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  • 2 days ago
The 250th anniversary of Turner’s birth is the perfect moment to explore his long and important association with Petworth House where he remains a key driver of visitors.

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00:00Good afternoon. My name is Phil Fewick, Greek arts editor at Sussex Newspapers. Really lovely
00:06to speak to Emily Knight, property curator at Petworth House, about a fantastic sounding
00:11exhibition about Turner, about what else could it possibly be? And as you were saying so
00:16interestingly, there are very few places you can go and get the sense of standing in Turner's
00:22footsteps, standing where he stood. And that's what you gave at the Petworth House, isn't
00:27it? Yeah, exactly right. He came to Petworth many times in the early 19th century, and he
00:35was inspired by the landscape. He made many studies of it. And most significantly, with
00:40his commission to paint four landscapes for the carved room, when you stand in the room
00:45today, you can look out the window and see Capability Brown's design landscape and turn
00:50around and see Turner's interpretation of it. So it's a very immersive experience that you
00:55don't really get in quite the same way anywhere else.
00:58Obviously, there are a number of things that kept him coming back, not least a benevolent
01:02benefactor and the patron. But what did Petworth mean to him, do you think?
01:09I think at Petworth, he had a kind of freedom that was hard to come by elsewhere. At this time,
01:16the Sardile of Agriment was a passionate collector of contemporary British art. And he opened his
01:22doors to many contemporary artists. So we think about it a bit like a satellite academy
01:29of the British art world, where artists were coming together, they were studying a phenomenal
01:34collection of art, they could explore the landscape and take inspiration from it. So I think for
01:39Turner, it was, yeah, that ability to explore, ability to experiment. He made many, many sketches
01:47of the park. And you can see him experimenting with materials, exploring different ways of capturing
01:53effects of light on water. And so at Petworth, he could do all of that. He had all these amazing
01:59resources at his fingertips.
02:00It sounds brilliant. And the spur for the exhibition is the 250th anniversary of his birth,
02:07which is a great moment to reflect and reconsider, isn't it?
02:10Yeah, it's wonderful to take an anniversary like this as the opportunity to celebrate, you know, one of the
02:18nation's favourite artists. There's a ton of activity happening all over the country. But here, again, we just,
02:26we tell a very specific story to Petworth and how important it was to him as an artist.
02:31Absolutely. So by the end of the exhibition, what do you hope it will achieve?
02:35I hope that people will think about his work at Petworth beyond the oil paintings that hang in
02:44the house, wonderful as they are. He produced many works on paper, watercolour, drawings, prints,
02:51and we've got a range of different types of media in the exhibition. So I hope it deepens people's
02:56understanding of who he was as an artist and how he experimented with those different media while he
03:03was at Petworth. And it's a lovely link, isn't it? I wouldn't say that Petworth and Turner are
03:06synonymous, but absolutely associated, aren't they? Definitely. It's the, it's the, he's a really
03:13important artist to us. It's what brings a lot of visitors to Petworth. And the landscape continues
03:19to inspire people. Within the exhibition, we have another layer of interpretation where we've asked
03:24five contributors who know the landscape really well to write personal reflections about some of the
03:29views that are represented in the exhibition. And it just provides a really nice way of showing
03:36how sort of alive the landscape still is, how important it continues to be, and how looking
03:42at the work of Turner can be a good way to sort of think about our own experiences of the landscape
03:47today. Fantastic. Well, it sounds absolutely the perfect way to celebrate the 250th anniversary's
03:53birth. It's really lovely to speak to you. Thank you very much indeed. Thank you.

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