- 6/22/2025
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From heart-touching love stories to intense thrillers and family sagas, we bring you the best moments, highlights, and updates from the world of television.
Follow now and stay tuned for your daily dose of drama!
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FunTranscript
00:00Oh
00:30I'm a good one
00:32Every thing
00:34No
00:36No
00:38No
00:40No
00:42No
00:44No
00:46No
00:48No
00:50No
00:52No
00:54No
00:56No
00:58Oh
01:04Oh
01:06You
01:08Oh
01:10Oh
01:12Oh
01:14Oh
01:20Oh
01:22Oh
01:24Oh
01:26It's easy to do with your friends.
01:29It's a habit of working.
01:34And your friends are not going to do anything.
01:39I'm going to go to my house.
01:43I'm going to go to my house.
01:45I'm going to go to my house.
01:49Love is very strong.
01:51I'm not going to die.
01:53But I'm not going to die.
01:55I'm not going to die.
01:57It's going to die.
01:59Don't think so much.
02:03What do we have to do?
02:07You've left me to leave.
02:09I'm going to ask you to tell.
02:15I'll do it.
02:17I'm going to leave.
02:19Why?
02:21I'm waiting for you to leave.
02:23Why?
02:25I'm waiting for you to wait.
02:29At this point?
02:41Come on.
02:47Yes, sir.
02:49Let's go.
02:51I'm going to write the dialogue.
02:53My screen will come back.
02:55Sir,
02:57that's a little bit of a story.
03:01Isn't it better?
03:03It's better. It's close to the truth.
03:05Hmm.
03:07So the story is not true.
03:09No.
03:11I don't mean it.
03:13It's better than it.
03:15I think so much.
03:17How many people do?
03:19Five?
03:20Ten?
03:21Twenty?
03:22Twenty?
03:23Twenty?
03:24Twenty?
03:26Twenty?
03:27Five?
03:28Five?
03:29Five?
03:30Five?
03:31Five?
03:32Five?
03:33Five?
03:34Five?
03:35Five?
03:36Five?
03:37Five?
03:38Five?
03:40I think so much.
03:41It's a good track and a good track.
03:44Just on the track,
03:46you can change that girl from a day.
03:49Yes.
03:50It's not a day, it's a character.
03:53Insecure.
03:55Hasad.
03:56Lala Chuali.
03:58A small, short cut girl.
04:01And her traits are not only 100 years old.
04:05Yes.
04:06Let's go and rest.
04:08We will be doing all these sessions at night.
04:12Yes sir.
04:15Good night sir.
04:18Good night.
04:21Hello, hello, hello my dear Rosie.
04:23Hello.
04:25Sorry, did you have to wait for us?
04:28No, I don't.
04:30You have to wait for us to wait for us.
04:32And we look very good for you.
04:38Yes.
04:39You have to wait for us to take the script.
04:41You will tell us about it.
04:44Yes, I know.
04:47It's only the issue of the producer.
04:53With you, it's also the issue of the producer.
04:55We have to wait for us to take the script.
05:00We haven't been working for us.
05:01We haven't been working for a film.
05:02Yes.
05:03Yes, but I don't think it's a bad thing if you're talking about it.
05:07Because I know...
05:09There are all people in the bazaar.
05:12The big guy said that you have a producer.
05:18You don't try so much.
05:20You don't have so much effort.
05:22But you...
05:24You all have to put your name on it, right?
05:26Hahaha...
05:30But our decisions are happening.
05:32If it's possible, we'll sign the Sultan's film.
05:38Oh, what?
05:39Yes.
05:40If you want to make a film with us,
05:44then take the producer.
05:50We'll sign the film.
05:56Yeah.
05:58Okay, let me tell you what's going on.
06:00Chai or coffee?
06:03Chai.
06:06Salim!
06:26What's your name?
06:27Is it true of the company?
06:28Amand?
06:29No.
06:31I'm going out.
06:32We'll sign it for your company.
06:33I'll sign it for you.
06:34That's right.
06:35But you actually can't get what you think, sir.
06:36You're not.
06:37You're not.
06:38You're not.
06:39I'm going out if you're the owner.
06:40Yes, sir.
06:41You're not.
06:42You're not.
06:43No, sir.
06:46But...
06:47How do I...
06:48I'm just going out.
06:50Don't worry, sir.
06:51The owner of your business will be done.
06:54No sir, but you can see it yourself.
06:59You know, it's your success.
07:02But that's what you're doing.
07:06Yes sir.
07:08But he didn't tell us.
07:10It was a great deal.
07:12That's why we can't do it.
07:14It was two times, but he didn't answer.
07:27What do you mean?
07:29That's why he's writing a film.
07:32I've heard that if you're a writer with someone,
07:35you're going to do it.
07:37I don't know.
07:39You've controlled a lot of anger.
07:43Why?
07:45You're going to do it.
07:48No, no, no.
07:50I'm just saying that it's not a divorce from the film.
07:53They don't have value.
07:55Who said it?
07:57They're doing so much work.
07:59Muhammad Ali Zewa, Sabiyah Khan, Santosh.
08:02They're all working.
08:04Then you need to go to Shiriya and Faraad.
08:08It's impossible.
08:10Why?
08:13Where are you going?
08:18I'm going to the hospital.
08:20They're in the hospital.
08:21They're in the hospital.
08:22They're in the hospital.
08:23Oh, oh.
08:24Give God to God.
08:25Where did she go?
08:26Where did she go?
08:27He went to college.
08:28He went to the hospital.
08:29He went to the hospital.
08:30He went to the hospital.
08:32He was also opening a house in the studio.
08:35What?
08:36What?
08:37Yes.
08:38We're in the hospital.
08:39Now that place is clean for him?
08:41I don't know.
08:43Will we see?
08:44Don't believe.
08:45There's no need for him to go to the hospital.
08:48I've come to the hospital.
08:50Let's see.
08:52Where do I know?
08:54I'm not writing this.
08:56I'm not writing this.
08:57Hang on.
08:58I'm not writing this.
08:59Do you know who your story is?
09:01Are you not writing this?
09:02I'm writing this.
09:04You don't write it.
09:05I'm writing this.
09:06You're writing this.
09:07My story is my story.
09:08What?
09:09What?
09:11The perks are just so much that you get them.
09:18Peace be upon you.
09:19Peace be upon you.
09:21What are you doing?
09:22I'm better.
09:24Why did you hurt yourself?
09:26I met you from the night.
09:28And I met you from the two.
09:30I'm tired.
09:32I'm tired.
09:34Now you don't eat food outside.
09:39Oh my God.
09:41Where are you from?
09:43I'll take an autograph.
09:45I'll take it.
09:46I'm just a minute.
09:52Why did you hurt yourself?
09:54Why did you hurt yourself?
09:56Why did you hurt yourself?
09:58You hurt yourself.
10:00You hurt yourself.
10:02You hurt yourself.
10:04You hurt yourself.
10:06People do it.
10:08You hurt yourself.
10:11Ooh.
10:12Don't get angry.
10:13He's also here for you, writer-sahab.
10:20I'm working on the same thing.
10:22The love always feels difficult.
10:25The way you get it, the way you get it, you'll get it.
10:30The way you get it is going anywhere, but it's better to go.
10:35I don't like it.
10:37You and your own thing is something that you have to do.
10:40Everything is love to you, so you'll plan everything.
10:43You can see me
10:53I'll make my face
11:02Where you keep me, I'll make my face
11:08I'll make my face
11:11Oh
11:41I'm going to write a film and write a film.
11:45Where are you?
11:48Tell me.
11:52I'll go back to the film.
12:08If you want, go away.
12:09So you have to be happy.
12:11You have to be aware of it.
12:12Go away, Vahidah.
12:13But you won't fight.
12:14It won't be.
12:15It won't be.
12:16So you have to be happy with her?
12:17Yes, I have to be happy with her.
12:20Tell her not to be happy with her.
12:23Shiri!
12:33What happened?
12:35Nothing.
12:36Then why did I come back?
12:38I didn't see you.
12:39I didn't see you.
12:42What did you say?
12:43What did you say again?
12:44What did you say again?
12:47Yes, love you.
12:48What did you say again?
12:49What did you say again?
12:50What did you say again?
12:51I love you too.
12:52I love you too.
12:54Shiri.
12:55Shiri.
12:56Mr.
13:02What did you say again?
13:04What did you say again?
13:05What was it?
13:06You are flying away from there.
13:07This is not my fault, but I'll give it back to you.
13:10Let's go.
13:11Let's go.
13:12Hello, Uncle.
13:13Hello, Uncle.
13:15How are you here?
13:17You wanted to be here in college?
13:19Yes, Uncle.
13:21The college was a job of standing-pair.
13:23I've come here with my son's classmate.
13:27Good.
13:29Yes.
13:37You're going to go.
13:39Your daughter is inside.
13:40No.
13:41If you meet your friends and they'll see me,
13:43then the rest will be able to find themselves.
13:46No, someone has to tell you about it.
13:47But how did they tell you about it?
13:51You go.
13:53Go, Uncle.
13:59I'll kill you and cut.
14:02What do you say?
14:05Sir, let's change something.
14:07Why?
14:08What do you mean by your life?
14:11No, there's no such thing.
14:14But you're keeping the names original.
14:17I want to go.
14:18No, no.
14:21I have written two successful films on the table.
14:26But I'm not saying this.
14:28When the film comes to the sky,
14:30you say truth to yourself.
14:33You'll be honest.
14:35You don't need to act.
14:37What do you mean by your life?
14:39The other reason is that
14:41the other reason is that
14:42the one who loves you,
14:43who loves you,
14:44who loves you,
14:45who loves you.
14:46On the other side,
14:47it might be like a thief or a thief.
14:51There was Rosy's also here...
14:56I...
14:58Give it up.
15:01I will go.
15:02Come on, grow up, shiri.
15:05Then you go back and change your fears.
15:07You will never get lost.
15:08Hello, sir.
15:09Hello, Rosie.
15:11Why didn't I get a disturbance to you?
15:14We all have a place.
15:16Come on, sit down.
15:25Sir, we are in your cello.
15:27It's been a long time.
15:30I'm offering a film.
15:34Okay, this is my happiness.
15:37What did you do with me?
15:39Vamp's character.
15:42Negative?
15:42You talked to me about the lead.
15:46But he's very insecure.
15:48He's doing his job.
15:50He's exposed.
15:51He's a very complicated character.
15:54Who is he?
15:56You are.
15:59I mean, in the second cast,
16:00there's a big name.
16:03You're giving people a chance.
16:06My chance is my chance.
16:09I'll give you a chance.
16:13I'm the heroine of this film.
16:17What?
16:20Sir, you told me that
16:22you're doing this with me.
16:24I'll give you a new girl.
16:26Enough, Rosie.
16:27My name is my name.
16:29It's my death.
16:32Your story.
16:33I told someone about this interview.
16:35My Claire?
16:37Which part?
16:39I don't know.
16:40You can't do anything with me.
16:43I've been waiting for several years for you.
16:47I won't do anything with you.
16:49And what you're saying is that you're saying,
16:52I'm going to die now.
16:55Okay.
16:58I had to talk about you with a need for me.
17:01But alone.
17:07Come on.
17:10Come on.
17:18And you're telling me why?
17:20Sir, you don't have to worry about me.
17:23We're the best of you.
17:25If you're doing something against you,
17:28then who will tell me?
17:30It was the case of this deal.
17:32And it's heavy.
17:34I'll be ready for you.
17:37That's the money.
17:39You can buy people and do anything.
17:43I'm doing a film shoot.
17:47I'll handle it.
17:48I'll handle it.
17:49You just take care of your work.
17:51One last thing.
17:53This...
17:54...
17:55...
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21:41You?
21:51Where did you come from?
21:54Yes, I wanted you to pardon me.
22:00Ahmed, go.
22:07Don't let go, I'll show you the whole studio.
22:12No, I'm not.
22:14I just wanted you to help me.
22:17Before I told you, I had to open a shop here.
22:20I don't know anything.
22:28Do you want me to do this?
22:31Don't do it.
22:33I just wanted you to give it to you.
22:37You have to give it to me.
22:40You have to give it to me.
22:42Yes, I'll give it to you.
22:47I'll try to do the whole thing.
22:50I'll close the door first.
22:53I'll give it to you.
23:07Who is it?
23:08What is this?
23:10What's going on?
23:12What's going on?
23:14What's going on?
23:15What are you doing?
23:16What are you doing?
23:18What is this?
23:20What's this?
23:21What's this?
23:22Who did this?
23:25I'll see.
23:27I am seeing you.
23:31Saifuddin, Saifuddin, come here.
23:35Yes.
23:39Who is this?
23:46I can see.
23:57Who can do it?
24:08That's not it. He has been given to the Sultan.
24:12If it's given to us, why would it be given to us?
24:16Who is this?
24:19You should do it.
24:21You should do it.
24:23You should do it.
24:25I have been given to you.
24:27You should do it.
24:29You should do it.
24:31I am very sure to get married.
24:33I am so sorry to get married in this film.
24:35I am saying to you, do it.
24:37No one will do it.
24:39No one will do it.
24:41No one will do it.
24:43No one will do it.
24:45No one will do it.
24:47You will see.
24:55No one will do it.
24:57No one will do it.
24:59No one will do it.
25:01I am so sorry.
25:03You will see me.
25:05No one will do it.
25:07No one will do it.
25:09How difficult is it for him to give him two hours and give him someone to the pool?
25:18When he was gone, his hands were empty.
25:25If you are a woman, what would happen to you?
25:36We told you first, what happened?
25:41He was poor.
25:43He was poor.
25:58Let's see.
26:01Let's see.
26:03Let's see.
26:09Who is he?
26:10I'm the chachi, I'm Ahmet.
26:13He was a complete entry for me.
26:16Okay, you stop.
26:18What is this?
26:20I have to talk to him.
26:22What happened to you?
26:24How did you come here?
26:25How did you come here?
26:27What happened to you?
26:28Let me tell you something.
26:29Shireen, go inside.
26:31And Ahmet, go here.
26:34That's great, my son.
26:36That day, I saved him from his death.
26:38And that was my fault.
26:40Ahmet, let me leave you.
26:41Shireen, go.
26:43I'm not talking.
26:44I'm not talking about this.
26:45It's all about this.
26:46It's all about this.
26:47I opened a shop in the studio.
26:49I came to give you a gift.
26:51Yes, son.
26:52You know why you opened the shop?
26:54And you opened the shop.
26:56We've got to leave.
26:57We've got to hang out with the sun.
26:59Oh, Shireen.
27:00I'm so tired.
27:01I'm so tired.
27:02I'm so tired.
27:03I'm so tired.
27:04I'm so tired.
27:05And you tell me that I'm so tired.
27:06I'm so tired.
27:07Ahmet, go inside.
27:08Shireen, go inside.
27:10Ahmet, it's better for you to go here.
27:12I'm telling you, my son.
27:13There's no evidence.
27:14Ahmet, I said it now.
27:15Let's go here.
27:23You're right, Shireen.
27:24This drama is Ahmet's only.
27:26No brother's fault.
27:30I'm telling you, Abbo.
27:31We're going to go to his house.
27:33We're going to go there.
27:34We're going to go there.
27:35We're going to go there.
27:36We're going to go there.
27:37We're going to go there.
27:38There's no doubt about this.
27:39There's no doubt about this.
27:40We're going to go there.
27:42We're going to know that.
27:43How many hundred dollars are there?
27:45Tell me, ten thousand.
27:47I've never had to go there.
27:49When this film started,
27:52all this stuff is happening.
27:54They want us to be scared.
27:56We're going to be scared.
27:57You're scared, Saifuddin.
27:59Here, the great pride is not understood.
28:01You're scared of shock.
28:03If I get hired,
28:05I'll try again.
28:06You're going to have a guess.
28:11Chief,
28:17Chief,
28:18Chief,
28:20Chief,
28:21Chief,
28:22Chief,
28:23Chief,
28:24Chief,
28:25Chief,
28:26Chief,
28:27Chief,
28:28Well, Sultan of the film is where it is.
28:33My name is Hamed,
28:35Fahad Ahmet, who is written
28:38and Shiri and Rosie is where he leads.
28:42Yes, Rosie has told you that.
28:45Fahad is where it is.
28:48Fahad,
28:49he is Sultan of the assistant assistant.
28:52He is your assistant assistant.
28:54Shiri is where he is.
28:58Very good.
29:03Sir, you leave all these things.
29:05All the things will stay on site.
29:08You will announce the film.
29:10Are there any details of the night?
29:12Sir, your address is also on the house.
29:14I'll tell you a story tomorrow.
29:16Just a day.
29:21We'll meet with our writers.
29:26We'll meet with our writers.
29:27Then I will meet with our writers.
29:33We'll meet with our creators.
29:35We'll meet with our writers.
29:37Let's go to our daughter.
29:40See you later.
29:44The people who are leaving us...
29:46We have our new writers.
29:48We'll get you back.
29:50We'll get you back.
29:52foreign
30:02foreign
30:06foreign
30:12foreign
30:16foreign
30:20Oh, thank you.
30:21Then you have to go.
30:23I'm going to do it.
30:26You haven't got any time.
30:29Thank you, but you have no need.
30:32No, it's not.
30:35You have to go wrong.
30:40You have to get no news for you.
30:42You have to write a film.
30:47I'm an assistant sir, but I don't have anything.
30:51Hello, we're going to the press conference, sir.
30:56I was talking about a new film.
31:00I'm going to have a meeting.
31:05I don't want to write.
31:07The thing is that...
31:10I don't want to work and work.
31:14I don't want to learn anything from you.
31:16Thank you very much.
31:20I'm just talking about it.
31:24And there's nothing.
31:26You don't have to do anything for me.
31:29It's a great party.
31:32After that, we'll get another film.
31:34Career starts.
31:40You have to think.
31:43It will be a village.
31:47Yeah.
31:49It's a great party.
31:51It's a great party.
31:53It's a great party.
31:55One of the other...
31:56or one of the other...
32:01It's a great party.
32:04It's a great party.
32:05Shamsa, was there someone?
32:09Yes, the girl came.
32:11What was she asking?
32:13No, I was asking you.
32:17What was she asking?
32:19What was she asking?
32:21Kutshi,
32:23she was the girl who told me about me and Shiri.
32:27What was she asking?
32:29What was she doing here?
32:31Kutshi, I was asking you to keep your mind.
32:33Brother, tell me something.
32:35Nothing, Shamsa.
32:37I was asking you to forgive me.
32:39I'm coming, okay?
32:41Let's go.
32:49Abbu!
32:51I'm going to the studio.
32:53I will also go.
32:55I will also get you.
32:57Your uncle told me.
32:59If something is happening,
33:01I need to know you.
33:03I'll tell you.
33:05I'll tell you.
33:07You won't put that in the house.
33:09You won't put that in the house.
33:11There's a story.
33:12He's writing a film.
33:13You'll talk about it.
33:14No.
33:15I'll tell you,
33:17I'll have to meet him today.
33:19I'll be in the studio.
33:21I'll be in the studio.
33:22I'll tell you.
33:23I'll tell you.
33:24I'll tell you.
33:25I'll tell you.
33:27If you'll meet with me,
33:29you'll send me to you.
33:30Okay?
33:31I'll tell you.
33:47I'll tell you.
33:48What happened?
34:02Maybe the hell will be kept going.
34:06What was that?
34:09Oh, dear, Abbu.
34:11You don't even look at who can happen.
34:13I don't want to wear a mask on my eyes, but I also want to wear a mask on my face.
34:20I will also wear a mask on my face.
34:25I will also wear a mask on my face.
34:28Look at my mother's face.
34:31I ameeram.
34:36I ameeram.
34:39Since 7 years ago, Mr. Danny came back to a woman.
34:44He was very big in his career.
34:48Let's get this out. And two black coffees.
34:50Yes.
34:53Now he's a bad man.
34:55He's a man, right? He doesn't come from his years.
35:00But the truth is that I'm afraid of Danny.
35:03It's a good thing. He keeps a lot of people.
35:07But if he starts learning a lot of people, he's fine.
35:13Sir, tell me what I'm going to do.
35:15It's a film.
35:16And what?
35:19But what do Danny want us to do?
35:22He wants to do a film.
35:24He doesn't sign any further.
35:27He will try to achieve this film.
35:37He wants to do a movie.
35:38He will try to achieve it.
35:39He will try and add good things to my life.
35:45He will try to achieve it.
35:46The name of my friends, my friends.
35:48He will try to make it.
35:50He will try and lift it.
35:51We can send people to the movies.
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