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Nagyirasos embroidery comes from the Kalotaszeg region of western Romania. Local embroiderers skilled in this craft accuse fashion brand Mango of using a traditional design without crediting the source.
Transcript
00:01Erzsibet Kis Lukács is a member of the Hungarian minority in the Kolotoseg region of Western Romania.
00:07Well, since I was proud of my father, and I wanted to do it, and I learned everything I had to do with my husband.
00:23I feel like I had to keep this together.
00:27She has dedicated her life to a kind of embroidery known as Nocskirásos,
00:31and even gives courses in it to keep this very special skill alive.
00:37This explains why she was shocked to read in a newspaper article
00:41that fashion brand Mango's fall collection features clothing with embroidery designs
00:45that look suspiciously like traditional Nocskirásos designs.
00:49But there is no mention of the source in the product's descriptions.
00:56I was very sick.
00:59I was very sick.
01:02I was very sick.
01:05This is our本.
01:08This is our本.
01:09This is our本.
01:10This is our本.
01:12It doesn't make anyone look at us.
01:14We only stay with the Germans to us,
01:16if we have this, the heritage, our heritage, our land, our temple,
01:21and our temple anywhere, anywhere, wherever, it is the literature.
01:25So that is, don't let anyone that hurts.
01:31That was so much.
01:32Sarah Meeker hails from England, but has been living in the region for several years now.
01:37She loves the local traditions and has been conducting research into them.
01:42We started a campaign.
01:45So we made an open letter, we made it in three languages.
01:49The letter was written in Hungarian, Romanian and English.
01:52Its main demand was that these traditional embroidery designs should not be changed or
01:56used commercially without consulting the community from which they come.
02:00A number of social media channels shared the letter and supported the women.
02:05It was a terrible trouble trying to get our open letter, our complaint to Mango.
02:10I don't think that's unusual actually with these fast fashion companies.
02:14I think that they are sort of set up in a way to obfuscate you, to put you off track.
02:21Finally, we had success with a complaint channel and we got a letter through to Mango.
02:28And then it was very difficult to find out their response.
02:33When we finally found out their response, they had rejected our complaint.
02:40DW contacted Mango several times, asking for a statement on the women's allegations
02:45and why the company has not credited the source of the designs.
02:49So far, Mango has not responded.
02:55Kotelin Shinkokolo has published a book on these embroidery designs.
02:59She knows all about their history and meaning.
03:02Two things that are on public display in this church.
03:05So we are done.
03:07This church was done...
03:09This church has been done.
03:10It has been done this times, and the families have been done.
03:15It has been done and done it in my memory.
03:21The first front front of the court
03:27is that one, that is the first face of the world,
03:31which was one of the first women who was sacrificed in the world's cases.
03:34and a number here, in 1918.
03:39Each pattern has its own meaning.
03:41These wall hangings, for example, feature plants and seeds.
03:44They are believed to bring prosperity
03:46and are often embroidered on cushions and given as wedding gifts.
03:50Kotaline Sinkokolo loves to share this knowledge
03:53and does what she can to make sure it's not lost.
03:57She's not angry with mango, but…
03:59It's a popular art, specific.
04:02Atunci, should be mentioned the origin,
04:06if it should be the original motives,
04:10even from the original material and from the original colors.
04:14Atunci, there's nothing on me.
04:18How did the women feel about the situation now?
04:20This was the first time that the community stood up.
04:25We continue with our campaign against mango.
04:29It's, you know, we have to.

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