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Pakistani Dramas Channel
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00:00I'll see you next time.
00:30I love you
01:00I will do the same thing, but I will give you the same thing
01:06Both of us are one thing, love and love
01:12Man Junk Junk
01:27Man Junk Junk
01:42This is not a bad thing.
01:48You have only been taken away from now.
01:54Actually, you are alone.
01:57You are alone.
02:00You need to be a little bit less.
02:03If you have any pressure or pressure, please tell me.
02:07I know that you are alone.
02:10This is only Baba Saini's fault.
02:13He has been killed by NAPTAS.
02:22Thank you very much.
02:26What is the news?
02:30Shai Saini,
02:32yesterday we have made a rate of labor.
02:36I have got five men.
02:38Two men running around.
02:40The two men running around.
02:42The two men running around.
02:44The two men running around.
02:46The two men running around.
02:48The hospital and doctor are required.
02:50He has been told that he was in the village of Taimur.
02:52He has been killed by NAPTAS.
02:56Shai Saini,
02:57you know very well.
03:04Who is the one?
03:08And you also know very well,
03:10that the transfers and postings in this area
03:12are in our small details.
03:14that the men running around.
03:16The other men running around.
03:18If my men running around for a long time,
03:20they are going to go back to a long time.
03:22Then I have to do another way.
03:24I have to prepare for a long time.
03:26They will also tell me quickly.
03:29You know that the police have made a lot of water.
03:36You are very important.
03:38I will also stand by the real man and stand in the kitchen.
03:43And so, our DPO has a lot of pressure on us.
03:49I will listen to you very quickly.
03:53I will sit in the kitchen.
03:56And Nure,
03:58do you want to do something with water?
04:00You have to come here.
04:01No, you have to eat the diet.
04:03Eat it!
04:04It's a joke.
04:16Abba.
04:19Abba, it's him.
04:23Assalamualaikum.
04:25Assalamualaikum.
04:26The End
04:29The End
04:31PIANO PLAYS
05:01PIANO PLAYS
05:31PIANO PLAYS
06:01The decision to go through the process is its own.
06:06If you want to go to your mother,
06:09then we can't stop it.
06:15Will your mother become his mother become his mother?
06:20No, I don't care about it, I don't care about it.
06:25But this is my understanding of my mind.
06:29What do you understand?
06:30What do you understand?
06:33My daughter, my Taimur,
06:37fell to his enemy's hand.
06:39My daughter, my daughter,
06:42are you asking me?
06:44I know.
06:47Taimur,
06:49I don't have to pay attention to his enemy's hand.
06:54But Maasayan,
06:56Kusur was never a mother.
06:57Yes, Kusur!
06:58Kusur,
07:00Kusur, Sara,
07:01this is a girl.
07:03First,
07:04I'll take my daughter to my daughter.
07:08This doesn't happen,
07:09my daughter is with me.
07:12I won't forgive.
07:13I won't forgive,
07:15I won't forgive.
07:17I won't forgive.
07:18Oh, come on, come on.
07:20Come on, come on.
07:21Baby Saaren!
07:22Baby Saaren!
07:23Baby Saaren!
07:24I don't know what will happen.
07:26Why are you trying?
07:28I don't know.
07:31Shazain?
07:32Shazain.
07:33Shazain?
07:34Shazain?
07:35What happened?
07:36What happened?
07:37I won't forgive you.
07:38What happened?
07:39What happened?
07:40What happened?
07:41What happened?
07:42Shazain?
07:43Sikandar, don't panic, don't panic, this will be fine.
07:50Don't panic, don't panic, don't panic.
07:54Sikandar, this will be better.
07:57The hospital will get a lot of trouble.
07:59Take him to the washroom.
08:02Sikandar, please come.
08:05Take him.
08:07Keep him here.
08:13Shazen?
08:16Shazen?
08:18Shazen?
08:20I have seen him.
08:23Shazen?
08:25Where did he go?
08:27Where did he go?
08:28Where did he go?
08:30Shazen?
08:31I'm here.
08:32I'm with you.
08:33You will get so good now.
08:36Yes, Shazen?
08:38I'm here.
08:40Shazen?
08:41I'm here.
08:42I'm here.
08:43You will be fine.
08:44You will be fine right now.
08:58If you take this hospital, it's better.
09:32After that, you can see the door on the other side.
09:36You can ask something and answer something like the mind and the mind and the mind.
09:45It's good, it's good for you too.
09:53It's better for the outer space.
09:58Otherwise, we will keep falling apart.
10:02But when is it?
10:04Abba and Sajjad Bhai don't say anything, but I know.
10:09Three nights, we keep watching my mom.
10:18Do you remember?
10:20Before Abba came, we were all scared of them.
10:25Now we're so angry that when we go back and we don't know how to go back.
10:39We're all so angry.
10:42We're all so angry after going back and forth.
10:55There are so many drinks in the house.
11:01If you don't want to sit there,
11:06it's too much more than Sanata.
11:12We all are running in Sanata.
11:25What's your dinner set, your mother?
11:29Are you coming to a special guest?
11:34No one will come to a day.
11:36What a special, what a common.
11:40You know, your mother will be in front of each other.
11:47I'll go back to you soon.
11:55Who is coming?
12:00That's what Jamin Khan gave me.
12:04Are you coming to see her?
12:06Asli, what happened to her mother?
12:11I don't know what happened to your mother.
12:16She wants to be married.
12:19She doesn't have any work like this in the world.
12:24Don't talk about it.
12:27Don't talk about it.
12:30Don't talk about it.
12:33Don't talk about it.
12:36Don't talk about it.
12:39Don't talk about it.
12:45Look, Nahid.
12:48It's not today.
12:50It's a work, right?
12:53If they think about it,
12:56you understand.
12:59It's not a fault.
13:01Don't talk about it.
13:04Don't talk about it.
13:08Why did you feel like it?
13:11It won't come back.
13:13You're still here.
13:14You're still here.
13:15Sorry.
13:16That's all.
13:17You're still here.
13:19Thanks.
13:20Thanks.
13:21Thanks.
13:22Thanks.
13:23Thanks.
13:26I think this is so important.
13:28A little bit too.
13:30What are you doing?
13:31I think I was just so happy.
13:33What the hell are you doing?
13:35You haven't been ready for the whole time.
13:37You're asking me for the rest of my life.
13:39I have a song of yours.
13:41You can sing a song of Chambeli or Farsana.
13:43What's your song?
13:45What's your song?
13:47What's your song?
13:49How do you sing?
13:51I'm not going to sing.
13:53How do you sing?
13:55You sing Chambeli or Farsana.
13:57What's your song?
13:59What's your song?
14:01I thought you had to keep your voice and voice in the name of your voice, but then you have to keep your voice and voice in your voice.
14:12Now, I'm going to give you a response to people.
14:15The great-great-great-great-great-grandfather is still in your song.
14:22Now, I'm going to tell you all.
14:27I'm going to understand you.
14:31But if you don't know what to do, my heart is falling apart, as if you don't know what to do, my heart is falling apart, as if you don't have any kind of things you can hold me.
14:43You're the enemy, you're fine.
14:50My God, you're so fast.
14:55It's just this time for me.
14:57This is my husband.
14:59This is my husband.
15:01This is your husband's husband.
15:03I'm sorry.
15:05I'm telling you,
15:07when you go outside,
15:09you're going to get a face.
15:11Reshma!
15:13Listen.
15:15Go quickly and pick me up.
15:19I'm looking for her.
15:21This is not a look.
15:23But I have to go back there, my heart is still going to be my heart
15:30You are still thinking about it
15:33You said that we have to be wrong with it
15:36That's why we have to be shocked
15:38But today we have to be afraid of it
15:42So you know what it is about
15:44I've tried to make a lot of effort that I have to take my mind
15:51But I don't know what an illusion is.
15:54I wanted to end this illusion today.
15:57But then he was dead.
16:00I wish I could stop him.
16:03I've heard that people even know such people.
16:06They're very angry.
16:09I don't think that girl has any kind of anger.
16:16They've lost people.
16:19I'm not going to go to this village soon.
16:22I'm not going to go to this village soon.
16:25I don't know if that girl was a witch or a witch.
16:30Now I'm scared of him.
16:33Don't let go of these things in your mind.
16:36Let me take a look at you.
16:49Chanda Ji.
16:50There is a woman in the middle of the village.
16:52You have to say hello.
16:56Where did you go, Claire?
16:59Okay.
17:00I'm going to go where I am.
17:02Yes, better.
17:04Put it in the sand.
17:06I'm sorry.
17:07That's true.
17:08To be a beautiful village.
17:09We've had two people to listen to you.
17:13But I had a carefree.
17:16Today, I'll be talking to you.
17:18How will I do this?
17:19Just tell me that I'm in the field of blood.
17:21I'm tired.
17:23I'm tired.
17:25I'm tired.
17:26I'm tired.
17:27I'm tired.
17:29I'm tired of being tired.
17:31How am I wrong?
17:33And the wrong thing is wrong.
17:36Okay, I don't want to go.
17:39But if it happens, I'll show my face to my face.
17:48Remember, there's no difference between the king and the king of the king.
17:53And I don't want to take their enemy.
18:06Shazayan, how are you?
18:31Better.
18:33I'm sorry.
18:34You've got a call in the camera.
18:36What happened to him?
18:37He was able to learn something good with him.
18:40Looking at him, the burning of his eyes were blown away.
18:44What happened to him?
18:46He is a little bit.
18:51A little bit is gonna be a bit worse for him.
18:56He looks like he's fit.
18:58All my sins are my sins
19:04I forgot to give you a prayer
19:07I know that I can't be able to give you a prayer
19:12Thank you
19:17You gave me a prayer
19:20Taimur also gave me a prayer
19:25I will give you a prayer
19:30If you feel like a prayer
19:33Will you tell me about the medicines?
19:37I will give you a prayer
19:41You will not be able to give you a prayer
19:43No, nothing is not
19:44I don't have to do anything
19:46I will give you a prayer
19:55I will give you a prayer
19:57I will give you a prayer
19:59I will give you a prayer
20:01I will give you a prayer
20:03I will give you a prayer
20:05I will give you a prayer
20:07You will never be able to give you a prayer
20:09If you say, I'll give you the opportunity to give you the opportunity to give you the opportunity every week.
20:17But don't put it in your hands.
20:22I'll give you the opportunity to give you the opportunity.
20:27Every year, you've got 16th.
20:30You can't have any rights to anyone here.
20:34But I have promised that the name of Romana is also in the name of Romana.
20:39Now, he doesn't want to sing in the mountains.
20:42If he doesn't want to sing in the mountains,
20:45then he will be my friend.
20:47We will all be in the mountains of the mountains of the mountains.
20:50We won't be in the mountains of the mountains.
20:54We are just the greatest of them.
20:57You are the greatest of them,
20:59we are the greatest of them.
21:02But the science of Sikandar has been in the mountains of the mountains.
21:06Now, she cannot take the anger of her.
21:09Why is she afraid of her?
21:12What will you do to ask her?
21:14She will not be able to speak to her brother's knowledge.
21:17She will not be able to answer Romana.
21:19I am the only one of my friends.
21:22If you are the only one of my friends,
21:24you will be able to answer the question.
21:27When the Lord will answer the question,
21:29you will answer the question.
21:31We must understand our needs.
21:33When our heart is not together,
21:36we must always get a lot of noise.
21:42That's my case.
21:46Mashallah, Mashallah,
21:49we are not in your country.
21:52We are not in the entire city.
21:55We will also have a service.
21:58We will not get our heart rate.
22:01We have to keep our ignorance.
22:04Right.
22:07If we know our dreams,
22:09and we keep our dreams in a place,
22:12then we must know that we don't have to be afraid of anyone.
22:16And we don't have to keep our ignorance.
22:23I've left my song in the song.
22:26I hope you will keep our ignorance.
22:31Okay, Romana, I'm going at this time.
22:35But remember, you don't have to sit in the bazaar.
22:42If you've been put in the Shikandr so much,
22:45you tell him that he'll take you to your village.
22:49It's a bazaar.
22:52Or the buyer will come.
22:54Maybe the sound of the sound.
23:01Okay, Madam, I'll come back again.
23:31Let's do it.
23:37We need to head out.
23:40...
23:46Yay.
24:47What are you doing?
24:49What are you doing?
24:51What are you doing?
24:53It's someone who was waiting for you.
25:27What are you doing?
25:29What are you doing?
25:31What are you doing?
25:33What are you doing?
25:35What are you doing?
25:37What are you doing?
25:39What are you doing?
25:41What are you doing?
25:43What are you doing?
25:45What are you doing?
25:47What are you doing?
25:49What are you doing?
25:51What are you doing?
25:53What are you doing?
25:55What are you doing?
25:57What are you doing?
25:59What are you doing?
26:01What are you doing?
26:03What are you doing?
26:05What are you doing?
26:07What are you doing?
26:09What are you doing?
26:11What are you doing?
26:13What are you doing?
26:15What are you doing?
26:17What are you doing?
26:19What are you doing?
26:21What are you doing?
26:23What are you doing?
26:26What are you doing?
26:27Hopefully you will leave behind me
26:30I
26:32have art prepared for a long time
26:35keluarga
26:36after that
26:37you have no prayers.
26:42But I know
26:45that every day
26:47that I'm waiting on you
26:49from getting to Other people
26:51My brother's death is just a month ago.
26:56You're going to go there and go there.
26:59The time is wrong.
27:02That's right.
27:04Don't understand my story correctly.
27:07I know that you were going there.
27:10You were going to have a peace.
27:14Maybe you could have a better life.
27:21In a week, there will be a 40-hour period of time.
27:28So, my friends will be the same way that you will be able to get to the end of the world.
27:38You have to have a need for your needs.
27:42The balcony has been in the middle.
27:45You will also be able to avoid them.
27:48The amount of money is paid for this month.
27:57Yes, sir.
27:59I would like to see every month's first month.
28:04There is no question about this month.
28:18I did not get angry at you today, my city.
28:35You have been running away from the city of Doli today.
28:44The city has started.
28:48All is my life.
28:58Jashidha, who is out there?
29:01Oh, that's...
29:02Little, son.
29:03Uh...
29:04...fakee location.
29:05I've come here to see my eyes.
29:08Today's my eyes?
29:09Yes, son.
29:10So, you have a swimming class.
29:12Did you tell the driver?
29:13Yes, little, son.
29:14The driver gives me a dance.
29:16It's about four hours.
29:19You go.
29:20Let me do it.
29:21I've given you a window.
29:23I'm going to do it.
29:24I'll do it.
29:31I'll do it.
29:41What happened to her?
29:48What happened to her?
29:49Little, son.
29:50You're good.
29:51You're good.
29:52You're good.
29:53You're good.
29:54You're good.
29:55You're good.
29:56You're good.
29:57God bless you.
30:01You're good.
30:05God bless you.
30:09His love has started.
30:10I regret everything.
30:12All you'll enjoy today..
30:13..the叔ation is not significant.
30:15Holy shit...
30:17hàng...
30:18I adore you.
30:19Prov вал val Bien Don.
30:21Don't know guys floating around.
30:22So, we had the same love of Tskandr Saini.
30:29But, I don't know how much we had.
30:36We had the same love of Tskandr Saini.
30:52I don't want to, but I'm going to waste my life here.
30:56In fact, all of these people are here.
31:01I'm going to look at these people.
31:06I don't know.
31:08I'm not going to die here.
31:22Going to the next step...
31:24Not being told I didn't have to explain that.
31:26Hold on.
31:30No, take the trouble now.
31:32Is that coming, Polin?
31:34Just wait.
31:36No, take the trouble now.
31:38Have some trouble now, Polin?
31:40No, you want to take a fine.
31:42And hear your daughter.
31:44But I don't want to get her.
31:46I'm going to get her in the middle of the day.
31:48And Carly...
31:50What have you done?
31:55Look at me.
31:57Your blood is buried.
32:00Go, I'll take the first aid box quickly.
32:03Go, go.
32:05What do you want to do?
32:07Okay, I'll go now.
32:09Your blood is buried.
32:20Your blood is buried.
32:26How many of you came here?
32:30No.
32:33My whole life is over in this village.
32:37The king's decision is not right.
32:41When people decide to make a decision,
32:45they go to any extent.
32:50What do you want to do?
32:52I'm afraid of my decision.
32:56I won't do that.
32:58I'm not saying that you're going to leave it in front of me.
33:02But don't do it so much.
33:09My goal is to give you some kind of explanation.
33:15Today or tomorrow.
33:18The king of the king will be here.
33:24When you go to the streets,
33:26when you go to the streets,
33:28people leave this way.
33:30And let us sit down in this village.
33:35You're going to leave this way.
33:36You're going to leave this way.
33:37And I'll stop here.
33:38I'll leave this way.
33:39With the king's decision.
33:41I just want to leave this way.
33:42If you want to leave this way,
33:43I won't wait.
33:44Just leave this way.
33:45Just leave it.
34:01Who did you see?
34:02It's mine, sir.
34:03I told you to stop and go back.
34:06Maybe you'll have to close their phone.
34:08They were saying that they won't be able to contact.
34:11Maybe the phone is in the ambulance.
34:16Who is this?
34:17My lord and my lord.
34:18After dying,
34:20I've got to sell many acres of land.
34:23I've got to sell many acres.
34:24I've got to sell many acres.
34:26I've got to go there.
34:28I've got to go there.
34:32Is this where it's going?
34:34There's a new house in the city.
34:37It's there.
34:39Okay.
34:40You're going to go there.
34:42I'll go there.
34:43No, Sainat.
34:44You're going to go there.
34:45You're not a good thing.
34:46There will be a lot of people.
34:47There will be thousands of people.
34:49You'll have to sell them.
34:50I'll be able to sell them.
34:52If you give them a gift,
34:54I'll be able to sell them.
34:56But you'll have to sell them.
34:57You'll have to sell them.
34:58You'll have to sell them.
34:59You're not a good one.
35:02Okay.
35:04But you'll get them better than you.
35:06Don't do that again.
35:11I'm sure I'm getting upset from my brother's brother.
35:14But I'm alive now.
35:15like
35:18you
35:21and
35:22you
35:24you
35:26you
35:29you
35:31you
35:34you
35:40you
35:42Satsang with Mooji
36:12Satsang with Mooji
36:42Satsang with Mooji
37:12Satsang with Mooji
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