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Select India
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#SelectIndia
Transcript
00:00This is our warehouse.
00:12This is our warehouse.
00:14CD is a big deal.
00:16CD is future.
00:18When it was first floppy,
00:20it closed. Floppy is closed.
00:22Now it's CD.
00:24Put a song, a picture,
00:26put whatever you want to do.
00:28There is no guarantee.
00:30Hey, brother.
00:32Technology is a big deal.
00:34If you use it properly,
00:36then it's okay.
00:38If you do love it,
00:40then you will leave it.
00:42Don't tell us so much.
00:44Who is it?
00:46In the market,
00:48100 per one piece,
00:5070 per one piece.
00:52But if you have only 10,000 orders,
00:54then?
00:56Huh?
00:5820,000.
01:0065 only.
01:02And 50,000.
01:0450,000.
01:0650,000.
01:08And 1,000,000.
01:10Are you crazy?
01:121,000,000 is not a computer in Bombay.
01:14Then you will take 1,000,000 CD.
01:16Inej,
01:17send money.
01:18We are selling.
01:201,000,000.
01:2230,000.
01:23Done.
01:24Final.
01:252,000,000.
01:26Eh, eh.
01:272,000,000 or 5,000,000?
01:28If you say $3,000,000,
01:30then $3,000,000.
01:31It's very easy.
01:325,000,000.
01:342,000,000.
01:36Final.
01:37Final.
01:38Paka.
01:39Eh, Ramunek.
01:40Eh, Ramunek.
01:41Eh, plastic part, plastic part.
01:43Eh, 2,000,000 CD.
01:44Eh.
01:45Eh, order of your chef.
01:46Get up, get up, get up.
01:47Let's go, let's go.
01:48Let's go, let's go.
01:49Special.
01:50Let's go, let's go.
01:51Yay!
01:53Yay!
02:14I saw your press conference.
02:16And?
02:18Sanjay, people are watching a lot of pictures today, so why are you being a hero?
02:31I mean, you know the press, right?
02:35Vultures.
02:36They are all of us.
02:39Sorry?
02:40Not you.
02:41You are my biggest asset.
02:48Buttering, huh?
02:51Okay.
02:54What do you want?
02:57The usual.
02:58A little bit of information.
03:00About?
03:02The CD is running in the market.
03:06Any idea who could be behind it?
03:09Seriously?
03:12I mean, Rajan Gang is dead.
03:14Why are you being a chiller?
03:16Why are you being a chiller?
03:18I know.
03:19The work is a chiller, but the order is above.
03:22So can you help me in any way?
03:25Hmm.
03:27My intuition is saying that this person is not someone who is inside.
03:33But the person who is running in the market is not someone who is running outside.
03:37The person who has knowledge of the money.
03:39But it's not so fast, it's not so much scale.
03:42Now I'm going to go, Sanjay sir's mind.
03:45You want me to cover it for you?
03:48No.
03:49We will be alert.
03:51We will come in the first, but we won't be caught.
03:58Okay.
04:00Excuse me.
04:13Saturday Sharm for you.
04:24Mr. Sanjay, what kind of work do you have to do that day?
04:28Well, if I talk about work, then you would have eaten me up.
04:43I'm just waiting to eat you.
04:47It's 30.
04:48Ramado
04:50Okay.
04:51Okay.
05:21Okay.
05:23Okay.
05:24Okay.
05:25Okay.
05:26Okay.
05:27Okay.
05:28Okay.
05:29Okay.
05:30Okay.
05:31Okay.
05:32Okay.
05:33Okay.
05:34Okay.
05:35Okay.
05:36Hey, sir.
05:37In the picture, you won't have a performance award.
05:40And on Saturday, the theater will be full.
05:43Okay.
05:44You have to do it?
05:45You're good.
05:46Play this.
05:47Come on.
05:48Come on.
05:49Come on.
05:50I'm going to see the picture.
05:52I'm only watching the audience.
05:53But there's not a audience.
05:55Come on.
05:56Come on.
05:57Come on.
05:58Come on.
06:00Come on.
06:01I'm not going to see the picture.
06:03I'm going to see the audience's reaction.
06:06But there's not a audience.
06:08Come on.
06:09Come on.
06:10are coming here, see the car, wait the 2 minutes.
06:12I am so tired.
06:14I don't know.
06:18Hello, Sir.
06:20Sir, my family is your family.
06:23Where are your family?
06:26They are put on the popcorn.
06:28Sir, this picture has been seen in the CD.
06:30But Sir, I've taken my girlfriend to have my college bank.
06:34Our films are very big.
06:38You have to take the whole family in the theatre, to see a picture.
06:41The theatre's fun is different, isn't it?
06:44Yes, sir.
06:45Sir, the autograph will get you, please.
06:49Yes.
06:50We will give you.
06:55Thank you, sir.
06:56Thank you, sir.
06:59Sawan, if the virus is like this,
07:03then the theatres will be closed.
07:05The problem is that the makers are watching the public.
07:09They take four English films,
07:12copy and release the pictures.
07:14They don't know that the public is watching the English films in their homes.
07:20They all know.
07:22They come to understand that which English film is a copy.
07:26This technology is growing up.
07:29The audience is watching them.
07:32The bad luck is that
07:34that the makers are watching the audience,
07:37they don't know what they're watching.
07:39This is the problem.
07:43I don't understand anything.
07:44But,
07:45I feel like,
07:46you have to do comedy.
07:49I have to do comedy.
07:50I am a hit.
07:51Let's go.
07:52The comedy is happening now.
07:53It's been two months.
07:54The commissioner said,
07:55I am giving you my best man.
07:56But, I'm sorry to say,
07:57I see no progress.
07:58Kumar,
07:59this is a film,
08:00where the police siren will come.
08:01He will be arrested and the case will be solved.
08:02The investigation will be solved.
08:03The investigation will be solved.
08:04What is the problem?
08:05What is the problem?
08:06What is the problem?
08:07What is the problem?
08:08What is the problem?
08:09This is a film where the police siren will come.
08:12He will be arrested and the case will be solved.
08:14The investigation will be solved.
08:15The investigation will be solved.
08:16What is the problem?
08:18What is the problem?
08:19What is the problem?
08:20The man is selling CDs,
08:21I will take you and take him.
08:23He is on my office walking distance.
08:25Arrest him!
08:27Okay.
08:28If it's not happening with you,
08:30then give the case to somebody else.
08:34If you take this case seriously,
08:36what are you thinking?
08:43Are you watching this cheating?
08:45What is the point?
08:48What is the point?
08:49What is the point?
08:50The point is that
08:52what do you think?
08:53The case will be solved with each other?
08:57The case is solved.
08:58The case is solved.
08:59The case with the way outside,
09:00the way outside,
09:01the way outside the hole is more,
09:04the way out of this hole.
09:06And the hole is in Anki Rani,
09:08who never came to the other.
09:10You send your army.
09:12Go, look at the shakkar.
09:15Don't put it on the rani, don't put it on the rani.
09:19What do you do, Kumar Sahib?
09:23The rani is going to put it on the rani.
09:27And that rani is the shakkar.
09:32The shakkar will come to this shakkar.
09:37And the shakkar will take it on the rani.
09:40But, if you are impatient, you will get hurt more.
09:45The shakkar will die in the rani.
09:48Very intelligent.
09:51We all understand.
09:53The shakkar will die on the police station.
09:56Come back to the piracy, Kumar Sahib.
09:58Please, come back to the piracy.
10:00In the next six months, every film is released in your industry,
10:04call the producers.
10:05Sure.
10:06Meetings.
10:07You have a meeting for 10 years.
10:09Solve this problem.
10:11You don't have any idea how much loss the film industry is being made.
10:15We must catch that culprit,
10:16which is making the CDVD.
10:18Call the pest control.
10:20The inspector is carrying the piracy.
10:23Call the pest control.
10:24All of those things are spreading.
10:25What do you think?
10:26Come back.
10:27All of those things are drinking.
10:31Take care of your이고.
10:32Which means the oil and oil.
10:33Why are they not very careful?
10:34You are not making any good.
10:35I don't care.
10:36Good.
10:37I'm hearing the word.
10:40Hey Mona Ji, I thought that she's a big delivery girl, her phone's phone.
10:45I really like your language.
10:48Bantai, Chirkot, and what was that?
10:51Bumai.
10:52Bumai?
10:54It's very funny.
10:56Now listen, I called you for this,
11:00because I had to tell you that in Mahesh Kumar's film,
11:03I'm getting a really good role.
11:06That's right.
11:08I'll see the first day of the first show.
11:10Okay.
11:12In the theater or in the CD?
11:15No, no.
11:18Say it really.
11:20In front of your beautiful face,
11:23it'll be so big.
11:25CD?
11:27No.
11:28Okay, Sanom.
11:30I got it.
11:33I got it.
11:35I'll see you in the evening.
11:37It's not so fast,
11:39I'll see you in the next week.
11:41I'll send it.
11:42Okay.
11:43I'll wait for you to see the pager.
11:46Okay.
11:48Bye.
11:49Bye Mona Ji.
11:51Buying…
11:52This…
11:53It's a star and fan here,
11:56veces…
11:58You're sure
12:12then.
12:13Okay?
12:14This is the right thing, huh?
12:16Fair.
12:17In the industry, you will be aware of the knowledge.
12:20Just remember one thing.
12:22You have a baby.
12:24You have a job in your mind, and you have a pen.
12:27Don't mix them.
12:28You will have a reaction.
12:30Here.
12:31What do you want to give me?
12:33Give it.
12:34Let's see.
12:35There will be a lot of days.
12:37Let's go.
12:39Let's go.
12:43Husnish, here.
12:44Hello?
12:45From your way.
12:46Look.
12:47Look.
12:48Look.
12:49Look.
12:50I am NOT
12:52in Scotland.
12:53Let's go.
12:54I am not in Scotland.
12:55No, I am not in Scotland.
12:58Rande and I am not in Scotland,
13:01I am not in Canada.
13:02However, I am not in Hungary.
13:04I am not in the country.
13:05I am not in Switzerland.
13:06I am not in France.
13:07I am not in France.
13:09I am not in France.
13:10I am not in France.
13:11I don't know what to do.
13:13It looks like a man's eyes.
13:15Look at the hero's eyes.
13:18Look at your eyes.
13:20It's not from height, but...
13:23It's not from dialogue.
13:25No.
13:27I work with a fraud in this industry.
13:30I'm talking to you.
13:31The other's credit, the other's credit,
13:33all are going to kill.
13:35You know, in Bollywood,
13:37a hero's gym trainer
13:39is more than a writer.
13:41Now you can see my work.
13:43I'm taking a lot of films in the theatre.
13:45It's the end-to-end distribution,
13:47quality checking,
13:49and who's the projection?
13:51My.
13:53What do you find in Bollywood?
13:554,000 rupees.
13:57What do you find?
13:59One time,
14:01he asked for 200 rupees
14:03for the cake for 200 rupees.
14:05He said,
14:07he said,
14:09we'll talk about the release.
14:15Hey,
14:17Rajneesh,
14:19where are you?
14:21Where are you from?
14:23Where are you from?
14:25We are people, right?
14:27Why are you paying attention?
14:29Without you.
14:31What?
14:32And if you've ever found something,
14:34then you understand family.
14:35What do you understand?
14:36We are family,
14:37we are.
14:38If you want something,
14:39you can put the name in the credit.
14:41You can put the name in the credit.
14:42You can put it in the credit.
14:43You can put it in the credit.
14:44You can put it in the credit.
14:45But,
14:46this big cake,
14:47they get 60 rupees.
14:49Watch for one,
14:51tell me one thing.
14:52These trainers
14:53don't take a lot of money.
14:55Tell me.
14:56How much money?
14:57And how much money?
14:59They're going to pay attention.
15:00Once again,
15:01thank you very much.
15:02One thing has been a big deal.
15:04All of our work is divided.
15:05We're all divided.
15:07We're all cut.
15:08We're all cut.
15:09We're all we're all in.
15:10We're all in romantic films.
15:11We're all in action.
15:12We're all in the land.
15:13We're all in adult films.
15:14You want to say something?
15:15Nothing, uncle.
15:16We all know who's here,
15:18who's not.
15:19Let's get to the point.
15:22Officer Sanjay?
15:23Absolutely.
15:24I want to show you something lights off, please
15:34What are you seeing in this image?
15:40Nathie, this is my picture of the frame
15:44Okay
15:45And in this
15:47Sir, this is the same photo
15:49Same photo
15:50Anyone else?
15:52This is my picture of Dhalal
15:55Okay
15:57And what about this image?
15:59What a fun thing, Kumar-sabh
16:02Did you tell us about time pass?
16:05Officer Sanjay, these are all very important and busy people in the film industry
16:10Let's come to the point
16:12I am coming to the point, Kumar-sabh
16:14You all have seen any images now
16:17They are one
16:19But I don't know if you've noticed
16:21In each image, there is a special mark
16:24Let me show you again
16:28In this image, there is an X mark
16:33Same frame, same picture
16:36But here is a Y mark
16:38But Sanjay-sabh, we don't understand it
16:40Exactly
16:41How?
16:42How?
16:43How?
16:44How?
16:45How?
16:46How?
16:47How?
16:48How?
16:49How?
16:50How?
16:51How?
16:52How?
16:53How?
16:54How?
16:55How?
16:56How?
16:57How?
16:58How?
16:59How?
17:00How?
17:01How?
17:02How?
17:03How?
17:04How?
17:05How?
17:06How?
17:07How?
17:08How?
17:09How?
17:10How?
17:11How?
17:12How?
17:13How?
17:14How?
17:15How?
17:16How?
17:17How?
17:18How?
17:19How?
17:20How?
17:21How?
17:22How?
17:23How?
17:24How?
17:25Uncle, the next movie will be released on your next movie.
17:29Don't go, son.
17:30Don't go, son.
17:57What's the matter?
17:58I'm sorry, I wasn't here.
18:02But at the last minute, boss did a lot of work.
18:06Everyone came.
18:07My mother gave you a place for us.
18:10I know.
18:11But I'll get you back.
18:13God promise.
18:14Chasun, I'll bring you a gift for you.
18:17Surprise!
18:19What?
18:20Ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-tada!
18:23Oh, son, you are sad and you get the DVD players and that's what the matter is!
18:29What?
18:30The old boy hit me?
18:32Hey, you're young.
18:33Can you tell me your bag?
18:35Who is the old boy, this is a DVD player.
18:37The old boy I'm your own, the 9th of my own.
18:3924-7!
18:40Yeah!
18:42Listen, I'll put your mom's mask on.
18:50You're not able to get angry.
18:54You have to give me some money for me.
18:57Huh?
18:58I love you, mom.
19:02Oh, now you're in the mood.
19:04Oh, no, no, no.
19:06Where did you sleep?
19:08Tell me, what are you doing?
19:10What are you doing?
19:12You're going to send Soni's fingers?
19:14Who was that for Soni's fingers?
19:16It's a pleasure.
19:18If you come to the DVD player,
19:20there won't be a pleasure to come.
19:22What will they get?
19:24They won't get paid.
19:26They won't get paid.
19:28How do you know?
19:30We were going to the theatre.
19:32They won't get paid.
19:34Let's get paid quickly.
19:36I'll buy the DVD player.
19:38They won't get paid.
19:40Come on.
19:46What's the film?
19:48Don't pause.
19:49Don't pause.
19:50Don't start.
19:51It's gone.
19:52It's gone.
19:53It's gone.
19:54It's gone.
19:55The film is gone.
19:56The film is gone.
19:57You got paid.
19:58Yeah.
19:59Yeah.
20:00Yeah.
20:05Yeah.
20:06Yeah.
20:09Yeah.
20:10Let's go.
20:40Yes, the pager number is 555-8844, and the message is...
20:48Yes, the pager number is 555-8844, and the pager number is 555-8844.
21:00Yes, the pager number is 555-8844.
21:10Yes, the pager number is 555-8844, and the pager number is 555-8844.
21:16Beautiful.
21:18Yes, the pager number is 555-8844.
21:24Yes, you can enjoy the pager number.
21:26Yes, you can enjoy the pager number and see how much it is.
21:31That was very disappointing.
21:34Hey, hey, buddy.
21:36There's nothing else to do with money.
21:40If you get a lot of money,
21:42it will increase you from the same time.
21:44Real food.
21:45What did you get this big deal?
21:46Don't you have a drop?
21:49Hey, you're a drop?
21:52No, he doesn't have a drop in the ship,
21:55he's a sick man.
21:57He's a drop.
21:58It's a big deal.
22:00Hey, Praveen, do you want to make me one?
22:03He's not in jail and he's in his head.
22:05I have money.
22:06He's not in jail.
22:07Let's go.
22:08Two more.
22:09Do you want to eat alone?
22:11What do you say Rajneesh Bhai?
22:12Rajneesh Bhai is so happy.
22:14He's so happy to see him.
22:16He's very sad.
22:17We'll make his daughter like this.
22:20We'll take so much cake that Rajneesh Bhai will get into it.
22:23He'll sit down with him too.
22:25Hey Rajneesh.
22:27What's the matter?
22:28He's doing the RCA.
22:30Rajneesh Bhai is so happy.
22:32He's doing the RCA.
22:35It's fine.
22:36Come, come.
22:37Come, come.
22:38Come, come.
22:39Come, come.
22:40Come.
22:41Come.
22:42Come.
22:43Stay.
22:44Stay.
22:45Stay.
22:46Stay.
22:48Stay.
22:49Stay.
22:50Stay.
22:51Stay.
22:52Stay.
22:53Stay.
22:54Stay.
22:55Stay.
22:56Stay.
22:57Stay.
22:58Stay.
22:59Have you pay?
23:00Let's take a general attention on that.
23:01Get out of the way.
23:02Do you compare yourself so good too?
23:04Well service now.
23:05Will you be good or bad?
23:07No problem isn't he.
23:08Well just Father's take a blessing.
23:10He doesn't know what the choice is.
23:11To let the life Florenzig to him wear there...
23:12Oh!
23:13He doesn't know what one in this.