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00:01:30Do you remember the last thing that you said to me?
00:01:38She's alive.
00:01:39Have you finished Cold Harbor?
00:01:48What is this place?
00:01:50It's a cabin for giving birth.
00:01:52Why am I here?
00:01:56Why are you here?
00:01:58Cold Harbor.
00:01:59Have you finished it?
00:02:05No.
00:02:06And she's still alive.
00:02:12We can save her.
00:02:16Who?
00:02:17Miss Casey.
00:02:21Gemma.
00:02:24There's a hallway down there.
00:02:27It's different than the others.
00:02:30It's long and black and hidden.
00:02:32From Irving's drawings.
00:02:37What?
00:02:40With an elevator going down.
00:02:45We know where it is.
00:02:47What a funny speech you gave at the party.
00:02:58I'm going to cross with you after.
00:03:12I threw a tin of candies.
00:03:14God, you're fucking weird.
00:03:20God, you're fucking weird.
00:03:20I do not love my daughter.
00:03:48I used to see Keir in her.
00:03:58But he left her as she grew.
00:04:04Sound like a great dad.
00:04:07I saw at others in the shadows.
00:04:12But he wasn't in them either.
00:04:13I don't know.
00:04:14Until I saw him again.
00:04:25And you.
00:04:29You and your family created hell.
00:04:30And you're going to burn in it.
00:04:31There he is.
00:04:45Tomorrow is a special day.
00:04:51Hey.
00:04:54Why did you come here?
00:04:56What do you want from me?
00:05:03So, wait.
00:05:04When I finish Cold Harbor,
00:05:06they do a test,
00:05:08and then they kill her?
00:05:10Once that file is done,
00:05:13you'll need to quickly get to the black hallway,
00:05:16then down to the testing floor.
00:05:18I'll not let you leave MDR
00:05:20until that file is complete.
00:05:21Okay, but how do I find her once I'm down there?
00:05:26No, you won't.
00:05:27I won't.
00:05:27No.
00:05:28Your chip is only attuned to your floor.
00:05:32Once you get down to testing,
00:05:33you'll be your Audi again.
00:05:36And then he'll find Gemma
00:05:37and take her up to the separate floor,
00:05:39where you will guide her
00:05:41to the exit stairwell.
00:05:43Right, okay.
00:05:50Mark.
00:05:52I know this is a fucking lot, man.
00:05:57But if we can prove that she is alive,
00:06:00if we can prove that they fucking kidnapped her,
00:06:03it will end them.
00:06:13Well, what happens to us?
00:06:18What do you mean?
00:06:22Well, if Lumen ends,
00:06:25then what happens to every innie
00:06:26on the severed floor?
00:06:33Yeah.
00:06:33Um...
00:06:34Oh.
00:06:46You want me to give my life?
00:06:48No.
00:06:48The lives of everyone down there?
00:06:50No, it's not that simple.
00:06:54Just to save one person
00:06:56you happen to care about.
00:06:58It doesn't have to end your life.
00:07:04Really?
00:07:07Right.
00:07:08Um...
00:07:09There's somebody else
00:07:11who wants to talk to you, actually.
00:07:23Um...
00:07:24Okay.
00:07:26Just hit the...
00:07:28play.
00:07:34Watch it.
00:07:46Record your response.
00:07:49And step outside.
00:07:53We'll just be downstairs, okay?
00:07:55Okay.
00:08:04Hey, uh, I'm...
00:08:22Well, I guess you know who I am.
00:08:23Uh...
00:08:24I think you've spoken with Devin
00:08:27and Mrs. Selver...
00:08:28Miss Goebel.
00:08:30Um...
00:08:31So, you...
00:08:33You know what it is
00:08:34that we're asking.
00:08:38But the first thing
00:08:39I need to say to you
00:08:40is
00:08:41that I am
00:08:44so sorry.
00:08:46You know,
00:08:47I created you
00:08:48as a prisoner
00:08:49and as an escape.
00:08:53Lumen told me
00:08:54you'd be happy,
00:08:55that innie's are content,
00:08:57and because I took their word for it,
00:08:59you've been living a nightmare
00:09:00for two years.
00:09:04It's horrific
00:09:04what they've done to you.
00:09:07And part of the reason
00:09:08I'm here
00:09:09is
00:09:09to make it right.
00:09:14And I hope, uh,
00:09:16with all we have in common,
00:09:18that
00:09:18you'll give me that chance.
00:09:21It's okay.
00:09:33It's okay.
00:09:33It's okay.
00:09:34It's okay.
00:11:04You know, nightmare is the wrong word, actually.
00:11:09Because we find ways to make it work, to feel whole.
00:11:17Which is why what you're asking scares me.
00:11:22You know, because whatever this life is, it's all we have, and we don't want it to end.
00:11:33Can you understand that?
00:11:35I don't know.
00:11:51Of course I can. Such a good point. I'd say the same thing in your position. However,
00:12:17lumen doesn't have to be your whole life. Now, you may have been seeing flashes lately,
00:12:26images from my world out here. I've been seeing yours too. It's a process called reintegration.
00:12:34It's a way to recouple memories so we can be one person. I started this because I see now
00:12:42how unfair this all is to you. And once my wife is free, l swear, l will finish the process.
00:12:49Because this life, our life, belongs to both of us. And l want to share it with you.
00:13:00Okay. But what would that mean exactly? That you get the right side and l get the left? Or is it like a top-bottom situation?
00:13:21l'm honestly trying to understand. No, no. It wouldn't be like a top-bottom situation.
00:13:25It's like both of us. Like one person combined. Like my memories and yours. And my trauma and yours.
00:13:34But like, you know, the good stuff too.
00:13:36Okay. But I mean, you've been alive for, what, 20 times longer? So whoever this new hybrid person is,
00:13:51it seems like he'd be way more you than me.
00:13:59I just don't think that's how it works.
00:14:01Okay. How does it work?
00:14:28Look.
00:14:31I mourned Gemma for two years.
00:14:43I lost my job. My teaching job.
00:14:49Because l fucking started showing up drunk.
00:14:53You know, he hid all of her stuff in my basement.
00:15:05Because it was easier pretending that she never existed.
00:15:14And l thought l was protecting you from that pain.
00:15:16Oh, hey, uh...
00:15:28Mrs. Google told me you like someone down there?
00:15:33Helena Egan, right?
00:15:35I think her innie name's Helena?
00:15:36Honestly, l love that you had that experience.
00:15:43So now, you can imagine, like, what you and Helena have.
00:15:49But multiply, like, thousands of days of, like, joy and arguments and passion.
00:15:58Then you can see why l have to get my wife back.
00:16:00l have to have her back.
00:16:02l have to have her back.
00:16:03l have to have her back.
00:16:05,,
00:16:06and then you can think of you.
00:16:11l have to get her back.
00:16:12l have to have her back.
00:16:13l have to have her back.
00:16:14Telly, actually.
00:16:27Kelly.
00:16:30It's a person I'm in love with.
00:16:33Which you'd know if you'd ever taken an interest in my life.
00:16:37Before tonight when you need something.
00:16:41She's the person I'll lose.
00:16:44If I do what you say.
00:16:45Because you know as well as I do that her outie won't, like, reintegrate.
00:16:52Assuming that's even real.
00:16:55Assuming every word out of your mouth isn't a lie.
00:16:59What?
00:17:02Whoa.
00:17:03I'm sorry.
00:17:04I didn't mean to.
00:17:06Dude.
00:17:07I'm just trying to save my wife.
00:17:09Okay?
00:17:10I can't abandon her.
00:17:11And if you help me, I won't abandon you.
00:17:15I promise.
00:17:17You know what I think?
00:17:18I think the second you get your wife back, you forget I ever existed.
00:17:22I think that I disappear along with every innie down there.
00:17:28What do you want from me?
00:17:29We are in this together.
00:17:31Can't you just trust me?
00:17:33No.
00:17:34Debbie!
00:17:35He's a fucking child.
00:17:36He won't listen.
00:17:37Let me speak to him.
00:17:38I mentioned reintegration.
00:17:39He basically called bullshit.
00:17:40Well, he's not wrong, right?
00:17:41Let me speak to him.
00:17:42Alone.
00:17:43Okay.
00:17:44Yeah.
00:17:45Okay.
00:17:46Okay.
00:17:47Okay.
00:17:48Okay.
00:17:49Okay.
00:17:50Okay.
00:17:51Okay.
00:17:52Okay.
00:17:53Okay.
00:17:54Okay.
00:17:55Okay.
00:17:56Yeah.
00:17:58Okay.
00:18:00Okay.
00:18:01Okay.
00:18:02Okay.
00:18:03Okay.
00:18:04Okay.
00:18:08You won't listen.
00:18:10Let me speak to him.
00:18:11I mentioned reintegration.
00:18:12He basically called bullshit.
00:18:13The numbers are your way.
00:18:31The MDR numbers from your console.
00:18:43They're a doorway into the mind of your Audi's wife, Gemma Scow.
00:18:55I don't understand.
00:19:01What do you see every day when you look at them?
00:19:04What? We feel things.
00:19:21What do you feel?
00:19:25Different things. Sometimes sadness.
00:19:29Whoa.
00:19:30Frolic.
00:19:35Malice.
00:19:38Dread.
00:19:43So you're saying the...
00:19:46The clusters are...
00:19:48Our tempers.
00:19:52The building blocks of her mind.
00:19:55Her mind.
00:19:58What am I building?
00:20:04Every file you've completed...
00:20:09Is a new consciousness for her.
00:20:11A new innie.
00:20:14I've completed 24 files.
00:20:17Cold Harbor is the last.
00:20:21Tomorrow will be your final day at Lumen.
00:20:25You will have served your purpose.
00:20:26And so will she.
00:20:27You will have served your purpose.
00:20:29And so will she.
00:20:33I've completed 24 files.
00:20:35I've completed 24 files.
00:20:37Cold Harbor is the last.
00:20:39Tomorrow will be your final day at Lumen.
00:20:41You will have served your purpose.
00:20:44And so will she.
00:20:45Wait, why are you telling me this?
00:21:05What are you doing here?
00:21:07Really?
00:21:10Mom.
00:21:13Mom.
00:21:16Oh.
00:21:18There'll be no honeymoon ending for you and Helyar.
00:21:26She's an Egan.
00:21:29You're nothing to them.
00:21:32No.
00:21:33Nothing to her.
00:21:35No, I don't believe you.
00:21:36They're using you.
00:21:37No!
00:21:38I don't believe you.
00:21:39And they'll discard you like a skin husk.
00:21:42I think you're using me!
00:21:43Look.
00:21:44Reintegration is your only chance!
00:21:45Wait.
00:21:46Do you love your brother?
00:21:47Mark!
00:21:49Yes?
00:21:50Well then you tell him that the next thing I see had better be the severed floor or I swear he will never see his wife again.
00:21:57I care for you.
00:21:59Stop!
00:22:00Oh my god.
00:22:01Mark.
00:22:02Mark.
00:22:04Mark.
00:23:05I have to tell you something.
00:23:13Me too.
00:24:05Fuck me.
00:24:35Mark, the founder, wished to witness the historic completion
00:25:05Helly R. shall also bear witness from our chair.
00:25:12Goodly splendors await upon your victory.
00:25:16Love, Mr. Milchick.
00:25:35Jamie Egan was here.
00:26:00They came to see me.
00:26:04He said some cryptic shit about the fire of Kier being in me and that today is a special day.
00:26:13I know why.
00:26:20I know why they're doing this.
00:26:27Hello, Dylan.
00:26:44He said no.
00:26:48Follow me.
00:26:52Go for...
00:27:01Go for it.
00:27:03So, what happens when you're going to die?
00:27:33When they extract the chit.
00:27:41But how can we trust anything Cobel says?
00:27:44How she's ever done this lie?
00:27:47I know, but she seemed different.
00:27:51I mean, she's the same, but...
00:27:54Like, different, same, I don't know.
00:28:03I mean, I could just not do it.
00:28:06I could just not finish the file, not get her out.
00:28:10But if she's telling the truth, we're screwed either way.
00:28:14What's happening?
00:28:23Just get dressed.
00:28:25Everything's going to be fine.
00:28:29But if you get her out, maybe that will take down Lumen, like his sister said.
00:28:42And maybe you could do this combining thing.
00:28:46Well, yeah, but he could be a total liar.
00:28:50What if he's not?
00:28:53At least you'll have a chance of living.
00:29:00Yeah, but I want to live with you.
00:29:12But I'm hurt, Mike.
00:29:24I'm hurt.
00:29:30Okay.
00:30:00I'm hurt.
00:30:26Your Audi has responded to your resignation request, as it may yield an embarrassing emotional
00:30:46response in you, and as I'm duly swamped, I shall leave you to read it in solitude.
00:30:56Dear Innie, I've read your request and organized my response into three points.
00:31:26Point one, fuck you.
00:31:32Gretchen is my wife and my beloved, and your actions with her were deeply fucking indecorous.
00:31:40Point two.
00:31:44I get it.
00:31:47She's perfect.
00:31:50She's perfect.
00:31:51And, given our shared physiology, it tracks that you'd agree.
00:31:57Here's the thing, I've never been an impressive person, so when Gretchen told me that you're
00:32:09like this self-assured badass, I don't know.
00:32:16It stung.
00:32:20So, I guess point three is, I hope someday she sees in me what she sees in you.
00:32:32In the meantime, if I'm being really honest, I guess I like knowing you're there.
00:32:45So, if you want to leave, you can, but I think you should stay.
00:33:01Here's regards, you're outie.
00:33:31I've been trying to think of other place names besides Delaware.
00:33:58I've got Europe, Zimbabwe, and the equator.
00:34:16The equator.
00:34:17Is that a building?
00:34:18Or a continent.
00:34:19Maybe it's just a building that's, like, so big.
00:34:20That he came to a continent.
00:34:21Yeah.
00:34:22Yeah.
00:34:23Yeah.
00:34:24Yeah.
00:34:25Yeah.
00:34:26Yeah.
00:34:27I just wish we had more time.
00:34:28I just wish we had more time.
00:34:29Yeah.
00:34:30Yeah.
00:34:31Yeah.
00:34:32Yeah.
00:34:33Yeah.
00:34:34Yeah.
00:34:35Yeah.
00:34:37Yeah.
00:34:39Yeah.
00:34:41I just wish we had more time.
00:34:48I just wish we had more time.
00:35:18I wish we had more time.
00:35:48I wish we had more time.
00:36:18I wish we had more time.
00:36:48I wish we had more time.
00:37:18Mark S.
00:37:29In completing your 25th macro data file, you have drawn my grand agenda nearer to fulfillment.
00:37:42Thus making you one of the most important people in history.
00:37:52Revel now in the fruit of your labors.
00:37:56And hail your earthbound steward.
00:38:00Your very own floor manager.
00:38:08Thank you, Keir.
00:38:20And may I say, you're looking very handsome, sir.
00:38:28I'd say the same of you, if not for my favorite core principle.
00:38:33Probity?
00:38:34No.
00:38:35Vision.
00:38:36Well, it's truly special to host a man so illustrious.
00:38:50So sapient.
00:38:51So magnanimous.
00:38:52My, you're verbose.
00:38:56Good thing you didn't write the first appendix.
00:39:00It's an honor to receive your barbs, Mr. Egan.
00:39:13The legacy you've left behind is truly and irrefutably larger than life.
00:39:22You mean my company?
00:39:24No.
00:39:25I mean this wax statue that's five inches taller than you actually were.
00:39:45Thank you for that feedback.
00:39:51Seth.
00:39:58Thank you, Keir.
00:40:02And now, lady and gentlemen of MDR, may I introduce choreography and merriment.
00:40:21Let's go.
00:40:33Let's go.
00:40:38Mark!
00:40:50Right.
00:40:59¶¶
00:41:28Welcome Mr. Egan. The efficacy test will begin shortly.
00:41:58Thank you, C and M. Let's keep the Mark S. love going.
00:42:09I have to leave.
00:42:11With a ballad of Ambrose and Gunnel.
00:42:28Thank you, C and M. Let's keep the Mark S. love going.
00:42:39Thank you, C and M. Let's keep the Mark S. love going, C and M. Let's keep the Mark S. love going.
00:43:01You ready?
00:43:06Yeah.
00:43:08See you at the Equator.
00:43:11See you at the Equator.
00:43:15No, no, no, no, no.
00:43:33No, no, no, no, no, no.
00:43:44No, no, no, no, no.
00:43:51No, no, no, no, no, no, no.
00:44:15Hey, can I get a little help?
00:44:27Hey, can I get a little help?
00:44:45Hey, can I get a little help?
00:45:03Hey, can I get a little help?
00:45:09Hey, can I get a little help?
00:45:28Hey, can I get a little help?
00:45:34Hey, can I get a little help?
00:45:38Hey, can I get a little help?
00:46:06Oh, my God.
00:46:36Come here!
00:46:44Helly!
00:46:47Where's Mark?
00:46:48I don't know!
00:46:58Hey.
00:47:06Ah!
00:47:26Enter the room.
00:47:36Enter the room.
00:48:04Enter the room.
00:48:06Enter the room.
00:48:32Who are you?
00:48:36I don't know.
00:48:44I don't know.
00:48:46I don't know.
00:48:47I don't know.
00:48:48I don't know.
00:48:49I don't know.
00:48:50I don't know.
00:48:51I don't know.
00:48:52I don't know.
00:48:53I don't know.
00:48:54I don't know.
00:48:55I don't know.
00:48:56I don't know.
00:48:57I don't know.
00:48:58I don't know.
00:48:59Mammalians Nurtrable brings an offering.
00:49:13Has it verve?
00:49:16It does.
00:49:20Wiles.
00:49:22The most of its flock.
00:49:27This beast will be the one who will be the one who will be the one who will be the one who
00:49:57will be entombed with a cherished woman whose spirit it must guide to Kyiv's door.
00:50:04Is it up to the task?
00:50:08It is.
00:50:15It is.
00:50:22It is.
00:50:26It is.
00:50:33Then give me its life.
00:50:40Then give me its life.
00:50:47Take it apart.
00:50:54Take it apart.
00:51:01Hey!
00:51:02Excuse me!
00:51:08Hey!
00:51:09Excuse me!
00:51:15We commit this animal to Kyiv in his eternal war against pain.
00:51:22We commit this animal to Kyiv in his eternal war against pain.
00:51:29We commit this animal to Kyiv in his eternal fear in his eternal war against pain.
00:51:36we commit this animal to Kyiv in his eternal fear of pain.
00:51:43Let him take it apart.
00:51:48Let him go!
00:51:50How many?
00:52:17How many what?
00:52:20How many more must I get?
00:52:25As many as the fonder calls
00:52:31God!
00:52:45I'm sorry.
00:52:46I'm sorry.
00:52:47I'm sorry.
00:52:48I'm sorry.
00:52:50Mark S.
00:53:15Uh, it's the wrong door.
00:53:23I'm leaving, okay?
00:53:25Ugh!
00:53:30Ugh!
00:53:35Ugh!
00:53:38Ugh!
00:53:40Ugh!
00:53:43Ugh!
00:53:46Ah!
00:53:47Ugh!
00:53:48Oh, jeez!
00:53:58Ugh!
00:54:01Ugh!
00:54:07Ugh!
00:54:13Oh!
00:54:15Oh!
00:54:19Oh!
00:54:23What are you doing?
00:54:26Check.
00:54:43No more killing.
00:55:13No!
00:55:23No!
00:55:26No!
00:55:32No!
00:55:37No!
00:55:40No!
00:55:55Wait, wait, wait!
00:55:57Wait!
00:55:58Wait!
00:56:03Please.
00:56:04Please.
00:56:06Please.
00:56:08Please.
00:56:15The barrier is holding.
00:56:30She feels nothing.
00:56:37It's beautiful.
00:56:45It's beautiful.
00:56:52It's beautiful.
00:56:53It's beautiful.
00:56:54It's beautiful.
00:56:59It's beautiful.
00:57:06Emile thanks you.
00:57:17Emile thanks you.
00:57:22Emile is the name of the goat.
00:57:25Oh, okay.
00:57:38Okay.
00:57:39Now in a second, I'm gonna change to my Audi
00:57:42and then you are gonna take him too.
00:58:12Oh, come on.
00:58:15I'm down.
00:58:19Oh, come on.
00:58:21Oh, come on.
00:58:24Oh, come on.
00:58:27Let's go.
00:58:57Let's go.
00:59:27What are you doing?
00:59:36Don't make them into property of choreography and merriment.
00:59:39Choreography and merriment, return to your department now!
00:59:58Fall back to C&M.
01:00:03Our performance has been compromised.
01:00:05No, no, no, no.
01:00:06Wait, wait, wait, wait, wait.
01:00:07Wait.
01:00:10This desk used to have four seats.
01:00:15Our friend Irving is gone.
01:00:17And they want our whole department gone.
01:00:20If he gets out, we're dead.
01:00:25They're gonna turn us off like fucking machines.
01:00:27You've seen them do it.
01:00:30I know you've lost friends, too.
01:00:37And you could be next.
01:00:41You could be next.
01:00:42They give us half a life and think we won't fight for it.
01:00:54Right, Milchik?
01:00:55Please help us.
01:01:03Please.
01:01:04Help us.
01:01:06How'd you get in here?
01:01:11Jesus.
01:01:14Open the door.
01:01:15Step off, fucko.
01:01:17No, no, no.
01:01:18Do it.
01:01:19No!
01:01:20No!
01:01:21No!
01:01:22No!
01:01:23No!
01:01:24No!
01:01:25No!
01:01:26You got some more.
01:01:27Fuck you!
01:01:42Ah, Jesus.
01:01:47I don't know.
01:02:17I don't know.
01:02:47I'm your husband.
01:03:05I'm your husband.
01:03:07I don't know.
01:03:08I don't know.
01:03:09I don't know.
01:03:10I don't know.
01:03:11I don't know.
01:03:12I don't know.
01:03:13I don't know.
01:03:14I don't know.
01:03:15I don't know.
01:03:16I don't know.
01:03:17I don't know.
01:03:18I don't know.
01:03:19I don't know.
01:03:20I don't know.
01:03:21I don't know.
01:03:22I don't know.
01:03:23I don't know.
01:03:24I don't know.
01:03:25I don't know.
01:03:26I don't know.
01:03:27I don't know.
01:03:28I don't know.
01:03:29I don't know.
01:03:30I don't know.
01:03:31I don't know.
01:03:32I don't know.
01:03:33I don't know.
01:03:34I don't know.
01:03:35I don't know.
01:03:36I don't know.
01:03:37No.
01:03:38He's healed to hurt you.
01:03:39And if you come with me right now, we can get him back.
01:03:46No.
01:03:47Stop.
01:03:50This is not a part of the test.
01:03:56Please.
01:03:57Don't let him touch you.
01:03:59We have to go.
01:04:04Stop.
01:04:06Oh, fuck.
01:04:10Mr. Drummond.
01:04:12Mr. Drummond!
01:04:14It's okay.
01:04:16It's okay.
01:04:21FUN!
01:04:28It's the fucking spouse!
01:04:31Come from me!
01:04:41Okay.
01:04:43You can come.
01:04:44It's okay.
01:04:46Come on.
01:04:49Come on.
01:04:51Come on out.
01:04:52It's okay.
01:05:03Mark.
01:05:06Come on.
01:05:16Come on.
01:05:17Come on.
01:05:22Come on.
01:05:26Come on.
01:05:27Come on.
01:05:29Oh, come on.
01:05:56Get up!
01:06:00Get up!
01:06:24Gemma, stop!
01:06:26Gemma, stop!
01:06:27No!
01:06:28No!
01:06:29No, no, no, no, no, no, no!
01:06:30No, no, no, no, no!
01:06:31No, no, no, no, no!
01:06:32No!
01:06:33No!
01:06:34You killed them all!
01:06:35No, no, no, no, no, no, no, no, no!
01:06:36Oh, my God.
01:06:41Oh, my God.
01:06:43Oh, my God.
01:06:45Oh, my God.
01:06:46Oh, my God.
01:06:57Mark, yes?
01:06:59Excuse me.
01:07:01What's taking place?
01:07:08Um...
01:07:31There it is.
01:07:34Exactly.
01:07:44Oh, God.
01:07:50So, love you.
01:07:51Oh, my God.
01:07:54Agh!
01:08:24Okay, come on, come on.
01:08:26Okay, okay.
01:08:27You have to go.
01:08:28Right now.
01:08:29Go.
01:08:30Where?
01:08:31Come on, you gotta go right now!
01:08:32Go!
01:08:33Go!
01:08:39Fuck you, Mr. Milchik.
01:08:54Mark!
01:08:55Mark, come on!
01:08:57Come on, Mark!
01:09:00Come on, we have to go!
01:09:04Mark!
01:09:05Mark, open the door, come on!
01:09:09What are you doing?
01:09:11Open the door!
01:09:13Mark, we gotta go home!
01:09:16Mark!
01:09:18Mark, come on!
01:09:19Mark, open the door!
01:09:25Mark!
01:09:33Mark!
01:09:43Mark!
01:09:45Mark!
01:09:51Mark!
01:09:52Mark!
01:09:53Mark!
01:09:54Mark!
01:09:55Mark!
01:09:57Mark!
01:09:58Mark!
01:09:59Mike!
01:10:17No!
01:10:18No, no, no, Mike!
01:10:48Round, like a circle in a spiral
01:10:52Like a wheel within a wheel
01:10:56Never ending or beginning
01:10:59On an ever-spinning reel
01:11:03Like a snowball down a mountain
01:11:07Or a carnival balloon
01:11:10Like a carousel that's turning
01:11:14Running rings around the moon
01:11:18Like a clock whose hands are sweeping
01:11:21Past the minutes of its face
01:11:24And the world is like an apple
01:11:29Whirling silently in space
01:11:32Like the circles that you find
01:11:36In the windmills of your mind
01:11:41Like a tunnel that you follow
01:11:46To a tunnel of its own
01:11:50Down a hollow to a cavern
01:11:53Where the sun has never shone
01:11:58Like a door that keeps revolving
01:12:01In a half-forgotten dream
01:12:05Or the ripples from a pebble
01:12:08Someone tosses in a stream
01:12:12Like a clock whose hands are sweeping
01:12:16Past the minutes of its face
01:12:19And the world is like an apple
01:12:22Whirling silently in space
01:12:26Like a wheel within a wheel
01:12:30Never ending or beginning
01:12:33On an ever-spinning reel
01:12:37As the images unwind
01:12:41In the windmills of your mind
01:12:46Like the circles that you find
01:12:48In the windmills of your mind
01:12:52In the windmills of your mind
01:13:00In the windmills of your mind
01:13:05In the windmills of your mind
01:13:06In the windmills of your mind
01:13:07In the windmills of your mind
01:13:08In the windmills of your mind
01:13:09In the windmills of your mind
01:13:10In the windmills of your mind
01:13:11In the windmills of your mind
01:13:12In the windmills of your mind
01:13:13In the windmills of your mind
01:13:14In the windmills of your mind
01:13:15In the windmills of your mind
01:13:16In the windmills of your mind
01:13:17In the windmills of your mind
01:13:18In the windmills of your mind
01:13:19In the windmills of your mind
01:13:20In the windmills of your mind
01:13:21In the windmills of your mind
01:13:22In the windmills of your mind
01:13:23In the windmills of your mind
01:13:24Go down and I go down and stay down
01:13:39Go down and I go down and stay down
01:13:49I'm bringing up big rocks on a team gang
01:13:53I'm bringing rocks and serving my time
01:13:57I'm bringing up big rocks on a team gang
01:14:01Cause I've been convicted of crime
01:14:04I hold it steady right there, well I hate it
01:14:09Oh, I reckon that, oh, to get it been working
01:14:13I've been working, but I got me so terrible long ago
01:14:19I've been convicted of the crime Lord needin'
01:14:25The crime of bein' hungry and poor
01:14:28I had a lever that a grocery man bleedin'
01:14:33When he found me robin' his store
01:14:36I hold it steady right there, well I hate it
01:14:40Oh, I reckon that, oh, to get it been working
01:14:45I've been working, but I got me so terrible long ago
01:14:51I heard the judge say
01:14:54Five years of labor, five years of labor
01:14:56To the team gang, you got to go
01:15:00I heard the judge say
01:15:02Five years of labor
01:15:04I heard my woman scream
01:15:07Lord, I know, to get it steady right there, well I hate it
01:15:12Hey, I reckon that, oh, to get it been working
01:15:17I've been working, but I got me so terrible long ago
01:15:23To get it been working, I've been working
01:15:27But I got me so terrible long ago
01:15:30Yes, I got me so terrible long ago
01:15:42Yes, I have got me so damn long ago
01:15:46Yes, I got me so terrible long ago