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Bonus Channel
  • 6/19/2025
Transcript
00:00:00The End
00:00:30THE END
00:01:00A LOVELYER BRIDE I'VE NEVER SEEN!
00:01:22You, you're wonderful!
00:01:24Would you always be happy?
00:01:26Always?
00:01:27Do you mind?
00:01:28Not at all, Oval.
00:01:29Well, my dear, this is the only reason that I ever come to weddings.
00:01:33A charming custom, isn't it, kissing the bride?
00:01:36I've heard it so described, but never by the bride.
00:01:40Excuse me, Oval, but this gentleman is next.
00:01:43I beg your pardon.
00:01:45My dear Gwen.
00:01:46Hello, Drummond.
00:01:47Hello.
00:01:47Say, I was just wondering, what became of Algie?
00:01:50Who?
00:01:50Algie, the bridegroom, you know, her husband.
00:01:53Oh, you mean that lonely little chap with a face like a rabbit?
00:01:56There he is.
00:02:01Oh, I see.
00:02:06Ah, the bridegroom.
00:02:08Hearty congratulations, my dear fellow.
00:02:10Thanks, Hugh.
00:02:11They say I'll be very happy.
00:02:13Algie.
00:02:13Have you kissed her yet?
00:02:16Well, not since the ceremony.
00:02:18You go to her.
00:02:19And if she raises the slightest objection, put your foot down.
00:02:23There must be no discrimination against the husband.
00:02:25Thanks, Hugh.
00:02:26That's a very interesting way of looking at it.
00:02:28Good.
00:02:28Charlie.
00:02:40Charlie.
00:02:41Can I see you for a minute?
00:02:54All right?
00:02:54I'll carry it.
00:03:02Oh, would you excuse me just a minute, darling?
00:03:05Remember, just one minute.
00:03:07Just one minute, my pet.
00:03:10Oh, you.
00:03:13You're not going to leave me alone tonight, of all nights.
00:03:16This is your wedding night, Algie.
00:03:17Tonight, of all nights, you should be left alone.
00:03:19Yeah, a matter of custom, I suppose.
00:03:21I'm afraid so.
00:03:22Well, anyway, it was awfully nice of you to come all the way back from Africa just to attend my wedding.
00:03:27Well, Algie, this is the end.
00:03:29The end not only of your adventuring, but mine, too.
00:03:32The old team of Drummond and Algie retires together,
00:03:35never again to fare forth into the night, armed with toothbrush and gun.
00:03:39I suppose some of the unhappiest moments of my life were spent with you, old boy.
00:03:43Well, Algie, it was fun.
00:03:45Then, but now, oh, I'm fed up.
00:03:50I've had all the thrills I ever wanted.
00:03:52War, adventure, big-game hunting.
00:03:55And all I want now is peace and quiet.
00:03:58To stretch out on a grassy slope, face to the sun,
00:04:01the ripple of a babbling brook making soft music,
00:04:04to drowse their Algie through the years
00:04:07with just a pipe, a dog, and a book.
00:04:11Any particular book?
00:04:13Never you mind.
00:04:13You get back to Gwen, and never leave her again.
00:04:15Never Algie, for any reason.
00:04:17I'll speak to her about it.
00:04:18All right, see you before you go.
00:04:29My holy shanky dog.
00:04:31If it isn't Drummond, bulldog Drummond.
00:04:34Nielsen, my dear fellow, I'm delighted.
00:04:36How goes Scotland Yard?
00:04:37Why aren't you still in Africa?
00:04:38Algie's wedding.
00:04:39You wouldn't have me miss that, would you?
00:04:40All the week, I've had a dull, sickly feeling
00:04:43something horrible was going to happen to me.
00:04:45And here you are.
00:04:47As Algie would say, I don't follow you, Inspector.
00:04:49The moment you come to London, trouble starts.
00:04:52And you know it.
00:04:53The last time you arrived,
00:04:54some silly ass tried to blow up the houses of Parliament.
00:04:56Dreadful, Inspector, dreadful.
00:04:57Oh, come, will you stop calling me Inspector?
00:04:59I'm sorry, Colonel Alfred, Reginald, Nielsen, DSO, MC,
00:05:03Assistant Commissioner, Scotland Yard.
00:05:05Drummond, you're a splendid fellow in many ways, no doubt.
00:05:07But for the sake of peace and quiet,
00:05:09why can't you go back to Africa tonight?
00:05:11Inspector, I'm saying goodbye to all excitement.
00:05:14Tomorrow morning early, I'm leaving London for Sussex.
00:05:16Good.
00:05:17Yes, I'm going to devote the rest of my life
00:05:18to raising hollyhocks.
00:05:19Huh?
00:05:20Hollyhocks.
00:05:22Tall, ugly little flowers.
00:05:23No perfume.
00:05:24Very bad smell, in fact.
00:05:25May I ask why you're going down to Sussex
00:05:27to raise these kinking little flowers?
00:05:29Oh, I'm fed up.
00:05:31Inspector, ever since the war, I've...
00:05:33Ah.
00:05:34Oh.
00:05:34Congratulations.
00:05:35Sorry I couldn't be at the ceremony, Algie,
00:05:37but I've arrived in time to wish you both happiness.
00:05:39Thank you, Colonel.
00:05:40We both miss you.
00:05:50Goodbye, my dear.
00:05:51And a life filled with happiness.
00:05:53Thank you, Hugh.
00:05:54And when we get back,
00:05:55we want you to be the first to visit us.
00:05:57Algie, old friend,
00:05:58our paths may cross again one day,
00:06:00but until they do,
00:06:02goodbye and good luck.
00:06:03Goodbye, Hugh.
00:06:03Don't forget to telephone us,
00:06:05even if it's just a postcard.
00:06:06I will, I promise.
00:06:08Goodbye to you, Inspector.
00:06:09I shall now vanish into the fog,
00:06:11possibly never to be seen again.
00:06:13That should cheer you up.
00:06:14But you're not going to walk in this fog.
00:06:17We live in the same building.
00:06:18Let me give you a lift.
00:06:19We'll drop you off.
00:06:20No, thanks.
00:06:20No, the fog seems to offer something I want.
00:06:23Peace and quiet.
00:06:25Goodbye, Gwen.
00:06:26Goodbye, Hugh.
00:06:26Algie.
00:06:27Bye.
00:06:27Colonel.
00:06:36Yes.
00:06:37I still have a feeling
00:06:38I shan't get a wink of sleep tonight.
00:06:41That's strange.
00:06:42I have something of the same feeling about myself.
00:06:44Algie!
00:06:45Look at where you're going,
00:06:54aren't you?
00:06:55Sorry, old man.
00:07:01Pardon?
00:07:04My fault, I'm afraid.
00:07:05Forgive me.
00:07:07Oh, wait just a moment, please.
00:07:11Who was it you just spoke to?
00:07:13Nobody.
00:07:14Oh, yes, you did.
00:07:14I heard you.
00:07:16Was it a man or a woman?
00:07:18Uh, neither.
00:07:20As a matter of fact,
00:07:20it was some kind of a poe.
00:07:21A telegraph poe.
00:07:23You spoke to a telegraph poe?
00:07:25Oh, just a little.
00:07:27All I said was,
00:07:28please forgive me.
00:07:29You see,
00:07:30I bumped into it quite accidentally.
00:07:32I don't believe you.
00:07:34You're lying to me.
00:07:35Why does everybody lie to me?
00:07:38Hey,
00:07:39wait a minute, please.
00:07:44Pardon me, governor.
00:07:49Good light.
00:07:59Supery, ain't it?
00:08:00I'll give you my word, governor.
00:08:03I've been lost in this here blinking fog
00:08:05for three blooming days
00:08:06and three blasted nights.
00:08:09How about you, governor?
00:08:10Lost in the fog too?
00:08:12To tell you the truth,
00:08:13my friend,
00:08:13I'm afraid I am.
00:08:14Well,
00:08:14what are we going to do about it?
00:08:16Ah,
00:08:16that's the difficulty.
00:08:17Hold on,
00:08:18I've got it.
00:08:19Look,
00:08:19you attach yourself firmly
00:08:20to this post
00:08:21and hold tight,
00:08:22you understand.
00:08:23Meanwhile,
00:08:23I'll go to this house
00:08:24and ask permission to phone.
00:08:27Eh,
00:08:27uh-uh.
00:08:29Uh-uh.
00:08:30Uh-uh.
00:08:31Uh-uh.
00:08:32Uh-uh.
00:08:34Uh-uh.
00:08:40Uh-uh.
00:08:46Uh-uh.
00:08:49Uh-uh.
00:08:54Uh-uh.
00:08:54Uh-uh.
00:08:55Hello?
00:09:25Hello there.
00:09:36Anyone at home?
00:09:55Hello?
00:09:57May I use your telephone?
00:10:25Hello?
00:10:41Hello?
00:10:46Oh, my God.
00:11:16Oh, my God.
00:11:46Oh, my God.
00:11:48Oh, my God.
00:11:50Oh, my God.
00:11:52Oh, my God.
00:11:56Oh, my God.
00:12:00Hey, officer.
00:12:04Officer, I found it for you.
00:12:08Found what, sir?
00:12:10The body.
00:12:12Come quickly.
00:12:14Oh, that's funny.
00:12:28Locked.
00:12:30No, it's no use doing that.
00:12:34There's no one at home.
00:12:36Yes, sir.
00:12:38May we come in?
00:12:42If you wish, sir.
00:12:50Just a moment, please.
00:12:54Could you wish to see?
00:12:56Where were you two minutes ago?
00:12:58Here, sir.
00:13:00Why didn't you summon the police?
00:13:01For what, sir?
00:13:02Are you sure you got the right out, sir?
00:13:04Oh, positive.
00:13:05Now, now, sir.
00:13:06What is it you want?
00:13:07Now, one moment, sir.
00:13:08This is all very highly irregular.
00:13:10Yes, and that body, officer, is very highly irregular.
00:13:12The body?
00:13:14What sort of body?
00:13:18You were saying, sir?
00:13:20I was saying that I was in here two minutes, three minutes ago.
00:13:24Saying, was this gentleman in this house two minutes, three minutes ago?
00:13:30No, your highness.
00:13:32Proceed, sir.
00:13:34Two minutes, three minutes, four minutes ago, sir.
00:13:38In that room, on a divan, lay a body.
00:13:42The body of a man who had died in great agony.
00:13:44Well, this is shocking.
00:13:46Too shocking for me to ignore, sir.
00:13:48I'm afraid I shall have to insist on, on your looking again.
00:14:12I beg your pardon.
00:14:14Permit me.
00:14:16I am Prince Achmed of Chavi.
00:14:18Drummond, sir. Hugh Drummond.
00:14:20Mr. Drummond.
00:14:21My daughter, Mrs. Southern.
00:14:23How do you do?
00:14:24At least you were not in the room before.
00:14:27Or I would most certainly have noticed.
00:14:34Oh.
00:14:35Where's the monkey?
00:14:37Here now.
00:14:38Never mind the monkey.
00:14:39Where's that body you said you saw?
00:14:41Uh, officer.
00:15:02Blimey.
00:15:03Is this your corpse?
00:15:05Seems to me he's very much alive.
00:15:07You're mistaken, sir.
00:15:08Yes.
00:15:09You're right.
00:15:10Uh, pardon me, but, uh, how long have you been here?
00:15:14Oh, about two hours.
00:15:17Two hours?
00:15:19Yes.
00:15:20I fell asleep right after dinner.
00:15:22Aren't you the man they call Bulldog Drummond?
00:15:26Bulldog?
00:15:27Well, at this moment, Mrs. Southern, not nearly as much Bulldog as Pomeranian.
00:15:32And now, are you quite satisfied that we're harboring no bodies?
00:15:36Violently dead or otherwise?
00:15:38Quite.
00:15:39My only concern now is for my own sanity.
00:15:42All right, officer.
00:15:43I'll go quietly.
00:15:44Sorry, tooth trouble you, sir.
00:15:46And a thousand apologies, your highness, for this stupid intrusion.
00:15:50Good night.
00:16:00If this fellow bothers you again tonight, let me know.
00:16:13Dear, what have you been up to this evening?
00:16:17I've been to a wedding, reception officer.
00:16:19No.
00:16:20Well, you'd better go home and sleep it all.
00:16:22And stop bothering people.
00:16:24All right, officer.
00:16:25Good night.
00:16:26Good night.
00:16:49Good night.
00:16:52Captain Drummond,
00:17:21If you place the slightest value on your life, I advise you to forget this whole incident.
00:17:51Well, here we are.
00:18:10That's right. Kind of fun, isn't it? I mean, just sitting around like this, together.
00:18:16And all those people down at the station waiting to throw rice at us. And us so cozy here.
00:18:22Oh, Algie, I'm the happiest woman in the world.
00:18:25Oh, no, darling, I am.
00:18:33What, dear?
00:18:35Nothing, I just cleared my throat.
00:18:38Oh.
00:18:39Like that.
00:18:41I thought you said something.
00:18:43No, just cleared my throat.
00:18:50Do you think it would be all right if I took off my coat?
00:18:53Oh, you could take off your coat, I guess.
00:18:56Yes, I guess I can.
00:18:59Well, I took it off.
00:19:17Oh, just one little wee little moment, darling.
00:19:21Oh, that's all right, darling.
00:19:24No hurry, you know.
00:19:26Oh.
00:19:44Hello, darling.
00:19:47Hello, sweetheart.
00:19:49Algie, something terrible has happened.
00:19:51I want you to come over at once.
00:19:54But you, I can't leave here now.
00:19:56I really can't.
00:19:58Well, not yet, anyway.
00:20:00But, my dear fellow, this is the chance of a lifetime.
00:20:03Just think of it, Algie.
00:20:04My very life has been threatened.
00:20:06And by as sinister a character as you.
00:20:09Huh?
00:20:09But you, what I mean to say is,
00:20:12well, to put it one way,
00:20:14here I am and here she is.
00:20:17Sort of a critical moment.
00:20:21Oh, Algie.
00:20:24Mouthy, mouthy.
00:20:29Well, I've got to be getting along.
00:20:32Where are you going?
00:20:34There's no use of mentioning words.
00:20:35I've got to see Drummond on business.
00:20:37Oh, Algie, please don't go.
00:20:40I'll be back, of course.
00:20:40But right now, I've got to be getting along.
00:20:43Well, au revoir.
00:20:45That's the French goodbye, remember?
00:20:51Or au revoir.
00:20:55Suddenly, I looked behind me,
00:20:57and there stood Prince Acme,
00:20:58who said if you place the slightest value
00:21:01on your life, Captain Drummond,
00:21:02you will forget the entire incident.
00:21:04Oh, it was splendid!
00:21:08Splendid, Algie!
00:21:09I knew it.
00:21:10I knew it in me bones.
00:21:12The moment I saw you today,
00:21:13I said to myself,
00:21:14you've got no sleep for me tonight.
00:21:16But, my dear fellow,
00:21:17I tell you, this is serious.
00:21:18The body was there.
00:21:19I saw it.
00:21:20Touched it.
00:21:21We've got to do something.
00:21:22How about all of us just going on home?
00:21:24Oh, home.
00:21:26You're a nice enough fellow, Drummond.
00:21:27Well, you have your force.
00:21:29But why don't you get along down to those,
00:21:31those,
00:21:32what were those stinking little flowers
00:21:33you were going to raise?
00:21:35Hollyhocks.
00:21:36Hollyhocks.
00:21:36Well, why don't you get down to your hollyhocks tonight
00:21:38and let Algie and me get back to bed?
00:21:40What do you mean, back to bed?
00:21:41So you don't believe me?
00:21:42You won't do a thing?
00:21:43Certainly not.
00:21:45In the first place,
00:21:46your Prince Ahmed is a distinguished visitor to England.
00:21:49Not a criminal.
00:21:50In the second,
00:21:51you're a harebrained young arse
00:21:52who'll probably find an Egyptian mummy in your bed
00:21:55or a shark in your bath.
00:21:57Thirdly, I'm sleepy.
00:21:59But mummy or no mummy,
00:22:01leave me alone and let me sleep.
00:22:04You believe me, don't you, Algie?
00:22:06I believe you, but he's got the right idea.
00:22:08Now just see this picture, Algie,
00:22:11if you can.
00:22:11Now, now, try.
00:22:13A dark and gloomy house in the fog.
00:22:15A sinister prince out of a very sinister orient.
00:22:19And a body that disappears.
00:22:22By Algie, in the whole picture,
00:22:23there's only one flaw.
00:22:25Ah, we need a girl, Algie,
00:22:27very beautiful and very seductive.
00:22:29A girl to make a man's heart tremble.
00:22:31A girl in distress.
00:22:32Yes, but first of all,
00:22:34she must be beautiful.
00:22:35And by Christopher,
00:22:49look, Algie, here she is.
00:22:50Oh, please come in.
00:22:51We were just discussing you.
00:22:52I wouldn't do that if I were you.
00:23:00A girl knocked at my door one night last June.
00:23:03It was nearly September before I could get her out.
00:23:10She's not drugged.
00:23:12Algie, it's her nerve.
00:23:13Something serious has happened.
00:23:14Parker, Brandy, quick.
00:23:16Yes, sir.
00:23:17There must be a lot of other doors in London to knock on.
00:23:20Why does she have to pick on yours?
00:23:22Ah, that's part of the mystery.
00:23:23Who is she?
00:23:24Where does she come from?
00:23:25And why has she flown straight as an arrow to my door?
00:23:43Now, don't be alarmed.
00:23:45Yes, you're quite right.
00:23:47We've met before.
00:23:48I'm the fellow that chats with telegraph poles.
00:24:01Where's Colonel Nielsen?
00:24:03He lives in the flat above.
00:24:04But they told me upstairs I'd find him down here,
00:24:05and I must find him.
00:24:06No matter of fact, he just left.
00:24:08But if you'll tell us,
00:24:09perhaps we can help you.
00:24:14Are you a detective?
00:24:14Well, an amateur detective.
00:24:17My most amusing hobby.
00:24:19I've been looking for my uncle.
00:24:20He's disappeared.
00:24:22Oh, I don't know what you can do.
00:24:24Oh, try us.
00:24:25If it looks too much,
00:24:26I'll get Nielsen out of bed again.
00:24:29Well,
00:24:30we just reached London this morning.
00:24:32My uncle and Anthony and I from the East Indies
00:24:34aboard the Bombay Girl.
00:24:35That's a cargo ship.
00:24:36Yes.
00:24:36Well, we came across from quarantine
00:24:38and went straight to a hotel near the dock.
00:24:40Then my uncle left us about 11 o'clock this morning
00:24:42to make some sort of report
00:24:43to the owner of the ship.
00:24:44And that's the last we've seen of him.
00:24:46And the owner,
00:24:46did he get the report?
00:24:47Prince Ahmed?
00:24:49Prince...
00:24:49I...
00:24:51I don't know.
00:24:53My allergy!
00:24:55What about Prince Ahmed?
00:24:57Well, that's the strange part of it.
00:24:59He's the owner of the Bombay Girl.
00:25:01And this evening,
00:25:01when I went to his house,
00:25:02they told me my uncle had never arrived.
00:25:04Oh, they acted so peculiarly.
00:25:05But that's what worries me so.
00:25:10Wait.
00:25:15Mayfair 6257.
00:25:31Hello.
00:25:32Hello.
00:25:33Can you come down here for a moment?
00:25:35Oh, my aunt.
00:25:37My sainted aunt.
00:25:40No, no, no, no.
00:25:41Drummond, listen.
00:25:42I'm no longer a young man.
00:25:44I've got a lot of work to do tomorrow.
00:25:46And will you please,
00:25:47in the name of mercy,
00:25:49leave me alone?
00:25:54Algy, that's settled it.
00:25:56You and I are now in complete charge.
00:25:59Now, tell me all you know about Prince Ahmed.
00:26:01Well?
00:26:02Oh, but first, your name.
00:26:03My name is Field.
00:26:05Lola Field.
00:26:07Mine's Drummond.
00:26:07Hugh Drummond.
00:26:10And, uh,
00:26:11the alert panther man on your right is Algy.
00:26:16Algy.
00:26:18Oh, someone say something?
00:26:19Now, Miss Field.
00:26:23Well, Prince Ahmed has been Uncle Paul's employer in the East for the past 15 years.
00:26:28But recently, my uncle received orders to sell everything the prince owned.
00:26:31House, land, everything.
00:26:33Put every shilling into something.
00:26:34I don't know what that something was because Uncle Paul wouldn't tell me.
00:26:37Then to load it onto the Bombay girl and bring it here to London.
00:26:40And you haven't the faintest idea of what the cargo is?
00:26:43Well, I'm not sure, but I think it was furs.
00:26:46Furs?
00:26:46Yes, valuable furs.
00:26:47Northern China and Siberia.
00:26:49Yes, go on.
00:26:50Well, there's only one explanation,
00:26:51and that really isn't a very good one because I don't know what it means.
00:26:54What was this, this explanation, Miss Field?
00:26:57A radiogram.
00:26:58In code?
00:27:00Yes, how did you know?
00:27:01Ah, you see, Algy Hart builds and grows within two minutes.
00:27:04A girl in distress, a lost uncle, and now a radiogram in code.
00:27:08Do you know where it came from?
00:27:10Port Said on the Suez Canal.
00:27:12Port Said?
00:27:12Yes, you see, we stopped there two weeks ago to take a sick deckhand to shore.
00:27:16Then when we reached the hotel this morning,
00:27:18my uncle was in such a hurry to get to the prince that he forgot the radiogram.
00:27:22And that Martha, knowing how important it was, asked me to take it to him.
00:27:25So your aunt knows what it said?
00:27:27Yes, Uncle Paul must have told her I know because she was terribly upset too.
00:27:30All right, Algy, we're off on the first stop.
00:27:32Parker.
00:27:33Yes, sir.
00:27:33My hat and coat.
00:27:34Algy, your things.
00:27:35Miss Field, your aunt.
00:27:43Do you mind telling me where we're going?
00:27:45Miss Field's hotel to get some very important information from her aunt.
00:27:49The meaning of that radiogram.
00:28:01I'll get my...
00:28:02Good evening, Miss.
00:28:11Good evening.
00:28:15No, I'm already registered.
00:28:16I want my key, please.
00:28:18What name, Miss?
00:28:19Well, what name, Miss?
00:28:21Field.
00:28:22Lola Field.
00:28:23Room 34.
00:28:25Field.
00:28:2534.
00:28:26Now, dear.
00:28:27I'm afraid we're too late to help her much.
00:28:32Don't you think that the body you saw at the prince's house was her uncle?
00:28:35Well, it fits in.
00:28:36Well, I don't need to tell her.
00:28:38Well, I've got to be certain.
00:28:40And I'm telling you, Miss, you're off your napper.
00:28:42I'm telling you, I am registered here.
00:28:44Are you addressing Miss Field?
00:28:46She's off her napper.
00:28:47I'll trouble you to keep a civil tongue on your head, my friend.
00:28:49Well, all I'm saying is that I've never seen her or heard of her in my life before.
00:28:53Never heard of her.
00:28:54Why, she lives here.
00:28:55She don't live here and never did.
00:28:57He's mistaken.
00:28:58I was talking to him only this morning.
00:28:59And the manager, too.
00:29:01Oh, we are registered.
00:29:02Miss Field.
00:29:03Is this the East India Hotel?
00:29:05Yes.
00:29:06And Miss Field is not registered here, nor her aunt or uncle?
00:29:09No, are you?
00:29:10You can look for yourself.
00:29:11Oh, that's ridiculous.
00:29:12I saw Uncle Paul registered this morning.
00:29:14My aunt, where is she?
00:29:15Sure, Miss, I don't know.
00:29:17There's a general all-round air of confusion, isn't there?
00:29:20I beg your pardon?
00:29:22Something wrong, sir?
00:29:23I'm the manager.
00:29:24Mr. Hendricks will tell you.
00:29:25He knows I live here.
00:29:26You know this lady?
00:29:28No, I'm afraid not, sir.
00:29:30Why, you do know me.
00:29:31I was speaking with you only this morning.
00:29:33Me, Miss?
00:29:33Yes.
00:29:34Now, there must be some mistake, Miss.
00:29:36Not me.
00:29:37Oh, no, no, no.
00:29:38There's no mistake.
00:29:38Just wait.
00:29:40Would you have any objection to our looking at room
00:29:42number, what is it?
00:29:4334.
00:29:4434, sir?
00:29:45Well, that's occupied.
00:29:47But we've got some other rooms.
00:29:48No, no.
00:29:48We just want to look at room 34, if you have no objection.
00:29:51Oh, if you insist, sir, certainly not.
00:29:53Just come with me, please, sir.
00:30:04No question about the number.
00:30:05No, no, I'm absolutely positive.
00:30:07Room 34.
00:30:10Well, I beg your pardon, sir.
00:30:11But this young lady here would like to see the room for a minute.
00:30:14Oh, what's the idea?
00:30:16It's just for one minute.
00:30:17That's all.
00:30:17I know, but listen, here.
00:30:18Not a minute.
00:30:19That's all.
00:30:19But look, here.
00:30:19Just a minute.
00:30:24Now, Miss Field, is this your room?
00:30:27No, it's not the same furniture.
00:30:31No, the same wallpaper.
00:30:33Well, everything seems different.
00:30:34Now, you see, sir?
00:30:35I'm afraid the young lady's in the wrong hotel.
00:30:37I'm not in the wrong hotel.
00:30:38I was here this morning, and you know it.
00:30:39But, Miss, there must be some mistake.
00:30:41No, there's no mistake.
00:30:42Just one minute, please.
00:30:43How long have you occupied this room?
00:30:45You get out of here.
00:30:46The old blooming lot of you.
00:30:48What kind of an hotel do you call this?
00:30:50A lot of blokes busting in on a man on his wedding night.
00:30:53It's a slight mistake, that's all.
00:30:54You off it.
00:30:55Well, I'm very sorry, sir.
00:30:56Is this your wedding night?
00:30:57It is.
00:30:58And what's more, I can prove it.
00:30:59Say no more.
00:31:00I know just how you feel.
00:31:08Your pardon me, sir, but I think the little lady's a bit confused, sir.
00:31:11Well, scarcely more than I.
00:31:12Thanks for the trouble, anyway.
00:31:13Not at all, sir.
00:31:14Good night, Captain Drummond.
00:31:18Drummond?
00:31:19Why do you call me Captain Drummond?
00:31:21You told me that was your name, sir.
00:31:22Oh, no, no, no.
00:31:23You're mistaken.
00:31:24I never told you my name.
00:31:26Matter of fact, my name is Fortescue.
00:31:28Mortimer P. Fortescue.
00:31:31Remember that?
00:31:32Yes, Mr. Fortescue.
00:31:36Well, that clears that all, though.
00:31:42You do believe me, don't you?
00:31:44I do, but I shouldn't.
00:31:46When you knocked at my door and fainted in my arms,
00:31:48I said to myself, this is serious.
00:31:49But now there's no sense to it.
00:31:51Not even a lark anymore.
00:31:53Oh, I'm sorry.
00:31:59I didn't mean to hurt you.
00:32:03I promise you we won't give up.
00:32:08Now, you spoke of a radiogram received by your uncle on board ship.
00:32:13Yes.
00:32:13Have you got it with you?
00:32:15Yes, I have, but I...
00:32:17Oh, I don't think I should...
00:32:18You don't trust me, hmm?
00:32:21Trust you?
00:32:22Oh, yes.
00:32:24Well?
00:32:26Well, it was just that you...
00:32:29It was just that you've done enough.
00:32:31More than enough.
00:32:33Not half I'd like to.
00:32:36Splendid.
00:32:37Algy, how's the old noodle?
00:32:38On edge?
00:32:40Huh?
00:32:41Excellent.
00:32:42Working like a whip, I see.
00:32:43Here.
00:32:44Have you got a pencil?
00:32:45Yes.
00:32:45I want you to make a copy of this radiogram.
00:32:49With all the speed and accuracy possible only to an ex-officer in His Majesty's signal call.
00:32:55But you, I haven't decoded a message since the Armistice.
00:32:58Now, now, Algy, this is no time to tell me of your war experiences.
00:33:01Just copy it.
00:33:02Quick.
00:33:04Really, I can't begin to tell you how grateful I am.
00:33:06Don't.
00:33:07Let's save it until we run out of conversation.
00:33:10That won't be for hours.
00:33:11Well, so far, there's no way of telling my wedding night from any other.
00:33:18Never mind, Algy.
00:33:19You're going home now.
00:33:20Home?
00:33:20Do you think you can spare me?
00:33:21No, I'm afraid I can't.
00:33:22You're going home to translate that code.
00:33:24And, Algy, I want you to work on it as you've never worked before.
00:33:27Sparing time for neither food, sleep, nor love.
00:33:30That rather narrows down my activities, don't you think?
00:33:32How long now?
00:33:52She'll be around soon.
00:33:53It's wearing off.
00:33:55Did you find anything?
00:33:57Nothing.
00:33:57Did you search her thoroughly?
00:33:59From head to foot.
00:34:01Then we'll get killed again.
00:34:02I'll tell you, we've got to find it and destroy it.
00:34:06You're a blundering idiot.
00:34:08Why didn't you fetch the girl, too?
00:34:10She goes in fair, Highness.
00:34:11The old woman goes all alone.
00:34:13Then where is she?
00:34:17Hello?
00:34:19It's for you, Highness.
00:34:22Yes?
00:34:24Hello.
00:34:25Yes, she was here.
00:34:27Yes.
00:34:28We'd hardly finished changing the numbers on the doors.
00:34:30And she was right.
00:34:33Drummond was with her.
00:34:34Where did she go?
00:34:35She drove away in his car.
00:34:37And I saw her take a piece of paper out of her purse and show it to him.
00:34:40It must have been the radiogram.
00:34:42All right.
00:34:43Don't worry.
00:34:44And above all, don't talk.
00:34:45So, it's still Captain Drummond.
00:34:54He has obviously chosen to ignore my most excellent advice.
00:34:59That was very, very unwise of him.
00:35:03You know, at last I've decided what you're like.
00:35:17You're like someone out of a book.
00:35:19I know.
00:35:19I'll have a trip.
00:35:23Will that be all, sir?
00:35:25That's all, Parker.
00:35:27Now, this will do you good.
00:35:28Sugar?
00:35:32No, just lemon.
00:35:38Have a biscuit.
00:35:39No, thank you.
00:35:43Piece of cake.
00:35:46You know, I'm very good at cooking omelets.
00:35:51No, really.
00:35:52That's better.
00:35:53Now, you're smiling.
00:35:54Well, it's rather difficult not to with you.
00:35:57Besides, you seem to have given me courage and hope.
00:35:59A feeling of safety that I didn't believe was possible.
00:36:02Ah, leave it to little Oliver.
00:36:04Now, I can go to work.
00:36:07Where are you going?
00:36:08This time, I'm going to make sure of getting Nielsen out of bed.
00:36:11With a pistol?
00:36:14Well, it's not a bad idea, but I don't think it's necessary.
00:36:18No, I have a witness for him this time.
00:36:20You.
00:36:20Now, in the meanwhile, just relax.
00:36:25Try and believe that everything is going to come out all right.
00:36:29Will you?
00:36:29Will you?
00:36:42I'll be back in a minute.
00:36:43I'll be back in a minute.
00:36:50I'll be back in a minute.
00:37:20I'll be back in a minute.
00:37:50I'll be back in a minute.
00:38:20I'll be back in a minute.
00:38:21I'll be back in a minute.
00:38:22I'll be back in a minute.
00:38:23I'll be back in a minute.
00:38:24I'll be back in a minute.
00:38:25I'll be back in a minute.
00:38:26I'll be back in a minute.
00:38:27I'll be back in a minute.
00:38:28I'll be back in a minute.
00:38:29I'll be back in a minute.
00:38:30I'll be back in a minute.
00:38:31I'll be back in a minute.
00:38:32I'll be back in a minute.
00:38:33I'll be back in a minute.
00:38:34I'll be back in a minute.
00:38:35I'll be back in a minute.
00:38:36I'll be back in a minute.
00:38:37I'll be back in a minute.
00:38:38I'll be back in a minute.
00:38:39I'll be back in a minute.
00:38:41I'll be back in a minute.
00:38:46Don't you realize you're beginning to haunt me like a nightmare?
00:38:49Well, you know what we're going to find, don't you?
00:38:51What? The girl's gone, of course.
00:38:53Kidnapped. Some rot like that.
00:38:55You're wrong, Inspector. She's here and very beautiful.
00:38:58You ready?
00:39:00Smile now.
00:39:06Lola!
00:39:09Lola!
00:39:16Lola! Miss Fields!
00:39:19Parker!
00:39:27Lola!
00:39:31She's gone.
00:39:33May I go to bed now?
00:39:35Oh, I tell you this is serious, Nielsen. She was here, I swear it.
00:39:39Drummond, you found a body. It disappeared.
00:39:43You found a girl. She disappeared.
00:39:45She had a hotel room. It disappeared.
00:39:48Why is it, my blasted luck, that everything and everybody can disappear except you?
00:39:55Now, now, wait.
00:39:57As a favor, a personal favor, I want a couple of your men to come with me to Prince Ackman's house and search it now.
00:40:02I see.
00:40:03Just a born disturber of other people's sleep.
00:40:06Ah, will you or will you not?
00:40:08Drummond, not only will I not, but I'm going to put an end to the whole affair now.
00:40:12Once and for all.
00:40:15Hello? Hello?
00:40:17This is Colonel Nielsen.
00:40:18Put me through to Scotland Yard.
00:40:20Ah, will you please listen?
00:40:22Sussex.
00:40:24Hollyhocks.
00:40:26Peace and quiet.
00:40:30Lola!
00:40:31I want two capable men sent immediately to the residence of Prince Ackman in Rodney Square.
00:40:44Their orders will be to keep Captain Hugh Drummond, a man with a mad glint in both eyes, out of the premises.
00:40:52And if necessary, to arrest him and lock him up.
00:40:56That's all.
00:41:02Finished with the phone, Inspector?
00:41:03Drummond, I warn you.
00:41:04If you annoy Prince Ackman again tonight, you'll be arrested.
00:41:07Go to bed and stop bothering people.
00:41:09Good night.
00:41:10See you later.
00:41:12Darling, you'll never leave me again, will you?
00:41:14Never, my lord, never.
00:41:16And I'll be right back, too.
00:41:18Aren't you tired yet?
00:41:20Well, I could do with a wink or two.
00:41:23Oh, you sweet little mousy-mousy you.
00:41:37Hello.
00:41:38Hello.
00:41:39Hello.
00:41:40Is that you, Algie?
00:41:42Hello.
00:41:43Algie.
00:41:44Algie, something terrible has happened.
00:41:45I want you to ca-
00:41:46Algie!
00:41:47Hello.
00:41:48I want you to come over at once.
00:41:50Hello.
00:41:51I want you to come over at once.
00:41:52Hello.
00:41:53Hello.
00:41:56I love you.
00:41:58I want you so for sure.
00:42:00I love you.
00:42:01I love you.
00:42:02I promise I when I get the wrong thing...
00:42:04Neuro.
00:42:05I can't do it late.
00:42:06Yes.
00:42:07It is a very clever thing about me.
00:42:08About to 회ating the house, tenemos...
00:42:10No way we can go to my house...
00:42:11Is that how I'mしい?
00:42:12Oh?
00:42:13Is that not done.
00:42:18Let's go.
00:42:48Wait here and keep the motor running.
00:42:53Yes, sir.
00:42:54But for heaven's sake, be careful.
00:42:59The last time I heard of him, he was in Africa, shooting lions.
00:43:03Every time that blider comes to town, there's always trouble.
00:43:07You're right.
00:43:18If you ask me, Alf, I don't think that blider's going to turn up tonight at all.
00:43:23Well, you never know, you know. He's a slippery fella.
00:43:26You've got to be on the watch.
00:43:28Orders is orders.
00:43:30Please?
00:43:55I can't seem to remember what happened.
00:43:59My husband, did he reach you?
00:44:01Yes, he was here.
00:44:03Oh, I am so glad.
00:44:06The very thought of that ship coming into port without the authorities knowing.
00:44:10I've never seen him so worried.
00:44:13Then your husband told you what was in the radiogram?
00:44:16Yes, but no one else, of course.
00:44:19Then in all of London, there is no one who knows but just you and us here?
00:44:24And Mr. Field, of course.
00:44:26And Mr. Field, of course.
00:44:28Mrs. Field, Dr. Southern is going to give you a sleeping draught.
00:44:33Oh, but I don't...
00:44:35You need rest.
00:44:37Take it and trust me.
00:44:40Oh.
00:44:53I'm so weak.
00:45:03Mrs. Field.
00:45:22Mrs. Field.
00:45:28Mrs. Field!
00:45:32Yes, sir.
00:45:46Yes, sir.
00:45:48Quick.
00:45:49Quick.
00:45:50Mrs. Field.
00:45:52Brandy, sir.
00:45:53Yes, sir.
00:45:54Yes, sir.
00:45:55All right, sir.
00:45:56Yes, sir.
00:45:57Quick.
00:45:58Quick.
00:45:59Mrs. Field.
00:46:00Mrs. Field.
00:46:02Brandy, sir.
00:46:16Mrs. Field.
00:46:18This is very important.
00:46:20Can you understand me?
00:46:26I am Captain Drummond,
00:46:28a friend of Lola's.
00:46:30Do you know the meaning of this radiogram?
00:46:34Yes, sir. I know.
00:46:36I know it.
00:46:38It's...
00:46:39Mrs. Field, try an answer, please.
00:46:42I...
00:46:44It...
00:46:46It's...
00:46:48Mrs. Field.
00:46:50Hm, splendid.
00:46:52I was afraid for the moment we were going to find out what it was all about.
00:46:55Watch out, Parker. I'll be back.
00:46:57Yes, sir.
00:47:01I tell you, he wants to see me. I have an appointment.
00:47:03You can't, sir. He's a thief, but he won't see anyone, sir.
00:47:06Oh, I've got to see him.
00:47:08Hm? What's going on?
00:47:10Is that you, Watkins?
00:47:11Yes, sir.
00:47:12General Nielsen, wake up.
00:47:13Oh, you.
00:47:14You must come quickly. I've got the aunt downstairs. She's been drugged.
00:47:16Aunt? What aunt? Whose aunt?
00:47:18Great heavens, where do you dig up all these people?
00:47:21I can't stop the talk now. Jump into this and come down.
00:47:23I'm going to hang you, Drummond. I swear it.
00:47:26That's quite all right.
00:47:27From tonight on, I shan't be happy till I see your worthless body swinging from the gallow.
00:47:31Splendid, but come quickly.
00:47:32And I'm going to spring the trap myself, personally.
00:47:36Mrs. Field.
00:47:42Mrs. Field.
00:47:48Mrs. Field.
00:47:51Mrs. Field, Parker.
00:48:01Oh, Mrs. Field.
00:48:06I... don't tell me. I know. The aunt's gone, too. Isn't that so?
00:48:23Drummond, you're a blithering, blasted young fool.
00:48:27You're a manate to every blithering, blasted man, woman, and child in England.
00:48:30In every way, you tried to drive me insane tonight by the Lord Harry.
00:48:36If this keeps up, we'll have to get some more brandy.
00:48:46Thank you. Give me your phone.
00:48:54Hello? Hello? This is Colonel Nielsen. Give me Scotland Yard.
00:48:59It's a habit. If you'd stuck to those stinking little...
00:49:03What were you going to raise? Hollyhocks!
00:49:05Hollyhocks!
00:49:06Hello? This is Colonel Nielsen speaking.
00:49:09Send two men, better make it six, to my flat.
00:49:13I want them to take up a man and lock him in a cell.
00:49:16No, in a dungeon.
00:49:18All right. I'll keep him under lock and key till you get here.
00:49:27You're taking my telephone to bed.
00:49:30Hold on.
00:49:31Hold on.
00:49:36That'll stop you, Prowling.
00:49:40And you'll stay there till the police come.
00:49:42And you'll stay there till the police come.
00:50:12Where do you get all this rope?
00:50:18I see. Well, wait till I get a knife.
00:50:22I can't see you, my darling, but I'll find you.
00:50:23I can't see you, my darling, but I'll find you.
00:50:25Now, who in the world could that be?
00:50:29Oh, dear.
00:50:30Oh, I was beginning to be afraid you'd forgotten me.
00:50:35Oh, I was beginning to be afraid you'd forgotten me.
00:50:39Ow, Where's the translation? Did you get it?
00:50:41Well, I'll tell you about that, Hugh.
00:50:43The reason I haven't done anything about that,
00:50:45there's been something else on my mind all evening.
00:50:47Oh, I haven't found that book in the house.
00:50:51Oh, I haven't heard your thing about that.
00:50:52And you haven't heard my story, come on me.
00:50:53But I haven't heard my story before he wrote it.
00:50:55I'm going to see you.
00:50:57I'm going to know you.
00:50:58Well, I'll tell you about that, Hugh.
00:51:00The reason I haven't done anything about that,
00:51:02there's been something else on my mind all evening.
00:51:04Oh, I haven't forgotten, Algy.
00:51:06And I swear that nothing but a matter of the gravest importance
00:51:09would bring me to you on such a night.
00:51:11But that radiogram may mean life or death.
00:51:13Algy, we've got to know.
00:51:15Well, I suppose Gwen and I are still young.
00:51:17Plenty years ahead of us, eh?
00:51:18Good fellow.
00:51:19Now get to work and bring me a translation
00:51:21to Prince Ahmed's house in Rodney Square in half an hour.
00:51:24Remember, Ahmed's house, half an hour.
00:51:31Thirty minutes, eh?
00:51:34How is she now?
00:51:38She'll be all right. She's coming too.
00:51:40Leave us alone, please.
00:51:42Please.
00:51:44Where are they? My aunt and uncle.
00:51:50Your uncle is dead.
00:51:52Dead?
00:51:54Then you killed him.
00:51:56We'll discuss that at another time.
00:51:57Oh!
00:51:58And my aunt, where is she?
00:51:59Your aunt is safe.
00:52:00So far.
00:52:01What do you mean?
00:52:02Miss Field, I shan't try to mislead you any longer.
00:52:03Oh, my aunt.
00:52:04Where is she?
00:52:05Your aunt is safe.
00:52:06So far.
00:52:07What do you mean?
00:52:08Miss Field, I shan't try to mislead you any longer.
00:52:09Miss Field, I shan't try to mislead you any longer.
00:52:11Miss Field.
00:52:12Miss Field, I shan't try to mislead you any longer.
00:52:16It is impossible to exaggerate the danger of your present position.
00:52:18Your's and your aunt's.
00:52:19It may sound fantastic to you, but really, your lives depend on my getting possession
00:52:23of the radiogram, which your uncle received on the Bombay Girl.
00:52:27Radiogram?
00:52:28But I haven't got it.
00:52:29What did you do?
00:52:30My aunt?
00:52:31My aunt?
00:52:32My aunt?
00:52:33My aunt?
00:52:34My aunt?
00:52:35My aunt?
00:52:36My aunt?
00:52:37My aunt?
00:52:38My aunt?
00:52:39My aunt?
00:52:40My aunt?
00:52:41My aunt?
00:52:42My aunt?
00:52:43My aunt?
00:52:44My aunt?
00:52:45My aunt?
00:52:46My aunt?
00:52:47My aunt?
00:52:48Well, what would you do with it, Miss Field.
00:52:53Then, allow me to guess.
00:52:55You gave it to Captain Drummond.
00:52:57No.
00:52:58No, I didn't, honestly.
00:52:59I didn't.
00:53:00Let me go.
00:53:01I'll get it for you.
00:53:02I promise you I'll get it for-
00:53:03No, no, no, you needn't bother.
00:53:05Charming tab, Captain Drummond.
00:53:08Very romantic.
00:53:10We'll get it from him ourselves.
00:53:13Sing.
00:53:15Highness, take three men.
00:53:17armed and deliver for me a personal invitation to
00:53:24and remember seeing i'm at home to no one but captain bulldog drummond
00:53:35and let me remind you my dear that not only your aunt's life not only your own
00:53:40but also captain drummond's depends entirely upon the niceness of your behavior
00:53:48his highness is expecting you sir oh still more or less open house tonight isn't it
00:54:01good evening everybody
00:54:04captain drummond no one has ever been more welcome well there seems to be a certain
00:54:12charm about this lovely old mausoleum ah miss field fancy finding you here
00:54:17what you want captain drummond oh you of course please go and forget me forget you i'm afraid
00:54:23that's impossible you'd better come with me neither of you leaves this house tonight
00:54:32now listen my good-natured friend perhaps we can reach some agreement
00:54:36if you'll stop kidnapping people from my house i'll promise to stop breaking into yours otherwise this
00:54:42sort of thing might keep up all night captain drummond i gave you fair warning to keep out of this
00:54:49i'm now giving you another chance turn the radiogram over to me
00:54:54otherwise
00:54:55uh yes oh please please captain drummond give it to him you were saying otherwise i shall be compelled
00:55:02to use force now hear me my melodramatic oriental i'll give you nothing
00:55:09and this radiogram now becomes a document that scotland yard must see
00:55:16and i'll further trouble you to keep your hands in front of you as i depart
00:55:19miss field i'll call you later
00:55:29oh lady macbeth i believe sing hassan out of the way or i'll shoot
00:55:34and now what have you to say captain drummond as awkward a situation your highness as any i can
00:55:57remember empty-handed entirely surrounded by villains armed with the teeth and thirsting for my blood
00:56:05may i have a cigarette you will notice that uh in spite of my danger i still remain calm
00:56:12and collected keen and alert for the next move what will it be the radiogram please
00:56:20you know this means about half a million pounds to me ah the old saying your highness easy come easy go
00:56:36captain drummond
00:56:36captain drummond you have ignored warning after warning you've interfered in the most reckless
00:56:43and fool-hearted fashion when you gamble captain drummond you must also count on losing
00:56:49you
00:56:58The radiogram is gone.
00:57:04Where is it?
00:57:05I haven't got it.
00:57:06Search him, you fool.
00:57:07Search him.
00:57:08I haven't got it, I tell you.
00:57:09You're lying.
00:57:10Give it to me, I tell you.
00:57:11Drummond, I swear I'll kill you.
00:57:14Let him up.
00:57:16Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:57:27What's all the row about?
00:57:31Rather a close shave, your highness.
00:57:42Here, now, who's doing all this here?
00:57:45Matter of fact, officer, I am.
00:57:49Captain Drummond.
00:57:51Yes.
00:57:52Now, if you'll allow me to explain.
00:57:57That's all right, your highness, we'll handle him for you.
00:58:00Now then, Captain Drummond, you've got to come along with us.
00:58:04Orders is orders.
00:58:05Officer, you're perfectly right.
00:58:07Orders is orders.
00:58:09But I tell you it's unnecessary.
00:58:11Apparently there's been some silly mistake.
00:58:15Captain Drummond is my guest.
00:58:17I want him to remain here.
00:58:19Generous.
00:58:20Always generous to a fault.
00:58:22But no, your highness, I am guilty.
00:58:25I am ready to pay my debt to society.
00:58:28That's very handsome of you trying to save him like that, sir.
00:58:32Very handsome.
00:58:33Now then, Captain Drummond, you come along with us.
00:58:40Your highness, this is probably your most embarrassing moment.
00:58:44Good night, your highness.
00:58:56You fools.
00:58:57You bungled everything.
00:58:58Get out.
00:59:14You understand, Captain, we don't want to arrest you.
00:59:20But you're behaving like a jack in the box.
00:59:23You can't do this sort of thing.
00:59:25Orders is orders.
00:59:27All right, officer.
00:59:28I'll go home.
00:59:29All I need is peace and quiet.
00:59:32Carry on, old man.
00:59:44Right now, governor.
00:59:49Algae!
00:59:51Here.
00:59:52Here.
00:59:53Where you going?
00:59:54None of that stuff now.
00:59:55But that's Algae.
00:59:56He's a friend of mine.
00:59:57There's danger for him if he goes into that house.
00:59:59No, you're having nightmares, sir.
01:00:02Why, his highness is one of the nicest, kindest gentlemen whatever I saw.
01:00:07He wouldn't harm a fly.
01:00:12All right, officer.
01:00:13I'll go.
01:00:14Good night.
01:00:15Good night, sir.
01:00:16And pleasant dreams.
01:00:20And sleep well.
01:00:22Thank you, sir.
01:00:23The same to you, sir.
01:00:24Good night, sir.
01:00:25Good night.
01:00:26Good night.
01:00:31Good evening.
01:00:33Oh, is Captain Drummond here?
01:00:36Are you a friend of Captain Drummond?
01:00:38More like his right hand, I'd say.
01:00:40Come right in, sir.
01:00:41You're indeed welcome.
01:00:43Only stay by the moment, though.
01:00:50Wait here.
01:00:51Yes, sir.
01:00:56Good evening, everyone.
01:00:58I'm a friend of Captain Drummond.
01:01:08Well, shall we sit down?
01:01:15What did you want to see Captain Drummond about?
01:01:17Fact is, I handled a little matter for him tonight.
01:01:19Seemed to be a bit too much for him by himself.
01:01:22But I decoded it.
01:01:23Oh.
01:01:24A radiogram, wasn't it?
01:01:26That's it.
01:01:27A radiogram and code.
01:01:29Probably no more than ten men in London could have figured it out.
01:01:33Well, no more than a thousand, anyway.
01:01:35And you have this translation with you?
01:01:37Oh, yes.
01:01:38It would be pretty stupid of me to translate it and then forget to bring it.
01:01:41Give it to me.
01:01:42But it's for Drummond.
01:01:43Give it to me, you fool.
01:01:44Give it to me.
01:01:45Hello.
01:01:46Just a moment, please.
01:01:47It's Colonel Neilson.
01:01:48Say it where you are.
01:01:53Hello.
01:01:54Yes, Colonel Neilson.
01:01:55I had him locked in his room, but he got out through the window.
01:01:59I had him locked in his room.
01:02:00He got out through the window.
01:02:02Yay!
01:02:04Give it to me!
01:02:05Give it to me, you fool.
01:02:06Give it to me!
01:02:07Give it to me!
01:02:08Give it to me!
01:02:09Hello.
01:02:10Just a moment, please.
01:02:11It's Colonel Neilson.
01:02:12Yes, Colonel, I understand perfectly.
01:02:26I'll do just as you say.
01:02:38Mind you, there's nothing actually wrong with Drummond.
01:02:41He's a bit balmy, that's all.
01:02:44He's the sort of chap who might be lurking in the shrubbery under your window at this moment.
01:02:48Yes, Colonel.
01:02:49I understand.
01:02:50I thought I'd give you the tip.
01:02:51Good night.
01:02:52Good night.
01:02:56Give it to me!
01:02:57I'm afraid it's too late.
01:02:59I doubt it you could even get it with a stomach pump.
01:03:01Sing, Hassan!
01:03:04Yes, Highness.
01:03:05Lock him in the cellar.
01:03:06And hurry back.
01:03:08Here, here, boys!
01:03:10I'll report to you, Kate.
01:03:16Where's the girl?
01:03:17Upstairs, the room next to her arm.
01:03:19Good.
01:03:25Parker.
01:03:26Yes, sir.
01:03:27Take Mrs. Field to a hotel and make it a good strong one.
01:03:29Then come back here and wait for me.
01:03:30Yes, sir.
01:03:33Now, Parker will tell you what to do.
01:03:34Follow his instructions.
01:03:35Turn off the lights.
01:03:39Unlock those windows.
01:03:40I have an idea there's going to be good hunting here soon.
01:03:43Do you like hollyhocks?
01:03:44Why, yes, I love them.
01:03:45Why?
01:03:46Nothing.
01:03:47That's all I wanted to know.
01:03:48On your way.
01:03:49Quick!
01:03:50...
01:04:00He's going to be.
01:04:01Close you.
01:04:04Bobbetter, boy.
01:04:05No way.
01:04:06Why.
01:04:08He threw aaloFTаль to the future track?
01:04:10That's the reason the missing button.
01:04:11It's still 촬영ing for me.
01:04:12Come on, Mr. Seiler.
01:04:14Come on, Mr. Seiler.
01:04:15Come on, Mr. Seiler.
01:04:42Come on, Mr. Seiler.
01:04:54Oh, there you are.
01:04:56Hello, Algie.
01:04:57What's new?
01:05:02Drummond, we may as well speak bluntly.
01:05:06I'm quite willing to admit that I'm without experience in violence like this.
01:05:10I'm not a criminal by choice or habit,
01:05:13but you must believe me when I tell you
01:05:15that I'm prepared to go to any lengths
01:05:18to get possession of that radiogram,
01:05:20even to killing you if you make it necessary.
01:05:24My dear fellow, you are without a doubt
01:05:27one of the most engaging blackguards I have ever encountered.
01:05:30I know, of course, that you place no value on your own life.
01:05:33Oh, no, no, no.
01:05:34On the contrary.
01:05:35I love my life as a mother loves her child.
01:05:37At 4 o'clock, I shall leave to watch the Bombay girl unload its cargo.
01:05:41So you have 20 minutes in which to tell me
01:05:44what you've done with that radiogram.
01:05:4620 minutes, Drummond.
01:05:48No more and no less.
01:05:54Remember, Drummond.
01:05:5520 minutes.
01:05:56No more and no less.
01:05:58You said that.
01:05:59You're repeating yourself.
01:06:07Quick, Algy.
01:06:08What about the translation of that message?
01:06:09Whoop!
01:06:11That's it.
01:06:13What do you mean?
01:06:14I ate it.
01:06:15Ate it?
01:06:16You know, like a spy chewed it up and ate it.
01:06:19Algy.
01:06:20That was only a copy.
01:06:21They don't care about a copy.
01:06:22I know that now.
01:06:23I don't suppose you'd have a bit of bicarbonate to thought about you, would you?
01:06:26Now, quick now, Algy.
01:06:27Tell me.
01:06:28What did it say?
01:06:29It was to Paul Field, SS Bombay girl, en route Port Said to London.
01:06:35Yes, yes.
01:06:37Please advise Prince Ahmed that Rogers died of colic.
01:06:42Colic?
01:06:43Sort of a children's stomachache.
01:06:45Usually comes from eating green apples.
01:06:47Oh!
01:06:48Oh, Algy.
01:06:49Algy.
01:06:50You've missed it.
01:06:51There's no signature.
01:06:52Port Said.
01:06:53En route to Port Said.
01:06:54That's where Lola said they put the sick sailor ashore.
01:06:56Yes, and he was the one who died.
01:06:57Ah, but not of colic.
01:06:58No, that wouldn't account for murder, for kidnapping.
01:07:00Aye, Christopher, Algy.
01:07:01We've got to get out of this.
01:07:02It'd be pretty nice if you cleared up the whole matter so I could get home to bed.
01:07:04I don't know.
01:07:05No, no, no.
01:07:06No, no.
01:07:07No, no.
01:07:08No, no.
01:07:09No, no.
01:07:10No, no.
01:07:11No, no.
01:07:12No, no.
01:07:13No, no.
01:07:14No, no.
01:07:15No, no.
01:07:16No, no.
01:07:17No, no.
01:07:18No, no.
01:07:19No, no.
01:07:20You're not going to take this away so I could get home to bed, don't you think?
01:07:21Algy, we must get out of here.
01:07:26If only we could get someone to open that door.
01:07:34That's only a house phone, old boy.
01:07:35You can't get the police that way.
01:07:36You can't get the police that way.
01:07:37Whoo!
01:07:46hello hello is this our host greetings how's the blood pressure well have you
01:07:56decided how much time have we you have 11 minutes to decide then hear me my
01:08:04foul friend we are now going to attack I promise you a word of honor that in 10
01:08:09minutes no more no less we are coming up there to nail your whole ruddy plan to
01:08:14the wall 10 minutes no more no less what plan is that I don't know but think of
01:08:20it algae from a locked room practically a dungeon to complete mastery of the
01:08:24situation in 10 minutes algae if we can do that we'll be superb we'll be a bit
01:08:29surprised too I guess I could admire that young man under other circumstances
01:08:34he's a fool on the contrary he is too clever
01:08:44hello the attack has started my pompous peacock and mrs. field is gone nine
01:08:50more minutes I say now you you don't want to get a Johnny like that worked up you
01:08:54know that's just what we do want algae I know of no better way of waking up a
01:08:57johnny than by by ringing bells
01:09:09you understand German you're only making more unhappiness for yourself he's right
01:09:14the old woman has gone gone it's impossible why he's locked up did you look in the
01:09:21girls room no sing go search the girls room quickly
01:09:32what do you want you were speaking of miss field weren't you well she's gone to
01:09:38eight more minutes my gaudy aristocrat no more no less but he can't he can't he's
01:09:49he's locked in the room without windows
01:09:51highness the girl is gone too but how it's impossible I tell you
01:10:19quite a musician ain't he reminds me of my son angus he's taking lessons on the bagpipes
01:10:27no
01:10:41anything yet
01:10:42about
01:10:49don't you
01:11:00so
01:11:03Come on.
01:11:33Come on.
01:12:03Put up your hands, sir.
01:12:26Algy, we have company.
01:12:29Now walk straight ahead, sir.
01:12:31Both of you.
01:12:33You know, Hugh, barring none,
01:12:35this is probably the dullest wedding night a man ever spent.
01:12:41So, Captain Drummond, you were going to have me by four o'clock.
01:12:45Well, roughly, yes. That was the idea.
01:12:47And what have you to say now?
01:12:49It isn't four o'clock yet.
01:12:50Well, I must admit that I've rarely had the pleasure
01:12:53of knowing so courageous a fighter.
01:12:58It's unfortunate that victory is a joy that cannot be divided.
01:13:02It's unfortunate, too, that only one of us will live to celebrate it.
01:13:07You understand, of course, that a translation of your radiogram
01:13:11is already on its way to Scotland Yard?
01:13:14And let me inform you, sir,
01:13:16that whatever happens now, it's too late to stop me.
01:13:19A half hour ago, my ship left quarantine with a clean slate.
01:13:23Quarantine?
01:13:23And waiting at the dock are trucks and men.
01:13:26In a half hour, her cargo will be ashore.
01:13:28I'll have my half million pounds in gold,
01:13:31and then farewell to England.
01:13:34I've got it, Algy.
01:13:36By Christopher, I've got it at last.
01:13:38Come, quick.
01:13:39Stop her on fire.
01:13:40This time, I can't stop.
01:13:46Drummond, this is your last chance.
01:13:48Give me that radiogram at once, or I'll kill you.
01:13:59Your Highness, this is not your lucky night.
01:14:02Here, here, here now.
01:14:04Who's doing all this here?
01:14:06Who's shooting who?
01:14:11Captain Drummond.
01:14:13Strike me pink.
01:14:14How did you get in here?
01:14:15I thought I told you to stay out of here.
01:14:18You're right, officer.
01:14:18And I was trying to leave,
01:14:20but His Highness insists that I stay.
01:14:22Oh, that's very handsome of you, sir.
01:14:24As I said before, that's very handsome indeed.
01:14:27Your art's in the right place,
01:14:30but orders is orders.
01:14:32Now then, Captain Drummond,
01:14:33you've got to come along with us.
01:14:35You see, Your Highness, I must tear myself away.
01:14:37You know, orders is orders.
01:14:39Come on, Algy.
01:14:40Work to do.
01:14:42Good night, Your Highness.
01:14:45Keep speaking.
01:14:47Unbutton me, sir.
01:14:48I must.
01:14:49Yes, but yes, I...
01:14:50Colonel Nielsen.
01:14:51Colonel Nielsen.
01:14:52Huh?
01:14:52What the...
01:14:53What's going on?
01:14:55What is you there?
01:14:56Yes, sir.
01:14:59I'm sorry, but I must see you.
01:15:01Who are you?
01:15:02What are you doing here?
01:15:03I'm Lola Field,
01:15:03and I've come on behalf of Captain Drummond.
01:15:05What, another lunatic?
01:15:06Watch it.
01:15:07Show the young lady out.
01:15:08No, no, no.
01:15:08You must listen to me.
01:15:10Captain Drummond's in danger.
01:15:11They may kill him.
01:15:12Good.
01:15:12The sooner the better.
01:15:13But you don't understand.
01:15:14They've already killed my uncle,
01:15:16and they may kill him, too.
01:15:17Oh, who's killed whose, uncle?
01:15:19Now, wait a bit.
01:15:21Start at the beginning,
01:15:22and tell me all about it.
01:15:23Well, if...
01:15:24Joaquin!
01:15:25Don't go.
01:15:35Stop!
01:15:36In the name of the law, stop!
01:15:38He orders his orders.
01:15:39Probably none of my business,
01:15:41but where are we going?
01:15:43To the docks.
01:15:43To stop the Bombay girl
01:15:44from unloading her cargo.
01:15:52Now, hurry, hurry!
01:16:05Hey, mate, where are you going?
01:16:06Come in, yeah.
01:16:07Men, I offer a hundred pounds
01:16:30to anyone who will capture that maniac,
01:16:33get her alive.
01:16:33Come on, come on, get her!
01:16:36Hey, hey, come on, come on!
01:16:38Get in, come on!
01:16:41Come on, let her!
01:16:44Now, gee, we've got to find that coat.
01:16:46Search this room thoroughly.
01:16:49Hurry up!
01:16:50Hey, come on!
01:16:51Open the door, where are you going?
01:16:52Hey!
01:16:53Hey!
01:16:53Hey!
01:16:53Hey!
01:16:53Hey!
01:16:53Hey!
01:16:53Hey!
01:16:54Hey!
01:16:54Hey!
01:16:55Hey!
01:16:55Hey!
01:16:56Hey!
01:16:56Hey!
01:16:57Hey!
01:16:57Hey!
01:16:58Hey!
01:16:58Hey!
01:16:59Hey!
01:17:00Hey!
01:17:00Hey!
01:17:01Hey!
01:17:02Hey!
01:17:02Hey!
01:17:03Hey!
01:17:03Hey!
01:17:04Hey!
01:17:04Hey!
01:17:05Hey!
01:17:05Hey!
01:17:06Hey!
01:17:06Hey!
01:17:07Hey!
01:17:08Hey!
01:17:08Hey!
01:17:09Hey!
01:17:09Hey!
01:17:10Hey!
01:17:10Hey!
01:17:11Hey!
01:17:11Hey!
01:17:12Hey!
01:17:12Hey!
01:17:13Hey!
01:17:13Hey!
01:17:14Hey!
01:17:14Hey!
01:17:15Hey!
01:17:15Hey!
01:17:16Hey!
01:17:16Hey!
01:17:17Hey!
01:17:17Hey!
01:17:18Hey!
01:17:18Hey!
01:17:19Hey!
01:17:20Hey!
01:17:21Hey!
01:17:22Hey!
01:17:23Hey!
01:17:24Hey!
01:17:25Hey!
01:17:26Hey!
01:17:27Hey!
01:17:28Hey!
01:17:29Hey!
01:17:30Hey!
01:17:31Hey!
01:17:32Hey!
01:17:33THE END
01:18:03THE END
01:18:33Bomb
01:18:37It's Drummond, the fool!
01:18:53Don't tell me, I can guess
01:18:54He set the ship with us
01:18:55Yes
01:18:55Officer, keep the crowd away from the dock gate
01:18:58Very good, sir
01:18:58Go to headquarters
01:18:59Four men
01:19:00Come on!
01:19:19Ah, Inspector, up early this morning.
01:19:21Well, Drummond, you're in for it this time.
01:19:23Drummond, you shall answer in court for every shilling you cost me tonight.
01:19:28For every crime you committed.
01:19:30And for the cargo of valuable furs which you have destroyed.
01:19:34Your Highness, may I have a cigarette?
01:19:38No more of this, Tom. We'll reconsider yourself under arrest.
01:19:41Just one moment, Colonel.
01:19:44This radiogram was received by Paul Field, captain of this ship.
01:19:49It is encoded and concerns the mysterious death of a sailor.
01:19:53You're right, Hugh. That word was wrong. The sailor didn't die of colic.
01:19:56Of course he didn't.
01:19:58Colonel, this is the ship's private code book.
01:20:01The last word in that radiogram is color! Color!
01:20:04And you were trying to smuggle infected cargo ashore?
01:20:07To risk starting a horrible plague?
01:20:09A plague that might have meant the deaths of thousands?
01:20:12Every penny I had in the world was invested in those furs.
01:20:15It is unfortunate that they turned out to be diseased.
01:20:19However, gentlemen, I fought precisely as I would fight again under the same circumstances.
01:20:28But as I said to Captain Drummond, when a man gambles, he must be prepared to lose.
01:20:35Gentlemen, I have lost.
01:20:36Oh!
01:20:37Hello, darling. I'm back again.
01:20:38Mousy, darling. Where have you been all night?
01:20:41Where haven't I been, you mean?
01:20:42Oh!
01:20:43Oh!
01:20:44Hello, darling. I'm back again.
01:20:45Mousy, darling. Where have you been all night?
01:20:49Where haven't I been, you mean?
01:20:50Oh!
01:20:51Oh!
01:20:52What's the matter, baby? Are you sick?
01:20:53Well, I could do with a bit of bicarbonate of soda.
01:20:56Hello, Hugh. What's new?
01:20:58Oh!
01:20:59Hello, Hugh. What's new?
01:21:00Hello, Hugh. What's new?
01:21:01I'm back again.
01:21:02Hello, darling. I'm back again.
01:21:03Mousy, darling. Where have you been all night?
01:21:06Where haven't I been, you mean?
01:21:07Oh!
01:21:08What's the matter, baby? Are you sick?
01:21:11Well, I could do with a bit of bicarbonate of soda.
01:21:14Hello, Hugh. What's new?
01:21:20Algie, my dear fellow.
01:21:22I have pleasure in informing you that a marriage has been arranged.
01:21:26And will take place the moment you and Gwen arrive here to witness the ceremony.
01:21:30But, Hugh, I've got to get to bed.
01:21:33Get a little sleep.
01:21:35Sleep?
01:21:36Whoever heard of such a thing?
01:21:37Why, it's daylight.
01:21:39No, no, no, Algie.
01:21:41Breakfast is waiting and Lola is starving.
01:21:44Aren't you, Donnie?
01:21:45Come over at once.
01:21:47All right, we'll be over.
01:21:50That was Hugh Drummond wants us come over and witness his marriage.
01:21:54His marriage? To whom?
01:21:56Some girl he met in the fog last night.
01:21:58I never did catch her name.
01:22:01The way it's beginning to look to me, we might as well have never been married.
01:22:06Well, cheer up, my pet.
01:22:08Who knows, we may be very happy in our quiet, platonic ways.
01:22:14Hollyhocks?
01:22:19You asked me last night if I liked them.
01:22:21And you said yes.
01:22:22So I decided to marry you.
01:22:25Thanks to Hollyhocks.
01:22:27Oh, darling.
01:22:28Just think of it.
01:22:29Peace and quiet.
01:22:31A babbling brook.
01:22:32A few hollyhocks bright against the garden wall.
01:22:34Peace and quiet.
01:22:35Peace and quiet.
01:22:36Peace and quiet.
01:22:38Peace and quiet.