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Short filmTranscript
00:00:00Oh
00:00:19Hey, baby, tell me who do you love more me or Vanessa?
00:00:25I love you, amor. There she is. There she is.
00:00:30Ever since she got her, there's one of the scars.
00:00:36Are you only with that, love?
00:00:55Please, don't stop on my account. I've never filmed a porno, especially not one starring my own boyfriend and sister.
00:01:12All right, give me the camera. Come on now, delete that shit.
00:01:18Why? You always said you wanted fame. This will make you go super viral.
00:01:24Vanessa, fame's the company's top model. If this gets out, we're all finished.
00:01:30Dad's never gonna forgive you. Now give me that damn camera!
00:01:34Fine.
00:01:39Wise. Wise. Because you know what? Shooting sexually explicit content of your boyfriend and your sister, that's probably gonna damage your career a lot more than a real ass.
00:01:54Oh!
00:02:00Vanessa!
00:02:02Oh!
00:02:04Well, Blaine, you got what you wanted.
00:02:07It's over!
00:02:08Look out, you were the one who turned Blaine from nothing to a top model.
00:02:22And now he's messing about with Abby? I don't get how he could do that to you.
00:02:25Doesn't matter. We've already separated him.
00:02:29It's because you've not been with enough guys.
00:02:32I've got the perfect stripper lined up for you.
00:02:38He's a real wizard in the bedroom.
00:02:48This.
00:02:50Adam.
00:02:51Just hang tight.
00:02:52He'll be issue.
00:02:56Speaking of, Dad looks like the guy I booked.
00:02:59So just wait for Adam.
00:03:01He'll be wearing the suit and tie.
00:03:04He's gonna blow your mind.
00:03:07Cassidy, I work with the most beautiful people in the world.
00:03:11It takes a true stunner to impress me.
00:03:13You can keep him.
00:03:14Mr. Todd, there's still no updates on the woman with the scar on her arm.
00:03:31You're running out of leaves.
00:03:35Look, just expand the search radius.
00:03:37Okay, I need to find her.
00:03:38Now.
00:03:42You're late.
00:03:43That's not very professional.
00:03:45Yeah, excuse me. I'm in a rush.
00:03:46You shouldn't be so rude to your customers.
00:03:48Look, I'm losing my patience.
00:03:54It's, it's you.
00:03:56Yes.
00:03:58It's me.
00:04:00So.
00:04:02Are we fucking here?
00:04:03Or do you want to go to Adam?
00:04:08Finally.
00:04:09I found you.
00:04:10I found you.
00:04:12I'm in a rush.
00:04:14I'm in a rush.
00:04:15Oh.
00:04:16What's your name?
00:04:33Does it matter?
00:04:35Fine.
00:04:37I'm divisive.
00:04:38I don't know.
00:04:40I don't know.
00:04:41I don't know.
00:04:46I don't know.
00:05:16Oh, my God.
00:05:32Are you okay?
00:05:34Can you get up?
00:05:35I don't want to stay with me.
00:05:42Okay.
00:05:43Come on.
00:05:46I'll get you out of here.
00:05:56From now on, I'll look out for you.
00:06:04Morning.
00:06:06Morning.
00:06:11Does it bother you?
00:06:13No, not at all.
00:06:16It's a symbol of your bravery.
00:06:18Well, you certainly know how to charm a woman.
00:06:21And please, babe.
00:06:31Last night was dumb.
00:06:33It was really good.
00:06:34Here's a little something for you.
00:06:42I don't want your money.
00:06:44Why?
00:06:44No.
00:06:45Keep it.
00:06:46You earned it.
00:06:50Wait a minute.
00:06:53You don't remember me?
00:06:57You don't remember me?
00:06:59I'm the one.
00:07:02Sorry.
00:07:03One second.
00:07:06Yeah?
00:07:07What's up?
00:07:07Vanessa, bad news.
00:07:09Blaine's throwing a tantrum about the shoot.
00:07:11What should I do?
00:07:12Um, okay.
00:07:14Calm down.
00:07:15I'm on my way.
00:07:17Shit.
00:07:18This is for the Todd group shoot.
00:07:19If this goes sideways,
00:07:21that nightmare Mr. Todd is going to be on my case again.
00:07:23Me?
00:07:25A nightmare?
00:07:26Wait, um...
00:07:27Thank you for last night.
00:07:30I will...
00:07:31See you, I guess.
00:07:45Nanny, yeah.
00:07:46Alright.
00:07:47Find out which studio Vanessa's at, okay?
00:07:49Okay?
00:07:53Vanessa.
00:08:00Thank goodness.
00:08:01Blaine is flipping out.
00:08:02He's saying his arm is broken.
00:08:04I'm sure you know how to handle that spoiled brat.
00:08:07Yeah, I handle that.
00:08:09Blaine, are you seriously going to throw away this deal?
00:08:13It's not like I want to.
00:08:15You broke my arm.
00:08:17Can you tell me how I'm meant to shoot
00:08:20if I can't even strike the pose?
00:08:24If you said I broke your brain,
00:08:26I'd believe you.
00:08:27What's that got to do with your arm, though?
00:08:29Give it a rest, will you, love?
00:08:31How's this?
00:08:32If you publicly apologize to me?
00:08:38Not happening.
00:08:40It's on you, remember?
00:08:41Today's the last day for shooting.
00:08:43If you can't pull this off,
00:08:44can you really deal with the Todd group's wrath?
00:08:49Today's the last day for shooting.
00:08:50If you can't pull this off,
00:08:51can you really deal with the Todd group's wrath?
00:08:54Vanessa, if we lose the Todd group's decline,
00:08:56our copy's in serious trouble.
00:08:59There must be some other models available.
00:09:01I reached out.
00:09:02All the top models are booked today.
00:09:05Christ, fine.
00:09:06I'll apologize.
00:09:08Blaine, I'm so sorry.
00:09:09Can you come back for the shoot?
00:09:11Oh, you know, I would really like to,
00:09:13but there's one little stipulation.
00:09:15I'll be here.
00:09:17It's got to be behind.
00:09:19Can that?
00:09:21Habby is an amateur photographer.
00:09:23She's not ready for the Todd group.
00:09:25Blaine and I ran over all the details last night.
00:09:28The Todd group are going to love it.
00:09:29So you two are just here to cause trouble?
00:09:35As if you haven't messed me about enough already?
00:09:37Since this shoot is a bust,
00:09:49I might as well take the heat.
00:09:51So your arm's broken?
00:09:53Yeah.
00:09:54You can't move it?
00:09:54No.
00:09:55Oh, it looks like it's working perfectly fine.
00:10:06It's you.
00:10:10You know what?
00:10:11I'm not doing the shoot period.
00:10:13Do you know why?
00:10:15Because I want to see how you clean up this little mess.
00:10:22If you won't shoot, Blaine,
00:10:24I'll find someone who will.
00:10:29If you won't shoot, Blaine,
00:10:31I'll find someone who will.
00:10:34Or are you going to find a new model in, like, two seconds?
00:10:45Guess what?
00:10:47Here's my new model.
00:10:49Wait, what, me?
00:10:50Ha!
00:10:53I'll pay double the standard, Blaine.
00:10:55Just help me out, I'm desperate.
00:10:59Yeah, okay.
00:11:00All right.
00:11:01Awesome.
00:11:02You're going to be great.
00:11:03You two can scram now.
00:11:05You really think you can just snatch somewhere off the street to replace Blaine?
00:11:09Modeling isn't just about looking pretty.
00:11:11He might freeze up and make a fool of himself in front of the camera.
00:11:15Vanessa, he might have the looks, but he's got no experience.
00:11:19This flops, we might lose the Todd group as a client.
00:11:21I wouldn't be where I am now if I didn't take a few risks.
00:11:33Let's start with this.
00:11:35Keep his makeup natural.
00:11:37Highlight his features and contours.
00:11:40Let's make him glow.
00:11:41Go, Blaine.
00:11:42He's sticking forever.
00:11:48Why isn't he out yet?
00:11:49He's probably pissing his pants.
00:11:51He's not a star.
00:11:52Unlike Blaine.
00:11:54So, I am a star.
00:11:56And I'm very, very sexy.
00:11:59And I just don't believe it's some random nobody off the street keeping them close tonight.
00:12:05No?
00:12:06Yeah, of course.
00:12:07Of course.
00:12:12Damn.
00:12:41Damn.
00:12:42He's gorgeous.
00:12:43It's not just his face.
00:12:45His whole wide screen is a top model.
00:12:47He could steal anyone's spotlight.
00:12:49Oh, for fuck's sake.
00:12:51Anyone can look good with a bit of makeup and a blazer with no shirt.
00:12:56Come on.
00:12:56I want to see.
00:12:57I want to see how he crashes and burns when the lights start flashing.
00:13:03That's what I want to see.
00:13:08Better than I expected.
00:13:09It's okay to be a little nervous before your first shoot, but I'm here.
00:13:16Just trust me.
00:13:18You're going to be great.
00:13:19I want to see.
00:13:20I want to see how you're going to be.
00:13:21Okay.
00:13:21Light.
00:13:22Let's shoot.
00:13:25Yeah.
00:13:26Okay.
00:13:27Okay.
00:13:28That's so good.
00:13:31For real.
00:13:32It's so good.
00:13:34Open up your shirt a little bit.
00:13:37Yeah.
00:13:37Yeah.
00:13:38Wow.
00:13:39Can you pick up the magazine and have a look through there?
00:13:42Yeah, you're a hot model. You're so good.
00:13:47Okay, that's it. Joyce, let's get his next look ready.
00:13:58This is the L.A. premium brand shoot, Blaine.
00:14:02I swear to taking you to the next level.
00:14:04It's too bad. You're such a whiny little bitch.
00:14:06You both messed up. Big time.
00:14:29Oh, I can't believe that this shoot has just landed on this random gobshine slap.
00:14:35Could you do something about it?
00:14:38Chill. I'm working on it.
00:14:40No way, he's new. Look at him go.
00:14:43His outfit is practically perfect. It's, like, made for him.
00:14:47It's going to sell out in no time.
00:14:49I used to put Blaine on pedestal, but he's nowhere near it now.
00:14:51Exactly. He was the company's top guy, but now he's got outshone by a newbie.
00:14:55Wow, babe, you've crushed it.
00:15:00These shots are turning out better than anyone would have expected.
00:15:05Sure you're not thinking of ditching your job, Mom?
00:15:07Hey, look, I'm just glad I didn't screw it up.
00:15:11I was actually wondering, are you free tonight?
00:15:14I was thinking we could go on, like, an actual...
00:15:16Ah, is this yours? Your phone's been going off.
00:15:19Oh, I think.
00:15:27Six-pack strippers.
00:15:30Guess we know how he pays his bills.
00:15:33Dude's a stripper.
00:15:37A cheap one, too.
00:15:38He's got that serious look, but he's in that line of work.
00:15:45Vanessa's pretty cozy with that male stripper.
00:15:49Could she be his regular?
00:15:51Who knew she would be living that kind of life behind the scenes?
00:15:59You have no shame.
00:16:02And I thought you were a professional bringing a stripper to work.
00:16:05Nothing short of fucking embarrassing, love.
00:16:12Don't show me about professionalism, Blaine.
00:16:15Oh, it concerns him now.
00:16:18When the talk group finds out you've used a stripper for their campaign,
00:16:23think they'll be cool with that?
00:16:26Is the chute still not wrapped?
00:16:28Why are you guys dragging your feet?
00:16:30Mr. Dale, the chute's gone.
00:16:32The photographer insisted on using a stripper as their model.
00:16:35This could really hurt the talk group's image.
00:16:39What?
00:16:41A stripper.
00:16:44Who's the photographer?
00:16:46Where's this guy?
00:16:47Bring him here.
00:16:49That's them.
00:16:51Look, it has nothing to do with him.
00:16:53It's all on me.
00:16:56No one messes with the talk group and walks away with it.
00:16:59Let's see what the stripper is.
00:17:01Mr. Todd.
00:17:08Mr. Todd.
00:17:10You didn't tell me you were coming in tonight.
00:17:13The hell?
00:17:14Why did he just call you Mr. Todd?
00:17:16No, no, no.
00:17:17You've misheard him.
00:17:19She mentioned hating Mr. Todd before.
00:17:21If she figures out who I really am,
00:17:23she won't come near me at all.
00:17:24What he meant to say was
00:17:26Mr. Todd doesn't judge people on their occupations, right?
00:17:31Exactly.
00:17:36This guy's got it all.
00:17:37He perfectly embodies the brand's executive file.
00:17:41I'm sure Mr. Todd will be delighted with this one here.
00:17:51Lawrence, you have an eye for talent.
00:17:53I'll show you the shots.
00:17:54He absolutely nails his outfit.
00:17:56How could he not?
00:17:58The brand is perfectly made for the...
00:18:00Mr. Lawrence,
00:18:05by the way,
00:18:06I was the original model,
00:18:08and if this shoot hadn't been done with me,
00:18:10if I was given a chance,
00:18:11it would have been a lot fucking better.
00:18:15Exactly.
00:18:17Blaine's a pro.
00:18:18He's light years ahead of these amateurs.
00:18:21Aren't you the ones who turned it down?
00:18:23Let me at the backtrack now.
00:18:25But if you guys can't show some respect,
00:18:30what's the point being a pro?
00:18:33You're messing up the shoot.
00:18:35What?
00:18:35Both of you,
00:18:37get out.
00:18:38Lawrence,
00:18:39I'm Abby Clark.
00:18:39Get them out.
00:18:40Just listen.
00:18:42You're a man.
00:18:43Take them.
00:18:52Mr. Dale,
00:18:53you should take a look at these photos.
00:18:54No need.
00:18:56I was just stopping by to take a quick look.
00:18:58I'll let you get back to it.
00:19:02Why are the Todd group reps being so nice all of a sudden?
00:19:06Are they usually that bad?
00:19:08You have no idea how picky Mr. Todd is.
00:19:12He is a total perfectionist,
00:19:15moody,
00:19:16just asshole.
00:19:18Okay,
00:19:18there was one time,
00:19:19everything was arranged on set,
00:19:21but he nitpicked every single tiny detail.
00:19:24He had me pulling all nighters.
00:19:26At one time,
00:19:26he fired someone.
00:19:29Just randomly,
00:19:30out of the blue,
00:19:30because he was in a bad mood.
00:19:32So yeah,
00:19:32I don't like him at all.
00:19:34He's a jerk.
00:19:35I swear to God,
00:19:36if I ever meet him,
00:19:38I'm going to give him a piece of my mind.
00:19:39Maybe it was a misunderstanding?
00:19:43You've never met this Todd,
00:19:45and you're seeing these things?
00:19:48Yeah,
00:19:48don't bring him up again.
00:19:50She's got the wrong impression here.
00:19:52I need to fix this.
00:19:54These shots are amazing.
00:19:56Have you ever thought about ditching your job from huddling?
00:20:00Ditching my job?
00:20:01Well,
00:20:01yeah,
00:20:02you can't be a stripper forever,
00:20:03right?
00:20:04What?
00:20:04No,
00:20:05no,
00:20:05Vanessa,
00:20:06I am not a stripper.
00:20:07Luke,
00:20:07come on.
00:20:08You've got the look,
00:20:09you've got the charm,
00:20:11you kill it in front of the camera.
00:20:14I'll sign you up.
00:20:15Whatever deal you want.
00:20:17Really?
00:20:19Whatever deal I want.
00:20:29So,
00:20:30this is it?
00:20:32Are you sure you're cool with staying here?
00:20:35Um,
00:20:36yeah,
00:20:37not really feeling it.
00:20:38You got any other options?
00:20:40Nope.
00:20:42Master bedroom's off limits,
00:20:43obviously.
00:20:45This place isn't a mansion.
00:20:47I don't know why you insist on staying here.
00:20:49Well,
00:20:50I switched jobs for you.
00:20:51I don't have anywhere to go.
00:20:52Come on,
00:20:53I'll have my back here.
00:20:57All right,
00:20:58look,
00:20:59if I'm being honest,
00:21:00I'd, uh,
00:21:02rather stay with you.
00:21:04Stop.
00:21:06I'm your boss now.
00:21:08You gave me a roof.
00:21:10All right,
00:21:10I'll pay it back.
00:21:12Yeah,
00:21:12well,
00:21:12you're not a stripper anymore,
00:21:14so you can't stop with that life.
00:21:16All right.
00:21:17Just get some rest,
00:21:18okay?
00:21:19We have somewhere to be tomorrow.
00:21:21Where are we going?
00:21:22We'll find out when we get there.
00:21:23Mr. Todd,
00:21:34Ms. Clark sent over the L.A.'s final promo shots.
00:21:37Want to take a look?
00:21:38I have to admit,
00:21:39you've got a knack for this modeling thing, sir.
00:21:41Photos turned out amazing.
00:21:43No,
00:21:43no,
00:21:44no,
00:21:44listen,
00:21:44just,
00:21:44just,
00:21:44just get someone else to redo the shoot,
00:21:46okay?
00:21:47What about Ms. Clark?
00:21:48I don't know.
00:21:49Tell her that the brand postponed the campaign or something.
00:21:52But look,
00:21:52these photos cannot leak,
00:21:54okay?
00:21:55If they do,
00:21:56people might figure out who I really am.
00:21:57What?
00:21:59Figure out what?
00:22:04Um,
00:22:05my,
00:22:05my secret side job,
00:22:06yeah.
00:22:09Um,
00:22:09I'm worried that it might cause you some problems.
00:22:14Uh,
00:22:14why did Jim come back?
00:22:17Read your mind?
00:22:19Want to stay another night with me?
00:22:22Sweet dreams.
00:22:27All right,
00:22:33what's going on?
00:22:34Why are we here?
00:22:35Clothes.
00:22:35Duh.
00:22:36You're my new model.
00:22:38I need you to look sharp.
00:22:40Welcome.
00:22:41Hi.
00:22:42These two.
00:22:43Okay,
00:22:43we need these ASAP.
00:22:45Why can't?
00:22:46Absolutely.
00:22:47Um,
00:22:48just a sec.
00:22:51Wait,
00:22:52wait,
00:22:52wait.
00:22:53Hold on.
00:22:55I want to buy those outfits.
00:22:57Mr. White,
00:22:58what brings you here?
00:22:59I'm afraid we'll have to prioritise Mr. White's order.
00:23:05Yours will have to wait.
00:23:07But we ordered first.
00:23:08Isn't it first come first serve?
00:23:11In this world,
00:23:13please.
00:23:14Lane's at the top.
00:23:17So yeah,
00:23:18he comes first.
00:23:19so you're waiting or not.
00:23:29Is this how you treat your customers?
00:23:32Yeah,
00:23:32I'd like to talk to your manager.
00:23:33Manager's tied up.
00:23:35If you insist on causing trouble,
00:23:36I'll have security to show you out.
00:23:38What seems to be the problem?
00:23:56It's them.
00:23:57They're trying to mess up Mr. White's order.
00:24:02Mr.
00:24:02You start talking now.
00:24:06Of course.
00:24:11You're done.
00:24:14Fired.
00:24:15Now get out.
00:24:22I am so sorry about all this.
00:24:25We'll get your order process right away
00:24:27and throw in
00:24:28an 100% discount for your trouble.
00:24:30How does that sound?
00:24:39What a load of shit!
00:24:43That's mad!
00:24:44These are no name,
00:24:45no fame,
00:24:46and you're treating them like this?
00:24:47How we run this place
00:24:48is not your concern.
00:24:50From now on,
00:24:51the two of you
00:24:52are blacklisted.
00:24:53Don't expect
00:24:56any future collaborations
00:24:58with us.
00:25:03Thanks.
00:25:16What a day, huh?
00:25:17Yeah.
00:25:18Abby and Blaine
00:25:18were practically glowing with envy.
00:25:20You've got my back,
00:25:21but are you not
00:25:22worried about pissing off the brand?
00:25:24No.
00:25:24No?
00:25:25No, not at all.
00:25:26No, there's plenty of other
00:25:27luxury brands out there.
00:25:41What are you looking at?
00:25:42I'm just
00:25:43looking at you.
00:25:44I feel the weight
00:25:47behind my eyes
00:25:50things
00:25:53towards
00:25:54the color
00:25:55that lies within
00:25:57I've been waiting
00:26:01I've been waiting
00:26:05It's late.
00:26:09We have work for now.
00:26:11We should get some rest.
00:26:12We should get some rest.
00:26:13Good morning.
00:26:25Thought you might want to start
00:26:26your day right.
00:26:27Get a grip, Vanessa.
00:26:40He's your model now.
00:26:42Now it's some wild fling.
00:26:46Morning.
00:26:49So, you made all this?
00:26:51I thought you might be hungry.
00:26:55Try it.
00:27:06Hmm.
00:27:07Yeah?
00:27:08Yeah, it's better than I expected.
00:27:12Wow, confident.
00:27:14Yeah, don't get used to it.
00:27:15You try it.
00:27:22Really?
00:27:24Is that what it's going to be like
00:27:26having you in my house?
00:27:28No, thank you.
00:27:37Morning, everyone.
00:27:38Morning, Vanessa.
00:27:40Wait a sec.
00:27:41Isn't that the same guy you brought in
00:27:42a few days ago?
00:27:45Yeah, he's my new mom.
00:27:46Hey, guys.
00:27:47I'm Jason.
00:27:48I look forward to working with you all.
00:27:51I thought you said your name was Carol.
00:27:55I said you.
00:27:56So, you two arrived together.
00:27:59Well, are you living together, man?
00:28:01Joy, seriously.
00:28:02Let's just get this done.
00:28:04Okay, are the cameras ready?
00:28:06She really signed that cool boy
00:28:08into the company.
00:28:09Just wait.
00:28:10This is going to be fun to watch.
00:28:12Vanessa, over here, now.
00:28:21All right, everyone.
00:28:23Take five.
00:28:29It's one thing messing around
00:28:31in your personal life,
00:28:32but bringing a stripper
00:28:33into the company.
00:28:37You ready to deal with the fallout
00:28:39if this backfires?
00:28:40Dad, I didn't pull this out of thin air.
00:28:43Jason is talented.
00:28:44Talented?
00:28:46He's playing you with smooth talk.
00:28:50I've let you run things your way,
00:28:52but hiring him,
00:28:53that's where I draw the line.
00:28:56You need to fire him now.
00:28:58I'm not going to fire him.
00:28:59I promise he's really talented.
00:29:05Just look at him.
00:29:07You're really going to take sides
00:29:09against your father.
00:29:10Sis, Dad's only trying to protect
00:29:12the company's reputation.
00:29:13Just do what's right.
00:29:16And let him go.
00:29:18Abby, stay out of this.
00:29:19It's none of your business.
00:29:20Sis.
00:29:20Dad, can you please just trust me for once?
00:29:26I've been pulling in projects first for years.
00:29:28Dad, when another client,
00:29:30Vertex Group,
00:29:30finds out you've let her use
00:29:32a stripper for the shoot,
00:29:33they're going to flip.
00:29:34Abby's got a point.
00:29:36Either he goes,
00:29:38or Abby and Blaine take over.
00:29:40Your choice.
00:29:41I appreciate it, Dad.
00:29:51I've always let the Vertex Group shoot.
00:29:54And you're just going to let Abby take it,
00:29:56just like that?
00:29:58You took it for granted, Vanessa.
00:30:00Don't blame Abby.
00:30:02Abby, if you think you can steal this shoot from me,
00:30:04you better know how to handle it.
00:30:08You know what, actually?
00:30:09Let's make this interesting.
00:30:11Let's split into teams.
00:30:14If the Vertex manager choose the winner,
00:30:16and you want a competition,
00:30:17fine by me.
00:30:19Just don't pry if you lose.
00:30:21What would I be losing?
00:30:23Your model's an amateur.
00:30:25And him's going to run circles around him.
00:30:28We'll see.
00:30:30Hey, you good?
00:30:32Yeah, I'm fine.
00:30:35All right, listen.
00:30:36The Vertex shoots in three days.
00:30:38You got a plan yet?
00:30:40No, not yet.
00:30:41All right, well,
00:30:44Vertex is all about the bold jewelry design, right?
00:30:48So,
00:30:49why don't we work with that?
00:30:51Like this.
00:30:52Oh, yeah, that's it.
00:30:57What is the idea around the Eternal Night Rose?
00:31:01You know, dark, edgy.
00:31:05Allison can pull off some really killer outfits.
00:31:07Eternal Night Rose?
00:31:10It sounds cool, but will I look right in that?
00:31:13Are you kidding?
00:31:14Black is your vibe.
00:31:16Look, this is going to be great.
00:31:18Can you just please trust me?
00:31:22Dark theme, huh?
00:31:24Nice move, Vanessa.
00:31:25But I'm still going to outshine you.
00:31:27Still forcing that shipper to be a model, huh?
00:31:40This is getting embarrassing.
00:31:43Maybe you'll worry about yourself for months.
00:31:45I can't wait to see you crash and burn today.
00:31:58Hi.
00:31:59I'm Abby Clark,
00:32:00the lead photographer for this project.
00:32:02Vanessa Clark.
00:32:04Good to see you, everyone.
00:32:05At Vertex,
00:32:06we only care about results.
00:32:07I trust both of you will deliver.
00:32:19My shoot is the Spybyte Vertex's latest feature,
00:32:23Eternal Night Rose,
00:32:26centered around the themes
00:32:27of darkness and the duality of man.
00:32:30This works for me.
00:32:38Definitely fits the brand.
00:32:44This is stunning.
00:32:47I'm already seeing the partnership potential.
00:32:58All of these, sis.
00:33:00Did we both go for the same thing?
00:33:12Well, what do you know?
00:33:14We both also went for the Eternal Night Rose theme.
00:33:18Luke, are you serious?
00:33:20You copied me.
00:33:22But I decided to take it a step further.
00:33:26I've gone for a more gothic theme,
00:33:28creating a real sensual beauty.
00:33:30Darker, more sensual.
00:33:35I know our customers are going to love this.
00:33:42These are absolutely incredible.
00:33:46The detail, the mood, it's...
00:33:50It's all perfect.
00:33:52The model nails it.
00:33:55It brings the right kind of balance.
00:33:57The right energy.
00:33:59For him,
00:34:00you can actually see the jewelry.
00:34:01Not just the model.
00:34:03This, uh,
00:34:04fits our brand to a T.
00:34:07It's both.
00:34:08The other,
00:34:09previous one,
00:34:11just doesn't have the same input.
00:34:16This is cool, yeah.
00:34:17Looks like you might have to call your kid, sis.
00:34:22All right.
00:34:24Well, after our discussion,
00:34:25we're all in agreement.
00:34:29We'll go with the second set.
00:34:33Miss Vanessa Clark,
00:34:35looking forward to collaborating with you.
00:34:37Amazing.
00:34:38Thank you so much.
00:34:39Love you.
00:34:46God.
00:34:47You know,
00:34:48you really can't steal what someone just has.
00:34:52Naturally.
00:34:53True creativity comes from within, sis.
00:34:59Better luck with the story.
00:35:03Right.
00:35:04I'm off.
00:35:06Just have a break.
00:35:08Have a good day.
00:35:14Look at you.
00:35:16Come on,
00:35:17I knew you had it.
00:35:18You're my lucky charm.
00:35:21So, what are we,
00:35:21celebrating?
00:35:22I was thinking I'd take you out.
00:35:25I know the best sushi restaurant.
00:35:26What's your sushi?
00:35:28What else were you expecting?
00:35:30I don't know.
00:35:31Something a little more, uh,
00:35:33exciting.
00:35:36Take it early, then.
00:35:38All right, fine.
00:35:38Take me.
00:35:48Hi.
00:35:49Oh, my God.
00:35:50I missed you so much.
00:35:52Oh, this is Cassie,
00:35:54my bestie.
00:35:55Nice to meet you.
00:35:55Hi, nice to meet you too.
00:35:57It's all nice.
00:35:57Yeah.
00:35:58Nice to meet you.
00:35:59I thought you were so mysterious
00:36:00about that
00:36:01stripper I got you.
00:36:03Looks like you've upgraded.
00:36:05So, come on,
00:36:06Spill.
00:36:06How did you two meet?
00:36:07How long has this been going on?
00:36:08That stripper?
00:36:09That stripper, the other night, that, that wasn't him?
00:36:21That stripper, the other night, that, that wasn't him?
00:36:25No way.
00:36:26The guy that I hired just called me and said he couldn't find you.
00:36:30I assumed you'd bailed or something.
00:36:31Look, to be fair, you were the one, you know, coming on to me that night, but, yeah, you mixed me up with someone else.
00:36:43But you were the one who was asking me to do the whole thing.
00:36:47That's enough.
00:36:48That's enough of that.
00:36:49Um, maybe it's a sign, Vanessa.
00:36:55I mean, he's not bad.
00:36:56Why don't you give him a shot?
00:36:58Yeah, it's not like that.
00:37:02He's just my model.
00:37:10Oh, looks like everyone's gone to lunch, so if we can just go.
00:37:13Hey.
00:37:14Jason, what are you doing?
00:37:17Vanessa, what are we?
00:37:20Like, are you seriously telling me there's nothing between us?
00:37:25What are you talking about?
00:37:27You know exactly what I'm talking about.
00:37:40Vanessa, we've got a problem.
00:37:42The Vertex Group announced their collaboration with the Clark Group.
00:37:45Yeah, I know.
00:37:46They picked my pitch earlier.
00:37:47I didn't think they'd move this fast, though.
00:37:50They did use your photos, but Abby's the official photographer.
00:37:54What?
00:37:57Hey!
00:37:57You better knock this Vertex deal out of the park.
00:38:08Don't let your old man down.
00:38:10I won't, Dad.
00:38:12I've got this.
00:38:12Ever thought of knocking, Vanessa?
00:38:18What's this, hon?
00:38:19Couldn't come up with your own ideas.
00:38:21It's hard to steal mine.
00:38:22Is that what we're doing now, Abby?
00:38:24What?
00:38:25That's enough.
00:38:25I don't know what you're talking about.
00:38:27This wasn't her doing, it was mine.
00:38:32What are you saying?
00:38:34Abby's fresh.
00:38:35She needs this high-profile project to boost her career.
00:38:39I made the call, and she's getting it.
00:38:42Are you serious?
00:38:44That was my idea.
00:38:45Why should she take all the credit?
00:38:47It's all staying in the family, Vanessa.
00:38:50Whether it's Abby or you, the company benefits.
00:38:54We're family.
00:38:56Don't be so selfish.
00:38:59Selfish?
00:39:00Do you know how many hours my team spent working on this project?
00:39:06As chairman of this company, my word is final.
00:39:11If you have a problem with that, we'll have to leave.
00:39:18Fine.
00:39:19I don't want to care anymore, anyway.
00:39:21Vanessa, are you really leaving?
00:39:31It's your company.
00:39:33Yeah, but there's more out there for me.
00:39:36Don't worry, it won't affect you guys.
00:39:38Oh, I'm coming with you.
00:39:39I've literally had it with this place.
00:39:41Way too much drama.
00:39:44Count me in.
00:39:45I only sign off because of you, the redness, so I'm not staying here without you.
00:39:48I've been itching to start out on my own.
00:39:51Let's start a studio.
00:39:53We're with you, Vanessa.
00:39:54And with yourself.
00:39:55Yeah.
00:39:56You guys.
00:39:57Hey, what about me?
00:40:00I switched jobs for you, remember?
00:40:02You owe me one.
00:40:04Alright.
00:40:05I will let you down.
00:40:07Let's start a studio together.
00:40:11Yay!
00:40:13Woo!
00:40:15Alright, let's get out of here.
00:40:18Dad, those people who are purits, were really letting Vanessa take them?
00:40:31They're loyal to Vanessa.
00:40:35If they want to go, there's not much I can do to stop them.
00:40:39So she's just going to go off and compete against us now?
00:40:42Don't worry.
00:40:43I'll make sure people know.
00:40:45If they work with her, they're crossing us.
00:40:47She'll learn quickly.
00:40:50Without us, she won't get far.
00:40:58Since we've launched the Phoenix Studios, we haven't landed a single deal.
00:41:03Every brand we've reached out to either thinks we're amateurs or flat out ignores us.
00:41:08How do we fix this?
00:41:12Just trust me.
00:41:14I'll figure something out.
00:41:16That's it for today.
00:41:18Meeting dismissed.
00:41:27You alright?
00:41:28My father is to hold every big brand not to work for me.
00:41:35If we don't learn something soon, Phoenix will die before it's even taken off.
00:41:40Hey, come on.
00:41:42It's going to get better.
00:41:45But it's late.
00:41:47You should go home and get some rest.
00:41:48No.
00:41:51No, I can't give up that easy.
00:41:55You go ahead, though.
00:41:57I'll make some more calls.
00:42:00No.
00:42:01So, can I see Mr. Scott?
00:42:17No.
00:42:18Just five minutes of his time.
00:42:19He's already made it clear he's not interested in your studio.
00:42:23Please don't come back.
00:42:24Sis, without the family behind you, you've really hit rock bottom, huh?
00:42:28It's none of your business, Abby.
00:42:33Look at this.
00:42:35An invite to the Todd Group banquet.
00:42:38They're announcing their collaboration with the Clark Group there.
00:42:42Too bad you're not invited.
00:42:45The Todd Group banquet?
00:42:47Why didn't I think of that?
00:42:50Don't get too excited.
00:42:52The Todd Group is picky with their photographers.
00:42:54I'm not sure you're up to it.
00:42:58What's going on here?
00:43:08Oh, I'm...
00:43:09I'm making invites to the Todd Group banquet.
00:43:13Well, pretty convincing, right?
00:43:15I'm just hoping they don't notice it's...
00:43:17fake.
00:43:19Wait, why?
00:43:21Why?
00:43:22Yeah, why?
00:43:23Because it's the Todd Group.
00:43:26There's going to be major players from all over the place.
00:43:29I could land some killer collaborations from this.
00:43:32Yeah, but you know that's risky, right?
00:43:36Yeah.
00:43:37Of course I know.
00:43:40But...
00:43:41I'm all out of options.
00:43:44It's this or nothing.
00:43:46So, are you coming with me?
00:43:51With me?
00:43:52To the Todd Group banquet?
00:43:54Yeah?
00:43:57Yeah, I...
00:43:59No, I actually...
00:44:01I have something I need to handle that day.
00:44:04But to answer your question, yeah, that does look...
00:44:08real.
00:44:09I'm just...
00:44:12I gotta...
00:44:13Yeah.
00:44:22This is my shot.
00:44:24If this doesn't work,
00:44:26my studio's done.
00:44:32Invitation, please.
00:44:37Invitation, please.
00:44:39Go ahead.
00:44:51Mr. Todd?
00:44:52She's going inside.
00:44:55That was way too easy.
00:44:57Did I just pull this off?
00:44:59Guess the Todd Group's security isn't as tight as their reputation.
00:45:07Vanessa!
00:45:09Why the hell are you here?
00:45:11What?
00:45:11You get to waltz in and I don't?
00:45:13How did she get an invite?
00:45:15You didn't sneak in, did you?
00:45:17I'm too busy for this, Abby.
00:45:19Court red-handed, huh?
00:45:21You really think you can crash the Todd Group's banquet without an invitation?
00:45:33It's fake.
00:45:34I'm not sure I know.
00:45:35Vanessa, did you really sneak in with a fake invite?
00:45:44A fake invite?
00:45:46She must really be desperate.
00:45:48Can you believe that?
00:45:49No one will want to work with her after this.
00:45:53What makes you so sure it's fake?
00:45:55Well, because the real ones.
00:45:57I've got a code right here in the corner.
00:45:59Yours?
00:46:02It's missing.
00:46:04Care to explain?
00:46:07Mrs. Simpson!
00:46:10Just the man I need.
00:46:12How can I help?
00:46:13Someone crashed the party.
00:46:15Can you help her find the door?
00:46:18Let me see.
00:46:18I'm afraid if you don't have a legitimate invitation, you'll have to be.
00:46:34Miss Flock!
00:46:36Just wait a second.
00:46:38Um, I'm Danny Rogers.
00:46:41Mr. Todd's personal assistant.
00:46:43I've been sent here to collection.
00:46:47Are you sure you didn't mix things up, Mr. Rogers?
00:46:50She wasn't invited.
00:46:52She snuck in with a fake invite.
00:46:55Look.
00:46:57There's no number.
00:46:59Miss Clark here is one of Mr. Todd's honoured guests.
00:47:02The reason why it doesn't have a code on her is because I personally sent her the invitation.
00:47:10She's Mr. Todd's honoured guest.
00:47:15How the heck's that even possible?
00:47:18Who is she?
00:47:20Why does she get to be one of Mr. Todd's VIPs?
00:47:22Even Mr. Rogers is giving her respect.
00:47:24That bitch always steals my spotlight.
00:47:48After careful consideration, we've chosen our partner for the upcoming season.
00:47:52Let's get to the moment we've all been waiting for.
00:47:57Mr. Simpson.
00:47:59There better not be any slip-ups.
00:48:02Remember our little deal?
00:48:04Chill out, Miss Clark.
00:48:07Everything's locked in.
00:48:09I do the business deals around here.
00:48:12No one can change my mind unless it's Mr. Todd.
00:48:16And he doesn't usually get involved in this.
00:48:19Good to know.
00:48:20Vanessa, no matter how hard you crash this banquet, you'll always be in my shadow.
00:48:26Once I nail this partnership with the Todd Group, let's see how you deal with the fallout.
00:48:31The partner for the Todd Group is...
00:48:34Thank you, Todd Group, for selecting...
00:48:38Phoenix Studios.
00:48:38What?
00:48:43How is this happening?
00:48:52How is this happening?
00:48:56What makes everything shape me part of the Todd Group?
00:48:59The Queen didn't just watch it.
00:49:00I've got a project in there, get your eyes.
00:49:07Well, thank you.
00:49:10Didn't you say everything was set?
00:49:14Are you playing me?
00:49:15No!
00:49:17No one...
00:49:18Danny?
00:49:20What the hell happened?
00:49:23There's no mistake.
00:49:25The Todd Group chose Vanessa's studio to be our partner.
00:49:31You're corrupt, Colin.
00:49:33So you're out.
00:49:34Danny, come on.
00:49:45I messed up.
00:49:46But I won't do it again.
00:49:49After all I've done for you, can you not cut me some slack?
00:49:52Mr Todd is cutting you some slack by...
00:49:55not calling the police.
00:49:56So, are you leaving on your own, or do I need to call security?
00:50:07Mr Clark, would you like to follow me?
00:50:09Our contracts are ready.
00:50:11Let's make this official.
00:50:19Mr Clark, there's the contract.
00:50:21Have a look through.
00:50:22If everything's in order, then feel free to sign.
00:50:26So, um, what made the Todd Group sign with the Phoenix Studios?
00:50:31Temple.
00:50:32It's your talent.
00:50:34It speaks for itself.
00:50:36Well, you won't be disappointed.
00:50:47Excuse me.
00:50:48May I ask who that is?
00:50:51Oh, that is, uh...
00:50:53Mrs Todd.
00:50:54Um, Mr Todd's mother.
00:50:56She's the chairwoman.
00:50:57After Mr Todd's father passed, she took over just to keep the business thriving.
00:51:03That's really impressive.
00:51:12How come he looks just like Jason?
00:51:14I don't know how you could throw away such a major deal.
00:51:29I don't know how you could throw away such a major deal.
00:51:32She's only after your money and the Todd name.
00:51:33Yeah, that's fine.
00:51:33Jason, what's he doing here?
00:51:36And who's that woman?
00:51:37He doesn't even know who I really am.
00:51:39I don't know how you could throw away such a major deal.
00:51:43She's only after your money and the Todd name.
00:51:47Jason, what's he doing here?
00:51:50And who's that woman?
00:51:51He doesn't even know who I really am.
00:51:54No way.
00:51:56Isn't that the chairwoman of the Todd Group?
00:51:57I can't believe you'd throw away such a major deal.
00:52:04All for some woman.
00:52:06She saved my life, Mom.
00:52:09She's not just some woman.
00:52:10Some woman?
00:52:11You could have just written her a check and called it a day.
00:52:14Yeah, I have my reasons.
00:52:16So stay out of it.
00:52:17What's she done to make you so obsessed?
00:52:20She's only after your money and the Todd name.
00:52:24That's all it was. It'd be easier.
00:52:26What?
00:52:26Nothing, Mom. Look, just what you were afraid of won't happen.
00:52:30Okay, she doesn't even know who I really am.
00:52:33You say her. You see her.
00:52:36I won't say anything.
00:52:38Okay?
00:52:39Yeah?
00:52:43Only you could fool something this obvious.
00:52:45Yeah, all right.
00:52:46And don't you have a meeting?
00:52:47Come on, go, go, go.
00:52:57Oh, hey. Are you, uh, are you done with work?
00:53:01The chairwoman of the Todd Group.
00:53:05How do you know her?
00:53:06Don't.
00:53:09You were laughing with her.
00:53:10What are you talking about?
00:53:16No, no.
00:53:18I just, I ran into her and I thought maybe I'd help you secure the Todd deal.
00:53:23Oh, I'm sorry.
00:53:27So I was with her.
00:53:28Yeah.
00:53:30But I have good news.
00:53:32I secured the Todd Group game.
00:53:34No way.
00:53:34That's huge.
00:53:36I honestly didn't even think my studio would be in the running for it.
00:53:39Yeah, well, you deserve it.
00:53:41Come on.
00:53:42So, uh, where do you want to go?
00:53:45Studio?
00:53:46Yep.
00:53:47Where do you want to go for St. K?
00:53:49To us and to our company for nailing that Todd Group collaboration.
00:53:59You know what?
00:54:00Cheers, everyone.
00:54:01Woo!
00:54:01Woo!
00:54:01Cheers!
00:54:03Vanessa, you're a genius.
00:54:05You really made it happen with this Todd Group.
00:54:08And that's not all.
00:54:09We had calls from big brands that want to work with us, too.
00:54:13Well, tomorrow's a big shoot.
00:54:14So let's crush it.
00:54:15More deals are just around the corner.
00:54:18Woo!
00:54:19Okay, drinking is fun and all, but let's switch it up.
00:54:23Truth or dare?
00:54:32All right, truth.
00:54:35Do you have a girlfriend?
00:54:41Not yet.
00:54:42Ah, not yet.
00:54:44Does that mean there's one on the horizon?
00:54:47That's your next question.
00:54:49Looks like you're not off the hook.
00:54:56So, is there anyone you have your eye on?
00:55:04Yeah.
00:55:05Yeah, I do.
00:55:05All right, all right.
00:55:12Quit tearing at me.
00:55:13Just please spin the bottle again.
00:55:21Oh, what?
00:55:21So, this is the master bedroom?
00:55:23Okay.
00:55:24All right.
00:55:25I thought this was off limits.
00:55:26I think I'm not anymore.
00:55:27No?
00:55:27No?
00:55:28No.
00:55:30No.
00:55:34Okay.
00:55:37Come on.
00:55:40I want to.
00:55:41I don't know.
00:56:12He's passionate and he knows how to make a girl feel special.
00:56:22Why aren't we prepping yet? It's almost time to shoot.
00:56:25We've been waiting for over an hour.
00:56:27What's the hold up inside?
00:56:29Are you Vanessa?
00:56:31Yes, that's me. Hi, Mr. Bailey.
00:56:35Can we get started?
00:56:37Just keep waiting. Can you see?
00:56:40I'm not ready.
00:56:42But we said we'd start at nine and it's past that, so what are we waiting for?
00:56:48If you can't be patient, you really think you're ready for a partnership with the Todd Group.
00:56:52I don't understand why Mr. Todd partners with all these small studios.
00:56:57I think the studios might be small, but we can handle ourselves against the big companies.
00:57:01You think you can compare with the big boys?
00:57:07What do you have? Pretty face?
00:57:11What did you...
00:57:12You slept your way into this job.
00:57:15Huh. Shocking.
00:57:24A big company like the Todd Group can't get timing right.
00:57:28Or show basic respect to its partners.
00:57:30If that's how it's going to be, we're out.
00:57:32Oh, you're leaving so soon.
00:57:36I've hit the nail on the head and you're feeling guilty.
00:57:39See, you can't take the heat.
00:57:42If you want the shoot to keep going, I suggest that you beg me for it and nicely.
00:57:51Your mouth is fucking foul.
00:57:53Consider that free mouthwash.
00:57:54No need to thank you.
00:57:55You bitch! Just you wait, I'll...
00:57:58Yo, Mr. Todd, long time when we see you.
00:58:08Um, do you want... do you want to tour the studio?
00:58:11Where's everybody from Vanessa's studio?
00:58:13Wasn't they meant to shoot today?
00:58:16It was a total disaster.
00:58:17She had to wait a little bit longer and then she splashed water on the phone and left.
00:58:21What?
00:58:22You drove her away?
00:58:24It was just like...
00:58:26I didn't know.
00:58:32This is truly outrageous.
00:58:33What's our next meeting, Vanessa?
00:58:35Let's just head back for now.
00:58:40Miss Clark, I'm so sorry for the trouble.
00:58:43It's on us at the Todd Group for dropping the ball with our team.
00:58:47Edwin's been let go.
00:58:48We'd be so grateful if you'd reconsider and come back for the shoot.
00:58:54We'll see you later.
00:58:56We'll see you later.
00:58:57Bye, guys.
00:58:58Miss Clark!
00:58:59Miss Clark!
00:58:59Great!
00:59:00Okay, thank you.
00:59:01You're all done.
00:59:03Well, I think we've had it.
00:59:05Stunning.
00:59:05Amazing.
00:59:07We'll see you later.
00:59:08Bye, guys.
00:59:08Miss Clark!
00:59:09Hi, um, I just wanted to come by personless and apologize for what happened earlier on.
00:59:17I hope that doesn't change your view on the TOD group.
00:59:21No way, I'm really appreciative to the TOD group for this opportunity.
00:59:25Good.
00:59:26Good.
00:59:27And Mr. Todd is very impressed with your skills, you'd afford to see what you do next.
00:59:35I really appreciate your help today.
00:59:38Your shoot turned out way better than I expected.
00:59:40Good.
00:59:41I'm glad.
00:59:42And, uh, if you need any help in the future, just let me know.
00:59:50Danny's been stepping up for me, helping out more than I expected.
00:59:57So, uh, how was today?
01:00:00Smooth sailing?
01:00:02Hey.
01:00:03Oh, I'm sorry, what did you say?
01:00:06I asked how today was.
01:00:08You seemed kinda... out of it.
01:00:10It's nothing.
01:00:13I'm probably just overthinking, but, um...
01:00:16I think Danny might have a crush on you.
01:00:19Wait, what?
01:00:24I think Danny might have a crush on you.
01:00:27Wait, what?
01:00:29Yeah, he's always coming in, like, last minute to save me.
01:00:33I mean, why else would he be so attentive?
01:00:36Look, I swear, if you start swooning over other guys, I'm gonna turn green.
01:00:40Swooning?
01:00:41Yeah.
01:00:42I don't like Danny at all.
01:00:44Well then, who do you like?
01:00:46I like...
01:00:49You're trying to trap me into saying something.
01:00:55Well, yeah, I've been very obvious about how I feel about you, Vanessa.
01:00:59Like, I wanna be with you.
01:01:01Like, forever.
01:01:03You not see that?
01:01:19But come on, I know you feel something for me too.
01:01:22I guess...
01:01:27I am kind of empty.
01:01:31Shh!
01:01:32I wanna take the longest trip with you.
01:01:37The one that starts right when we say I do.
01:01:43From every heart...
01:01:51Guess what?
01:01:52The Todd Group loved our promo shot.
01:01:58Our studio is making waves.
01:02:00We've got brands lining up to collaborate with us.
01:02:03You guys are killing it at the moment.
01:02:05So, I say we head to the shooting gallery.
01:02:07You're the best!
01:02:16Oh, my God!
01:02:18This shooting stuff is way harder than it looks.
01:02:20If I'd have known, I would have chosen something less intense.
01:02:24Eh, don't worry, I'll show you the ropes.
01:02:26Ha, ha, ha!
01:02:28Look who's trying to be a sharp shooter.
01:02:32Well, if you think you can do better, why don't you give it a shot?
01:02:35Seriously, you think you can stack up against Blaine?
01:02:38He's got the second best aim in the city, right after Mr. Todd.
01:02:42Mr. Todd?
01:02:44Yeah, this place is owned by Mr. Todd.
01:02:47He's got the top score, but watch out.
01:02:50Blaine's gunning for that record.
01:02:53You didn't know that, no Vanessa?
01:02:56I don't know what, you just thought you'd stroll in here and embarrass yourself?
01:03:02You think you can beat the record?
01:03:07Aye.
01:03:08You can't even beat me.
01:03:11Oh, very confident.
01:03:13All right then, how about we make ourselves a little deal?
01:03:17You lose, you hand over your portion of the Todd Cruz partnership to me, eh?
01:03:35So, when you can't win fair and square, you resort to cheating.
01:03:39Classic blame.
01:03:41Come on, Mr. Todd.
01:03:44No, no, no, no, no.
01:03:45I can take you on, but if you lose, what's your game plan?
01:03:50Lose?
01:03:51Lose me!
01:03:53You think you can just walk in here and break the record like it's a walk in the park?
01:04:00Sing.
01:04:01Oh, all right, very confident.
01:04:05My goodness, I have never seen somebody so eager to get embarrassed.
01:04:10You can't even swing that thing, man.
01:04:13I'm not buying it either.
01:04:15But how about this?
01:04:16If you beat Blaine, Vanessa can take any project for me.
01:04:22I'm not even sure about this.
01:04:23You don't have to do it just to prove it.
01:04:25Lose, your boyfriend's got this.
01:04:37Baby, you're on fire.
01:04:39Hello.
01:04:42Ah, yes.
01:04:43Even better than last time.
01:04:44Indeed.
01:04:45You know something?
01:04:46I think you should just throw in the towel to save yourself a bit of embarrassment.
01:04:53Not a chance.
01:04:54I believe in Jason.
01:04:55I believe in Jason.
01:04:56Not a chance.
01:04:57Oh.
01:04:58Oh.
01:04:59I'm glad you see that.
01:05:00Tension.
01:05:01I'm glad you see that.
01:05:02Tension.
01:05:03I'm glad you see that.
01:05:04Ten shots.
01:05:05Ten hits.
01:05:06Aha.
01:05:07This is quite the record.
01:05:08Someone just beat Mr. Todd's record.
01:05:09Just beat Mr. Todd's record.
01:05:10How's that even possible?
01:05:11How's that possible?
01:05:12How's that possible?
01:05:13Who are you?
01:05:14Breaking Mr. Todd's record and sharing his last name.
01:05:15How's that possible?
01:05:16How's that possible?
01:05:17Who are you?
01:05:18Breaking Mr. Todd's record and sharing his last name.
01:05:20Could he be..?
01:05:48How are you so good you just shattered Mr. Todd's record?
01:05:52It's nothing. I just picked it up in college. I was a shoe champ every year.
01:05:58Okay, I'm definitely overthinking this. He's just a regular guy. There's no way he could be Mr. Todd.
01:06:05Remember, you owe us a project.
01:06:08Why should I? These projects I've lost in my box are secure.
01:06:12No way. You've obviously cheated, you've obviously done something for the gums or something like that. Not a chance I would lose.
01:06:20Why is it really that hard to just admit someone's better, Blaine?
01:06:26I'm gonna get you two.
01:06:34You're so good! I thought Blaine and Abby were gonna explode.
01:06:39Now look, I'm done letting them push you around.
01:06:41Yeah, you're the best.
01:06:43You know, it takes me my lucky day. I learned how to shoot and secured projects for free.
01:06:49Well, what if Abby goes back on her deal?
01:06:51Then I'll snatch the projects from her. Line gets under my skin.
01:06:57What if you find out I've been hiding something?
01:07:01I dare you to try me.
01:07:03If Vanessa discovers I've been keeping my true identity a secret, will she walk away?
01:07:09I need to tell her soon.
01:07:17Vanessa!
01:07:21What's going on?
01:07:22I'm here to apologize.
01:07:26Come back with me.
01:07:28I've saved a spot for you at the Clark Group.
01:07:31You kicked me out.
01:07:33Remember, Dad?
01:07:35I've been much happier since I left, so why would I come back?
01:07:39The Clark Group is struggling. We need your talent.
01:07:42Sounds like you can't handle it, Abby.
01:07:44If Dad's here begging for my help, things must be bad.
01:07:49You...
01:07:54Vanessa.
01:07:56What will it take to bring you back?
01:08:00I'll give you half the company's shares. How does that sound?
01:08:03Dad, are you serious? That's not fair.
01:08:09I'll think about it.
01:08:11Excellent.
01:08:12Give it some serious thought. I'll be waiting for you at the Clark Group.
01:08:18Get out of my fucking way.
01:08:19The shares are meant for me, Vanessa!
01:08:21Just wait. I'll make sure you never enjoy them!
01:08:33You know, I like your car. It's a smooth ride, like you.
01:08:37Stop it. Are you sure you can't come to dinner?
01:08:42No, look, I can't. I've got something to do tonight.
01:08:47But, uh, call me when you're done and I'll pick you up.
01:08:49What could you possibly have to do at night?
01:08:50You better not have another client.
01:08:52No way to have the energy.
01:08:53Good. You better keep it that way.
01:08:54You better not have another client.
01:09:04You know where to have the energy?
01:09:06Good. You better keep that way.
01:09:07Good.
01:09:08I'm sorry.
01:09:12It's okay.
01:09:14You better not have a good time.
01:09:15It's okay.
01:09:18It's okay.
01:09:20I want the energy to do it.
01:09:23It's okay.
01:09:26It's okay.
01:09:28I don't know.
01:09:58This is Vanessa Clark.
01:10:04I'm calling about Jason.
01:10:06He's been in a car accident.
01:10:07You need to come and call him too immediately.
01:10:11I'm here for Jason.
01:10:13He was in a car accident.
01:10:14Where is he?
01:10:17He's down on the wall to your left.
01:10:19Thanks.
01:10:24Jason, are you okay?
01:10:26Are you seriously hurt?
01:10:28No, I'm fine.
01:10:30Just a scratch.
01:10:33Nothing major.
01:10:34Thank God.
01:10:36You scared the life out of me.
01:10:37How did this happen?
01:10:40Someone cut the brakes, Vanessa.
01:10:43This was your car.
01:10:45They're aiming for you.
01:10:46It's Abby.
01:10:51It has to be.
01:10:53It's all about the sheriff.
01:10:54She's trying to take me out.
01:10:57I'm so sorry.
01:10:59It's all my fault you got hurt.
01:11:02I promise I'll get to the bottom of this.
01:11:04My God.
01:11:06You all right, dear?
01:11:10You all right, dear?
01:11:13Mrs. Todd, what are you doing here?
01:11:16Oh, you must be here to see Mr. Todd, right?
01:11:25The nurse just told me he's across the hall.
01:11:27Yeah, he's fine.
01:11:30Just a few scratches.
01:11:31It's...
01:11:32Wait.
01:11:38Mr. Todd got in a car accident, too?
01:11:42Yeah.
01:11:42Yeah, that's right.
01:11:46So...
01:11:47So you and Mr. Todd, in a car accident, at the same time?
01:11:53Yeah.
01:11:54Crazy coincidence, huh?
01:11:56Should I go and see him?
01:11:57He's been so good to the studio, I...
01:11:59Ow!
01:12:00Are you okay?
01:12:01Where does it hurt?
01:12:02Should I call someone?
01:12:03No, no.
01:12:04I just...
01:12:04I need...
01:12:05I need you.
01:12:07You know, spoonful of sugar and all.
01:12:10Even now, you're talking nonsense.
01:12:12I'm glad you're safe.
01:12:15Okay, if this was you...
01:12:16I don't know what I'd do.
01:12:22You're so stupid.
01:12:24Look, it's late.
01:12:26I'll go get you something to eat.
01:12:27Just rest, okay?
01:12:29Okay.
01:12:46I have a question.
01:12:49Okay.
01:12:50How would you feel if...
01:12:52Like someone close to you told you a lie?
01:12:58Depends on the lie.
01:13:00If they had good reason?
01:13:01Um...
01:13:01I mean, I'd still be upset.
01:13:06A lie's a lie.
01:13:08They just really have to make it up to me.
01:13:10Uh, why are you asking?
01:13:12Are you lying to me?
01:13:13No, no.
01:13:14I'm just, um...
01:13:16Just wondering.
01:13:17Wondering if you want to go out sometime.
01:13:23I mean, we've not been on a real date since we got together.
01:13:25That's true.
01:13:27Okay, so...
01:13:28We'll go on one after you've been discharged.
01:13:31All right, deal.
01:13:32I'll, uh, make a plan.
01:13:34All right.
01:13:36Surprise me.
01:13:37Surprise you?
01:13:38Mm-hmm.
01:13:38You're so dumb.
01:13:45It's in your hair.
01:13:46Mm-hmm.
01:13:48Where are you?
01:13:53Jason, why all the suspense?
01:13:56Okay.
01:13:57Yeah.
01:14:06Oh, my God.
01:14:07He's in.
01:14:08You like him?
01:14:09Yeah.
01:14:10Okay.
01:14:19You really know how to treat a woman, don't you?
01:14:24Vanessa, I can't keep hiding this from you.
01:14:27Tonight, I'll tell you everything.
01:14:30And then, I'll propose.
01:14:33Vanessa, I love you.
01:14:44And I want to be with you forever.
01:14:51I love you, too.
01:14:52Vanessa, I've got a secret, okay?
01:15:20And I hope that you won't be upset.
01:15:24You're really hiding something?
01:15:27Just say it, Ernie.
01:15:29Actually,
01:15:29I am...
01:15:40Oh, shit.
01:15:41Jason, Grandpa's very ill.
01:16:00You need to come home now.
01:16:01Um, I've got some, like, personal stuff that I have to handle.
01:16:09Can you head home?
01:16:11So you...
01:16:12You can't stay tonight?
01:16:14What's going on is so urgent.
01:16:16It's really important, but I'll fill you in when I'm home.
01:16:19All right?
01:16:20Here.
01:16:21Okay.
01:16:22Okay.
01:16:23I don't get it.
01:16:24What's the rush?
01:16:25So, this is your urgent matter?
01:16:36Comforting the other woman?
01:16:38What's really between you and Mrs. Todd?
01:16:41Why the closeness?
01:16:42Hey, Vanessa, are you in there?
01:17:03Hey, Allison.
01:17:12Yeah.
01:17:13Hey, have you seen Vanessa?
01:17:14Is she at the office?
01:17:15She wanted me to tell you.
01:17:17You're fired.
01:17:18What?
01:17:19Seriously?
01:17:19Why?
01:17:20Yeah.
01:17:21She seemed really upset.
01:17:23Good luck, okay?
01:17:24Upset?
01:17:25Hey, Allison.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:26Hey.
01:17:27Hey.
01:17:27Hey.
01:17:27Hey.
01:17:27Hey.
01:17:28Hey.
01:17:28Hey.
01:17:28Hey.
01:17:29Hey.
01:17:29Hey.
01:17:29Hey.
01:17:30Hey.
01:17:30Hey.
01:17:31Hey.
01:17:33Hey, Vanessa.
01:17:38Hey.
01:17:39Hey, what's going on?
01:17:40Hey, everything was fine yesterday.
01:17:41What happened?
01:17:43You're asking me?
01:17:44You were with some other woman, and you're asking me what's wrong?
01:17:48When was I ever...
01:17:50Mrs. Todd?
01:17:55No, I can explain that you're really not...
01:17:56I saw it with my own eyes.
01:17:58I don't need you to explain.
01:18:00Just let go.
01:18:00No, I'm not moving.
01:18:01Let go.
01:18:03Come on, Vanessa.
01:18:11Don't start feeling sorry for a playboy.
01:18:13The Todd Group is hosting a photography competition next month.
01:18:18Where's all get a chance at a long-term strategic partnership?
01:18:22A long-term partnership?
01:18:24If I can nail this competition, my studio's future is set.
01:18:29Vanessa, what brings you to the national photo contest hosted by the Todd Group?
01:18:46Aren't you just a little ashamed to show your face here?
01:18:49Ashamed?
01:18:50Please.
01:18:52Speaking of shame, look in the mirror.
01:18:55This is a national contest, Abby, remember?
01:18:59Better not play any plagiarism stunts.
01:19:02You'll be blacklisted quicker than you can cry about it.
01:19:04You bitch.
01:19:06Go ahead.
01:19:07Say one word, I dare you.
01:19:08Welcome, ladies and gentlemen, to the annual photo contest for the Todd Group.
01:19:13Just wait.
01:19:14When the results are in, I'll make sure you'll crush beneath my feet.
01:19:17Oh, I'll be right here, eagerly waiting for the fallout.
01:19:21Let's kick things off by welcoming our first contestants.
01:19:24Hey, everyone.
01:19:30The photos I'm showing today are from my incredible travels.
01:19:39This show is breathtaking.
01:19:41I give it 98 points out of 100.
01:19:43I'm in love with this.
01:19:45This file is truly a star on the rise.
01:19:4799 points.
01:19:49Vanessa, get ready to be beneath my feet.
01:19:52I need to report this work.
01:19:56Vanessa, are you seriously doing this out of spite?
01:19:59This photo clearly shows signs of AI generation
01:20:01and stealing the work of the renowned photographer Feliciano Bowe.
01:20:08You're lying.
01:20:09This is a setup.
01:20:12I have the original shot right here.
01:20:15What's your excuse now, Abby?
01:20:16Don't listen to her.
01:20:18She's just out to get me.
01:20:20It's two photos and prove anything.
01:20:23Yeah, I heard they're not exactly the best of buds.
01:20:27And now this is ruining the competition.
01:20:29The judges have thoroughly vetted this work.
01:20:32Miss Vanessa Clark, please do not disrupt the competition.
01:20:36But this is clearly AI generated.
01:20:38I want a judge to review this.
01:20:40Come on, sis.
01:20:41Everyone knows that you're just jealous and trying to make me look bad.
01:20:45Give it a rest.
01:20:47Vanessa, please do not disrupt the competition.
01:20:51You see, I had the Todd Group's tech team run the numbers.
01:20:55Abby's work?
01:20:57Total AI generation.
01:20:59Now that breaks the rules.
01:21:01So, I'm announcing Abby's disqualification and banning her from working with the Todd Group and any of their associates.
01:21:10Jason?
01:21:11What's he doing here?
01:21:12Who do you think you are?
01:21:14You can't just ban me.
01:21:15The Todd Group tech team isn't your personal squad.
01:21:18Get a load of this guy.
01:21:21Some stripper playing Mr. Todd.
01:21:24Imagine that.
01:21:29Get a load of this guy.
01:21:31Some stripper playing Mr. Todd.
01:21:34Imagine that.
01:21:37Mr. Rogers, he's here to cause chaos.
01:21:40Get him out of here fast.
01:21:42Using AI to cheat, hmm?
01:21:44Seems like you're the real troublemaker here.
01:21:46Shit.
01:21:47It looks like Jason's really got Mr. Todd back in.
01:21:50Even Mr. Rogers is in his corner.
01:21:52Mr. Rogers.
01:21:54That man is a male stripper.
01:21:56Don't fall for this.
01:21:57Shit.
01:21:59The judges here have been bribed by Abby.
01:22:01I mean, she's ruining the contest and the whole industry.
01:22:04The Todd Group's not going to touch this.
01:22:11I'm looking for Abby Clark.
01:22:12You're under arrest on the suspicion of attempted murder.
01:22:16No, you've mistaken me for someone else.
01:22:19Easy.
01:22:20Let me go.
01:22:21I didn't kill anyone.
01:22:22I'm being framed.
01:22:23It's Vanessa.
01:22:23She's setting me up again.
01:22:25You mess in my car.
01:22:27You put lives at risk.
01:22:28Do I need to show everyone the proof, Abby?
01:22:31I can't believe she'd go this far against her own sister.
01:22:35Sister?
01:22:36They're half-sisters, remember?
01:22:38You're going to pay to this, you bitch.
01:22:51Flame, help me.
01:22:53Officer, I had nothing to do with this.
01:22:55It was all Abby.
01:22:56Flame!
01:22:57I don't break the dirt.
01:22:59I've done everything for you.
01:23:00How could you betray me like this?
01:23:02Are you okay?
01:23:07Is she hurting you?
01:23:08Don't touch me.
01:23:10Okay, look, Vanessa, there's something I need to say, and it's not me.
01:23:13No need for explanations.
01:23:15I already know what's going on.
01:23:18You're cozying up to Mrs. Todd, right?
01:23:20The tech team is all ears when you're around.
01:23:22No, no, no, Vanessa, you got this wrong.
01:23:24Mrs. Todd is my mom.
01:23:26Like my mom.
01:23:28What?
01:23:28So, so Jason Todd, the CEO of the Todd Group.
01:23:36Is it fun to play games with me, Jason?
01:23:39Watching me get played like some sort of idiot?
01:23:42Hey, hey, just listen.
01:23:43Mom, I don't need your explanation.
01:23:46Don't follow me.
01:23:56He knew I can't stand Miles.
01:23:58Yet he's strung me along like a puppet.
01:24:01I can't believe I fell for it.
01:24:06You think you can just walk away, did you?
01:24:10It's a chance.
01:24:12Not a chance.
01:24:17Oh, Vanessa, my dear.
01:24:20You have fucked up my life.
01:24:24And now, you, my darling, are coming to pay.
01:24:30Calm down the smoke.
01:24:51Let's go.
01:24:54Who are you?
01:24:54What the hell?
01:25:10Is Blaine out of his mind?
01:25:11He can't seriously be trying to burn me alive.
01:25:14Help!
01:25:15Is anyone there?
01:25:16I'm trapped!
01:25:16I'm trapped!
01:25:19This can't be different.
01:25:21Hey, Nessa!
01:25:22What are you there?
01:25:23Jason!
01:25:24Jason, please!
01:25:25Come in and help me!
01:25:25I'm trapped!
01:25:28Sorry.
01:25:29I took this so long.
01:25:30Are you okay?
01:25:31I thought I lost you.
01:25:32Hey, hey, hey!
01:25:33Hey!
01:25:34Mom, let's get out of here!
01:25:35Hey, hey, you're awake, hey!
01:25:50Are you okay?
01:25:51You hurt?
01:25:53Yeah, I'm okay.
01:25:56But what were you thinking, rushing into the fire like that?
01:26:00Look, if something happened to you, I would lose my mind.
01:26:03Look, don't think playing the hero makes me forget that you lied to me.
01:26:09Look, I messed up.
01:26:11I didn't know who I was.
01:26:12I know that.
01:26:15I'm sorry.
01:26:16Could you give us a moment?
01:26:17Yeah, of course.
01:26:18Thanks.
01:26:22Look, you can hate me if you want.
01:26:25Don't walk away from me.
01:26:27You had a million chances to tell me who you really were.
01:26:30But you kept me in the dark.
01:26:31You made me think that you and Mrs. Todd were together.
01:26:37The only person that I love is you.
01:26:39Then why are you hiding your identity?
01:26:42And then stick around?
01:26:45This wasn't just some love at first sight thing, was it?
01:26:52You still don't remember who I am, do you?
01:26:54You really don't remember who I am, do you?
01:27:09Oh, my God.
01:27:11Are you okay?
01:27:13How can you get up?
01:27:14Come on, stay with me.
01:27:16Come on.
01:27:19It was you.
01:27:25You were the one I see from the fire.
01:27:30I've been looking for you.
01:27:32For years.
01:27:33There was so much smoke and fire.
01:27:41And I didn't see anything except your arm.
01:27:45And when I met you at the club,
01:27:48I saw a scar on your arm.
01:27:50I knew it was you.
01:27:56Jason, you don't owe me anything.
01:27:59I'm not here because you saved me.
01:28:03I'm here because I love you.
01:28:05Vanessa.
01:28:21Marry me.
01:28:26I'll marry you.
01:28:35I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I
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