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  • 2 days ago
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00:00:00THE END
00:00:30The End
00:01:00Dancy, what do you do?
00:01:30How do you do?
00:01:31I never thought that I'd live to see the day that a girl could get Drogo Gaines with all his millions to the altar.
00:01:37My Helen has done it.
00:01:39I'll believe it when I see it.
00:01:41My Helen is a very smart girl.
00:01:44My Agnes was in the running, but what chance did she have when he never kept her out after ten o'clock at night?
00:01:49Well...
00:01:51I don't know.
00:02:21I don't know.
00:02:22I don't know.
00:02:23I don't know.
00:02:24I don't know.
00:02:25I don't know.
00:02:26I don't know.
00:02:27I don't know.
00:02:28I don't know.
00:02:29I don't know.
00:02:30I don't know.
00:02:31I don't know.
00:02:32I don't know.
00:02:33I don't know.
00:02:34I don't know.
00:02:35I don't know.
00:02:36I don't know.
00:02:37I don't know.
00:02:38I don't know.
00:02:39I don't know.
00:02:41Oh my goodness, he did.
00:02:45Dr. Johnson, will you come in, please?
00:02:58Yes, I can.
00:02:59Listen to me, Drogo Gaines. What do you think you're doing?
00:03:06What's the matter with him?
00:03:07I think he's nuts.
00:03:09Here he is, Doctor.
00:03:11My goodness.
00:03:12We'd better put him on the couch.
00:03:14All right.
00:03:15Lend me a hand.
00:03:16Okay.
00:03:17There we go.
00:03:25There appears to be no fever, and the pulse is normal.
00:03:28It must be a mental collapse.
00:03:30I'll phone for some assistance.
00:03:32Hey, Drogo, come on.
00:03:34Wake up out of this thing.
00:03:36Well, what now?
00:03:38Well, of all things, to happen to me.
00:03:40Yeah, happen to you.
00:03:41If you had married the dope two weeks ago,
00:03:43we'd have had the 10 million,
00:03:44and we wouldn't care whether he did go goofy.
00:03:46Ma, it's all your fault.
00:03:47If you'd only let me marry Jerry Van Sniven.
00:03:49He had plenty of dough,
00:03:50and besides, I might have learned to love him.
00:03:52How did I know?
00:03:53Look at all the money Drogo's got.
00:03:55What are we gonna do?
00:03:56We can't let those people eat all that food and stuff.
00:03:58Who's gonna pay for it?
00:03:59You go out there and tell them it's been postponed.
00:04:01All right.
00:04:09Are you all right?
00:04:10Oh, yes, I'm all right.
00:04:12You mean to say that you heard everything we said?
00:04:14Yes.
00:04:15Well, but I didn't do this for that reason.
00:04:17I was afraid to go out there.
00:04:19I realized what a momentous step I was taking.
00:04:21But now that I know where your affections really are,
00:04:24it's probably all for the best.
00:04:26All for the best?
00:04:27You're making a monkey out of me,
00:04:28leaving me at the altar?
00:04:29Well, I'm very sorry.
00:04:31Wait a minute.
00:04:32Everybody in this house thinks you're crazy.
00:04:34Now, listen to me, Drogo Gaines.
00:04:36You're going to marry me,
00:04:37or they're going to think you're crazy
00:04:38for the rest of your life.
00:04:39Oh, I don't understand.
00:04:40Helen, how are you going to influence those people?
00:04:42Help!
00:04:43Help!
00:04:44What's the matter with you?
00:04:45Let me go!
00:04:46Let me up!
00:04:47Let me go!
00:04:48Helen, what are you doing?
00:04:49Help!
00:04:50Help!
00:04:51Help!
00:04:52Don't let him go!
00:04:53He's crazy!
00:04:54Help!
00:04:55Help!
00:04:56Let him!
00:04:57Somebody come and help me!
00:04:58He's gone violent!
00:04:59Help me!
00:05:00What's the matter with you?
00:05:01My poor child!
00:05:02Help!
00:05:03Help!
00:05:04Help!
00:05:05Help!
00:05:06Help!
00:05:07Help!
00:05:08Help!
00:05:09Help!
00:05:10Help!
00:05:11Help!
00:05:16Good morning, Mr. G.
00:05:20Would you mind telling me where I am?
00:05:22The Hopedale Club.
00:05:23The Hopedale Club.
00:05:24The Hopedale Club.
00:05:32I can't stay in a place like this.
00:05:34I'm sorry, Mr. G.,
00:05:35but I'll have to refer your complaint to Dr. Thorndyke.
00:05:37Now, eat your breakfast like a good boy.
00:05:39I don't want any breakfast.
00:05:40Please, Mr. G.
00:05:41You mustn't.
00:05:42Dr. Thorndyke!
00:05:43Oh, pardon me.
00:05:44Have you the time?
00:05:45No, I'm sorry.
00:05:46I have my watch.
00:05:47Here.
00:05:48Take mine.
00:05:49Oh, no.
00:05:50But listen.
00:05:51I want to see Dr. Thorndyke.
00:05:52Just have a seat.
00:05:53I want to see Dr. Thorndyke.
00:05:54I want to see Dr. Thorndyke.
00:05:55Just have a seat.
00:05:57I want to see Dr. Thorndyke.
00:05:58Just have a seat.
00:05:59I want to see Dr. Thorndyke.
00:06:00I want to see Dr. Thorndyke.
00:06:01Just have a seat.
00:06:04I want to see Dr. Thorndyke.
00:06:05I want to see Dr. Thorndyke.
00:06:09I want to see Dr. Thorndyke.
00:06:10I want to see Dr. Thorndyke.
00:06:11I want to see Dr. Thorndyke.
00:06:12Just have a seat.
00:06:14I want to see Dr. Thorndyke.
00:06:15I want to see Dr. Thorndyke.
00:06:16Just have a seat.
00:06:17I want to see Dr. Thorndyke.
00:06:18Just have a seat.
00:06:41Okay, you're a progressing splenche.
00:06:43Now drop in and see me any time you like.
00:06:45Always glad to have you.
00:06:46Thank you, doctor.
00:06:48Mr. N, do you mind if I send Mr. G in ahead of you?
00:06:54Not at all.
00:07:05Well, well, Mr. Gaines.
00:07:07Glad you dropped in.
00:07:08We'll call you Mr. G here.
00:07:10Are you feeling better?
00:07:12No, I'm not.
00:07:13I mean, I never felt bad.
00:07:14Oh, I mean.
00:07:15Now don't excite yourself.
00:07:17I'm not exciting myself.
00:07:19I just want to get out of here.
00:07:21Of course.
00:07:22They all do at first.
00:07:23But you'll soon learn to like us.
00:07:25We like you.
00:07:26We like you.
00:07:27Oh, that's just dandy, doc.
00:07:29And I'm sure that you and I and all the lads would become great chums.
00:07:35But really, I've got to get back to New York.
00:07:37What have you there, Mr. T?
00:07:39Oh, that.
00:07:40What?
00:07:41The man outside fastened a flower that he didn't have with a pin that isn't here.
00:07:46Would you mind letting me have that again, please?
00:07:49Oh, that is.
00:07:50He thought he had a pin that he put in a flower that I haven't got.
00:07:57Now look.
00:07:58I was just...
00:07:59I understand perfectly.
00:08:00Wait a minute.
00:08:01A fellow simply gave me a flower.
00:08:03And a very pretty flower it is, too.
00:08:06Oh.
00:08:07Look, doctor.
00:08:08There's nothing wrong with me.
00:08:18Of course, there's nothing wrong with you, Mr. G.
00:08:21Now, doctor.
00:08:22Now, doctor.
00:08:32Ooh.
00:08:35Cute.
00:08:36Listen, Dr. Thorndyke, I've had enough of this foolishness.
00:08:38You've got to let me go.
00:08:44Mr. Gaines, I hope you'll appreciate my position in this matter.
00:08:47I've no alternative but to keep you here until your conduct improves.
00:08:50But, listen.
00:08:51Don't make it hard for yourself.
00:08:52Finish dressing and go out in the sun.
00:08:54We are allowing you the full run of the grounds.
00:09:21Oh, I'm sorry.
00:09:22I didn't know you were fishing.
00:09:23What did you think I was doing?
00:09:24Good fishing?
00:09:25Excellent.
00:09:26Not many?
00:09:27Nope.
00:09:28Never catch any.
00:09:29It's a sort of new idea when it comes to fishing.
00:09:30Yeah, sure.
00:09:31Brighter than I thought you were, Mr. Gaines.
00:09:32Sit down.
00:09:33Oh, you know me.
00:09:34Know all about you.
00:09:35Carraway's my name.
00:09:36Colonel Carlton Carraway.
00:09:37You've heard of Carraway Seeds.
00:09:38Well, I'm the whole corporation.
00:09:39I didn't like the business so I came here on my own accord.
00:09:40I like it here.
00:09:41I don't.
00:09:42I don't.
00:09:43I'm going to escape.
00:09:44Oh, no, you're not.
00:09:45The walls are too high.
00:09:46Why'd you come here if you don't want to stay?
00:09:47I didn't come.
00:09:48I didn't come.
00:09:49I don't know.
00:09:50You know what?
00:09:51You know what?
00:09:52It's a sort of new idea when it comes to fishing.
00:09:53It's a sort of new idea when it comes to fishing.
00:09:55Yeah, sure.
00:09:56Brighter than I thought you were, Mr. Gaines.
00:09:57Sit down.
00:09:58Oh, you know me.
00:09:59I know all about you.
00:10:00Carraway's my name.
00:10:01Colonel Carlton Carraway.
00:10:02You've heard of Carraway Seeds.
00:10:03Well, I'm the whole corporation.
00:10:04I didn't like the business so I came here on my own accord.
00:10:07I like it here.
00:10:08I don't.
00:10:09I'm going to escape.
00:10:10Why'd you come here if you don't want to stay?
00:10:12I didn't come.
00:10:13I pulled a little stunt in self-defense.
00:10:15Oh, yes.
00:10:16That Newton girl.
00:10:18While you were looking at her eyes, she was looking at your checkbook.
00:10:22Well, I didn't know.
00:10:23And Agnes.
00:10:24She kissed you when you bought her a yacht.
00:10:27You'd have done better with a canoe.
00:10:30And that Argentine tomato.
00:10:32What was her name?
00:10:33Conchita Wat Mazuma.
00:10:35You bought her bracelets and called her angel.
00:10:37And she said,
00:10:39mi piccioncito e respitolo.
00:10:41Sounded sweet, didn't it?
00:10:43Just mean sucker.
00:10:46You certainly know a lot.
00:10:48Yes, that's why I'm here.
00:10:50Tell me, Colonel.
00:10:52How does a fellow know when he's found the right girl?
00:10:56The signs.
00:10:58Signs?
00:10:59Yeah.
00:11:00I don't understand.
00:11:02Well, now, supposing a girl crossed her fingers.
00:11:07And you crossed yours at the same time.
00:11:10That's a sign.
00:11:12Come on.
00:11:13What's the matter?
00:11:14Oh, I caught a fish.
00:11:16Well, I'll never be able to fish here anymore.
00:11:19Come on, young Drogo.
00:11:20What are you going to do now?
00:11:21I'm going to photograph the fish.
00:11:22Everybody does that.
00:11:23Are you leaving, Colonel?
00:11:24Yes.
00:11:25This place is no good.
00:11:26There's too many fish.
00:11:34Something I could do for you?
00:11:36No.
00:11:37Now, this, Mr. G, is the broom and daisy.
00:11:41The what?
00:11:42The broom and daisy.
00:11:43Probably the finest camera ever invented by the human mind.
00:11:46Now, don't let her frighten you.
00:11:48And don't ask how she works or you'll spoil all the fun.
00:11:51Now, take one step forward.
00:11:54Two backward.
00:11:56Just a mite forward.
00:11:58Now, what are you playing?
00:11:59That's another invention of mine.
00:12:01I never focus the camera.
00:12:03Anyone can focus the camera.
00:12:04I focus you.
00:12:05Now, are you ready?
00:12:07Hold it.
00:12:08There you are.
00:12:09That merely takes the photograph.
00:12:11Now, we develop it.
00:12:19Come in.
00:12:23Good morning, Colonel.
00:12:24Good morning, Harry.
00:12:25Meet Mr. G.
00:12:26How do you do?
00:12:27How do you do?
00:12:28And now, we shall see what we shall see.
00:12:33We release the gadget A.
00:12:36Seize the dingus B.
00:12:37And grasp the photograph.
00:12:38See?
00:12:39And there you are.
00:12:40It's blank.
00:12:41Yes.
00:12:42That's the wonderful thing about the broom and daisy.
00:12:43You never can tell what's coming out.
00:12:44Sometimes, I get the most amazing pictures.
00:12:46Not very often.
00:12:48Uncle Carlton, you're going to stay with me at the country place.
00:12:50Dr. Thorndagnac, I think you'll be much happier there.
00:12:52Oh, well, Harry, I like it here.
00:12:53I know, but you've got to leave it here.
00:12:54I know.
00:12:55I know.
00:12:56But you've got to leave it here.
00:12:57I know.
00:12:58I know.
00:12:59People are starting to ask embarrassing questions.
00:13:00Oh, Harry.
00:13:01Not another word.
00:13:02I know what's best for you.
00:13:03You get your things together, and I'll call for you in the morning.
00:13:04You understand?
00:13:05Yes.
00:13:06Well, goodbye.
00:13:07Goodbye, Mr. G.
00:13:08Gee.
00:13:09I hope you have fun playing with your fish.
00:13:12I'm embarrassing him, that crack pot!
00:13:14He seemed all right to me.
00:13:15Oh, he did, did he?
00:13:17Come here.
00:13:18Look at that.
00:13:42What's the matter with that? He's a member of the fire department.
00:14:02That's just it. He isn't.
00:14:04Well, most likely the whole thing's my fault anyway.
00:14:07When he was a little lad, I bought him a toy fire engine to play with.
00:14:10Said he wanted to be a fireman.
00:14:11He never outgrew it. He's been playing fireman ever since.
00:14:14Oh.
00:14:15Go to his country place.
00:14:17Why, the whole thing's nothing but a big fire department.
00:14:19He'll not get me up there.
00:14:21I'll run away.
00:14:22That's what I'll do. I'll escape.
00:14:23You said you couldn't escape.
00:14:25No, I didn't. I said you couldn't.
00:14:27Didn't say I couldn't.
00:14:28If I had enough money to finance the Blooming Daisy, I'd escape tonight.
00:14:31I have a hundred and twenty dollars.
00:14:33A hundred and twenty dollars? Say,
00:14:35say, that's enough to put the Blooming Daisy on a paying basis.
00:14:38But the Blooming Daisy won't even take a picture.
00:14:39Shh. You know that. And I know that.
00:14:42But the people we photographed wouldn't know it.
00:14:44Now, look.
00:14:45You meet me at the woods near the river at nine o'clock tonight.
00:14:47Boy, we'll hit the open road.
00:14:49We'll meet people. Real people.
00:14:51None of the money-grabbing kind.
00:14:53Don't forget to bring the money.
00:14:54What kept you so long?
00:15:03The fool guard didn't show up in time.
00:15:05It couldn't escape unless a guard was there.
00:15:07It wouldn't be strategic.
00:15:08Here, take that pole and knock those rocks off.
00:15:09The equipment's there.
00:15:11What for?
00:15:12The boat, of course. We've got a launcher.
00:15:14I knew this life would be too good to last.
00:15:16Why, how did this escape years ago?
00:15:17You call wrestling a boat?
00:15:19Here, stop all that piddle paddles. Get this stuff on board.
00:15:22There you are.
00:15:24Here.
00:15:26Here, now, give me a hand.
00:15:29Fall ashore. Let's go on ashore.
00:15:31Shh.
00:15:32How far do you expect to get in this thing?
00:15:34Who wants to get far? We just want to get.
00:15:36Steve, ho, my hearty.
00:15:38Aubrey!
00:15:53Have Mr. Gaines sent to my office right away.
00:15:55Thank you, Dr. Thorndyke.
00:15:57As Mr. Gaines' secretary, I can assure you there's absolutely nothing wrong with him.
00:16:00As his fiancée, I can assure you that there is.
00:16:03Why, this whole thing is preposterous.
00:16:08Hello. That's right. That's right. Notify the police.
00:16:21The sea's as smooth as glass.
00:16:22We're not at sea.
00:16:23We're in the middle of the river.
00:16:25My feet are getting wet.
00:16:26Well, a little salt water never hurt anybody.
00:16:29That's not salt water.
00:16:30I never said it was.
00:16:32I made a...
00:16:33...about water never hurt anybody.
00:16:36Oh, you're impossible.
00:16:38This raft's impossible.
00:16:39It's probably sinking.
00:16:41The server's right if we both drowned.
00:16:43I never should have listened to you in the first place.
00:16:44Oh, playing the coward, eh?
00:16:46Why, this silly river's so shallow you could wade ashore at any time.
00:16:50It is?
00:16:52Well, I'm going to wade.
00:16:53This must be the wrong river.
00:17:03Silly old river's shallow, huh?
00:17:06Well, you must have hit an air pocket.
00:17:12Waterfalls.
00:17:13Waterfalls?
00:17:14Give me that thing.
00:17:15We'll go over.
00:17:16That's a silly statement.
00:17:17People don't go over falls and raps.
00:17:19They only go over and back.
00:17:36Well, that wasn't enough, you hope.
00:17:38I can't really broke my neck.
00:17:39Well, all's well that ends well.
00:17:49Say, what's the idea of throwing things and destroying people's property?
00:17:52I'll have you know, madam, that I have just perpetrated the most magnificent escape...
00:17:56...in my long and brilliant record of achievement.
00:17:58Escape?
00:17:59Well, that's it, eh?
00:18:00I might have known.
00:18:02Well, now that you know, would you mind telling me how to get to a telephone?
00:18:05Listen, you're not going anywhere to pay for what you broke.
00:18:08And a case of Cupid dollars cost nine bucks.
00:18:10Well, here's twenty dollars.
00:18:13Keep the change.
00:18:13I said nine bucks.
00:18:15No more and no less.
00:18:17That's the smallest I've got.
00:18:18You mean you don't want the extra money?
00:18:19No, why should I?
00:18:20Oh, what a girl.
00:18:22Come on, come on.
00:18:22Play up or I'll call the police.
00:18:23I have nothing smaller than a twenty.
00:18:27Achoo!
00:18:29Say, you're soaking wet.
00:18:31Oh, sure, I've been waiting.
00:18:32Here you are, my lad.
00:18:34Change into something of mine.
00:18:35I always carry extra equipment.
00:18:37Oh, no, I'm all right.
00:18:38Now, go ahead.
00:18:38We can't carry on with sick troops, you know.
00:18:40You can change behind the car.
00:18:42Make it snappy.
00:18:48Say, uh, what's he done?
00:18:51It isn't what he's done, gal.
00:18:53It's what he might do.
00:18:55His instincts, you know, are all bad.
00:18:57He's been a terrible trial to me, but I've done the best that I could.
00:19:02If he but had the love of a good woman, someone to bring out the finer things in him, to restore
00:19:07his self-respect, then again he could become a man among men.
00:19:11Oh, ho, Moore's Carnival.
00:19:26Yeah, Penguin Moore.
00:19:27That's me.
00:19:28You own this?
00:19:29Yeah, the hall works.
00:19:31Tight lights, music, the gay, pleasure-mad throngs.
00:19:34What throngs?
00:19:35Learning a figure of speech, my girl.
00:19:37Learning a figure of speech.
00:19:39Ladies and gentlemen, right out west this way.
00:19:42Come on, fellas.
00:19:43Hi, hello, Penguin.
00:19:44Glad to see you back.
00:19:45Hi, Alice.
00:19:46Uh, you got change for 20?
00:19:48Are they still making those things?
00:19:52It won't make you fat.
00:19:53It'll make you thin.
00:19:54Come on.
00:19:54I'll bet an even baker's dozen that every bee that's buzzin' tells its pretty flower you're
00:20:14his long-lost cousin, when you promise me kisses, the filling in my sweet toothache, because
00:20:25your lips are more enticing than Grandma's chocolate icing.
00:20:30Yum, yum, yum.
00:20:33I keep a pantry full of sugar and spice, strawberry jam, and everything nice.
00:20:51But what could be much sweeter than someone like yourself?
00:20:59You belong on my top shelf.
00:21:09Yum, yum, yum.
00:21:11You're so delicious.
00:21:13You're sweeter than an angel's cake.
00:21:16Angel cake.
00:21:17I'll bet an even baker's dozen that every bee that's buzzin' tells its pretty flower you're
00:21:25his long-lost cousin.
00:21:27When you promise me kisses, the filling in my sweet toothache, because your lips are
00:21:37more enticing than Grandma's chocolate icing.
00:21:41Yum, yum, yum.
00:21:44You are the first lucky lady to get the dollar court trade for 25 cents.
00:21:56Right down that way, lady, and to your left.
00:21:58As soon as we get changed to the $20, we're on our way.
00:22:04Now listen, young lady.
00:22:06I've been waitin' long enough.
00:22:07Either you give me $120, or this show is the task.
00:22:10Now, patience, Sheriff, patience.
00:22:12I do not like to be rushed while I am bathing.
00:22:15In fact, I like to soak.
00:22:17After 47 minutes, you ought to be waterlogged.
00:22:20Oh, you come right out of there, young lady, or I'm going to come over there and pull you up.
00:22:34Why, Sheriff, police, after all...
00:22:36What's going on here?
00:22:40I was waitin' for the head of this year's show to get out of the shower.
00:22:43Well, I'm the head of the show.
00:22:44Oh, you are.
00:22:45You blew Brownville last night, owing money to several citizens of our community for use of the lot, gas, electricity, water.
00:22:51Matter of fact, you didn't pay for nothin'.
00:22:53Just a minute, Sheriff.
00:22:54What is the attachment on this show?
00:22:55$120.
00:22:56$120.
00:22:57Well, there's your $100, and here's your $20.
00:22:59Now, thank you very much, Sheriff.
00:23:00That fixed me up.
00:23:01I'm going to go.
00:23:02I'm going to go.
00:23:03I'm going to go.
00:23:04I'm going to go.
00:23:05I'm going to go.
00:23:06I'm going to go.
00:23:07And here's your $20.
00:23:08Now, thank you very much, Sheriff.
00:23:09That fixes up everything.
00:23:10Wait a minute, mister.
00:23:12I never ask anyone to pay off anything on my show.
00:23:14Who said I was paying off anything on the show?
00:23:16I merely want to buy the photographic concession for the Colonel.
00:23:19You mean, you want to pay $120 so the Colonel can use that Bloomin' Daisy around here?
00:23:23That's right.
00:23:24Well, let me tell you, mister.
00:23:26It ain't worth it.
00:23:27It's worth a lot more than that to me.
00:23:28Now, goodbye, Miss Moore, and thank you very much.
00:23:32Say, not a bad guy.
00:23:35And cute, too.
00:23:37Well, goodbye, Colonel.
00:23:38And lots of luck with the Bloomin' Daisy.
00:23:40Where are you going?
00:23:41Back to New York, of course.
00:23:42That's my suit you got on.
00:23:44Oh, it is.
00:23:45Well, I'll send it back to you.
00:23:46Which one of you is Penguin Moore?
00:23:48I am.
00:23:49Why?
00:23:50Well, I'm Clem Prouty, owner of this lot.
00:23:52And I want that $20 rental in advance that she promised me.
00:23:55Well, say, can't you give us a little while?
00:23:57Nothing, Dawn.
00:23:58I'll give you just ten minutes to get the money.
00:24:00And either you'll put up or pack up.
00:24:02And I'll be waiting right here.
00:24:04Wait a minute.
00:24:05I'll get 20 bucks from these yokels for my Indian remedy if it's the last act of my life.
00:24:19Now, where do you think you're going?
00:24:22Well, with you, of course.
00:24:23Nowhere else to go now that the source of livelihood's been cut off.
00:24:26What a pity.
00:24:27And to the lack of only $20.
00:24:28Oh, I never saw such a mess.
00:24:29There must be some way to make $20.
00:24:30Say, I've got another attachment on the Bloomin' Daisy that I saved for just such an emergency.
00:24:39Now, you put one here, one here, and one here.
00:24:43Here you are, young lady.
00:24:44Take care of my bag for me.
00:24:45Sure, bud.
00:24:46Beg your pardon, stranger.
00:24:47You look like an intelligent person, one who'd be interested in making a little easy money.
00:25:02Sure.
00:25:03Who's going to mind me?
00:25:04I am.
00:25:05But in order to accomplish this feat, I shall have to secure a portion of your chewing gum.
00:25:08What good gum going to do you?
00:25:09Ah, that's a secret.
00:25:10I've made hundreds of dollars that way.
00:25:13Now, we attach the little pea to the chewing gum.
00:25:16We attach both to the interior of the shell.
00:25:19It's whole.
00:25:20Follow me, stranger.
00:25:21I'll show you how it works.
00:25:26Well, well, well.
00:25:28The shell game, eh?
00:25:29The object of this game is to find out which shell the little pea is under.
00:25:32I've had a lot of experience along that line.
00:25:34Say, your shoelaces untied, young fella.
00:25:39Tell you what I'll do, young man.
00:25:40I'll bet you twenty dollars that I can tell you where the little pea is.
00:25:43I'll bet you twenty-two.
00:25:44Twenty's all I want.
00:25:45Twenty's the limit.
00:25:46Wait a minute.
00:25:47Take your money back.
00:25:48That's my idea.
00:25:49Oh, no, you don't.
00:25:50I had my money up twice.
00:25:51You're unfair, sir.
00:25:52Took it, in fact.
00:25:53Just a minute.
00:25:54Just a minute.
00:25:55Say, young fella, didn't you have my money down twice?
00:25:57Yes, I guess you did.
00:25:58That gives you the first chance to play.
00:25:59Sorry, mister.
00:26:00Well, it's an outrage.
00:26:01Money won that way will do you no good.
00:26:03Now, gentlemen, which shell hides the little pea?
00:26:06That one.
00:26:07It ain't there.
00:26:09No.
00:26:10Too bad, gentlemen.
00:26:11Too bad.
00:26:12Better luck next time.
00:26:13It's amazing.
00:26:14The man must be a wizard.
00:26:16I'm glad I didn't bet any of my own money.
00:26:18And there you are, ladies and gentlemen, the great Indian Princess Yo-Yo in the flesh.
00:26:23She speaks not a word of anything but her native tongue.
00:26:26Now, she brings this tonic to you from the sands of the desert, the rocks of the mountains,
00:26:30the land of the mighty red man.
00:26:33Now, you've never seen a sick Indian.
00:26:35They're all big, strong, mighty men of nature.
00:26:40And why are they all big, strong, mighty men?
00:26:43Because they use Princess Yo-Yo's Indian tonic exclusively.
00:26:47And now, my good people, this wonderful remedy is worth $5 a bottle.
00:26:52But we're not going to charge you $5.
00:26:54Oh, no.
00:26:55Nor $2.
00:26:56Nor $1.
00:26:57No, sir.
00:26:58You're going to buy this wonderful tonic for just 25 cents.
00:27:03And because of the great affection the Princess has for the people of this community,
00:27:07with every two-bit purchase, we're going to give you a bow made by the Princess's own brother, Eaglebee.
00:27:14Now, you say to yourself, what will I do with just a bow?
00:27:18Well, we'll tell you.
00:27:20With every 25-cent purchase of the Princess Yo-Yo's tonic,
00:27:24we're going to throw in an arrow,
00:27:26so that you have the tonic and the bow and arrow,
00:27:29all for the trifling sum of 25 cents.
00:27:32Come on, now, folks. Step up and get that first bottle.
00:27:35Don't miss this amazing opportunity to buy this great tonic for 25 cents a bottle,
00:27:40or five bottles for $1.
00:27:42Let me just take one bottle and pass it down among you.
00:27:45Just pull the cork out of that, my friend, and take a smell.
00:27:48And don't forget, ladies and gentlemen, that you get a bow and an arrow free with this purchase.
00:27:53Miss Jinx, here's the $20 you need.
00:27:57Would you mind keeping an eye on the Colonel's camera for me?
00:28:00Oh, sure.
00:28:02Okay.
00:28:03And now, folks, step right up and get your bottle.
00:28:06Well, Colonel, where's he going?
00:28:09He thinks he's going to New York.
00:28:11He's the constable now.
00:28:12I'm constable.
00:28:13Constable, there's your man right there.
00:28:15And I am as guilty as he is.
00:28:16You come along with me, too, then.
00:28:18You can't fornake me out of money, you city slickers.
00:28:20First, you make me look ridiculous with that fish.
00:28:23Then you almost drown me on that silly raft of yours.
00:28:26Next, we become entangled with a broken-down carnival.
00:28:30And you get a bright idea on how to acquire $20, and we land in jail.
00:28:35If you'd kept your mouth shut, I would've been on my way to New York right now.
00:28:38Are you sure you told that girl to take good care of the Bloomin' Daisy?
00:28:45Couple of tough fellas, they put up a great struggle, but I took them single-handed.
00:28:51Nobody ever gets away from me.
00:28:56Gee, Hossipats!
00:29:00I told you they was desperate.
00:29:02They must have dynamited.
00:29:03Well, this looks like an outside job.
00:29:08Do you realize we've broken the law of leaving the jail in that manner?
00:29:16Well, let's go back.
00:29:17Maybe you can think of a better way.
00:29:19I guess Morris is liable to get herself into serious trouble.
00:29:23If we're caught, she'll be as guilty as we are.
00:29:25Don't think she doesn't know it.
00:29:26She's one of those regular people I've been telling you about.
00:29:31Let her go.
00:29:38Oh, howdy, Colonel.
00:29:39Well, ho, girls.
00:29:40How are you?
00:29:41Jinx.
00:29:42Yeah?
00:29:43Take him in with you.
00:29:44Cops might be here any minute.
00:29:45You know what to do.
00:29:46Right.
00:29:47You come with me.
00:29:48Oh, Miss Moore, don't you think?
00:29:49Don't argue.
00:29:50Come on.
00:29:51Oh, Miss Moore.
00:29:52If you get a chance to talk with him, keep your fingers crossed for me, will you?
00:29:55Okay, Colonel.
00:29:57She sure isn't giving herself the worst of the deal, is she?
00:30:02Come on, snapshot Willie.
00:30:03Give me a hand.
00:30:04Welcome home.
00:30:06Sit down and make stuff at home.
00:30:07Oh, thanks.
00:30:11Miss Moore, I want you to know that I appreciate what you've done for us.
00:30:15Oh, skip it.
00:30:16You got my show up, Miss Moore.
00:30:17You know what you've done for us?
00:30:18You have to make stuff at home.
00:30:19Oh, thanks.
00:30:20Miss Moore, I want you to know that I appreciate what you've done for us.
00:30:22Oh, skip it.
00:30:23You've got my show up.
00:30:24You've got my show up here.
00:30:25Oh, Miss Moore.
00:30:26You got my show out of a jam, and I got you out of a piece of pie.
00:30:33Do you always put salt on your apple pie?
00:30:35Sure, why?
00:30:36I put salt on mine, too.
00:30:38So what?
00:30:38Not least more. Don't you think that could be a sort of a sign?
00:30:42Sure it is. It's a sign we both like salt in our apple pie.
00:30:48You know, you're not a bad-looking guy.
00:30:53Talk like you've been to school.
00:30:54Oh, it's the kind of a fellow that any girl might fall for.
00:31:00Nothing wrong, though, is your instincts are all bad.
00:31:03My instincts?
00:31:04Yeah, they're kind of crooked if you ask me.
00:31:06Why, Miss Moore, I want you to know that my business integrity has never been questioned.
00:31:11Oh, stop talking like a gentleman of circumstance.
00:31:14You mean you don't like gentlemen of circumstance?
00:31:16I should say not.
00:31:18Gentleman is just a polite word for loafer if you ask me.
00:31:21Oh, why don't you get an honest job and go to work?
00:31:26You might make something out of yourself.
00:31:28I'll keep my fingers crossed for you.
00:31:30You did it!
00:31:31Did what?
00:31:32You crossed your fingers.
00:31:34So what?
00:31:35Well, Miss Moore, that is a sign.
00:31:37Wait a minute. What is the sign language?
00:31:39Well, when a boy and a girl both cro...
00:31:42What's that?
00:31:43It ain't the curfew.
00:31:44This is it, Moore's Carnival.
00:31:55All right, Sheriff, if you go that way, I'll go this way. We'll search every truck.
00:31:58Right.
00:31:58Come on.
00:32:03Get down.
00:32:04What?
00:32:04Get down.
00:32:05I don't...
00:32:06Come in.
00:32:10What do you mean by breaking in on a lady's privacy?
00:32:13I'm looking for a couple of jailbreakers.
00:32:17There ain't no privacy when disparate criminals is at large.
00:32:23I got every reason to believe they're right with this carnival.
00:32:26Well, you don't think I'd have them in here, do you?
00:32:30You never can tell.
00:32:39Pardon, ladies, but I'm looking for a couple of fugitives.
00:32:41Fugitives?
00:32:41Mmm.
00:32:42Oh, if you find anybody, you save the prettiest one for me, will you?
00:32:46Very funny.
00:32:55Well, any success?
00:32:56No, not a trace of them.
00:32:57What'll we do now?
00:32:58Well, I think we'd better get to a telephone and notify every sheriff in the state.
00:33:01That's a good idea.
00:33:02Excuse me, Sheriff.
00:33:03I'd like to suggest my remaining here and keeping an eye open, just in case.
00:33:06Well, it'll be all right with me.
00:33:07Thank you, sir.
00:33:13Oh, that was close.
00:33:14Okay, Colonel.
00:33:16How do you feel?
00:33:17Good night.
00:33:18He's stuck.
00:33:18Oh, don't worry.
00:33:19We can always use him for a camp chair.
00:33:21Oh, get me out of this.
00:33:22Oh, don't let it get you down, Colonel.
00:33:24I had an uncle.
00:33:24It was that way for years.
00:33:26He got it from looking through keyholes.
00:33:27Now, relax.
00:33:28That's it.
00:33:29Here.
00:33:29Here, hold it.
00:33:30That's it.
00:33:30Here, relax.
00:33:31You're too tense.
00:33:32Come on, relax.
00:33:33That's it.
00:33:34There you are.
00:33:35There.
00:33:35Here.
00:33:35That's it.
00:33:36Here.
00:33:36Straighten up.
00:33:37Now, how do you feel?
00:33:37Oh, I'm fine.
00:33:38You sure not?
00:33:38Oh, fine.
00:33:39I have three or four more ideas.
00:33:40Oh, no.
00:33:40Miss Moore, I've caused you a lot of trouble.
00:33:44I'd like to be of some help.
00:33:46If there's anything I can do.
00:33:47Why, sure you can be of help.
00:33:49As a roustabout in this show, you probably won't be worth your salt, but at least it's
00:33:53an honest job.
00:33:54Go back and tell the girls to come up here and you bunk with the colonel.
00:33:57A roustabout?
00:33:58Yeah, a roustabout.
00:34:00Oh, thank you.
00:34:10Oh, my happy chain, put on your bonnet and bloop again.
00:34:40Oh, when you go, bloop, bloop, I'm happy to live long day.
00:34:45You're the talk of the town, calliope chain, put on your bonnet and bloop again.
00:34:51Oh, when you go, bloop, bloop, you bloop all my cares away.
00:34:56Last week, a bloke in the derby named Diger said he could tame a cat.
00:35:03Just then I played hold that tiger, the tiger now holds the guy's hat.
00:35:07So, calliope chain, put on your bonnet and bloop again.
00:35:12Oh, when you go, bloop, bloop, you bloop all my cares away.
00:35:17Oh, when you go, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop, bloop
00:35:47Bloop all my cares all the way
00:35:49As we come looking at that
00:35:52Benign Gagger
00:35:54Said he could tame a catquill
00:35:56Just when I played hold the tiger
00:35:58Well, the tiger holds the hat
00:36:01Put on your old sun bonnet
00:36:04While we swing this sonnet
00:36:07When you bloop, you bloop
00:36:09You bloop my cares all the way
00:36:11Good morning, gentlemen
00:36:18Morning
00:36:19Ready for breakfast?
00:36:20Oh, breakfast servant right here
00:36:22No hurry
00:36:22We usually work a little around here before we eat
00:36:25Work?
00:36:26Yeah, put those on
00:36:27I protest
00:36:29I'm a concessionaire with this carnival
00:36:30And I wear what I please
00:36:31I don't care how you dress
00:36:33So long as you pound those tent stakes
00:36:35A little work never hurt anybody
00:36:41Good morning, Miss Moore
00:36:44Oh, hiya, Joe
00:36:46Oh, Miss Moore
00:36:47I've had a pretty good offer from the Jones show
00:36:49It isn't that I want to leave
00:36:51But I have a wife and kid back in Connecticut
00:36:53Oh, I understand, Joe
00:36:54I don't blame you
00:36:55Well, your pay's been a little slow
00:36:56But, well, we'll get along all right
00:36:58I'll send you back pay as soon as we have a few good days
00:37:01Oh, forget it any time
00:37:03Oh, troopers, nothing
00:37:04If I could ever get paid, I'd quit this dump in a minute
00:37:06What are you crabbing about?
00:37:08Crabbing?
00:37:08She hasn't paid me a dime in months
00:37:10Don't you ever think of anything else besides money?
00:37:12Why don't you try smiling once in a while?
00:37:14You know
00:37:14Laugh and the world laughs with you, you know
00:37:17Oh, baloney
00:37:18Oh, why don't you try being like me?
00:37:20Oh, that's too much
00:37:21Very funny
00:37:22But at least I like everybody
00:37:24I'm a little happy
00:37:25Did you ever see any...
00:37:26Oh, now, wait
00:37:29Lest I go through all this again
00:37:30Really, I have enough trouble
00:37:31Bye
00:37:32Bye
00:37:32Oh, now, wait a minute
00:37:38Let's get this thing straight
00:37:39You see
00:37:40I'm really not an Indian
00:37:41Only kidding with that yo-yo stuff
00:37:43You know
00:37:44Just kidding
00:37:44In fact, I was born in Brooklyn
00:37:46You know, Brooklyn
00:37:47Oh, now, wait
00:37:49Mr. Gaines
00:37:51Oh, good morning, Stan
00:37:52Oh, good morning to you, sir
00:37:53I've been dreadfully worried about you
00:37:55A man of your position
00:37:56In an environment of this kind
00:37:58Don't worry about me
00:37:59I'm all right
00:38:00Well, I'm glad to hear that
00:38:01Is there something I can do for you, sir?
00:38:04No, nothing at all
00:38:05Well, if you're not too busy
00:38:05You might try pounding some steaks for me
00:38:07No, Colonel, that would never do
00:38:08Just stay around in the background
00:38:10I'll see you later
00:38:11Yes, sir
00:38:11Come on, Colonel
00:38:12Oh, ho
00:38:17What an invigorating morning
00:38:18I'm ready for an order of scrambled eggs
00:38:20A rasher of bacon
00:38:21And a huge pot of coffee
00:38:23All right, you guys
00:38:24Start pounding this row of steaks
00:38:25And that row of steaks over there
00:38:27Then you can eat breakfast
00:38:28I protest
00:38:29I'm a concessionaire
00:38:30So am I a concessionaire
00:38:31But we pound steaks around here
00:38:32Before we eat
00:38:33I said that I would
00:38:34I said pound that steak
00:38:36Yes, sir
00:38:38Oh, say, just a minute
00:38:42What's on your mind?
00:38:44How would you like to be the head man
00:38:45Of the best carnival in the world?
00:38:47Who wouldn't?
00:38:48How much would it cost?
00:38:49About 200 grand
00:38:50I'd like to have you pick one up for me
00:38:52Wouldn't you like a nice new electric train set, too?
00:38:55No, wait a minute
00:38:55You don't understand
00:38:56Stand up
00:38:57What a punk like you get
00:38:59200 grand
00:39:00Yes, sir
00:39:00A blank check, please
00:39:02Yes, sir
00:39:02I want you to accompany this gentleman
00:39:04I'm going to buy a carnival
00:39:05A carnival, sir?
00:39:07Yes
00:39:07Let's fill this check in
00:39:08For any amount necessary
00:39:09I want the very best
00:39:11Do you understand?
00:39:12Yes, Mr. Gaines
00:39:12Say, listen
00:39:13If this check bounces back on me
00:39:14I'm going to bounce right back on you
00:39:16I beg your pardon
00:39:17You're speaking about Mr. Gaines
00:39:18We never have check trouble
00:39:20Now, if you'll just come with me
00:39:21We'll attend to everything
00:39:22Hey, this is all over my head
00:39:23I don't understand
00:39:25And let me know when it's ready
00:39:26Yes, sir
00:39:27Take care of your own steak
00:39:33I'm having trouble enough with this one
00:39:34You pound this row
00:39:41I'll pound the other one
00:39:42Okay
00:39:43Okay
00:39:43Okay
00:40:11Okay
00:40:12Hey, Colonel
00:40:33Come on over and help with these
00:40:34You'll do no such thing
00:40:36But a fine job, Colonel
00:40:38Your steaks are all down
00:40:39You go ahead and have breakfast
00:40:40Thank you, Miss Moore
00:40:41Thank you
00:40:42Oh, good morning, Miss Moore
00:40:45Oh, I didn't mean
00:40:49You notice the colonel finished all of his, don't you?
00:40:51Oh, yes, but he
00:40:52Don't interrupt
00:40:53Look
00:40:53You pound these steaks before breakfast
00:40:55And if you can't do that, well
00:40:56Well, hi, officer
00:41:05Hope you like
00:41:06And the sooner the better
00:41:09Well, I got word from the last town that you hit
00:41:17That you're carrying a couple of crooks with you
00:41:19So come on, get going
00:41:20Oh, now look, Sheriff
00:41:21I said get going
00:41:23Okay
00:41:24All right, boys, pack it up
00:41:27I beg your pardon, Sheriff
00:41:32But I believe if you give me a moment
00:41:33I can straighten out this little misunderstanding
00:41:35Can that stuff?
00:41:36Oh, no, no, no
00:41:36I want to present you with a portrait to take home to your wife
00:41:39Oh, well, that sounds all right
00:41:40There you are
00:41:41You stand right there
00:41:42Not too far away
00:41:43Here
00:41:43While I extend the lens
00:41:44Turn the little wheel
00:41:46Yes
00:41:46And pull the bulb
00:41:47Are you ready?
00:41:48Yes
00:41:48Hold it
00:41:49That's it
00:41:50I've had great success with these family portraits
00:41:52Yes
00:41:52If you'll bear with me just a moment
00:41:53While we go through the developing process here
00:41:56And pull the little string here
00:41:58I believe I'll show you something
00:42:00That your wife's going to be very happy about
00:42:01That thing is getting out of town before I run you in
00:42:14Swing in, hit in, pull in, fly in, swing
00:42:24Swing in
00:42:25Swing in
00:42:26Swing in
00:42:27Swing in
00:42:28Swing in
00:42:29Swing in
00:42:31I hope the new carnival will be the finest thing on wheels
00:42:36I want to make Penguin really happy
00:42:39Now listen, young Drogo
00:42:40Your idea of romance is a yacht here, a bracelet there
00:42:43An ermine coat thrown in
00:42:45And now a new carnival
00:42:46Why, you're just a checkbook lover
00:42:48Don't you know by this time that this girl is different?
00:42:58All together now
00:42:59Push
00:43:00That's it
00:43:01That's it
00:43:01All right
00:43:02That's going to do you no good in the mud
00:43:04Get up out of the mud there, young Drogo
00:43:06We can't have this kind of efficiency
00:43:08See?
00:43:08That's it
00:43:14The best thing to do is love
00:43:14So
00:43:18That's it
00:43:19That's it
00:43:20That's it
00:43:22Say, you're getting to be an expert at this.
00:43:40Oh, thanks.
00:43:41As a matter of fact, you've been doing so well lately
00:43:43that I've decided to promote you to a better job.
00:43:45Oh, that's great.
00:43:47Well, what's it going to be?
00:43:50Here's your new outfit.
00:43:51Put it on tonight, and you'll understand.
00:44:01Oh, no.
00:44:03You again.
00:44:04How?
00:44:05Listen, for the last time, I am not an Indian.
00:44:14Wait, what is this?
00:44:18You and...
00:44:18Oh, here, look.
00:44:19No comic valentines.
00:44:20Now, go away.
00:44:21I'm busy.
00:44:23Colonel, I can't go out there like this.
00:44:25Why not?
00:44:26You look beautiful.
00:44:27That's just the trouble.
00:44:28Now, ladies and gentlemen, the feature free attractions of the show.
00:44:32The world's greatest aerial artiste.
00:44:35So one and only, Miss Penguin Moore,
00:44:37assisted by Don Cavalero.
00:44:40Take off your robe.
00:45:02Take off your robe.
00:45:04There, I can't go away.
00:45:11I'm busy.
00:45:11I'm busy.
00:45:12I'm busy.
00:45:12I'm busy.
00:45:13See you next time.
00:45:14I'm busy.
00:45:15Let's do it.
00:45:16I'm busy.
00:45:17You're busy.
00:45:17I'm busy.
00:45:18I'm busy.
00:45:18I'm busy.
00:45:18I'm busy.
00:45:19Hey, everybody.
00:45:19Have a nice time.
00:45:20Only good?
00:45:20younger�들 me.
00:45:21That's just a good point.
00:45:21I'm busy.
00:45:22I'm busy.
00:45:22I'm busy.
00:45:23I'm busy.
00:45:23You're busy.
00:45:24You're busy.
00:45:25I'm busy.
00:45:25I'm busy.
00:45:25I'm busy.
00:45:26You're busy.
00:45:27It's a good place.
00:45:27The End
00:45:57Ladies and gentlemen, I...
00:46:23Well, okay, officer. We'll be on our way.
00:46:27But listen, girl. Can't you see your way to give him another chance?
00:46:33You saw what happened tonight, Colonel. I gave him a chance, but he just doesn't belong in show business.
00:46:37Oh, that's funny.
00:46:39What's funny about that?
00:46:41Doesn't belong in show business. Well, I don't suppose you ever heard of the great Drogo.
00:46:45The great Drogo?
00:46:46The feature act of every show he ever played in.
00:46:49Drogo.
00:46:51Drogo.
00:46:53Aerialist.
00:46:54Mm-mm.
00:46:56Drogo.
00:46:59Equestrian?
00:47:00Mm-mm.
00:47:01Well, there was a Rogo.
00:47:05Rogo's Lion Act.
00:47:07Or was it Drogo?
00:47:11Drogo's Lions.
00:47:13Was that it?
00:47:13I didn't say it, girl. Now, remember, I didn't tell you.
00:47:18But Drogo's Lions, that was the greatest act that ever played under the big top.
00:47:23Well, I can see it now.
00:47:25London, Paris, Vienna.
00:47:27The applause of thousands.
00:47:29What made him give it up?
00:47:31What's that?
00:47:31Boy, there he stood, night after night, with guns in his hands.
00:47:36Then came a time when the animals weren't enough.
00:47:39Oh, forget the past.
00:47:41He'll come back, girl. He'll come back.
00:47:44I feel like a fool, Colonel.
00:47:47Imagine me making him pound steaks in a silly two-by-four show like this.
00:47:52Making out like I was a big shot.
00:47:55I gotta talk to him, Colonel.
00:47:56Drogo, come here.
00:48:03Oh, I'm very busy, Miss Moore.
00:48:04I want to talk to you.
00:48:05Well, Miss Moore, I want you to know
00:48:09I can make up for it in any way I can.
00:48:13Oh, forget about it, Drogo.
00:48:23You look like that, Drogo.
00:48:25You're making me feel so foolish.
00:48:32All I can and help.
00:48:34You're going to.
00:48:36You're going to go right back to the top where you belong.
00:48:38You won't get in with the wrong people this time
00:48:40because I'll take the guns out of your hands every night.
00:48:43Guns?
00:48:45That's certainly nice of you, Miss Moore, but I don't...
00:48:47Now, you don't have to say anything.
00:48:49I know we're going to get along swell together from now on.
00:48:52Colonel, what do you think?
00:49:01What?
00:49:02Miss Moore just spoke to me and forgave me for what I did to her act.
00:49:05She was so sweet, I can't get over it.
00:49:08She said we'd get along swell together.
00:49:10But certainly you'll get along swell together.
00:49:11Why shouldn't two great showmen get along swell together?
00:49:14What do you mean?
00:49:15I don't know anything about the show business.
00:49:16Well, I know you don't and you know you don't, but...
00:49:19With what?
00:49:20Well, I told her you were a great showman.
00:49:22Oh, Colonel, why did you tell her a thing like that?
00:49:25Well, you're an imposter, aren't you?
00:49:27Well, isn't it better to be a good imposter than a bad one?
00:49:32What kind of a showman did you tell her I was?
00:49:34Well, I told her you were a lion tamer.
00:49:37A lot.
00:49:38A lot.
00:49:38Colonel, come back here.
00:49:41Why did you tell her that?
00:49:42Well, there are no lions with this show.
00:49:45No.
00:49:45Well, what have you got to worry about?
00:49:52Oh, boys, put this stuff in the truck over there.
00:49:55Willie, you come with me.
00:49:56Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Thank you, ma'am.
00:49:58Said he could tame a cat
00:50:01Just as I played hold that tiger
00:50:03The tiger now holds the guy's hat
00:50:06So can I help you dream
00:50:09Okay, thank you, ma'am.
00:50:10Here, come here.
00:50:15You sit right down here.
00:50:17Stay out of my way.
00:50:18I'm busy.
00:50:23Stay there and don't move.
00:50:40Glad to see you, Penguin.
00:50:44How are you?
00:50:44Oh, fine.
00:50:45Sorry to get you up at this hour.
00:50:47Oh, that's all right.
00:50:48We couldn't sleep anyway.
00:50:49What's on your mind?
00:50:50Well, I got a spot on my show for your lions.
00:50:52You still got them, haven't you?
00:50:53Sure.
00:50:54There they are.
00:50:55Come on.
00:50:56Say, I got the best lion trainer in the business.
00:50:58How about letting me take them
00:51:00and then the season will split?
00:51:01Well, it's okay with me if it's okay with Moe.
00:51:03It's okay with me, Joe.
00:51:05Matter of fact, I'm glad you came.
00:51:06We were just talking about turning them over to the zoo.
00:51:09Business has been so bad, we can't even feed them.
00:51:11Take a peek.
00:51:15They don't look underfed to me.
00:51:17Me either.
00:51:18In fact, they look powerful healthy.
00:51:20There's nothing to worry about.
00:51:24All you got to do is follow the instructions in this book.
00:51:26Gives you their names, the tricks they do, and everything.
00:51:29Well, that's swell.
00:51:31Here you are, Willie.
00:51:31Read it over carefully.
00:51:32From now on, you're taking care of them.
00:51:34Come on, let's go.
00:51:35Okay, we'll give you a hand.
00:51:37You mean...
00:51:38I guess you do.
00:51:42Nero rolls over.
00:51:46Nero?
00:51:48Nero?
00:51:48Nero?
00:51:50Nero, roll over.
00:51:58That did it.
00:52:06Good morning, Miss Moore.
00:52:07Morning, Joker.
00:52:08I think you ought to know, though, what the colonel said.
00:52:10Oh, don't blame him.
00:52:11I'm happy to know that you're one of us.
00:52:13Well, I certainly do want to be one of us.
00:52:16There's something I want you to have.
00:52:18It belonged to my dad.
00:52:20He was a lion trainer, too.
00:52:22Oh, thanks.
00:52:24Drogo, I want you to know how I feel about your scenes.
00:52:28We're both showmen.
00:52:29I liked you from the start, but that was as far as could ever go because, well, I had no idea you were my kind.
00:52:36Miss Moore, I think you ought to know the truth.
00:52:38Never mind.
00:52:38It's what's going to happen that counts.
00:52:41I'll certainly do my best.
00:52:43You haven't any scratches on you.
00:52:45Didn't the lions ever claw you or jump you?
00:52:47To tell the truth, they never did.
00:52:49Gosh, you must have been great.
00:52:52Wouldn't you like to take up where you left off?
00:52:54Cracking the whip and hearing the applause?
00:52:57Wouldn't you do it for me?
00:52:59I guess I'd do just about anything for you.
00:53:02Well, here they are.
00:53:04Not much after what you've had, but it's the beginning.
00:53:07They're lions.
00:53:08Don't expect too much of them because they haven't been worked for quite a while.
00:53:11Is you going to train them lions?
00:53:22Uh-oh.
00:53:38Oh, it's no use, Colonel.
00:53:39I can't go through with it.
00:53:41Now, don't be silly.
00:53:42Now, look, you're a millionaire, aren't you?
00:53:44What's that got to do with it?
00:53:46Everything.
00:53:46Why, you'd be the first millionaire lion tamer in the world.
00:53:49Think of the honor.
00:53:50And besides, I'm sure that nothing will happen to you.
00:53:53Those lions are easy to work with, aren't they, Willie?
00:53:55That's what it says here.
00:53:56There, you see?
00:53:57Now, look, I'm going to show you once more.
00:53:59You need have no fear.
00:54:01Why, no lion has ever been known to pass a chair.
00:54:04Now, you advance boldly.
00:54:07Chair in one hand and whip in the other.
00:54:11All right, ladies and gentlemen, step right up and buy yourself a ticket to the greatest thrill of your life.
00:54:34Fearless, folks.
00:54:36The one and only, the world's greatest lion tamer is going to face fire of the most ferocious.
00:54:42How's it going?
00:54:43Oh, couldn't be better.
00:54:44Step right up, ladies and gentlemen.
00:54:46Here you are.
00:54:47Forget the smelling salts.
00:54:48Yes.
00:54:48The bandages.
00:54:49Yes.
00:54:50The iodine.
00:54:51Yes.
00:54:53I forgot something.
00:54:54What?
00:54:55I forgot to feed.
00:54:56Shh.
00:54:59What's the matter, boy?
00:55:02Colonel, I can't go through with it.
00:55:04Well, you love her, don't you?
00:55:06All you've got to do is to remember what I told you.
00:55:08When you get in that cage, keep jamming with that chair and cross with your whip.
00:55:13Listen, little boy, listen.
00:55:14What a crowd.
00:55:19Hurry up, Joker.
00:55:20We can't hold it much longer.
00:55:21They're waiting for you.
00:55:22The lions?
00:55:23And all the people, silly.
00:55:25Gosh, you look wonderful.
00:55:26Now, go on out there and knock them cold.
00:55:27Tell me, Colonel, is he thrilled?
00:55:31Thrilled is not the word for it.
00:55:33He's trembling.
00:55:34With anticipation.
00:55:36You want to go in now?
00:55:37No.
00:55:38Oh, I've got a better idea.
00:55:42There.
00:55:43Up.
00:55:43Places.
00:55:44Zero.
00:55:45Caesar.
00:55:46Up.
00:55:47Benigny.
00:55:48Tony.
00:55:50What are you doing?
00:55:52What are you trying to do, Colonel?
00:55:53He's working the cats from the outside.
00:55:55Yes.
00:55:56Well, you wouldn't expect the great Drogo to do the usual thing.
00:55:59Anybody can work lions from the inside of a cage.
00:56:01What a man.
00:56:03He's working them from the outside.
00:56:05That may be swell, Colonel, but I don't think these yokels understand that.
00:56:10I'll tell them to do it the easy way.
00:56:16Drogo, I think you'd better do it the regular way.
00:56:18Oh, I knew it fine from out here.
00:56:20I know, but these people don't understand.
00:56:22I think you'd better work on the inside.
00:56:23Okay, folks, everything will be fine in just a minute.
00:56:31Oh, there's what have to happen to me.
00:56:33What's going to happen to you?
00:56:35Well, can't you see?
00:56:35The rain is going to ruin the act.
00:56:37We can't put it on.
00:56:39Ow.
00:56:39Willie, put them away.
00:56:41Yes.
00:56:43Head.
00:56:44Head.
00:56:45Head.
00:56:45Head.
00:56:46Head.
00:56:46Head.
00:56:47Head.
00:56:47Head.
00:56:47Head.
00:56:48Head.
00:56:48Head.
00:56:49Head.
00:56:50Head.
00:56:50Head.
00:56:51Head.
00:56:51Head.
00:56:52Head.
00:56:52Head.
00:56:55How am I going to get back to my trailer?
00:56:57Head.
00:57:06There you are.
00:57:06I'm the queen of you, Drogo.
00:57:08Oh, don't miss it.
00:57:17Did you do that on purpose?
00:57:18What do you think?
00:57:27Did you do that?
00:57:28You figure it out.
00:57:29Why, you.
00:57:30You.
00:57:31Now, wait a minute.
00:57:32If you hadn't let your snooping instincts get the better of you, all this wouldn't have happened.
00:57:36After all I've done for you, why, for two minutes, I'd...
00:57:40Oh, you poor kid.
00:57:43Never mind.
00:57:44Someday you'll have a fine new carnival.
00:57:46I don't want a new carnival.
00:57:49All I want is good business for this one.
00:57:51You mean you don't want a new carnival?
00:57:53No.
00:57:53Come.
00:58:16I should have known you years ago Where on earth were you long years ago
00:58:37I miss so much And dreamed so little Before you set my heart aglow
00:58:52I should have known I should have known The way you smile As I traveled each long lonely mile
00:59:07For memory lane Should seem much sweeter If I had known you all the while
00:59:22Oh, I'm so jealous Of the flowers in spring For they know more than I about you
00:59:35They heard your laughter And the songs you sing Through all the years I spent Without you
00:59:54I wish That I knew you I wish That I could truly say That I knew you long before
01:00:07Today But we'll go home From here together And I shall love you All the way
01:00:36And I shall love you All the way
01:00:41Wonderful girl Penguin Real Sincere Different
01:00:47Yes, the others are all alike But she's different I know my boy I know
01:00:52Love, love What follies are committed in thy name That's Francis Bacon
01:00:59Speak love If you speak love That's William Shakespeare
01:01:04Love is like hash You've got to have confidence in it To enjoy it
01:01:10That must have been Bob Hope Well, go to sleep my boy Or, uh, are you?
01:01:16Good morning, uh Oh, yes, uh, Mr. Newton
01:01:21Mr. Newton Oh, Mr. Whitman Yes, Bates, what is it?
01:01:36Begging your pardon, sir But I'm afraid we have gypsies on the ground
01:01:40Gypsies? Well, Bates, do something Get rid of them right away
01:01:46Yes, sir Right away, sir Oh, wait a minute, Bates Do you speak gypsy?
01:01:50Oh, no, sir Oh, never mind I'll go myself Order the chief's car right away
01:01:54Yes, sir Come on, boys Hurry, hurry, hurry
01:01:58Up this way Hear all about the big surprise I promised you
01:02:01Come on Everybody This way, everybody
01:02:05Shhh Now listen, boys and girls I told you I'd bring you to the land of plenty
01:02:12Well, here it is Why, the food lies on the ground for the taking
01:02:15Did you say food?
01:02:16Right Groceries, grub, middles Now, some of you go that way
01:02:20And pick the berries from the vines The peas, beans, cabbages, and other vegetables
01:02:24Are that way Let your stomachs be your guide
01:02:26Pick it on And the watermelons Are that way
01:02:32Oh, Willie Yes, Mr. Governor
01:02:36And the chicken house Is over there Chicken house?
01:02:40Uh-huh What am I waiting for?
01:02:41I don't know Me either Tell it who
01:02:44Say, Joe What's the idea of pitching here?
01:02:53Colonel's orders Colonel's orders?
01:02:56Well, what are we gonna get for customers here Feel Mines?
01:03:02Quiet, quiet Ain't no use of squawking We all gotta go someday It's either gonna be you or me
01:03:08Ain't it ain't gonna be me Take your time, take your time Don't rush me
01:03:19The man's right Thank you You're welcome Now, will you fix the flowers, please?
01:03:23Oh, wait a minute Say, Red, where'd you get these?
01:03:31Well, the Colonel told us We could pick anything we wanted to
01:03:34Oh, he did, eh? Well, I'm still giving orders around here, I think
01:03:38Oh, Gregor You heard the boss break it up
01:03:43Get this stuff out of here
01:03:44Yes, Miss Moore But the Colonel said
01:03:45I don't care what the Colonel said We're not taking anything that doesn't belong to us Now put it back when you got it
01:03:50Yeah, make it snappy We'll all be thrown in the clink
01:03:54Sound like we'll practically in the clink
01:03:56All right, fellas, give it a bit quick
01:03:58All right, you heard the boss Get rid of it Come on, put a move on
01:04:02What's going on around here? That's it Come on, get going Come on, get going
01:04:06Well, well Well It's a shame that I put back these tender boys
01:04:09Wait Are they very tender?
01:04:12Mm-hmm
01:04:13Hmm Sure, that would be kind of a shame, wouldn't it?
01:04:16Uh, uh, in that box Come on Be careful, but hurry
01:04:21Come on Here you go Hey, now sit down there
01:04:25My hand That's it Now, uh, back on your lawn
01:04:29What do you mean, trespassing on private property?
01:04:40Now, don't get excited, mister You've got us all wrong
01:04:42Oh, have I?
01:04:43Mm-hmm
01:04:44Well, then, I'm very sorry
01:04:46You see, I'm Penguin Moore And this is my carnival
01:04:49We got lost last night And wound up here
01:04:51We didn't know it was your property But we didn't take anything
01:04:54Well, if you didn't take anything I guess there's no harm done
01:04:57You've got quite a display
01:04:58Would you like to look around?
01:05:00Oh, I'd love to Do you mind?
01:05:01Oh, not at all There's a pin game over there
01:05:04I hate pins
01:05:05Oh, well, here's a merry-go-round
01:05:07Oh, it makes me dizzy
01:05:08Well, we've got a lot of other things here that
01:05:09What's this contraption?
01:05:11Oh, this is a taffy machine Would you like to see it work?
01:05:15Oh, may I?
01:05:16Okay, Bob, I'll take care of it
01:05:17Okay, mechanical devices intrigue me
01:05:19Well, here's the switch here, you see And you put it down
01:05:22The machine goes around with the taffy on it
01:05:24What'll they take up next?
01:05:35The most interesting parts down there was a motorist
01:05:40You're right, it's a dandy My favorite gear ratio
01:05:49Fifteen to one
01:05:50Did you see what I saw?
01:06:15Why, did you see something?
01:06:18Let's forget it
01:06:19Farmers in the Dell
01:06:21Farmers in the Dell
01:06:23Hey, nani, nani
01:06:24Boop, boop, ba-doop
01:06:25The farmers in the Dell
01:06:27Farmers in the Dell
01:06:29Farmers in the Dell
01:06:31Hey, hold me over the farmers in the Dell
01:06:35Well...
01:06:35Drop that food, thief
01:06:37Thief?
01:06:39Oh, pardon the Jew
01:06:41Well, certainly it's me
01:06:42Who did you expect?
01:06:43I can't tell you how happy I am to see you
01:06:45I've been quite worried
01:06:46Well, Harry, your worries are over
01:06:47Come over here
01:06:48I want you to meet a friend of mine
01:06:49Oh, Penguin
01:06:50Uh...
01:06:52This is my nephew, Harry Whitman
01:06:54I'm one of his, uh, poor relations
01:06:55How do you do?
01:06:56Oh, we've met
01:06:57Fair good
01:06:57Then we can get down to business
01:06:58How many weekend guests have you?
01:07:00Oh, we have a whole house full
01:07:01There's the Vance Wiggins
01:07:02The Mortons
01:07:03The Dumont
01:07:04That's enough
01:07:04Graham
01:07:05I said that's enough
01:07:05Have them all come down here
01:07:07I guarantee they'll have a better time
01:07:09Than they had in days
01:07:10Weeks
01:07:10Years
01:07:11If it's that good, I'll tell them
01:07:12Gangway
01:07:15Tell them not to forget their wallets
01:07:17Here, hear that sign, son
01:07:19Yes, sir
01:07:20That's it
01:07:21Now go right ahead with your work
01:07:22Two little pieces of business to do here
01:07:24De-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
01:07:29They'll never know the difference
01:07:30De-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
01:07:31A dime-dee-dee
01:07:32Ten cents to a dollar
01:07:33They'll never know the difference
01:07:34When you hear them holler
01:07:35De-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
01:07:38Well, our troubles are over
01:07:54Happy days are here to end
01:07:56Don't you think you're very surprised
01:07:58Is too much?
01:07:58Too much?
01:07:59Why, these people couldn't have a good time
01:08:01Unless they paid too much
01:08:02All right, boys
01:08:03Go to work
01:08:04All right, everybody
01:08:05Hurry, hurry, hurry
01:08:06Step right up, play ball
01:08:19There you are
01:08:19Hurry, hurry, hurry
01:08:20Play ball
01:08:21All your best
01:08:22Hurry, hurry, hurry, hurry
01:08:23Now, two steps forward, please
01:08:32Two steps backward
01:08:33Now, another one forward
01:08:35Get away from me, son
01:08:36You're annoying me
01:08:37Hey, Colonel, it's me
01:08:38Well, Penguin, hello
01:08:40How's business?
01:08:41Well, how did that happen?
01:08:44Never mind
01:08:44Step right this way, folks
01:08:45Then we'll go through the developing process
01:08:47There you are
01:08:48Passes through the little hill
01:08:49And the little handle
01:08:50And the photograph drops in the little tank
01:08:52There's a charming portrait of yourself and family
01:08:54And the price is five dollars
01:08:56Right this way, folks
01:08:56But it's blank
01:08:57That may surprise you
01:08:58But it doesn't surprise me
01:08:59The price remains the same
01:09:00Thank you
01:09:00Do you mind getting out of the leave, please?
01:09:02How about that man over there
01:09:03With that
01:09:03Small water taffy, dear
01:09:05Having fun?
01:09:07Oh, yes, and I appreciate you letting me run the machine
01:09:09Oh, that's all right
01:09:10Say you can sell the taffy, too, if you like
01:09:12Oh, may I?
01:09:13I'd be delighted
01:09:14Coffee, toffee
01:09:15What do you mean we ain't got no right here?
01:09:17The paddles are still three for a dollar
01:09:18A dollar?
01:09:19What?
01:09:19A dollar for a ten-cent game?
01:09:21Oh, Bob, come with me
01:09:22Anybody else?
01:09:26Coffee, toffee
01:09:27Listen, buddy, you don't have to get toffee
01:09:29Well, who's getting toffee?
01:09:30Just a minute
01:09:31I'm sorry, boys, but we're putting the show on for a private party
01:09:34I'll have to ask you to leave
01:09:35Oh, be nice, baby
01:09:37You wouldn't want us to go now, would you?
01:09:39Oh, so it's one of those things
01:09:41Okay, do it the hard way
01:09:43That's all I wanted to know
01:09:44All right, just a minute
01:09:45Wait a minute
01:09:46Oh, you ain't heard the last of this
01:09:49No
01:09:49Here you are, ladies and gentlemen
01:09:51Three strikes
01:09:52One dollar, one dollar
01:09:53$1,300, you can do better than that, man
01:09:55Try it again, come on
01:09:56Three strikes for an hour, folks
01:09:58Why, you'll never do it that way, mister
01:09:59Stand back and I'll show you
01:10:01No muscles needed
01:10:02Amazing
01:10:06Introducing
01:10:09The one
01:10:10The only
01:10:11Fearless Drogo
01:10:13Dare devil to the arena
01:10:15Fearless Drogo
01:10:16It couldn't be
01:10:18No waiting, no delay
01:10:19Purchase your tickets right away
01:10:21Excuse me
01:10:22Think of it, folks
01:10:23A beer
01:10:23Two dollars and fifty cents
01:10:25Here we go, folks
01:10:26Don't rush, don't crowd
01:10:27Hurry, hurry, hurry
01:10:29Come on, folks
01:10:30You see one of the best shows
01:10:31You ever saw in your life
01:10:32Get in and out
01:10:32Give them everything you've got
01:10:33But listen, Penguin
01:10:34You don't know this, but I really
01:10:35This is your chance to get back on top
01:10:37And you're gonna take it
01:10:38But I can
01:10:38Hope everything goes all right
01:10:48See you
01:10:52Hello
01:10:54See you
01:10:54See you
01:10:58How long?
01:10:59Sorry, boss
01:10:59I'm sorry, boy.
01:11:03See, Sheriff?
01:11:05When the loun gets made, he riffles up.
01:11:09He's made.
01:11:23Well, well, Mr. Drogo Games, the millionaire playboy,
01:11:26is more cuckoo than I thought he was.
01:11:35Hey, boss, that ain't in the booth.
01:11:39Look out, Mr. Drogo. Here comes his mouth.
01:11:56The loun can run 40 miles an hour.
01:11:59I'm sorry I read that.
01:12:06I told you I'd lead you to the land of plenty.
01:12:09The loun...
01:12:28Get that lion back in the cage before it scares someone.
01:12:35Put what lion loose cage before it scares who?
01:12:39Rushing here, rushing there.
01:12:41Nowhere to go.
01:12:42What's going on in there?
01:12:43The lion's loose.
01:12:44Lions!
01:12:45If I'm going to hunt for lions, I've got to get me some bait.
01:12:49I've been chasing lions all the time.
01:12:52He ain't dead.
01:12:53Kitty, kitty!
01:12:54Sure hope I don't find him.
01:12:56There's more sure going to be mad than lion chasing all them people.
01:12:59Kitty, kitty, kitty!
01:13:00Where's that lion at?
01:13:01Oh!
01:13:02Oh!
01:13:03Oh!
01:13:04Oh!
01:13:05Oh!
01:13:06Oh!
01:13:07Oh!
01:13:08Oh!
01:13:09Oh!
01:13:10Oh!
01:13:11Oh!
01:13:12Oh!
01:13:13Oh!
01:13:14Oh!
01:13:15Oh!
01:13:16Oh!
01:13:17Oh!
01:13:18Oh!
01:13:19Oh!
01:13:20Oh!
01:13:21Oh!
01:13:22Oh!
01:13:37I'm putting you ja-co out in there time, I gotta be more careful.
01:13:43My blood pressure won't stand it.
01:13:47Kitty, kitty, kitty.
01:13:50Kitty, kitty.
01:13:56Whoa, whoa, whoa.
01:14:06Kitty, kitty. Come on.
01:14:08Nice baloney. Come on, kitty, kitty.
01:14:10Kitty, kitty. Nice baloney.
01:14:14Kitty.
01:14:20Was that me talking?
01:14:32It's all right, folks. Everything's taken care of.
01:14:34Nothing to worry about.
01:14:42Toffee, toffee. Toffee, toffee. Dollar a bag.
01:14:44Dollar a bag. We don't want no toffee.
01:14:46Come on, boys.
01:14:48Toffee, toffee. It's awfully good.
01:14:50Hey, Roof!
01:14:52Hey, Roof!
01:14:54Hey, Roof!
01:14:56Hey, Roof!
01:14:58Hiya, beautiful.
01:15:00Now, listen. I told you we're putting the show on for a private party.
01:15:02Well, this is my private party.
01:15:04How about it, boys?
01:15:06Yeah.
01:15:08Wait a minute. You heard what the lady said. Now get going.
01:15:10Oh, glamour boy, huh?
01:15:12Let's break this joint.
01:15:16Woo!
01:15:18I don't know what the lady said.
01:15:20I don't know what the lady said.
01:15:24I don't know what the lady said.
01:15:26I don't know what the lady said.
01:15:28I don't know.
01:15:30What the lady did?
01:15:32Hey, Roof!
01:15:34Let's break this joint.
01:15:47Oh, what a great.
01:15:59Coffee, coffee.
01:16:01Oh, dear, dear, this is pleasant.
01:16:03Something ought to be done.
01:16:04Oh, dear, dear.
01:16:12Hedges are about that lying action.
01:16:13Skip it.
01:16:14You don't understand.
01:16:16I understand more than a strength I do.
01:16:21They fell at mats.
01:16:25Now is the time for all the good men to come to the end of their party.
01:16:30Don't shoot, boys.
01:16:31Mr. Oof.
01:16:33This column's, okay?
01:16:35Well, come on.
01:16:38Sorry, Chief.
01:16:42Oh!
01:16:42Oh!
01:16:43Ah-ha!
01:16:44The bull's-eye!
01:16:46Woo-hoo!
01:16:47Woo-hoo!
01:16:47Captain Glogo!
01:16:58Reinforcement!
01:17:03Get ready!
01:17:06Snap!
01:17:07Go!
01:17:08That's good shooting, Oval.
01:17:14Okay, you take the high road and I'll take the low.
01:17:20What's on your mind?
01:17:21I've been looking all over for you.
01:17:23I got the new kind of a park at Portersville.
01:17:27What should I do with it?
01:17:28Go back and take care of it.
01:17:29I'll get in touch with you later.
01:17:30Yes, sir.
01:17:33The situation is wrong, lad.
01:17:37Fuck!
01:17:40A bull's-eye!
01:17:43Ow!
01:17:52Ow!
01:17:53Ow!
01:17:53Ow!
01:17:53Ow!
01:17:53Ow!
01:17:53Ow!
01:17:53Ow!
01:17:54Ow!
01:17:54Ow!
01:17:55Ow!
01:17:55Ow!
01:17:56Ow!
01:17:56Ow!
01:17:57Ow!
01:17:57Ow!
01:17:58Ow!
01:17:59Ow!
01:17:59Ow!
01:18:00Ow!
01:18:00Ow!
01:18:01Ow!
01:18:01Ow!
01:18:02Ow!
01:18:02Ow!
01:18:03Ow!
01:18:03Ow!
01:18:04Ow!
01:18:04Ow!
01:18:05Ow!
01:18:06Ow!
01:18:07Ow!
01:18:08Ow!
01:18:08Ow!
01:18:09Ow!
01:18:09Ow!
01:18:10Ow!
01:18:10Ow!
01:18:11Ow!
01:18:11Ow!
01:18:12Ow!
01:18:12Ow!
01:18:13Ow!
01:18:13Ow!
01:18:14Ow!
01:18:14Ow!
01:18:15Ow!
01:18:15Ow!
01:18:16Ow!
01:18:16Ow!
01:18:17Ow!
01:18:18Ow!
01:18:18Ow!
01:18:19Ow!
01:18:20Ow!
01:18:21Ow!
01:18:22Ow!
01:18:23Ow!
01:18:24Ow!
01:18:25Ow!
01:18:26Ow!
01:18:26Ow!
01:18:27Ow!
01:18:28Ow!
01:18:28Ow!
01:18:29Ow!
01:18:29Oh, you've had enough, huh?
01:18:50Sorry, Chief.
01:18:52Sorry.
01:18:59Hey, victory is ours.
01:19:05Victory is ours, but my circus is ruined.
01:19:08Well, now, don't let that worry you.
01:19:09My rich debt, you will pay for everything.
01:19:11Oh, Harry, Harry, where are you?
01:19:13Here I am.
01:19:17Oh.
01:19:19Oh, pardon my appearance.
01:19:21Hey, it's quite disarray.
01:19:22Well, never mind.
01:19:23I'll have everything fixed.
01:19:24There you are.
01:19:25What more can you ask?
01:19:26In time, let's celebrate by coming up to my house and having dinner.
01:19:28Oh, I'd be delighted, sir.
01:19:30But I haven't a thing to wear.
01:19:31But that the house is full of clothes.
01:19:33May I?
01:19:34Why, certainly.
01:19:40I'm in an awful predicament.
01:19:41The new carnival's over at Portisville.
01:19:43What am I going to do?
01:19:44The new carnival?
01:19:45Yes.
01:19:45Good, good.
01:19:46Now, you run along with the rest of them and leave everything to me.
01:19:49Yes, but I...
01:19:49Go right ahead now.
01:19:50Don't you worry.
01:19:54Say, George.
01:19:55Yes, Colonel?
01:19:56Do you still burn the barn down every weekend?
01:19:58Yes, sir.
01:19:59Tonight?
01:20:00Nine o'clock sharp.
01:20:01Fine.
01:20:02Fine!
01:20:03Hey, boy!
01:20:04Come here!
01:20:05Get it on, quick!
01:20:05Hey, hey, hey!
01:20:06Now, wait a minute.
01:20:08I want you to wrap up this carnival and put it in that big barn down the road about a half
01:20:12a mile.
01:20:12Then I want you to all go over to Portisville.
01:20:14There's a new carnival over there, bigger and better.
01:20:18I want you to help set it up.
01:20:19Now, come on.
01:20:19Get going.
01:20:20All right, hurry up.
01:20:21Say, hello.
01:20:30Penguin, you're beautiful.
01:20:33I'm charmed, Miss Boyd.
01:20:35Dinner is served, sir.
01:20:36Thank you, Bates.
01:20:37Right this way, everyone, for the victory dinner.
01:20:39Oh, no, keep your hands off that chair.
01:20:56I've had that one pulled on me before.
01:20:58As you wish, madame.
01:20:59You know, I'm awfully happy that they have chicken tonight.
01:21:09I never eat anything but chicken.
01:21:12That's water.
01:21:15One, two, three, four.
01:21:18A four-legged chicken.
01:21:21That's cute.
01:21:22A four-legged chicken.
01:21:23Three-legged chicken.
01:21:30Oh, three-legged chicken.
01:21:32That's a novelty.
01:21:33A three-legged chicken.
01:21:35What's the idea?
01:21:36Oh, you wouldn't like that.
01:21:38That's no good.
01:21:39No good.
01:21:40Well, here we are.
01:21:41Back to normal again.
01:21:45That's kind of muscular, isn't it, huh?
01:21:47It's nearly nine o'clock, sir.
01:21:49Oh, so it is, Bates.
01:21:51Shuffle well?
01:21:51Yes, sir.
01:21:52All right, everyone.
01:21:53Let's hurry with the usual drawing for positions on the firetrucks
01:21:56to see who the lucky people are.
01:21:58Will you draw, Uncle Carlton?
01:21:59Yes.
01:22:00Oh, mine's a blank.
01:22:02Better luck next time.
01:22:04I'll drive the chemical truck.
01:22:06That's nice.
01:22:06I'll just ride along with Mr. Gaines.
01:22:08Why, Colonel, this is not a blank.
01:22:10You two ride on the chemical wagon.
01:22:12By the way, Harry, what are you burning tonight?
01:22:14Oh, the same old barn.
01:22:15Oh, that's terrible.
01:22:17What's the matter, Uncle Carlton?
01:22:18Well, how was I to know that you're still burning the same old barn?
01:22:21In order to save the carnival from the hoodlums,
01:22:23I have the boys hide at the barn.
01:22:24You mean the carnival's on fire?
01:22:26I mean exactly that.
01:22:27My carnival?
01:22:28Well, how was I to know that you're still burning the same old barn?
01:22:32Oh, come on, Uncle Carlton!
01:22:33Come on, Uncle Carlton!
01:22:34Come on, Uncle Carlton!
01:22:34Come on, Uncle Carlton!
01:22:34We're going to get on fire!
01:22:36Come on!
01:22:36Come on, Uncle Carlton!
01:22:37Come on, Uncle Carlton!
01:22:38Come on, Uncle Carlton!
01:22:39Come on, Uncle Carlton!
01:22:40Come on, Uncle Carlton!
01:22:41Come on, Uncle Carlton!
01:22:42Take it easy!
01:22:45Well, don't you think I ought to do the driving?
01:22:46Don't be silly.
01:22:47I've been pushing trucks around all my life.
01:22:49All right, let it go!
01:22:50Where is the fire?
01:22:51Never mind the fire.
01:22:52We're not going there.
01:22:53What do you mean?
01:22:54Keep going straight ahead
01:23:09and we'll lead them into Portorsville and the new carnival.
01:23:15Where is the fire?
01:23:16Never mind the fire.
01:23:18We're not going there.
01:23:19What do you mean?
01:23:20Keep going straight ahead.
01:23:22And we'll lead them into Porter'sville and the new carnival.
01:23:24And what about the fire?
01:23:26Well, you told me to get rid of her carnival, didn't you?
01:23:28Maybe when she sees the new one, she'll forget the old one.
01:23:31Oh.
01:23:41Hopi!
01:23:44Hey, Cari!
01:24:10Go away!
01:24:12Somebody's flying in my heart!
01:24:14It'll be me!
01:24:20Hey!
01:24:22Come, move them!
01:24:24Hey!
01:24:26Get off the road!
01:24:28Hey!
01:24:30Hey!
01:24:32Hey!
01:24:34Hey!
01:24:36Hey!
01:24:38Hey!
01:24:39Get off the road!
01:24:40That's not fair!
01:24:56Hey!
01:24:57Hey!
01:24:58He's coming out!
01:25:00Please, fellas!
01:25:01Please!
01:25:02Hey!
01:25:03Hey!
01:25:04Hey!
01:25:05Hey!
01:25:06Hey!
01:25:07Hey!
01:25:08Hey!
01:25:09Pretty tricky!
01:25:10Hey!
01:25:11Get me out of here!
01:25:12Do something!
01:25:13Get her down!
01:25:14Oh, oh, yes!
01:25:15Hey!
01:25:16Hey!
01:25:17Do something!
01:25:18Do something!
01:25:19Get her down!
01:25:20Oh, oh, yes!
01:25:21Hey!
01:25:22Hey!
01:25:24Hey!
01:25:26Well, here we are!
01:25:52Ah, it's beautiful.
01:25:56That's you and me.
01:25:58Do you really mean it?
01:26:00Yes, for keeps.
01:26:01Oh, I got a lullaby loose!
01:26:05Well, so what?
01:26:11Hey!
01:26:13Maybe you got something there.
01:26:26I like it!
01:26:28I love you!
01:26:32Well, here we go!
01:26:33¶¶

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