- 7/5/2025
Category
🎥
Short filmTranscript
00:00:00I am not sure how I can tell you.
00:00:06I am not sure how I can tell you.
00:00:12What is written?
00:00:14I was a very proud man.
00:00:17I am not sure how I can write.
00:00:20I am not sure how I can write.
00:00:23I am not sure how I can write.
00:00:25দাইয় দাইয় কালা জমুনা রকুলে বিরহ কুশুম মালা গাথিয় নিরলে সোহিয় কুলোটা গালি
00:00:47তোভু নামানিয় ননোদিরো বাধা ভোনু মালি তুমি নামি শুনলাম তুশান বাত্চা ছেলে ওভে মনোর পাটদা ও কেমন মানভে ওখানে রেক্ট ধর
00:01:17কেকে কোডেয়ে ওয় তুক তুক তুক তুক তুক তুক দুক ভোলে কেচো হায়ে না
00:01:26কানের মাস্টের কোতুম হাতেলে কেলে ক্য়ে পাডায়ে নাতুকের প্রম্টের খাতা কাপি কোতে দেতু
00:01:43পায়ে তুমাতোনে গুন গান জানো রান্না জানো হাতে লেখাও আলো
00:02:02তুমো পাতো জুট্লো নে গুল্ছ্য়
00:02:06পাপচে
00:02:13তুম কোর এখানে ছলেলেয়েজে বারো
00:02:18কিশে তানে থাকো ভালো
00:02:24একতা মাচেলো মরেলো
00:02:30দীদে ভিয়ে সরো জিটেলেলো
00:02:34মার দিদে চারাকনো পিচোট্ষান চিলো নো গোলো
00:02:42You have to learn more about this.
00:02:46My family is almost done.
00:02:49First, I am concerned about the people who were talking about this.
00:02:54He is so concerned.
00:02:56He is so concerned.
00:02:58What's wrong?
00:03:00You are not here.
00:03:01How can you do that?
00:03:03You are not here.
00:03:08That's what I'm going to do with you.
00:03:17Are you going to die?
00:03:20No, I'm not.
00:03:24I'm not going to die.
00:03:28I'm going to die.
00:03:29I'm going to die.
00:03:33I'm going to die.
00:03:35I'm going to die.
00:03:39I'm going to die.
00:03:43I'm going to die.
00:03:55You're going to die.
00:04:01You're going to die.
00:04:08Come!
00:04:09You're going to die,
00:04:11you're going to die.
00:04:12Come on,
00:04:13no,
00:04:14I'm not going to die.
00:04:15Come on,
00:04:16I'm going to die.
00:04:17એ કોરે ચાત ચાત્ટે વછોર કેટે ગાલો ભાબલું એ બુજી થીતુ હોલામ
00:04:26કાજન મો કાછુ ના?
00:04:47કીબલું કારલું ભાંદે કાંચા કાલું કાસતે ખીળ કાજું મામ ખાશં કીતે મામામ કોરામ કામીં કીમ�
00:05:17...
00:05:24...
00:05:32...
00:05:37...
00:05:41...
00:05:45Do you want me to do this?
00:05:53I've never done this before.
00:06:01I've never done this before.
00:06:06I've never done this before.
00:06:09I've never done this before.
00:06:15This is the first time I will be able to do this.
00:06:40I will be able to do this.
00:06:53I will tell you how to do this.
00:06:57I will tell you how to do this.
00:07:01I will tell you how to do this.
00:07:04Oh my tree balloon.
00:07:34Oh my tree balloon.
00:08:04Oh my tree balloon.
00:08:34Oh my tree balloon.
00:08:40Do you want to go back?
00:08:45Do you want to go back?
00:08:47Two, three days, a week?
00:08:53Do you want to go back?
00:08:55That's a good thing.
00:09:02Do you want to go back?
00:09:05Don't go back, don't go back.
00:09:08Yeah, he is dead!
00:09:10You're dead!
00:09:12I'm not dying!
00:09:18You stay!
00:09:20I'm sorry I'm not even sure
00:09:22I'm not having fun
00:09:24I'm not having fun
00:09:26You're dead!
00:09:28You're lost!
00:09:30I don't know.
00:10:00This is the house of the house.
00:10:03This.
00:10:04This is the suitcase.
00:10:06Yes.
00:10:07This is the camera.
00:10:09Okay.
00:10:10Okay.
00:10:11Why not?
00:10:12Yes.
00:10:13Good.
00:10:16This is the house.
00:10:20This is the house.
00:10:22This is the house.
00:10:23No, I'm so sorry.
00:10:25This is the house.
00:10:27This is the house.
00:10:57兔
00:11:02兔
00:11:07兔
00:11:08兔
00:11:09兔
00:11:12兔
00:11:14兔
00:11:16兔
00:11:17兔
00:11:19What happened after the death of you?
00:11:24No.
00:11:25No.
00:11:26No.
00:11:27No.
00:11:28No.
00:11:29No.
00:11:31No.
00:11:32No.
00:11:33No.
00:11:34No.
00:11:35No.
00:11:36No.
00:11:37No.
00:11:38No.
00:11:39No.
00:11:40No.
00:11:41No.
00:11:42No.
00:11:43No.
00:11:44No.
00:11:45No.
00:11:49Bazaar, heart, runna-bunna, god-shart-mooch, shop-kuri-chi.
00:11:57Shona, those three names can you give, Goppa?
00:12:01Goppa, goppa, goppa, goppa.
00:12:19Do not go, choppa, choppa, choppa.
00:12:32Get back to the house.
00:12:35Come here!
00:12:38Come!
00:12:43What's going on, choppa?
00:12:45It's not that easy.
00:12:47I'm not that easy.
00:12:50Why did you find him?
00:12:52Why did you find him?
00:12:54Why did he find him?
00:12:56Did he put his hair around?
00:12:58Why did he use his hair?
00:13:00I couldn't do that too.
00:13:02I didn't know how to look.
00:13:05He was a kid.
00:13:07He was 20 years old.
00:13:10What did he do?
00:13:12He was a kid.
00:13:14I'm looking for the next day.
00:13:16I'm looking for the last couple of months.
00:13:20And I'm looking for the next day and I'm looking for her very early.
00:13:26Chopol, let me open it up.
00:13:31Shilap, I'll tell you,
00:13:33Chopol is looking for her.
00:13:35She's like, what?
00:13:36Hmm.
00:13:40Why am I going to go to my room?
00:13:43Why?
00:13:44You're a good one.
00:13:46I'll give you some more.
00:13:48I'll give you some more.
00:13:50I'll give you some more.
00:13:52You'll have to eat.
00:13:54You?
00:13:56Yes.
00:13:58You're a good one.
00:14:00You're a good one.
00:14:02You're a good one.
00:14:04I'm a good one.
00:14:06I'm a good one.
00:14:08Oh, my God.
00:14:14I'll give you some more.
00:14:16Wow.
00:14:18Say it.
00:14:20Got it.
00:14:44When I am using this...
00:14:48I won't stop saying this.
00:14:51I forgot what you told me.
00:14:54I didn't stop saying this.
00:14:58But you don't stop saying this.
00:15:04Don't stop saying this.
00:15:07Go in front of me.
00:15:14I don't know.
00:15:15I'll be back!
00:15:17I'm gonna do it!
00:15:20I'm not in the audience.
00:15:22I'm sorry.
00:15:24I'm sorry.
00:15:25You said I was not in the audience.
00:15:29I've been in the audience.
00:15:32And I'm sorry.
00:15:37If you were to leave, I'd be sorry.
00:15:40What about you?
00:15:49Cheap out, has to do wrong 중에ился.
00:15:52That's right.
00:15:54That means, its the correct is wrong.
00:15:57Don't you think he spends a lot locally?
00:16:01Apparently, the möglichst of his sins came back.
00:16:05No.
00:16:06Did you see?
00:16:07He's missing many.
00:16:09Do you like them?
00:16:13Do you like them?
00:16:15No.
00:16:17And you?
00:16:21What do you like?
00:16:23Do you like them?
00:16:25Do you like them?
00:16:27Do you like them?
00:16:29Yes.
00:16:31You like them.
00:16:33No.
00:16:35You are saying them?
00:16:36No, you don't want them.
00:16:38I don't know.
00:16:40I don't know.
00:16:42I don't know.
00:16:44I don't know.
00:16:46I don't know.
00:16:48I don't know.
00:16:50I don't know.
00:16:52I don't know.
00:16:54Sorry, but we came to know the call time.
00:16:58It's nearly 10 o'clock.
00:17:00Ask the director.
00:17:02He's not in his room.
00:17:04And I thought, well, I mean, the unit must know.
00:17:06It's unavailable.
00:17:08I've tried.
00:17:13Eight o'clock should be fine, right?
00:17:15Yeah, I think it should be fine.
00:17:17We're going to be doing that performance scene tomorrow.
00:17:20Elaborate lighting and everything.
00:17:22You asked me to remind you.
00:17:24Ashok Babu.
00:17:26Whole day you've been sitting.
00:17:28Our director's life, right?
00:17:30One night.
00:17:32What happened?
00:17:34One night.
00:17:36One night, Uday Babu.
00:17:38Uday?
00:17:39Yes.
00:17:40So now Uday will give the call time, right?
00:17:42No.
00:17:43I'm going to ask the director.
00:17:45I'll tell you.
00:17:47Do whatever you like.
00:17:49We have dinner.
00:17:51We'll have to go to the school.
00:17:53We'll have to go to the school.
00:17:55So Ashok Babu.
00:17:57Our day is at home.
00:17:59We'll tell you.
00:18:00We'll have to go to the school.
00:18:01We'll have to go to the school.
00:18:02We'll have to go to the school.
00:18:03Good night.
00:18:04Next.
00:18:06Yes.
00:18:07How can we listen?
00:18:13What do you say?
00:18:20It reminds me of something
00:18:29It's a painting
00:18:34The Bird of Dusk
00:18:40Okay
00:18:41You know Obna Nathagar, right?
00:18:47Yeah, Dego's cousin, the painter
00:18:49His nephew
00:18:51The painter and the writer
00:18:54There's a lovely description in one of his memoirs
00:19:00Jura Shekuntari
00:19:01Purucho
00:19:02You tell me
00:19:05That year he was in Missouri for the pujas
00:19:10It was the last day of the festival
00:19:14Dashira
00:19:15And he writes
00:19:17And he looks at the valley below
00:19:28And one by one the lights start coming up
00:19:32He says
00:19:33He says
00:19:35He says
00:19:37He says
00:19:38He says
00:19:38He says
00:19:40He says
00:19:41Wow
00:19:42See, I'm getting goosebumps
00:19:44.
00:19:46,
00:19:48.
00:19:50.
00:19:54.
00:19:58.
00:20:00.
00:20:02.
00:20:04.
00:20:10.
00:20:12you know something
00:20:17you have always told me
00:20:20why do you shoot me?
00:20:25and then you forgot to announce
00:20:29well
00:20:35Namjuthi Bully
00:20:42you are my bird of dusk
00:20:47come on
00:20:54so was it fun working here?
00:20:58Wansub?
00:21:00sure
00:21:02wait
00:21:05I am just asking
00:21:07as a friend
00:21:09honestly
00:21:12I am a little confused
00:21:15I think the film is going off on a tangent
00:21:19how do you mean?
00:21:22I did all the research
00:21:24Obida has just picked on Chhapulta's love life
00:21:26thanks
00:21:28so?
00:21:30then don't say it's a biography based documentary
00:21:33it's just a storyteller who is trying to seduce the audience with a forbidden love story
00:21:37you think so?
00:21:39cheers
00:21:41cheers
00:21:42I don't think so yet
00:21:43do you know what surprises me the most?
00:21:48what?
00:21:50Obida puts on this air of being liberated
00:21:53yeah
00:21:54there he is
00:21:55basu
00:21:56thanks
00:22:00putting on kajal doesn't
00:22:03um
00:22:04is not what liberation is all about you know
00:22:06I think
00:22:07Obida is as closeted as Chhapulta deep inside
00:22:10I think
00:22:11I think
00:22:12Obida is as closeted as Chhapulta deep inside
00:22:14I think he is just using this
00:22:16old man's life very conveniently
00:22:20as in
00:22:21manipulating him
00:22:23right
00:22:27I didn't want to spell it out
00:22:32don't tell him
00:22:33actually you can if you like
00:22:34but um
00:22:35I just think he is using his life as a pig to hang his own story on
00:22:39look Momo
00:22:40I know Roop better than anyone else
00:22:45uh
00:22:58see
00:22:59he may be a lot of things
00:23:01but he is not a coward
00:23:03he will be the last person to hide behind anybody
00:23:12can I ask you something?
00:23:14hmm
00:23:15just as a friend
00:23:16sure
00:23:20does your wife know how much you love Obida?
00:23:23I mean I am sure she does but um
00:23:26does she know everything?
00:23:30okay when can I see it?
00:23:33what? the film?
00:23:34yeah
00:23:37let the shoot get over first
00:23:38the last day of shoot
00:23:41then there is post production
00:23:43mid-November
00:23:44mid-November
00:23:45okay
00:23:46I am sure
00:23:47I am sure
00:23:49no
00:23:52okay bring her with you when you come
00:23:57come where?
00:23:58to Nice
00:23:59yes
00:24:00I come to Nice
00:24:01yeah
00:24:05your friends are so sure
00:24:07me never share
00:24:09okay you sponsor me?
00:24:10I will come
00:24:12you sponsor?
00:24:13what?
00:24:14what will you do with so much money?
00:24:21you can't even have a haircut abroad
00:24:25very mean
00:24:26this is very mean
00:24:27yeah
00:24:28yeah yeah
00:24:30fine I will send you the ticket
00:24:34no business class but
00:24:35just class but
00:24:36what?
00:24:37what but?
00:24:39what but?
00:24:43I am joking
00:24:46I am not joking
00:24:47I am serious
00:24:53so am I
00:24:55don't
00:24:56you are seeing me in this half light
00:25:04this feeling won't last if
00:25:07I really land up in France
00:25:09in your tiny apartment
00:25:13I will no longer be a girl at risk
00:25:15I will never be the right
00:25:17no
00:25:22you got the wrong place?
00:25:24yes
00:25:25I have a nice place
00:25:26you are looking for the location
00:25:27yes
00:25:28yes
00:25:29you are going to take a place
00:25:30no
00:25:31no
00:25:32no
00:25:33I will be talking about the location
00:25:35but I will be staying in there
00:25:37I will come to you
00:25:38okay okay ma'am
00:25:39ok
00:25:40sorry
00:25:43look for my
00:25:44I can see.
00:25:51I can see.
00:25:56That's all.
00:26:14you
00:26:16you
00:26:24you
00:26:26the
00:26:27so
00:26:32yeah
00:26:39She believed that she had a successful story.
00:26:46Sorry madam...
00:26:48If that's not just a girl...
00:26:50That she was a child...
00:26:52She did.
00:26:53I am sorry madam.
00:26:54They are good bye?
00:27:01Madam, I'm here location.
00:27:04I don't have any breakfast anymore.
00:27:07Do you know what I'm saying?
00:27:16What the hell?
00:27:24Oh, do you want me to go?
00:27:31What's wrong with you?
00:27:34I don't know.
00:27:42Yes, I am.
00:27:45You go.
00:27:49I don't have to worry about it.
00:27:56What do you think of yourself?
00:27:58What do you think of yourself?
00:28:00You don't have to do anything like that.
00:28:06You?
00:28:12Your mind is a little bit late.
00:28:18You are the only day to sleep.
00:28:20You are the only day to sleep.
00:28:22You are the only day to sleep.
00:28:24I don't know.
00:28:30Choppol!
00:28:34Ashir!
00:28:42Take a look.
00:28:47What do you think?
00:28:48Do you think you should have done anything?
00:28:50What do you think?
00:28:51Oh, my god.
00:28:52But if that's it, then you're going to talk and tell them about your questions,
00:28:57what's up?
00:28:58If that's all.
00:28:59What's up?
00:29:00We need to take the time in the way you are not going to leave.
00:29:03Will you please?
00:29:04Will you see me and reach me for your own attention?
00:29:07And if you will, don't be willing to leave.
00:29:09Before, let's say something.
00:29:10I'll tell you what kind of stuff will happen.
00:29:12That's right, you know.
00:29:14It's just though you might have to leave.
00:29:17Let's take it away.
00:29:19What do you think about it?
00:29:21What do you think about it?
00:29:23No.
00:29:25You don't want it.
00:29:27Buno!
00:29:29Buno!
00:29:31Buno!
00:29:33Buno!
00:29:35How many last moments do you think about it?
00:29:37What's up?
00:29:39What's up?
00:29:41What's up?
00:29:43What's up?
00:29:45What's up?
00:29:47What's up?
00:29:49You can tell me about it.
00:29:51What's up?
00:29:53What's up?
00:29:55What's up?
00:29:57No.
00:29:58Who wrote this book?
00:30:00What's up?
00:30:02What's up?
00:30:04What's up?
00:30:06What's up?
00:30:08What's up?
00:30:10What's up?
00:30:12What's up?
00:30:14No.
00:30:15How does this book come from John Norte?
00:30:17What's up?
00:30:19Okay.
00:30:20Not a four-story description of Kiroona.
00:30:24Yes.
00:30:25You!
00:30:26How did you put them on fire?
00:30:28It was a full performance.
00:30:30Yes, but in death, this is a good person who is not alone at all.
00:30:35This is my dream and I'm not alone.
00:30:38What?
00:30:39We are there...
00:30:40...but we should get $1,000 back into the house, right?
00:30:44You're looking for sunburn...
00:30:46...you're looking for some grass...
00:30:48...and puts some grass from here, little money...
00:30:52Do you think about that?
00:30:54What?
00:30:55Do you think about it?
00:30:56Did we talk about that?
00:30:57We talk about that?
00:30:58Why do you think this is your question?
00:31:01Yes...
00:31:02What are you saying?
00:31:03Why are you thinking about that?
00:31:05Do you have to speak in our circumstances?
00:31:08I find this important question of yours.
00:31:12?
00:31:14?
00:31:16?
00:31:18?
00:31:20?
00:31:23?
00:31:24?
00:31:25?
00:31:32?
00:31:34?
00:31:36?
00:31:37I can't handle this man anymore. What's this?
00:31:40First he comes and says that we can't choose real names. So okay, we manage with made up names.
00:31:44Now how few he comes and says no.
00:31:47It's a child's play.
00:31:50Please Benjamin realize that he's not doing us in a great favor. Dorothy.
00:31:55I'm sorry.
00:31:56I'm sorry.
00:31:57I'm sorry.
00:31:58I'm sorry.
00:31:59I'm sorry.
00:32:00I'm sorry.
00:32:01I'm sorry.
00:32:02I'm sorry.
00:32:03I'm sorry.
00:32:04Please Benjamin realize that he's not doing us in a great favor.
00:32:07Dorothy.
00:32:08Relax.
00:32:09I'll handle this.
00:32:15That's it.
00:32:18Mom, why don't you take it?
00:32:20That's it.
00:32:23I don't want to hear anything.
00:32:26That's it?
00:32:28Did you spoil it?
00:32:32Sorry?
00:32:33Which day is spoiler bullshit falling this year?
00:32:3714th or 15th April as usual.
00:32:4014th or 15th.
00:32:42Why 14th or 15th?
00:32:44It varies.
00:32:45Hmm.
00:32:46According to the lunar calendar.
00:32:53Do me a favor, Abhirup.
00:32:56Think.
00:32:57Think of a name for a baby.
00:32:58For a couple we know.
00:32:59They're expecting some time in April or so.
00:33:00It's a first born.
00:33:01Post 15th April?
00:33:02Yes.
00:33:03I guess.
00:33:04Around that time.
00:33:05Bangali.
00:33:06Bangali.
00:33:07But it's going to be a general Indian name.
00:33:10general Indian name.
00:33:11Any letter preference?
00:33:12Letter preference?
00:33:13No.
00:33:14No.
00:33:15Not really.
00:33:16No.
00:33:17No.
00:33:18No.
00:33:19Not really.
00:33:20No.
00:33:21No.
00:33:22No.
00:33:23No.
00:33:24No.
00:33:25No.
00:33:26No.
00:33:27No.
00:33:28No.
00:33:29No.
00:33:30No.
00:33:31No.
00:33:32No.
00:33:33No.
00:33:34No.
00:33:35No.
00:33:36No.
00:33:37No.
00:33:38No.
00:33:39No.
00:33:40No.
00:33:41No.
00:33:42No.
00:33:43No.
00:33:44No.
00:33:45No.
00:33:46No.
00:33:47No.
00:33:48No.
00:33:49No.
00:33:50No.
00:33:51No.
00:33:52No.
00:33:53No.
00:33:54No.
00:33:55No.
00:33:56No.
00:33:57No.
00:33:58That's very nice.
00:34:01Or, or, or, or, or.
00:34:04Vasudha.
00:34:05It's even better.
00:34:06It works for both a boy or a girl.
00:34:09Vasudha.
00:34:12Vasudha.
00:34:16Vasudha.
00:34:17Vasu.
00:34:18But, but, but, sounds more like, more like Vasu, the father.
00:34:22I mean, oh, I'm sorry.
00:34:27Don't tell me.
00:34:28I'm sorry.
00:34:29When?
00:34:35I, I didn't want to tell you this over the phone.
00:34:38That's why I came personally.
00:34:40Just to tell you.
00:34:41Oh.
00:34:47It's...
00:34:48Hmm.
00:34:57Hello, Maa.
00:34:59Are you busy?
00:35:02Hmm?
00:35:03How was the day?
00:35:06Hmm?
00:35:07No, I'm okay.
00:35:08I'm not cold.
00:35:12No, we haven't fought.
00:35:13No, no, no, no.
00:35:15Huh?
00:35:16Maa.
00:35:17There's some good news.
00:35:18His wife is here, and she is expecting.
00:35:25No, I'm not feeling bad about it.
00:35:27Promise, Maa.
00:35:30No, no, I know.
00:35:31I know it's good news.
00:35:34Ha, Maa.
00:35:37Maa, Maa, Maa, Maa, Maa, can you do me a favor?
00:35:39Can you, can you send me some good vibes?
00:35:41Yes, maa, Maa.
00:35:45After, it's a new life.
00:35:47I need to accept it with grace, Maa.
00:35:51This is me, no?
00:35:54I love you, Maa.
00:35:56I love you.
00:35:57Love you, Maa.
00:35:58Okay.
00:35:59Bye.
00:36:00Bye.
00:36:01Maa, I have to go, Maa.
00:36:02The unit is waiting, huh?
00:36:04No, I'll be okay, okay, okay.
00:36:05Okay, okay, okay.
00:36:11Bye.
00:36:12Bye.
00:36:12Bye.
00:36:12Bye.
00:36:17Bye.
00:36:20What do you say?
00:36:22No, you're not going to do this thing.
00:36:25Sorry, Chappalda.
00:36:27I want to talk to you.
00:36:29I'm going to try to show you the same thing.
00:36:32You're not going to say anything.
00:36:33You're not going to say anything.
00:36:37You're not going to say anything.
00:36:38I am sorry, I don't know. I have told you everything. I am sorry to ask you everything. I am sorry to ask you everything. I am sorry to ask you everything.
00:36:51I am sorry to ask you everything.
00:36:53Thank you very much.
00:36:55How did you get the language?
00:36:57I am not here completely English.
00:37:00But I know didn't say anything, and what happened in the family's lives,
00:37:04and there's no reason to answer that question.
00:37:07What is wrong with your friends?
00:37:09There's no reason to be given to your friends.
00:37:12I'm not sure what you think of.
00:37:15But I know that you really understand.
00:37:17What is the love of our you?
00:37:19What should the world do you think of?
00:37:25That ain't it?
00:37:28I will give you one.
00:37:29He gave me a message.
00:37:31And tell me.
00:37:33If you were talking about it,
00:37:35then tell me.
00:37:37You have to do a shooting for 6 days.
00:37:39Go.
00:37:41Are you ready?
00:37:43Isho.
00:37:51You're ready.
00:37:53Go.
00:37:55Hmm.
00:37:59Wow.
00:38:01You're 25, 26?
00:38:07It's right.
00:38:09You're not good.
00:38:11I'll know.
00:38:13You're the same.
00:38:15At us.
00:38:17You're the same.
00:38:19I'm going to check out,
00:38:21I'm not going to check out the profile,
00:38:23but I'm going to check out your questions.
00:38:29Today is the day of the day.
00:38:36Yes.
00:38:37Did you write this?
00:38:42How did you write this?
00:38:4918.
00:38:52It's great.
00:38:54It's great.
00:38:56I've seen the day of the day of the day.
00:39:01I've told you.
00:39:04What?
00:39:06What?
00:39:07What?
00:39:08What?
00:39:09What?
00:39:10What?
00:39:12You've learned a lot.
00:39:15What?
00:39:17You've learned a lot.
00:39:20I've said something.
00:39:23What?
00:39:24What?
00:39:25What?
00:39:26What?
00:39:27What?
00:39:28What?
00:39:29What?
00:39:30What?
00:39:31What?
00:39:32What?
00:39:33What?
00:39:34What?
00:39:35What?
00:39:36What?
00:39:37What?
00:39:38What?
00:39:39What?
00:39:40What?
00:39:41How?
00:39:44How many times I've been told about the story?
00:39:47Do you know?
00:39:52I have a train that I've been told.
00:39:54I've been told you how many times I've been told.
00:39:59How many times I've been told?
00:40:02How many times I've been told?
00:40:04What do you want to tell?
00:40:08I'll tell you.
00:40:10I've been told you.
00:40:14...
00:40:15...
00:40:15I don't need the money...
00:40:17...
00:40:18...
00:40:19...
00:40:21...
00:40:22...
00:40:26...
00:40:26...
00:40:26...
00:40:29...
00:40:30...
00:40:34...
00:40:40...
00:40:42I'm sorry.
00:40:44I'm sorry.
00:40:46I'm sorry.
00:40:48I'm sorry.
00:40:50Can you see me?
00:40:52Can I see you?
00:40:54I'm sorry.
00:40:56If you don't see, you'll be able to do it.
00:40:58I'll tell you.
00:41:02What are you waiting for?
00:41:04I'm sorry.
00:41:06I'm sorry.
00:41:08I'm sorry.
00:41:10I'm sorry.
00:41:12Okay.
00:41:14I'm sorry.
00:41:16I'm sorry.
00:41:34You're going to be right back.
00:41:38Look, I don't have to say anything like this,
00:41:44so that I don't have to worry about it.
00:41:49Hello, Sarajankar.
00:41:52I'm talking about this too.
00:41:54Are you okay?
00:41:56So, I'm going to help you out.
00:42:01I'm shooting this film on this veteran actor,
00:42:05Chapul Bhadari, you know about him?
00:42:09Okay, he plays Shetola, the goddess of plague.
00:42:15Yeah, I'm shooting in Ketampur, you know.
00:42:21So, I'm going to help you out.
00:42:24The local town is objecting, saying that
00:42:28untimely,
00:42:30what the Shetola is doing,
00:42:35the villagers are protesting that
00:42:39their brother will invite the epidemic.
00:42:45Absolutely ridiculous.
00:42:47You said it's a performance,
00:42:49and they're not willing to listen.
00:42:51You said, please.
00:42:53You said,
00:42:55what are you talking about at home minister?
00:42:56What are you talking about?
00:42:58You said, what are you talking about?
00:43:02You're talking about?
00:43:05Oh my God.
00:43:06Why are you talking about you talking about?
00:43:08Please.
00:43:09You said, what are you talking about?
00:43:13Yes.
00:43:16No, no, we're ready.
00:43:18No, no, no, no, no.
00:43:20But what are you talking about?
00:43:22Okay.
00:43:23Okay, okay, okay, okay, I'll wait for your call.
00:43:26Please.
00:43:27Okay, bye.
00:43:29What's happening?
00:43:30What are you talking about?
00:43:31You're talking about?
00:43:32Okay, good.
00:43:32And then,
00:43:33you need to make up your face.
00:43:35You're talking about the thing,
00:43:36how are you talking about?
00:43:37I've seen you talking about.
00:43:38And how are you talking about?
00:43:40You're talking about love personally.
00:43:44It's fine.
00:43:45You're talking about love.
00:43:48You're talking about love.
00:43:49You're talking about love.
00:43:51Come with me.
00:43:52Don't go.
00:43:53Why?
00:43:56Love me.
00:43:57Don't go.
00:43:59Why?
00:44:01Are you scared?
00:44:03You feel embarrassed?
00:44:06What about me?
00:44:08My clothes?
00:44:09The way I talk?
00:44:11Open.
00:44:13I'm not scared.
00:44:13I'm not scared.
00:44:15No.
00:44:18I'll be there with you.
00:44:21But you have to promise me one thing.
00:44:24And if you're a little girl,
00:44:25you don't want to be there.
00:44:29And if you're a little girl,
00:44:30I'll tell you,
00:44:31I'll tell you,
00:44:31I won't be there with you.
00:44:32So, you're going to be there with you?
00:44:35Now let them do whatever they want to do with it.
00:44:37I'll tell you.
00:44:39Hmm?
00:44:40What's your phone?
00:44:48What's your phone?
00:44:50You too.
00:44:56Hello?
00:44:58What do you say?
00:44:59Yeah.
00:44:59Why don't you say anything?
00:45:02Why don't you say anything?
00:45:04Why don't you say anything?
00:45:10Why don't you say anything?
00:45:12I'll tell you.
00:45:13What's your phone?
00:45:14My phone?
00:45:15What's your phone?
00:45:16What's your phone?
00:45:18Why don't you?
00:45:21No?
00:45:21You're a phone?
00:45:24You know what?
00:45:24Why don't you say anything?
00:45:25What's your phone?
00:45:26What's your phone?
00:45:27No, I'm not.
00:45:29Why don't you say anything?
00:45:31I say anything.
00:45:32I say anything.
00:45:34Hold on.
00:45:37I want to talk to you.
00:45:38Hmm, tell me.
00:45:42Listen, the police are not interested in helping.
00:45:46So?
00:45:47I don't think we'll be able to go through with the performance scene.
00:45:51And in that case, I guess we aren't left with much one option but to cancel it.
00:45:58You've been the boss.
00:46:00You decide.
00:46:08Oh!
00:46:19Oh!
00:46:21Oh!
00:46:22Oh!
00:46:25Oh!
00:46:32Oh!
00:46:34Oh!
00:46:35Oh!
00:47:06Huh? Tell me.
00:47:20Are you okay? I've been trying for the last 10 minutes.
00:47:24Sorry, you dozed off for a while. Tell me.
00:47:27Listen, I'm reading out something, okay? And please don't laugh.
00:47:33You carry the news of a new year gift, a gift we both can share.
00:47:41Caresses due alone to me, I set aside with care.
00:47:46Hang on, hang on. It's something you're writing?
00:47:51Yeah, sort of. I'm trying.
00:47:54Start again. Just start again.
00:47:56You carry the news of a new year gift, a gift we both can share.
00:48:02Caresses due alone to me, I set aside with care.
00:48:07You carry in your pregnant bliss, a tender bundle of joy,
00:48:12an infant wonder infinite, whether girl or boy.
00:48:17Is it okay? I mean, if it's dumb or something, I can check it. Not a big deal.
00:48:22Basu, you wrote that just now.
00:48:27You like it?
00:48:29It's beautiful. It's beautiful, Basu.
00:48:32Just go back to that phrase, tender bundle of joy.
00:48:37And make it?
00:48:38Uh-huh. And change it to, uh, a secret hold of joy?
00:48:48Uh-huh. It's very nice, Basu. It's really touching.
00:48:54Wait, wait, wait. It's not finished yet. Wait. Hello?
00:48:58Uh-huh. Listening.
00:49:00New nursery, new baby smells, new fragrances galore.
00:49:05May this world that we create, flourish evermore.
00:49:13Nice.
00:49:15Thanks, babes. I really wanted you to check it once before I gave it to her.
00:49:21Check what?
00:49:23Your approval means a lot to me, Roop.
00:49:25What do you want me to approve, Basu?
00:49:28Your poem?
00:49:32While you're reading out the poem,
00:49:35You know what, what I was actually seeing?
00:49:40Baby nappies.
00:49:42Dappers.
00:49:44Lactogen.
00:49:48It's not my sin, Basu.
00:49:50I'm sorry.
00:49:52I've been an outsider to this all my life.
00:49:55I would just like to stay like that.
00:50:00You know, actually this morning,
00:50:04I realized how, how different we actually are.
00:50:09Like, from two different planets almost.
00:50:13I'm sorry, babes.
00:50:16Maybe I shouldn't have read this out to you.
00:50:22But we've always been sharing everything, right?
00:50:25You want me to approve the syntax, the language of the poem?
00:50:31That's not a problem.
00:50:33But, it's between you and your wife.
00:50:39I don't think I'll be stepping into it.
00:50:42Please try and understand.
00:50:45No, it's okay.
00:50:48I know exactly how you feel.
00:50:51But please try and see it from my point of view.
00:50:55She gave me such a huge surprise in the morning.
00:50:58I thought, let me try and give her one in return.
00:51:04And, suppose, she gets to know that it has come to her via me.
00:51:11How would she feel?
00:51:13Don't worry, it's working.
00:51:16It's fine, actually.
00:51:18It's enough to go now.
00:51:19Somebody's there at the door.
00:51:21Huh?
00:51:22Who?
00:51:23Who there?
00:51:25Hmm?
00:51:27Who there, right?
00:51:29You go and fix the line.
00:51:31Isho.
00:51:32Isho.
00:51:33Isho.
00:51:34Isho.
00:51:35Isho.
00:51:36Isho.
00:51:37Bye.
00:51:38Bye.
00:51:39Bye.
00:51:40Bye.
00:51:41Sorry.
00:51:42Bad timing.
00:51:43No, no.
00:51:44Not at all.
00:51:45Your watch.
00:51:46Of course.
00:51:47He took it by mistake.
00:51:49Do you mind if I sit here?
00:51:50No, no, no.
00:51:51Of course.
00:51:52Are you busy?
00:51:53No, no, no.
00:51:54Are you busy?
00:51:55Please, Rani.
00:51:56What would you like to have?
00:51:57Tea?
00:51:58Oh, nothing, Obirob.
00:51:59Just leave that.
00:52:00Come, sit here.
00:52:01I need to talk to you.
00:52:04I need to talk to you.
00:52:06I need to talk to you.
00:52:08I need to talk to you.
00:52:11I need to talk to you.
00:52:18I need to talk to you.
00:52:19I need to talk to you.
00:52:20I need to talk to you.
00:52:21I need to talk to you.
00:52:22I need to talk to you.
00:52:23Tell me.
00:52:33I'm sorry.
00:52:36Why, sweetie?
00:52:37I need to talk to you.
00:52:44Sometimes, I...
00:52:49I can't help but envy him, you know.
00:52:56I'd also like someone to love me as much as you love him.
00:53:16Can I see something?
00:53:17Yeah, of course.
00:53:19Don't just remain a...
00:53:28I mean, just a filmmaker all your life.
00:53:36Paint, travel, teach, write poetry, write a book.
00:53:47Who do you think I am?
00:53:50Da Vinci.
00:53:56I know what you're thinking.
00:54:01You probably think I want to separate the two of you.
00:54:07Let me be honest with you.
00:54:11You're not wrong.
00:54:12I know Basu for the past last ten years.
00:54:20He's not going to be able to keep up this balancing act all his life.
00:54:27Trust me, he's going to slip.
00:54:31But we are there.
00:54:33We can hold him up.
00:54:35We...
00:54:36Sorry.
00:54:37For how long, Uphirup?
00:54:43It's not that easy.
00:54:46It's just not easy.
00:54:49And besides, as long as you're there with him, there's going to be this inevitable comparison.
00:55:01I'm going to remain just ordinary.
00:55:05I'll be forced to remain ordinary.
00:55:09I'd like to be considered as somebody special in his life.
00:55:13You know, I often thought of just leaving.
00:55:26Just letting him be with you.
00:55:28But...
00:55:30What held you back?
00:55:32No, no.
00:55:34Just curious.
00:55:35You were saying something.
00:55:39I don't know, Uphirup.
00:55:40But...
00:55:41Now...
00:55:42With...
00:55:44This...
00:55:45New development...
00:55:47I don't think I can let him go.
00:55:50I can't afford to let him go, Uphirup.
00:55:53Not anymore.
00:55:55I can't afford to let him go, Uphirup.
00:55:59Not anymore.
00:56:01I can't afford to let him go, Uphirup.
00:56:05Not anymore.
00:56:07Not anymore.
00:56:11Last night, I didn't...
00:56:14Seriously considered calling you.
00:56:18I actually dialed your number.
00:56:24And then I disconnected.
00:56:26Why?
00:56:28Did not disturb you so late.
00:56:30It's...
00:56:35If you ever feel like calling me...
00:56:38Talking to me...
00:56:40Call me anytime.
00:56:42Even if it's true in the morning.
00:56:44Don't hesitate.
00:56:45Don't hesitate.
00:56:51But...
00:56:52Tell me something, Rani.
00:57:00If I were a woman...
00:57:02Would you have reacted the same way?
00:57:04No.
00:57:06No.
00:57:15No.
00:57:16No.
00:57:17No.
00:57:18No.
00:57:21No.
00:57:22Why did you eat?
00:57:23I'm another one.
00:57:24No.
00:57:25No.
00:57:31No.
00:57:32Where are you from?
00:57:34What is it?
00:57:37Let's do this.
00:57:39Do you like this?
00:57:40Yes, yes.
00:57:42If you look at me, I'll see you.
00:57:44Okay.
00:57:45And this is the director.
00:57:49He's been able to talk to you.
00:57:51Do you like this?
00:57:52Yes, yes. I will.
00:57:58Is it?
00:57:59Yes, yes.
00:58:03What is it?
00:58:10It's not even worth talking about, right?
00:58:16The poem?
00:58:22Don't try to be like him.
00:58:27I like you the way you are.
00:58:32What?
00:58:33I like you now...
00:58:34I love you.
00:58:35I love you.
00:58:37ભાય ચપોલ ગતો એક હપ્તા જાબોથ એક તલારોઈ મેટી ચોલીઆ ગીય છે ઓનાકી સીનેમાય ઓભેનાય કરીતે છે �
00:59:07આમાર સોહીત દ્યાખા શકાત કામ હોય ઈ શ્કૂલ કલેજ કલાબ ખ્યાલા ધુલેય આઈ મત્તો રુગનો માયર જન�
00:59:37ત્રિશા હોરીએ મુરે આરો આરો આરો આરો દાઓ પ્રાન પ્રાન તભો ભોણે
00:59:54મુરે આરો આરો આરો આરો દાઓ સથાન મુરે આરો આરો આરો આરો આ્ય પ્રાન પ્રાન ખોરીએ ત્રિશા હોરીએ �
01:00:24My girl said, hello, hello, hello, anything to do with my own self?
01:00:43My girl said, hi, I'm sorry, I'm sorry, I didn't know anything to do with my own self?
01:00:49My child said, I'll tell you that my child.
01:00:52You have the same way to say,
01:00:55You can say,
01:00:55You have written the letter of your life.
01:00:59You have written the letter of your life.
01:01:03You have written the letter of your life.
01:01:06This is the beautiful one.
01:01:10No, no, no.
01:01:11Come on, come on, come on.
01:01:14Please come.
01:01:17Lovely weather.
01:01:19Oh, hi.
01:01:21Hi.
01:01:21You should have come two days earlier, you missed out on all the fun.
01:01:28Next time perhaps.
01:01:30Anyway you carry on, have a safe journey.
01:01:34And next time you're in Delhi, please give us a call.
01:01:36Sure.
01:01:37You must drop by.
01:01:38Sure.
01:01:39Sure I will.
01:01:40Um, but where's the daddy?
01:01:42Um, late as usual.
01:01:47Isshu?
01:01:51Can we borrow your Handycam?
01:02:01I'll give it back to you in Delhi.
01:02:04We?
01:02:05Yeah.
01:02:06Actually she wants to record everything from now on.
01:02:10Basically it's all about how things are changing around her everyday with this new thing.
01:02:21And you are the DOP.
01:02:24Yeah, sort of.
01:02:27Start off with shooting her parents' reactions once she gives them the news in Cal.
01:02:34You could have told me earlier.
01:02:36I could have shot your reaction when she gave you the news yesterday.
01:02:43Hmm.
01:02:44Okay so...
01:02:45Yes sir.
01:02:46Sir you're the first door to the station for the station for the station.
01:02:47Yes sir.
01:02:48Okay, sir.
01:02:49Can we borrow your phone and send her phone to the station for the station?
01:02:51Exactly.
01:02:56Look at this.
01:02:57This is beautiful.
01:02:58This is nice of you.
01:03:00You can make some details for him to go to my restaurant.
01:03:02This is like this.
01:03:03How do you give to him?
01:03:04Yes.
01:03:05Yes. Do you want to go new?
01:03:07Yes. Why?
01:03:09Give me.
01:03:10This hotel reception is in the hotel.
01:03:13The room is in the room.
01:03:15The room is in the room.
01:03:17The room is in the room.
01:03:19The room is in the room.
01:03:21The room is in the room.
01:03:23Okay sir.
01:03:25The room is in the room.
01:03:35So Mr. Dupi.
01:03:39You are on to a new project.
01:03:47Give it some time Rube.
01:03:53Just a few days.
01:03:57And it will be the same as before.
01:04:01Are you sure?
01:04:03200% sure Rube.
01:04:05I am telling you.
01:04:07It will be the same as before.
01:04:09I will make it happen Rube.
01:04:11I will take the responsibility.
01:04:13Tell me something.
01:04:15Suppose next month.
01:04:17There is a screening of a new film in Delhi in Habitat.
01:04:23And I want you to come with me.
01:04:27And maybe.
01:04:29Have you eaten breakfast?
01:04:31Have you eaten breakfast?
01:04:33Have you eaten breakfast?
01:04:35Yes.
01:04:36You are saying something?
01:04:37Yes.
01:04:38Have you eaten breakfast?
01:04:40Yes.
01:04:41And.
01:04:42And.
01:04:45And suppose.
01:04:48Rani wants to go too.
01:04:50To have biryani at Karim's.
01:04:53And not only she wants to go.
01:04:55She wants you to shoot her.
01:04:57While she is having biryani.
01:05:00Or two tubers.
01:05:03Which will make you of yours.
01:05:04And you choose.
01:05:07Answer me.
01:05:12You can't do this to me.
01:05:13You can't do this.
01:05:15You can't have it your way all the time.
01:05:17Look at me.
01:05:18Look at you.
01:05:20Fuck you.
01:05:22And your mind right.
01:05:24Your mind.
01:05:25Exhale.
01:05:27Exhale.
01:05:28Say love me.
01:05:30Say love me.
01:05:32Go.
01:05:33Say love me.
01:05:35Go.
01:05:36Say love me.
01:05:37Say love me.
01:05:38Say love me.
01:05:41Say love me.
01:05:51Bye.
01:05:53Say love me.
01:05:54દાદા દાદા આમી ચાં કો છીરે બાબા આપનાર કાપટા આરાક્ટા ખામાં આછે
01:06:23એક્ટુ ખાટે રોપટે રખી દીભી આર ગાડી ઠાકે બાલ આમી મિંટે પરભીરવો
01:06:29એપી પીજો દાા એપી પીજો દાા
01:06:46હેપી પીજો શને
01:06:49બાશો નાર બશે મોનો યા બીરતો
01:07:07ધાયે દશો દિશે પાગો લેરો મતો
01:07:14સ્થીરો આભી તુમી મરો મે શતો ત જાગી છશયો ને શપને રોએ છો નાયો ને નાયો ને
01:07:33નાયો નો તમારે પાયે ના દેખી તે રોએ છો નાયો ને નાયો ને
01:07:45રીદાયો તમારે પાયે ના જાનીતે રીદાયો તમારે ના જાનીતે રીદાયે રોએ છો ગોપને રોએ
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