Exclusive Conversation with Suneel Darshan: Andaz 2 | Classic Hindi Cinema | Storytelling | Journey - video Dailymotion

IANS INDIA

Mumbai: During an exclusive conversation with director Suneel Darshan, where he discussed his film "Andaz 2", a romantic drama with a fresh cast and melodious music. He emphasized the film's new story and themes while maintaining the essence of classic Hindi cinema. Suneel believed audiences prefer fresh content over star power and is confident that "Andaz 2" will find its space despite current trends. He also talked about the importance of storytelling, the shift to multiplexes, and his instinct-driven approach to filmmaking. In the last, he conveys a message to his fans and invites them to watch "Andaz 2" with their families.  #SuneelDarshan #Director #Andaz2 #Casting #LoveTriangle #UpcomingMovie #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood

Transcript

00:00Sir, one more thing is that after making so many films and making so many hit films,

00:07do you have any jitters when the opening of Friday?

00:14That's what I'm asking for from my parents.

00:20This film is for us as a child.

00:23There is confidence, but there is also fear.

00:27But I'm very confident about this movie.

00:30Because we have made a patiently film.

00:32And we know that the time is very slow.

00:36The film industry is going through a difficult era in today's time.

00:40When the interpretation of the work has changed.

00:47Where is the film going? I don't know.

00:49But the first day comes that the film has 100% of the collection.

00:53The show doesn't have 100% of the collection.

00:56Where is the film going? I don't know.

00:58It's a fictitious world.

01:00It's a very difficult task.

01:03It's a very difficult task.

01:05It's a very difficult task.

01:06It's a very difficult task.

01:08It's a very difficult task.

01:10Sir, one more thing is that

01:12Mr. Asra, of course,

01:13Mr. Asra, of course,

01:14Mr. Asra is working very slowly.

01:15Yes.

01:17Mr. Asra, of course,

01:18Mr. Asra did not show the film in the theatre,

01:19Mr. Asra said,

01:20Mr. In the film now,

01:21Mr. Asra,

01:22Mr. Asra was working on this,

01:23Mr. Asra's now to the film,

01:24Mr. Asra once said,

01:25Mr. Asra's now to the film.

01:26Professor уже found this film.

01:27Mr. Asra owns the film.

01:28Mr. Asra's now to the film,

01:29Mr. Asra was forth 한�ana.

01:31Mr. Asra's now to the film.

01:32Mr. Asra says,

01:33Mr. Asra is very difficult.

01:34is one step ahead of my father's father because he was also born in this industry.

01:42And I feel that we are very proud of the industry.

01:47But yes, the corporate structure has come at this time.

01:50The parameters, the rules, the terms and conditions are probably different from us.

01:57We also want to keep our industry going.

02:03Sir, I would like to know,

02:06that the films that are being made from you,

02:09and then they release it to you.

02:12So what is the business that is down from that?

02:15The good films are always coming.

02:18Tell me which good film was not coming.

02:21It's not always like that.

02:23Some of them are looking at their levels.

02:26I remember that a film called Nadia.

02:29The film was not coming from Bombay.

02:32But it started coming from Kanpur,

02:35that the film was hundreds of crores in the 1980s.

02:39So it was a good film.

02:41I found my vision.

02:42I am closer to home.

02:44I made a film called Janwar.

02:46The Janwar film did not like Bombay.

02:49But the whole world did not like that film.

02:53It was a film in Bihar K.

02:55It was 15-25 weeks.

02:56It was 15-25 weeks.

02:57It was 15-25 weeks.

03:00It was a film in Bombay.

03:02The journalists who write their stories,

03:04write their stories,

03:05write their stories.

03:06They had to realize that the stories were not going to be written.

03:11And it was very important.

03:13Some people think that the film was in single screen theatre.

03:18The film was also in the first place.

03:20But nowadays the film is not so much.

03:23There are multiple places.

03:25There are also multiple places.

03:27and we have seen a lot of multiplexes.

03:29So, the single-screen theaters are not going to be released.

03:31What do you say about this?

03:33Look, change is a change.

03:35It's a change.

03:37So, the systems have changed.

03:39Yes, it is necessary that if the multiplexes are

03:43able to understand the cinema

03:45and not understand the hall of refreshments.

03:47If it doesn't happen,

03:49and call the audience for cinema,

03:51and call the samosa cold drink

03:53or 500-600 pop-corn

03:55I think it will be very much facilitative

03:59for the viewers

04:01to come and repeat watching films.

04:03Sir, lastly,

04:05in your filmography,

04:07which film you want to make again?

04:09I don't want to make it again.

04:11I don't want to make it again.

04:13I want to make it again.

04:15I want to make it again.

04:17I want to make it better.

04:19I want to make it better.

04:21Sir, any future projects

04:23for big stars?

04:27This is what happens on the spur of the moment.

04:31I am a storyteller,

04:33I am a writer,

04:35I am a director,

04:36I am a producer.

04:37So, all these things

04:39are different.

04:41They are different.

04:43I am instinctive.

04:45In that moment,

04:47I was standing,

04:49like I said,

04:51I have become a hero.

04:53I have become a hero.

04:55I remember that Ajay Devgan

04:57who wanted to work.

04:59They were the top stars.

05:01Right?

05:02They are today too.

05:03But Akshay Kumar,

05:04in that moment,

05:05his 13 films were flopped.

05:06So, I have done Akshay Kumar

05:07who cast.

05:08Why did he do it?

05:09It was my mind.

05:10It was an instinct.

05:11I wanted to ask one question.

05:13...

05:25...

05:28If you want to hit the music in the reels, then the songs will be hit.

05:33So, do you think that this trend is faster?

05:36In addition to that, people don't like the film or anything like that?

05:41Because the music is not in the film.

05:45There is no need to take the tempo.

05:49You have a tempo compared to the situation.

05:54There is no need to take the tempo.

06:00If there is a scene, what is the scene?

06:03He will tell you to shoot at the tempo.

06:06That's why the tempo has got nothing, no relevance.

06:10The music is being made.

06:12The music is being made.

06:14The music is being made.

06:16The music is being made.

06:18The music is being made.

06:21The music is being made.

06:23The music is being made.

06:24I didn't think that the music is good.

06:28But the music is being made so bad.

06:32Because the filmmakers, filmmakers, directors, music composers,

06:37were made by the music.

06:41What do the filmmakers do?

06:43The actors and actresses have to chase the film.

06:47But for some reason, what do the music look like?

06:50Who know that?

06:51Who needs to be made?

06:52The music is being made by the music.

06:53The music is built by the music.

06:54The music is being made by the music.

06:56That's what you do.

06:58Sir, I would like to say that there was a shift in 8 hours.

07:01Today, actors are demanding, especially female actors,

07:05that they need to do 8 hours.

07:07It means that after the pregnancy,

07:09they need to be able to do 8 hours.

07:12So, this was controversial.

07:17You understand what you're saying?

07:19The producer had to write about 8 hours in the set.

07:24If they gave 4 hours in the set,

07:28then the producer will leave their blood.

07:31Sir, do you think that this is right or wrong?

07:36If you think of senior directors and producers,

07:39what do you think?

07:40I don't want to say anything about DP's terms and conditions,

07:44because I understand the terms and conditions.

07:47I've heard the terms and conditions.

07:49But I understand that they need to work with.

07:53and that they need to work with.

07:54They need to love your films.

07:57It's not a difference.

07:59One day, DP was also new.

08:02There will be some new girls.

08:05They will continue to meet new girls.

08:07They will continue.

08:08Okay.

08:09Lastly, sir, what message would you like to give to your fans?

08:12I'm addressing my fans.

08:1630 years ago

08:17I really liked my films

08:21I watched

08:22whether it was action films

08:24like Lutere, Antikam, Ajay

08:25or emotional films

08:28like a relationship

08:29like a friend

08:32like a friend

08:34like a friend

08:36like a friend

08:37please

08:39please

08:40please

08:41please

08:42please

08:43please

08:45please

08:47I will give you a shout

08:48if you like it

08:49and please

08:51do go and watch it

Exclusive Conversation with Suneel Darshan: Andaz 2 | Classic Hindi Cinema | Storytelling | Journey

Category

Transcript

Recommended