- 5 days ago
A traveler named Crossley enters the home of a musician and his wife in a lonely part of Devon, and uses the Aboriginal magic he has learned to displace his host.
#movies #horror
#movies #horror
Category
📺
TVTranscript
00:00:00Transcribed by —
00:00:30— Where is he? — In the dining room.
00:01:00Transcribed by —
00:01:30Transcribed by —
00:02:00Transcribed by —
00:02:30Transcribed by —
00:03:00Transcribed by —
00:03:30Transcribed by —
00:03:59Transcribed by —
00:04:29Transcribed by —
00:04:59Transcribed by —
00:05:01Transcribed by —
00:05:05Transicism —
00:05:07Transcribed by —
00:05:09Uh, excuse me.
00:05:23Don't try and look up my skirt.
00:05:26Hold on, Marty.
00:05:56I thought we were going to have finger-painting yourself for a minute.
00:06:09Get off.
00:06:10Hello.
00:06:11Hello.
00:06:12Hello.
00:06:13My old cow.
00:06:16Oh, bloody hell.
00:06:17Cows were ahead before me.
00:06:18It used to be all right today.
00:06:23Here we go.
00:06:24Look at that.
00:06:25Look at that.
00:06:30Oh, bloody hell.
00:06:31Cows were ahead before me.
00:06:36It used to be all right today.
00:06:47Here we go.
00:06:48Look at that.
00:06:49More to the right.
00:06:59More to the right.
00:07:00Second.
00:07:01Run more to the right.
00:07:02More to the right.
00:07:04Hello, Robert!
00:07:05And more to the right.
00:07:06More to the right.
00:07:07More, more, more to the right.
00:07:08More, more to the right.
00:07:09Hello, Robert.
00:07:11OK.
00:07:12Where is it?
00:07:13Boy, I'm glad you found your way.
00:07:18The instructions were perfect.
00:07:19The village couldn't raise the team, so you're the scorer.
00:07:22Why's that?
00:07:24I think they're a little frightened of our false goal.
00:07:28I'm glad I'm scoring.
00:07:30I think you'll have a very interesting time.
00:07:33You'll have a rather extraordinary companion.
00:07:36Companion?
00:07:37Yes, the other scorer.
00:07:39He's the most intelligent man in the place.
00:07:41I'll introduce you to him.
00:07:42Take, just give him a bit of practice.
00:07:45His name is Charles Crossley.
00:07:47He's incredibly well-read.
00:07:49Claims to have traveled all over the world.
00:07:51And the genius of a mechanic.
00:07:53Keeps my old bike spinning on.
00:07:54Your old motorbike?
00:07:55Yeah.
00:07:56Well, why is he here?
00:07:58He's not entirely normal.
00:08:01Oh, and what's normal?
00:08:06Is that tree over there?
00:08:07Yes.
00:08:08That's normal.
00:08:11Is there one over there?
00:08:13Yes.
00:08:18That's that.
00:08:21Get your body behind it!
00:08:23Yuck!
00:08:24Oh!
00:08:25Oh!
00:08:26Oh!
00:08:27Oh!
00:08:28Oh!
00:08:29Unfortunately, he believes that his soul is shattered into four pieces.
00:08:38Charles?
00:08:39Yes, doctor?
00:08:40I want to introduce you to Robert.
00:08:42How do you do?
00:08:43How do you do?
00:08:44How do you do?
00:08:45How do you do?
00:08:46He's your opposite nun for this afternoon.
00:08:48Oh.
00:08:49Will you see that he's got a pencil or no?
00:08:50Come on.
00:08:51Yes.
00:08:52Good luck.
00:08:53Okay.
00:08:54Come inside.
00:08:57I'd rather like the doctor.
00:09:08Without a doubt, the most intelligent man in the place.
00:09:10Right.
00:09:11Well educated.
00:09:12Well read.
00:09:13Traveled.
00:09:14Et cetera.
00:09:15Isn't that what he said?
00:09:16More or less.
00:09:18Thanks.
00:09:19Thanks.
00:09:20Thanks.
00:09:21Thanks.
00:09:22Thanks.
00:09:23We're fielding!
00:09:25Did he say that tree was mad?
00:09:28Yes.
00:09:31He's very repetitive.
00:09:33How many patients have you got for playing on your team?
00:09:36I think five.
00:09:38The rest are all outsiders or members of the staff.
00:09:44That one over there is John Blake.
00:09:47He'll probably open the bowling.
00:09:50He played for England a couple of times.
00:09:53He's likely to bowl straight at the batsman's head.
00:09:57He's not really insane.
00:10:00He's just magnificently bad tempered.
00:10:03One, two, three, four in the slip.
00:10:06The doctor isn't a bad player, of course.
00:10:10Where are the umpires?
00:10:12He's a good man.
00:10:13Come on, Garth!
00:10:15And you!
00:10:16Although he's not a startlingly innovative thinker.
00:10:25But he indulges me, for which I'm grateful, because you see I'm interested in his subject.
00:10:29Psyche.
00:10:30And because I can read German and French and he can't, I can generally stay ahead of him.
00:10:35Does he resent the competition, you studying his subject?
00:10:41No, it's not really competition, is it?
00:10:45God helps those that help themselves.
00:10:48Does he not?
00:10:50Why not?
00:11:03Shit.
00:11:06It's a great time.
00:11:07I love that.
00:11:10It is.
00:11:20What's that umpire signalling?
00:11:49Four leg bars, I think.
00:11:55Anyway, I like to keep him happy.
00:11:57I make up dreams for him.
00:11:59I fill them with every significant symbol I can find.
00:12:06Fathers, snakes, apple pies.
00:12:12Nothing to suspect here.
00:12:14Anyway, I find it quite amusing.
00:12:18Lovely!
00:12:28Lovely!
00:12:54There you are.
00:12:57Sorry, did you say something?
00:12:59That man had a wife who loved him.
00:13:02A rare phenomenon, wouldn't you say?
00:13:05That's it, that's it.
00:13:07Tell me.
00:13:09Had.
00:13:11What happened to her?
00:13:17He lost her.
00:13:27I could tell you the rest of the story if you like.
00:13:30Do you think you can listen and score at the same time?
00:13:33I'm sure I can.
00:13:34We could make things easier for ourselves.
00:13:37You could keep both scores.
00:13:39And I could tell the story.
00:13:41And at the fall of each wicket,
00:13:43I could copy down what you've written.
00:13:46Very well organized, Mr. Crossley.
00:13:49Every word of what I'm going to tell you is true.
00:13:59Only I'm telling it in a different way.
00:14:03It's always the same story.
00:14:06It's always the same story,
00:14:08but I change the sequence of events
00:14:11and I vary the climaxes a little
00:14:16because I like to keep it alive, you see.
00:14:18I like to keep it alive.
00:14:20Have you ever walked the sand here?
00:14:25Have you ever walked the sand here?
00:14:50What an extraordinary dream.
00:14:55A terrible dream.
00:14:57I saw a man in the sand dunes.
00:15:00Actually, it was around here.
00:15:03Running.
00:15:05And...
00:15:10He had a tail coat.
00:15:13A sort of old admiral's uniform.
00:15:20Come on, girl. It's freezing.
00:15:26He had something in his hand.
00:15:39That's funny.
00:15:41I've lost a buckle.
00:15:43I've missed my shoe.
00:15:45Oh no.
00:15:46Can you match it?
00:15:49I can't see any of that.
00:15:50Come on.
00:15:51And you're gonna be able to make it.
00:15:52Come on.
00:15:53I'm coming up.
00:15:54You're coming up.
00:15:55Come on.
00:15:56Come on.
00:15:57There, you're coming up.
00:15:58Come on.
00:15:59Come on.
00:16:01These jeans are so tight.
00:16:02I'm coming.
00:16:03Come on.
00:16:04I'm coming.
00:16:05Here, here, Hampton.
00:16:06Come on.
00:16:07Here, Hampton.
00:16:08Come on.
00:16:09Here.
00:16:10Here, Hampton.
00:16:11Hi.
00:16:12Can you match it?
00:16:23I'll do it like that, but not before Monday, I'm afraid.
00:16:27Rachel!
00:16:29Coming!
00:16:32Did I tell you I was playing the organ tomorrow?
00:16:35Yes, you did.
00:16:38Do you want to come?
00:16:39Hm?
00:16:41I don't know, I think.
00:16:43I'll do it some Monday.
00:17:09I love you too.
00:17:12I love you too.
00:17:15I'll go.
00:17:18Bye.
00:17:20Oh, my God.
00:17:50Oh, my God.
00:18:20Oh, my God.
00:18:50Oh, my God.
00:19:20No, you're too late.
00:19:31Hello, Harry.
00:19:32No church today.
00:19:33No, that's fine, Harry.
00:19:41No, you're too late.
00:20:11No, you're too late.
00:20:16Oh, my God.
00:20:18No, you're too late.
00:20:20No, you're too late.
00:20:22No, you're too late.
00:20:24In old life,
00:20:26no, you're too late.
00:20:28No, you're too late.
00:20:30No, you're too late.
00:20:32No, you're too late.
00:20:34No, you're too late.
00:20:36No, you're too late.
00:20:38No, you're too late.
00:20:40No, you're too late.
00:20:42No, you're too late.
00:20:44No, you're too late.
00:20:46No, you're too late.
00:20:48No, you're too late.
00:20:49No, you're too late.
00:20:50No, you're too late.
00:20:54No, you're too late.
00:20:56No, you're too late.
00:20:58No, you're too late.
00:21:00No, you're too late.
00:21:02Oh, my God.
00:21:04In the name of the Father, the Son, the Holy Ghost, Amen.
00:21:34We find ourselves living in disturbing times.
00:21:43The foundations of our society are not firm, we're like a rudderless ship, no direction,
00:21:53no one has any conviction anymore.
00:21:56You see, we don't believe anything.
00:22:01We are in a period of moral starvation.
00:22:11And it is during times such as these that our faith in Jesus Christ is the only thing that
00:22:17we have to hold on to.
00:22:21We must believe again.
00:22:24All right.
00:22:31Oh, God.
00:22:35Oh!
00:22:48My neck!
00:22:52Buddy, you're cute.
00:23:19Did you enjoy the sermon?
00:23:21What?
00:23:22It's very good.
00:23:24Yes?
00:23:26I've always found it hard to believe that the soul
00:23:30is imprisoned in the body until death liberates it.
00:23:35Don't you think that in periods of spiritual starvation
00:23:42that the soul might take refuge in a tree?
00:23:46A stone?
00:23:50Come. I'll walk with you.
00:23:52We'll talk some more.
00:23:54No, I'm afraid I can't because my wife's waiting for me at home.
00:24:05I'm afraid.
00:24:20No, I'm afraid.
00:24:22No.
00:24:24Oh, my God.
00:24:54Oh, my God.
00:25:24Are you all right?
00:25:28I've been on a walking holiday for a few days.
00:25:35I see.
00:25:37Sorry I bothered you with that theological discussion.
00:25:43Your wife must be rather worried about you.
00:25:46Uh, yes, well, my bicycle broke down.
00:25:54Oh, yes.
00:25:58Do you mind if I invite myself to lunch?
00:26:01We can continue our discussion.
00:26:05And I haven't eaten for two days, you see.
00:26:10Really?
00:26:11Well, in that case, certainly, yes, of course.
00:26:14I mean, uh...
00:26:16Yes, and we'll continue our discussion over something to eat.
00:26:20You're Mr. Crossley.
00:26:27Charles Crossley.
00:26:32Right.
00:26:32Hello, love.
00:26:54What happened?
00:26:55Sorry I may have a little bit, um, is this a bit of...
00:26:57Oh, uh, oh, uh, this is, uh, Mr. Crossley.
00:27:01He's, uh, come for lunch.
00:27:03Mr. Crossley, this is my wife, Rachel.
00:27:06How nice.
00:27:09I think there should always be people there for Sunday lunch.
00:27:11I must admit, I invited myself.
00:27:13Well, you generally have to do that with Anthony.
00:27:15He just expects people to arrive.
00:27:17Whether they've been invited or not.
00:27:18Oh, that's right.
00:27:23The many in church?
00:27:25Usual crew of storts.
00:27:30How was the sermon?
00:27:33Well.
00:27:34Standard Christian dogma.
00:27:36Religions all have to answer the same question.
00:27:40What?
00:27:41Has the human a soul?
00:27:43And if he has,
00:27:47where does he keep it?
00:27:49Is the vicar any idea?
00:27:51His belief is based on speculation.
00:27:56Well, you, uh,
00:27:57you can't based on anything else, really, can you?
00:28:00Anyway, we've, uh,
00:28:06had this discussion before.
00:28:08Anthony, why don't you ask Mr. Crossley
00:28:10if he'd like a glass of wine?
00:28:11Well, what do you think I'm doing?
00:28:13No.
00:28:16I'd like a glass of water, please.
00:28:18Oh, that's very easy.
00:28:20Is there any way if I can wash my hands before that?
00:28:41Yes, it's a bathroom.
00:28:44Upstairs.
00:28:45And I'm at the end of the corridor.
00:28:53Where did you find him?
00:28:55I didn't find him.
00:28:56He found me.
00:28:57I mean, he came up to the area of the service
00:28:58and he started chattering about the sermon.
00:28:59I didn't find him.
00:29:29I didn't find him.
00:30:02It's a bit overdone.
00:30:20So is Mr. Crossley.
00:30:26Please sit down.
00:30:29It's easier if you help yourself.
00:30:32Of course.
00:30:47Oh, please.
00:30:49Must be hungrier than that if you haven't eaten for two days.
00:30:52You must be starving.
00:30:54I've been without food for much longer than two days.
00:30:57Recently?
00:30:58No, not recently.
00:30:59But why?
00:31:02I was traveling in the Australian island.
00:31:05Food there was often in short supply.
00:31:07How long were you living out there?
00:31:0818 years.
00:31:09And in all that time, I never saw a white man.
00:31:1318 years?
00:31:1430 years.
00:31:15Well, did you have an aboriginal wife?
00:31:25Yes, I did.
00:31:29Children?
00:31:33No.
00:31:35No children.
00:31:36none that survived anyway under their law either parent has the right to kill
00:31:47their offspring within a few weeks of birth always I chose to exercise I killed
00:31:54them because I knew that one day I would leave
00:32:06does that shock you that I admit to the killing of my children
00:32:18since Anthony and I have not managed to have children do you think you'll go back
00:32:36I'm sorry if I've upset your wife
00:32:41killing of one's children is the only natural death in Aboriginal society they
00:32:53believe that every other death is the result of either violence or some
00:32:58malevolent sorcery sorcery as well I've heard of the pointing bone that they
00:33:05used to kill with yes that's the most common type of death magic
00:33:14is it effective I've seen a man die within three days of learning that the bone has
00:33:20been pointing at him and who pointed the bone a magician he had wronged such a man
00:33:32would creep up behind you as you lay asleep dip his hands into the small of
00:33:38your back remove your kidneys peel off the fat that surrounds them and replace them
00:33:46without a scar death would be sure to follow in two or three days
00:33:54interesting idea once there was no rain for a whole year chief magician been sent for
00:34:07he was he was a genuinely terrifying figure often parading in
00:34:17in an old 18th century naval type officer's tailcoat
00:34:24here
00:34:28he cut his body with a sharp stone
00:34:33where would he get hold of the tailcoat
00:34:35I'm sorry I'm spoiling the lunch I suffer from migraine
00:34:48can I lie down somewhere please
00:34:50there's a sofa in the sitting room
00:34:52I think the spare room would be even more comfortable than
00:34:55move the chair down
00:34:59on the left of the bathroom
00:35:18like
00:35:24hmm
00:35:26mmm
00:35:30hmm
00:35:33hmm
00:35:37hmm
00:37:17I'm going to go.
00:37:19Already?
00:37:20Yep.
00:37:21Anything wrong?
00:37:23Oh, sorry.
00:37:27Come in.
00:38:37I presume you believe in the power of magic.
00:38:40Oh, yes, I believe in its power.
00:38:43It's there.
00:38:45If a man is convinced he's going to die, he simply slips away and dies.
00:38:53Don't patronize me with that tone, please.
00:38:57That magician in the tailcoat gave me a terrible power over my enemies.
00:39:05He taught me the use of the terror of shot.
00:39:11It took me 18 years to perfect it.
00:39:15Now I can kill with it.
00:39:17Kill.
00:39:19Instantly.
00:39:21Yes.
00:39:23Well, I find this all very interesting, but I think...
00:39:25I think that two days without food have affected your mind very badly.
00:39:29You haven't the imagination to understand anything outside your own experience.
00:39:41I've heard your music.
00:39:45It's nothing.
00:39:49It's empty.
00:39:51It's empty.
00:39:53It's empty.
00:39:59Yes.
00:40:01Well, if there's anything you need before you leave,
00:40:05it'll be downstairs.
00:40:07It's empty.
00:40:09It's empty.
00:40:11It's empty.
00:40:13It's empty.
00:40:15It's empty.
00:40:17It's empty.
00:40:19Come on, Baskin!
00:40:41Bastard!
00:40:49I'd like to hear your shout, Mr. Crossley.
00:41:14I'm on my way now.
00:41:16Perhaps you'd like to walk with me for a bit.
00:41:19If I shouted for you now, you would die, as would your wife, and anyone else around
00:41:46here.
00:41:47I don't believe in that shout of yours, Mr. Crossley.
00:41:53I'll stay tonight.
00:42:25I'll be right back.
00:42:26I'll be right back.
00:42:27I'll be right back.
00:42:28I'll be right back.
00:42:29I'll be right back.
00:42:30I'll be right back.
00:42:32I'll be right back.
00:42:33I'll be right back.
00:42:34I'll be right back.
00:42:35I'll be right back.
00:42:36I'll be right back.
00:42:37I'll be right back.
00:42:38I'll be right back.
00:42:39I'll be right back.
00:44:10I guess, well, I won't be sane.
00:44:15I'll wait to do our signs.
00:44:17Fine.
00:44:17I'll wait to do our signs.
00:44:47I'll wait to do our signs.
00:44:53I'll wait to do our signs.
00:44:56I'll wait to go.
00:45:29Hang on up here.
00:45:52I've got a stich.
00:49:57Things could do with some good new whelps.
00:50:01Make sure that I get some beeswax in the hand bin.
00:50:13I'm not a shoemaker. I'm a musician.
00:50:27I'm a musician.
00:50:38I'm a musician.
00:50:42I'm a musician.
00:50:47I'm a musician.
00:50:52I'm a musician.
00:50:55I don't know.
00:51:25What a wonderful smell.
00:51:48How are you this morning?
00:51:50Well, I'm sorry Anthony left you this morning.
00:51:54Oh, he got back all right then, didn't he?
00:51:56Yes, he just wasn't feeling very well.
00:51:59Are these cooked enough for you?
00:52:02Oh, I'd like them a little more, please.
00:52:05Will you wash them?
00:52:06I think I'll go and see how Anthony is.
00:52:09I think he may be asleep.
00:52:12Well, I shall wake him if he is.
00:52:14I'm going to go and see what he is.
00:52:16I'm going to go and see how he is.
00:52:27so you took my advice
00:52:53I'm wise of you
00:53:23I thought perhaps I might help you
00:53:42in the garden
00:53:45or with whatever tasks you feel
00:53:49you can't escape
00:53:50feeling any better?
00:53:55what's the problem you're doing down there?
00:53:56mending the bag
00:53:57I'm going to the village
00:53:59I don't think he is
00:54:02I thought you'd get rid of him somehow
00:54:04he's perfectly harmless
00:54:06I don't give a damn how harmless
00:54:09you think he is
00:54:10I just want him to go
00:54:10you just tell him that his overstayed is welcome
00:54:12thank you
00:54:28I'm no master mechanic
00:54:36did she get you home alright?
00:54:38it's very sweet of you to take so much trouble
00:54:40how long will you be?
00:54:44a couple of hours
00:54:45hour and a half maybe
00:54:47thanks
00:54:52go carefully
00:55:00awart
00:55:03me
00:55:12oh, yeah
00:55:18good
00:55:18That was a splendid delivery.
00:55:48I'll show you.
00:56:18Ah! How was that?
00:56:28How was that?
00:56:33How was that?
00:56:39Hi!
00:56:44How was that?
00:57:14How was that?
00:57:19How was that?
00:57:23How was that?
00:57:29How was that?
00:57:34How was that?
00:57:38How was that?
00:57:44How was that?
00:57:53How was that?
00:57:59How was that?
00:58:04How was that?
00:58:09How was that?
00:58:14How was that?
00:58:18How was that?
00:58:30How was that?
00:58:32How was that?
00:58:36your garden is wild a virgin forest I like this way I shall change it I didn't
00:59:06mean that you should I think that Anthony is jealous of you are you happily married? possibly
00:59:23what about you? could I have some sugar please? marriage in an aboriginal society
00:59:36is different to what it is here oh yes it's true if a young man wants a girl for his wife
00:59:46he steals some trivial possession from her
00:59:50casts a spell over it and then she finds him irresistible
00:59:58and does it last? until death or until the husband leaves or until he deliberately relaxes the magic
01:00:15I'm so glad you felt well enough to come down
01:00:34I thought I'd go for a short walk in the direction of the village
01:00:44why? my sandal needs mending
01:00:49why didn't you take it in this morning? because I had other things to do
01:00:55I'm not sure that I'm going to be going that far if I get it for you you might just make the effort
01:01:05why is he leaving?
01:01:07why is he leaving?
01:01:21Hey, Anstey.
01:01:32When's he leaving?
01:01:33Oh, been a month for all I care.
01:01:36Well, he's got your buckle. I've seen him playing with it.
01:01:40Why don't you ask him for it?
01:01:43Why?
01:01:45Because I'm just about to go and buy another one. That's why.
01:01:48Look, if he's got the buckle, he probably wants to keep it.
01:01:52Don't be ridiculous, Rachel.
01:01:54Oh, go on with you.
01:02:21Go upstairs to my room.
01:02:27No.
01:02:28Here you are.
01:02:31Oh, God.
01:02:33Oh, God.
01:04:37As though someone was skinning me from the inside.
01:04:41It was like he'd got his hand inside me and was pulling at my kidneys or my soul.
01:04:48And then as sudden as it come, it stopped.
01:04:52You know where I was?
01:04:55You know where I was?
01:04:58You know where I was?
01:05:00In the corner.
01:05:02And that music had stopped.
01:05:06Look, do you think you could, uh, you could fix some, uh, steel tips?
01:05:11Not the Blakeys, but the leather heel tight with the leather filler.
01:05:15Well, look, why don't I do it?
01:05:16And then, well, then you can go home in.
01:05:18Love?
01:05:21Love?
01:05:21It's the ultimate place.
01:05:44Rachel, Rachel, Rachel, Rachel, Rachel, Rachel, come on, speak, you must be, you must be, you must be, you must be, Rachel, I refuse.
01:07:46You're a fabulous bird.
01:07:48Fabulous.
01:08:38Let's get home with the game, shall we?
01:08:52No!
01:09:08Out!
01:09:10Out!
01:09:12Brave candle.
01:09:23The umpire's decision is final.
01:09:34It's the weather, thunderstorm weather.
01:09:41It makes everyone here behave more irregularly than usual.
01:09:53Oh my God.
01:10:23I don't know.
01:10:53I don't know.
01:11:23Darling, will you run me a bath?
01:11:29Here?
01:11:39Here, have you?
01:11:40I don't know.
01:11:41It's gone.
01:12:01It's gone.
01:12:06What?
01:12:12Where's he come to?
01:12:15I didn't know.
01:12:16I don't know.
01:12:46Hello?
01:12:47Anybody there?
01:12:53Oh, Jesus.
01:12:55Morning, Vicar.
01:13:02Hello, Mr. Fielding.
01:13:04I'm here to ask you a small favor.
01:13:09Yes, what's that?
01:13:10Harry, the shepherd.
01:13:11He died suddenly.
01:13:13And the organist is still away.
01:13:15Harry died?
01:13:17We need someone to pay at the funeral service at four.
01:13:20When did he die?
01:13:21Yesterday morning.
01:13:26They found him on the dunes.
01:13:31Yes, well, yes, in that case, yes.
01:13:33I'm sorry to talk to you like this.
01:13:37It's all right.
01:13:38Goodbye.
01:13:40Bye.
01:13:41Bye.
01:13:41It's probably cross, Liz.
01:13:55I don't know why you're letting bother you so much.
01:13:57I don't know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why you're letting them know why
01:16:57I didn't realise that we were expecting you.
01:17:07No.
01:17:08Sit down.
01:17:17How long do you think you'll be able to stay?
01:17:24How long do you think you'll be able to stay?
01:17:37Months.
01:17:38Months rather than days.
01:17:44And when I've finished eating, Anthony, Rachel and I are going to bed.
01:17:54And so you'd better make yourself scarce.
01:18:01You heard me.
01:18:05You heard me.
01:18:12Rachel, what's he talking about?
01:18:14You heard him.
01:18:15Oh, God's sake, Rachel.
01:18:16Get out of here, Anthony.
01:18:22I'll shout your bloody ears off.
01:18:23Get out of here, Anthony, or I'll shout your bloody ears off.
01:18:29Get out of here.
01:18:30Get out of here, Anthony.
01:18:36Or I'll shout your bloody ears off.
01:18:43Get out of here.
01:18:44Get out of here, Anthony.
01:18:50Come on, Anthony.
01:18:51Where are you?
01:18:52Find you.
01:18:53What's the matter?
01:18:54Have you done something wrong?
01:18:55Sure.
01:18:56I will.
01:18:57I will.
01:18:58I will.
01:18:59I will.
01:19:00I will.
01:19:01All right.
01:19:02You will.
01:19:03What are you going to do?
01:19:04What's the matter?
01:19:06Yeah.
01:19:07What's the matter?
01:19:08You've done something wrong?
01:19:11Sure.
01:19:12I will.
01:19:13I will.
01:19:14I will.
01:19:15I will.
01:19:16I will.
01:19:17I will.
01:19:18Don't, come on.
01:19:19I will.
01:19:20They will.
01:19:21So I will.
01:19:22Oh, where are you?
01:19:33I may need you. I may need you.
01:19:35I may need you.
01:19:37Quickly.
01:19:39Who's there?
01:19:41Someone.
01:19:51Someone.
01:19:53Someone's threatening me.
01:19:55Someone. Someone's trying to...
01:19:57trying to kill me.
01:20:01Someone's trying... trying to kill me.
01:20:03This matter's so loud.
01:20:05Human bitch!
01:20:07Kill them, I'll kill them.
01:20:09Go on.
01:20:10Tell them I'll kill them.
01:20:11Tell them...
01:20:12They're dead.
01:20:13Dead.
01:20:14Unless they leave.
01:20:15Dead.
01:20:20Dead.
01:20:21Dead.
01:20:22I'll have to shut them.
01:20:26I'll have to get up them.
01:20:28Dead!
01:20:29Got you, you bastard.
01:20:31Dead, dead, dead.
01:20:38Dead, dead, dead.
01:20:40ient...
01:20:44Oh!
01:20:45Ah.
01:20:49Ah!
01:20:52Ah!
01:20:57Ah...
01:20:59Ah! Ah!
01:21:20Charles Crossley, I have a warrant for your arrest for the murder of your children.
01:21:25No bloody fools! I'll stop you dead!
01:21:29That's what a sham is like! Only a thousand times worse!
01:21:52It's true! I had a warrant, I'm telling you, this is true!
01:21:58I was your first hand! I was!
01:22:00Hold your position, there's only a shower!
01:22:02Hold your position, there's only a shower!
01:22:04Send somebody out to take care of it!
01:22:06Hold your position, there's only a shower!
01:22:08Hold your position, there's only a shower!
01:22:10Help! Help! Help! Help!
01:22:12Send somebody out to take care of it!
01:22:14Oh, mother!
01:22:16Help! Help! Help! Help!
01:22:18Help! Help!
01:22:20Help! Help!
01:22:22Help! Help!
01:22:24Help! Help!
01:22:26Send somebody out to take care of it!
01:22:28Help, mother!
01:22:30Help!
01:22:32Help!
01:22:34Help!
01:22:36Help!
01:22:38Help!
01:22:39Help!
01:22:40Help!
01:22:41Help!
01:22:42Help!
01:22:43Help!
01:22:44Help!
01:22:45Help!
01:22:46Help!
01:22:47Help!
01:22:48Help!
01:22:49Help!
01:22:50Help!
01:22:51Help!
01:22:52Help!
01:22:53Help!
01:22:54Help!
01:22:55Help!
01:22:56Help!
01:22:57Help!
01:22:58Help!
01:22:59Help!
01:23:00Help!
01:23:01Help!
01:23:02I am!
01:23:12I must trust you.
01:23:13The fountain has shattered my soul.
01:23:17I am alive and I'm mad! I'm mad!
01:23:20You're still trustling!
01:23:23You have a sharp one!
01:23:27Sharp! A sharp pony! You have it!
01:23:30But a walking tower!
01:23:32A poor player who starts and breaks his lines upon the stage!
01:23:36Go back to your room, at once!
01:23:40No!
01:23:43Help me, little tyrant!
01:23:46Get back to the house! All of you!
01:23:49It's a tale told by an idiot,
01:23:52full of sound and fury and signify nothing!
01:23:55Leave me that nice hat, you dead!
01:23:57Slash it, you dead! Cross me!
01:24:00Slash it!
01:24:04If you don't leave me alone, I shall!
01:24:07Help!
01:24:08Help!
01:24:09Chill!
01:24:31Oh, Rachel!
01:24:32Oh Rachel. Where is he?
01:24:37He's in the dining room.
01:25:02Why?
Recommended
1:26:32
|
Up next
1:23:16
1:33:53
1:29:05
1:27:41
1:55:37
28:40
2:31
1:44:28
0:45
1:44
1:56:02
4:53
1:55:30
1:39:15
27:20
28:54
1:36:55
1:34:56
1:36:06
1:46:09