- 2 days ago
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00:00:00THE END
00:00:30The End
00:01:00Dancy, what do you do?
00:01:30How do you do?
00:01:31I never thought that I'd live to see the day that a girl could get Drogo Gaines with all his millions to the altar.
00:01:37My Helen has done it.
00:01:39I'll believe it when I see it.
00:01:41My Helen is a very smart girl.
00:01:44My Agnes was in the running, but what chance did she have when he never kept her out after ten o'clock at night?
00:01:51Well.
00:01:51I don't know.
00:02:21What's the matter?
00:02:36Well, come and see.
00:02:37Oh, my goodness.
00:02:47Oh, my goodness.
00:02:47Dr. Johnson, will you come in, please?
00:02:59Yes, I can.
00:03:00Of course.
00:03:01Listen to me, Drogo Gaines.
00:03:02What do you think you're doing?
00:03:07What's the matter with him?
00:03:08I think he's nuts.
00:03:09Here he is, Doctor.
00:03:11My goodness.
00:03:13We'd better put him on the couch.
00:03:14All right.
00:03:15Lend me a hand.
00:03:16Okay.
00:03:17There we go.
00:03:17There appears to be no fever, and the pulse is normal.
00:03:28It must be a mental collapse.
00:03:30I'll phone for some assistance.
00:03:33Hey, Drogo.
00:03:34Come on.
00:03:35Wake up out of this thing.
00:03:37Well, what now?
00:03:39Well, of all things, to happen to me.
00:03:41Yeah, it happened to you.
00:03:42If you had married the dope two weeks ago, we'd have had the ten million, and we wouldn't
00:03:45care whether he did go goofy.
00:03:47Ma, it's all your fault.
00:03:48If you'd only let me marry Jerry Van Sniven, he had plenty of dough, and besides, I might
00:03:52have learned to love him.
00:03:52How did I know?
00:03:53Look at all the money Drogo's got.
00:03:55What are we going to do?
00:03:57We can't let those people eat all that food and stuff.
00:03:59Who's going to pay for it?
00:04:00You go out there and tell them it's been postponed.
00:04:02All right.
00:04:09Are you all right?
00:04:11Oh, yes, I'm all right.
00:04:13You mean to say that you heard everything we said?
00:04:15Yes.
00:04:15Well, but I didn't do this for that reason.
00:04:17I was afraid to go out there.
00:04:20I realized what a momentous step I was taking.
00:04:22But now that I know where your affections really are, it's probably all for the best.
00:04:26All for the best?
00:04:27You're making a monkey out of me, leaving me at the altar?
00:04:30Well, I'm very sorry.
00:04:32Wait a minute.
00:04:34Everybody in this house thinks you're crazy.
00:04:36Now, listen to me, Drogo Gaines.
00:04:37You're going to marry me, or they're going to think you're crazy for the rest of your life.
00:04:40Oh, I don't understand.
00:04:42Helen, how are you going to influence those people?
00:04:43Help!
00:04:44Help!
00:04:45Let me go!
00:04:46Let me up!
00:04:47Let me go!
00:04:48Let me go!
00:04:49Helen, what are you doing?
00:04:50Ah!
00:04:51Help!
00:04:52Mother!
00:04:52Don't let him come in!
00:04:53He's crazy!
00:04:55Help!
00:04:55Help!
00:04:56Mother!
00:04:57Somebody come in, help me!
00:04:58He's gone violent!
00:04:59Help me!
00:05:00What's the matter here?
00:05:01My poor child!
00:05:04What?
00:05:16Good morning, Mr. G.
00:05:17Would you mind telling me where I am?
00:05:22The Hopedale Club.
00:05:24Hopedale Club.
00:05:32I can't stay in a place like this.
00:05:34I'm sorry, Mr. G., but I'll have to refer your complaint to Dr. Thorndyke.
00:05:38Now, eat your breakfast like a good boy.
00:05:40I don't want any breakfast.
00:05:41Please, Mr. G., you mustn't.
00:05:48Dr. Thorndyke!
00:05:56Oh, pardon me.
00:05:57Have you the time?
00:05:59No, I'm sorry.
00:05:59I have my watch.
00:06:00Here.
00:06:01It might.
00:06:02Oh, no.
00:06:03But listen.
00:06:04I want to see Dr. Thorndyke.
00:06:17Just have a seat.
00:06:18You're a progressing splencher.
00:06:28I'll drop in and see me any time you like.
00:06:32Always glad to have you.
00:06:47Thank you, doctor.
00:06:52Mr. N., do you mind if I send Mr. G. in ahead of you?
00:06:55Not at all.
00:06:56I want to see Dr. Thorndyke.
00:07:00Well, well, Mr. Gaines, glad you dropped in.
00:07:09We'll call you Mr. G here.
00:07:12Are you feeling better?
00:07:13No, I'm not.
00:07:15I mean, I never felt bad.
00:07:16Oh, I mean...
00:07:17Now, don't excite yourself.
00:07:18I'm not exciting myself.
00:07:20I just want to get out of here.
00:07:22Of course, they all do at first, but you'll soon learn to like us.
00:07:26We like you.
00:07:28That's just dandy, Doc.
00:07:30And I'm sure that you and I and all the lads would become great chums.
00:07:35But really, I've got to get back to New York.
00:07:37What have you there, Mr. G?
00:07:39Oh, that?
00:07:41A little man outside fastened a flower that he didn't have with a pin that isn't here.
00:07:47Would you mind letting me have that again, please?
00:07:50Well, that is...
00:07:51He thought he had a pin that he put in a flower that I haven't got.
00:07:58Now, look.
00:07:58I was just...
00:07:59I understand perfectly.
00:08:01Wait a minute.
00:08:03A fellow simply gave me a flower.
00:08:05And a very pretty flower it is, too.
00:08:08Oh.
00:08:09Look, Doctor.
00:08:10There's nothing wrong with me.
00:08:19Of course, there's nothing wrong with you, Mr. G.
00:08:22I've got to be.
00:08:22Now, Doctor.
00:08:32Ooh.
00:08:35Cute.
00:08:36Listen, Dr. Thorndike.
00:08:37I've had enough of this foolishness.
00:08:39You've got to let me go.
00:08:40Mr. Gaines, I hope you'll appreciate my position in this matter.
00:08:47I've no alternative but to keep you here until your conduct improves.
00:08:51But listen.
00:08:51Now, don't make it hard for yourself.
00:08:53Finish dressing and go out in the sun.
00:08:55We're allowing you the full run of the grounds.
00:08:57Oh, don't make it hard for yourself.
00:09:00Ah-ha-ha.
00:09:03Huh?
00:09:04Ha-ha-ha?
00:09:05Ha-ha.
00:09:05Oh, I'm sorry.
00:09:29I didn't know you were fishing.
00:09:30What did you think I was doing?
00:09:36Good fishing?
00:09:38Excellent.
00:09:40Caught many?
00:09:41Nope.
00:09:42Never catch any.
00:09:44It's a sort of new idea when it comes to fishing.
00:09:48Yeah, sure.
00:09:49Brighter than I thought you were, Mr. Gaines.
00:09:51Sit down.
00:09:52Oh, you know me?
00:09:53I know all about you.
00:09:55Carraway's my name.
00:09:57Colonel Carlton Carraway.
00:09:58You've heard of Carraway Seeds.
00:09:59Well, I'm the whole corporation.
00:10:01I didn't like the business, so I came here on my own accord.
00:10:04I like it here.
00:10:05Well, I don't.
00:10:07I'm going to escape.
00:10:08Oh, no, you're not.
00:10:09The walls are too high.
00:10:11Why'd you come here if you don't want to stay?
00:10:12I didn't come.
00:10:14I pulled a little stunt in self-defense.
00:10:16Oh, yes.
00:10:17That Newton girl.
00:10:19While you were looking at her eyes, she was looking at your checkbook.
00:10:23Well, I didn't know.
00:10:24And Agnes.
00:10:25She kissed you when you bought her a yacht.
00:10:29You'd have done better with a canoe.
00:10:31And that Argentine tomato.
00:10:33What was her name?
00:10:33Conchita Wat Mazuma.
00:10:36You bought her bracelets and called her angel.
00:10:38And she said,
00:10:40Mi piccioncito eres mi todo.
00:10:42Sounded sweet, didn't it?
00:10:44Just mean sucker.
00:10:45You certainly know a lot.
00:10:49Yes, that's why I'm here.
00:10:51Tell me, Colonel.
00:10:54How does a fellow know when he's found the right girl?
00:10:58The signs.
00:11:00Signs?
00:11:01Yeah.
00:11:01I don't understand.
00:11:03Well, now, supposing a girl crossed her fingers and you crossed yours at the same time.
00:11:12That's a sign.
00:11:13Go!
00:11:14What's the matter?
00:11:15Oh, I caught a fish.
00:11:18Well, I'll never be able to fish here anymore.
00:11:20Come on, young Drogo.
00:11:21What are you going to do now?
00:11:22Going to photograph the fish.
00:11:23Everybody does that.
00:11:24Are you leaving, Colonel?
00:11:25Yes, this place is no good.
00:11:27There's too many fish.
00:11:34Something I could do for you?
00:11:37No.
00:11:40Now, this, Mr. G, is the broom and daisy.
00:11:42The what?
00:11:43The broom and daisy.
00:11:44Probably the finest camera ever invented by the human mind.
00:11:48Now, don't let her frighten you and don't ask how she works or you'll spoil all the fun.
00:11:52Now, take one step forward.
00:11:55Two backward.
00:11:57Just a might forward.
00:11:58Now, what are you playing?
00:12:00That's another invention of mine.
00:12:02I never focus the camera.
00:12:04Anyone can focus the camera.
00:12:05I focus you.
00:12:06Now, are you ready?
00:12:08Hold it.
00:12:09There you are.
00:12:10That merely takes the photograph.
00:12:12Now, we develop it.
00:12:20Come in.
00:12:23Good morning, Colonel.
00:12:24Good morning, Harry.
00:12:25Then, meet Mr. G.
00:12:27How do you do?
00:12:28How do you do?
00:12:32And now, we shall see what we shall see.
00:12:36We release the gadget A.
00:12:39Seize the dingus B.
00:12:41And grasp the photograph.
00:12:43See?
00:12:43And there you are.
00:12:44It's blank.
00:12:45Yes.
00:12:46That's the wonderful thing about the Bloomin' Daisy.
00:12:48You never can tell what's coming out.
00:12:50Sometimes, I get the most amazing pictures.
00:12:53Not very often.
00:12:55Uncle Carlton, you're going to stay with me at the country place.
00:12:58Dr. Thorndagnac, I think you'll be much happier there.
00:13:01Oh, well, Harry, I like it here.
00:13:02I know, but you've got to leave here sometime.
00:13:04You've been here long enough.
00:13:05People are starting to ask embarrassing questions.
00:13:07Oh, Harry.
00:13:08Not another word.
00:13:09I know what's best for you.
00:13:11You get your things together, and I'll call for you in the morning.
00:13:13You understand?
00:13:13Yes.
00:13:14Well, goodbye.
00:13:16Goodbye, Mr. G.
00:13:18Gee.
00:13:18I hope you have fun playing with your fish.
00:13:25I'm embarrassing him, that crackpot.
00:13:28He seemed all right to me.
00:13:29Oh, he did, did he?
00:13:31Come here.
00:13:35Look at that.
00:13:44What's the matter with that?
00:14:01He's a member of the fire department.
00:14:02That's just it.
00:14:03He isn't.
00:14:04Well, most likely, the whole thing's my fault anyway.
00:14:07When he was a little lad, I bought him a toy fire engine to play with.
00:14:10Said he wanted to be a fireman.
00:14:11He never outgrew it.
00:14:12He's been playing fireman ever since.
00:14:14Oh.
00:14:15Go to his country place.
00:14:17Why, the whole thing's nothing but a big fire department.
00:14:19He'll not get me up there.
00:14:21I'll run away.
00:14:22That's what I'll do.
00:14:23I'll escape.
00:14:23You said you couldn't escape.
00:14:25No, I didn't.
00:14:26I said you couldn't.
00:14:27Didn't say I couldn't.
00:14:28If I had enough money to finance the Blooming Daisy, I'd escape tonight.
00:14:31I have $120.
00:14:34$120?
00:14:35Say, that's enough to put the Blooming Daisy on a paying basis.
00:14:38But the Blooming Daisy won't even take a picture.
00:14:39Shh.
00:14:40You know that, and I know that.
00:14:42But the people we photographed wouldn't know it.
00:14:44Now, look.
00:14:45You meet me at the woods near the river at 9 o'clock tonight.
00:14:47Boy, we'll hit the open road.
00:14:49We'll meet people.
00:14:50Real people.
00:14:51None of the money-grabbing kind.
00:14:53Don't forget to bring the money.
00:14:54What kept you so long?
00:15:03The fool guard didn't show up in time.
00:15:05It couldn't escape unless a guard was there.
00:15:07It wouldn't be strategic.
00:15:08Here, take that pole and knock those rocks off.
00:15:09The equipment's there.
00:15:11What for?
00:15:12The boat, of course.
00:15:13We've got a launcher.
00:15:14I knew this life would be too good to last.
00:15:16Why, how did this escape years ago?
00:15:17You call wrestling a boat?
00:15:19Here, stop all that fiddle paddles.
00:15:20Get this stuff on board.
00:15:22There you are.
00:15:24Here.
00:15:26Here, now, give me a hand.
00:15:29Fall ashore.
00:15:30Let's go on ashore.
00:15:31Shh.
00:15:32How far do you expect to get in this thing?
00:15:34Who wants to get far?
00:15:35We just want to get.
00:15:36Steve, ho, my hearty.
00:15:38Aubrey!
00:15:53Have Mr. Gaines sent to my office right away.
00:15:55Thank you, Dr. Thorndyke.
00:15:57As Mr. Gaines' secretary, I can assure you there's absolutely nothing wrong with him.
00:16:00As his fiancée, I can assure you that there is.
00:16:03Why, this whole thing is preposterous.
00:16:08Hello, Miss White.
00:16:16What?
00:16:16Miss White, notify the police.
00:16:20Seas as smooth as glass.
00:16:22We're not at sea.
00:16:23We're in the middle of the river.
00:16:25My feet are getting wet.
00:16:26Well, a little salt water never hurt anybody.
00:16:29That's not salt water.
00:16:30I never said it was.
00:16:32I made a...
00:16:33...about water never hurt anybody.
00:16:36Oh, you're impossible.
00:16:38Miss Rat's impossible.
00:16:39It's probably sinking.
00:16:41The server's right if we both drowned.
00:16:43We never should have listened to you in the first place.
00:16:44Oh, playing the coward, eh?
00:16:46Why, this silly river's so shallow you could wade ashore at any time.
00:16:50It is?
00:16:52Well, I'm going to wade.
00:16:53This must be the wrong river.
00:17:03Silly old river's shallow, huh?
00:17:06Well, you must have hit an air pocket.
00:17:12Waterfalls.
00:17:13Waterfalls?
00:17:14Give me that thing.
00:17:15We'll go over.
00:17:16That's a silly statement.
00:17:17People don't go over falls and rides.
00:17:19They only go over and back.
00:17:36Well, that wasn't just enough, you hope.
00:17:38I can't even broke my neck.
00:17:39Well, all's well that ends well.
00:17:49Say, what's the idea of throwing things and destroying people's property?
00:17:52I'll have you know, madam, that I have just perpetrated the most magnificent escape...
00:17:56...in my long and brilliant record of achievement.
00:17:58Escape?
00:17:59Well, that's it, eh?
00:18:00I might have known.
00:18:02Well, now that you know, would you mind telling me how to get to a telephone?
00:18:05Listen, you're not going anywhere to pay for what you broke.
00:18:08And a case of Cupid dollars cost nine bucks.
00:18:10Well, here's twenty dollars.
00:18:13Keep the change.
00:18:13I said nine bucks.
00:18:15No more, no less.
00:18:16That's the smallest I've got.
00:18:18You mean you don't want the extra money?
00:18:19No, why should I?
00:18:20Oh, what a girl.
00:18:22Come on, come on.
00:18:22Play up or I'll call the police.
00:18:23I have nothing smaller than a twenty.
00:18:27Achoo!
00:18:29Say, you're soaking wet.
00:18:31Oh, sure, I've been waiting.
00:18:32Here you are, my lad.
00:18:34Change into something of mine.
00:18:35I always carry extra equipment.
00:18:37Oh, no, I'm all right.
00:18:38Now, go ahead.
00:18:38We can't carry on with sick troops, you know.
00:18:40You can change behind the car.
00:18:42Make it snappy.
00:18:48Say, uh, what's he done?
00:18:51It isn't what he's done, gal.
00:18:53It's what he might do.
00:18:55His instincts, you know, are all bad.
00:18:57He's been a terrible trial to me, but I've done the best that I could.
00:19:02If he but had the love of a good woman, someone to bring out the finer things in him, to restore
00:19:07his self-respect, then again he could become a man among men.
00:19:11Oh, ho, Moore's Carnival.
00:19:26Yeah, Penguin Moore.
00:19:27That's me.
00:19:28You own this?
00:19:29Yeah, the hall works.
00:19:31Tight lights, music, the gay, pleasure-mad throngs.
00:19:34What throngs?
00:19:35Learning a figure of speech, my girl.
00:19:37Learning a figure of speech.
00:19:39Ladies and gentlemen, right out west this way.
00:19:42Come on, fellas.
00:19:43Hi, hello, Penguin.
00:19:44Glad to see you back.
00:19:45Hi, Alice.
00:19:46Uh, you got change for 20?
00:19:48Are they still making those things?
00:19:52It won't make you fat.
00:19:53It'll make you thin.
00:19:54Come on.
00:19:54Yum, yum, you're so delicious.
00:20:02You're sweeter than an angel cake.
00:20:06I'll bet an even baker's dozen
00:20:09That every bee that's buzzing
00:20:11Tells its pretty flower
00:20:13You're his long-lost cousin.
00:20:16When you promise me kisses
00:20:20The filling in my sweet toothpaste
00:20:23Because your lips are more enticing
00:20:27Than Grandma's chocolate icing
00:20:29Yum, yum, yum
00:20:34I keep a pantry full of sugar and spice
00:20:44Strawberry jam
00:20:47And everything nice
00:20:51But what could be much sweeter
00:20:54Than someone like yourself
00:20:59You belong on my top shelf
00:21:07Yum, yum, yum
00:21:11You're so delicious
00:21:13You're sweeter than an angel cake
00:21:16I'll bet an even baker's dozen
00:21:20That every bee that's buzzing
00:21:22Tells its pretty flower
00:21:24You're his long-lost cousin
00:21:27When you promise me kisses
00:21:31The filling in my sweet toothache
00:21:35Because your lips are more enticing
00:21:38Than Grandma's chocolate icing
00:21:41Yum, yum, yum
00:21:44Yum, yum
00:21:44You are the first lucky lady
00:21:53To get the dollar for trade for 25 cents
00:21:55Right down that way, lady, and to your left
00:21:57As soon as we get changed to the $20, we're on our way
00:22:00Now listen, young lady
00:22:05I've been waiting long enough
00:22:07Either you give me $120
00:22:09Or this show is the tax
00:22:10Now patience, Sheriff, patience
00:22:13I do not like to be rushed while I am bathing
00:22:15In fact, I like to soak
00:22:17After 47 minutes, you ought to be waterlogged
00:22:21Oh, you come right out of there, young lady
00:22:31Or I'm going to come over there and pull you up
00:22:34Why, Sheriff, police, after all
00:22:36What's going on here?
00:22:44I was waiting for the head of this year's show
00:22:46To get out of the shower
00:22:47Well, I'm the head of the show
00:22:49Boy, you are
00:22:50You blew Brownville last night
00:22:52Owing money to several citizens of our community
00:22:54For use of the lot, gas, electricity, water
00:22:57Matter-of-fact, you didn't pay for nothing
00:22:59Just a minute, Sheriff
00:23:02What is the attachment on this show?
00:23:04$120
00:23:04$120
00:23:05Well, there's your $100
00:23:07And here's your $20
00:23:08Now, thank you very much, Sheriff
00:23:10That fixes up everything
00:23:11Wait a minute, mister
00:23:11I never ask anyone to pay off anything on my show
00:23:14Who said I was paying off anything on the show?
00:23:16I merely want to buy the photographic concession for the Colonel
00:23:19You mean, you want to pay $120 so the Colonel can use that Bloomin' Daisy around here?
00:23:24That's right
00:23:24Well, let me tell you, mister
00:23:26It ain't worth it
00:23:27It's worth a lot more than that to me
00:23:28Now, goodbye, Miss Moore
00:23:29And thank you very much
00:23:31Say, not a bad guy
00:23:35And cute, too
00:23:37Well, goodbye, Colonel
00:23:38And lots of luck with the Bloomin' Daisy
00:23:40Where are you going?
00:23:41Back to New York, of course
00:23:42That's my suit you got on?
00:23:44Oh, it is
00:23:45Well, I'll send it back to you
00:23:46Which one of you is Penguin Moore?
00:23:48I am, why?
00:23:50Well, I'm Clem Prouty
00:23:51Owner of this lot
00:23:52And I want that $20 rental in advance that she promised me
00:23:55Well, say, can't you give us a little while?
00:23:57Nothing, Dawn
00:23:58I'll give you just 10 minutes to get the money
00:24:00And either you'll put up or pack up
00:24:02And I'll be waiting right here
00:24:05Wait a minute
00:24:13I'll get $20 from these yokels for my Indian remedy
00:24:16If it's the last act of my life
00:24:18Now, where do you think you're going?
00:24:23Well, with you, of course
00:24:24Nowhere else to go now that the source of livelihood's been cut off
00:24:27What a pity
00:24:28And to the lack of only $20
00:24:30Oh, I never saw such a mess
00:24:32There must be some way to make $20
00:24:34Say, I've got another attachment on the Bloomin' Daisy
00:24:37That I saved for just such an emergency
00:24:39Now, you put one here
00:24:40One here
00:24:41And one here
00:24:42Well, I'll try anything once
00:24:49Here you are, young lady
00:24:53Take care of my bag for me
00:24:54Sure, bud
00:24:55Beg your pardon, stranger
00:24:58You look like an intelligent person
00:25:00One who'd be interested in making a little easy money
00:25:03Sure, who's going to mind me?
00:25:04I am
00:25:05But in order to accomplish this feat
00:25:06I shall have to secure a portion of your chewing gum
00:25:08What good gum going to do you?
00:25:10Ah, that's a secret
00:25:11I've made hundreds of dollars that way
00:25:12Now, we attach the little pea to the chewing gum
00:25:16We attach both to the interior of the shell
00:25:19Follow me, stranger
00:25:22I'll show you how it works
00:25:23Well, well, well
00:25:28The shell game, eh?
00:25:29The object of this game
00:25:31Is to find out which shell the little pea is under
00:25:33I've had a lot of experience along that line
00:25:35Say, your shoelaces untied, young fella
00:25:36Tell you what I'll do, young man
00:25:40I'll bet you $20 that I can tell you where the little pea is
00:25:43I'll bet you $20, too
00:25:44$20 is all I want
00:25:45$20 is the limit
00:25:46Hey, limit, take your money back
00:25:47It was my idea
00:25:48Oh, no, you don't
00:25:50I had my money up first
00:25:51You're unfair, sir
00:25:52Triggered, in fact
00:25:53Just a minute, just a minute
00:25:55Say, young fella
00:25:55Didn't I have my money down first?
00:25:57Yes, I guess you did
00:25:58That gives you the first chance to play
00:25:59Sorry, mister
00:26:00Well, it's an outrage
00:26:01Money won that way
00:26:02It'll do you no good
00:26:03Now, gentlemen
00:26:04Which shell hides the little pea?
00:26:06That one
00:26:06It ain't there
00:26:09No
00:26:09Too bad, gentlemen
00:26:11Too bad
00:26:12Better luck next time
00:26:13It's amazing
00:26:14The man must be a wizard
00:26:16I'm glad I didn't bet any of my own money
00:26:17And there you are, ladies and gentlemen
00:26:20The great Indian princess Yo-Yo in the flesh
00:26:23She speaks not a word of anything but her native tongue
00:26:26Now, she brings this tonic to you from the sands of the desert
00:26:29The rocks of the mountains
00:26:30The land of the mighty red man
00:26:32Now, you've never seen a sick Indian
00:26:35They're all big, strong, mighty men of nature
00:26:40And why are they all big, strong, mighty men?
00:26:43Because they use Princess Yo-Yo's Indian tonic exclusively
00:26:47And now, my good people
00:26:49This wonderful remedy is worth $5 a bottle
00:26:52But we're not going to charge you $5
00:26:54Oh, no
00:26:55Nor $2
00:26:56Nor $1
00:26:57No, sir
00:26:59You're going to buy this wonderful tonic for just $0.25
00:27:02And because of the great affection the princess has for the people of this community
00:27:07With every two-bit purchase
00:27:09We're going to give you a bow
00:27:11Made by the princess's own brother, Eagleby
00:27:14Now, you say to yourself, what will I do with just a bow?
00:27:19Well, we'll tell you
00:27:20With every $0.25 purchase of the Princess Yo-Yo's tonic
00:27:24We're going to throw in an arrow
00:27:26So that you have the tonic and the bow and arrow
00:27:29All for the trifling sum of $0.25
00:27:32Come on now, folks
00:27:33Step up and get that first bottle
00:27:35Don't miss this amazing opportunity to buy this great tonic
00:27:38For $0.25 a bottle
00:27:40Or five bottles for $1
00:27:42Let me just take one bottle and pass it down among you
00:27:45Just pull the fork out of that, my friend, and take a smell
00:27:47And don't forget, ladies and gentlemen
00:27:50That you get a bow and an arrow free with this purchase
00:27:53Miss Jinx
00:27:54Here's the $20 you need
00:27:57Would you mind keeping an eye on the colonel's camera for me?
00:28:00Why, sure
00:28:01Thank you
00:28:02Okay
00:28:02And now, folks, step right up and get your bottle
00:28:06Well, colonel, where's he going?
00:28:09He thinks he's going to New York
00:28:11He's the constable now
00:28:12I'm constable
00:28:13Constable, there's your man right there
00:28:15And I am as guilty as he is
00:28:16You come along with me, too, then
00:28:18You can't fornake me out of money, the city slickers
00:28:20First, you make me look ridiculous with that fish
00:28:23Then you almost drown me on that silly raft of yours
00:28:26Next, we become entangled with a broken-down carnival
00:28:30And you get a bright idea on how to acquire $20
00:28:33And we land in jail
00:28:35If you'd kept your mouth shut
00:28:37I would have been on my way to New York right now
00:28:39Are you sure you told that girl to take good care of the bloomin' daisy?
00:28:46Couple of tough fellas, they put up a great struggle
00:28:48But I took them
00:28:50Single-handed
00:28:51Nobody ever gets away from me
00:28:57Gee, Hossipads
00:29:00I told you they was desperate
00:29:02They must have dynamited
00:29:04Well, this looks like an outside job
00:29:13Do you realize we've broken the law
00:29:15Of leaving the jail in that manner?
00:29:17Well, let's go back
00:29:18Maybe you can think of a better way
00:29:20I guess Morris will be able to get herself into serious trouble
00:29:23If we're caught, she'll be as guilty as we are
00:29:25Don't think she doesn't know it
00:29:27She's one of those regular people I've been telling you about
00:29:29Let her go
00:29:43Ah, howdy, Colonel
00:29:44Well, ho, girls, how are you?
00:29:47Jinx
00:29:47Yeah?
00:29:48Take him in with you
00:29:49Cops might be here any minute
00:29:50You know what to do
00:29:51Right
00:29:52You come with me
00:29:52Oh, Miss Moore, don't you think
00:29:53Don't argue, come on
00:29:54Oh, Miss Moore
00:29:56If you get a chance to talk with him
00:29:57Keep your fingers crossed for me, will you?
00:29:59Okay, Colonel
00:30:03She sure isn't giving herself the worst of the deal, is she?
00:30:06Come on, snapshot, Willie
00:30:07Give me a hand
00:30:08Welcome home
00:30:16Sit down and make stuff at home
00:30:17Oh, thanks
00:30:22Miss Moore, I want you to know that I appreciate what you've done to me
00:30:25For us
00:30:25Oh, skip it
00:30:26You got my show out of a jam and I got you out of one
00:30:29A piece of pie
00:30:29Oh, thank you
00:30:33Do you always put salt on your apple pie?
00:30:35Sure, why?
00:30:36Well, I put salt on mine, too
00:30:37So what?
00:30:38Now, Miss Moore, don't you think that could be a sort of a sign?
00:30:42Sure it is
00:30:43It's a sign we both like salt in our apple pie
00:30:48You know
00:30:50You're not a bad looking guy
00:30:52Talk like you've been to school
00:30:55You're kind of a fellow that any girl might fall for
00:31:00Nothing wrong, though, is your instincts are all bad
00:31:02My instincts?
00:31:04Yeah, they're kind of crooked if you ask me
00:31:06Why, Miss Moore
00:31:07I want you to know that my business integrity has never been questioned
00:31:11Oh, stop talking like a gentleman of circumstance
00:31:13You mean you don't like gentlemen of circumstance?
00:31:16I should say not
00:31:18Gentleman is just a polite word for loafer if you ask me
00:31:22Oh, why don't you get an honest job and go to work
00:31:26You might make something out of yourself
00:31:28I'll keep my fingers crossed for you
00:31:30You did it
00:31:31Did what?
00:31:32You crossed your fingers
00:31:34So what?
00:31:35Well, Miss Moore, that is a sign
00:31:37Wait a minute
00:31:38What is the sign language?
00:31:39Well, when a boy and a girl both cro-
00:31:42What's that?
00:31:43It ain't the curfew
00:31:46This is it, Moore's carnival
00:31:55All right, Sheriff, if you go that way, I'll go this way
00:31:57We'll search every truck
00:31:57Right
00:31:58Come on
00:32:03Get down
00:32:04What?
00:32:04Get down
00:32:05I don't
00:32:06Come in
00:32:10What do you mean by breaking in on a lady's privacy?
00:32:13I'm looking for a couple of jailbreakers
00:32:17There ain't no privacy when desperate criminals is at large
00:32:23I got every reason to believe they're right with this carnival
00:32:26Well, you don't think I'd have them in here, do you?
00:32:30You never can tell
00:32:31Pardon, ladies, but I'm looking for a couple of fugitives
00:32:41Fugitives?
00:32:42Oh, if you find anybody, you save the prettiest one for me, will you?
00:32:46Very funny
00:32:55Well, any success?
00:32:56No, not a trace of them
00:32:57Well, what'll we do now?
00:32:58Well, I think we'd better get to a telephone and notify every sheriff in the state
00:33:00That's a good idea
00:33:01Excuse me, Sheriff
00:33:03I'd like to suggest my remaining here and keeping an eye open, just in case
00:33:06Well, it'll be all right with me
00:33:07Thank you, sir
00:33:08Well, that was close
00:33:09Okay, Colonel
00:33:13How do you feel?
00:33:16Oh
00:33:17Good night, he's stuck
00:33:18Oh, don't worry
00:33:19We can always use him for a camp chair
00:33:20Oh, get me out of this
00:33:22Oh, don't let it get you down, Colonel
00:33:24I had an uncle was that way for years
00:33:25He got it from looking through keyholes
00:33:27Now, relax
00:33:28That's it
00:33:29Here, here, hold it
00:33:30That's it
00:33:30Here, relax
00:33:31You're too tense
00:33:32Come on, relax
00:33:33That's it
00:33:33There you are
00:33:34There
00:33:35Here
00:33:35That's it
00:33:36Here, straighten up
00:33:37Now, how do you feel?
00:33:37Oh, I'm fine
00:33:38You sure not?
00:33:38Oh, fine
00:33:39I have three or four more ideas
00:33:40Oh, no
00:33:42Miss Moore
00:33:43I've caused you a lot of trouble
00:33:44I'd like to be of some help
00:33:46If there's anything I can do
00:33:47Why, sure you can be of help
00:33:49There's a roustabout in this show
00:33:50You probably won't be worth your salt
00:33:52But at least it's an honest job
00:33:54Go back and tell the girls to come up here
00:33:56And you bunk with the colonel
00:33:57A roustabout?
00:33:58Yeah, a roustabout
00:34:00Oh, thank you
00:34:14Swing it
00:34:15Hit it
00:34:16Hold it
00:34:16Try it
00:34:17Swing it
00:34:18Hit it
00:34:18Hold it
00:34:19Tie it
00:34:20Swing it
00:34:20Hit it
00:34:21Hold it
00:34:22Tie it
00:34:23Swing it
00:34:23Hit it
00:34:24Hold it
00:34:25Tie it
00:34:25Swing it
00:34:26Hit it
00:34:27Pull it
00:34:27Tie it
00:34:28Swing it
00:34:29Hit it
00:34:29Pull it
00:34:30Tie it
00:34:31Swing it
00:34:31Hit it
00:34:32Pull it
00:34:33Tie it
00:34:33Oh, calliope chain, put on your bonnet and bloop again
00:34:40Oh, when you go bloop bloop, I'm happy to live long day
00:34:45You're the talk of the town, calliope chain, put on your bonnet and bloop again
00:34:51Oh, when you go bloop bloop, you bloop all my cares away
00:34:55Last week a bloke in the derby named Diger said he could tame a cat
00:35:03Just then I played hold that tiger, the tiger now holds the guy's hat
00:35:07So, calliope chain, put on your bonnet and bloop again
00:35:12Oh, when you go bloop bloop, you bloop all my cares away
00:35:17Oh, calliope chain, calliope chain
00:35:32Put on your bonnet and bloop again
00:35:35Blue, blue, happy to live long day
00:35:38Oh, calliope chain, calliope chain, put on your bonnet and bloop again
00:35:45Blue, blue, blue, loop all my cares away
00:35:49Last week a bloke in the derby named Diger said he could tame a catquill
00:35:56Just when I played hold the tiger, the tiger holds the guy's hat
00:36:01Put on your old sun bonnet while we swing this sonnet
00:36:06When you bloop, you bloop, you bloop my cares all away
00:36:11Good morning, gentlemen
00:36:18Morning
00:36:18Ready for breakfast?
00:36:20Oh, breakfast, serve it right here
00:36:22No hurry, we usually work a little around here before we eat
00:36:25Work?
00:36:26Yeah, put those on
00:36:27I protest
00:36:29I'm a concessionaire with this carnival and I wear what I please
00:36:31I don't care how you dress so long as you pound those tent stakes
00:36:35A little work never hurt anybody
00:36:41Good morning, Miss Moore
00:36:44Oh, hiya, Jones
00:36:46Oh, Miss Moore, I've had a pretty good offer from the Jones show
00:36:49It isn't that I want to leave, but I have a wife and kid back in Connecticut
00:36:53Oh, I understand, Joe
00:36:54I don't blame you
00:36:55Well, your pay's been a little slow, but
00:36:57Well, we'll get along all right
00:36:58I'll send you back pay as soon as we have a few good days
00:37:01Oh, forget it any time
00:37:03Oh, trooper's nothing
00:37:04If I could ever get paid, I'd quit this dump in a minute
00:37:06What are you crabbing about?
00:37:08Crabbing?
00:37:08She hasn't paid me a dime in months
00:37:10Don't you ever think of anything else besides money?
00:37:12Why don't you try smiling once in a while?
00:37:14You know
00:37:14Laugh and the world laughs with you, you know
00:37:17Oh, baloney
00:37:18Oh, why don't you try being like me?
00:37:20Oh, that's too much
00:37:21Very funny
00:37:22Well, at least I like everybody
00:37:24I'm a little happy
00:37:25Did you ever see any
00:37:26Oh, now, wait
00:37:29Let's not go through all this again
00:37:30Really, I have enough trouble
00:37:31Bye
00:37:32Oh
00:37:35Oh, now, wait a minute
00:37:38Let's get this thing straight
00:37:39You see, I'm really not an Indian
00:37:41Only kidding with that yo-yo stuff
00:37:43You know, just kidding
00:37:44In fact, I was born in Brooklyn
00:37:46You know, Brooklyn
00:37:47Oh
00:37:48Oh
00:37:49Mr. Gaines
00:37:51Oh, good morning, Stan
00:37:52Oh
00:37:52Good morning to you, sir
00:37:53I've been dreadfully worried about you
00:37:55A man of your position in an environment of this kind
00:37:58Don't worry about me
00:37:59I'm all right
00:38:00Well, I'm glad to hear that
00:38:01Is there something I can do for you, sir?
00:38:04No, nothing at all
00:38:05Well, if you're not too busy
00:38:05You might try pounding some stakes for me
00:38:07No, Colonel, that would never do
00:38:08Just stay around in the background
00:38:10I'll see you later
00:38:11Yes, sir
00:38:11Come on, Colonel
00:38:12Oh, ho
00:38:17What an invigorating morning
00:38:18I'm ready for an order of scrambled eggs
00:38:20A rationer of bacon
00:38:21And a huge pot of coffee
00:38:23All right, you guys
00:38:24Start pounding this row of stakes
00:38:25And that row of stakes over there
00:38:27Then you can eat breakfast
00:38:28I protest
00:38:29I'm a concessionaire
00:38:30So am I a concessionaire
00:38:31But we pound stakes around here
00:38:32Before we eat
00:38:33I said that I would
00:38:34I said pound that stake
00:38:36Yes, sir
00:38:38Oh, say, just a minute
00:38:42What's on your mind?
00:38:44How would you like to be the head man
00:38:45Of the best carnival in the world?
00:38:47Who wouldn't?
00:38:48How much would it cost?
00:38:49About 200 grand
00:38:50I'd like to have you pick one up for me
00:38:52Wouldn't you like a nice new electric train set, too?
00:38:55No, wait a minute
00:38:55You don't understand
00:38:56Stand up!
00:38:58Where would a punk like you get 200 grand?
00:39:00Yes, sir
00:39:00A blank check, please
00:39:02Yes, sir
00:39:02I want you to accompany this gentleman
00:39:04I'm going to buy a carnival
00:39:05A carnival, sir?
00:39:07Yes
00:39:07Spill this check in for any amount necessary
00:39:09I want the very best
00:39:11Do you understand?
00:39:12Yes, Mr. Gaines
00:39:12Say, listen
00:39:13If this check bounces back on me
00:39:14I'm going to bounce right back on you
00:39:16I beg your pardon
00:39:17You're speaking about Mr. Gaines
00:39:18We never have check trouble
00:39:20Now, if you'll just come with me
00:39:21We'll attend to everything
00:39:22Hey, this is all over my head
00:39:23I don't understand
00:39:25Let me know when it's ready
00:39:26Yes, sir
00:39:27Take care of your own stake
00:39:33I'm having trouble enough with this one
00:39:34You pound this row
00:39:41I'll pound the other one
00:39:42Okay?
00:39:43Okay?
00:40:11Okay
00:40:12Okay, boys.
00:40:32Hey, Colonel, come on over and help with these.
00:40:35You'll do no such thing.
00:40:37It's a fine job, Colonel. Your steaks are all down.
00:40:39You go ahead and have breakfast.
00:40:40Thank you, Miss Wood. Thank you.
00:40:43Oh, good morning, Miss Moore.
00:40:47...for help, huh?
00:40:48Oh, I didn't mean...
00:40:49You notice the Colonel finished all of his, don't you?
00:40:51Oh, yes, but he...
00:40:52Don't interrupt. Look, you pound these steaks before breakfast,
00:40:55and if you can't do that, well...
00:41:00Well, hi, officer.
00:41:05I hope you like...
00:41:06And the sooner the better.
00:41:13Oh, but why?
00:41:14Well, I got word from the last town that you hit
00:41:17that you're carrying a couple of crooks with you,
00:41:19so come on, get going.
00:41:20Oh, now, look, Sheriff, there's...
00:41:21I said get going.
00:41:24Okay.
00:41:25All right, boys, pack it up!
00:41:27I beg your pardon, Sheriff,
00:41:32but I believe if you give me a moment,
00:41:33I can straighten out this little misunderstanding.
00:41:35Can that stuff...
00:41:36Oh, no, no, I want to present you
00:41:37with a portrait to take home to your wife.
00:41:39Oh, well, that sounds all right.
00:41:40There you are.
00:41:41You stand right there, not too far away,
00:41:43while I extend the lens,
00:41:44turn the little wheel,
00:41:46and pull the bulb.
00:41:47Are you ready?
00:41:48Yes.
00:41:48Hold it.
00:41:49That's it.
00:41:50I've had great success with these family portraits,
00:41:52but if you'll bear with me just a moment,
00:41:54while we go through the developing process here,
00:41:56and pull the little string here,
00:41:58I believe I'll show you something
00:42:00that your wife's going to be very happy about.
00:42:10That thing is getting out of town
00:42:13before I run you in.
00:42:21Swing it, hit it, pull it, pull it,
00:42:23swing it.
00:42:28I hope the new carnival will be
00:42:34the finest thing on wheels.
00:42:37I want to make Penguin really happy.
00:42:39Now, listen, young Drogo.
00:42:40Your idea of romance is a yacht here,
00:42:42a bracelet there,
00:42:44an ermine coat thrown in,
00:42:45and now a new carnival.
00:42:46Why, you're just a checkbook lover.
00:42:48Don't you know by this time
00:42:49that this girl is different?
00:42:58All together now!
00:42:59Push!
00:43:00That's it!
00:43:02All right.
00:43:03That's going to do you no good in the mud.
00:43:05Get up out of the mud there, young Drogo.
00:43:07We can't have this kind of efficiency.
00:43:08See?
00:43:10I'm going to try to put it in the mud.
00:43:11Get up out of the mud.
00:43:11F-c-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s.
00:43:13Hey, you're getting to be an expert at this.
00:43:40Oh, thanks.
00:43:41As a matter of fact, you've been doing so well lately
00:43:43that I've decided to promote you to a better job.
00:43:45Oh, that's great.
00:43:47Well, what's it going to be?
00:43:50Here's your new outfit.
00:43:51Put it on tonight and you'll understand.
00:44:02Oh, no.
00:44:03You again.
00:44:04How?
00:44:05Listen, for the last time, I am not an Indian.
00:44:11Please, what is this?
00:44:17You and...
00:44:18Oh, here, look.
00:44:19No coming valentines.
00:44:20Now, go away.
00:44:21I'm busy.
00:44:23Colonel, I can't go out there like this.
00:44:25Why not?
00:44:26You look beautiful.
00:44:27That's just the trouble.
00:44:28Now, ladies and gentlemen,
00:44:30the feature free attractions of the show.
00:44:32The world's greatest area of artistes.
00:44:34So, one and only, Miss Penguin Moore,
00:44:37assisted by Don Cavalero.
00:44:44No, I... I can't...
00:44:46Take off your robe.
00:46:04Ladies and gentlemen, I...
00:46:22Oh, okay, officer. We'll be on our way.
00:46:28But listen, girl.
00:46:30Can't you see your way to give him another chance?
00:46:33You saw what happened tonight, Colonel.
00:46:34I gave him a chance, but he just doesn't belong in show business.
00:46:37Oh, that's funny.
00:46:39What's funny about that?
00:46:41Doesn't belong in show business.
00:46:42Well, I don't suppose you ever heard of the great Drogo.
00:46:45The great Drogo?
00:46:46The feature act of every show he ever played in.
00:46:49Drogo?
00:46:51Drogo?
00:46:53Aerialist?
00:46:54Mm-mm.
00:46:56Drogo.
00:46:57Well, there was a Drogo, Drogo's Lion Act.
00:47:07Or was it Drogo?
00:47:11Drogo's Lions.
00:47:13Was that it?
00:47:13I didn't say it, girl.
00:47:14Now, remember, I didn't tell you.
00:47:18But Drogo's Lions, that was the greatest act that ever played under the big top.
00:47:23Well, I can see it now.
00:47:25London, Paris, Vienna.
00:47:27The applause of thousands.
00:47:28What made him give it up?
00:47:31What's that?
00:47:32Boy, there he stood.
00:47:33Night after night.
00:47:35With guns in his hands.
00:47:36Then came a time when the animals weren't enough.
00:47:39Oh, forget the past.
00:47:41He'll come back, girl.
00:47:42He'll come back.
00:47:44I feel like a fool, Colonel.
00:47:47Imagine me making him pound steaks in a silly two-by-four show like this.
00:47:52Making out like I was a big shot.
00:47:55I gotta talk to him, Colonel.
00:47:58Drogo, come here.
00:48:03Oh, I'm very busy, Miss Moore.
00:48:04I want to talk to you.
00:48:05Well, Miss Moore, I want you to know
00:48:09I can make up for it in any way I can.
00:48:13Oh, forget about it, Drogo.
00:48:23You look like that, Drogo.
00:48:25You're making him feel so foolish.
00:48:28All I can, and help.
00:48:34You're going to.
00:48:36You're going to go right back to the top where you belong.
00:48:38You won't get in with the wrong people this time,
00:48:40because I'll take the guns out of your hands every night.
00:48:43Guns?
00:48:44That's certainly nice of you, Miss Moore, but I don't...
00:48:47Now, you don't have to say anything.
00:48:48I know we're going to get along swell together from now on.
00:49:00Colonel, what do you think?
00:49:01What?
00:49:02Miss Moore just spoke to me and forgave me for what I did to her act.
00:49:05She was so sweet, I can't get over it.
00:49:08She said we'd get along swell together.
00:49:10But certainly you'll get along swell together.
00:49:11Why shouldn't two great showmen get along swell together?
00:49:14What do you mean?
00:49:15I don't know anything about the show business.
00:49:16Well, I know you don't, and you know you don't, but...
00:49:19But what?
00:49:20Well, I told her you were a great showman.
00:49:22Oh, Colonel, why did you tell her a thing like that?
00:49:25Well, you're an imposter, aren't you?
00:49:27Well, isn't it better to be a good imposter than a bad one?
00:49:32What kind of a showman did you tell her I was?
00:49:34Well, I, uh, I told her you were a lion tamer.
00:49:37A lot.
00:49:38A lot.
00:49:38Colonel, come back here.
00:49:41Why did you tell her that?
00:49:43Well, there are no lions with this show.
00:49:45No.
00:49:45Well, what have you got to worry about?
00:49:52Oh, boys, put this stuff in the other truck over there.
00:49:55Willie, you come with me.
00:49:56Yes, ma'am.
00:50:13Here, come here.
00:50:15You sit right down here.
00:50:17Stay out of my way.
00:50:18I'm visiting.
00:50:23Stay there and don't move.
00:50:25Glad to see you, Penguin.
00:50:44How are you?
00:50:44Oh, fine.
00:50:45Sorry to get you up at this hour.
00:50:47Oh, that's all right.
00:50:48We couldn't sleep anyway.
00:50:49What's on your mind?
00:50:50Well, I got a spot in my show for your lions.
00:50:52You still got them, haven't you?
00:50:53Sure.
00:50:54There they are.
00:50:55Come on.
00:50:56Say, I got the best lion trainer in the business.
00:50:58How about letting me take them and then the season will split?
00:51:01Well, it's okay with me if it's okay with Moe.
00:51:03It's okay with me, Joe.
00:51:05Matter of fact, I'm glad you came.
00:51:06We were just talking about turning them over to the zoo.
00:51:09Business has been so bad, we can't even feed them.
00:51:11Take a peek.
00:51:16They don't look underfed to me.
00:51:17Me either.
00:51:18In fact, they look powerful, healthy.
00:51:20There's nothing to worry about.
00:51:24All you got to do is follow the instructions in this book.
00:51:26Gives you their names, the tricks they do, and everything.
00:51:29Well, that's swell.
00:51:31Here you are, Willie.
00:51:31Read it over carefully.
00:51:32From now on, you're taking care of them.
00:51:34Come on, let's go.
00:51:35Okay, we'll give you a hand.
00:51:37You mean...
00:51:38I guess you do.
00:51:42Nero rolls over.
00:51:46Nero?
00:51:46Nero?
00:51:48Nero?
00:51:49Nero.
00:51:52Nero, roll over.
00:51:58That did it.
00:52:06Good morning, Miss Moore.
00:52:07Morning, Joker.
00:52:08I think you ought to know, though, what the colonel said.
00:52:10Oh, don't blame him.
00:52:11I'm happy to know that you're one of us.
00:52:13Well, I certainly do want to be one of us.
00:52:16There's something I want you to have.
00:52:19Belonged to my dad.
00:52:20He was a lion trainer, too.
00:52:22Oh, thanks.
00:52:24Drogo, I want you to know how I feel about your scenes.
00:52:28We're both showmen.
00:52:29I liked you from the start, but that was as far as could ever go because, well, I had
00:52:34no idea you were my kind.
00:52:36Miss Moore, I think you ought to know the truth.
00:52:38Never mind.
00:52:39It's what's going to happen that counts.
00:52:41I'll certainly do my best.
00:52:42You haven't any scratches on you.
00:52:45Didn't the lions ever claw you or jump you?
00:52:47To tell the truth, they never did.
00:52:49Gosh, you must have been great.
00:52:52Wouldn't you like to take up where you left off, cracking the whip and hearing the applause?
00:52:57Wouldn't you do it for me?
00:52:58I guess I'd do just about anything for you.
00:53:02Well, here they are.
00:53:04Not much after what you've had, but it's the beginning.
00:53:07They're lions!
00:53:08Don't expect too much of them because they haven't been worked for quite a while.
00:53:11You're going to train them a lot.
00:53:22Uh-oh.
00:53:23Oh, it's no use, Colonel.
00:53:39I can't go through with it.
00:53:41Now, don't be silly.
00:53:42Now, look, you're a millionaire, aren't you?
00:53:44What's that got to do with it?
00:53:46Everything.
00:53:46Why, you'd be the first millionaire lion tamer in the world.
00:53:49Think of the honor.
00:53:50And besides, I'm sure that nothing will happen to you.
00:53:53Those lions are easy to work with, aren't they, Willie?
00:53:55That's what it says here.
00:53:56There, you see?
00:53:57Now, look, I'm going to show you once more.
00:53:59You need have no fear.
00:54:01Why, no lion has ever been known to pass a chair.
00:54:04Now, you advance boldly.
00:54:07Chair in one hand and whip in the other.
00:54:20All right, ladies and gentlemen, step right up and buy yourself a ticket to the greatest thrill of your life.
00:54:34Feel this, folks.
00:54:36The one and only, the world's greatest lion tamer is going to face fire of the most ferocious.
00:54:42How's it going?
00:54:43Oh, couldn't be better.
00:54:44Step right up, ladies and gentlemen.
00:54:46Here you are.
00:54:46They got the smelling salts.
00:54:48Yes.
00:54:48The bandages.
00:54:49Yes.
00:54:50The iodine.
00:54:51Yes.
00:54:53I forgot something.
00:54:54What?
00:54:55I forgot to feed.
00:54:56Shh.
00:54:59What's the matter, boy?
00:55:02Colonel, I can't go through with it.
00:55:04Well, you love her, don't you?
00:55:06All you've got to do is to remember what I told you.
00:55:08When you get in that cage, keep jamming with that chair and cross with your whip.
00:55:13Listen, little boy.
00:55:14Listen.
00:55:14What a crowd.
00:55:19Hurry up, Joker.
00:55:20We can't hold it much longer.
00:55:21They're waiting for you.
00:55:22The lions?
00:55:23And all the people, silly.
00:55:25Gosh, you look wonderful.
00:55:26Now, go on out there and knock them cold.
00:55:27Tell me, Colonel, is he thrilled?
00:55:31Thrilled is not the word for it.
00:55:33He's trembling.
00:55:34With anticipation.
00:55:36You want to go in now?
00:55:37No.
00:55:38Oh, I've got a better idea.
00:55:42There.
00:55:43Up.
00:55:43Places.
00:55:44Zero.
00:55:45Caesar.
00:55:46Up.
00:55:47Benigny.
00:55:48Tony.
00:55:49What are you trying to do, Colonel?
00:55:53He's working the cats from the outside.
00:55:55Yes.
00:55:56Well, you wouldn't expect the great Drogo to do the usual thing.
00:55:59Anybody can work lions from the inside of a cage.
00:56:01What a man.
00:56:03He's working them from the outside.
00:56:05That may be swell, Colonel, but I don't think these yokels understand that.
00:56:10I'll tell them to do it the easy way.
00:56:16Drogo, I think you'd better do it the regular way.
00:56:18Oh, I'd do it fine from out here.
00:56:20I know, but these people don't understand.
00:56:22I think you'd better work on the inside.
00:56:23Okay, folks, everything will be fine in just a minute.
00:56:31Oh, this would have to happen to me.
00:56:33What's going to happen to you?
00:56:35Well, can't you see?
00:56:35The rain is going to ruin the act.
00:56:37We can't put it on.
00:56:39Ow.
00:56:39Willie, put him away.
00:56:41Yes.
00:56:41It's just a little shower.
00:56:49All right, my head.
00:56:51All right, my body.
00:56:55How am I going to get back to my trailer?
00:56:57There you are.
00:57:06I'm the queen of you, Drogo.
00:57:08Oh, no business.
00:57:17Did you do that on purpose?
00:57:18What do you think?
00:57:27Did you do that?
00:57:28You figure it out.
00:57:29Why, you.
00:57:30You.
00:57:31Now, wait a minute.
00:57:32If you hadn't let your snooping instincts get the better of you, all this wouldn't have happened.
00:57:36After all I've done for you,
00:57:38why, for two minutes, I'd...
00:57:39Oh, you poor kid, never mind.
00:57:44Someday you'll have a fine new carnival.
00:57:46I don't want a new carnival.
00:57:49All I want is good business for this one.
00:57:51You mean you don't want a new carnival?
00:57:53No.
00:57:53No.
00:58:09I should have known you years ago
00:58:30Where on earth were you long years ago
00:58:37I miss so much
00:58:42And dreamed so little
00:58:45Before you set my heart aglow
00:58:52I should have known
00:58:56The way you smile
00:58:59As I traveled each long lonely mile
00:59:07For memory lane
00:59:10Should seem much sweeter
00:59:14If I had known you all the while
00:59:22Oh, I'm so jealous
00:59:25Of the flowers in spring
00:59:28For they know more than I about you
00:59:35They heard your laughter
00:59:41And the songs you sing
00:59:45Through all the years I spent
00:59:50Without you
00:59:54I wish that I could truly say
01:00:02That I knew you long before
01:00:07Today
01:00:09But we'll go away
01:00:11But we'll go away
01:00:16From here together
01:00:21And I shall love you
01:00:31All the way
01:00:38Wonderful girl, Penguin
01:00:43Real
01:00:44Sincere
01:00:46Different
01:00:47Yes, the others are all alike
01:00:49But she's different
01:00:50I know, my boy
01:00:52I know
01:00:52Love, love
01:00:54What follies are committed in thy name
01:00:57That's Francis Bacon
01:00:59Speak love
01:01:01If you speak love
01:01:02That's William Shakespeare
01:01:04Love is like hash
01:01:06You've got to have confidence in it
01:01:09To enjoy it
01:01:10That must have been Bob Hope
01:01:12Well, go to sleep, my boy
01:01:15Or, uh, how are you?
01:01:29Good morning
01:01:30Oh, yes, uh, Miss Newton
01:01:33Oh, Mr. Whitman
01:01:35Yes, Bates, what is it?
01:01:37Begging your pardon, sir
01:01:38But I'm afraid we have gypsies on the ground
01:01:40Gypsies?
01:01:44Well, Bates, do something
01:01:45Get rid of them right away
01:01:46Yes, sir, right away, sir
01:01:48Oh, wait a minute, Bates
01:01:49Do you speak gypsy?
01:01:50Oh, no, sir
01:01:51Oh, never mind
01:01:52I'll go myself
01:01:53Order the chief's car right away
01:01:55Yes, sir
01:01:55Come on, boys
01:01:57Hurry, hurry, hurry
01:01:58Up this way
01:01:59Hear all about the big surprise, I promised you
01:02:01Come on, everybody
01:02:03This way, everybody
01:02:05Shh
01:02:07Now, listen, boys and girls
01:02:10I told you I'd bring you to the land of plenty
01:02:12Well, here it is
01:02:13Why, the food lies on the ground for the taking
01:02:15Did you say food?
01:02:16Right
01:02:16Groceries
01:02:17Grub
01:02:18Bittles
01:02:19Now, some of you go that way
01:02:20And pick the berries from the vines
01:02:21The peas, beans, cabbages, and other vegetables
01:02:24Are that way
01:02:24Let your stomachs be your guide
01:02:26Begone
01:02:27And the watermelons
01:02:30Are that way
01:02:32Oh, Willie
01:02:34Yes, Mr. Colonel
01:02:36And the chicken house
01:02:37Is over there
01:02:39Chicken house?
01:02:40Uh-huh
01:02:40What am I waiting for?
01:02:41I don't know
01:02:42Me either
01:02:43Tally-ho
01:02:44Say, Joe
01:02:52What's the idea of pitching here?
01:02:54Colonel's orders
01:02:54Colonel's orders?
01:02:58Well, what are we gonna get for customers here?
01:03:00Feel, Mines?
01:03:02Quiet, quiet
01:03:03Ain't no use to squawking
01:03:04We all gotta go someday
01:03:06It's either gonna be you or me
01:03:08And it ain't gonna be me
01:03:10Take your time
01:03:18Take your time
01:03:19Don't rush me
01:03:20The man's right
01:03:20Thank you
01:03:21You're welcome
01:03:22Now, will you fix the flowers, please?
01:03:24First?
01:03:24Oh, wait a minute
01:03:25Say, Red, where'd you get these?
01:03:32Well, the Colonel told us
01:03:32We could pick anything we wanted to
01:03:34Oh, he did, eh?
01:03:36Well, I'm still getting orders around here, I think
01:03:38Pack them right down
01:03:38Oh, Craig, George
01:03:41You heard the boss breaking up
01:03:43Get this stuff out of here
01:03:44Yes, Miss Moore, but the Colonel said
01:03:45I don't care what the Colonel said
01:03:47We're not taking anything that doesn't belong to us
01:03:49Now, put it back where you got it
01:03:50Yeah, make it snappy
01:03:51We'll all be thrown in the clink
01:03:52Sound like we'll practically in the clink
01:03:55All right, fellas
01:03:56Give a little bit quick
01:03:57All right, you heard the boss
01:03:59Get rid of it
01:04:00Come on
01:04:00Put a move on
01:04:01What's going on around here?
01:04:03That's it
01:04:04Come on, get going
01:04:05Come on, get going
01:04:06Well, well
01:04:07It's a shame
01:04:08I put back these tender boys
01:04:09Wait
01:04:10Are they very tender?
01:04:12Mm-hmm
01:04:13Hmm
01:04:14Sure, that would be kind of a shame, wouldn't it?
01:04:16Uh
01:04:16Uh
01:04:17In that box
01:04:19Come on
01:04:19Be careful, but hurry
01:04:21Come on
01:04:22Here you go
01:04:23Hey, now sit down
01:04:25My hand
01:04:26Now, uh
01:04:28Back on your arm
01:04:29What do you mean
01:04:38Trespassing on private property?
01:04:40Now, don't get excited, mister
01:04:41You've got us all wrong
01:04:42Oh, have I?
01:04:43Mm-hmm
01:04:44Well, then, I'm very sorry
01:04:46You see, I'm Penguin Moore
01:04:48And this is my carnival
01:04:49We got lost last night
01:04:50And wound up here
01:04:51We didn't know it was your property
01:04:52But we didn't take anything
01:04:54Well, if you didn't take anything
01:04:55I guess there's no harm done
01:04:57You've got quite a display
01:04:58Would you like to look around?
01:05:00Oh, I'd love to
01:05:01Do you mind?
01:05:01Oh, not at all
01:05:02There's a pin game over there
01:05:04I hate pins
01:05:05Oh, well
01:05:05Here's a merry-go-round
01:05:07Oh, that makes me dizzy
01:05:08Well, we've got a lot of other things here
01:05:09What's this contraption?
01:05:11Oh, this is a taffy machine
01:05:13Would you like to see it work?
01:05:15Oh, may I?
01:05:16Okay, Bob
01:05:16I'll take care of it
01:05:17Okay, mechanical devices
01:05:18Intriguing me
01:05:19Well, here's the switch here, you see
01:05:20And you put it down
01:05:22The machine goes around
01:05:23With the taffy on it
01:05:24Uh-oh
01:05:30What'll they take up next?
01:05:35The most interesting parts down there was a motorist
01:05:40You're right
01:05:46It's a dandy
01:05:47My favorite gear ratio
01:05:49Fifteen to one
01:05:50Did you see what I saw?
01:06:15Why, did you see something?
01:06:18Let's forget it
01:06:19Farmers in the Dell
01:06:21Farmers in the Dell
01:06:23Hey, nani, nani
01:06:24Boop, boop, ba-doop
01:06:25The farmers in the Dell
01:06:27Farmers in the Dell
01:06:29Farmers in the Dell
01:06:31Hey, holy, oh
01:06:33The farmers in the Dell
01:06:35Well
01:06:35Drop that food, thief
01:06:37Thief?
01:06:39Oh, pardon the Jew
01:06:41Well, certainly it's me
01:06:42Who did you expect?
01:06:43I can't tell you how happy I am to see you
01:06:45I've been quite worried
01:06:46Well, Harry, your worries are over
01:06:47Come over here
01:06:48I want you to meet a friend of mine
01:06:49Oh, Penguin
01:06:50Uh
01:06:51This is my nephew
01:06:53Harry Whitman
01:06:54I'm one of his, uh, poor relations
01:06:55How do you do?
01:06:56Oh, we've met
01:06:57Fair good
01:06:57Then we can get down to business
01:06:58How many weekend guests have you?
01:07:00Oh, we have a whole house full
01:07:01There's the Vance Wiggins
01:07:02The Mortons
01:07:03The Dumont
01:07:04That's enough
01:07:04Graham
01:07:05I said that's enough
01:07:05Have them all come down here
01:07:07I guarantee they'll have a better time
01:07:09Than they had in days
01:07:10Weeks
01:07:10Years
01:07:11If it's that good
01:07:12I'll tell them
01:07:12Gangway
01:07:15Tell them not to forget their wallets
01:07:17Here, hear that sign, son
01:07:19Yes, sir
01:07:20That's it
01:07:21Now go right ahead with your work
01:07:22Two little pieces of business to do here
01:07:24De-dee-da-dum
01:07:28De-dee-da-dee-da-dum
01:07:29They'll never know the difference
01:07:30De-dee-dee-da-dum
01:07:31And I'm de-dee
01:07:32Ten cents to a dollar
01:07:33They'll never know the difference
01:07:34When I hear them holler
01:07:35De-dee-dee-dee-dee-dee-da-dee-dee
01:07:37Well, our troubles are over
01:07:54Happy days are here to end
01:07:56Don't you think you're very surprised
01:07:58It's too much
01:07:58Too much?
01:07:59Why, these people couldn't have a good time
01:08:01Unless they paid too much
01:08:02All right, boys
01:08:03Go to work
01:08:04All right, everybody
01:08:05Now, two steps forward, please
01:08:32Two steps backward
01:08:33Now, another one forward
01:08:35Get away from me, son
01:08:36You're annoying me
01:08:37Hey, Colonel, it's me
01:08:38Well, thank you
01:08:39Hello
01:08:40How's business?
01:08:41Well, how did that happen?
01:08:44Never mind
01:08:44Step right this way, folks
01:08:45Then we'll go through
01:08:46The developing process
01:08:47There you are
01:08:48Passes through the little hill
01:08:49And the little handle
01:08:50And the photograph
01:08:51Drops in the little tank
01:08:52There's a charming portrait
01:08:53Of yourself and family
01:08:54And the price is five dollars
01:08:56Right this way, folks
01:08:56But it's blank
01:08:57That may surprise you
01:08:58But it doesn't surprise me
01:08:59The price remains the same
01:09:00Thank you
01:09:00Do you mind getting out of the way, please?
01:09:02How about that man over there
01:09:03Follow out a tap in there
01:09:05Having fun?
01:09:07Oh, yes, and I appreciate you
01:09:08Letting me run the machine
01:09:09Oh, that's all right
01:09:10Say you can sell the taffy, too, if you like
01:09:12Oh, may I?
01:09:13I'd be delighted
01:09:14Coffee, toffee
01:09:15What do you mean we ain't got no right here?
01:09:17The paddles are still three for a dollar
01:09:18A dollar?
01:09:19What? A dollar for a ten-cent game?
01:09:21Oh, Bob, come with me
01:09:22Anybody else?
01:09:26Coffee, toffee
01:09:27Listen, buddy, you don't have to get tough
01:09:29Well, who's getting tough?
01:09:30Just a minute
01:09:31I'm sorry, boys
01:09:32But we're putting the show on for a private party
01:09:34I'll have to ask you to leave
01:09:35Oh, be nice, baby
01:09:37You wouldn't want us to go now, would you?
01:09:39Oh, so it's one of those things
01:09:41Okay, do it the hard way
01:09:43That's all I wanted to know
01:09:44All right, just a minute
01:09:45Wait a minute
01:09:46Oh, you ain't heard the last of this
01:09:49No, no
01:09:50Here you are, ladies and gentlemen
01:09:51Three strikes for one dollar
01:09:53One dollar
01:09:53Thirteen hundred
01:09:54You can do better than that, mister
01:09:55Try it again, come on
01:09:56Three strikes for a dollar, folks
01:09:58Oh, you'll never do it that way, mister
01:09:59Stand back and I'll show you
01:10:01No muscles needed
01:10:03Amazing
01:10:06Itroducing
01:10:09The one
01:10:10The only
01:10:11Feel this struggle
01:10:12Dare devil to the arena
01:10:15Feel this struggle
01:10:16Don't start immediately, folks
01:10:17It couldn't be
01:10:18No waiting, no delay
01:10:19Purchase your tickets right away
01:10:21Excuse me
01:10:22Think of it, folks
01:10:23It'll be two dollars and fifty cents
01:10:25Here we go, folks
01:10:26Don't rush, don't crowd
01:10:27Hurry, hurry, hurry
01:10:29Come on, folks
01:10:30You'll see one of the best shows
01:10:31You ever saw in your life
01:10:32Get in and out
01:10:32Give them everything you've got
01:10:33But listen, Penguin
01:10:34You don't know this
01:10:35But I really
01:10:35This is your chance to get back on top
01:10:37And you're gonna take it
01:10:38But I can
01:10:38Hope everything goes all right
01:10:48See it, Shia, when Alprowad gets mad, he ripples up
01:11:10Get mad
01:11:11Well, well, Mr. Drogo Gaines, the millionaire playboy, is more cuckoo than I thought he was.
01:11:36Hey, boss, that ain't in the book.
01:11:38Look out, Mr. Drogo. Here comes the land.
01:11:44The land can run 40 miles an hour. I'm sorry I read that.
01:11:47I told you I'd lead you to the land of plenty.
01:11:50The land can run 40 miles an hour. I'm sorry I read that.
01:12:00I told you I'd lead you to the land of plenty.
01:12:06I told you I'd lead you to the land of plenty.
01:12:09Yes, get that land back in the cage before I scare someone.
01:12:16Yes, get that line back in the cage before I scare someone put what line who's
01:12:40cage for scares who rushing here rushing there nowhere to go what's going on in
01:12:46there lines loose lions if I'm gonna hunt for a lion I gotta get me some bait
01:12:55chasing the lions all the time
01:13:01ain't there kitty kitty sure hope I don't find him
01:13:05there's more sugar going to be made that lion chasing all them people
01:13:15where's that lion hen
01:13:35I'm putting you according to that time I gotta be more careful
01:13:43my blood pressure won't stand
01:13:52kitty kitty
01:13:58oh
01:14:05kitty kitty
01:14:08come on nice baloney come on kitty kitty kitty kitty nice baloney
01:14:21was that me talking
01:14:22it's all right folks everything's taken care of nothing to worry about
01:14:40it's all right
01:14:44coffee coffee coffee dollar a bag dollar a bag we don't want no toffee come on boys
01:14:51it's awfully good
01:14:51hey
01:14:59hiya beautiful now listen I told you we're putting the show on for a private party well
01:15:04this is my private party how about it boys yeah wait a minute you heard what the lady said now get
01:15:10it going oh glamour boy huh
01:15:23oh
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01:20:29say hello
01:20:31beautiful
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01:25:53it's
01:25:56That's you and me.
01:25:58Do you really mean it?
01:25:59Yes, for keeps.
01:26:01Oh, kalalapalooza!
01:26:05Well, so what?
01:26:11Say!
01:26:13Maybe you got something there.
01:26:25We need you.
01:26:28No.
01:26:29No.
01:26:30No.
01:26:34No.
01:26:35No!
01:26:38No!
01:26:40No!
01:26:44No!
01:26:47No!
01:26:49No!
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