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Transcript
00:00No, I don't think it's a big...
00:02I'm so sorry, I didn't see you.
00:06Elliot!
00:07Um...
00:08Hi, uh...
00:09Oh, let me call you back.
00:14What are you doing here?
00:20Well, I could ask you the same thing.
00:22Excuse me, my ex-rential boyfriend.
00:26You're going for a job at Empire.
00:28It's not a good business.
00:30That's funny, I thought you were bragging that night
00:32with your complicated family.
00:34Great steak, by the way.
00:36Could you show a little respect to your ex-client?
00:38Don't be so rude.
00:40You know, after that negative comment you made,
00:43I'm very curious about the detailed feedback you have about my service.
00:47Garrett, I'm sorry, okay?
00:49That bad review was an accident.
00:51I would have chosen excellent if I had a second chance.
00:54Well, there's a way to fix it.
00:57Just book my service again.
00:59I don't need that service.
01:01I have a free voucher from the company.
01:03Let me just send it to you.
01:04And just book within the next couple days.
01:05No, thanks.
01:06No, really.
01:07It's on the house.
01:08Plus, I'll do whatever you want during my service.
01:12I'll think about it.
01:14What brings you here?
01:16Don't tell me you actually work for Empire.
01:18Well, guess what?
01:24You were right.
01:25I work in HR.
01:31You.
01:34You work in HR.
01:36Now, why would I lie to you?
01:38What about your rent to boyfriend gig?
01:40That's just a side hustle.
01:42It's for fun.
01:44Uh-huh.
01:48Okay.
01:49Before I go, you're not actually going to be my interviewer, are you?
01:53It's me.
01:55Jesus.
01:56So you better be nice to your ex-boyfriend then.
01:59Rental ex-boyfriend.
02:00Whatever.
02:01Just use the voucher in a couple of days, okay?
02:03And that's an order from your HR interviewer.
02:08Fine.
02:09I'll think about it.
02:11And I really gotta go.
02:13I'm trying to be on time.
02:14Well, good luck.
02:16I'll see you in there.
02:21What am I doing?
02:22This is crazy.
02:27Thank you so much for having me.
02:29And those are my renderings.
02:31Um, I thought there were gonna be two interviewers.
02:38It's usually just me.
02:40Oh.
02:42I just spoke with Elliot and he mentioned that he might be here too.
02:46And Elliot-
02:47Sorry I'm late, everyone.
02:50Did you get my message?
02:58What?
03:01Okay, let's get started.
03:04Shall we?
03:06Says here you used to work at Next Day Studios.
03:10Why'd you leave?
03:11Why'd you leave?
03:24Shit.
03:28I was laid off.
03:30The studio hadn't been making a profit for six months.
03:33Understood.
03:35Well, your work experience is impressive.
03:40Oh.
03:43Says here in your file you're a single mother.
03:49Is that correct?
03:50Yes, sir.
03:51I have a son.
03:52How old is he?
03:53He's just over 11.
03:54Okay.
03:55He won't be holding back my work.
03:56Thank you so much.
03:59Aren't you gonna say anything to your ex-boyfriend?
04:00Maybe ask me to help you get a job?
04:01What is your problem?
04:02Is this amusing to you?
04:03Humiliating me during this interview?
04:04Are you happy now?
04:05I have been struggling and trying so hard to keep this building.
04:06I have been fighting with you a single mother.
04:07We could meet you.
04:08As I can see you.
04:09It's okay.
04:11Thank you so much.
04:19Aren't you going to say anything to your ex-boyfriend?
04:22Maybe ask me to help you get a job?
04:25What is your problem?
04:26Is this amusing to you?
04:27Humiliating me during this interview?
04:30Are you happy now?
04:31Happy now? I have been struggling and trying so hard to make this work and you just ruined everything.
04:39I'm sorry. I didn't mean to mock you. It was just a joke.
04:42Just a joke. Bringing up my son.
04:45If I upset you, I apologize. I can make this right.
04:49Don't bother. Enjoy your day.
05:01I did ruin it.
05:14Oh my god.
05:17That can't be right. Oh my god.
05:27I hope you don't mind the traffic here.
05:29This is perfect. Thank you.
05:32Of course. If you need anything, just let me know.
05:34Thank you so much.
05:48You chose a good spot for her, Leslie.
05:52Good luck on your first day. Sally. I'm one of the senior designers.
05:56I really appreciate you, Sally. Don't mention it. If you need anything, feel free to ask.
06:01Please.
06:04Hi, Helena. I'm not Elliot Carter. I'm actually Coles Easton. The CEO.
06:12That doesn't work.
06:19Hey, Helena. So, about the other day, I...
06:23What's going on?
06:25Well, I've made some changes to the drafting scheme, but meeting this deadline that Joyce gave us with this workload might be impossible.
06:43What about the new hire? Can't she assist?
06:45Helena?
06:46Yeah. Is there a problem?
06:48No. It's fine. I'll get her started.
06:55Hi there. So sorry to dump this on you on your first day, but this is top priority project for Mr. Easton, our boss.
07:04Got it.
07:05It's a bit complex. It's a lot of information to sort through, but if you're comfortable with the software, we'd really appreciate your help getting started on the blueprints once you're done sorting through this.
07:16Sure. I'll handle it. Thanks. I appreciate it.
07:46Okay.
07:51Oh. Oh, I'm so sorry.
07:56Oh. my Oh. i-
07:57Excuse.
07:58i...
08:00i-
08:04What are you doing here?
08:18Is everything okay, Mr. Easton?
08:21Yeah, couldn't be better.
08:23Mr. Easton, don't you mean Mr. Chris?
08:25This is Mr. Easton, our CEO.
08:34It's okay, I've got it.
08:42Sally?
08:51Oh, it's the damn CEO.
08:54Oh, it's the damn CEO.
08:57Looks like it's time to call it a day.
09:05Just a few more files left.
09:10Did you know the boss beforehand?
09:13Um, not really.
09:15Just an acquaintance.
09:17Well, good luck.
09:19I'm off.
09:20Can't be late for my date.
09:22I'll see you tomorrow.
09:24See you.
09:27It's fine.
09:40I just hope he's not the nightmare boss type.
09:57Hey, move.
09:58Need this done today?
09:59End of day at the latest.
10:00All of this by today?
10:01Any issues with that?
10:02Nope.
10:03You're the boss.
10:04A bit bossy though.
10:05It's part of the job.
10:06It's a lot.
10:07I know.
10:08And he can be demanding.
10:09You're doing great though.
10:10Here is the initial draft.
10:11It just needs adjustments based on the client's latest feedback.
10:12And then I'll help you with the rest.
10:14Thank you Sally.
10:15This is so helpful.
10:16We're a team here.
10:17Thank you Sally.
10:18We're a team here.
10:19You're a team.
10:20Thank you Sally.
10:21Okay.
10:22It's a lot.
10:23I know.
10:24And he can be demanding.
10:25You're doing great though.
10:27Here is the initial draft.
10:32It just needs adjustments based on the client's latest feedback.
10:36And then I'll help you with the rest.
10:38Thank you Sally.
10:39This is so helpful.
10:40We're a team here.
10:42We're a team here.
11:40You know you just asked for permission to enter my office.
12:04I discovered something significant.
12:07Okay.
12:08Helena Winslet, or should I say Helena Andersen, is the daughter of Thomas Andersen, the Andersen
12:18family.
12:19Helena Winslet, no, Andersen is the illegitimate daughter of Mr. Andersen, the powerhouse behind
12:30Titan Global Corp, our rival.
12:35Thank you, Sally.
12:42This is enough for now.
12:43Coles, I have to tell you it's an extreme risk to keep Helena Andersen at this company.
12:51She could be a plant by the Andersen family, a ploy to deter your pap to succession.
12:57She can't stay at this company any longer.
13:00Your father sent me here to help you win the succession.
13:05I'm saying this only for you.
13:07Not only as your business partner, but also as a close friend who grew up together with
13:15you.
13:16Thank you, Sally.
13:17Thank you, Sally.
13:18I need a moment alone.
13:23more than a couple of years.
13:35Thank you for being in charge.
13:37Thank you for having me.
13:38Thank you for being here.
13:40Thank you for having me.
13:41We're divorced. It's over, okay? Do you understand that? You can't just show up at our house.
13:47Steven needs me.
13:48No, he doesn't need creditors at the door or the police. Please just leave.
13:52Just trust me, Helena. Alright? Do you know how happy Steven would be to see me?
13:58I promised I'd teach him how to play the harmonica.
14:03Leave.
14:11Mom, I really want to play the harmonica with Dad.
14:18Okay, we'll think about that.
14:22You are looking stunning tonight, sweetie.
14:40Oh, thank you. You look beautiful, too. Thank you.
14:43I noticed you didn't have a drink.
14:45Thank you. I'm not really a drinker.
14:47But the drinks here are so delicious. You gotta try it. It's peachy.
14:52Okay, I'll try for you.
14:59Okay, yeah, that's really good.
15:01I told you so.
15:02It's like punch.
15:04How about joining me for a drink, ladies?
15:11You gotta try this whiskey. It's so good.
15:13Am I supposed to swirl it?
15:15Yeah.
15:16Cheers to you.
15:18Cheers.
15:24I just haven't ever seen you before.
15:26Oh, I'm going to the department.
15:29No, I just...
15:32Well...
15:34Excuse me.
15:36It's just tired of me.
15:42Mr. Easton?
15:43Leave her alone.
15:44You didn't have to be so violent, Mr. Easton.
15:54You've been here ten minutes, and you're just going to drink anything.
15:58Some stranger hands you?
16:01He's homeless.
16:06Are you jealous?
16:08I think you're jealous.
16:09No.
16:14Well, I need some air.
16:16Come with me.
16:36Hold on.
16:37What?
16:38Why did you bring me out here?
16:40I want to go back to the side.
16:41It's cold.
16:42Oh, I know, I know.
16:51I can't stand company parties.
16:55Why's that?
16:57I just feel like I have to...
17:00be someone else.
17:04Where do you go?
17:07Elliot?
17:09Or calls?
17:12For you, Helena Winslet?
17:15I can be both.
17:38Oh, good morning.
17:43Can you explain why I'm here?
17:48You had a lot to drink last night.
17:51Oh.
17:52And so...
17:53you brought me here?
17:55Yeah, I thought it was better than leaving you to fend off unsavory characters.
18:03Like yourself?
18:08Ooh, I do have a soft spot for bacon though.
18:10I guess I made the right choice.
18:12But I don't really like scrambled eggs.
18:15Too late.
18:17Because you didn't mention that last night.
18:18Something is up with Helena and Mr. Easton.
18:34They were way...
18:35How about...
18:37We focus on the work at hand?
18:39Like the abandoned building project.
18:48Thank you for the food.
18:50You're welcome.
18:52Where's your necklace?
18:54What?
18:56The necklace you wore to your uncle's dinner.
18:57Oh, um...
18:59I've lost it.
19:03Why does it matter?
19:04It was just an ordinary necklace.
19:07Was it really?
19:08You know something, don't you?
19:09You're Thomas Anderson's daughter.
19:10You're Thomas Anderson's daughter.
19:12Biologically...
19:14Yes.
19:16You're Thomas Anderson's daughter.
19:18Biologically...
19:20Yes.
19:21Why have you been alone all these years?
19:22Oh...
19:24It's a long story.
19:26I'd rather not come into it.
19:28No.
19:29No...
19:30It's a long story.
19:32I'd rather not come into it.
19:35No.
19:37No.
19:39No.
19:41That's a long story.
19:43No.
19:45I'd rather not come into it.
19:46story. I'd rather not come into it.
19:55Well, whenever you're ready, there's no pressure to share.
20:06Steven, I haven't heard from him since last night.
20:09He's with Cameron, he'll be fine.
20:11That's exactly why I'm worried.
20:16Hey, Mom.
20:30Hi, baby. Is everything all right? Did you get my message?
20:34Yeah. But last night, Dad took me to a circus show. It was so cool.
20:39Oh, I'm so glad you had fun. Just come home soon, okay?
20:43Can I stay a bit longer, please?
20:46Will you have school tomorrow, honey?
20:48But Dad can take me to school. I want to spend more time with him.
20:52Well, let me speak with your dad.
20:57Come on. He really wants to stay, Helena.
21:00You better bring him home soon.
21:02Please, Mom. Just one more day.
21:07Okay. But just for today, all right?
21:11All right.
21:12But the whole day, you got that harmonica I bought you?
21:15Yeah.
21:21Why do I have this bad feeling?
21:23It'll be fine.
21:25You just need to relax a little bit.
21:44This one's no good, man. It's broken.
21:47You want a new one?
21:49Can we go now?
21:50Yeah, let's do it.
21:51Come on.
21:56Your food is actually pretty good.
21:58Is it worth a good review?
22:01For you, Coles Easton?
22:04Or for you, Elliot Carter?
22:07Maybe both?
22:09Maybe both?
22:25Yeah.
22:29Okay.
22:32Yeah, I'll be right there.
22:34I have to go.
22:35We have competition.
22:36Joyce is considering a new designer.
22:38Okay.
22:39I'll go with you.
22:47All right.
22:49This is cool, right?
22:50All right, come on.
22:51Grab a seat.
22:53All right, so I need you to wait here,
22:57play a couple games.
22:58All right, I'm going to go ahead and make a couple of money
23:00and we'll get that harmonica for you afterwards, okay?
23:03All right.
23:06I'm going to hit this big red button.
23:07I'm just going to spin, spin, spin, spin, spin.
23:09Eventually, it's just going to stop.
23:11And yeah, it shows you if you won or lost.
23:13All right, give it a try.
23:18Can I come with you?
23:20Not this time.
23:21All right, I need to make some money first
23:22and then afterwards we can get that harmonica together.
23:25Come on.
23:26Give it a go.
23:27It's fun.
23:28You promise?
23:29Yeah, man.
23:30I promise, of course.
23:31It's fun.
23:33Just do this for a bit, okay?
23:34I'll be right back.
23:35Can you please come back to your office?
23:36Okay.
23:37I'll be right back.
23:38I'll be right back.
23:39I'll be right back.
23:40You would be right back.
23:41Okay.
23:42gate.
23:43I'll be right back.
23:44You would be right back.
23:45Oh, no.
23:46I'll be right back.
23:47No, no, no, no.
23:48You'd be right back.
23:49I would have come back with you.
23:50All right.
23:52Does anyone want we as your mom?
23:53Do anyone want...
23:54... personal觉 I'm gonna be able that was
23:55somebody's right.
23:56How could we as you passed away?
23:57And is this?
23:58Can I give him back to your office?
24:01I'm very righteous.
24:03Well, what's our auntie Anne,
24:04did you see?
24:05What's my ihr caso?
24:06I thought my presence here was actually
24:07very productive.
24:08Yes, but your presence is not distracting me.
24:12Okay.
24:26Dad, I can't find my phone.
24:28Did you check your backpack?
24:34It's not there.
24:36Just don't worry about it, okay?
24:38We'll look for you later afterwards.
24:40Okay.
24:42Okay.
24:44Finally done.
24:48This project will be ours.
24:50There's no doubt about that now.
24:54Thank you for your hard work.
25:00It's my pleasure.
25:02You are so beautiful.
25:06I just have to call Steve in before we head out.
25:14Mm-hmm.
25:20Please leave a message after the beep.
25:24It's weird it went to voicemail.
25:26We'll call Cameron.
25:32Blackjack!
25:34Yes!
25:35Come on, man. Give me the money.
25:36I think you'll be okay.
25:48I think you'll be okay.
25:50Come on.
25:52Let's go.
25:54I'm gonna find my son.
25:56Any idea where he might be?
25:58The casino.
26:06Give me your phone. He knows me.
26:16Hello?
26:18Are you at the casino?
26:19With Steven?
26:20No, I'm not at the...
26:21No, he's safe at home.
26:26Hello?
26:27Steven?
26:28Cameron?
26:30Let's go.
26:31Where?
26:32Big Money Street. There's an underground casino there.
26:46Steven!
26:48I will kill you if anything happens to him.
27:06I will kill you if anything happens to him.
27:18Take your fucking hands off of her.
27:23Maybe you should focus on your son who's in the emergency room because of you.
27:31How is he?
27:32We've stabilized his vitals, but he remains unconscious.
27:37The impact caused significant head trauma.
27:41We've stopped the bleeding, but we're concerned about brain damage.
27:46If he doesn't wake up soon, he may not fully recover.
27:51He's only 11.
27:53There's a chance that he wakes up.
27:56It's more than 40%, which is significant.
27:59Oh my gosh.
28:01Take care.
28:09Now?
28:11Yeah.
28:12I got it.
28:18It's going to be okay.
28:20It's going to be fine.
28:21It's going to be okay?
28:22Yeah.
28:23You need to run back to the office quickly.
28:25Okay.
28:26You're not going to be one.
28:28I think it's going to be fine.
28:30I'll be back soon.
28:39Leslie.
28:40He's been here for over an hour, collecting data from Helena's computer.
28:45We sent the blueprints to Joyce today.
28:47How could they accuse us of plagiarism so quickly?
28:50Somehow, Titan Global Corporation presented a similar proposal to Joyce before us.
28:56Undercutting us by 5%.
28:59Titan Global Corp.
29:01The Anderson family.
29:02Officer.
29:03Mr. Easton, there are allegations of unfair business practices against your company.
29:18We need your cooperation.
29:19Eleanor Winslet, there are accusations of trade secret leaks linked to you.
29:30We're going to require your assistance.
29:32The relationship with Coles Easton, is it a ploy facilitated by a rent-to-boyfriend service?
29:46I'm not speaking to you without my lawyer present.
29:49Well, your involvement makes it look like you're trying to advance him in the company unlawfully.
29:55Ms. Winslet, that was a lawyer for the Anderson family.
30:10They paid your bail.
30:11You're free to go.
30:14Okay.
30:16However, we may require your cooperation in the future.
30:20Mr. Easton, the investigation is ongoing.
30:26Helena's connection to Titan Global hasn't been dismissed.
30:41It's cold.
30:44It wasn't me.
30:45Explain.
30:52I didn't do it.
30:55Rent a boyfriend.
30:57Planning a job at my company.
30:59It's all coincidence.
31:01Why would I sabotage everything?
31:03You had access and motive.
31:05You could have leaked the proposal to your father.
31:07I've never seen him that way.
31:10In my entire life.
31:12You wore your family necklace to your uncle's dinner.
31:14After I recognized it, you haven't worn it since.
31:16Why?
31:20You never trusted me, did you?
31:26Someone like you?
31:30Some new rents-a-boyfriend to go show them off to your family?
31:33I'm done here.
31:34Go.
31:35I'm done here.
31:36Go.
31:37I'm done here.
31:38Go.
31:39I'm done here.
31:40I'm done here.
31:41I'm done here.
31:42Go.
31:43I'm done, girl.
31:46Go.

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