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  • 6/17/2025

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04:36Please don't drop the props, Kathy.
04:38Yeah.
04:47Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, why are you putting it on her head though? I'm a little confused.
04:51I don't know.
04:52I don't know.
04:53It was because she's not going to pick it up.
04:55It kind of looks like you're trying to put a hat on her head or something.
04:59You're fantastic.
05:00You're fantastic.
05:01You're fantastic.
05:03I don't want you to call me equal to.
05:05Okay, Paul, please.
05:06You're equal to me.
05:07Let's do some sound effects.
05:09You're going to call me.
05:13Yeah.
05:15Yeah.
05:17Okay.
05:18And then I don't feel so bad.
05:36Wait, I told you no tapping.
05:39The sound of music.
05:40No tapping.
05:41It really needs rhythm.
05:42It's like drums or something.
05:43Everybody's doing a great job.
05:45Thank you so much.
05:47Thank you so much.
06:06Oh, hello someone.
06:08Come here, are you ready?
06:09Yeah, I'm ready.
06:10Okay.
06:11You know where to stand.
06:12Yeah.
06:13Okay. Well, let's try this one.
06:16F-E-Z-D.
06:19Maybe even this one.
06:21D-E-F-P-O.
06:24I think you can work that machine safely.
06:27I'll write a note to the plant and let them know.
06:32Bye.
06:33Goodbye.
06:34Bye.
06:35Bye.
06:36Bye.
07:06We lost five hours because some idiot broke a machine.
07:11Bill's here.
07:13So?
07:14Well, he's here with Gene.
07:17Oh, that sounds like bad news.
07:20What are you going to do?
07:22Well, I guess I gotta tell her, don't I?
07:26Say hello.
07:30You can't bring the script to work, Selma.
07:32Keep your eyes on the machine, okay?
07:36Yeah?
07:38Sure, sure.
07:43Bill's here.
07:44Bill?
07:46He's here with Gene.
07:52I'm not dead.
07:54You gotta come right back, okay?
08:02Don't be too worried.
08:03We're gonna work this out.
08:06I should come.
08:13Why are you not in school?
08:16Oh.
08:18When I say so, you go to school.
08:21Do you think I joke?
08:23You have to study.
08:24Oh, come on, Selma.
08:25Stop.
08:27We talked about this, didn't we?
08:28We talked about it.
08:32You're hanging out with those automobile thieves.
08:33So why?
08:35He's learning.
08:36Selma, he's learning.
08:38Oh, come on.
08:39Gene, this is the most important thing.
08:42You have to go to school.
08:46Selma, I can drive him back to school if you like.
08:48Since when was that your business?
08:50What are you doing here?
08:52If you need a ride home.
08:54I don't even punch out until after another two hours.
08:57Well, sometimes you punch out around this time.
08:59I never punch early.
09:01Don't need a...
09:03Don't need a ride.
09:06In your little hand.
09:07All right.
09:08Come on, Mr. G, let's get you to school.
09:10Okay.
09:32Thank you, but I'll just...
09:34I'll just...
09:35I'll just ride my bike.
09:38Bye, Jeff.
09:43She likes you.
09:45I'm sure of it.
09:48You sure?
09:49Yeah, I'm sure of it.
09:54This is my punishment,
09:55that you help me with this.
09:59And you forgot...
10:01You forgot to make your bed as well.
10:06And you forgot to wrap up the bread.
10:09Two times.
10:12There's no more of that.
10:14You keep reading.
10:16So long.
10:18Farewell.
10:20Withersen.
10:22Adieu.
10:23Adieu.
10:24Adieu.
10:25Adieu.
10:26Adieu.
10:27Adieu.
10:28Adieu.
10:29Adieu.
10:30Adieu.
10:32What...
10:33What does that mean?
10:35Adieu.
10:37It's your damn musical.
10:38Adieu.
10:39Adieu.
10:41It's German.
10:44You think?
10:45Mm.
10:54You want...
10:55You want some more ketchup?
10:56No.
11:05Are you tired?
11:06What...
11:11What should you...
11:13Always...
11:14Ask me so...
11:15So stupid...
11:16Questions?
11:21Should I show you my step?
11:23Oh, hi.
11:24Hi, Jean.
11:39How's the dancing?
11:41Oh...
11:42Good.
11:43Yeah?
11:44Yeah.
11:45You want to come over to me and Bella's place and listen to some music?
11:49That...
11:50That would be lovely.
11:52But...
11:53We couldn't.
11:54Come on.
11:55Come on.
11:56Yeah.
11:57I...
11:58Let's go.
11:59Come on.
12:09You should ask Bill about his money.
12:11Linda likes it when we talk about that.
12:14You're doing a very nice job with yours.
12:18How about that?
12:21You have to be very careful not to bend the card.
12:25Uh-huh.
12:26Otherwise, I don't get paid for it.
12:29No.
12:31That's fair because the people in the shops would never want to buy it if it's bent.
12:36Well, you wouldn't buy it if it was bent.
12:38That's true, I wouldn't.
12:39They wouldn't buy anything if it was bent.
12:40No.
12:41In Czechoslovakia, I saw a film and they were eating candy from a tin just like this.
12:58No.
12:59And I thought to myself, how wonderful it must be in the United States.
13:06Yeah?
13:08You think my house looks like a movie?
13:10Oh.
13:11Our house looks like a movie.
13:12Yeah.
13:13And you look like a movie star.
13:16Bill gives me a lot of money.
13:19You know?
13:20Then of course it's all that money you inherited, isn't it, Bill?
13:25That's right.
13:26That's right.
13:27That's right.
13:28That's right.
13:29Thanks so much.
13:30Take the rest with you.
13:31Are you sure?
13:32Go on.
13:33Go on.
13:34Go on.
13:35There you go.
13:36Go on.
13:37Go on.
13:38Go on.
13:39Go on.
13:40Let's see.
14:40Thanks very much.
15:07There might be a bag.
15:11Bye.
15:12Bye.
15:14I think you're always so serious, Kathy.
15:17Oh, again we start.
15:20I don't think inside you're serious at all.
15:24I don't know.
15:24Not always.
15:27Walter.
15:28Why do you call me that?
15:30It's like someone who's...
15:34What?
15:35I don't know, just big and happy.
15:37Hey, I'm not that big.
15:39Happy, I don't know.
15:41Just need someone to pull it out.
15:43Beautiful eyes.
15:51Yeah.
15:52But he's not really happy, is he?
15:56How's she doing?
15:59It's when she cannot keep up.
16:01And she's going to faint.
16:03What?
16:04Ah, she fainted.
16:05Please be quiet.
16:06Oh, give us a break.
16:08She doesn't see that well.
16:09I paid good money to see this film.
16:11Oh, so did she.
16:15I love it when they dance.
16:17For Pete's sake, it's a musical.
16:19Of course they're dancing.
16:20We know that.
16:21Oh, you're so smart.
16:23Yes.
16:23Oh.
16:24I think you made friends, Kathy.
16:29Shh.
16:30All right, okay.
16:31Come on, get ready.
16:32We're doing something.
16:33Come on, come on.
16:35Stop.
16:42So?
16:46So what did she say?
16:48What?
16:49What did she say?
16:50She didn't say anything.
16:52Are you trying to tell me something?
16:56It's about the bike.
16:58The bike?
16:59Hmm.
17:00The bike.
17:01I'm, I, I, I cannot give, give Jean a bike.
17:06Is this his idea?
17:07It is not his idea.
17:08No.
17:09Jean?
17:10Yeah?
17:11Did you ask him to come over?
17:13No.
17:15No, he didn't, he doesn't, he doesn't know anything, Selma.
17:18He doesn't.
17:18Frankly.
17:19Why, have I done something?
17:20No.
17:21I, I haven't got the money.
17:23But, I'm almost lonely keeping class who doesn't have a bike.
17:29I even know a boy who's got a school.
17:32You all know I haven't got any money.
17:35All the extra money I've got, the times I managed to save up, I send it to Grandpa.
17:41Come and have a look.
17:42I'm not going to get expensive things for you.
17:43Your mother is only teasing.
17:45Look what she's brought for you.
17:47It's a bike.
17:49We cannot accept that.
17:50Selma, it was second hand.
17:52I can't give him any expensive things.
17:54Yeah, but where are we going to do it now?
17:55I can't even give it for his birthday.
17:57Yeah, but, well, that's why.
17:58He's just going to accept that.
17:59I'm not that sort of mom.
18:00I'm, I'm, I'm just not that kind of mother.
18:04Jean, I'm...
18:05Can't you be that kind of a mother?
18:09It's not exactly a scooter.
18:11Well, we'll see.
18:14We'll see, Mr. Jean.
18:16Careful!
18:17We've got to ride it fast!
18:18Careful!
18:21Hey, Jean, bring it over here.
18:23He looks very happy, doesn't he?
18:29He does look happy.
18:31Here he comes again.
18:34Doncio!
18:34Bring it over here.
18:35Yeah.
18:38Okay.
18:40Did you hear what she said?
18:42Did you say, okay?
18:43Yeah.
18:44Did you say, okay?
18:46Yeah!
18:48I promise to go to school.
18:50Yes, yes.
18:51Yeah?
18:51Every day, on time.
18:55I didn't know you were such a good biker.
18:58Rust and women are the same.
19:01Rust and women are the same?
19:03They are.
19:04The same.
19:05Your father said that?
19:07Yeah.
19:09I don't know what it meant.
19:17He's so kind.
19:19Look at me.
19:19I mean, he did all the work, you know.
19:23He really cared.
19:25Thank you, Jeff.
19:27Uh-huh.
19:28You're welcome.
19:30You okay with having a drink?
19:32No.
19:36Come in.
19:40Something else?
19:41No, no, no, I just couldn't sleep, that's all.
19:53I have no money.
19:56All the money that I inherited is, it's gone.
20:00And Linda, she just spends and spends.
20:17And my salary is nowhere near enough.
20:21I can't say no to her.
20:23The bank is going to repossess the house.
20:30Because I'm so far behind on the payments.
20:35And I'm going to lose Linda.
20:37I know it.
20:39I know I am.
20:41She loves you, Bill.
20:44She loves you, Bill.
20:49Oh.
20:52Oh, don't cry.
20:54I shouldn't have told you.
21:04Don't worry.
21:05I shouldn't have told you.
21:05It's okay.
21:07Don't worry.
21:07Don't you cut enough.
21:08Enough stuff.
21:10Would it make you feel better if I told you a secret?
21:13What secret could you tell me?
21:22I'm going blind.
21:24Not yet, but soon.
21:38Maybe sometime this year.
21:50Blind.
21:51Blind.
21:52Blind.
21:53Blind.
21:54It's not as bad as it sounds.
22:01It's a family thing.
22:10But blind?
22:11Blind.
22:12I've always known it.
22:13From...
22:14From...
22:15I was a little girl.
22:17I knew.
22:22Are you okay?
22:24Well, I came to America because in America they can give Gene an operation, you know?
22:35Gene?
22:36But he doesn't know about it.
22:37But he doesn't know about it.
22:38But he doesn't know about it.
22:41You mustn't tell him, because then it could get worse.
22:44I just have to save up money, you know, enough money to...
22:49To...
22:50I almost got it.
22:51To...
22:52To...
22:53To...
22:54For the operation.
22:57They can operate on Gene when he turns 13.
23:00And you made up to him.
23:01And you made up that story about your father.
23:02And you made up that story about your father.
23:07I never had a father.
23:09I made up his name, too.
23:14And that's why you put in all these hours and do all these pins and do everything you do.
23:20For him.
23:22For his operation.
23:29Well, it is my fault, I guess.
23:32Why was it your fault?
23:37Because I...
23:42I knew he would...
23:43He would have bad eyes.
23:45Like me.
23:49But I had him...
23:50All the same.
23:56You're very strong.
24:00I'm not strong.
24:02I got little games I play when it goes really hard.
24:07When I'm working in the factory.
24:12And the machines, they make this...
24:16Rhythms.
24:22And I just start dreaming and it all becomes music.
24:26But you like the movies, don't you?
24:27I love the movies.
24:28Yeah.
24:29I just love the musicals.
24:32Oh, when they're all tap dancing?
24:34All of them tap dancing.
24:36All of them these huge long lines.
24:39Wouldn't you like to be in that big room?
24:41Yeah.
24:43Just kicking your feet up there.
24:44Yeah.
24:45Yeah.
24:47When they're like spiraling up the huge, huge, enormous wedding cakes.
24:52Yeah.
24:53To the top.
24:54Yeah.
24:55But isn't it annoying when they do the last song in the films though?
24:57Why?
24:58Because you just know when it goes really big and the camera goes like out of the roof.
25:05And you just know it's gonna end.
25:08I hate that.
25:09I really hate that.
25:11I used to cheat on that when I was a little girl back in Czechoslovakia.
25:15I would leave the cinema just after the next two last song.
25:22And the film would just go on forever.
25:27It's lovely, isn't it?
25:28It is lovely.
25:32Selma.
25:34Yeah?
25:36Thank you for telling me your secret.
25:40Thanks for telling me yours.
25:42Mum's the word, right?
25:46Mum?
25:49We don't tell anybody?
25:51Oh, yes.
25:53I won't tell anyone.
25:56Good night.
25:58Good night.
26:13Selma.
26:14Can I get you another?
26:15Yeah, sure.
26:17How about a big one?
26:18How many is there in a big one?
26:20Ten thousand.
26:22I'll have a big one.
26:24What's this guy's name again?
26:26Who?
26:27Who?
26:29I'll have a big one.
26:31What's this guy's name again?
26:33Who?
26:35Who?
26:37Who?
26:38The old man.
26:39Your old man.
26:40The guy we're carding these pins for.
26:44Your father?
26:45I know.
26:47Old Rich.
26:48Right?
26:49Yeah.
26:50Old Rich Novi.
26:52He used to dance with Frank.
26:54You commies make a big deal out of sharing everything.
26:56Yeah.
26:58It's a good thing.
26:59What are you doing here if Czechoslovakia is so much better than the U.S. of A?
27:29No, Selma, no.
27:30There are two plates.
27:31It's all right.
27:32No, Selma, no.
27:33There are two plates.
27:34It's all right.
27:36No, Selma, no.
27:52There are two plates.
27:57It's all right.
27:58It's all right.
28:03You know what happens when you put two plates in, don't you?
28:10Well, she didn't do it.
28:11I mean, it didn't happen.
28:11You destroy the tool.
28:15It takes a whole day to mend.
28:17Never two plates, son.
28:18Never.
28:19You cheated the doctor.
28:21You shouldn't be working at the press at all.
28:23I mean, how dare you just?
28:24How much can you see?
28:25I could do my job with my eyes closed.
28:27So could you.
28:28No.
28:30It's just because I was daydreaming.
28:32You're dreaming?
28:34Dreaming about what?
28:36No, I just hear music.
28:37Come on, I mean, it's your rhythm.
28:39Music.
28:39You could also cut off your hand just like that.
28:41You have to watch out every second.
28:43Promise me you'll stay awake.
28:47I promise I will stop daydreaming.
28:49Promise.
28:50Oh, you repeat that you don't even listen to me.
28:52I don't know why I bother that much.
28:56Bye, Salma.
28:57If you're not going with Kathy, can I give you a lift?
29:02I don't want a boyfriend.
29:05Like I told you.
29:08Yeah.
29:09You're a really nice guy, Jeff.
29:11But I just don't have time for a boyfriend.
29:16Not right now.
29:18I don't know.
29:21If I wanted a boyfriend, it would be you, Jeff.
29:24I just don't want one right now.
29:26Well, it's no problem, you know, on the back to have the bike there.
29:39Yeah.
29:39It's no problem.
29:44It's not.
29:46Bye, Jeff.
29:48I don't think it's very safe, you know, to ride the bike wearing glasses and all.
29:53Bye, Jeff.
29:54Huh?
29:55Are you okay?
30:07Yeah, I'm fine.
30:10Hello, Salma.
30:11Hi, Bill.
30:13Headed home?
30:13Uh, yes.
30:16Yeah?
30:16Want to throw it in the back?
30:17Oh, that would be lovely.
30:19Yes, please.
30:20Hi, Jeff.
30:21Did you see the truck?
30:23No.
30:25It's like driving like crazy.
30:29What?
30:31He's driving like crazy here.
30:33Getting dirty.
30:45Bye, Jeff.
30:46Bye.
30:47Thank you, Bill.
30:52Okay, okay.
30:54Yeah.
30:54If I could just make the next payment, I'd have a bit more time.
31:05Yeah.
31:07All I need is a loan.
31:14It'll just be a month.
31:17It's money, it's genius.
31:23I'm sorry, Bill.
31:24I shouldn't have asked.
31:26Oh, yet.
31:27Don't worry.
31:28You should...
31:28It's no harm in asking.
31:29No, no, I shouldn't have asked.
31:31Linda wants new couches.
31:40I could always shoot myself.
31:44You mustn't say things like that.
31:45No.
31:48It just...
31:49make things easier.
31:52You know that, Bill?
31:53No, Selma.
31:56You mustn't say things like that.
31:57Tell me I'm kidding.
32:05Hi, Selma.
32:06Come on in.
32:08Hi, Jean.
32:09Hi.
32:10Good morning.
32:10Hi.
32:11Hi.
32:11How are you?
32:23How are you?
32:23You're fine, thank you.
32:31Can I see the gun?
32:32Yeah, go on.
32:34Come on.
32:37He's got our gun.
32:39Sure.
32:39He's a police officer.
32:42I just didn't know he would keep it here in the house.
32:45Oh, yeah.
32:46Yeah, yeah.
32:47Keeps it in his desk.
32:49Maybe I should pay more rent.
33:01It's been the same for the whole period I've been here.
33:04No, Selma.
33:05I won't hear it.
33:07You keep your money.
33:08You need it more than we do.
33:39I'm sorry.
33:39I'm sorry.
33:57Two boxes?
34:02Did you decide you are going to do two boxes at the same time now?
34:06Yeah.
34:06Selma, 10 o'clock then?
34:08You're at 10 o'clock.
34:11What happens at 10 o'clock?
34:14I'm going to do the night shift.
34:17The night shift?
34:19You can hardly see well enough to do your own shift.
34:22Suits me fine.
34:24It's just after drama class.
34:26You are going to do that too?
34:30I've had my fill of you, Selma.
34:32You do what you want.
34:34Go ahead.
34:35Break your neck.
34:35You do your night shift.
34:37But don't sing for one second.
34:38I'm going to come and rescue you.
34:47Selma?
34:51Kathy split already.
34:53I'm not looking for Kathy.
34:55I was looking for you.
34:59I just have to go to a drama rehearsal.
35:02That's what you say.
35:04You always ride your bike.
35:06You have it over there.
35:07I left it at home.
35:10I thought it would be quicker if I walk.
35:14How do you reckon that?
35:15I just walk along the railroad tracks.
35:20It's a shortcut.
35:23You know, I don't understand, in musicals, why do they start to sing and dance all of a sudden?
35:38I mean, I don't suddenly start to sing and dance.
35:54You're right, you're right, Jeff, you don't.
35:55The last thing on the list is the bake sale.
36:07You're right, you're right.
36:08You're right.
36:09I don't know.
36:10I don't know.
36:11I'm sorry.
36:12I'm sorry.
36:13I'm going to introduce you to your understudy.
36:16Our understudy?
36:18Yeah.
36:19This girl, Susan, who Boris knows, is a good singer.
36:23She's a good dancer.
36:24Okay.
36:25She'll learn your part too.
36:26Because, say you get a cold and you can't do it,
36:32then the show doesn't have to stop.
36:35Okay?
36:36Susan, Selma, Selma, Susan.
36:40Could you take off your glasses?
36:50I think we'll do the part without glasses.
36:52Next Sunday, you will see both Maria's.
36:57I mean, Selma will do the role, really,
36:59but I'll have you read part of it too.
37:01Right?
37:04It's your first time on the night shift, right?
37:06Yes, sir.
37:07While this is being pressed, you'll be cutting on the other machine.
37:10That means you'll be in charge of two machines.
37:15You have to feed Sarah over there, right?
37:18This pallet must never be empty.
37:21Is it always so dark in here?
37:23What?
37:24Is it always so dark in here?
37:25It's exactly the same as the daytime.
37:27Ah, okay.
37:28The only thing is that you have to work a little faster.
37:30That's what you paid for, right?
37:31Okay.
37:32Okay?
37:33You have to work a little, you know, a little faster than this.
37:47Okay.
37:48You have to work a little, you know, a little faster than this.
37:50Okay.
37:51Okay.
37:52You have to work a little, you know, a little faster than this.
37:56Okay.
37:57What are you doing here?
37:58What are you doing here?
37:59You have to work a little, you know, a little faster than this.
38:00Okay.
38:01What are you doing here?
38:22What do you think?
38:29I didn't put you down for the night shift, Kathy.
38:38Run along, Norman.
38:39I'm on my own time now.
38:42How I spend it is my own business.
38:44Night, ladies.
38:45Good night.
38:48Faster.
38:50A little faster.
38:51I like it better when you dance.
38:54If you dance, Walter.
38:56I will dance when there is music.
39:26Clutter.
39:27Clutter.
39:29Crash.
39:42Stack.
39:44Crack.
39:44Clutter! Crash! Clack! Crack it! Button! Sound! Crattle! Clown! Crack! Suck! Whack! Wham!
40:01Clutter! Crash! Clack! Crack it! Button! Sound! Crattle! Clown! Crack! Suck! Whack! Wham!
40:10It means music. Now dance!
40:14Listen, Qualta, you're the dancer. You got the sparkle in your eyes.
40:32Learn, and kneel in transfer.
40:50Clutter! Crash! Clack! Crack it! Button! Sound!
40:54Double! Clung! Crash! Start! Whack! Bam!
41:02Clutter machines! They greet you and say,
41:10We tap out a rhythm
41:14And sweep you away
41:18I clad the machine
41:22What a magical sound
41:27A room full of noises
41:31That spins you around
41:37Darling, Selma
41:38Look who's dancing
41:43Faster than a shooting star
41:47While there's beer
41:49While there's beer
41:57While there's beer
41:59Faster than a shooting star
42:08Wild as me!
42:15Wild as me!
42:19Wild as me!
42:49Wild as me!
43:07Wild as me
43:12Wild as me!
43:17It's been time around
43:21It's been time around
43:25It's been time around
43:27Salma, stop it, you've got yourself!
43:29Get away from the machine!
43:31Henry!
43:41Oh, Jeff is here.
43:45Hello, Jeff.
43:46Hi, Cathy.
43:47Do you live here?
43:51Well, she might say yes to a ride when it's this late.
43:55Maybe Cathy wants a ride?
43:58No, it's all right.
44:01What's that with your hand?
44:04She got to cut my finger.
44:06Yeah, it's going to be all right.
44:08Late, Sasha.
44:10Night.
44:11Careful.
44:13Okay.
44:14Oh my god.
44:15I'll go.
44:16Okay.
44:17Oh, it's good.
44:18I'm good.
44:19I've done it.
44:20Oh, okay.
44:21Oh yeah.
44:22I'm so excited.
44:23Okay, so I'm going to take a look at my face, so I'm going to take a look at my face, so I'm going to take a look at my face.
44:53Do you think I found a solution to my problem?
45:18That makes me really happy.
45:20It's nothing special.
45:23But I made up my mind I'm going to tell Linda and...
45:31I mean, after all, she loves me and...
45:38We'll just work it out together.
45:41That sounds like a really good idea, Bill.
45:45I'm sorry, I'll let you get to Bill.
45:54I guess I'm kind of tired.
45:57Thanks, Bill.
45:59Goodnight, Summer.
46:00Goodnight, Bill.
46:02Bill?
46:17Peer toaquin?
46:18I think you should do this, Bill.
46:19I think if you're in North America...
46:22Is Mr.
46:46All right.
47:16What's happening now?
47:46Here we go.
48:04Selma, are you ready?
48:04I hate to go and leave this pretty sight.
48:14And you're on.
48:21Cut, cut, stop, stop, please.
48:25This is Selma's entrance, okay?
48:28Yeah?
48:30Okay, Paul, please.
48:32There's a little absurd little bird.
48:35Is Parker what you think it is?
48:38I don't know.
48:41So now, farewell.
48:43I'll meet you soon tonight.
48:45And...
48:46Kathy, what are you doing?
48:51This is Maria's entrance.
48:53Yes.
48:54I'm sorry.
48:55It's my mistake.
48:56Please, please.
48:57I don't have all night.
48:59Six steps.
48:59Let's take this a little more seriously.
49:01Good.
49:13Okay.
49:13I'm thinking maybe, Selma, you could take a little sort of circle around Boris on this next part.
49:19Unless you have something else you want to suggest.
49:23I'm open.
49:26Okay.
49:26Samuel.
49:29Yes?
49:30I need to talk to you.
49:32Oh, Selma, please.
49:33If it's about the drummer, I have been looking everywhere for a drummer.
49:36It's not about the drummer.
49:38It's not about the drummer.
49:45Just a quick word.
49:47Do you want to go outside?
49:48Yeah.
49:50Okay.
49:50Okay.
49:51And up in the nursery and a certain little bird
49:55It's popping out to say cuckoo.
50:00I'm not going to play Maria.
50:03What?
50:06My heart just isn't in this.
50:09Like, I should be wasting my time on something that isn't that important, really.
50:15I've been watching Suzanne, and she's, she's great.
50:23She's, she's very, she's a much better dancer than I am.
50:27Terrific.
50:28She's a great dancer.
50:29Suzanne's terrific.
50:30I'm not denying that.
50:31But you, you, I thought you lived for musicals.
50:34So you've been pretending the whole time?
50:36Oh, yes.
50:39I've just been pretending.
50:41I don't know what else I could do with you.
50:43I've got everything cast right now.
50:45Yeah.
50:46The only part that's left is the old nun who lets Maria out of the convent gate.
50:52I don't think you'd want that part.
50:53There's no dancing in that.
50:54She's quite serious, then.
50:58She's serious.
50:59Yeah, it's important for the part.
51:01And not dancing, really.
51:05No.
51:06I could put a little bit of dancing in there.
51:09You think so?
51:11I didn't have it in mind.
51:14You can have your tapping.
51:17She could be just a little humorous once in a while.
51:22Even though she's a nun.
51:24You'll always be my perfect Maria.
51:31Where are all the hairpins today?
51:34I left them at home.
51:36And she won't be playing Maria.
51:39Yep.
51:40What do you reckon I'm going to do if I can't ball you out for learning your lines on company time?
51:45One, two, three.
51:51What kind of a joke is that?
51:53Well, she's beating me.
51:54I need a word with you.
51:56We're talking right now.
51:58All right.
51:59Come on.
52:00Please sit down.
52:10We were off for the whole day.
52:17Everything stops when the machine breaks.
52:18You know that.
52:19I can do my job just fine.
52:24If I stick to the day shift.
52:28This won't happen again.
52:31I daydream too much.
52:33I decided to quit.
52:35I guess then I forgot.
52:44I've been ordered to let you go somewhere.
52:49You're not going to have to pay for the machine you broke.
53:00I got him to agree to that.
53:01Thanks, Tanya.
53:02Thanks, Tanya.
53:08This is your salad.
53:12And you know maybe we can find you something away from the machines where your eyesight wouldn't matter so much.
53:24Not right away.
53:26That's very kind of you.
53:28I'll be okay.
53:30I really will.
53:32Thanks, Norman.
53:34Thank you so much.
53:54What is she going to do now?
53:58Did you ever think about that?
54:04Don't worry, Kathy. Really.
54:06I'm gonna be fine.
54:10Is anybody seen Jeff today?
54:12He's usually here early, Selma.
54:14Not this early.
54:16It's a shame.
54:24Selma!
54:30Selma!
54:36I could give you a lift if you want.
54:38I will need a lift.
54:40Later.
54:44I need to do something important.
54:46At 3.
54:50You need to get your truck then, don't you?
54:52Yeah.
55:02Train's coming. Get off the truck, Jeff.
55:06You have to be careful.
55:08Stay to the side.
55:18You can't see, can you?
55:22What is there to see?
55:36What is there to see?
55:38What is there to see?
55:40I've seen it all.
55:42I have seen the trees.
55:44I have seen the willow leaves dancing in the breeze.
55:50I've seen a man killed by his best friend and lives that were over before they were spent.
56:04I've seen what I was and I know what I-
56:06I've seen what I was and I know what I-
56:10I've seen what I-