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Romania: Ethnic Hungarian embroiderers take on fashion brand
DW (English)
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yesterday
Nagyirasos embroidery comes from the Kalotaszeg region of western Romania. Local embroiderers skilled in this craft accuse fashion brand Mango of using a traditional design without crediting the source.
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00:01
Erzsibet Kis Lukács is a member of the Hungarian minority in the Kolotoseg region of Western Romania.
00:07
Well, since I was proud of my father, and I wanted to do it, and I learned everything I had to do with my husband.
00:23
I feel like I had to keep this together.
00:27
She has dedicated her life to a kind of embroidery known as Nocskirásos,
00:31
and even gives courses in it to keep this very special skill alive.
00:37
This explains why she was shocked to read in a newspaper article
00:41
that fashion brand Mango's fall collection features clothing with embroidery designs
00:45
that look suspiciously like traditional Nocskirásos designs.
00:49
But there is no mention of the source in the product's descriptions.
00:56
I was very sick.
00:59
I was very sick.
01:02
I was very sick.
01:05
This is our本.
01:08
This is our本.
01:09
This is our本.
01:10
This is our本.
01:12
It doesn't make anyone look at us.
01:14
We only stay with the Germans to us,
01:16
if we have this, the heritage, our heritage, our land, our temple,
01:21
and our temple anywhere, anywhere, wherever, it is the literature.
01:25
So that is, don't let anyone that hurts.
01:31
That was so much.
01:32
Sarah Meeker hails from England, but has been living in the region for several years now.
01:37
She loves the local traditions and has been conducting research into them.
01:42
We started a campaign.
01:45
So we made an open letter, we made it in three languages.
01:49
The letter was written in Hungarian, Romanian and English.
01:52
Its main demand was that these traditional embroidery designs should not be changed or
01:56
used commercially without consulting the community from which they come.
02:00
A number of social media channels shared the letter and supported the women.
02:05
It was a terrible trouble trying to get our open letter, our complaint to Mango.
02:10
I don't think that's unusual actually with these fast fashion companies.
02:14
I think that they are sort of set up in a way to obfuscate you, to put you off track.
02:21
Finally, we had success with a complaint channel and we got a letter through to Mango.
02:28
And then it was very difficult to find out their response.
02:33
When we finally found out their response, they had rejected our complaint.
02:40
DW contacted Mango several times, asking for a statement on the women's allegations
02:45
and why the company has not credited the source of the designs.
02:49
So far, Mango has not responded.
02:55
Kotelin Shinkokolo has published a book on these embroidery designs.
02:59
She knows all about their history and meaning.
03:02
Two things that are on public display in this church.
03:05
So we are done.
03:07
This church was done...
03:09
This church has been done.
03:10
It has been done this times, and the families have been done.
03:15
It has been done and done it in my memory.
03:21
The first front front of the court
03:27
is that one, that is the first face of the world,
03:31
which was one of the first women who was sacrificed in the world's cases.
03:34
and a number here, in 1918.
03:39
Each pattern has its own meaning.
03:41
These wall hangings, for example, feature plants and seeds.
03:44
They are believed to bring prosperity
03:46
and are often embroidered on cushions and given as wedding gifts.
03:50
Kotaline Sinkokolo loves to share this knowledge
03:53
and does what she can to make sure it's not lost.
03:57
She's not angry with mango, but…
03:59
It's a popular art, specific.
04:02
Atunci, should be mentioned the origin,
04:06
if it should be the original motives,
04:10
even from the original material and from the original colors.
04:14
Atunci, there's nothing on me.
04:18
How did the women feel about the situation now?
04:20
This was the first time that the community stood up.
04:25
We continue with our campaign against mango.
04:29
It's, you know, we have to.
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