- 2 days ago
Young Anna witnesses her mother's murder at the hands of her father. This brutal memory stays with her until she grows up and finds out that she is seemingly possessed by her father's spirit.
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Short filmTranscript
00:00:00It's the Ripper!
00:00:15Here, come on!
00:00:17It's the Ripper!
00:00:24Here, come on!
00:00:25Here, come on!
00:00:54There was another murder.
00:01:03They're looking for Jack the Ripper.
00:01:09It's you.
00:01:12It's you they're looking for.
00:01:14Oh!
00:01:16No!
00:01:16No!
00:01:17No!
00:01:18No!
00:01:19No!
00:01:20No!
00:01:21No!
00:01:22No!
00:01:33Anna.
00:01:34Anna.
00:01:35Anna.
00:01:46No!
00:01:47No!
00:01:48No!
00:01:49No!
00:01:50No!
00:01:51No!
00:01:52No!
00:01:53No!
00:01:54No!
00:01:55No!
00:01:56No!
00:01:57No!
00:01:58No!
00:01:59No!
00:02:00No!
00:02:01No!
00:02:02No!
00:02:03No!
00:02:04No!
00:02:05No!
00:02:06No!
00:02:07No!
00:02:08No!
00:02:09No!
00:02:10No!
00:02:11No!
00:02:12No!
00:02:13No!
00:02:14ORGAN PLAYS
00:02:44ORGAN PLAYS
00:03:14It's so cold, Granny. So cold.
00:03:18Mary, dear, listen carefully to Granny.
00:03:21Is there no one with you in the spirit world to play with, dear?
00:03:26Is there no one at all?
00:03:30It's very lonely, Granny.
00:03:32Well, look around you, dear.
00:03:36Is there no one at all with you?
00:03:39There must be someone with you.
00:03:43Oh, I don't think you're trying, dear.
00:03:46Look behind you.
00:03:50Where?
00:03:50Who is it, dear?
00:03:55See who it is.
00:03:57Look hard for Granny, dear, please.
00:04:01It's a little girl like me.
00:04:04This little girl.
00:04:07Ask her her name, dear.
00:04:09Find out her name.
00:04:11Not her spirit name, dear.
00:04:13We wouldn't know her spirit name down here, would we?
00:04:18She says her name's Claudia, Granny.
00:04:22She's very nice.
00:04:24What's her dress?
00:04:25It's all wet.
00:04:26It's Claudia.
00:04:29Claudia, my baby.
00:04:35Claudia.
00:04:36Can you hear, Mama?
00:04:40Claudia.
00:04:41Speak to Mama, please.
00:04:44I hear voices.
00:04:46Strange voices.
00:04:47But I can't make out what they're saying.
00:04:51What is happening to me?
00:04:52I don't understand the foreign language.
00:04:55Italian, is it?
00:04:56Is it Italian?
00:04:59La Poverina.
00:05:01I see a boat.
00:05:03There's been an accident.
00:05:04Is that what I see?
00:05:07I see a boat.
00:05:09And I see water.
00:05:10Lots of water.
00:05:14A lake.
00:05:16Claudia.
00:05:17Can you hear me?
00:05:19Speak to me.
00:05:21Please.
00:05:24Is Claudia happy?
00:05:27Mary.
00:05:27Mary.
00:05:29Ask the little girl, is she happy, dear?
00:05:33It's Granny, dear.
00:05:36Ask the little girl, is she happy?
00:05:41Can you hear me, Mary?
00:05:42You must try, dear, or Granny will get very annoyed.
00:05:50It's no use, I'm afraid, we've lost contact with the spirit world.
00:05:54Oh, try.
00:05:55Please, try.
00:05:57It's no use, I'm afraid.
00:05:58If the spirits won't cooperate, there's nothing we can do about it this end.
00:06:02According to the stars, the spirits should be very auspicious next Wednesday.
00:06:11If you'd like to try then, I can spare a little time, about 8.30, if you'd like to pass by then.
00:06:18Mrs. Golding.
00:06:19As a student of the occult, may I say that I've never before been witness to such close contact with the spirit world.
00:06:24Truly amazing talent, you have, madam.
00:06:26Very natural talent, Mr. Dicefark.
00:06:28Come here.
00:06:29I'll do all I can to help.
00:06:39Thank you, Mrs. Golding.
00:06:40We're both very grateful.
00:06:41Well, to Wednesday.
00:06:44This was your first visit to a spiritual medium then, Mr. Pritchard?
00:06:48Yes, it is.
00:06:49The young have so little interest in the spirit world.
00:06:52There are generally so few people they know who are dead.
00:06:54As one gets older, one finds oneself that death separates us more and more from one's loved ones.
00:07:01I wade you find that true, Dr. Pritchard.
00:07:03Yes, Mrs. Golding.
00:07:05Ow!
00:07:06Gil!
00:07:07My dear young lady.
00:07:09What are you doing, dear girl?
00:07:10I'm so sorry.
00:07:11Did I hurt you?
00:07:12Yes, you did, sir.
00:07:14I mean, no, of course you didn't, sir.
00:07:17What are you doing down here?
00:07:19She laughs to listen to the spirit voices.
00:07:22Run along now.
00:07:23I've told her before.
00:07:24She mustn't loiter down here when I've got customers.
00:07:27Uh, guests.
00:07:29She doesn't listen to a word I say.
00:07:31Your child, Mrs. Golding?
00:07:33No.
00:07:33I took her in from an orphanage some years ago.
00:07:36Out of the goodness of my heart, you understand.
00:07:38Her mother was done in, I fear.
00:07:41She's a trifle touched, I'm afraid.
00:07:44God knows what happened to her father, if she ever had one.
00:07:47But one has to do all one can for the poor creatures of this world.
00:07:51Don't you agree, Dr. Pritchard?
00:07:52Yes, Mrs. Golding.
00:07:55One must.
00:07:57Good night, gentlemen.
00:07:59Good night.
00:08:04For a music hall turn, I thought it quite entertaining.
00:08:06Music hall turn?
00:08:08Criminal deception.
00:08:09That poor woman was driven to the verge of hysteria.
00:08:12Mrs. Golding's nothing but a bloodsucker making money out of human grief.
00:08:15I've seen dozens like her.
00:08:16A letter or two in the London press should put her and all the others like her out of business for good.
00:08:24Sorry, my boy.
00:08:25Can't expect you to be interested in my pet causes.
00:08:30Home now, presents, if you please.
00:08:31Home?
00:08:31But tonight's my stag party at the club.
00:08:34So soon?
00:08:35Well, Laura arrives tomorrow.
00:08:37And the wedding's only six days away.
00:08:39How do these things catch up on one?
00:08:41I wouldn't have exactly phrased it that way.
00:08:44We'll talk later.
00:08:45Now, you take the carriage.
00:08:46I might walk home.
00:08:48Run along to your club, my boy.
00:08:50Good night.
00:08:52Have a good time.
00:08:53Bye.
00:08:54Get him now.
00:08:54Like a cab, sir?
00:08:59I can run down the strand to get you one, sir.
00:09:02Very well.
00:09:03I'll wait here.
00:09:07It's like selling my own flesh and blood.
00:09:10I'll never forgive myself.
00:09:12The poor little dear is only 17.
00:09:15Oh, come now.
00:09:16Bound to happen?
00:09:18Sooner than later, if I'm any judge of the girl.
00:09:20You will be kind to her, won't you?
00:09:21She is an innocent girl.
00:09:23She'd better be.
00:09:24Oh, that price.
00:09:25If I wasn't desperate for money,
00:09:27I'd never allow this, you know.
00:09:29Of course not.
00:09:41Hello, my dear.
00:09:48Oh, don't be frightened, my dear.
00:09:54Surely your aunt told you I was going to pay you a little visit tonight, didn't you?
00:09:59Yes, sir.
00:10:05Shall we close this, my dear?
00:10:11Makes things more cozy, hmm?
00:10:12Oh, come on.
00:10:42I have brought you a little present, Anna.
00:10:49Look.
00:10:51Anna.
00:10:53What do you think of that, eh?
00:10:54I'll wager you, you've never had anything as pretty as that before, have you?
00:11:00These are all precious stones, you know.
00:11:03How do you like it?
00:11:06It's all yours, you know.
00:11:08Say, girl, are you all right?
00:11:10What's the trouble, eh?
00:11:11Oh, look, girl, damn it.
00:11:15What are you playing at?
00:11:17Is this some sort of trick?
00:11:18Oh, come on, now.
00:11:23You're not dealing with some sort of rustic on his first night out in London, here.
00:11:26Come on, now.
00:11:27Oh, get up.
00:11:29Come on, you little bitch.
00:11:31Get up.
00:11:31Get up.
00:11:32Stop it.
00:11:33Stop it, Mr. Dysart.
00:11:35She's only a poor, innocent girl.
00:11:37Look here, you old bitch.
00:11:38I paid my money and you're not putting me off with this little game.
00:11:41There, there, Anna.
00:11:42It's all right, dear.
00:11:43It has to happen to all of us.
00:11:45Mr. Dysart didn't mean to hurt you.
00:11:47You're the oldest trick in the business.
00:11:49I suppose you've sold her as a virgin a dozen times before.
00:11:51Never.
00:11:52Well, you'll not get away with it this time.
00:11:54I'll have my way with her or I'll have my money back, one or the other, and damn smartly...
00:11:57Stop it.
00:11:57Stop it, Mr. Dysart.
00:12:00Why, then.
00:12:02There's your money.
00:12:04Grief woman having no sense of values.
00:12:06There, there, dear.
00:12:09It's all right now.
00:12:12Anna.
00:12:13Look what you've done.
00:12:14Ah!
00:12:16Ah!
00:12:19Ah!
00:12:36Ah!
00:12:36Ah!
00:12:37Ah!
00:12:38Ah!
00:12:38Ah!
00:13:04Ah!
00:13:05¶¶
00:13:35Mrs. Goldie?
00:13:40¶¶
00:13:44¶¶
00:14:05One fact is abundantly clear, gentlemen.
00:14:28Whoever impaled that unfortunate woman on this poker
00:14:30possessed immense physical strength.
00:14:31In going through your individual statements, however,
00:14:37I have found some details that do not, shall we say,
00:14:40provide an adequately clear picture.
00:14:43Inspector, I have a number of urgent appointments in the Commons.
00:14:47Mr. Dysart, I shall endeavour not to keep you away from Parliament
00:14:49a moment more than is necessary.
00:14:52Now, then, Mr. and Mrs. Wilson,
00:14:55you were the first to leave Mrs. Golding's house
00:14:57once the so-called chat with the spirit world
00:15:01was concluded.
00:15:03That is correct.
00:15:05You came out of the house,
00:15:07got into the carriage,
00:15:08and were driven away.
00:15:10Did you see anyone leave the house after you?
00:15:13No, Inspector.
00:15:14Are you absolutely certain?
00:15:16My wife was upset, Inspector.
00:15:18I didn't notice much beyond that fact.
00:15:21Then, Dr. Pritchard,
00:15:22you left with your son.
00:15:23Correct.
00:15:24My son took our carriage to his club,
00:15:25as I told you in my statement.
00:15:27I sent a boy down to the Strand to fetch me a cab.
00:15:30And when the cab was arriving,
00:15:31I heard the scream.
00:15:33And when did you leave Mrs. Golding's house, Mr. Dysart?
00:15:38About two minutes after the Pritchard's.
00:15:41The door was hardly closed.
00:15:43I told you all this earlier.
00:15:44Then, Dr. Pritchard,
00:15:45you must have seen Mr. Dysart leave the house.
00:15:47No, I did not.
00:15:52But you were only standing across the street.
00:15:55Perhaps, Mr. Pritchard,
00:15:56you noticed Mr. Dysart coming out behind you.
00:15:58I'm afraid not.
00:16:01I hope you realize what you are suggesting, Inspector.
00:16:03Then perhaps you can explain to me
00:16:05why you were not seen leaving the house
00:16:06by Dr. and Mr. Pritchard,
00:16:07who were standing 20 feet away.
00:16:10I...
00:16:11Inspector,
00:16:15it occurs to me that
00:16:16if Mr. Dysart left the house two minutes after us,
00:16:20it's quite possible my son and I didn't see him
00:16:21for the simple reason
00:16:22we were on the far side of our carriage.
00:16:24Yes, Dr. Pritchard,
00:16:25that is a possibility that had occurred to me.
00:16:29It is a possible explanation.
00:16:32Of course.
00:16:33How stupid of me.
00:16:35I remember the carriage now.
00:16:37It slipped my mind.
00:16:38Will you stand up, please, Mr. Dysart?
00:16:51Dr. Pritchard,
00:16:53you were the only witness I have.
00:16:55I would ask you to observe Mr. Dysart with care.
00:16:58Could Mr. Dysart possibly be the man you saw
00:17:01leave Mrs. Golding after you heard the scream?
00:17:03It was dark.
00:17:05Could you possibly be mistaken, Doctor?
00:17:06Think, please, before you answer.
00:17:14No, I don't think it was Mr. Dysart, Inspector.
00:17:18It was a much larger man.
00:17:23I'm afraid the villain of this piece
00:17:24seems to have escaped you, Inspector.
00:17:26She got herself lost, Mr. Michael.
00:17:44I knew it.
00:17:45Poor, poor girl.
00:17:47Mrs. Bryant,
00:17:48I'd be obliged if you didn't use that expression.
00:17:50There's nothing poor about Laura.
00:17:52There she is!
00:17:53I'm waiting for my fiancée.
00:18:03He should be here in a moment.
00:18:07Laura?
00:18:09Michael.
00:18:11Oh, my love at last.
00:18:12Oh, it's been a year and four days,
00:18:17and I think the four days are the longest.
00:18:19It'll never happen again, I promise you.
00:18:20Oh.
00:18:23Welcome home, Mrs. Laura.
00:18:25Oh, Nanny Bryant.
00:18:27Now I know I'm really home with love.
00:18:31I'm afraid my father couldn't make it, Laura,
00:18:33due to what he calls pressure of business.
00:18:35Oh, your poor father, he works too hard.
00:18:37Well, things are changed.
00:18:39He's now become a follower of this man, Freud,
00:18:41who calls himself a psychoanalyst.
00:18:43Now, now, you two.
00:18:45You're not married yet.
00:18:47Mrs. Bryant has strict orders to keep us in sight
00:18:49until we're safely married.
00:18:51You ought to be with my father,
00:18:52and I'm stay at my club.
00:18:54The carriage, Miss Laura.
00:18:55Why, it's Pleasance.
00:18:56How nice to hear your voice again.
00:18:59Oh, Pleasance, please drive slowly
00:19:00so that Michael can relate to me
00:19:02all that is happening.
00:19:21We questioned her, Doctor,
00:19:22but she's no memory of the murder at all.
00:19:24None at all?
00:19:26A complete withdrawal.
00:19:27I see.
00:19:31Where's Bobby?
00:19:32Get out of here with Bobby!
00:19:34Get out of here with Bobby!
00:19:40Well, not certain it wasn't too much
00:19:41for the girl's mind, Doctor.
00:19:43Anyway, with Mrs. Golding gone,
00:19:44who's going to look after her?
00:19:46I'm afraid it'll be the streets for her,
00:19:47like so many others.
00:19:48Oh, come in, dearie, why don't you?
00:19:50Come and see how a bleeding royalty lives.
00:19:52Only half a crown.
00:19:54Well, perhaps I can arrange something.
00:19:55As a doctor, I may be able to.
00:19:56It wouldn't be worse
00:19:57to express how grateful she'd be, Doctor.
00:19:59Want me to put on a show
00:20:00for the top, Inspector?
00:20:02Get out of here, Constable!
00:20:05Come along!
00:20:05Like a young!
00:20:06Yeah, move away there!
00:20:08It's poor!
00:20:09Bloody bitches
00:20:10are taking her clothes, Inspector!
00:20:12Come on!
00:20:12Come on!
00:20:14Come on!
00:20:16Come on!
00:20:17Come on!
00:20:17Come on!
00:20:17Come on!
00:20:18Come on!
00:20:19Come on!
00:20:19Come on!
00:20:20Come on!
00:20:21Come on!
00:20:21Come on!
00:20:22Come on!
00:20:22Come on!
00:20:24Come on!
00:20:24Come on!
00:20:25Come on!
00:20:26Come on!
00:20:27Come on!
00:20:28Come on!
00:20:29Come on!
00:20:30Come on!
00:20:31You remember me, Anna?
00:20:32Yes, sir.
00:20:33Don't you do that, darling! You'll get your turn! Now, watch it!
00:20:41Anna.
00:20:44You remember me, Anna?
00:20:47Yes, sir. I remember you.
00:20:55Now, build up, you lad! Not so much of it!
00:21:03Do you know where we're going, Anna?
00:21:09No, sir.
00:21:11We're going to my home.
00:21:14I'm going to look after you from now on. Would you like that?
00:21:18No, you'll be quite safe.
00:21:21There'll be no more séances with you playing the ghost.
00:21:25No more gentlemen calling on you in the middle of the night.
00:21:28You're going to lead a very different life.
00:21:31Will I work in the kitchen, sir?
00:21:33Oh, Anna, no.
00:21:35No, I have a perfectly fine cook housekeeper and a maid.
00:21:39All you will have to do is to learn to become one of the family.
00:21:45Family, sir?
00:21:46Yes.
00:21:48Nothing! Nothing!
00:21:53We're here, sir.
00:21:55Here we are. We're home. This is where I live.
00:22:04Thank you, sir.
00:22:08Thank you, sir.
00:22:11Do you approve?
00:22:13Oh, yes!
00:22:15It's beautiful!
00:22:17Well, let's go in.
00:22:18Come on.
00:22:19This will be your room, Anna.
00:22:49This used to be my wife's room, but she died a long time ago, but from now on it will
00:23:14be known as Anna's room. Dolly, I want you to help Miss Anna in any way that you can.
00:23:20Yes, sir.
00:23:29Well, Anna, are you pleased?
00:23:32Well, I see from that that you are. Dolly, I think the first thing we must do is to get
00:23:45Miss Anna bathed and dressed.
00:23:46Oh, yes, sir. I'll get the bath ready right away, sir.
00:23:49Perhaps you could find something from my wife's wardrobe suitable for Miss Anna to wear this
00:23:53evening for dinner.
00:23:54Oh, yes, sir. There's the pink dress, sir. Miss Anna will look lovely in that.
00:23:59Yes. Well, uh, Dolly seems to know where everything is, so don't hesitate to ask her for anything
00:24:05that you may want.
00:24:07Don't you worry, sir. You'll never recognise her, sir.
00:24:12Come on, Miss Anna.
00:24:13Yes, sir.
00:24:14Come on, Miss Anna.
00:24:15Bring in the luggage.
00:24:16Yes, Mr. Michael.
00:24:17Oh, Michael, it's so good to be back.
00:24:19Three steps down.
00:24:20Oh, and here's the umbrella, sir.
00:24:21Oh, here's your knobbly old stick.
00:24:22Remember that?
00:24:23Oh, here's that horrible old clock. I remember that, too. We broke it.
00:24:39Oh, here's that horrible old clock. I remember that, too. We broke it.
00:24:52and a study door
00:24:56and a mirror which no longer holds any interest
00:25:00for me at all
00:25:01and the table, the chair
00:25:05and the Chinese bars
00:25:07and now the steps
00:25:09Laura
00:25:09oh Michael you've moved
00:25:11I'm afraid you've got the wrong man
00:25:14Dr. Pritchard
00:25:17I'm so sorry forgive me
00:25:20how are you Laura
00:25:21I hope you had a pleasant voyage
00:25:23in the guest room present
00:25:26the guest room?
00:25:27isn't Laura having mother's old room?
00:25:29I'm afraid not
00:25:30we already have a guest
00:25:32may I ask what guest we have father?
00:25:34oh Michael I can learn a room in ten minutes
00:25:36it's no problem
00:25:37I'm only here for a few days
00:25:38it's that girl from Mrs. Goldings
00:25:40they were keeping her in the cells
00:25:42amongst very dubious company
00:25:46I've said that she may stay here with us
00:25:47you brought her here?
00:25:51Anna
00:25:51Anna?
00:25:53Anna?
00:25:57would you come down a moment my dear?
00:25:59this is my son my girl
00:26:19remember him?
00:26:20how do you do sir?
00:26:22welcome to our home Anna
00:26:24thank you sir
00:26:26this is my fiancée Laura
00:26:28hello Anna
00:26:30Laura is blind my dear
00:26:32it's Laura
00:26:33oh don't be worried
00:26:35it's just a nuisance
00:26:37I see with my hands
00:26:39Dolly
00:26:41take Miss Anna to have a bath
00:26:44come along Miss Anna
00:26:45I've got the water ready
00:26:47and I must get back to work
00:26:49see you at dinner later Laura
00:26:52call Mrs. Bryant
00:26:57and get her to show Laura to her room
00:26:58what a kind man he is
00:27:28I've been expecting you.
00:27:33Dr. Pritchard, I've no idea why you saw fit to rescue me
00:27:36from what could have been a great embarrassment,
00:27:38but I much obliged you, sir.
00:27:41It was a misunderstanding, of course,
00:27:43but one which could well have ruined my parliamentary career.
00:27:46Yes, Mr. Dossard.
00:27:47Being hanged could have ruined your neck as well.
00:27:51I don't wish to slight your contribution, Doctor,
00:27:53but I hardly imagine it would have gone that far.
00:27:56Really?
00:27:57Mr. Dossard, either you or Anna killed Mrs. Goldie.
00:28:00Oh, come now.
00:28:04Surely you don't think a respectable member of Parliament like myself
00:28:07goes about the streets murdering people.
00:28:10If you even suspected I was guilty,
00:28:12why did you lie to save me?
00:28:14Because it suited my purpose.
00:28:16My knowledge of the symptoms of certain mental diseases
00:28:19leads me to suspect one of you more than the other.
00:28:22But I could be wrong.
00:28:24Doctor, I saw it.
00:28:25She was possessed.
00:28:28Her whole body was contorted.
00:28:31Her hands.
00:28:33They weren't her hands at all.
00:28:35Really?
00:28:35Whose were they?
00:28:36How should I know?
00:28:37She was possessed.
00:28:38If she wasn't,
00:28:42how could you manage a frail girl
00:28:45to drive the poker through the flesh and bone of a human body
00:28:47plus an inch and a half oak door?
00:28:50Answer me that.
00:28:51The hysteria accompanying certain mental disorders
00:28:53can produce extraordinary strength.
00:28:55That's one explanation.
00:28:57The other being that I did it?
00:28:59A possibility.
00:28:59I don't understand you, sir.
00:29:02If you seriously thought I committed a crime that brutal,
00:29:05we should hardly be discussing it about your home.
00:29:08Anna is upstairs at this moment.
00:29:11She's what?
00:29:11I intend to study her.
00:29:15To do that, she must remain in my care.
00:29:17Damn it, Pritchard.
00:29:18You've got to possess being in your home as savage as any wild beast.
00:29:23Listen to me, Dicer.
00:29:23Sir, since time began, men have been murdering one another.
00:29:28Every time it happens, we hunt the murderer down
00:29:30and when we catch him, we use something known as the law
00:29:32to murder him in return.
00:29:34We've tortured him, burnt him alive, disemboweled him.
00:29:39Though nowadays, of course, we're more humane.
00:29:40We simply hang him.
00:29:42And all this time, we have never once tried to understand him.
00:29:46To find out why.
00:29:48Why one human being murders another human being.
00:29:51So, we go on having murders.
00:29:54And murdering in revenge.
00:29:56And no one but the graveyard worms is any the richer.
00:29:58But she was possessed, I tell you.
00:30:00Nonsense!
00:30:01I believe the girl is suffering from a disorder of the mind.
00:30:05Possibly brought on by some terrifying experience in her childhood.
00:30:08Or maybe it was congenital, but it has divided her mind.
00:30:12There's an Austrian doctor, a man called Freud,
00:30:15who studied this form of mental disease.
00:30:16It's called schizophrenia.
00:30:18He's also been using a new science called psychoanalysis.
00:30:21To explore the mind and its disorders.
00:30:23To find out why.
00:30:26This is the technique that I would like to use with Anna.
00:30:29But I need your help.
00:30:32Now, perhaps you can understand my behavior at the police station.
00:30:36I want you to use your official position
00:30:38to find out everything you can about her past.
00:30:40Family, where she lived, everything.
00:30:42The slightest detail could be of vital importance
00:30:44in understanding her present condition.
00:30:47And what if it happens again, and she murders somebody else?
00:30:50She won't!
00:30:51But even if she did,
00:30:52to understand the psychology of murder would be worth the risk.
00:30:54And if I refuse?
00:31:10I might just remember who it was I saw leaving the house after the murder.
00:31:13With greater accuracy this time.
00:31:29Better go the way you came.
00:31:30One thing you've got to learn around here
00:31:44is to affect what Dr. Pritchard calls a happy countenance.
00:32:02Which means he likes to see people with smiles on their faces, he does.
00:32:08Not that he's a great one for smiles and giggles himself.
00:32:11Know what I mean?
00:32:12Not like us.
00:32:13I wasn't crying because I was sad, Dolly.
00:32:15I was crying because I was happy.
00:32:18It's such a beautiful room.
00:32:19I know you were, Miss Anna.
00:32:21Oh!
00:32:22Oh!
00:32:23Oh, it's all right, Miss Anna.
00:32:24It's only Dr. Pritchard.
00:32:27All right, Anna.
00:32:28At my age, one tends to treat modesty as an affectation of the ugly.
00:32:32It'll fit Miss Anna a treat, sir.
00:32:34Yes.
00:32:34See how this goes with the dress.
00:32:36Oh, sir.
00:32:37It's lovely.
00:32:41We'll be at the restaurant within the hour, Anna, my dear.
00:32:43As soon as I can pull myself free of this wretched crowd at the embassy.
00:32:46I've left you the carriage,
00:32:47and Pleasance will see you to the door.
00:32:49Dolly.
00:33:01Don't let her out of your sight until she's in the carriage.
00:33:05She's had a very disturbing day.
00:33:06She needs company.
00:33:08All right, sir.
00:33:10Oh, Miss Anna,
00:33:11you're going to look like a proper princess tonight.
00:33:14You just wait and see.
00:33:19Oh, Miss Anna,
00:33:35Oh, Miss Anna,
00:33:36oh.
00:33:42Oh, Miss Anna.
00:33:43Oh, it's a tight thing.
00:33:54Goodness, look at the time.
00:33:56Oh, darling, I'm sure you're holding me like this is ruining both our reputations, but I could do it all night.
00:34:18Then we shall.
00:34:19When we're married, please.
00:34:21But now there's no more music, and your father's waiting.
00:34:26Oh, father.
00:34:35Oh, it's so hot.
00:34:38Let's go back and talk.
00:34:39No, no, my feet hurt. I'm going to sit down. I'm so hot.
00:34:44Do you all right?
00:34:44Oh.
00:34:47Oh, that's better.
00:34:50Oh, the dancing's made me hurt.
00:34:52I think I'm...
00:34:52Oh, my goodness.
00:34:54It's all right, Lord.
00:34:58I think I must leave you. I'm very worried about Anna. She should have arrived a long time ago.
00:35:03Well, we shall be late.
00:35:05Laura, Mrs. Bribe will look after you when you return.
00:35:07Thank you, Dr. Pritchard.
00:35:11I'm sorry, Michael. Something seems to have spoiled the evening for your father.
00:35:14But not for me.
00:35:22Oh, Dolly, it's so beautiful.
00:35:25I'm afraid to move for four hours we can.
00:35:27Oh, you're not asleep, Miss Anna.
00:35:30Here, take a look at the back.
00:35:33Dolly, do you have to call me Miss? I'd much prefer us to be friends.
00:35:36Oh, no, Miss. That would never do at all.
00:35:38You can't have the likes of me talking to a lady on such familiar terms.
00:35:42But I'm not a real lady yet.
00:35:44You just wait till you see yourself in this.
00:35:48Oh, Miss Anna, you're going to look lovely tonight.
00:35:52Everybody's going to be looking at you.
00:35:54You're going to be the belle of the ball.
00:35:55You just wait and see.
00:35:57There.
00:35:59It'll look lovely on that dress.
00:36:04There, now.
00:36:06Oh, Miss, Miss Anna, do you like it?
00:36:09Oh, you do like it. I knew you would.
00:36:13Miss Anna, you look just like a little doll all done up to meet the Queen.
00:36:19I'll kiss you now, then, before you become a lady.
00:36:23Anna.
00:36:23Anna.
00:36:24Get up.
00:36:46Pesants, I want you to go to the restaurant and tell Mr. Michael and Miss Laura that you're waiting for.
00:36:51I'll take a cab if I need one.
00:36:52Very good, sir.
00:36:53Very good, sir.
00:37:22Anne.
00:37:23Very good, sir.
00:37:26I love you.
00:37:27Bye.
00:37:30Bye.
00:37:35Bye.
00:37:43My girl.
00:37:44I'm sorry.
00:37:46See you again?
00:37:50Give it to me, Anna.
00:38:07Give it to me.
00:38:10I will keep it for you.
00:38:20Stay here.
00:38:34Stay here.
00:38:46Lolly?
00:38:50Stay here.
00:39:20Anna, come with me.
00:39:25Stay here.
00:39:27Stay here.
00:39:29Stay here.
00:39:31Stay here.
00:39:33Stay here.
00:39:35Stay here.
00:39:37Stay here.
00:39:39Stay here.
00:39:42Stay here.
00:39:44Stay here.
00:39:46Stay here.
00:39:58Stay here.
00:40:34What am I doing here?
00:40:49You should be at the restaurant.
00:40:51It's all right.
00:40:53It's very late.
00:40:55You've had a long day.
00:41:04You're becoming very sleepy.
00:41:11Yes, I am very sleepy.
00:41:15Has anything happened?
00:41:17Nothing, my dear.
00:41:19You dozed off and had a bad dream.
00:41:20You're becoming very sleepy.
00:41:50You're becoming very sleepy.
00:42:20Oh, Dr. Pritchard.
00:42:48You came back and found me asleep.
00:42:51Oh, I'm so ashamed.
00:42:54Ah.
00:42:54Dr. Pritchard.
00:42:55This is what I was looking for.
00:42:57It's all right, Mrs. Bryant.
00:42:59Laura won't be back for hours yet.
00:43:00She's quite capable of putting herself to bed.
00:43:01It's much more important that you get your sleep, considering the heavy time we've got ahead of us.
00:43:06Oh, yes.
00:43:07The wedding arrangements.
00:43:09That Dolly promised to wake me up when you came in, sir.
00:43:12Where has the girl gone?
00:43:14I'm afraid we've lost our Dolly, Mrs. Bryant.
00:43:21Just as Anna and I were about to leave, a man came to the door with a message from Dolly's mother.
00:43:27Really?
00:43:27I never knew she had one.
00:43:29I mean, I've never heard her speak of her mother.
00:43:32Well, apparently her mother's gravely ill.
00:43:34Of course, there was nothing I could do but send Dolly straight off in a cab to give what help she could.
00:43:38She was terribly upset, poor girl.
00:43:40Oh, that kind of girl does come and go.
00:43:43All young girls today lack character.
00:43:46It's a fact.
00:43:48Can I get you anything now, Doctor?
00:43:49Oh, no, thank you.
00:43:50I just came back for this.
00:43:52I shall be here when Laura returns, so there's no need for you to stay up.
00:43:56Well, if you're certain that I won't be needed for a time, I think I will just take a little rest.
00:44:02I'll call if I need you.
00:44:04Thank you, Doctor.
00:44:10It's time you were up, Miss Anna.
00:44:20Come now, Miss Anna.
00:44:22It's way past noon.
00:44:23If you don't get up right away, it'll be too late to bother getting up at all.
00:44:28Oh, this is disgraceful.
00:44:30Mrs Bryant.
00:44:34Now, let her sleep, please.
00:44:36I gave her a sedative last night.
00:44:37She needs rest.
00:44:38I want you to keep an eye on her.
00:44:39I don't want her to leave the house today.
00:44:41Do you understand?
00:44:42Is she not well, Doctor?
00:44:45It isn't anything contagious, is it?
00:44:48No, Mrs Bryant.
00:44:50It's just that she needs rest and care.
00:44:53That's all.
00:44:56Whatever you say, Doctor.
00:45:09There you are, Pitchett.
00:45:23Well, your message suggested, as well as a certain hysteria, that you've had some success.
00:45:28Doctor, I quite understand.
00:45:29Being a scientist, you'll find nothing I say about the subject of possession to be believable.
00:45:33So you'll find someone else to say it for you?
00:45:37As you know, our dear Queen Victoria herself...
00:45:40Really, Dysart, the beliefs of that dear lady have not the slightest interest for me.
00:45:44What have you found out about Anna?
00:45:47Nothing whatsoever.
00:45:48I've checked the newspapers, police files, all available records without success.
00:45:52However, I have contacted a certain personage.
00:45:57The royal medium, Madame Bullard.
00:46:00Please, Dysart, not a séance.
00:46:03Madame Bullard has kindly consented to give you and the girl an interview tomorrow at noon.
00:46:07I advise you to be there.
00:46:08You simply have no idea what you're dealing with, Pitchett.
00:46:11I know very well what I'm dealing with, Pitchett.
00:46:14Unless you keep that appointment tomorrow, I'm going to the police.
00:46:22Now, Anna, we're going on a voyage, you and I.
00:46:34Back in time to when you were a very little girl.
00:46:39I want you to try and remember as far back as you can.
00:46:44Back in time.
00:46:46Try and search in your mind for that time when you were very, very small.
00:46:52You remember your mother, Anna?
00:46:55What was she like?
00:47:00She wore a silk dress.
00:47:02Yeah.
00:47:03They fell round the bottom.
00:47:04Mm-hmm.
00:47:08It's a fire in the grate.
00:47:11It was warm.
00:47:13Sometimes.
00:47:15Sometimes.
00:47:18Sometimes.
00:47:19I'd sit on her lap by the fire.
00:47:25And sometimes on the rug.
00:47:29There were bars.
00:47:31Where?
00:47:32Around my bed.
00:47:33There were bars around my bed.
00:47:36There were bars around my bed.
00:47:42Then it got very cold.
00:47:43The fire died away very slowly.
00:47:47It got very, very cold.
00:47:51My mother kept...
00:47:54Kept lying there so still.
00:47:59For a long time.
00:48:03Staring at me.
00:48:04Yes, Anna, go on.
00:48:14Rest, Anna.
00:48:16Rest a moment.
00:48:16Rest.
00:48:25I can't let you go.
00:48:26It's all right.
00:48:27It'll be all right.
00:48:28Oh, Doctor.
00:48:30I'm sorry if we disturbed you.
00:48:32But Mr. Michael and Miss Laura,
00:48:34they're being very rebellious.
00:48:36We're only going out to dinner, Father.
00:48:38I can hardly chaperone them
00:48:40and be here to look after Miss Anna
00:48:42and yourself as well.
00:48:44I'm only a singular person.
00:48:47Mrs. Bryant, you're quite right.
00:48:48Go with them to dinner.
00:48:50Anna and I can manage for ourselves.
00:48:51Now, if you'll excuse me.
00:48:52Now, wait.
00:48:53Hurry up.
00:48:53Wait.
00:48:54Hey, turn on.
00:48:54Anna?
00:48:56Anna?
00:49:01Anna?
00:49:02Anna?
00:49:03Anna?
00:49:05Oh, my God!
00:49:07Oh, my God!
00:49:08Oh, my God!
00:49:09Oh, my God!
00:49:10Oh, my God!
00:49:11Oh, my God!
00:49:12It's up to you!
00:49:13Hello there.
00:49:14You're a bit young with this game.
00:49:15Get off, oldie!
00:49:16Go on.
00:49:17I say, are you?
00:49:18What are you doing?
00:49:19Go!
00:49:20Oh, my God!
00:49:21Oh, my God!
00:49:22Oh, my God!
00:49:23Hello there.
00:49:24Do you lost yourself then, have you, my dear?
00:49:25You're a bit young for this game, aren't you?
00:49:27Look, them other old bags up there will have your hair off as they'll catch you on their
00:49:46feet.
00:49:47Let's have a look at you.
00:49:48Here, here, here, look.
00:49:49All right, well, I'm going to do it.
00:49:52Anna!
00:49:53Deary, when I started, it was a different kettle of fish.
00:49:56It was every girl for herself, like.
00:49:57None of this bloody business of having your own territory.
00:50:00Oh, and there was lovely houses in them days.
00:50:03All crystal and silk hangings and lovely gentlemen and lords to tip your guinea.
00:50:09Just for luck.
00:50:10Beautiful, it was.
00:50:12Anna?
00:50:18Come on, deary, come on.
00:50:23Anna.
00:50:24Now, it's all too regulated now, dear.
00:50:27What with the police on you and the price of gin, what it is.
00:50:31Well, and now even so-called nice ladies act.
00:50:34You can't tell the professionals from the amateurs.
00:50:37Just a minute.
00:50:39Oh, now, bloody key.
00:50:42Oh, there we are.
00:50:44Now, watch your step, dear.
00:50:47Yes.
00:50:48That's it.
00:50:55Oh, wait there, dear.
00:50:59Nice little thing she is.
00:51:04There.
00:51:05That's put some light on the subject.
00:51:08Now, a pretty young girl like yourself, you see, you've got to start out right.
00:51:13And the right way isn't by trapping up and down on some street what's already been solicited on.
00:51:20Now, I'll just take a little drop of this, dear.
00:51:25For me throat.
00:51:30Now, you see, that's what could have put all her mother girls in such a nasty temper.
00:51:35Don't you worry, dear.
00:51:37Long Liz is going to look after you.
00:51:40I'm looking for a girl, about so tall, wearing a cloak.
00:51:56Have you seen her?
00:51:57I've seen many ghost parties.
00:51:58Have you seen this one?
00:51:59Down by the Crown and Trumpy.
00:52:03Crown and Trumpy?
00:52:05Anna!
00:52:05If it's a real woman you want, sure.
00:52:08Now, even though the good days is gone for all of us, there's still good pickings to be made.
00:52:14Especially for the likes of you.
00:52:16At your age.
00:52:18Not quite a pretty little thing.
00:52:21Here.
00:52:22Stand up, my dear.
00:52:23Let's have a little look at you, then.
00:52:26Come on, then.
00:52:29Oh, well, you're a bit modest there for most gentlemen's tastes.
00:52:33But not to worry, they'll get plumper in time.
00:52:36And a few little tricks, I know.
00:52:38Oh, poor little thing.
00:52:40Shivering with a cold, then.
00:52:41It's a wonder you didn't freeze.
00:52:44Anna!
00:52:46Ah!
00:52:48Time you and I got off.
00:52:49Ah!
00:52:53I'm looking for a girl about so tall, wearing a cloak.
00:53:05Have you seen her?
00:53:05I'll pay you well if you hope.
00:53:07Yeah, that must be the new one.
00:53:09Yeah, we saw her all right.
00:53:10She remember us too, right, little grabber?
00:53:12I shouldn't have thought there was enough woman there for a man like you.
00:53:15Where is she?
00:53:16Where's that money in nature?
00:53:17Yeah, let's see that first.
00:53:19Please took her back to our play.
00:53:20Oh, yeah.
00:53:21Who's Liz?
00:53:22Where does she live?
00:53:23Liz likes the little girl.
00:53:24She does.
00:53:25Oh, she's good.
00:53:25Where does she live?
00:53:26Not so bloody hard.
00:53:28Take your hands off me.
00:53:29Don't squeeze the fruit unless you're buying it.
00:53:31You tell me where I can find this Liz, quickly.
00:53:33No, I need this to help.
00:53:35Oh!
00:53:45Oh!
00:53:45Anna?
00:54:06Anna?
00:54:08Anna?
00:54:08Anna?
00:54:09Oh, my God.
00:54:39Oh, my God.
00:55:09In sickness and in health.
00:55:21In sickness and in health.
00:55:22For better and for worse.
00:55:25For better and for worse.
00:55:26Till death us do part.
00:55:29Till death us do part.
00:55:31And even then I plight thee my troth.
00:55:34And even then I plight thee my troth.
00:55:37If anyone here assembled knows just cause why this couple should not be joined in holy wedlock, let him speak now or forever hold his peace.
00:55:46I think I know of one very just cause, sir.
00:55:51What?
00:55:52If you go any further, you'll have them properly married at their own rehearsal.
00:55:55Quite right, Doctor.
00:55:58Thank you for reminding me.
00:55:59It's true, you know.
00:56:00Once when I was a very young curate, I got so carried away with the sound of my own voice that I prematurely spliced the young couple.
00:56:07Right on the spot.
00:56:08When do we get to rehearse the kissing bit?
00:56:11I was just wondering the same thing.
00:56:13Now, Laura, I believe you'd like a little practice.
00:56:16Finding the register and making your way about.
00:56:19Yes, please.
00:56:20I think the rest of you must stand easy for a moment while we sort out the stroll to the vestry.
00:56:27Step up.
00:56:30That's it.
00:56:31Straight up.
00:56:37Why are you crying?
00:56:40Because it's all so beautiful.
00:56:43You look so lovely and happy.
00:56:46I don't know what I'll do at the real wedding.
00:56:48Come on.
00:57:06Dr. Pritchard, do you think that...
00:57:07Anna.
00:57:09I want you to think of me as a friend.
00:57:10I want you to trust me.
00:57:12Now, would it help if you were to call me John?
00:57:14Oh, no, sir. I couldn't.
00:57:15Well, I won't have you siring me all the time like the servants.
00:57:18And Dr. Pritchard sounds much too formal.
00:57:21Dr. John.
00:57:23Hmm. All right.
00:57:25You were going to ask me something.
00:57:26Yes, I was wondering.
00:57:28Even then, I plight thee my troth.
00:57:31Do you think we know each other in that other world, Dr. John?
00:57:35What do you mean?
00:57:36Well, at Mrs. Golding's sometimes.
00:57:38I know I was only pretending.
00:57:42But sometimes I seemed to get into their world.
00:57:45They were so mad.
00:57:48So full of hate.
00:57:51Unhappy.
00:57:53Last night...
00:57:55That was just a bad dream, Anna.
00:57:57I told you.
00:57:59A bad dream.
00:58:00No.
00:58:01No, I felt them coming to me so clearly.
00:58:03Now, Anna, listen.
00:58:05There are no such things as spirits.
00:58:07This is nonsense.
00:58:09I want you to meet a certain lady.
00:58:11Is she a doctor too?
00:58:13No, she's not a doctor.
00:58:15Trust me.
00:58:18Anna.
00:58:20Anna.
00:58:23Trust me.
00:58:24She's not a doctor.
00:58:54A gentleman and a young lady to see you, madame.
00:58:56He gave no name.
00:58:57Ask them to come in, please, Maude. They are expected.
00:59:12Do come in.
00:59:16And be seated.
00:59:20This is Miss Anna.
00:59:22Hello, my dear. Sit here, won't you?
00:59:28What a very pretty dress you have on.
00:59:30Thank you, ma'am.
00:59:32I hear from a mutual friend that you have lost your past.
00:59:35It's facts I need, madame.
00:59:37I can only tell you what I see.
00:59:39What the spirits tell and what the crystal ball reveals.
00:59:42Sir, I do not really understand the process myself.
00:59:46But I use no apparatus as such unless I can call myself apparatus.
00:59:50No crystal ball.
00:59:52Not even tea leaves.
00:59:54Sorry if I disappoint you.
00:59:56Shall I proceed?
00:59:58What a very pretty little face you have, my dear.
01:00:02Don't be alarmed.
01:00:04Nothing I do will harm you.
01:00:06I've often helped people to find their past.
01:00:10And sometimes it can be such a very pleasant experience.
01:00:14There is a violence in this girl.
01:00:16I felt it there.
01:00:18Something quite sudden.
01:00:19It's still there now.
01:00:20Something horribly violent.
01:00:22Something to do with someone close to her.
01:00:26I see a room.
01:00:27Firelight.
01:00:28A red carpet.
01:00:29A bed and a child.
01:00:30A little girl is in the bed.
01:00:31There is a woman, her mother.
01:00:32And a man, her father.
01:00:33Yes.
01:00:34Her father.
01:00:35Yes.
01:00:36Her father.
01:00:37He's well dressed.
01:00:38Well spoken.
01:00:39A nobleman.
01:00:40His clothes are years ago.
01:00:42There's blood on his clothes.
01:00:43He is a man who murders.
01:00:44The little girl.
01:00:45It is Anna.
01:00:46She's alone.
01:00:47And a woman, her mother.
01:00:48And a man, her father.
01:00:49And a man, her father.
01:00:50Yes.
01:00:51Her father.
01:00:52He's well dressed.
01:00:53Well spoken.
01:00:54A nobleman.
01:00:55His clothes are years ago.
01:00:58There's blood on his clothes.
01:01:03He is a man who murders.
01:01:06The little girl.
01:01:08It is Anna.
01:01:11She's alone.
01:01:12There is a woman on the floor.
01:01:14Lying there still.
01:01:15Blood.
01:01:18The man has murdered the mother of his child.
01:01:27And that child, that child is Anna.
01:01:33Who is this man?
01:01:36Burner Street.
01:01:37Burner Street.
01:01:38Burner Street.
01:01:39Why?
01:01:40It's...
01:01:41Oh, my God.
01:01:42He's the Ripper.
01:01:43Who was it?
01:01:44Who was this man?
01:01:45I must know.
01:01:46I can't tell you.
01:01:58But I warn you.
01:02:02was this man? I must know. I can't tell you. But I warn you, the violence of that man is
01:02:17still in this girl. She is what I would call possessed. Poor child. There, there. It's
01:02:33all right now. Don't be frightened. You're all right now. Poor child.
01:02:40Anna. It's time for us to go. Madam. Anna. Anna. Why? Why?
01:03:10Who are you about to know? Who are you about to know?
01:03:24Why are you about to know me, Sir? Dinaaaa'
01:03:32Giddy-up.
01:04:00What the hell do you want?
01:04:01What did Madame Bullard have to say about her?
01:04:04Nothing.
01:04:05But a mumbo-jumbo about Jack the Ripper being her father.
01:04:08Out of nonsense.
01:04:08I knew it.
01:04:09He's been dead for 15 years.
01:04:11It explains it.
01:04:11It explains nothing.
01:04:13If it was a fact, maybe, but it's not a fact.
01:04:15If Madame Bullard said it...
01:04:16Madame Bullard is a fake.
01:04:18Dysart, I'm beginning to make progress with the girl.
01:04:20I'm discovering the causes of her actions.
01:04:22I'm going to cure her.
01:04:23You can't cure Jack the Ripper, and that's who she is.
01:04:26Listen to me, Dysart.
01:04:30Listen to me.
01:04:30Let me show you what I've discovered.
01:04:36Come, Adam.
01:04:37Now, lie down, Adam.
01:04:50Now, you're feeling very tired, Anna.
01:05:01I'm going to be sleeping.
01:05:03I'm going to be sleeping.
01:05:03Sleep.
01:05:03Sleep.
01:05:06Sleep.
01:05:09Sleep.
01:05:11Sleep.
01:05:11her condition is induced by nothing more than a flickering light
01:05:24you remember where all this began she used to hide behind a grill at mrs golding's
01:05:30the light from the fire flickering through the grill set up a conditioning which she
01:05:35associated with the spirit world nonsense and the part she acted she's an emotional and sensitive
01:05:41girl in reaction against the terrors inflicted by mrs golding and the world she grew up in
01:05:45her mind went into revolt it sought every opportunity available to forget to escape
01:05:52into a safer world where no one could intrude or inflict pain or lust while the light flickered
01:06:05anna felt safe she felt needed and useful so in other moments of stress her mind seized on
01:06:12any similar pattern in order to escape you may be right but she's a murderer and a murderer's
01:06:19daughter you can't escape that and murder has to be punished please just let me prove my theory
01:06:26anna anna i want you to open your eyes and look at something
01:06:42can you see it anna yes i remember i thought it was lost now look at it again anna
01:07:01anna thank you anna i want you to close your eyes and sleep again rest anna rest you're very tired
01:07:26it's perfectly safe in that state i believe the girl is suffering from a disorder how can a murderer
01:07:38be safe what sets her off why did she kill tell me that as yet i haven't discovered what it is that
01:07:44triggers off her violent state but when i find that but don't you see i'm on the way to a discovery
01:07:49that could change a whole conception of crime and punishment yes all very interesting i'm sure
01:07:55but it doesn't solve the problem which i believe to be still one of morality the girl has brutally
01:08:01murdered a woman possibly more who knows and here she is unpunished unpunished is that all you
01:08:05can think of here i am on the brink of finding out why she has to kill and all you can think of is
01:08:10revenge i can cure her the only cure for her trouble in my opinion is the length of good stout
01:08:16rope about her neck it was always the answer and it always will be i must have been mad to listen
01:08:20to you in the first place fear has made me neglect my duty
01:08:23and i think pritchard any revised testimony you give about seeing me at the goldings that night
01:08:33would be a waste of your breath once it's out you're harboring a murderer
01:08:37as a public servant i intend to expose this menace good day to you sir
01:08:45i have no idea
01:08:53i have no idea
01:09:09i failed i failed i failed you and i failed myself
01:09:21i failed you and i failed myself
01:09:35hello
01:09:37yes
01:09:39hello
01:09:41hello
01:09:43hello
01:09:45hello
01:09:47hello
01:09:49hello
01:09:49huh
01:09:50hello
01:09:51Oh!
01:10:02Oh, no!
01:10:04the alterations to the dress will take hours i can't possibly go with you well we'll go alone
01:10:24go alone you can't be seen out together two days before your wedding unchaperoned
01:10:31ah there's your solution and where are you off to alone anna you're just in time to save not only
01:10:37our reputation in society but honor as well now don't get too tired miss laura and you see she
01:10:44doesn't mr michael don't you worry mrs brian she'll be all right goodbye
01:10:48bye
01:11:00Oh, my God.
01:11:30Oh, my God.
01:12:00Oh, my God.
01:12:30Are you ready, Doctor?
01:13:00Take the stairs on the left for the Whispering Gallery, madam.
01:13:25Do you know there are 258 steps up here?
01:13:33My father used to bring me here when I was a little girl, and I used to so look forward
01:13:37to it.
01:13:37He'd sit on one side, about a hundred feet away from me, and I'd sit on the other side.
01:13:42And then he'd whisper a line of poetry, and I'd whisper the next one if I knew him.
01:13:47And in that way, I learned to speak poetry before I could even read.
01:13:51Anna, give me your hand.
01:14:01I'm longing for you to see this.
01:14:04It's really beautiful.
01:14:05Well, we shall be just under the dome when we reach the top.
01:14:15Here, sir.
01:14:17You all right, sir?
01:14:19Browning, get Mr. Michael quickly.
01:14:20Right away, sir.
01:14:21Anna, Laura, where are they?
01:14:33St. Paul's.
01:14:33The Whispering Gallery.
01:14:34Get in.
01:14:35We must get there quickly.
01:14:37What's the matter?
01:14:38St. Paul's, quickly.
01:14:39Get off.
01:14:39Oh, I'm exhausted after all those stares.
01:14:55Anna, why don't I go over to the rail?
01:14:58Look down.
01:15:04I knew you'd like it.
01:15:06Now, I want you to go over to the other side and sit down and listen to what I'm going
01:15:10to whisper to you.
01:15:12Go on, Anna.
01:15:12Anna.
01:15:36Are you there yet, Anna?
01:15:45Anna?
01:15:48Are you there yet, Anna?
01:15:50Anna?
01:15:53Are you there yet?
01:15:56Anna?
01:15:58Anna?
01:15:59Dr. John, help me.
01:16:00In her trance, any kiss would bring back the horror of the last image of her father.
01:16:16Then, he would possess her.
01:16:21He would make her kill.
01:16:25I was wrong.
01:16:27I made a terrible mistake.
01:16:30We must get to Laura before anything happens.
01:16:34Anna, what are you saying?
01:16:34I can't hear you clearly.
01:16:37Anna, what are you saying?
01:16:38I can't hear you clearly.
01:16:40We finished off, my dear.
01:16:44Dr. John?
01:16:46He's dead and gone.
01:16:49Along with all the others.
01:16:52Anna, is there someone with you?
01:16:56Anna, is there someone with you?
01:16:58Who helped me?
01:16:59The dead can't help, Anna.
01:17:03Neither can the living.
01:17:07Help me!
01:17:08Help me!
01:17:21Anna, what's the matter?
01:17:23Anna, what's the matter?
01:17:24The dead can't help, Anna.
01:17:29It's perfectly safe.
01:17:30You can't fall.
01:17:33You stay there.
01:17:35I'm coming round to you.
01:17:37Now, don't be frightened.
01:17:40I have two young ladies just gone up.
01:17:42A little while back.
01:17:42Yes, sir.
01:17:44Go ahead, Michael.
01:17:44I can't make it.
01:17:45It's a bit late now, sir.
01:17:47We're about to close.
01:17:48I'm coming, Anna.
01:17:55Anna?
01:17:55Anna?
01:18:08Anna?
01:18:08Anna?
01:18:10Anna, where are you?
01:18:12Anna?
01:18:12They were not all dreams.
01:18:20Not all dreams.
01:18:23What are dreams?
01:18:25And what's real, Anna?
01:18:27I've never known.
01:18:29What's it matter?
01:18:31They were not all dreams.
01:18:35Dr. John.
01:18:36Oh, Dr. John, help me.
01:18:51Anna!
01:18:58Laura!
01:18:59Anna, dear.
01:19:06Whatever is the matter?
01:19:07You're trembling like a leaf.
01:19:09Oh, don't be frightened.
01:19:11Just don't look down.
01:19:13Hold on to me, and I'll lead you back.
01:19:19Laura!
01:19:25Anna?
01:19:25Who is darkness to be meeting, Laura?
01:19:29Your darkness, or mine?
01:19:35Anna!
01:19:37Come to me!
01:19:43Anna!
01:19:45Come to me!
01:19:47Anna!
01:19:49Come to me!
01:19:52Come to me!
01:19:55Laura, it's all right.
01:19:57It's all right, Laura.
01:19:59Come to me!
01:20:01Come to me!
01:20:01Come to me!
01:20:03Come to me!
01:20:04Dr. John!
01:20:06ORCHESTRA PLAYS
01:20:36ORCHESTRA PLAYS
01:21:06ORCHESTRA PLAYS
01:21:36ORCHESTRA PLAYS
01:21:38ORCHESTRA PLAYS
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