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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59The End
00:02:30Still puttering around with those artificial organs, huh?
00:02:32Why don't you save living ones instead of giving life to dead ones?
00:02:35Not half as fascinating.
00:02:36How are you, Philip?
00:02:37What brings you up here at this time?
00:02:39Well, I know how Dr. Clark feels about any sort of social function,
00:02:42so I thought I'd stop by and ensure the pleasure of his company this evening.
00:02:45By force if necessary.
00:02:46Well, that'll not be necessary.
00:02:47As a matter of fact, I was just about to leave with Reg.
00:02:50I wish I weren't so squeamish.
00:02:52I could be working here right now with the great Dr. Clark.
00:02:55What's wrong with being third vice president of Dad's Bank?
00:02:57Oh, just a sinecure, that's all.
00:02:59I'd give anything to be doing the kind of work you're doing, experimenting with the unknown.
00:03:02Well, perhaps you should have finished your medical course.
00:03:04So him?
00:03:05You should have seen him the first time he walked into a dissecting room.
00:03:07He knocked six students over at his haste to get out.
00:03:11Can't stand the sight of blood.
00:03:12Does something to me inside.
00:03:13Just a softening.
00:03:14A rather commendable trait.
00:03:16Shall we go?
00:03:16All right.
00:03:17I'll drop you off to the apartment and give you a chance to change any dinner clothes.
00:03:20Oh, I knew there was a catch to it.
00:03:28Ladies and gentlemen, may I have your attention for just a moment, please?
00:03:35It gives me extreme pleasure to announce the engagement of Miss Louise Hammond to my son, Philip.
00:03:42Congratulations, Bill.
00:03:43You're a lucky fellow, Philip.
00:03:52If Louise hadn't fallen for you, I might have stood a chance.
00:03:55I'm just in love with her, you know.
00:03:57Fine situation, isn't it?
00:03:58My brother in love with my future wife.
00:04:00At least it'll ensure harmony in the family.
00:04:03Oh, that's a consoling thought.
00:04:04Oh, I'm sure you'll survive the blow without any severe death.
00:04:07I'm wounded for life.
00:04:09I've already resigned myself to the life of a bachelor.
00:04:10Oh, they make a charming couple, don't you think, Professor Toller?
00:04:14Perfectly suited for one another.
00:04:16Right.
00:04:17Beside that, they're very much in love.
00:04:19I think that's rather important, too.
00:04:21But then, anyone could see that at a glance.
00:04:23Especially a great psychoanalyst of your reputation.
00:04:26Well, I didn't think it necessary to mention the obvious.
00:04:28Forgive me, but I keep forgetting that you deal mainly in repressions.
00:04:34Have you encountered any new ones lately?
00:04:36You'd be amazed the number of persons who suffer from repressions without even being aware of them.
00:04:41You know, they're prone to blame their misfortunes and unhappiness on, oh, anything from indigestion to the neighbor's piano playing.
00:04:48Without realizing that's something that they innocently carry up here.
00:04:53And how do you manage to drag it out of them, Professor?
00:04:56Merely by permitting them to talk about themselves.
00:04:58Strictly between ourselves.
00:05:00Don't you think that a bicarbonate would be a quicker and much more effective cure?
00:05:04My dear doctor, you constantly belittle my profession without making any effort to understand what it's all about.
00:05:10I venture to say that even you could stand the services of a good psychoanalyst.
00:05:14I?
00:05:15Well, I have no repression.
00:05:16Oh, but you do have delusions.
00:05:18Delusion?
00:05:19Yes.
00:05:20Aren't you, even at the present time, conducting experiments that you hope will someday be perfect enough to enable you to revive the dead heart of a human being, thereby reviving life?
00:05:30It's perfect enough for that right now.
00:05:32I've already brought dogs, rabbits, and cats back to life.
00:05:36They're running around my laboratory now, just as spry as they ever were.
00:05:40Proves my point.
00:05:41Since when has man had the right to bring back life after it has been taken away by the creator?
00:05:47You must realize that there's something more than mere physical being involved in this.
00:05:54My dear doctor, you do suffer from delusions.
00:05:57But beware, I warn you, work to ease the pain of the living, not to bring back the dead.
00:06:04You forget, Professor, that I am a doctor.
00:06:07And as such, I'm concerned purely with the physical.
00:06:09Oh, now, come, come, you two.
00:06:11This is a party, not a debate.
00:06:13Oh, well, forgive me.
00:06:14I had no idea we had an audience.
00:06:17Will you play something for us, Louise?
00:06:18Yes, sir.
00:06:19Do it, sir.
00:06:20Do it, sir.
00:06:50Who dies at midnight?
00:06:57Who dies, doctor?
00:06:59Huh?
00:07:00Oh, I'm sorry.
00:07:01I'm very sorry.
00:07:02I didn't mean to say anything.
00:07:04I was thinking about a chap by the name of Panino.
00:07:07Wolf Panino.
00:07:09He's going to be electrocuted at midnight.
00:07:12How dreadful.
00:07:13Panino.
00:07:14I've read a great deal about him.
00:07:16His criminal activities.
00:07:18He's an interesting case, isn't he, doctor?
00:07:19A congenital killer.
00:07:21A man whose hands have accounted for a dozen known deaths.
00:07:24And heaven only knows how many more.
00:07:26Do you happen to know what drove him to a life of crime?
00:07:28Apparently some insane pathological urge to kill.
00:07:32He was born and raised in the slums.
00:07:34Even the members of his own gang lived in deadly fear of him.
00:07:38Not knowing when he was going to turn on one of them.
00:07:40And he's to be executed tonight?
00:07:42At midnight.
00:07:43How do you know so much about him?
00:07:45I called on him secretly in his death cell two days ago.
00:07:49Well, I didn't know that.
00:07:49I didn't want anybody to know anything about it until I was ready.
00:07:53I wanted him to donate his body to medical science.
00:07:57To learn that if, after he had been pronounced dead, I could bring him back to life.
00:08:01He called me a screwball.
00:08:03But even if you'd been successful, had he been willing,
00:08:06he'd have only returned to his former mode of living and would have had been executed again.
00:08:10True.
00:08:11But it would prove that we can bring back the lives of men definitely worth living
00:08:14because they have something worthwhile to offer humanity.
00:08:17Yet there is no proof that any man once brought back from the dead
00:08:21would return to his old mode of living.
00:08:23I'm beginning to believe the professor subscribes to the theory of transmigration of the soul.
00:08:27Transmigration is something that is beyond our knowledge and our present form.
00:08:31I do, however, believe in the immortality of the soul.
00:08:35Now, professor, would you have me worry about the soul as well as the body?
00:08:39I must say this is a cheerful discussion for our engagement party.
00:08:43Let's drop it and have some fun.
00:08:47Hello, Zerro.
00:08:58Boy, I thought you'd be asleep by now.
00:09:00I can see where you're going to spoil him terribly.
00:09:02Oh, don't worry about that.
00:09:03We're great pals.
00:09:04We understand each other thoroughly, don't we?
00:09:06I guess it's time your Aunt Margaret took herself off to bed.
00:09:09Now, don't stay up too late, you two.
00:09:11No, I've got to leave right away.
00:09:12I've got an early appointment in the morning.
00:09:13Good night, darling.
00:09:14Good night, Aunt Margaret.
00:09:15Good night.
00:09:15Good night.
00:09:16Come on, Zerro.
00:09:21Happy?
00:09:21Mm-hmm.
00:09:23Gee, I hate to leave.
00:09:24I never seem to get enough of it.
00:09:25I'll remind you of that after we're married.
00:09:28This is one love that marriage won't cure.
00:09:36Good night, dear.
00:09:37Good night, darling.
00:09:41Good night.
00:09:42Good night.
00:09:42Good night.
00:09:51A special news bulletin from the state capitol.
00:09:54Governor Mason has refused the plea of Wolf Perino's attorneys
00:09:56for a last-minute reprieve,
00:09:58and the killer will be executed at midnight tonight.
00:10:01Well, it seems we're always the last ones to leave.
00:10:04I'm afraid we've outworn our welcome.
00:10:06Nonsense.
00:10:07You two are my dearest friends.
00:10:09You know, you're welcome here anytime.
00:10:11I don't know of anything more interesting
00:10:13than your constant discussions.
00:10:14Well, when you reach our age,
00:10:16you'll discover that life holds many insoluble problems,
00:10:19and that our discussions about them
00:10:20are merely a feeble means of searching for some solution.
00:10:23good night, good night, very good night.
00:10:31Good night.
00:10:42Well, it's Phillip's car.
00:10:43Reg, get your medical kit.
00:10:50Reg, get your medical kit.
00:10:50Reg, get your medical kit.
00:10:54Here, doctor.
00:11:14That will not be of any use now.
00:11:22The shock killed him instantly.
00:11:25What?
00:11:27It can't be.
00:11:28It's impossible.
00:11:38Doctor.
00:11:40You said you could bring back life to dead hearts.
00:11:42Make them beat again.
00:11:44I said I succeeded in doing so with animals.
00:11:47You said you could do it with human beings.
00:11:49I heard you.
00:11:49Tonight, you were certain you could revive Bonino, a killer.
00:11:54Well, if you can revive a killer, why not kill him?
00:11:57A boy who has everything to live for.
00:12:00You said your ultimate desire was to restore the lives of those who are worthwhile.
00:12:04Well, here's someone worthwhile.
00:12:07Restore him.
00:12:09I can make the heart function again, only if none of the other vital organs have been injured.
00:12:14You said he died of shock.
00:12:16Yes, yes.
00:12:17But I'd have to be certain, very certain.
00:12:19Oh, for heaven's sake, Dr. Clark, we can make certain of that in a few minutes.
00:12:22You know we can.
00:12:22Every moment counts.
00:12:23Yes.
00:12:23You've always wanted an opportunity.
00:12:25Well, here it is.
00:12:26Oh, no.
00:12:26Let the dead stay dead.
00:12:28He is my son.
00:12:30I want him to live.
00:12:33Well, doctor?
00:12:35Very well.
00:12:37I'll try.
00:12:39I'll get my car and bring it around to the house.
00:12:41Yes, hurry.
00:12:42Hurry.
00:12:42Hurry.
00:12:43And Eno refused me.
00:12:45And now.
00:12:47Let's go.
00:13:17Let's go.
00:13:27Rex, read all about it.
00:13:29Panino's going to chair at midnight.
00:13:31Kill her to burn.
00:13:33Get your paper.
00:13:35Rex, read all about it.
00:13:37Panino's going to chair at midnight.
00:13:39Kill her to burn.
00:13:47Hold her.
00:13:49You got dead.
00:13:51Come down!
00:13:54Come down!
00:13:55Come down!
00:13:57Come down!
00:13:59Come down!
00:14:01Come down!
00:14:05Come down!
00:14:07Keep up!
00:14:09Come down!
00:14:11Come down!
00:14:12Come down!
00:14:13You got her in the right hand?
00:14:15He lives.
00:14:45How do you do, Professor Toller?
00:14:59Is Mr. Bennet in?
00:15:01He's in the drawing room, sir.
00:15:02Oh, all right.
00:15:04Thank you, sir.
00:15:06Well, how are you, Hobart?
00:15:08Hello, Red.
00:15:08Hello, Professor.
00:15:09Sit down. Sit down.
00:15:09Sit down.
00:15:10How is it today?
00:15:12I don't know.
00:15:12Change at all.
00:15:13You know, it's been five days since this happened.
00:15:17And, you know, I can't understand it.
00:15:18Louise is with him now.
00:15:19Dr. Clark took her into him.
00:15:20Did he recognize Louise?
00:15:22Did she arouse any memories?
00:15:23He acted the same with hers.
00:15:25He did with us.
00:15:26It's as if he'd never seen her before.
00:15:27She had to be introduced.
00:15:28He remembered nothing?
00:15:30We had to tell him she was his fiancée.
00:15:32Does she know the reason?
00:15:34Not even she must know.
00:15:36No one must know the truth.
00:15:37Remember that.
00:15:38We're telling everyone he's suffering from amnesia caused by the accident.
00:15:42Yes, it's better that way.
00:15:43If the truth were to become known, the world would look upon him as a ghostly freak.
00:15:47Dr. Clark has agreed to say nothing of this.
00:15:49In fact, he prefers it that way.
00:15:51He wants to study the results of his experiment even before announcing it to the medical world.
00:15:55Well.
00:15:56Hello, Dr.
00:15:57Hello, Professor.
00:15:57How is he?
00:15:59Physically, he's all that could be desired.
00:16:01He's as well now as he ever was in his previous existence.
00:16:05But mentally...
00:16:06No improvement at all?
00:16:07None.
00:16:08His mind seems to be engulfed in a mist which is impenetrable.
00:16:12Well, perhaps it's only a question of time until something occurs that we're recalling to himself.
00:16:16Perhaps.
00:16:17But in the meantime, it's frightening.
00:16:20Why don't you speak with him?
00:16:22Maybe if you were to probe at his subconscious memory, you could get him to...
00:16:26Why, I'd be delighted if there's no objection.
00:16:28Oh, none at all.
00:16:29We must try every means.
00:16:30But remember, he won't recognize you.
00:16:32Oh, I understand that, but...
00:16:34It was the first time we'd met.
00:16:36You asked for an introduction, and we danced together all evening.
00:16:40You insisted on walking home with me, and we walked all the way in the snow.
00:16:46You said you didn't mind the snow or the cold or anything as long as I was beside you.
00:16:53Do you remember?
00:16:58Oh, don't you remember?
00:17:00Don't you?
00:17:04He's been standing like that ever since you left.
00:17:10I want Professor Toller to talk to him.
00:17:12Alone.
00:17:13I understand.
00:17:20Philip.
00:17:22Philip.
00:17:27Hello.
00:17:27This is Professor Toller.
00:17:30He was a...
00:17:31He's a friend of yours.
00:17:33Hello, Philip.
00:17:34I'll leave you two alone.
00:17:38Won't you sit down, Philip?
00:17:40I'd rather stand.
00:17:42I'd rather stand.
00:17:42In order that you may feel perfectly at ease, I want to assure you that outside of Dr. Clark,
00:17:50I've been closer to your family than anyone else.
00:17:53I've watched you grow from a boy of ten.
00:17:57Now, suppose you tell me what you've been thinking of since your accident.
00:18:01I don't know, I don't know.
00:18:04It's all confused.
00:18:05Well, try and go back a bit.
00:18:07Maybe we can strike a responsive chord.
00:18:09Something that will penetrate all this confusion.
00:18:13Do you remember anything of the time you spent at Croton prep school?
00:18:17Never heard of the place.
00:18:19Do you recall anything of your years at the university?
00:18:23No, not a thing.
00:18:25Why are you looking out there?
00:18:32What are you looking at?
00:18:34What is it that attracts you?
00:18:37What do you think of when you look out there?
00:18:38What comes to your mind first?
00:18:41Questions.
00:18:42Questions, that's all I get.
00:18:44Do you remember this?
00:18:44Do you remember that?
00:18:46Well, I don't remember anything.
00:18:47I don't care.
00:18:47Do you understand?
00:18:48Now, get out of here and leave me alone.
00:18:50Go on, get out.
00:18:50I never heard him shout like that before.
00:18:55Well, he would always respond to Professor Toller.
00:18:57Why should you order him out?
00:18:59I can't understand it.
00:19:02I can't.
00:19:04Others, impossible.
00:19:07I must put it out of my mind.
00:19:08What's impossible, Professor?
00:19:11What?
00:19:12Nothing.
00:19:13I'm just thinking out loud.
00:19:14Do you think he'll recover soon?
00:19:16People do get over amnesia, don't they?
00:19:18Amnesia?
00:19:19Oh, yes, it is amnesia in a way.
00:19:22But don't worry, my dear.
00:19:24It's only a question of time.
00:19:35I'm going out for a walk.
00:19:37I'm tired of being cooped up in there.
00:19:39I think he'll do you good.
00:19:39I'll go with you.
00:19:41Go alone if you don't mind.
00:19:42Oh, of course.
00:19:44But you can't.
00:19:45You know, not after your memory and all that.
00:19:47Someone must go with you.
00:19:48No one must go with me.
00:19:49I insist I'll...
00:19:50But Phil...
00:19:51For heaven's sake, leave me alone.
00:19:52If I want to go out by myself, I'll do so.
00:19:54What?
00:20:09Just as I thought.
00:20:11The same direction that he was looking out of the window.
00:20:14He's hailing a cab.
00:20:15Keep on driving until I tell you to stop.
00:20:40Pull up over here, driver.
00:20:41There.
00:20:50All right.
00:20:51All right.
00:20:51All right.
00:20:51All right.
00:21:05Hey, since when you've been getting the carriage train?
00:21:23I never saw him before.
00:21:26Do you want anything?
00:21:32Yeah, a bourbon.
00:22:02Hey, what's the big idea?
00:22:07Scram on it, Eddie.
00:22:09We're old friends.
00:22:11We'd like to be left alone.
00:22:15All right, boys.
00:22:17Why'd you stare at me like that?
00:22:20I don't know.
00:22:22I don't know.
00:22:23What's the big idea?
00:22:25Scram on it, Eddie.
00:22:27We're old friends.
00:22:29We'd like to be left alone.
00:22:31All right, boys.
00:22:33Why'd you stare at me like that?
00:22:38I don't know.
00:22:41Did you like that?
00:22:43I don't know.
00:22:45I felt I had to talk to you.
00:22:47Well, I guess I ought to feel complimented.
00:22:50Especially coming from a man of your sort.
00:22:53My sort?
00:22:54Anybody can tell by just looking at you and hearing you talk that you don't belong in a dump like this.
00:22:58What did you come here for?
00:23:00Maybe I came here to meet you.
00:23:03You sure know how to hand it out, don't you?
00:23:06What's your name, anyway?
00:23:09My name's Philip.
00:23:10Philip Brown.
00:23:11You could have said Jones.
00:23:13Yes, I could have.
00:23:14But I happened to think of Brown first.
00:23:17You live around here?
00:23:18Yeah, just around the corner.
00:23:20My name's Helen Langle.
00:23:21And it's no phony.
00:23:22I'm not married, are you?
00:23:24Have you taken the census around here?
00:23:26No, just curious.
00:23:28Well, I met a lot of funny ducks in my day.
00:23:30But you sure take the cake.
00:23:32Maybe you might be interested to know that I was sort of engaged until a few days ago.
00:23:38Yeah.
00:23:39To Wolf Panino.
00:23:41What happened?
00:23:42Did he walk out on you?
00:23:43Say, don't you read the papers?
00:23:44He was burned.
00:23:45Sent to the chair.
00:23:47I called him a killer.
00:23:49What a very nice guy to have as a husband.
00:23:52I don't know.
00:23:53He treated me nice enough.
00:23:55Of course, sometimes I think he talked about getting married just to make me feel good.
00:24:01You know.
00:24:02You know.
00:24:03Respect him.
00:24:04Kind of fond of him, huh?
00:24:05Yeah, I was.
00:24:08Well, here I am back in circulation again.
00:24:11You must get kind of lonely at times.
00:24:14I'd like to see you often.
00:24:17Kind of sudden, ain't it?
00:24:20No, I don't think so.
00:24:22You know, I feel as though I've known you for a long time.
00:24:29As if we were friends.
00:24:32Old friends.
00:24:34It's strange, isn't it?
00:24:36Yeah.
00:24:37It's funny.
00:24:39I feel the same way about you.
00:24:41You, yes.
00:24:42Come here.
00:24:43Come here, Bill.
00:24:44Hi, Gippy.
00:24:48Well, Helen.
00:24:49Hello, Gippy.
00:24:50Come here.
00:24:58Where are you going?
00:24:59Up there?
00:25:00I wouldn't if I were you.
00:25:01Why not?
00:25:02That's where the Panino gang hangs out.
00:25:04Mitch Larson's running them now and he doesn't like strangers to bust in on him.
00:25:07I don't think I'll have any trouble.
00:25:08You wait here till I get back.
00:25:09We're going out.
00:25:20Who can that be?
00:25:32Maybe a cop.
00:25:34Spirelli would have tipped us off.
00:25:36Besides, that's the signal.
00:25:39Open it.
00:25:41How do you know the signal?
00:25:49The signal?
00:25:50Yeah.
00:25:51You knocked too long and too short.
00:25:54Did I?
00:25:55I wasn't aware of it.
00:25:56I just knocked.
00:25:57What do you want?
00:25:59I thought you might need some help.
00:26:01I came to join up with you.
00:26:02Come to join up with us, huh?
00:26:03Just like that.
00:26:04What do you think this is?
00:26:05Boys town?
00:26:06How do we know you're not a dick?
00:26:07You don't yet.
00:26:08What are you trying to pull off here?
00:26:09Go on.
00:26:10Get out.
00:26:11Beat it.
00:26:12Don't.
00:26:13Don't.
00:26:14Don't!
00:26:15Don't!
00:26:16Don't!
00:26:17Don't!
00:26:18Don't!
00:26:19Don't!
00:26:20Don't!
00:26:21Don't!
00:26:22Don't!
00:26:23Don't!
00:26:24Don't!
00:26:25Don't!
00:26:32Don't!
00:26:33I don't like to be pushed around.
00:26:37And another thing.
00:26:39I don't take orders.
00:26:40I give them.
00:26:41Any objections?
00:26:42You'll be making a mistake if you have.
00:26:45He wasn't the kind of man to lead you.
00:26:47I am.
00:26:48Together we can go places.
00:26:53Say, I'm Gympie.
00:26:55You weren't getting anywhere with Mitch anyways.
00:26:57What do you say, boys?
00:26:58No, Mitch wasn't for us.
00:27:00That's Jess.
00:27:02That guy's Tim.
00:27:03Hi.
00:27:04That's Eric and Hugo.
00:27:05They're brothers.
00:27:06Hello.
00:27:07I'm Philip Brown.
00:27:08Well, what do you get lined up?
00:27:10Well, there was a diamond drive we had planned.
00:27:13And the whole point about it is timing.
00:27:23Well, what do you know about that?
00:27:27I thought Mitch would kill you.
00:27:29I was just waiting here to find out one way or the other.
00:27:31It's the other.
00:27:32There's no more Mitch.
00:27:33Are you kidding?
00:27:34I'm heading them now.
00:27:35Just like your old friend, Panino.
00:27:36Your what?
00:27:37Mm-hmm.
00:27:38Say, just who are you anyway?
00:27:40I told you.
00:27:41Yeah, yeah, I know.
00:27:42Philip Brown.
00:27:43Well, whoever you are, Mr. Brown,
00:27:44you sure got what it takes.
00:27:45I got what it takes for your concern?
00:27:47Suppose you find out for yourself.
00:27:49I will.
00:27:50Come on, let's get out of here.
00:27:52Come on.
00:28:09What did you stop for?
00:28:10Strange.
00:28:11I feel as if I'd been here before.
00:28:13Well, that is funny.
00:28:14I live in this house.
00:28:15Let's go ahead.
00:28:16We'll say, are we going out first?
00:28:17Well, there's plenty of time for that right now.
00:28:19I'd like to see your place.
00:28:20Mind?
00:28:21You don't waste any time, do you?
00:28:22Oh, all right.
00:28:23But don't forget, I'd like to go out.
00:28:43Give it to me.
00:28:49Just like Panino.
00:28:52If I didn't know better, I'd swear it was him.
00:28:55Well.
00:28:56There keep it running sure something yeah he's been putting that stone three months big enough to knock your eyes out I was saving the job of finishing take that and anything else that's around don't stay too long once we get into the bank and get the elevator switch working it's a search all right I'll keep the building clear
00:29:26you hear the horn duck
00:29:56you
00:29:58That job sir sure you must have been working late tonight yeah just all the way home
00:30:26I
00:30:28Big holy yeah better than thank
00:30:33split up my share boys
00:30:37What do you live I
00:30:42didn't mean nose into your business I just thought it'd drop you off drop me at the next corner
00:30:50Drop me at the next corner.
00:30:54Do you mind if I say something?
00:30:56No, go ahead.
00:30:58It's bad business shooting a cop, especially when you don't have to.
00:31:02He didn't know there was anything wrong.
00:31:04He'd have passed by in a minute.
00:31:06I imagine he would have.
00:31:08Makes me feel good inside.
00:31:11That's funny.
00:31:13Penino used to say the same thing.
00:31:15What's that?
00:31:16Oh, nothing, nothing.
00:31:20We've been waiting for you.
00:31:34Where have you been?
00:31:35Does it matter?
00:31:36Why, of course it matters, son.
00:31:37You know, you shouldn't be out so late, alone.
00:31:40Not since your accident.
00:31:42Oh, Phil, can't you see we're concerned about you?
00:31:44We were almost going to send the police out to look for you.
00:31:47Where did you go?
00:31:48I wish you two would mind your own business.
00:31:50I'm fed up with having everybody cluck over me like a bunch of old hens.
00:31:52If I want to go out and stay out, I'll do so.
00:32:02A crime wave which has aroused the entire city.
00:32:05During the past two months, ten men have been killed indiscriminately.
00:32:09Officers, watchmen, spectators.
00:32:11The cold-blooded callousness with which these crimes were committed
00:32:13have caused both police and newspapers to compare the mysterious leader
00:32:16with the deceased Panino.
00:32:19Early this morning, two former members of the Panino mob,
00:32:21Jess Fowler and Tim Martin, were questioned by police
00:32:24and stated that the Panino mob had dispersed after Panino's electrocution.
00:32:27A special squad under Lieutenant Detective Bradley has been assigned
00:32:32to apprehend the criminals and...
00:32:34It's two months now.
00:32:39Two months.
00:32:40And his conduct becomes more and more extraordinary.
00:32:44Sometimes I can scarcely believe he's my son.
00:32:46Is he still so brusque?
00:32:48That's putting it mildly, doctor.
00:32:50I hate to admit this about Philip,
00:32:51but he's often downright offensive.
00:32:54He seems to have no consideration for any of us.
00:32:56I wonder what he does when he leaves the house.
00:32:59I wish I knew.
00:33:00Sometimes he's gone for days at a stretch,
00:33:03and when he returns, he refuses to tell us where he's been.
00:33:06He insists it's none of our business.
00:33:07But it is. It is.
00:33:10We may find in these mysterious disappearances
00:33:12some explanation for his unusual conduct.
00:33:14We must find out where he goes and what he does.
00:33:17Doctor, is there any earthly reason
00:33:20why Philip shouldn't recollect something of his past?
00:33:22I'm frank to admit that I'm completely mystified by it.
00:33:26Surely Professor Toler must have some idea
00:33:28of the cause of Philip's strange behavior.
00:33:30I've asked him repeatedly.
00:33:32Yes?
00:33:33Well, it may be only my imagination,
00:33:36but it seems to me that every time I question him,
00:33:39he seems to be ill at ease
00:33:41and refuses to give me his opinion.
00:33:43Why?
00:33:44Well, I've no idea.
00:33:45As I've said, it may be only my imagination.
00:33:48However, he was most anxious to hear all about Philip
00:33:51and made me promise to keep him informed
00:33:53about his conduct in the future.
00:33:55Hello there.
00:33:56Hello, hello, hello.
00:33:58How was the shopping doing?
00:33:59Wonderful.
00:34:00Terrible.
00:34:00Take my advice, Dr. Clark.
00:34:02Never go shopping with a woman.
00:34:04They ask your advice about one thing
00:34:05and then turn right around and buy something else.
00:34:07Where's Philip?
00:34:08In the library.
00:34:09Is there any change?
00:34:11No, dear.
00:34:12I'll go in and talk to him.
00:34:15I've been meaning to ask you this.
00:34:17It's about the plans for our marriage.
00:34:20You see, Philip doesn't remember anything about it,
00:34:22and I...
00:34:23Oh, but of course,
00:34:24if you think it would be best to be married
00:34:26as we had planned, why, I...
00:34:28Louise, tell me.
00:34:31Do you still love him?
00:34:32Well, I think I do, only...
00:34:35Only he's so different.
00:34:36He doesn't seem to be the same Philip I knew.
00:34:39Then I think we should wait
00:34:40until he's fully recovered.
00:34:42Yes, that would be advisable.
00:34:54I, uh, thought I'd come in and keep you company.
00:34:57Nice of you.
00:34:57I wondered where you...
00:34:59Get him out.
00:35:04Get him out of here before I...
00:35:06I'm sorry, but that dog, it, it, it, it bothers me.
00:35:20I didn't mean to explode.
00:35:21It rather startled me, too.
00:35:23Please, sit down.
00:35:31Reg and I have been shopping almost all morning.
00:35:33You've seen quite a bit of my brother, haven't you?
00:35:36Why, yes.
00:35:37He's such fun.
00:35:38We met quite a few of your friends.
00:35:40They all asked about you
00:35:41and wanted to know when they could come and see you,
00:35:43but Reg thought it better to wait
00:35:45until you had fully recovered, and I...
00:35:47What's the matter, Philip?
00:35:50Why do you stare at me like that?
00:35:58Philip, please!
00:35:59What's the matter?
00:36:01You said we were engaged, that you were in love with me.
00:36:04Yes, but...
00:36:05Well, are you afraid of me?
00:36:07Don't, Philip!
00:36:08Philip, please!
00:36:09Philip, let me go!
00:36:11Please!
00:36:14Well, what is it?
00:36:15What happened?
00:36:16Nothing yet.
00:36:18Maybe that'll teach you to mind your own business.
00:36:20Philip!
00:36:21How could you?
00:36:22Oh, Reg!
00:36:23I tell you, that guy gives me the creeps.
00:36:28I'd give my right arm to know who he is.
00:36:31If you ever found out, it'd cost you more than that.
00:36:33You must have plenty of cash.
00:36:35Never once takes his cut.
00:36:36You'd never figure a guy like that
00:36:38would have a hunk of ice for his heart ought to be.
00:36:40It's a funny thing,
00:36:41but every time he walks in that door,
00:36:42I think of Panino.
00:36:45That's why he gives me the creeps.
00:36:47He uses his rod like Panino did.
00:36:49Doesn't care how often it goes off
00:36:51or in what direction.
00:36:52Oh, well, what's the difference
00:36:53who he reminds us of?
00:36:55He got something there.
00:36:56A couple more months like this
00:36:57and I'm gonna buy a farm somewhere and retire.
00:37:00Hey, what's keeping you, though?
00:37:02He'll be up in a minute.
00:37:03He's downstairs with Helen.
00:37:04I don't know any more about him than you do.
00:37:06He just won't spill.
00:37:07You know, you think being as close to him as you are,
00:37:10you'd at least know who he was.
00:37:11He needs to talk and kind.
00:37:13Except when he makes love
00:37:14and then he sticks to the subject.
00:37:17He's sure strong for you.
00:37:19I don't know.
00:37:19Sometimes I think so.
00:37:20Sometimes, you see,
00:37:22I don't give a rap about who he is.
00:37:24That's his business.
00:37:25The thing that burns me up
00:37:26is that he never takes me anyplace.
00:37:28I think he was afraid to be seen with me.
00:37:31Here he is now.
00:37:34You waiting long?
00:37:35Oh, I don't mind.
00:37:36What else have I got to do?
00:37:38Boys upstairs?
00:37:39Yeah, I'll go up with you.
00:37:40No, you stay here and keep Helen company.
00:37:42I'll be down a minute.
00:37:43Sure, sure.
00:37:45Look at the tourists.
00:37:47Coming in to see how the other half lives.
00:37:49They call this living.
00:37:54Be back in a minute.
00:37:59Looking for someone?
00:38:00Yes.
00:38:01My son, Philip Bennett.
00:38:03He just came in here.
00:38:04Who?
00:38:04Philip Bennett.
00:38:05He's very well dressed.
00:38:06A double-breasted blue suit and a dark hat.
00:38:08He came in just a couple of minutes ago.
00:38:09I think you must be mistaken.
00:38:15Nobody like that came in here.
00:38:17We're positive.
00:38:18We saw him enter.
00:38:19I said nobody like that came in here.
00:38:22You made a mistake.
00:38:23Your eyes must be playing your tricks.
00:38:25Now beat him.
00:38:26What?
00:38:27Never mind.
00:38:27He'll have to come out sometime.
00:38:37Let's wait in that doorway.
00:38:39The mystery's over.
00:38:55Huh?
00:38:56Did you recognize that tall gent?
00:38:59Well, he ain't exactly in my social circle.
00:39:02His picture's in the paper plenty.
00:39:04Hobart Bennett.
00:39:06President, city security bank.
00:39:08Big chief blue blood.
00:39:09What's he doing here?
00:39:11Looking for his son.
00:39:12His son here?
00:39:14Yeah.
00:39:16You don't mean...
00:39:17Yeah.
00:39:19Wow.
00:39:21Are you gonna tell him his father was here?
00:39:23Me?
00:39:24You think I'm crazy?
00:39:25I ain't sticking my neck out.
00:39:27Oh.
00:39:32All right, let's go.
00:39:34See you later, Hugo.
00:39:36Yeah.
00:39:36Come on.
00:39:40You're going ahead.
00:40:10I'll catch up with you later.
00:40:15What were you doing in a place of that sort?
00:40:17Who told you to follow me?
00:40:18You haven't been yourself the past weeks.
00:40:21Something is responsible, and we determined to find out.
00:40:23What brings you down here in a section like this?
00:40:25Yes, what possible reason could you have for coming here?
00:40:29I like it, do you understand?
00:40:30I like it, and I don't want you ever to follow me down here.
00:40:32Is that clear?
00:40:33Why, Philip, what is this?
00:40:36What is it?
00:40:37If you're in trouble, all you have to do is confide in us.
00:40:42Of course, I realize you're not yourself yet,
00:40:44but your conduct is reprehensible.
00:40:47Striking your brother and running away from us repeatedly
00:40:50as though you couldn't bear our presence?
00:40:52What's at the bottom of all this, son?
00:40:55I don't know. I...
00:40:57I don't know. I can't explain it.
00:41:00Is it that girl?
00:41:02No, no, it isn't her. It isn't...
00:41:03It isn't anyone. It's...
00:41:06It's just that I...
00:41:07I feel that I must do it. I feel that...
00:41:10I...
00:41:11What's the difference why? I like it. That's all. I like it.
00:41:16And if you ever come down here again,
00:41:17I won't be responsible for what happens to you.
00:41:20You make me feel cheap.
00:41:22Always leaving me here and never taking me out.
00:41:24I told you I had something important to attend to.
00:41:26Oh, sure, sure. It's always important.
00:41:29But you can't kid me any longer.
00:41:31You're ashamed of me.
00:41:32You're afraid some of your high and mighty friends
00:41:34might see us together.
00:41:36I don't know what you're talking about.
00:41:39Oh, don't act so innocent, Mr. Philip Bennett.
00:41:46What name did you say?
00:41:48Philip Bennett. That's who you are.
00:41:50And one of those two men was your father.
00:41:52You needn't try to kid me any longer.
00:41:54Gosh, just imagine.
00:41:56Mr. Philip Bennett, leader of the panino mob,
00:41:58and my boyfriend.
00:42:00That's a laugh.
00:42:04You're mistaken.
00:42:05Oh, no, I ain't.
00:42:07Hugo told me.
00:42:08Your old man came in to spray and he's looking for you.
00:42:10Hugo recognized him.
00:42:11Seen his picture in the paper dozens of times.
00:42:16Why didn't Hugo tell me?
00:42:18Well, he figured that if you wanted to keep it a secret,
00:42:20he'd string along with you.
00:42:22Oh, I see.
00:42:24Of course, I wouldn't tell anybody.
00:42:27You know, you don't trust me, don't you, Phil?
00:42:30Sure, sure, of course.
00:42:32And just to prove that I'm not ashamed of you,
00:42:34I'm going to take you out.
00:42:35We'll do the town from top to bottom.
00:42:37Oh, baby, won't that be something?
00:42:39I always knew you were a honey.
00:42:41Love me?
00:42:42Uh-huh.
00:42:43You're for me, all right.
00:42:44How about a kiss?
00:42:46Good pleasure, Mr. Bennett.
00:42:47I'd rather go for you, Phil.
00:42:55I really do.
00:42:57More than I ever went for anybody before.
00:42:59Phil, how's it taste?
00:43:03Your hands.
00:43:05You're choking me.
00:43:06Ew.
00:43:07Ew.
00:43:08Ew.
00:43:08Hello, boss.
00:43:23Where's Eric?
00:43:24Oh, down the street, getting some sandwiches.
00:43:27Why don't you stick around and have a bite with us?
00:43:36Anything on your mind?
00:43:38Yes.
00:43:43Why didn't you tell me my father was asking for me?
00:43:49Now, wait a minute, boss.
00:43:50I didn't tell anybody.
00:43:52You told Helen?
00:43:53Yeah.
00:43:54Yeah, but she was with me when he came in.
00:43:56I didn't tell anybody else.
00:43:57I swear by all the story I didn't.
00:44:02On my mother's grave, I swear it.
00:44:04Nobody will know, not even Eric.
00:44:07Don't, boss.
00:44:08Don't.
00:44:10Don't.
00:44:10Don't.
00:44:10Don't.
00:44:10Don't.
00:44:11Don't.
00:44:11Don't.
00:44:12Don't.
00:44:12Don't.
00:44:13Don't.
00:44:13Don't.
00:44:14Don't.
00:44:14Don't.
00:44:15Don't.
00:44:16Don't.
00:44:16Don't.
00:44:17Don't.
00:44:17Don't.
00:44:18Don't.
00:44:18Don't.
00:44:19Don't.
00:44:20Don't.
00:44:20Don't.
00:44:21Don't.
00:44:22Don't.
00:44:23Don't.
00:44:24Don't.
00:44:25Don't.
00:44:26Don't.
00:44:27Don't.
00:44:28Don't.
00:44:29Don't.
00:44:30Don't.
00:44:31Don't.
00:44:32Don't.
00:44:33Don't.
00:44:34Don't.
00:44:35Don't.
00:44:36Don't.
00:44:37Don't.
00:44:38Get! Get out of your own way!
00:44:47He seemed to be trying to explain it to us.
00:45:02It lasted for only a moment, and then he shouted at us to leave him alone,
00:45:07and even threatened us if we attempted to follow him again.
00:45:10Surely, Professor. By this time you must have some opinion regarding the cause of such a complete transformation.
00:45:16Yes, I have formed an opinion. A hypothetical one, purely.
00:45:21Yet, one so fantastic, so inconceivable, I hesitate to tell it to you.
00:45:27You must. This is no time to spare our feelings.
00:45:30If there's some strange influence behind all this, I think we should know about it.
00:45:34Very well then. Ever since I first met Philip after his new life, I've been poring over these.
00:45:41And, uh, what is this to do with Philip?
00:45:45They all dwell at great length on one subject in common. Namely, transmigration of the soul.
00:45:51Why, that's impossible.
00:45:58Doctor, do you remember the night of Philip's death?
00:46:02That I told you, whereas it might be possible for you to revive the body,
00:46:06you would also have the soul to contend with, and you scoffed at me.
00:46:10I still don't believe it.
00:46:13Why, uh, this is incredible.
00:46:16How else do you explain the sudden change in Philip after he was given new life?
00:46:20Well, how do we know there is such a thing as a, as a soul?
00:46:24My dear Doctor, the existence of the soul is something upon which all religions, all philosophies, thoroughly concur.
00:46:31They may not agree regarding transmigration or the manner of its immortality,
00:46:36but as to its actual existence, they leave no reflection for doubt.
00:46:41Oh, I can't believe it.
00:46:43If such a thing as transmigration of soul exists, then we three possess the souls of other persons,
00:46:48persons who lived before us.
00:46:50We do not possess the souls, Hobart.
00:46:52The souls possess us.
00:46:54That is, if we proceed along the theory of transmigration.
00:46:57But, uh, Philip was 27 years old.
00:47:00Surely he'd remember something about his past.
00:47:02You forget, Doctor, that while you revived the body, the soul escaped.
00:47:06And it is the soul that is the memory, not the body.
00:47:10What manner of soul possesses him now?
00:47:12Whose soul has it?
00:47:14That is something that it will probably never be in our power to determine.
00:47:30All right.
00:47:32Never thought you'd be calling to see me if you're on the court.
00:47:35Too bad about your brother.
00:47:37Yeah.
00:47:38Nice funeral they gave him.
00:47:39Anybody would be proud of that.
00:47:40Yeah.
00:47:41Well, come on, come on.
00:47:42Spill it.
00:47:43What's on your mind?
00:47:44I want you to get the guy that killed Hugo.
00:47:45Now, don't tell me you want us to find out who he is.
00:47:46No, I know who he is.
00:47:47That's why I'm here.
00:47:48Are you getting soft?
00:47:49I thought you boys always took care of those little matters between yourselves.
00:47:50We usually do.
00:47:51But this is different.
00:47:52I got my reasons.
00:47:53You remember that Helen Lengel was killed on the same day as my brother?
00:47:54Well, the same guy did it.
00:47:55You interested?
00:47:56Go on.
00:47:57Maybe you'd be more interested if you knew it's the same guy you've been hunting for weeks.
00:48:00The one that's behind all these robberies and killings.
00:48:01Sit down.
00:48:02What's this fella's name?
00:48:03Don't laugh when I tell you.
00:48:04I don't see anything funny about this.
00:48:05No?
00:48:06I don't see anything funny about this.
00:48:07No?
00:48:08No?
00:48:09No?
00:48:10No?
00:48:11No?
00:48:12No?
00:48:13No?
00:48:14No?
00:48:15No?
00:48:16No?
00:48:17No?
00:48:18No?
00:48:19No?
00:48:20No?
00:48:21No?
00:48:22No?
00:48:23No?
00:48:24No?
00:48:25No?
00:48:26No?
00:48:27No?
00:48:28No?
00:48:29No?
00:48:30No?
00:48:31No?
00:48:32Philip Bennett.
00:48:34Never heard of it.
00:48:35The society boy.
00:48:37His father's Hobart Bennett, the banker.
00:48:40That Philip Bennett?
00:48:42Oh, you're crazy.
00:48:45I told you not to laugh.
00:48:48Look, this is a game.
00:48:49I don't get it.
00:48:50And believe me, I don't appreciate it either.
00:48:51Do you see a grin on my puss?
00:48:53I'm giving it to you straight.
00:48:54He's heading to Panino Mall.
00:48:56Tell me what you know.
00:48:57He walked in on us a week after Panino got burned.
00:49:00Knocked off Mitch Lawson and took over.
00:49:02Told us his name was Philip Brown.
00:49:04What did he knock Mitch off for?
00:49:06He don't need no reason to knock anybody off.
00:49:09Real bad, huh?
00:49:10You ought to know.
00:49:11He gives us all the willies.
00:49:13Works just like Panino did.
00:49:15What makes you so sure he's Philip Bennett?
00:49:17Hugo recognized his old man when he came around this parade.
00:49:20He was looking for him.
00:49:21Hugo told Helen.
00:49:23That's how come they both got at the same time.
00:49:25You still got your good health?
00:49:27He didn't know that Hugo told me too.
00:49:29Or else I wouldn't be sitting here.
00:49:31How come you didn't take care of him yourself?
00:49:33Too easy.
00:49:34This way his whole family face.
00:49:36I'd feel a lot better.
00:49:38Why should a young society boy like Philip Bennett be mixed up with your sort?
00:49:43That's the one thing I can't figure out.
00:49:46Maybe it's thrills.
00:49:47I don't know.
00:49:48Some of those guys will screw you than a bat.
00:49:50That doesn't make sense.
00:49:52Maybe he's too big for you to touch, huh?
00:49:55You know better than that.
00:49:57But what evidence have I got other than your word, which is nothing but the word of a gangster?
00:50:02I thought of that.
00:50:03That's why I waited till now.
00:50:05I just left him.
00:50:08Yeah?
00:50:09We're pulling a job tonight.
00:50:11And if you caught him actually at the works, you wouldn't need anything else, would you?
00:50:16No, that's all I'd need.
00:50:18And you'd take care of me.
00:50:20You know what I mean.
00:50:21Well, I'll do what I can.
00:50:25Miller's Warehouse.
00:50:268th Street.
00:50:2711 o'clock.
00:50:46Poor sap that owns this joint's in for a surprise when he opens up.
00:50:51Hugo would have got a kick out of his job.
00:50:54Yeah.
00:50:55He sure would have.
00:50:56Come on, come on.
00:50:57Cut out the gap and start getting this stuff down in the car.
00:51:10Cops are coming up.
00:51:16What?
00:51:19Come on out of there.
00:51:20You haven't got a chance.
00:51:21Come on out of there.
00:51:22You haven't got a chance.
00:51:24Let your luck off.
00:51:27A little luck off.
00:51:29Let's go.
00:51:59Let's go.
00:52:29All right, I quit.
00:52:43Don't shoot.
00:52:44Don't shoot.
00:52:45Don't shoot.
00:53:15Oh, my God.
00:53:45He promised to be here quite early.
00:53:50Perhaps he forgot.
00:53:52Perhaps.
00:53:53But I reminded him again this morning.
00:53:55Oh, I'm sure he'll be here.
00:54:01Well, here he is now.
00:54:05Happy birthday, Philip.
00:54:06Huh?
00:54:07Oh, thanks.
00:54:08We've all been waiting for you.
00:54:10I'm sorry I'm so late.
00:54:11Well, I'm glad you remembered, son.
00:54:13I was beginning to fear we might have to celebrate your birthday.
00:54:15This day without you.
00:54:17I got here as fast as I could.
00:54:18Yeah, you're all out of breath.
00:54:20Congratulations, Philip.
00:54:21Yeah, I know so.
00:54:22Thanks.
00:54:22Thanks.
00:54:23I'll be down a minute.
00:54:24I want to clean up a bit.
00:54:25Go right ahead, but don't be too long.
00:54:27I've had my eye on that cake all night.
00:54:30Well, I'm glad he got here.
00:54:32I'm Lieutenant Detective Bradley.
00:54:41I'd like to talk to Mr. Bennett, Hobart Bennett.
00:54:43Will you wait here, sir?
00:54:51I beg your pardon, sir, but there's a Lieutenant Bradley of the police to see you.
00:54:56Do you see me?
00:54:57Yes, sir.
00:55:01Well, have him come in.
00:55:02Very good, sir.
00:55:07Will you go in, sir?
00:55:13You want to see me?
00:55:14Yes, sir.
00:55:15I hate to intrude like this.
00:55:16We trailed an escaped thief to this section.
00:55:19We're covering every house.
00:55:20Well, he couldn't be here unless he broke into the servants' quarters.
00:55:24Yeah, I'll take a look down there.
00:55:26You haven't happened to see anybody come in here during the past 15 minutes, have you?
00:55:29Why?
00:55:30No one.
00:55:32We've been sitting here all evening.
00:55:33Oh, my eldest son.
00:55:41Philip, this is Lieutenant Bradley of the police.
00:55:44How are you, Lieutenant?
00:55:45You've been here all evening, have you?
00:55:47Yes, we're celebrating my birthday, as you can see.
00:55:50Say, that cake really looks like something.
00:55:52Isn't it about time you were cutting it up?
00:55:54Well, we're sort of waiting for midnight.
00:55:57You see, everything of importance sort of takes place at midnight.
00:56:00New days, new years, births, deaths.
00:56:03Why is that, Lieutenant?
00:56:04I don't know.
00:56:05Strikes me, one time is about as good as another for births and deaths.
00:56:08I think the mystery story writers have over-publicized it.
00:56:11However, there's something intriguing about the term midnight.
00:56:15Well, just to show you we don't hold on to superstition, we'll cut it up right now.
00:56:19You'll stay and have some, of course.
00:56:20I don't know if I can.
00:56:22Well, maybe just a minute.
00:56:24Good.
00:56:29There we are, the top.
00:56:37Ah, thanks.
00:56:38Louise, will you do the honors for us, please?
00:56:40Of course.
00:56:43Won't you sit down?
00:56:44Oh, thank you.
00:56:47Where was this robbery?
00:56:49A warehouse on 8th Street.
00:56:50We got them all, except the ringleader.
00:56:55Do you know who he is?
00:56:57Mm-hmm.
00:56:59And one of the gang tipped me off beforehand.
00:57:01Strange, he was shot, too.
00:57:03We couldn't tell him apart in the dark.
00:57:06Do you expect to get this ringleader?
00:57:08Oh, sure, sure.
00:57:10Say, I wish my wife could make a cake like this.
00:57:14Yeah, we'll get him all right, no rush.
00:57:16What sort of fellow is he?
00:57:18Desperate, very desperate.
00:57:20A killer.
00:57:27I've got to watch my diet.
00:57:28I can't eat this.
00:57:30Yes, this fellow's a real killer, all right.
00:57:33The funny thing about it is, he works just like Wolf Panino.
00:57:36And he's running the Panino mob.
00:57:39Odd, isn't it?
00:57:41Did you say Panino?
00:57:43Yes, you remember him, don't you?
00:57:44He went to the chair about two months ago.
00:57:47Doctor, that same night.
00:57:51What's the matter?
00:57:51Something wrong?
00:57:52Oh, no, just that we'd read about Panino in the papers.
00:57:57They had nothing on this new fellow.
00:57:59Oh, now that I think of it,
00:58:01he has the same first name that you have, Philip.
00:58:04Philip Brown.
00:58:05Probably not his right name.
00:58:07Ah, probably a phony.
00:58:09Maybe you remember reading about that boy and girl
00:58:11that were killed down the east side last week.
00:58:13They found out his real name, so he killed them.
00:58:16Some relative innocently went down to the place,
00:58:18and that's what gave it away.
00:58:19Ah, where was this place?
00:58:22Oh, you never heard of it.
00:58:23It's down in the slum section.
00:58:24The place called Spirades.
00:58:26Spirades.
00:58:32Oh, I'm sorry.
00:58:33Maybe you can't stomach this sort of talk.
00:58:35You folks seldom see this kind of thing.
00:58:38Although once in a while,
00:58:39you find a person with plenty of money,
00:58:41plenty of family background,
00:58:43and for some insane reason,
00:58:45he decides to become a criminal.
00:58:47I never could understand it myself.
00:58:48Well, there are often extenuating circumstances.
00:58:52Maybe, maybe,
00:58:53but I let the alienists worry about that.
00:58:55My job is to catch them.
00:58:57And do you always catch them, Lieutenant?
00:58:59Well, they've got pretty good average, I guess.
00:59:02Cigarette?
00:59:03Oh, thanks.
00:59:13You, uh,
00:59:14something stuck on your shoe.
00:59:17Oh, so there is.
00:59:20But no, no, that'll change them.
00:59:22Must be some mud.
00:59:24It looks like time.
00:59:25Yes, it is.
00:59:33It's a gutter on the pavement.
00:59:34Oh, on a roof.
00:59:36Roofs are covered with tar.
00:59:38I used to play on them every day when I was a kid.
00:59:40Cops and robbers.
00:59:41And I always played the robber.
00:59:42Now I make a living playing a cop.
00:59:44Shows you,
00:59:45you can't ever tell how a kid will wind up.
00:59:51Well, I...
00:59:53So I'd better be going.
00:59:55Strange, you didn't see anybody come in here.
00:59:58Oh, we, uh,
00:59:59picked up the cab driver
01:00:00who, uh,
01:00:01drove the fellow we were looking for
01:00:02away from the robbery.
01:00:03He says he let him off down the street
01:00:05and saw him run in here.
01:00:07Mind if I bring him in
01:00:08to take a look around?
01:00:09Oh, he couldn't be here.
01:00:11Well, then there won't be any harm done,
01:00:12will there?
01:00:13It's just one of those routine things.
01:00:14Won't take a minute.
01:00:15I'll bring him in.
01:00:16Just a moment, Lieutenant.
01:00:24In case you didn't know it,
01:00:31the house is surrounded by police.
01:00:34I assume that much.
01:00:35That's why I want you to help me.
01:00:36Help you?
01:00:37Yes.
01:00:39Go to the door and order them away.
01:00:41You and I will wait here for a while
01:00:43and then we'll leave together.
01:00:45In case they don't obey.
01:00:47That would work all right,
01:00:48except, uh,
01:00:49what if I refuse to order them away?
01:00:51You forget.
01:00:52You told me the fellow
01:00:53you're looking for
01:00:54is desperate.
01:00:54Very desperate.
01:00:56Philip, you can't.
01:00:57You must...
01:00:57Oh, Philip, stop.
01:00:58Quiet.
01:00:59I haven't much patience, Lieutenant.
01:01:02Well, I, uh,
01:01:03I haven't any alternative, have I?
01:01:08Yet I could just sit here
01:01:09and think it over for a moment,
01:01:11couldn't I?
01:01:12Yes, you could.
01:01:14But after a while,
01:01:15the police would become concerned about you
01:01:17and break in.
01:01:22We're all going out of here together.
01:01:26Go ahead and walk ahead of me.
01:01:27You don't know what you're doing.
01:01:28You can't do this.
01:01:29You can't.
01:01:30I'll go with you alone,
01:01:31but not them, not Dad.
01:01:33We're going out of here together.
01:01:44I had to do it,
01:01:46even though he was your son.
01:01:48He wasn't my son.
01:01:49My son died
01:01:52two months ago.
01:01:53I had to go.
01:02:00Donino.
01:02:28Donino.
01:02:30Donino.
01:02:31Donino.
01:02:32Donino.
01:02:33Donino.
01:02:34He's coming around.
01:02:36It's the first sign of life he's shown since the automobile accident.
01:02:39Concussion of the brain is a serious matter, Louise.
01:02:41For a while I thought he'd never pull through.
01:02:43Donino.
01:02:44Donino.
01:02:45Donino.
01:02:46Donino.
01:02:47Thank heaven he's coming out of his coma at last.
01:03:01Donino.
01:03:02Donino.
01:03:03Donino.
01:03:04Donino.
01:03:05Donino.
01:03:06Donino.
01:03:07Donino.
01:03:08Donino.
01:03:09Donino.
01:03:10Donino.
01:03:11Donino.
01:03:12Donino.
01:03:13Donino.
01:03:14Donino.
01:03:15Donino.
01:03:16Donino.
01:03:17Donino.
01:03:18Donino.
01:03:19Donino.
01:03:20Donino.
01:03:21Donino.
01:03:22Donino.
01:03:23Donino.
01:03:24Donino.
01:03:25Donino.
01:03:26Donino.
01:03:27Donino.
01:03:28Donino.
01:03:29Donino.
01:03:30Donino.
01:03:31Donino.
01:03:32Donino.
01:03:33Donino.
01:03:34Donino.
01:03:35Donino.
01:03:36Donino.
01:03:37Donino.
01:03:38Donino.
01:03:39Donino.
01:03:40Donino.
01:03:41Donino.
01:03:42Donino.
01:03:43Donino.
01:03:44Donino.
01:03:45Donino.
01:03:46Donino.
01:03:47Donino.
01:03:48Donino.
01:03:49Donino.
01:03:50Donino.
01:03:51Donino.
01:03:52Donino.
01:03:53The End
01:04:23The End
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