:24:39Get off the road! That's not fair!
01:24:41Hey!
01:24:43Hey!
01:24:44Hey!
01:24:45Hey!
01:24:47Hey!
01:24:48Hey!
01:24:56Hey! Let me get...
01:24:57Oh!
01:24:58Hey! Turn him out!
01:24:59Please, fellas!
01:25:00Please!
01:25:01Oh!
01:25:02Ah!
01:25:04Ah!
01:25:05Oh!
01:25:06Oh!
01:25:07Oh!
01:25:08Come on, now!
01:25:09Hey!
01:25:12Pretty tricky!
01:25:14Hey!
01:25:15Get me out of here!
01:25:16Do something!
01:25:17Get her down!
01:25:18Oh, oh, yes!
01:25:19No!
01:25:20No!
01:25:21No!
01:25:22Hey!
01:25:23No!
01:25:24No!
01:25:25No!
01:25:26No!
01:25:27No!
01:25:28No!
01:25:29No!
01:25:30No!
01:25:31No!
01:25:32No!
01:25:33No!
01:25:34No!
01:25:35No!
01:25:36No!
01:25:37No!
01:25:38No!
01:25:39No!
01:25:40No!
01:25:41No!
01:25:42No!
01:25:43No!
01:25:44No!
01:25:45No!
01:25:46No!
01:25:47No!
01:25:48No!
01:25:49No!
01:25:50No!
01:25:51No!
01:25:52No!
01:25:53No!
01:25:54No!
01:25:55No!
01:25:56No!
01:25:57What do you mean?
01:25:58Do you really mean it?
01:25:59Yes.
01:26:00For keeps.
01:26:01What?
01:26:02Well, so what?
01:26:04Hey!
01:26:05Maybe you got something there.
01:26:27What do you mean?
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