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00:00Please welcome Mr. Jonny Lever, Mr. Javed Jafri and Mr. Rajpal Yadav.
00:14Thank you sir.
00:15Thank you sir.
00:16Thank you sir.
00:17Thank you sir.
00:18Thank you sir.
00:19Thank you sir.
00:20Thank you sir.
00:21Thank you sir.
00:22How are you?
00:23I'm good sir.
00:24I'm good sir.
00:25Jonny, Javed, Rajpal and Rajpal are great.
00:27Thank you sir.
00:28Thank you sir.
00:29Thank you sir.
00:30Thank you sir.
00:31Thank you sir.
00:32Thank you sir.
00:33Thank you sir.
00:34Thank you sir.
00:35So far, so good.
00:36Today I'm not looking for a shooting show.
00:38It's a railway platform.
00:39It's so much.
00:40So far, so far.
00:42So far, so far.
00:44Jonny, Javed, Rajpal.
00:46First of all, you are very happy.
00:48To be unlocked.
00:49It's a big problem in lockdown.
00:51I mean, stay at home.
00:52And I don't think anyone has spent so much time.
00:56So Jonny, how was your experience?
00:58You are a brother.
00:59That's your wife.
01:00You are a brother.
01:01You are a brother.
01:02You are a brother.
01:03You are a brother.
01:04You are a brother.
01:05And you are a brother.
01:07I guess you are a brother.
01:08I think that in lockdown, Javed, has become a young man.
01:12He's become younger.
01:13Actually, I've seen Javed's a few centimeters in a day,
01:16he's shrinked every day.
01:18I said I've been a few years less.
01:19Okay, it was a few centimeters.
01:21But what is this, Javed, sir?
01:23Razz to Kumar.
01:27Nothing, man.
01:29Nothing, nothing.
01:31In our family, our father is also...
01:34He is cut.
01:36Okay.
01:37He keeps on a little bit.
01:38You eat it open and eat it?
01:40No, no, no.
01:42It means that it's an ice cream.
01:44Sometimes it's like a picture of a bottle of ice cream in the night,
01:48and it's finished.
01:49And in the shop?
01:51No, it's not in the shop.
01:52I'll take it to the house.
01:57I think it's like this.
02:00If I walk,
02:01I don't want to get a lot of heights.
02:05That's why I feel like you have a punch.
02:10But what energy is, Rajpal?
02:12I think it's like this.
02:13I think it's going to be going to get up.
02:14But what energy is going to be super?
02:16What is it going to be in lockdown?
02:18What's going on in lockdown?
02:19It was a lot of jogging.
02:20Where?
02:21It was a lot of fun.
02:22It was a lot of fun.
02:23In the village?
02:24It was a lot of fun.
02:25It was a lot of fun.
02:26It was a lot of fun shooting.
02:28It was a lot of fun.
02:28It was a lot of fun.
02:29It was a lot of fun.
02:30It was a lot of fun.
02:32But people are especially talking about this year,
02:35that this year is a bad year.
02:36But Rajpal is the most fun.
02:38Why?
02:39The next time we are coming to our shop.
02:41Johnny,
02:45people are laughing so many years.
02:47But one thing you noticed always is that
02:49they don't have a mistake.
02:51They come out of a smile.
02:53Johnny,
02:54give you money or after the marriage is the pressure?
02:56After the marriage,
02:58you want to see that
02:59every woman wants to laugh as a man.
03:02Good.
03:03Good.
03:04Good.
03:05He doesn't know that he doesn't laugh.
03:06He doesn't laugh.
03:07And it means that it's a lot of fun.
03:12I remember my wife in 1984.
03:15Before I was laughing,
03:16I was laughing.
03:17I was laughing.
03:18But after that,
03:20it was a lot of fun.
03:22I was laughing.
03:24I was laughing.
03:25I was laughing.
03:26I was laughing.
03:27Baby.
03:34Sometimes people say,
03:35what are you talking about on the bass?
03:37I don't think Javed,
03:39you can say something like that.
03:40Because you can say yourself,
03:42I'm talking on the bass.
03:43So Javed,
03:45it's like this because you have so much bass.
03:46You will all think about it.
03:48Who is the director, wife.
03:50My bass,
03:51then what will you say to Raza Murad?
03:53And what will you say to Rishpurri?
03:55And what will you say to Bachchan?
03:57Honestly,
03:59I don't even know about it.
04:01Sometimes people don't know about it.
04:03Okay.
04:04It's a very first thing.
04:05Pooja Bedi is our friend.
04:06Yes.
04:07I know.
04:08Anonymous.
04:09Hello.
04:10Hi Pooja, how are you?
04:11He's like,
04:12Hi.
04:13Who's this?
04:14I just was a fan of yours.
04:16And I just wanted to speak with you.
04:18Tell me, who's this?
04:20No.
04:21I was like,
04:222-3 minutes of gasita.
04:23I was like,
04:24this is Javed.
04:25Oh, Javed.
04:26Oh, Javed.
04:31Because normally,
04:32I don't use this sound.
04:33I always try.
04:34Whatever the character is,
04:35take the sound of the character.
04:38and take the sound of the character.
04:39Not that we have to keep the sound of the character.
04:41It doesn't happen.
04:42Because the expression goes everywhere.
04:44So,
04:45I don't think so.
04:46Where Bibi comes from,
04:47where he comes from,
04:48he feels like he comes from his face.
04:50Just do it.
04:51You know I have to keep the sound of the character.
04:53But otherwise…
04:55But you know,
04:56the truth is that,
04:57I've worked with Javed sir for the first time,
04:59and his voice is different.
05:01Actually.
05:02Obviously,
05:03when he looks short,
05:05he talks with the actors in the set.
05:09So,
05:10I had a lot of entertainment
05:11with Javed sir.
05:12Because I always asked him,
05:14how do they talk?
05:15How do they talk?
05:16And he's like a dictionary.
05:18The actors,
05:19who are the Hindi people of the world,
05:21they are all…
05:22One is to make a knuckle,
05:24and one is to make a soul.
05:26Right.
05:27So, I feel like that the actor
05:29and all the actors…
05:30You can take the name of anyone.
05:32Javed sir,
05:33everything.
05:34It's your favourite.
05:35Your favourite.
05:36For example,
05:37you see,
05:38Pranth sir.
05:39Now, Pranth sir's mood is different.
05:40It's a normal Pranth sir.
05:44What do you think
05:45that you will do such a thing
05:47that I don't know?
05:49You probably forgot
05:51that I am your father.
05:57Pranth sir,
05:58I'm very shocked by trigonometry.
06:00Isosceles, triangles,
06:01hexagons.
06:02Oh,
06:03it's like that.
06:05Then,
06:06serious Pranth sir.
06:07Emotional.
06:08Bend the baby.
06:10I'm in my heart
06:11I'm in my heart
06:13I'm in my heart
06:14I'm not going right now.
06:20Wow.
06:21Wow.
06:22Wow.
06:23Very good.
06:24Then there was an end.
06:25The villain died.
06:26The happy ending.
06:27The happy ending.
06:28And Pranth sir is laughing.
06:29And the heroine said,
06:30But Papa,
06:31you should be happy.
06:33This is a happy ending.
06:40And another observation.
06:42Jitu sir.
06:43Jitu sir.
06:44Jitu sir.
06:45Jitu sir.
06:46He's also three modes.
06:47See,
06:48they have a normal emotional mood.
06:52Lalita,
06:53I love you.
06:55You married to me.
06:56You also broke my heart.
07:03Then there's a comedy mode.
07:05Until you're wearing this car.
07:07Until you're wearing this car.
07:08Until you're wearing this car.
07:10Until you're wearing this car.
07:14Then there's a angry mood.
07:16Go and say,
07:18Tell me your boss.
07:20Because I will not miss the head in front of the class.
07:22This is Jesus Chaudhary.
07:23Wow.
07:24Wow.
07:26You can't do this like that.
07:29Wow.
07:30Wow.
07:32Wow.
07:33Wow.
07:34Oh, too good.
07:36What is the matter?
07:36My observation is that we did a shooting in Thailand.
07:40So, there was also...
07:42But what was there?
07:43What was the observation?
07:45We remember here in India,
07:48you were young, you remember Johnny and Rajparov.
07:50There was a band of people who had a band.
07:53They would take a band.
07:55They would go there.
07:58The band of people in Thai people already have a fit.
08:02What did they order?
08:03Excuse me, miss, can I order my breakfast?
08:05Okay.
08:06Okay, so can I have an omelette?
08:08Omelette, okay.
08:08You want white bear?
08:10Huh?
08:11You want white bear?
08:13Sorry, you want white bear?
08:14Howie bear?
08:15Oh, white bread.
08:16Okay, white bread.
08:21Our technician was in Bangkok.
08:25Okay.
08:25He was in Bangkok with his brother.
08:27He was in Thai.
08:31He was in Bangkok.
08:33Thai.
08:34Thai.
08:35Thai.
08:36Thai.
08:37Thai.
08:38Yes.
08:39He said, how much money is he?
08:41What?
08:42He said, how much money is he?
08:43He said, how much money is he?
08:44He said, eight times.
08:45Okay.
08:46I said, I'm sorry.
08:48He said, thank you.
08:49He said, thank you.
08:50Thai.
08:51Have you come?
08:52Yes, I want to come?
08:53Yes, I want to come.
08:54Oh, that's the same.
08:55Yes, I want to come.
08:57Yes, I want to come.
08:59Oh.
09:00Holy crap.
09:01Mom already told him.
09:02Yes.
09:03I was not telling him.
09:04He said that.
09:05That's a good one.
09:06He said that.
09:07Oh.
09:08Oh.
09:09Wow!
09:10Like Javed, the master of the sound of the sound of the sound.
09:14If you close your eyes, you can't guess if he is the real person standing in front of you.
09:18You've ever pranked someone by phone?
09:20I was by Anil Kapoor.
09:22What did he do?
09:23We were shooting fast on the shooting.
09:25We were sitting here,
09:27so Anil Kapoor said to me that we were in a hotel.
09:32We were sitting here,
09:34so we were talking about something.
09:35Anil Kapoor said to me that he was doing something.
09:37He did not answer the phone.
09:39He was talking about the sound of Shatruzhi.
09:41It was a number where,
09:43we were shooting by Earth第二 or so.
09:46So Shatruzhi said to me that...
09:498 age after shot,
09:51Anil Kapoor.
09:53What's the song about this?
09:56All right?
09:58Where do you go?
10:00Look...
10:01That's for Shamblin.
10:03What's the pace?
10:04Well, the sound.
10:05Oh, listen, I have to ask for you.
10:08Very good.
10:10And what?
10:11Yes, sir, sir.
10:13We meet in the evening, then we'll get something.
10:16We'll meet in the evening.
10:19Yes, sir, sir.
10:20Sir, sir.
10:21We'll meet in the evening.
10:23I'm here.
10:24I'm here, sir.
10:26I'm here.
10:27You know, actually, it was like I also had this.
10:33At that time, Cheikh Kapoor, Mazhar Khan, Pooja had a phone.
10:39Naseer had a phone at about 11 o'clock at night.
10:42Oh my God.
10:42And he told me to talk about something.
10:44Ask him.
10:46So I said to Amrish Puri's voice.
10:47Wow, my favorite.
10:49So, go ahead and call it.
10:51Oh, Naseer.
10:56Oh, man, I'm telling you, come.
10:59He's a very nice girl.
11:03Sir, yesterday, I'm shooting a sermon.
11:07Oh, Naseer, I'm telling you.
11:11Oh, man, I'm telling you, Naseer, come on.
11:16He went a long time and said,
11:19Naseer, I didn't have so much.
11:22I had a good sense of him.
11:25Wow.
11:27What a difference.
11:28Do you know Rajpal sir's film is probably with David sir?
11:32Huh?
11:33So did you struggle in the film industry or with David sir's house?
11:36You're all in the film.
11:39How do you mean?
11:40No, seriously?
11:44When I came to the first time,
11:45I thought that I didn't take a video of Kriyan Ji's.
11:51Actually, this is a good thing.
11:53I've been 20 years old.
11:55And many directors got the opportunity to work with.
11:58But I don't know which karma has happened in the hands of Tirdev's life.
12:03So, one of Ram Kupal Varma Ji.
12:06Yes.
12:07One of David Dhawan sahab.
12:08One of Pridharshan sahab.
12:09Wow.
12:10How many people came to the world, how many friends came to the world.
12:13There was anything that happened, but never had the three Tirdev's work.
12:18Wow.
12:19What a difference.
12:20And when the two of them came to the world,
12:25So, David, he always feels like a guardian like this.
12:33I feel like with these three, I feel that there is a faith.
12:37I've never asked a story from the past 20 years.
12:40I've never asked what to do with them until today.
12:44When they reach the seat, they say,
12:46Yes sir, tell me.
12:48Yes sir, you come from Rajpal and go from here.
12:51I've come and run.
12:52He said, you've done a good job.
12:54If you want to see them, you'll really like them.
12:57I'm going to do the shooting of Barun in Joduma 2.
13:00I'm shooting Barun in one month.
13:02And when David saw me, Rajpal, you'll see.
13:05You'll see your role.
13:14I'll say again, yes sir, I have a full trust.
13:17I'll say again, yes sir, I'll say again.
13:21This is such a simple thing.
13:24We used to get in the swimming pool at night.
13:26And Rajpal, I mean, if you were to exercise,
13:29I would get to meet him.
13:30I'd like to sit and say,
13:32I'm like, I'm posing as a brother.
13:34I'm doing the right thing.
13:36I'm doing the right thing.
13:37I said, Rajpal, what are you saying?
13:38I'm learning.
13:39Look at yourself.
13:40No, but he doesn't come from understanding.
13:42Sometimes, sometimes.
13:43I said, bro, you've done more work.
13:45Sometimes, it's a good thing.
13:46The direction they give me,
13:48I don't even understand.
13:50It's a hyper.
13:52I'm sure you all know.
13:53Johnny sir knows the best.
13:54Javid sir knows.
13:55I've seen it sometimes.
13:56Sometimes, it happens sometimes.
13:58And I remember once, David said,
14:01I've directed it in 45 films.
14:04Yes.
14:05No.
14:06No.
14:07No.
14:08It's difficult.
14:09I was waiting for David to sit here
14:10and four actors.
14:12And David wanted a shot.
14:14Now, the four actors take off 합orton.
14:16So, you guys do it.
14:18Yes.
14:21And I did not say that, Varun.
14:22I said,
14:23I said 40 years of respect.
14:25I said, don't tell everyone,
14:26I'm gonna lose everyone.
14:30And I asked Varun to,
14:32If you ask me, in my half a month, probably 7 days or 8 days, I was like a student who told me, sir, I have a full burden.
14:42If you have such a massage, you can do it there.
14:45Sir, but when I saw the film, what happened?
14:48That Nandu was so connected to the story that one story, the other story, the other story.
14:55Where they were, there were Nandu and Raja, Nandu and Raja, in the climax, they would say,
15:02They would say, they would play on you.
15:04I'm like, Jacqueline's hand. How do you play on Raja Balb?
15:09Raja Balb?
15:20And all these women...
15:22You know it right now, don't listen to anyone.
15:26These lines will play you.
15:28The scene came.
15:30I got the Jekylline.
15:32As I saw in the audience, I saw Raja.
15:35He dropped out of Jacqueline and ran away from him.
15:40And in truth, I was sitting in the hall.
15:43He was so loud and so loud.
15:46And where Jacqueline was falling,
15:49I think he can be prepared for the chemistry of David's chemistry.
15:56But one thing I would like to say today is that he is my dad's favourite actor.
16:01No doubt.
16:02Everybody's favourite.
16:03And I think everyone can say this when Parish sir comes to the set.
16:06Yes, Parish, come on, let's shoot the other film.
16:08Come on, come on, come on.
16:09The acting is below me, come on.
16:12Javed, are you already doing this?
16:15Come on, come on, you have to come to my set.
16:17Johnny, come on, open up, loud, loud.
16:20I am like, just keep asking.
16:23Don't ask me anything, please, just come.
16:27Rajpal comes.
16:29Rajpal, my son, my son, my son.
16:32My real actor.
16:34Oh, he does.
16:34He does so well.
16:36Oh, that's all my favorite.
16:38So, the happy thing that Rajpal sir comes to his face,
16:43I'm going to cry that when I come in one day,
16:46I will get a chance.
16:48He will never get me.
16:49But I have to say whether it's Parish sir,
16:52Javed sir, Johnny sir,
16:53I have taken the help of my side.
16:59But Rajpal sir, I'm on your side, sir.
17:01What do you say?
17:03Oh, he doesn't come to the help of my side.
17:04Because he hasn't come to any of these,
17:06but he hasn't come to any of these.
17:08And the result of that is,
17:10that when they call the time,
17:12they are like five minutes before the radio station.
17:15And when he has a pick-up,
17:17So, I always have a problem with him that it gets picked up at 2 o'clock.
17:22After that, I'm going to run Barun and Sara.
17:26But I'm going to show you.
17:28I'm thinking I'm going to take a shot.
17:30I'm going to take a shot.
17:31I'm not going to go there.
17:33I'm not going to go there.
17:35I'm not going to go there, sir.
17:41There's another story.
17:42Sir, obviously, it's a comedy film.
17:44It's a comedy film. So, there was improvisation.
17:47So, there was a show that Javed sir did.
17:50Takeshi's Castle.
17:52I'm thinking everyone knows that.
17:54He knows that.
17:56It's so famous.
17:57So, obviously, the character of Kaur Mahindra Pratap,
18:00we made it like that he was from Singapore.
18:02In the original.
18:03Because I'm a fan of that show.
18:05I told him that Javed sir, you were doing the show.
18:07They made a thing in Bengali and Japanese.
18:12What is that, when the observation makes the Chinese one.
18:16It's different.
18:25Is that Japanese?
18:27Is it Japanese?
18:29And then we have to mix it together.
18:39So we have to mix it together with...
18:45I'm going to die.
18:46Yes, I'm going to die.
18:47I'm going to die.
18:49I'm going to die.
18:51Something is a little bit.
18:53A little bit.
18:55Then there was one thing, because my other fan is Mithun Sir.
19:01He's a fan of his mimicry.
19:03So, when he was doing that, obviously, he has to mimicry.
19:06So, there is no one better than Johnny-sab.
19:09So, I was shooting with Johnny-sab.
19:11I said, I want to ask you in your van.
19:13I wanted to do Mithun Sir.
19:15And I saw a clip of Johnny-sab and Mithun Sir.
19:18And Johnny-sab and Mithun Sir are very identically dressed.
19:22Oh.
19:23I mean, boots, the pants, the bell-board cut.
19:27The hair style is the same.
19:29So, I said that you have made such pictures.
19:32And they have made such pictures.
19:35Because he is Bengali.
19:38So, the way he does it, I don't think anyone in the world knows Mithun.
19:42Johnny, Johnny, do that.
19:44Yes, you are.
19:46I am getting the camera off my butt.
19:48A little bit.
19:49Oh!
19:50Oh, Salah!
19:55What is he doing here, Salah?
19:58I would like to see you later.
20:00Oh, ma!
20:01You know it.
20:03I didn't talk about it.
20:05I didn't talk about it.
20:06I didn't talk about it.
20:07I didn't talk about it.
20:08I didn't talk about it.
20:10And I was going to go.
20:12But I didn't go.
20:14Keep it.
20:16Keep it.
20:17Keep it.
20:18What is this?
20:20It's a dance.
20:22When did you say this?
20:24Did you say this?
20:25Did you say this?
20:26Listen to me.
20:27I thought I was good.
20:29Then I got there.
20:31I got there.
20:32Look at me.
20:34This.
20:35Like this.
20:36Dance.
20:37Like this.
20:38Here.
20:39Here.
20:40Here.
20:41Here.
20:42Here.
20:43Here.
20:44Here.
20:45Where are you?
20:46And fight.
20:48Here.
20:49Here.
20:50Here.
20:51Here.
20:52Here.
20:53Here.
20:54Here.
20:55Here.
20:56Here.
20:57Here.
20:58Oh, my God.
21:00Here.
21:01Here.
21:02Here.
21:03Here.
21:04Here.
21:05Here.
21:06Here.
21:07Here.
21:08Here.
21:09Here.
21:10Here.
21:11Here.
21:12Here.
21:13Here.
21:14Here.
21:15Here.
21:16Here.
21:17Here.
21:18Here.
21:19Here.
21:20Here.
21:21Here.
21:22Here.
21:23Here.
21:24Here.
21:25Here.
21:26Here.
21:27Here.
21:28Here.
21:29Here.
21:30If someone comes to shooting, they ask them to go and leave.
21:40So the producer said, I would leave you for 2 hours.
21:44Then talk.
21:46What is this?
21:48No, that's not the thing.
21:51Is he playing a toy?
21:56He will go for 1 hour.
21:57Let's go and leave.
21:59I have to go for my show.
22:01Let's go for 7 hours.
22:02You will have to go for a minute.
22:04Only half an hour will be short.
22:05Do it again.
22:06Go ahead.
22:07Go ahead.
22:08You have to go back.
22:09You have to go back.
22:10You have to go back.
22:11You have to go back and say,
22:13Oh, what is this?
22:18I had to go back.
22:22I had to go back.
22:23I have to go back.
22:25Wow.
22:26What a joke.
22:28Okay.
22:29There are so many things about mimicry.
22:30There are so many different voices.
22:31So do one more.
22:33Javed bhai, please.
22:34I know.
22:35I mean, the biggest example of Bachchan Sahib is.
22:37Yes.
22:38The first one, which is the sound of the wall from the wall.
22:41Today, you will be happy.
22:45The man who has never built the wall of the temple.
22:47This was the first one.
22:49Yes.
22:50Now it's done.
22:51No.
22:54No means no.
22:56Wah.
23:01It's not just a dream, Your Honor.
23:03It's not just a reality, Your Honor.
23:06It's not just a reality.
23:08Wow.
23:10So, there is no explanation or explanation of the work, not only it will happen.
23:22But this is a very good thing, Kabil.
23:25I mean, the base of the actor, Arshana Ji, after his establishment, is very slowly.
23:32But the physical change in the actor,
23:36I am a producer and I have come to the city.
23:42So, I have come to NSD.
23:44And I, right?
23:47First, I will see how to wear clothes.
23:49If I wear clothes, I have to wear clothes and wear clothes.
23:56Sir, I am coming, sir.
23:58Sir, did I get it?
23:59Sir.
24:00Just doing it.
24:01Sir, I have NSD.
24:02Sir, I have a photograph.
24:04Sir, I have a photograph.
24:06Sir, I have a photograph.
24:07Sir, I have a photograph.
24:09So, it's okay. Let's try it.
24:11Now, come here.
24:12Yes, sir.
24:13I went to the shooting for another day.
24:15Sir, I feel good.
24:17Yes, I feel good.
24:18Sir, the rest of my dialogue is okay, sir?
24:21Yes, absolutely.
24:22Sir, I am...
24:23Yes, sir.
24:24Then I came.
24:25Now?
24:26Now?
24:27You said two or four times.
24:29Done.
24:30Very good.
24:31You have done a wonderful job, man.
24:32Wonderful job.
24:33Great job.
24:34Now I am coming.
24:35Yes.
24:36I slept so late.
24:38Hi, bro.
24:39Hello, bro.
24:40Hello.
24:41Hello.
24:42Hello.
24:43Hello.
24:44Hello.
24:45Hello.
24:46Hello.
24:47Hello.
24:48Hello.
24:49Hello.
24:50Hello.
24:51Hello.
24:52Hello.
24:53Hello.
24:54Hello.
24:55Hello.
24:56Hello.
24:57Hello.
24:58Hello.
24:59Hello.
25:00Hello.
25:01Hello.
25:02Hello.
25:03Hello.
25:04Hello.
25:05Hello.
25:06Hello.
25:07Hello.
25:08I need tea, man.
25:09I drink tea.
25:10I drink tea.
25:11I'm talking to you.
25:12I'm going to go.
25:13But what are you doing?
25:14Sir, come in.
25:15You're not watching fans outside.
25:16You're not watching actors inside.
25:18What are you doing?
25:19You're late.
25:20No.
25:21I'm going to go a little.
25:22Let's go.
25:23Let's go.
25:24Let's go.
25:25Let's go.
25:26Let's go.
25:32Wow.
25:33What a joke.
25:34Oh.
25:36Let's go.
25:37Let's go.
25:38Let's go.
25:42Kabir, I'll forget one thing.
25:44I wanted to say one thing.
25:47Yes.
25:48I've also learned Johnny's acting too.
25:50Why should I not do it?
25:52Huh?
25:55No, but this is true.
25:56Johnny Sir is an institution.
25:58Absolutely.
25:59My surprise is that this is my third film with him.
26:02Wow.
26:03And when someone's acting with Johnny Sir.
26:05He's very relaxed.
26:07Because there's a lot of tension that the scene will fall or something.
26:10But when Johnny Sir is in the scene, you'll know that people will be happy.
26:14I mean, Johnny Sir is so proud of the public.
26:16He's so proud of the public.
26:17He's so proud of the public.
26:18He's so proud of the public.
26:19And he also works for that proud of me.
26:21After so many years, he's so passionate.
26:23And that passion, when someone's new, like me and Sarah, when we see them,
26:27you know, it's a bulb on.
26:29And he sees that God is shining his light on him.
26:33God has blessed him in some way.
26:36Because in the way that he's laughing, I think,
26:38that God has sent him for that.
26:40That's why he's laughing.
26:42Wow.
26:43I believe.
26:44But honestly, if Johnny Sir is in the back stage,
26:47Johnny Sir is here in the shoot,
26:48traveling and he says,
26:49Johnny Sir is here.
26:50He's standing there.
26:51He's standing there.
26:52He's standing there.
26:53He's standing there.
26:54I remember.
26:55I was watching Karnarjun.
26:56Johnny Sir was new when Karnarjun came.
26:57I was in the 90s.
26:59I forgot what year.
27:00But when the scene came,
27:02he was complaining.
27:03Karnarjun said,
27:04I saw Karnarjun.
27:05He said, where did he?
27:06How long did he go?
27:08He saw TV on TV.
27:09We were dead, Johnny Sir.
27:10And we were listening to you.
27:12We were listening to you.
27:13And many people have also said,
27:14that the work is scripted today.
27:16Correct.
27:17But I heard that Johnny Sir,
27:18the director said,
27:19that this is the scene.
27:20And this is the scene.
27:21And you can see what you have to do.
27:23And it was like Johnny Sir.
27:24It was like that.
27:25It was like that.
27:26It was like that I didn't know what to do.
27:28I was like,
27:30I was like,
27:31I was like,
27:32I was like,
27:33I was like,
27:34I'm like,
27:35I'm like,
27:36I'm like,
27:37I'm like,
27:38I'm like,
27:39I'm like,
27:40I'm like,
27:41I'm like,
27:42I'm like,
27:43I'm like,
27:44I'm like,
27:45I'm like,
27:46we might break.
27:47Let's break.
27:48I'm like,
27:49I'm like,
27:50break?
27:51You break,
27:52I'm not going to eat food.
27:53I'm going to eat it.
27:54Highlight,
27:55Bazi Gar.
27:56That was going to be the writer.
27:58Oh!
27:59That's the phone.
28:00I had made Panchas.
28:01Wow!
28:02What about that?
28:03The whole of the green scenes and the other.
28:05So this was 80% of mine.
28:0820% of the people of Abadmastan.
28:10When I went to dubbing, I had to say,
28:13I remember what to do with the paper and what to do with the paper.
28:16How many people wrote it?
28:19So this is what happens.
28:22Jackie was talking about in my mind that you are a producer of this film.
28:27You are also a actor. You are handsome.
28:29You have no idea that I am going to do this role.
28:31This is what Papa told me when the other is going to do it.
28:39This was the first number one in Varun and nobody could do it.
28:42How did I do this?
28:44I am going to dubbing this.
28:47You know, both of us have grown up watching Chichi Baya.
28:49I mean, I am saying that in Varun, nobody could do it.
28:53But it was, because, obviously, you used to call me also.
28:56Behera is such a good relationship with Vashu Sahar and Vashu's uncle.
29:00But when this film started, it was only Jackie.
29:03Jackie produced this film, beginning to end.
29:06Whatever it was needed, Jackie gave it.
29:08And obviously, when a producer and an actor also has a relationship,
29:12that you are the director of my father,
29:15but if I am scared of him,
29:17then I will say, who will I say to him?
29:18I will not say to my mother, he will do this on the set.
29:20So, Jackie was a very good middle man.
29:24He told me that he would not say to my dad,
29:25just give it one take and it's okay.
29:30So, I think Jackie has been a wonderful producer
29:33and this is his first film which I would like to say,
29:37he has produced a solo and definitely he has a very acumen.
29:41To make money and to give money,
29:44which is what it should be.
29:46But I think he has done a wonderful job in this film also.
29:50Varun, I remember one thing,
29:52I said, David Sir,
29:53I had to make that film with you.
29:55Let's go to Sussural Dive.
29:56He is also in his mind that he is also in his heart.
29:58No, he is not in his mind.
30:00He is also in his mind,
30:02but why did that talk come to his mind?
30:05Why?
30:05Because when the show comes,
30:07such beautiful heroines come,
30:09this thing and then he sees the couple
30:11in which way he flirted as a married person.
30:14He also flirted and then innocently came out.
30:17Do you know what?
30:18You don't have a new hero in every film.
30:20You stay sober.
30:21We will never get to see it.
30:23We will go.
30:24That's enough, the rest is enough.
30:26We will never get to see it.
30:28The rest of us, I have heard
30:30that Vashu Sir, you are also thinking of a film.
30:31But the rest is on your own.
30:32Look at it.
30:33Why are you not talking about it?
30:34Backstage, you are talking about it.
30:35I love Kiss Kiss.
30:36You know, Dad was involved with it.
30:38And I was just saying that we should do a film.
30:41There were three heroes.
30:42So, this time we were thinking of six.
30:44You are talking about six.
30:45Jackie, I love you.
30:48This is the most popular fruit of you.
30:51This is the dragon fruit.
30:53I am giving a kiss to such a nice man.
30:56I am giving a kiss to such a nice man.
30:58Jackie, like the producer's work,
31:00my budget is not going to increase.
31:02As long as you think about it.
31:04So, you keep so much attention on the set,
31:06that the scene is not yet completed,
31:08and people have used sanitizer for 40 times.
31:10Okay.
31:11That's not going to happen.
31:12So, I asked him,
31:13like Johnny, like Arshina,
31:15I don't know about it at home,
31:17but here,
31:17they are only 40 times in the sanitizers.
31:20And I saw one day,
31:21their purse was placed in plastic.
31:24They are not going to kill me,
31:25but they are killing me here.
31:26They are not going to kill me here.
31:35What is this?
31:36Oh
31:54I want to say a song
31:56I want to say a song
31:58So much?
32:00You haven't left?
32:02Do you want to say the name of someone?
32:04David Sir, is your name David Sir?
32:06David, David.
32:07David, David.
32:09David, David.
32:11David, David.
32:12Arsana, ma'am.
32:14Give them a second.
32:18Fuck, man.
32:19You told me that so many people are coming to me
32:23to make me a piece of bread.
32:25Are these bread?
32:27No, I made them a piece of bread.
32:30I'm saying that.
32:34Let's do it again.
32:36No, we won't do it.
32:37Why?
32:37Now, I'm going to throw the milk out of the milk, right?
32:40Now, the milk is made from the milk.
32:42The milk is made from the milk.
32:43Shh!
32:44Tell me, don't tell me about the milk.
32:48If the milk tells me what to do with the milk,
32:50then I'm wearing the t-shirt shirt today.
32:55One minute.
32:59Where is David?
33:00David, sir.
33:02No, it's not in the problem.
33:03Dad, I'm not going to talk to you.
33:05The person who gave you a film.
33:07Today, you left him at home.
33:10Why did you get the milk out of this before?
33:17I'll tell you something.
33:18I didn't bring it to you.
33:20Why?
33:20Because if they come here,
33:22then there's no one sitting there.
33:23Because the sofa is so much.
33:27And, Baba, how did you talk about this?
33:29You can talk about it, you can talk about it.
33:31Varun, you're coming from here, right?
33:33Yes, I'm coming from here.
33:34I'll sit down here.
33:35Do you have any problem?
33:38No.
33:39But you're coming from here, I'm coming from here.
33:48Varun, your father is a director, my brother is also a director.
33:52Why don't you become a government teacher?
33:54Why don't you become a government teacher?
33:55Why don't you become a government teacher?
33:56Why don't you become a government teacher?
33:57It happens, Deverji.
33:58When you do two businesses in the house,
34:00you need to become a government teacher.
34:02I don't know.
34:03I don't know.
34:05Correct.
34:06At the time of today.
34:07I'm saying that.
34:07He's doing so much work,
34:08but he's doing so much work.
34:09Why don't you do that?
34:10That's right.
34:11That's right.
34:11We were working all the time.
34:12Corona came.
34:13Sit down.
34:14You're doing it at home.
34:16That's why I'm saying that.
34:17But in Corona,
34:18there's a lot of work that you and your husband have done.
34:20Very much.
34:20Don't think that he's going to cry because he was free in lockdown.
34:27It's like that.
34:29But I'm telling you,
34:31the government's job has a lot of benefit, Kapu.
34:34What?
34:35No one can't believe it in Tuali.
34:38My husband's son has a new shirt every year.
34:42You've never used it, right?
34:44The government's job has a lot.
34:46What?
34:47What?
34:48You've never used to talk to them.
34:50I won't talk to them with anyone.
34:51I'm the most angry.
34:52Why?
34:53Why?
34:54I've been my 11 children, Devar.
34:56No one came to my house to give them.
34:58Who will give them?
34:59Who will give them?
35:00Who is your husband?
35:01We don't give them as well.
35:03Because they're 11 children, Jawejji.
35:05After 4 children,
35:06they've also closed the door.
35:07What did they tell them?
35:09They're doing their work.
35:10Our one husband has given us our children.
35:13They say,
35:14Where are 11 children,
35:15there will be one another one.
35:16So, that's right.
35:17That's right.
35:18Don't take the side of the people.
35:19Don't take the side of the people.
35:21This is the same.
35:22How much is it?
35:23Do a member of the family,
35:24let them do something.
35:25All of them depend on that.
35:27He will do something.
35:28Look at my husband.
35:31Who is the one?
35:33Who is the one or the other one?
35:35Who is the one or the other one?
35:36It's the same.
35:37It's the same.
35:41Okay.
35:42I'll tell you one thing.
35:43Today,
35:44my 11 children,
35:45Archanah Ji,
35:46they're because of Joni Ji.
35:48Huh?
35:49What are you talking about?
35:50What are you talking about?
35:51Yes,
35:52I've seen their films.
35:53They're young.
35:54They're young.
35:55They're young.
35:56They're young.
35:57They're young.
35:58They're young.
35:59They're young.
36:00They're young.
36:01They're young.
36:02I thought,
36:03I was growing up.
36:04I was growing up.
36:05I was growing up.
36:06I was growing up.
36:07So,
36:08I could tell you all.
36:09Wow.
36:10Wow.
36:11When you came,
36:12I didn't have a bad talk.
36:13I didn't have a bad talk.
36:14Why would I do it?
36:15I would have to do it myself.
36:16I would have to do it myself.
36:18I would have to do it myself.
36:19I would have to do it myself.
36:20Hi, Sara.
36:21How are you?
36:22I'm very good.
36:23Nice.
36:24You're thin.
36:25You're very thin.
36:26You're very thin.
36:27Sara,
36:28I'll give you two.
36:29Tips?
36:30Tips.
36:31No one has to worry about it.
36:32Tips.
36:33I'm sleeping.
36:34I'm taking a glass of cold drink.
36:35Like this.
36:36The cold drink.
36:37Last.
36:38That's what I like, Jaiberji.
36:40I'm coming to you.
36:41Because I've talked about your story.
36:43I'm a fan of your childhood.
36:45You're a fan of your childhood.
36:46You're a show.
36:47You're a boogie boogie.
36:48Boogie boogie boogie.
36:49Boogie boogie boogie.
36:50Boogie boogie boogie.
36:51I'm so big.
36:52I'm a fan of the show.
36:54But I've asked you something.
36:56You were saying,
36:57you're saying boo,
36:59what was it like?
37:00We were saying boo.
37:01We were saying boo.
37:03We were saying boo.
37:04We were saying boo.
37:05Bobby, it's their style.
37:07It's alright?
37:08It's like a style?
37:09We didn't know it.
37:10We were talking in Punjab.
37:11We were saying boo.
37:12We all looked at it.
37:13We thought that people were trying to finish a show.
37:16Boo.
37:17I was trying to do it.
37:18But boo two things.
37:20One is boo.
37:21And a boo.
37:22So which one was the one?
37:24The one was the one.
37:26I don't know how much I am, I don't know.
37:30So, Raspal, I want to ask you something too.
37:35The one who is drinking Nimbu water, the one who is drinking hangover.
37:38Do they know who they are drinking?
37:40What is drinking Nimbu water?
37:42The one who is drinking Nimbu water.
37:44I'm not drinking.
37:46How is this hangover?
37:48I don't know, I'm drinking.
37:50I don't know, what?
37:52On the national TV, the 11 children are saying,
37:54how is it going to hangover?
37:56When she didn't drink, why did she ask her?
37:58Archanal, ask yourself yourself.
38:00This is the one who tells me
38:02that the Nimbu water will hang out or not.
38:04Oh my God.
38:06You were saying that I was asking Jackie to me,
38:08alone.
38:09Me?
38:10Alone, right?
38:12So many people in front of me.
38:14This red car is my Jackie's here.
38:16But then I don't want to go inside.
38:20I don't want to go inside.
38:22I don't want to go inside.
38:23Varun, you will dance with me
38:25because my husband is a little bit.
38:27What do you mean by a little bit?
38:29Actually, I wanted to dance with him.
38:31But he didn't believe.
38:32So then he got a little bit.
38:34So now you will dance?
38:35I will do it.
38:36Come on, slowly.
38:41Oh, there's something.
38:43Good one.
38:45Good one.
38:46Good one.
38:47Good one.
38:49Good one.
38:53So, Darshiko, Javed sir.
38:55They have to know him.
38:57They have been getting a lot of films.
38:59So, Javed, thank you so much for your show.
39:01Thank you sir.
39:02And you have a lot of fun.
39:03Love you sir.
39:04Thank you sir.
39:05Thank you Javed sir.
39:06Thank you, Javed sir.
39:08Okay.
39:09Sorry, I have to go to Bhuji Raat right now.
39:12Bhuji Raat.
39:14Thank you sir.
39:15Bye sir.
39:16See you soon.
39:19Okay, thank you.
39:20Thank you guys.
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