- 6/18/2025
From iconic character introductions to breathtaking action sequences, these unforgettable opening scenes set the bar for cinematic excellence. Join us as we celebrate the most impressive, innovative, and influential opening sequences that grabbed audiences from the very first frame.
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00:00No time to argue. Throw me the idol, I throw you the whip.
00:03Give me the whip!
00:05Adios, senor.
00:06Welcome to Ms. Mojo.
00:08And today we're counting down our picks for the most memorable, riveting, and inviting opening scenes in film history.
00:14Don't forget the guy who planned the job.
00:15He thinks he can sit it out and still take a slice.
00:17I know why they call him the Joker.
00:21Number 30. Honoring a fallen friend. Deadpool and Wolverine.
00:25While investigating Wolverine's final resting place at the beginning of Deadpool and Wolverine,
00:29Deadpool encounters the time-variance authority.
00:32Last chance! Throw out your weapons and come out peacefully.
00:36I'm not gonna give you my weapons, but I promise not to use them.
00:41He uses an unorthodox way of fighting back, involving the use of the fallen Wolverine's adamantium skeleton.
00:47Deadpool takes down his enemies in an over-the-top and darkly funny scene.
00:51The superhero delivers all the quips and violent moves that you could ask for.
00:55There's also an unforgettable soundtrack with Bye Bye Bye by NSYNC adding extra flair to the sequence.
01:00Don't wanna be a fool for you.
01:03Just wanna play your own equation or two.
01:05Superhero movie fans will never hear the song the same way again,
01:09with this sequel giving audiences a shot of comedic adrenaline.
01:13Number 29. Migrating Coconuts. Monty Python and the Holy Grail.
01:17In this classic comedy, the Monty Python troupe infuse the Middle Ages with their silliest humor.
01:22This becomes apparent in the very first scene, as King Arthur emerges with his squire Patsy.
01:28Halt!
01:30Who goes there?
01:32It is I, Arthur, son of Ussapem Dragon from the castle of Camelot.
01:36King of the Britons.
01:38Defeater of the Saxons.
01:39Instead of riding a horse, Arthur pretends to gallop as Patsy bangs coconuts together.
01:44This was actually done for budgetary reasons.
01:47They couldn't afford real horses.
01:49It's a goofy image that only gets better when they encounter castle guards.
01:53Arthur wants to speak to their boss, but not so fast.
01:56Instead, the guards start a discussion about the coconuts' origins.
02:00This includes a funny breakdown of birds and their migratory patterns.
02:04Well, it doesn't matter.
02:05Will you go and tell your master that Arthur from the court of Camelot is here?
02:08Listen, in order to maintain airspeed velocity, a swallow needs to beat its wings 43 times every second, right?
02:18Please!
02:19By the end of it all, you'll be pleasantly surprised, amused, and maybe even confused.
02:24But in a good way.
02:26Number 28.
02:27Bell Bottom's Chase.
02:28Baby Driver.
02:29What's more entertaining than a good movie bank heist?
02:32Baby Driver gives you the exciting aftermath of a robbery with an awesome soundtrack.
02:36Director Edgar Wright starts off his crime thriller with a bang, giving you a getaway scene set to the John Spencer Blues explosion.
02:49You also get a slick car chase courtesy of some talented stunt drivers.
02:53As the vehicle swerves through city streets, you can't help but feel like you're riding along as another passenger.
02:59Wright knows how to fuse together high-octane action, music, and danger with each passing second.
03:06Number 27.
03:12Landing Sequence.
03:14Serenity.
03:14Whether or not you've seen the original TV show Firefly, the film Serenity gives viewers an effective introduction into the sci-fi world.
03:22Things start off with an exciting and bumpy landing sequence that guides you through the Serenity ship.
03:26What was that?
03:28Did you see that?
03:29Captain Mal Reynolds explores the vessel while bantering with various crew members such as Wash and Jane.
03:44The movie wastes no time in catching newcomers up to speed, while also offering diehard fans of Firefly another reason to love this ensemble.
03:52There's also the elaborate set, amazing visuals, and fun dialogue to thrill audiences.
03:57But it's ultimately the chemistry between cast members that makes this opening scene special.
04:01Doctor, I'm taking your sister under my protection here.
04:06If anything happens to her, anything at all, I swear to you, I will get very choked up.
04:11Honestly, there could be tears.
04:12Moving Shakespeare to New York City, West Side Story opens with some great aerial views of the Big Apple.
04:22The scene then shifts to a contentious part of town ruled by two gangs.
04:31The Jets, led by Riff, and the Sharks, led by Bernardo, establish themselves here, showing that they can dance as well as fight.
04:38Robert Wise's vision and Jerome Robbins' choreography bring the scene to life,
04:42with Leonard Bernstein's music piecing it all together.
04:51The whole story comes alive within the first 10 minutes without the need for any words.
04:56Number 25. The Rules. Zombieland.
04:59To survive a zombie apocalypse, you need to live by a few simple rules.
05:04This is the crux of Columbus' philosophy in Zombieland.
05:08And why am I alive when everyone around me has turned to meat?
05:11It's because of my list of rules.
05:13He walks the audience through his survival rules, which prove to be as funny as they are practical.
05:18Right from the jump, this movie lets you know that you're in for a mix of zombie mayhem and off-the-wall comedy.
05:24There's also the fantastic voiceover from Jesse Eisenberg,
05:27displaying a lovable everyman character with a dry sense of humor.
05:30That guy down there is me.
05:32I'm in Garland, Texas.
05:35And it may look like zombies destroyed it, but that's actually just Garland.
05:38You might even find yourself taking notes in case the undead rise up.
05:41Number 24. Car Bomb. Touch of Evil.
05:44Orson Welles' film noir Touch of Evil features an electric opening scene
05:48that'll have you on the edge of your seat.
05:50As a car bomb ticks away, the driver rides around for the last time.
05:54You'll find yourself sweating as you wonder when the device will go off.
06:06The director juxtaposes Mike Vargas and his wife Susan enjoying their night,
06:10until the explosion interrupts them.
06:12Welles' long take keeps you engaged, guiding you through the action.
06:16Mike, what happened?
06:17That car that just passed has exploded.
06:20The car? What's going to do that?
06:22I don't know. I'll have to try to find out.
06:24The director establishes the compelling conspiracy and violence
06:27lurking beneath this story within the first few minutes.
06:30Number 23. Tuco's Escape. The Good, the Bad, and the Ugly.
06:34In this definitive spaghetti western,
06:36director Sergio Leone starts things off in a quiet town.
06:40Bounty hunters are looking for Tuco Ramirez.
06:46The filmmaker lets you fill in the blanks here,
06:52watching as the team slowly heads for their prize.
06:54It is an incredibly atmospheric scene,
06:57with both staggering close-ups and beautiful landscapes.
07:00The gunmen finally charge in after their target,
07:02but Tuco manages to fight back and escape in memorable fashion.
07:10It might be one of the boldest character introductions of its kind.
07:13With one freeze frame, we know we are in for a true masterpiece from Leone.
07:19Number 22. Standoff. Once Upon a Time in the West.
07:22Aside from the Dollars trilogy,
07:24Sergio Leone also directed other influential films,
07:27including Once Upon a Time in the West.
07:29This western begins with a sequence full of dramatic intensity.
07:32As several hitmen wait for their target,
07:34the director lets viewers soak in the setting.
07:37Every movement, sound, and character beat gives you a glimpse into this universe.
07:50The scene emphasizes action over dialogue as you wait for the violent conclusion.
07:54Charles Bronson's character Harmonica finally emerges with his cool energy and steely gaze,
08:00leading to a satisfying shootout.
08:01Looks like we're shy of one horse.
08:10You brought too, too many.
08:12Leone shows off his mastery of silence, mood, and style as he beckons people into this world.
08:18Number 21. From the Cemetery to the Beach. Saving Private Ryan.
08:22The first sequence of Saving Private Ryan is an epic piece of filmmaking.
08:26An older James Ryan visits Captain John H. Miller's grave at the Normandy American Cemetery,
08:32setting up a flashback to June 6th, 1944.
08:41Director Steven Spielberg whisks viewers from the somber prologue to the intensity of Omaha Beach.
08:47Captain Miller and his soldiers are thrust into dangerous territory,
08:50fighting through machine gun fire and explosions from artillery.
08:53Who's in command here? You ask, sir!
08:57Spielberg barely lets you take a breath as the men battle their way through a visually stunning scene.
09:02It is among the most harrowing depictions of warfare ever put to film,
09:06giving audiences an unprecedented look at World War II combat.
09:10Number 20. Casey Gets a Call. Scream.
09:13Wes Craven created something special with the first scream,
09:17and the opening scene encapsulates the movie's brilliance.
09:19During a seemingly ordinary night, Casey gets a phone call from a rather strange person.
09:25One who wants to talk about horror flicks and has a deranged sense of humor.
09:29Do you have a boyfriend?
09:31No.
09:32You never told me your name.
09:34Why do you want to know my name?
09:36Because I want to know who I'm looking at.
09:37Scream expertly balances laughs and fear,
09:40serving as a satirization of slasher cliches,
09:43while still being an effective and scary entry in the horror genre.
09:46Casey's back-and-forth with Ghostface establishes the film's tone,
09:50and casting a known actress like Drew Barrymore as the first victim
09:54makes it clear that nobody's safe.
10:05Number 19. Theo Buys Coffee. Children of Men.
10:09In just two minutes, Alfonso Cuaron's sci-fi masterpiece establishes its unique premise,
10:14the protagonist's apathetic attitude,
10:17and the social climate that defines its world.
10:20Witnesses at the scene say that Diego spat in the face of a fan who asked for an autograph.
10:26He was killed in the ensuing brawl.
10:28The fan was later beaten to death by the angry crowd.
10:31As a TV in a cafe covers a news broadcast
10:34about the death of the youngest person alive in the infertile world,
10:37Theo pushes through the stunned crowd to buy a cup of coffee.
10:40This excellent scene leads to the cafeteria's bombing,
10:43a moment shot with such realism
10:45that it might cause someone to forget they're watching a sci-fi flick.
10:49Children of Men is a work of art,
10:51and its opening scene is its first masterful stroke.
11:00Number 18. The Job. Drive.
11:03A car chase is a pretty conventional way to start an action or heist film,
11:14but Drive is anything but conventional.
11:17Lasting for roughly 10 minutes,
11:19Drive opens with the driver going out on a job that threatens to go wrong,
11:23but never actually does.
11:25The sequence is nearly exclusively shown from the point of view of the protagonist,
11:29turning a common action set piece into a character piece
11:33that establishes the driver's personal rules.
11:36You give me a time and a place,
11:38I give you a five-minute window.
11:41Anything happens in that five minutes and I'm yours.
11:44No matter what.
11:46From the five-minute window to the perfectly executed escape plan,
11:49this opening scene is all about control,
11:52something the rest of the movie gradually wrestles away from the driver's grasp.
11:56Number 17. A Night Out. American Psycho.
12:09Who doesn't appreciate a good dinner and a bit of dancing after a hard day's work?
12:13Patrick Bateman is the ultimate Boy Scout,
12:16a dignified gentleman willing to put his colleagues in their place
12:19if they were, for example, to be offensive.
12:22Some latkes?
12:23No, just, uh, cool it with the anti-Semitic remarks.
12:27Oh, I forgot. Bateman's dating someone from the ACLU.
12:30At least, that's what American Psycho's first scene indicates,
12:33although Bateman quickly reveals that this straight-laced attitude is nothing more than an act.
12:38Starting with the restaurant scene and ending with the protagonist's morning routine,
12:42American Psycho launches with a captivating opening few minutes
12:46that underline the many facades of Bateman's mask.
12:49Maybe you can even sense our lifestyles are probably comparable.
12:54I simply am not there.
12:57Number 16. The Floating Body. Sunset Boulevard.
13:01Yes, this is Sunset Boulevard, Los Angeles, California.
13:05It's about 5 o'clock in the morning.
13:08That's the Homicide Squad, complete with detectives and newspapermen.
13:12A classic noir about Hollywood,
13:14Sunset Boulevard starts by giving away the ending.
13:17The credits roll seamlessly into the opening scene
13:21as police cars race through Sunset Boulevard towards the house of a celebrity.
13:25A narrator comes in to explain the situation,
13:28that an unimportant man has been found dead in the pool.
13:31A narrator and a corpse might not be all that unique of an opening for a film noir,
13:36but Sunset Boulevard uses this familiarity to its advantage
13:39by flipping the script halfway through.
13:42Franz Waxman's score is also fantastic.
13:45Let's go back about six months and find the day when it all started.
13:50I was living in an apartment house above Franklin and Ivar.
13:54Things were tough at the moment.
13:56Number 15. Anton Chigurh's Arrest. No Country for Old Men.
14:00The Coen brothers have had more than a few memorable openings,
14:03but No Country for Old Men just sticks with you like nothing else.
14:07My grandfather was a lawman. Father, too.
14:12Me and him were sheriffs at the same time, him up in Plano and me out here.
14:17I think he's pretty proud of that.
14:20I know I was.
14:21Starting with a monologue from Sheriff Ed Tom Bell
14:24that reminisces about the past before expressing a fear of the unknown.
14:27The dialogue is unsurprisingly riveting.
14:30In the meantime, Anton Chigurh is taken into custody,
14:34an arrest that proves to be less than beneficial for the deputy.
14:38In the opening five minutes, Chigurh brutally kills two people
14:42and also unleashes one of the creepiest smiles in cinematic history.
14:47Howdy. What's this about?
14:48Step out of the car, please, sir.
14:51What is that?
14:52I need you to step out of the car, sir.
14:54Number 14. War of the Last Alliance.
14:57The Lord of the Rings. The Fellowship of the Ring.
14:59And into this ring, he poured his cruelty, his malice,
15:04and his will to dominate all life.
15:09One ring to rule them all.
15:12Considering the short version of the Lord of the Rings trilogy
15:15clocks in at roughly nine hours,
15:17the opening scene really needed to hit it out of the park.
15:21The Fellowship of the Ring opens with the War of the Last Alliance,
15:24a sequence that establishes Middle-earth's main races,
15:27the power of the One Ring,
15:28and the threat posed by Sauron and his forces.
15:31For the longest time,
15:33the Lord of the Rings was considered almost unadaptable.
15:36So this opening not only needed to bring up to speed the uninitiated,
15:40but also showcased that the film will do justice to Tolkien's epic story.
15:44For the time will soon come when Hobbits will shape the fortunes of all.
15:54The Two Towers opens brilliantly as well.
15:57Number 13. Choose Life or Not
16:09Trainspotting
16:09Choose life. Choose a job.
16:12Choose a career. Choose a family.
16:14An energetic and chaotic opening that sets the pace for the rest of the flick,
16:18Danny Boyle's Trainspotting is a trip right from the opening seconds.
16:22As Iggy Pop's lust for life blasts away,
16:25audiences are introduced to the charismatic Renton and his friends,
16:28a group from Edinburgh going nowhere fast.
16:31As Renton humorously but poignantly monologues about choosing life,
16:35family, and fixed interest mortgage repayments,
16:38Trainspotting provides glimpses into the seedy world these characters exist in.
16:42Ewan McGregor is mesmerizing as Renton right from the get-go,
16:45instantly presenting a likable figure for audiences to grasp onto.
16:49Never again, Swanee. I'm off the skag.
16:51Are you serious?
16:52Yeah.
16:53No more. I'm finished with that shite.
16:55Number 12. Noisy Trunk. Goodfellas.
16:58Such a relatable opening scene.
16:59Who hasn't experienced the frustration of having car trouble in the middle of the night?
17:04Jimmy.
17:05What's up?
17:06Did I hit something?
17:07Jimmy, Henry, and Tommy find their peaceful drive disrupted by an unexplainable sound.
17:12Although, it doesn't take too long for the trio to figure out the issue.
17:15Martin Scorsese's Goodfellas opens with a morbidly funny scene,
17:20and it also highlights the different personality traits that will come to define its three main gangsters.
17:25Ultimately, opening scenes are there to entice people to stick around for more,
17:29and Goodfellas guarantees that nobody will be changing the channel.
17:33As far back as I can remember, I always wanted to be a gangster.
17:36Number 11. Alex and the Droogs at the Milk Bar.
17:41A Clockwork Orange.
17:43Stanley Kubrick opens his most controversial film with a pullback that will trigger a wide range of feelings.
17:49Curiosity, discomfort, and alarm.
17:51A Clockwork Orange tells the eccentric tale of Alex DeLarge,
18:01the violent leader of a British gang who spends his time harassing homeless people,
18:05drinking milk, and just generally being the worst.
18:09The first shot of the film is a close-up of the confrontational and arrogant Alex,
18:14before A Clockwork Orange pulls back to reveal the rest of the Droogs,
18:17and a setting that is anything but ordinary.
18:20Number 10. Chrissy Goes for a Swim. Jaws.
18:24Steven Spielberg doesn't waste a single second in this classic.
18:28Right from the underwater opening shot set from Bruce the Shark's point of view,
18:33Jaws is a masterclass of suspense.
18:43Unaware of the beast that lurks beneath the waves,
18:46Chrissy heads out for a swim,
18:47and quickly comes to realize she's not alone.
18:50The music and build-up are perfect,
18:53culminating in a thrilling and terrifying scene
18:56that almost works as a standalone short film.
18:59Proving that sometimes less is more,
19:01Jaws creates magic without utilizing gore or showing the shark.
19:06Number 9. The Dawn of Man.
19:122001. A Space Odyssey.
19:15It takes guts to begin a sci-fi epic with a prehistoric prelude
19:27centering around a tribe of apes.
19:292001's Dawn of Man sequence chronicles the hominid's discovery
19:32of an unexplainable monolith that triggers humanity's birth.
19:36Naturally, the first thing the apes create is a weapon.
19:39Impressive both visually and narratively,
19:51this sequence adds a sense of completeness to 2001 A Space Odyssey,
19:55and ties in beautifully with the events that transpire later in the film.
19:592001 has aged incredibly well,
20:01and that extends to its impeccable and awe-inspiring opening scene.
20:05Number 8. The End. Apocalypse Now.
20:17This is the end. Beautiful friend.
20:24Francis Ford Coppola's Vietnam epic starts with a haunting scene
20:27that foreshadows the psychological and trippy journey the film is about to depart on.
20:32Apocalypse Now opens essentially with a dream sequence,
20:35albeit one heavily fueled by reality.
20:38Soundtracked hypnotically by The Doors' The End,
20:41the mesmerizing napalm bombing of a forest is transposed
20:44with the image of an out-of-it Captain Willard in a hotel room in Saigon.
20:48I'll never look into your eyes again.
20:56Willard's 100-yard stare makes the destruction all the more unsettling,
21:00setting the stage for the darkness that will consume Apocalypse Now moving forward.
21:06Number 7. One Little Girl. The Matrix.
21:09A sci-fi film with plenty of ideas and action,
21:12The Matrix incorporates both in its opening scene.
21:15The police show up at an abandoned building to arrest one little girl,
21:28an undertaking that proves a tad difficult when Trinity begins kicking some serious ass.
21:33Cool and innovative for the time,
21:35The Matrix's opening provides just enough context to keep people hooked,
21:39while also sprinkling in a few hints that Foreshadow later reveals.
21:42More than anything, this sequence brings up so many fascinating questions.
21:48Who is Trinity?
21:49Why can she defy the laws of physics?
21:52Who is the one?
21:53She got out.
21:55Is this the matter?
21:56The informant is real.
21:59Yes.
22:00We have the name of their next target.
22:02The name is Neo.
22:03Number 6. A Disrespectful Request.
22:06The Godfather.
22:07At the wedding of his daughter,
22:08Vito Corleone sits in his dimly lit office,
22:11listening to a request for vengeance from Amerigo Bonasera.
22:15And I said to my wife,
22:16for justice,
22:18we must go to Don Corleone.
22:20Showing plenty of restraint,
22:22Francis Ford Coppola leaves Corleone in the shadows for a couple of minutes,
22:25reflecting the Don's role in society.
22:28Expertly directed and flawlessly acted,
22:31this scene is subtle, powerful, and revealing,
22:34and serves as a microcosm for the entire film.
22:37You don't even think to call me Godfather.
22:41Instead, you come into my house on the day my daughter's to be married,
22:44and you ask me to do murder.
22:46As the Godfather speaks to Bonasera about justice and respect,
22:49Corleone showcases his influence, morality, and authority.
22:53The Godfather opens on a sublime note.
22:56Someday, and that day may never come,
22:59I'll call upon you to do a service for me.
23:01Number 5. Shoot Her. Jurassic Park.
23:04Reminiscent of the opening in Jaws,
23:05Jurassic Park wets the viewer's appetite
23:08by offering a glimpse of the mayhem to follow.
23:16The park's attempt to cage a velociraptor goes awry
23:19when the dinosaur puts up a fight
23:21and grabs a bite to eat along the way.
23:24Utilizing great audio and tight editing,
23:26Jurassic Park shows more than enough in its opening scene
23:29to get people interested,
23:30without spoiling the excitement
23:31by prematurely exposing a full dinosaur.
23:38Considering Jurassic Park has a pretty exposition-heavy first act,
23:42this scene does a lot of the heavy lifting in the film's early stages.
23:45Shoot Her! Shoot Her!
23:49While 007 had been around for a few decades,
23:56by 1995, GoldenEye marked a new era for Bond,
24:00and the film needed to make a great first impression.
24:03Following a bit of misdirection with a plane,
24:05GoldenEye introduces the world to this version of Bond
24:07with a bungee jump off a dam.
24:10007 is known for jaw-dropping opening stunts,
24:13but GoldenEye manages to hit the elusive sweet spot
24:16of being both over-the-top and also grounded.
24:19Beg your pardon? Forgot to knock.
24:22Before Bond's face is even shown,
24:24the agent's nerves of steel and courage
24:26are proven beyond a shadow of a doubt,
24:29and this jump is only the first moment
24:31in a long and thrilling sequence.
24:33Number 3. Jokers Rob a Bank The Dark Knight
24:47Christopher Nolan's second entry in The Dark Knight trilogy
24:58is just as much of a Joker film as it's about Bruce Wayne.
25:02The opening scene places the Clown Prince of Gotham
25:04at the forefront,
25:05as the Joker leads a squad of disposable criminals
25:08in a bank heist.
25:10Splendidly paced and culminating in a fun shootout,
25:12The Dark Knight's opening instantly establishes the Joker
25:15as a criminal genius with a penchant for chaos
25:18and a willingness to challenge Gotham's status quo.
25:21No, no, no, no. I killed a bus driver.
25:25Bus driver?
25:28What bus driver?
25:32Joker is Batman's greatest enemy,
25:34and The Dark Knight shows that from its first scene.
25:37What do you believe in?
25:39I believe whatever doesn't kill you simply makes you...
25:43Stranger.
25:46Number 2. Chapter 1. Inglorious Bastards.
25:49Susan?
25:50Susan?
25:51Je vais bien aller chercher du vin pour le colonel.
25:54Ah, mais non.
25:56Merci beaucoup, monsieur.
25:57La Petite, pas de vin.
25:59Puisque nous sommes sur une exploitation laitienne,
26:01je suppose on risque de me tromper que vous avez du lait?
26:04Oui.
26:05Alors, je préfère du lait.
26:06Whether talking about Madonna or robbing a diner,
26:09a Quentin Tarantino movie will always start
26:12in an attention-grabbing way.
26:13I love you, pumpkin.
26:14I love you, honey bunny.
26:15Everybody be cool, this is a robbery!
26:19Inglorious Bastards achieves perfection in its opening scene,
26:23as the SS officer Hans Landa interrogates a dairy farmer
26:26on whether he happens to be hiding any Jewish people.
26:29In this scene, Hans charmingly leads Perrier Lapidit on a charade,
26:33while the officer casually reveals aspects of his psyche and ideals.
26:38A masterfully intense scene,
26:40Chapter 1 cements Hans as one of the best villains in cinema,
26:43and achieves a high that the rest of the very good movie struggles to replicate.
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27:15Number 1. The Golden Idol, Raiders of the Lost Ark
27:20Certain sequences are so good,
27:30they come to represent an entire genre.
27:32When someone pictures an adventure film,
27:35they are likely to imagine Indy picking up a golden idol
27:38and running away from a boulder.
27:39Indiana Jones is an icon nowadays,
27:49and so much of that can be credited to Raiders of the Lost Ark's opening set piece.
27:53With barely any exposition,
27:56the scene reveals that Indy is brave but not fearless,
27:59perceptive but not infallible,
28:01funny but serious,
28:02and simultaneously lucky and stupidly misfortunate.
28:06Raiders packs in all this awesomeness
28:08before the main plot even starts.
28:10There's a big snake in the plane, Jacques!
28:13Oh, that's just my pet snake, Reggie!
28:16I hate snakes, Jacques!
28:19I hate them!
28:20Did we forget another classic opening scene?
28:22Let us know in the comments below.
28:24Thank you!
28:44Thank you!
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