- 29/6/2025
Duane and his basket-bound mutant brother are taken in by a secret home for wayward monsters with reporters hot on their heels.
#movies #horror
#movies #horror
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00:00:00To be continued...
00:00:30I'm going to shoot you.
00:01:00I'm going to shoot you.
00:01:30I'm going to shoot you.
00:02:00According to eyewitnesses, accompanying him on his fall was what they called a small,
00:02:04grotesque monstrosity.
00:02:06This creature was also described as a fleshy animal of unknown origin.
00:02:10It's probably on all the channels.
00:02:11And conflicting reports tell us that this strange little being might actually be human.
00:02:17A small, twisted deformity whose most startling feature is an unnervingly human face.
00:02:23A face that strongly resembles the young man who fell from the Hotel Broslin with him.
00:02:28This man has been identified as Dwayne Bradley, a resident of Grens Falls in upstate New York.
00:02:34Police spokesmen have promised to supply us with whatever information becomes available.
00:02:39It's down, isn't it?
00:02:41Absolutely.
00:02:41Details are still sketchy, but eyewitnesses claim that the monster, if we may use that
00:02:47word, lived in a large wicker basket that is comparing and carried with him at all times.
00:02:52So you knew him?
00:02:54Dwayne was one of the nicest, sweetest guys I ever met.
00:02:57It's horrible what happened.
00:02:59Did you see the creature?
00:03:00I saw him.
00:03:01I saw him real well.
00:03:03Do you know what it was?
00:03:04Yeah, his brother.
00:03:05The little guy was Dwayne's brother.
00:03:07Do you believe that shit, man?
00:03:13According to the records forwarded to us from upstate, Dwayne and his brother were born
00:03:18as Siamese twins.
00:03:20The, um, smaller one was believed to have died during a clandestine operation that separated
00:03:27them.
00:03:27Let's go.
00:03:28We, uh, also have reason to believe that among the victims of the Bradleys are, apparently,
00:03:35the doctors that performed that surgery.
00:03:43Dr. Marks to O.R.
00:03:45Dr. Marks to O.R., please.
00:03:48Hey, handsome.
00:03:49Hey, how you doing?
00:03:50Oh, man.
00:04:09Oh.
00:04:09Oh.
00:04:11Oh.
00:04:13Oh, man.
00:04:15So how are the celebrities tonight?
00:04:38They're not going anywhere.
00:04:45They're not going anywhere, but they're not going anywhere.
00:05:15So were you here earlier?
00:05:22I mean, when they brought them in?
00:05:23No, I only got on an hour ago.
00:05:25Oh, you missed it.
00:05:26It was like a circus.
00:05:27There was TV cameras all over the place.
00:05:29It was wild.
00:05:30I'm sure.
00:05:32So you want to do something after work?
00:05:35There's not a heck of a lot you can do at 8 in the morning.
00:05:38Well, I can think of a few things.
00:05:41I'm sure.
00:05:42Hey, I was only talking about breakfast.
00:05:45Yeah, I got work to do.
00:05:46Catch you later.
00:05:51Not bad.
00:05:52Not bad at all.
00:05:54That me boy has distinct possibility.
00:05:56I'll be right back, okay?
00:06:16Give me your number, and I'll have Dr. Drexler return your call when he gets out of surgery.
00:06:22Is that all right with you, ma'am?
00:06:25Maintenance to 7-4-C.
00:06:27Maintenance to 7-4-C.
00:06:30I've been with you, ma'am.
00:06:32Good night.
00:06:45I was like, what the hell?
00:06:47I was just begging you.
00:06:48I was just going to have to bring you back.
00:06:49It's a good night.
00:06:49We go to the mall.
00:06:50I'm going to be right out of surgery.
00:06:51It's a bad night.
00:06:52I'm not going to be right out of surgery.
00:06:53I'm going to be right out of surgery.
00:06:53Well, I'm not going to be right out of surgery.
00:06:54I have permission to be here.
00:07:23The nurse at the front desk let me in.
00:07:25Good.
00:07:26Then that's who we'll talk to first.
00:07:27No, we'll talk to Bradley.
00:07:28Stop.
00:07:28He said it was all right.
00:07:29He said I could have five minutes with them.
00:07:31I am afraid you are making a very big mistake.
00:07:33Yeah, well, what would you say about that?
00:07:34I thought they were all gone.
00:07:36She must have come up through the cafeteria.
00:07:37I found her on the fourth floor.
00:07:38I have permission from the head of this hospital.
00:07:40Let me see some ID.
00:07:42Oh, I was told this would all be arranged,
00:07:44that I would have full cooperation of the entire staff.
00:07:47I only want five minutes with them.
00:07:49Nobody has to know.
00:07:51It'll just be a favor.
00:07:52No big deal.
00:07:53Let me check on this.
00:07:55I help you out.
00:07:56You help me out.
00:07:56We agree?
00:07:58No.
00:07:59This ain't good.
00:08:00This would just get me all depressed and angry.
00:08:03This is just the kind of thing that'll make relations
00:08:05between us real ugly, real bad.
00:08:08Is that what you want?
00:08:09You want me to get real mad?
00:08:11I just want five minutes with them.
00:08:13Lady, you've got a real fucking attitude problem.
00:08:15You know that.
00:08:15Is that what you want?
00:08:31Dwayne! Dwayne! Dwayne Bradley!
00:08:50Jaliah?
00:08:52We're friends. I knew your aunt. We can help you.
00:09:04Please, get inside before someone sees. Please.
00:09:08Come.
00:09:22I'll be right back.
00:09:30I'll be right back.
00:09:40I'll be right back.
00:09:44All right.
00:10:04Oh, no.
00:10:09Paolo?
00:10:12Are we going to bring any outsiders in on this?
00:10:30No, don't want to risk it.
00:10:32I'll tend to their wounds myself.
00:10:34Be safer that way.
00:10:36Where am I?
00:10:38He's awake.
00:10:40You're safe now, Duane.
00:10:41You're with friends.
00:10:43Where's my brother?
00:10:44He's here, too.
00:10:45You'll both be taken care of.
00:10:49What happened?
00:10:51Who are you?
00:10:52I've called Granny Ruth.
00:10:55This is my granddaughter, Susan.
00:10:58How did I get here?
00:10:59You don't remember?
00:11:00No.
00:11:02Blah must have bit in my head.
00:11:08We'll have to get his leg into traction.
00:11:10Oh, and get my old x-ray machine out of mothballs.
00:11:16Where's his brother?
00:11:17In the nursery.
00:11:19He's very upset, very confused, very frightened.
00:11:22I'd better go see him.
00:11:23Go see him.
00:11:45Your name is Belial, isn't it?
00:11:57I never met your aunt, but she called me for help after your father died.
00:12:11You know, we spoke very often, and she told me all about you.
00:12:34There are others here like you.
00:12:38Others who have been hurt and need to be hidden and sheltered from the outside world.
00:12:52Others like you who have made these walls a place they call home.
00:13:02There you are.
00:13:09And welcome.
00:13:14But you'll have to live by my rules under my roof.
00:13:21And that means by contributing and helping and becoming a part of our little community.
00:13:29Now, I understand you feel comfortable sleeping in a basket.
00:13:36Would this one do?
00:13:38Susan!
00:13:40And now, I'd like you to meet the others.
00:13:55Children.
00:13:56Children.
00:13:57Children.
00:13:58We have a new member of our community.
00:14:02He's been through a terrible ordeal these past few hours.
00:14:09So be kind to him.
00:14:10If he wishes to be left alone, please let him.
00:14:16Come forward, children.
00:14:17Come forward and meet the newest addition to our family.
00:14:23Mom!
00:14:24Mom?
00:14:25Mom!
00:14:26Mom!
00:14:27Mom!
00:14:28Mom!
00:14:29Oh!
00:14:30Mom!
00:14:31Mom!
00:14:32Mm.
00:14:33Come forward and meet the newest addition to our family.
00:14:53Let me introduce you to Lorenzo.
00:14:57He comes from South America.
00:14:59Born with an oversized head and an underdeveloped body,
00:15:04he was abandoned by his parents,
00:15:07put on display in cheap backroom exhibitions.
00:15:11He also possesses one of the most beautiful voices I've ever heard.
00:15:17Would you, Lorenzo?
00:15:29Now I'd like you to meet Elise.
00:15:36No one has yet been able to determine her parentage.
00:15:39She read of my work and came to me on her own.
00:15:43She's like a second granddaughter to me.
00:15:46She's also our resident poet.
00:15:49Hello, Malaya.
00:15:50Now meet Frederick.
00:15:53I purchased Frederick from his parents.
00:15:56Yes, purchased.
00:15:58It was either me or a sideshow.
00:16:01He's very, very introverted, very difficult to understand.
00:16:05And the first to offer comfort and help when one of our family needs it.
00:16:10And here's someone I hope you'll be able to help.
00:16:29Someone very much like you.
00:16:31We don't know her name, so we call her Eve.
00:16:37She's been with us now for a little more than a year
00:16:40and seems so full of pain and despair that,
00:16:44well, we're all having a hard time reaching her.
00:16:47She seems to be so withdrawn into her own private world
00:16:50that she's been unable to share our happiness and bond.
00:16:56So perhaps, Belial, perhaps you might help her.
00:17:00Look after her.
00:17:02Let her know she has a friend.
00:17:04Listen, I got a great idea
00:17:32involving your favorite story that I know you're going to love.
00:17:36Hmm, I hate it already.
00:17:38A four-part anniversary special about your favorite twins.
00:17:46Look.
00:17:47Let's see how far we can milk this.
00:17:53I want you to rehash what we know
00:17:55and give me some bright ideas about what we don't.
00:18:00They're born Siamese twins.
00:18:03And they get cut apart,
00:18:05kill some doctors,
00:18:07and vanish from the hospital.
00:18:09Don't remind me.
00:18:09So where are they?
00:18:11Who the hell knows?
00:18:12Dead, probably.
00:18:13Oh, no, dead doesn't sell.
00:18:16Let's keep them alive.
00:18:17Lou, I followed this story
00:18:19till there was nothing left to follow.
00:18:21If there were any trail left on it,
00:18:22I'd still be following it.
00:18:24But the story still sells.
00:18:26We've got nothing left to go on.
00:18:27No leads, no clues.
00:18:29Zilch.
00:18:29Well, so give me some guesses,
00:18:32opinions,
00:18:33you know,
00:18:33ask a few doctors,
00:18:35eggheads,
00:18:36a couple of psychics,
00:18:37you know,
00:18:38give me some what-ifs.
00:18:40What if they went here?
00:18:41What if they went there?
00:18:43What about that detective friend of yours?
00:18:45Phil?
00:18:46Hmm?
00:18:46What about him?
00:18:47Years ago,
00:18:48he once tangled with a character
00:18:51we call Dr. Freak.
00:18:54Dr. Freak?
00:18:55Mm-hmm.
00:18:56Ruth Smoller.
00:18:58She was before your time.
00:19:00Gave birth to a boy with
00:19:0211 arms.
00:19:06Yeah, the kid died,
00:19:08but it made a sort of a missionary
00:19:09for Freak's rights.
00:19:11Even had a Freak commune
00:19:13somewhere out west.
00:19:14We used to run tons of stories on her
00:19:16years ago.
00:19:16Well, is she still alive?
00:19:18Mind out.
00:19:19Get her opinion.
00:19:23But when you write this thing,
00:19:24don't forget to mention
00:19:25that the Bradleys are wanted fugitives
00:19:27and how this paper is aiding
00:19:29in the cause of justice
00:19:30by tracking them down,
00:19:32blah, blah, blah.
00:19:33Four-part series?
00:19:35Front page all the way.
00:19:38And I'm going to heavily promote it.
00:19:41And if I find them,
00:19:42do I get the million?
00:19:44Million?
00:19:46What million?
00:19:47Yeah, yeah, yeah, yeah, yeah, yeah.
00:20:13Oh, hello?
00:20:15Hello?
00:20:16Hello?
00:20:17Hi, you're the fellow with the mermaid, right?
00:20:22Yeah, yeah.
00:20:22Yes, ma'am.
00:20:23Hi, my name's Marcy Elliott,
00:20:25judge and jury,
00:20:26and I'm doing a story
00:20:26on the Bradley twins.
00:20:28Yeah, yeah, yeah, yeah.
00:20:29I got, I got,
00:20:30I got one of them
00:20:31here right now.
00:20:34What?
00:20:34Say that again?
00:20:35I said I got the monster one
00:20:37here right now.
00:20:39He's, he's the newest part
00:20:40of my exhibit.
00:20:42I just started advertising him.
00:20:44Yeah, yeah.
00:20:45Okay, okay, listen,
00:20:46you're about 40 miles from Manhattan.
00:20:49I can be there in an hour.
00:20:51Well, no, no,
00:20:52it's, it's getting kind of late now
00:20:55and the exhibit's closed.
00:20:57Look, I'll give you a hundred bucks
00:20:58if I can see him tonight.
00:21:00A hundred bucks, huh?
00:21:01Yeah, okay, you got my address.
00:21:06Okay, I'll be expecting it.
00:21:08Damn, a hundred smackaroos.
00:21:10Woo!
00:21:12A hundred smackaroos.
00:21:14Whoa, boy, a hundred smackarinis.
00:21:17All right, all right, yeah, yeah.
00:21:19Damn, that was fast.
00:21:20All right, all right.
00:21:22Hold your horses.
00:21:23Yes, I'll be right there.
00:21:25Right, go.
00:21:26Mr. Barker?
00:21:32Yes, hello, how are you?
00:21:33Hello, Barker?
00:21:34Yes.
00:21:35And this is your ad?
00:21:38Yes, it is, but, uh,
00:21:40we're closed now and, uh...
00:21:42Oh, please, please.
00:21:43I've driven such a long way.
00:21:46The traffic was terrible.
00:21:47Look, I can only stay a few minutes.
00:21:50Couldn't you please?
00:21:51Please.
00:21:53Well, all right,
00:21:54since I gotta wait up for someone else anyway,
00:21:57the tents are on back.
00:21:58I'll show you.
00:21:59You're in for a big surprise.
00:22:01Wait till you see my little children.
00:22:03They're all my little children.
00:22:04Wait, and I love them.
00:22:05Look, I'll turn the lights on.
00:22:07You can see them better.
00:22:08Aren't they beautiful?
00:22:09I love all of them.
00:22:11Come on inside.
00:22:12You want one of your lizies of...
00:22:14Here they are, ladies and gentlemen,
00:22:16mysteries of nature,
00:22:17vanguards of a new form of life.
00:22:19Are they born of the earth itself
00:22:21like this little lady here?
00:22:24Or are they spawned from space beings
00:22:26like this little lad here
00:22:28that found him abandoned one night in a field?
00:22:31Or are they summoned up
00:22:33from the very pits of hell itself
00:22:36like this little friend here,
00:22:38the Bradley monster,
00:22:40this incredible little creature
00:22:41crawled all the way here
00:22:44from the drug-infested
00:22:45hellholes of New York City.
00:22:47And when he arrived here,
00:22:50he was dragging a girl under one arm
00:22:53and a dead doctor in the other.
00:22:55A local farmer shot him.
00:22:58Then!
00:22:59You know what they did?
00:23:00They stuffed his body
00:23:01into a pit of lies.
00:23:04Yes, pit of lies.
00:23:06But it's so large.
00:23:08How could it have ever fit into that basket?
00:23:12Acromegaly.
00:23:14Acromegaly.
00:23:15The accent is on meg.
00:23:16It means that he got bigger
00:23:19before he died.
00:23:23Animal bones.
00:23:25Chicken wire.
00:23:28Plaster of Paris.
00:23:31Paper machete.
00:23:32I notice you call them
00:23:39mysteries of nature.
00:23:40Yes, ma'am.
00:23:42Well, what do you call someone
00:23:44who exploits mysteries of nature?
00:23:46Trash, low-life, scum?
00:23:48Little lady,
00:23:49there's no reason to get harsh.
00:23:51But you,
00:23:52you don't even care
00:23:53if they're alive or dead
00:23:54or even real.
00:23:55You're contemptible.
00:23:56Trash, low-life, and scum!
00:24:03I'm just trying to make a living, lady!
00:24:05I wonder whatever happened
00:24:06to that gal
00:24:07with the hundred bucks!
00:24:09Damn these women!
00:24:11Damn them!
00:24:11And I think you owe Mr. Bradley
00:24:17an apology.
00:24:18I owe her an apology!
00:24:20You heard me.
00:24:21You two work it out yourselves.
00:24:23I'll be in the car.
00:24:24No way.
00:24:32No way, but fool me.
00:24:34No way.
00:24:35Trash, low-life, scum.
00:24:40Trash, low-life, scum.
00:24:42You're empty!
00:24:43You're empty!
00:24:43Ha, ha, ha, ha, ha!
00:24:45Yeah!
00:24:46Yeah!
00:24:54Mr. Barker?
00:25:12Hello?
00:25:14Mr. Barker?
00:25:18Mr. Barker?
00:25:24Mr. Barker?
00:25:49Mr. Barker?
00:25:49Mr. Barker?
00:25:50Mr. Barker?
00:25:54So, after I got done puking,
00:25:58I called the police.
00:25:59I had to check with forensics later,
00:26:01but where is that bottle?
00:26:04Why didn't you call me, Marcy?
00:26:06I only had an hour, Artie.
00:26:07I didn't know I was going to be
00:26:08visiting a stiff.
00:26:10But I thought we were a team.
00:26:12Not that kind of team.
00:26:14Let's keep this professional.
00:26:16Well, you got a great lead.
00:26:18O'Bio reaches out from the grave.
00:26:21Monster mangles, man and a mermaid.
00:26:23Lovely stuff.
00:26:25How about Barker was killed
00:26:29by a cult of Belial worshippers.
00:26:33You know, they hold his image
00:26:34to be anti-sacred
00:26:35and don't like cheap reproductions.
00:26:38Give me a break.
00:26:39Okay.
00:26:41Then, no, that's not good.
00:26:44I know, I know what happened.
00:26:45A UFO landed in Barker's field
00:26:47loaded with Belial lookalikes.
00:26:49They took one look at the exhibit
00:26:50and thought he'd kidnapped one of their own.
00:26:52Get it?
00:26:52Artie.
00:26:56Maybe there was a third twin.
00:27:00Maybe they were really born Siamese triplets.
00:27:05And the third twin prowls around
00:27:07avenging the family name.
00:27:10I'm going to go to Staten Island tomorrow.
00:27:11You want to come along?
00:27:14Staten Island?
00:27:15I love that place.
00:27:16Hey, how are you?
00:27:30My, my.
00:27:31All that food just for you and your granny?
00:27:33I don't know.
00:27:34You think you might invite me for dinner someday?
00:27:36Hey, I'm just trying to be friendly.
00:27:37Maybe if I was a freak,
00:27:39you'd be a lot friendlier.
00:27:42My grandmother's retired.
00:27:44She has nothing more to do with freaks.
00:27:46What about you?
00:27:47I keep inviting you for a drink.
00:27:49You never set foot in my joint.
00:27:50My place ain't good enough for you, is it?
00:27:52Oh, God.
00:27:53I'll make you a margarita.
00:27:55I'll put an umbrella in it.
00:27:56I'll bake a sour for you.
00:27:58I'll put cherries in it.
00:28:00Have a nice day, bitch.
00:28:08Now, just relax.
00:28:11Relax.
00:28:13Just calm down.
00:28:17Open up your feelings.
00:28:19Just relax.
00:28:22Now, we're going to pick up where we left off last time,
00:28:26talking about your separation from Dwayne.
00:28:33I know.
00:28:34We've discussed this many times,
00:28:37but today,
00:28:38I want you to really confront your feelings,
00:28:42really confront your anger.
00:28:47I understand.
00:28:49For you, it was more than losing a brother.
00:28:53You also lost a piece of yourself.
00:28:56You don't feel like a whole person.
00:29:04You miss him and need him
00:29:07and yet hate him at the same time.
00:29:10I understand that sadness.
00:29:18I understand your pain.
00:29:21But ripping the faces off people
00:29:24may not be in your best interest.
00:29:27Hey!
00:29:36Hey!
00:29:36Hey!
00:29:37Hey, hey, excuse me.
00:30:07Hi, you're up early.
00:30:33How's the night?
00:30:34Oh, uh, fine.
00:30:35Fine.
00:30:36Still stiff?
00:30:37Just the ankle.
00:30:38But I'm not complaining.
00:30:39Not after what you and Granny Ruth have done for her.
00:30:41Well, you can never turn her back on her kin.
00:30:44Thanks, honey.
00:30:47You know, I may not hang around too much with the others, but I do know how much they love
00:30:57you.
00:30:58And I love them even more.
00:31:01I've never known anyone like you.
00:31:05I've never had anyone like you who's cared for me, who's helped me.
00:31:08Well, you've always had your brother.
00:31:10Yeah.
00:31:11Yeah.
00:31:12Right.
00:31:13But it's kind of different now, isn't it?
00:31:15I mean, everything's changed.
00:31:18He's happy here.
00:31:20Yeah.
00:31:21There's no reason for him to leave.
00:31:23And as long as he's here, he doesn't need me.
00:31:26Well, I'm finally free of him.
00:31:29For the first time I can live my life.
00:31:33Just get in a car and drive off somewhere.
00:31:36Drive off?
00:31:37Oh, God, wouldn't that be great?
00:31:39You and I just running away someplace.
00:31:42Doing whatever we want to do.
00:31:44Going wherever we want to go.
00:31:46But I could never leave here.
00:31:48No more than you could.
00:31:50We belong here.
00:31:52But why?
00:31:54We're not one of them.
00:31:56I am.
00:31:57And so are you, as we'll always be.
00:32:00We're all of the same flesh, Dwayne.
00:32:26.
00:32:45Bullshit, Second Thoughts.
00:32:46I've had 12 years of doctor Second Thoughts.
00:32:49We're talking about your child.
00:32:51Child?
00:32:52Doane is my child.
00:32:53Not that other thing.
00:32:54that other thing all i want is duane to be normal it's too late to change the other one just cut
00:32:59duane from him don't know i don't know the hospital says no every doctor i've asked says no
00:33:06you two may be my last hope i don't know who you are or where liflander found you and i don't care
00:33:12no questions asked just separate them he's right of course the boy should have a chance at a normal
00:33:17life they don't share organs or bone just tissue and flesh if the operation is successful the most
00:33:24duane will have is a nasty scar and the other one doctor i'm not even sure it's human
00:33:29duane
00:33:38that used to be one of my special favorites are you okay are you all right oh yeah i'm sure i'm fine
00:33:51i'm living in a house full of freaks in staten island and i still feel like he's connected to
00:33:57me everything is just great
00:33:59duane believe me i understand how confusing and difficult it can get no you don't how could you
00:34:11you have no idea duane you're not the only one i've just got to bury the past i've just got to walk
00:34:18away from who i was i've just i've i've got to be alone for a while okay
00:34:23you're just going into the dining room boy now stop it won't hurt boy i promise you this won't hurt
00:34:51if he's squirming around this is not going to work if he's squirming around hold him still
00:35:03it's not who i am
00:35:15it's not who i am
00:35:31is my brother here no he's not we finished a while ago he's probably back upstairs
00:35:43okay thanks uh just a moment duane
00:35:46i know you don't like it but i want to resume sessions with you i'm worried about you i'm concerned
00:35:55i'm concerned don't be i'll be leaving here soon i see and where will you be going i don't know i just don't belong here
00:36:07i mean i'll forever be grateful to you and all you've done i just don't feel i belong here
00:36:13you don't feel you're one of us i used to be but i'm not anymore does your brother know about this
00:36:21that's what i'm on my way to talk to him about now
00:36:27belal
00:36:37belal
00:36:39belal are you up here
00:36:41belal
00:36:43belal
00:36:45elmo
00:36:47hi
00:36:49how's it going
00:36:51is my brother up here
00:36:53yeah he's up here
00:36:55down at the end
00:36:57with her
00:36:59kick
00:37:01ah
00:37:09he's
00:37:11great
00:37:13is
00:37:15well
00:37:17i'm getting better it's bad
00:37:19every day
00:37:21every day
00:37:23I'm getting better every day, every day.
00:37:25I'm getting better every day, every day.
00:37:36Hi.
00:37:54Bilal.
00:37:56Bilal.
00:38:01I don't want to interrupt anything.
00:38:04But we gotta talk.
00:38:23We gotta sit down.
00:38:26Oh, my God.
00:38:56I'm not sure how to say all that's on my mind.
00:39:05You know something's been bothering me these past couple of months
00:39:08because I could feel you trying to get into my head.
00:39:11But everything's different now.
00:39:13Everything's changed between us.
00:39:16It changed the moment we came to New York.
00:39:20I've always loved you and helped you and fought for you.
00:39:24I've always proved that.
00:39:26But my debt to you is over.
00:39:28The link between us is gone. I'm not a part of you anymore.
00:39:31I want to be free.
00:39:33And I want to get away.
00:39:36I want to start my life over.
00:39:38Become a part of the rest of the world.
00:39:41I mean, it's not like I'm abandoning you.
00:39:43You found a home here.
00:39:45And it looks like you found someone you care about.
00:39:50What?
00:39:52Who?
00:39:53Susan, what about her?
00:39:55Yeah?
00:39:56Yeah, I think I do love her.
00:39:59And I think she loves me.
00:40:00You got a problem with that?
00:40:03Good.
00:40:04Because I want her with me.
00:40:07She's important to me.
00:40:09She's my hope.
00:40:11My key to a new life.
00:40:12If I can have her, I can walk away from the past.
00:40:15I could say goodbye to the old Dwayne Bradley and begin life anew.
00:40:19If I could have her by my side, I...
00:40:21You sure you want to go in there alone?
00:40:34I want to talk to her, Artie.
00:40:36I don't want to scare her away.
00:40:37Let me see how this goes first.
00:40:49Wait, wait, wait, wait.
00:40:50I'm just supposed to sit here?
00:40:51Here, read her book.
00:40:52Here, read her book.
00:40:54I don't have to go in there.
00:40:54I don't have to go in there.
00:40:55I can't buy anything.
00:40:55I don't have to go in there.
00:40:56I'll be right back.
00:40:57Come back.
00:40:57I'll be right back.
00:40:59I'm so sorry.
00:40:59I don't know.
00:41:29I don't know.
00:41:49Hi, Ruth Smaller, please.
00:41:52You're amazingly persistent, Miss Elliot.
00:41:55Well, you wouldn't answer my phone calls,
00:41:57and I just happened to be in the neighborhood,
00:41:59so what? Here we are. Here we are. I respect who you are. I just want your opinion. And I despise
00:42:07you. I despise everything you stand for. It was people like you and papers like yours that
00:42:13destroyed my work, made it impossible for me to give a handful of unique individuals the respect
00:42:19and privacy they deserve. I find everything about you cheap and contemptible.
00:42:24I just want to ask a few questions about the Bradleys. If they were in the next room I would
00:42:33never admit it to the likes of you. For the record they are wanted for the murders of at least five
00:42:38people. And just for the record you won't get any help from me. I'm retired. My patients are a few
00:42:45elderly women from the neighborhood. I no longer have anything to do with unique individuals.
00:42:50And I believe this interview is over. Well perhaps next week we could briefly just get together.
00:42:58And I'll thank you not to phone or in any way bother us in the future. There's nothing here
00:43:04that could interest you, Miss Elliot. Susan? Susan? Susan? I've got to talk to you.
00:43:17Oh, Michael! You startled us. Michael lives in the neighborhood. He often runs errands for us.
00:43:26Oh, yeah. Uh, right. I got those groceries you wanted. In there? Hello, Michael.
00:43:39Well, yes, as I was saying, for what it's worth, I thank you for your time and for letting me see you.
00:43:43Oh, you're very welcome. But I'm sure you understand.
00:43:46Do you think she recognized me? I don't think she recognized me. She didn't say anything. She
00:43:54didn't act like she'd recognize me. If she'd have recognized me, she'd have said something.
00:43:58What do you think? You think she recognized me?
00:44:00It's like a fire. Can we get the photo? What's the matter?
00:44:15Bradley's in there. He's in there.
00:44:17Oh, my God. You sure?
00:44:18He's just looking right at him. I'm staring him right in the face.
00:44:21Oh, you should. You found him. You fucking found him.
00:44:24What about the other guy?
00:44:26I didn't see him, but Bradley was carrying a basket. A big fucking wicker basket.
00:44:29Oh, bingo! Holy motherfucking shit. Wait till Lou hears about this.
00:44:32Forget Lou. What?
00:44:34Throw this away on Lou. This story is worth more than Lou could ever pay.
00:44:39How much more?
00:44:41We're talking People magazine. We're talking seven-figure hardcover sale.
00:44:45We're talking TV and movie rights. This could be the story of our careers,
00:44:48and it's sitting right in our laps, as long as we don't fuck it up.
00:44:53What do you do next?
00:44:55Who let me catch my breath?
00:44:57I thought you warned everyone.
00:45:01I thought they were with the others.
00:45:02It's not her fault. We were in the garage, and I didn't have my key to the back.
00:45:07Did she recognize him?
00:45:09Absolutely. I have no doubt.
00:45:12I'll go away. I'll take Belial and leave. I wanted to go anyway.
00:45:19But they'll still come looking. And when they do, they'll find the others.
00:45:24Oh, my God.
00:45:25They'll come looking for us and find all of them.
00:45:29Exactly.
00:45:30I can't let that happen.
00:45:32So what will you do?
00:45:34Whatever I have to.
00:45:35If I can't run, I'll stay.
00:45:40I'll stay and I'll fight.
00:45:41Do I have your word on that?
00:45:44You do.
00:45:45I owe you that much and more.
00:45:48I won't leave until you, Susan, and the others are safe.
00:45:55That's what I was hoping for.
00:45:57Susan, call a meeting.
00:45:59Get everyone assembled.
00:46:00It's going to be like all times.
00:46:30I'll be like, oh, my God.
00:47:00Children, children, the wolves are once again at our door.
00:47:30A reporter from a prying tabloid wishes to again exploit one of us.
00:47:39And by so doing, risks exposing us all.
00:47:45Risks destroying all that we have worked for these past desperate years.
00:47:52Once again, our right to live in privacy and with dignity is being invaded by sideshow mentality.
00:48:06Once again, the hateful eyes of the outside world wish to shine their cruel spotlight upon us.
00:48:15We must either run and find a new place to hide or we fight.
00:48:32Now, I know there are those among you who are either incapable of physical confrontation or who are philosophically opposed to it.
00:48:49And this I respect.
00:48:51And this I respect.
00:48:52This I ask you all to respect.
00:48:55But to the rest of you, I beg and answer.
00:49:04Do we flee?
00:49:07Or do we fight?
00:49:11Fight!
00:49:12Fight!
00:49:13Fight!
00:49:14Fight!
00:49:15Fight!
00:49:16Fight!
00:49:17Fight!
00:49:18Fight!
00:49:19Fight!
00:49:20Fight!
00:49:21Fight!
00:49:22Fight!
00:49:23Fight!
00:49:24Fight!
00:49:25Fight!
00:49:26If our reporter friend hasn't had the police at our doors by now, it's because she seeks something else.
00:49:33Most probably she, or someone working with her, will first try to gain entrance.
00:49:43Someone will undoubtedly try to sneak their way into our home.
00:49:48So I say, let them, let us welcome them with open arms, and let us give them a welcome they'll never forget.
00:50:18Tell me if you could turn in.
00:50:19I don't want to know with our luck.
00:50:20Come on, look.
00:50:21Look!
00:50:22Maybe Bradley's in the van?
00:50:23No, take a look at the house already.
00:50:24It's obvious somebody else is home.
00:50:25It's not our number.
00:50:26Okay, just get a shot of Dwayne.
00:50:27Remember, the other one is too risky.
00:50:28You get a photo of Dwayne, I can get us back in there tomorrow.
00:50:29I'll get in there tonight.
00:50:30Do what I say, Artie.
00:50:31Do what I say, Artie.
00:50:32Now I can't see him.
00:50:33Don't go and see him.
00:50:34I'm going to see you.
00:50:35Let's see him.
00:50:36I can see him.
00:50:37I can see him.
00:50:38I'll see you.
00:50:39I can see him.
00:50:40That's the while.
00:50:41I can see you.
00:50:42I can see you.
00:50:43Maybe Bradley's in the van?
00:50:44No, take a look at the house already.
00:50:45It's obvious somebody else is home.
00:50:48It's not our number.
00:50:49Okay, just get a shot of Dwayne.
00:50:51Remember, the other one is too risky.
00:50:52You get a photo of Dwayne, I can get us back in there tomorrow.
00:50:54I can get in there tonight.
00:50:55Do what I say, Artie.
00:50:58don't fuck with me
00:51:01I'm professional
00:51:02get ready to burn some rubber
00:51:04yeah he's sick
00:51:19real sick
00:51:20he can't move
00:51:21he just sits in the basket and stares
00:51:24I think he's dying
00:51:25I... what?
00:51:29no
00:51:30no, I can't move
00:51:32no
00:51:35no
00:51:37he's up in the attic
00:51:39he's too weak to come down
00:51:40I... what?
00:51:45okay
00:51:45okay
00:51:55no
00:52:03no
00:52:04no
00:52:05no
00:52:05no
00:52:06no
00:52:07no
00:52:08no
00:52:09no
00:52:10no
00:52:10no
00:52:11car
00:52:13B'lile, B'lile, can you hear me?
00:52:41I went to get you some medicine.
00:52:43I'll go down in the basement and get some blankets and bring them up to you.
00:52:47What?
00:52:48No.
00:52:49No, I told him that.
00:52:51I told him you can't move.
00:52:53I told him there was no way I could bring you there.
00:52:56He said wait until tomorrow.
00:52:58Shh!
00:53:00Hold it.
00:53:02I thought I heard something.
00:53:04I better go look.
00:53:11How you doin'?
00:53:12Don't be afraid.
00:53:13I'm not gonna hurt you.
00:53:14I know you don't feel good, so I just want you to relax.
00:53:21How you doin'?
00:53:26Take a few pictures and then I'll be gone.
00:53:27It's kinda dark in here, so I'm gonna have to use a flash.
00:53:28It's gonna be a big burst of light.
00:53:29But don't let it upset you.
00:53:30Just relax.
00:53:31Sit back and say cheese!
00:53:32How you doin'?
00:53:33How you doin'?
00:53:34Don't be afraid.
00:53:35I'm not gonna hurt you.
00:53:36I know you don't feel good, so I just want you to relax.
00:53:37Take a few pictures and then I'll be gone.
00:53:38It's kinda dark in here, so I'm gonna have to use a flash.
00:53:39It's gonna be a big burst of light.
00:53:40But don't let it upset you.
00:53:41Just relax.
00:53:42Sit back and say cheese!
00:53:43Oh shit.
00:53:47Oh shit.
00:53:48I know you don't feel good.
00:53:50I know you don't feel good, so I just want you to relax.
00:53:52I'll take a few pictures and then I'll be gone.
00:53:53It's kinda dark in here, so I'm gonna have to use a flash.
00:53:55It's gonna be a big burst of light.
00:53:56But don't let it upset you.
00:53:57Just relax.
00:53:58Sit back and say cheese!
00:54:00Oh shit.
00:54:11Oh shit.
00:54:14No!
00:54:19No!
00:54:24No!
00:54:29What is this?
00:54:59Oh, my God.
00:55:29Oh, my God.
00:55:33Oh, my God.
00:55:36No.
00:55:38No.
00:55:40No!
00:55:46No.
00:55:59Oh, my God.
00:56:25Ah, this better be good.
00:56:27Phil, this is Marcy Elliott.
00:56:29Uh, I need your help.
00:56:31I'm in big trouble.
00:56:32Uh, can't it wait till tomorrow?
00:56:34I think Artie's been killed.
00:56:37What do you mean, Artie's been killed?
00:56:43You remember the Times Square Freak twins?
00:56:45Yeah.
00:56:48Well, I found them.
00:56:50In a house in Staten Island belonging to Ruth Smoller.
00:56:53Dr. Freak?
00:56:54Yeah.
00:56:55Wow.
00:56:58That's a name I haven't heard in many years.
00:57:02I once had to liberate a freak from that commune of hers she had out west.
00:57:08Wow.
00:57:11Not pleasant.
00:57:13Look, I want Duane.
00:57:14Before I go to the police, I want to speak to Duane.
00:57:17Well, walking into her house and asking for him just won't work.
00:57:24You gotta get Duane to come out.
00:57:27Get him to come out.
00:57:30Sit down.
00:57:32And shoot the breeze.
00:57:33Hello?
00:57:34Don't hang up.
00:57:35Or I'll be at your front door in five minutes with a shitload of cops.
00:57:48You dig?
00:57:49Who is this?
00:57:50Let me speak to Duane.
00:57:51There's no one here.
00:57:52Tomorrow I'll have a cavalry knocking down your front door.
00:57:56Just a minute.
00:57:58It's for you.
00:58:01It's working.
00:58:09Who is this?
00:58:10This is someone who knows who you are.
00:58:13And who your brother is.
00:58:15Am I making myself clear?
00:58:17What do you want?
00:58:22I want to talk, Duane.
00:58:24I want to meet you face to face.
00:58:26Have a few beers.
00:58:27Talk about life.
00:58:29Without your brother, of course.
00:58:40You're Duane?
00:59:06I bought you a beer.
00:59:08Thanks.
00:59:10My name's Phil.
00:59:11I'm looking forward to meeting you.
00:59:13You working with that reporter?
00:59:15Sort of.
00:59:17We're, uh, old friends.
00:59:20But it's just you and me tonight, okay?
00:59:24What do you want?
00:59:26Well, for starters, I want to know what happened to another old friend of mine.
00:59:30A guy named Artie.
00:59:32He walked into that house you're living in now, and he never came out.
00:59:37It never happened.
00:59:39Oh, I think it did.
00:59:42And I think he met your brother.
00:59:44You're wasting my time.
00:59:46Hold it.
00:59:48Sit.
00:59:50Sit.
00:59:51Finish your beer.
00:59:53Relax.
00:59:55Relax.
00:59:56What do you want from me?
01:00:01I want to know where your brother is.
01:00:03Why?
01:00:05Because he kills.
01:00:07And because he needs help.
01:00:09Oh, you want to help him, right?
01:00:12You want to help the little monster.
01:00:14You want to help the little freak.
01:00:15I didn't call him that.
01:00:17I called him your brother.
01:00:19That's what he is, isn't he?
01:00:26But he needs help, Dwayne.
01:00:28He needs lots of love and lots of help.
01:00:32And I can get him to people who will care for him.
01:00:35Give him what he needs.
01:00:36What if I told you he's already getting that?
01:00:39What if I told you he's already getting all the help he needs?
01:00:43Then I'd ask what about you?
01:00:46Me?
01:00:48What's wrong with me?
01:00:49Nothing.
01:00:50That's your problem.
01:00:52You're wrapped in your brother's shadow.
01:00:55Everybody associates you with him as if you're both still connected.
01:01:00Hell, you're no freak.
01:01:02You're no different than the rest of us.
01:01:05You're even goddamn good-looking.
01:01:08I can't imagine a gal who would say no to you.
01:01:12You could be a regular ladies' man.
01:01:14I can't imagine anyone thinking you're anything but a normal, average, all-around kind of guy.
01:01:24That's all I've ever wanted to be.
01:01:27I just wanted people to think I was normal.
01:01:30I just wanted to fit in with everyone else.
01:01:33But you are normal, Dwayne.
01:01:35You are.
01:01:37You're as normal as I am.
01:01:40But it can't be as simple as that.
01:01:42I mean, you're saying I'm normal because I look normal, right?
01:01:48I look like the majority.
01:01:50I look like everyone else.
01:01:52Keep your voice down, Dwayne.
01:01:54But in a house of freaks, things would be different.
01:01:58In a house of freaks, you and I would be the ones out of place.
01:02:01Right?
01:02:03Right?
01:02:04You're talking about the real world, Dwayne.
01:02:07Don't you want to be normal in the real world?
01:02:09Not if it has no meaning.
01:02:12I mean, what about in here?
01:02:14Are you and I considered normal in here?
01:02:17Do we look like we fit in?
01:02:19Of course we do.
01:02:21Well, maybe. And maybe not.
01:02:23Let's make a vote.
01:02:25Dwayne, sit down. Don't be a fool. Somebody may...
01:02:26Oh, shit.
01:02:48Oh, shit.
01:02:57Who are these people?
01:02:58Oh, shit.
01:03:07Oh, my God.
01:03:17Nom, nom, nom, nom, nom, nom, nom.
01:03:20Excuse me. Excuse me.
01:03:22Could I have everyone's attention?
01:03:24We want to take a vote.
01:03:25We want to find out how many of you think me and Mr...
01:03:29Uh...
01:03:31What did you say your name was?
01:03:33What the hell is going on here?
01:03:35How many of you think me and what the hell is going on here are normal?
01:03:39A show of hands, please.
01:03:45Nobody?
01:03:47No one?
01:03:50Not one of you.
01:03:53Gee whiz.
01:03:55Okay, then.
01:03:56How many of you think we don't belong here?
01:03:59How many of you think we are the freaks?
01:04:00You know, I just don't think this crowd agrees with you.
01:04:05You know, I just don't think this crowd agrees with you.
01:04:32No, no, no, no, no, no.
01:04:35No, no, no, I don't want any trouble here.
01:04:45I don't want to hurt anyone.
01:04:48Yeah, nice and easy.
01:04:53Stay away from me.
01:04:58I don't want any trouble here.
01:05:07Jesus, God Almighty.
01:05:17I don't want any trouble here.
01:05:26I don't want any trouble here.
01:05:36I don't want any trouble here.
01:05:40Oh, my God.
01:06:10Aaaaaaah!
01:06:16Hm-mm.
01:06:37No!
01:06:40Oh, my God.
01:07:10Come, children.
01:07:29Come on.
01:07:30That's right.
01:07:31Now, hurry.
01:07:32Hurry, Ben.
01:07:33Ben.
01:07:34Leon?
01:07:35Okay, Leon.
01:07:36Frederick, here.
01:07:37Frederick?
01:07:38That's right.
01:07:39That's very low.
01:07:40That's right.
01:07:41You're right at the bottom.
01:07:42Are you okay?
01:07:43I heard shots.
01:07:44I'm fine.
01:07:45I'm fine.
01:07:46Did you search his pockets?
01:07:47Did you search his pockets?
01:07:48I found it.
01:07:53Ms. Marcy Elliott 443, Palisades Terrace Apartment 4, Flushing.
01:07:58It figures.
01:08:00Yes.
01:08:01Yes.
01:08:02Yes.
01:08:03Yes.
01:08:04No.
01:08:05Oh.
01:08:07Oh.
01:08:08Oh.
01:08:09Oh.
01:08:10Oh.
01:08:11Oh.
01:08:12Oh.
01:08:13No!
01:08:35Phil?
01:08:36Phil?
01:08:43Phil?
01:09:08Hello?
01:09:13I can't come to the phone right now, but if you leave your name and number, I'll get back to you as soon as I can.
01:09:31Goddammit, Phil, where are you?
01:09:34I am worried sick.
01:10:04Good evening.
01:10:05What do you want?
01:10:06What are you doing here?
01:10:07I thought you wanted to meet me.
01:10:09I thought you wanted to do a big story on us.
01:10:13Not now.
01:10:14Not tonight.
01:10:15Oh.
01:10:16What do you want?
01:10:17What are you doing here?
01:10:18I thought you wanted to meet me.
01:10:19I thought you wanted to do a big story on us.
01:10:20Not now, not tonight.
01:10:21Oh...
01:10:22Jeez.
01:10:23He's gonna be so disappointed.
01:10:24He was really looking forward to it.
01:10:25Where's Phil?
01:10:26What did you do to Phil?
01:10:27I mean, he's been all psyched up.
01:10:31All excited.
01:10:32night oh geez he's gonna be so disappointed he was really looking forward to it but where's phil
01:10:42what did you do to phil i mean he's been all psyched up all excited he's just dying to meet
01:10:47you who my brother of course belial the little monster you want to know everything about oh my
01:10:57god i don't want to see him now not tonight no that's no way for a reporter to behave
01:11:10he wants to grant you an interview a personal interview his very first he's all excited
01:11:18he's not in the basket anymore i let him out already he's probably hiding around here
01:11:31somewhere with his friends his friends oh yeah friends like him
01:11:35granny ruth's house is full of them you really missed that you know i mean you really had no
01:11:44idea who else was in there did you i swear i will not write a story i swear i won't tell anybody
01:11:50anything no one will know you have my word well it's really up to belial i mean he was really
01:11:57looking forward to an interview with you he figured you could ask him a few questions get to know him a
01:12:04a little bit then he could rip your face off no big deal
01:12:07no big deal
01:12:10oh
01:12:11no
01:12:13no
01:12:13no
01:12:21no
01:12:25no
01:12:26no
01:12:27no
01:12:28no
01:12:30no
01:12:31no
01:12:32no
01:12:33no
01:12:34no
01:12:35hey you're back okay you son of a bitch your brother wants to meet me
01:12:45let's meet i'm not afraid of you or him or any of you
01:12:50so come on let him look me in the face so i can carve up his sick laughable body
01:13:00where is he where is he gosh i don't know he was here a few minutes ago perhaps you upset him
01:13:10maybe all those nasty words you said frightened him maybe he's afraid of you when he's hiding
01:13:18maybe hey
01:13:21what's in the basket
01:13:26you
01:13:56Come on!
01:14:26Gee, Marcy, you should see yourself.
01:14:42You're a freak now, too.
01:14:43And how are your children doing here?
01:14:57Did you get a new monkey?
01:14:58Oh, that's good.
01:15:01Oh, you're going to hear this.
01:15:07What are you doing?
01:15:09Leon, I see you've got your soda.
01:15:11Oh, you're so good, aren't you?
01:15:14Listen, there's plenty more without candy.
01:15:16How do you have food?
01:15:17Oh, well, what about the candy chips?
01:15:20The soup, soup?
01:15:20Yeah, half of the soup.
01:15:22There.
01:15:24Yeah.
01:15:26So, you can't do anything you want.
01:15:30Is that good?
01:15:31Yeah.
01:15:33Yeah.
01:15:41I know you've had more than five.
01:16:02I'm so proud of them, especially.
01:16:10Oh, where are the brothers?
01:16:11I left the Lyle with Eve.
01:16:14She's been so upset with him gone that I thought, you know, it's her first chance to be alone.
01:16:19That's sweet.
01:16:20What about Dwayne?
01:16:22I'm not sure where he is.
01:16:25I'm worried about him going.
01:16:26So am I.
01:16:29I want to put on a sweater, so I'll check on him while I'm inside.
01:16:35There's plenty for everybody, children.
01:16:37Go ahead.
01:16:38Eat all you want.
01:16:39Dwayne, what are you doing here?
01:17:00I can't sleep.
01:17:01I have to talk to you.
01:17:02I have to be with you.
01:17:05You're all I want.
01:17:06You're all I need.
01:17:07Oh, Dwayne, I don't know.
01:17:11I...
01:17:11Let's get out of here.
01:17:13You and I.
01:17:14Tonight, now, right away.
01:17:16But I can't leave.
01:17:17I don't belong out there.
01:17:20What are you talking about?
01:17:21You're no different than me.
01:17:23But you don't belong out there either.
01:17:25We can't ignore who we are.
01:17:27But you're as normal as I am.
01:17:29No, no, I'm not.
01:17:37What is it?
01:17:39What's wrong?
01:17:41It's Palano.
01:17:42Something's happening.
01:17:44I can feel it.
01:17:46I don't know.
01:17:47He...
01:17:48He...
01:17:48He's also in love.
01:17:50I don't know.
01:18:03I don't know.
01:18:04I don't know.
01:18:04I don't know.
01:18:08Uh...
01:18:09Oh, man.
01:18:10Oh, my God.
01:18:40Oh, my God.
01:19:10I've been with a man before, once, when I was very young.
01:19:13So? I don't care.
01:19:15But there was something about me that I was never aware of,
01:19:18and being with him made it worse.
01:19:20It changed everything.
01:19:22It got me all mixed up inside.
01:19:25Whatever it is doesn't matter.
01:19:27I love you, Susan. I love you.
01:19:29I love you.
01:19:59Wayne, hold it.
01:20:03Don't. I can't.
01:20:05I'm pregnant.
01:20:08I've been pregnant for the past six years.
01:20:11What?
01:20:12We tried to take him out, but he doesn't want to leave.
01:20:15So Granny Ruth's been taking care of me until he's ready to be born.
01:20:18What?
01:20:29Well, don't be afraid of him.
01:20:35He's not dangerous.
01:20:45He just needs to come up for air sometimes.
01:20:49No.
01:20:50No.
01:20:52God, no.
01:20:53Please don't do this to me, Dwayne.
01:20:56God, no.
01:20:58Don't.
01:20:59No, please, please.
01:21:01Dwayne, stop it.
01:21:02Stop it.
01:21:03Stop it.
01:21:03Look at me.
01:21:06Look at me.
01:21:08No.
01:21:14Look at me.
01:21:18Look at me.
01:21:19Look at me.
01:21:20For God's sake, Dwayne.
01:21:28Leave me alone.
01:21:31Where's Susie?
01:21:32We'll be alone.
01:21:39I'll come next to you.
01:21:45Oh, pod.
01:21:53Oh, God.
01:21:58Oh, God.
01:21:59Oh, God.
01:22:01Oh.
01:22:02She warned me.
01:22:18She told me.
01:22:20She said she was one of them.
01:22:22Said I was, too.
01:22:24Said we didn't belong out there.
01:22:27Said we couldn't pretend.
01:22:32Fine, Dwayne.
01:22:56I'm just kidding myself.
01:22:58I mean, us being half to half doesn't make us two separate individuals.
01:23:01Just two separate halves.
01:23:04I mean, I'm just hacked off.
01:23:06That doesn't make it a separate person.
01:23:08Just another lost part.
01:23:11But I know what to do.
01:23:15I know how to fix things.
01:23:18I know how to make things right.
01:23:22I know how to fix things between us.
01:23:25Hi.
01:23:37Can I see you for a minute?
01:23:38What?
01:23:40Oh!
01:23:57Anyway...
01:23:58Okay.
01:24:01What are you doing?
01:24:02I'm just kidding.
01:24:04It's okay.
01:24:05It's okay.
01:24:06what was that you're happy now you're in love no no you're only half a person
01:24:22you can't be happy unless i'm happy you can't be in love unless i'm in love
01:24:28anything that went before doesn't matter this is the only way to make things right again
01:24:58hey it's okay we're together again
01:25:28so
01:25:35so
01:25:40so
01:25:43so
01:25:47so
01:25:49so
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