- 5 days ago
Shelter in the Mafia
#shortfilm
#reelshort
#dramabox
#short
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Tele : t.me/khmovies_com
#shortfilm
#reelshort
#dramabox
#short
#shortdrama
#kalostv
#fyp
#film
#shortmax
#tv
#movie
#movies
#reelshorts
Tele : t.me/khmovies_com
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:10I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:25Do you really think you're that thick, Tasha?
00:00:28Tasha, your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's going to take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce paper sent over to your new address, wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plea, but I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:08Are you still a shareholder at this company, are you?
00:01:10You know, actually, your debt is mortgaged with your share, so you actually owe this company about $200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security? Security? Security? We have a vagrant in the lobby and she might become hostile.
00:01:38Stop, stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me.
00:02:15Are you going to give me the gun or not?
00:02:16I'm sorry, but no.
00:02:20I'm not going to let you get killed.
00:02:23Man, what the fuck you got me here for then?
00:02:26Shit.
00:02:41Oh, I guess you didn't hear.
00:02:43The repo guy. He came and towed your car away.
00:02:49Said it was, like, collateral for a loan.
00:02:53Of course, I made the call and arranged everything.
00:02:57My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was going to give you a ride, you know,
00:03:05seeming that we were married for so long,
00:03:07but walking the streets at night kind of suits you.
00:03:10So, enjoy.
00:03:14Go to hell.
00:03:15I don't know.
00:03:45Miss?
00:03:48Just go away, all right?
00:03:50I don't need your cheap sympathy right now.
00:03:53Miss, your friend's gone.
00:03:55I just want to offer my cab services.
00:03:59Yeah, I'm sorry.
00:04:03A cab is just what I need right now.
00:04:05All right, great. Come on board.
00:04:15Sorry, I don't have any cash right now.
00:04:32Give me a minute. I'll go grab some from inside.
00:04:35Here.
00:04:36Just proof I'm not trying to skip out on the fare.
00:04:39You have some nerve coming back here.
00:04:52I never wanted my son to marry you in the first place.
00:04:54And now that he's finally come to his senses and kicked you to the curb,
00:04:59you think that you can just waltz right back into his house?
00:05:02His house?
00:05:03My father left me this house.
00:05:08And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:15I always knew you were a nasty little hussy.
00:05:18Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside.
00:05:30Actually, this is my boyfriend.
00:05:34So if it's a personal matter for me, it's a personal matter for him.
00:05:38Okay.
00:05:40What?
00:05:41You think your son's the only one capable of having secrets?
00:05:43Hey, thanks again for today.
00:06:01I know that's a weird position to put you in.
00:06:05Sorry?
00:06:06It is really nice to know that there is still good people out there that would help a total stranger.
00:06:12Have a good night.
00:06:15All right, you too.
00:06:42Where's my necklace?
00:07:02Here.
00:07:03Just proof I'm not trying to skip out on the fair.
00:07:06There's a fancy broad like you find yourself in a place like this.
00:07:36Who the hell are you?
00:07:38Get out now!
00:07:39All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:48I'm calling the police!
00:07:51How about I give you a better idea?
00:07:53You and I are going to have some good old-fashioned fun tonight.
00:08:04If I ever see you around here again, you're dead!
00:08:16Get out of here!
00:08:19Hey.
00:08:20Oh, I'm so glad you're here.
00:08:27Where did you get this necklace?
00:08:30My father gave that to me.
00:08:37You better not be lying to me.
00:08:39I'm not lying.
00:08:40He made that with his own hands.
00:08:44It has my name on the back.
00:08:49It's really you?
00:08:50I'm not lying to you.
00:09:01Hey.
00:09:04How you feeling?
00:09:08How did...
00:09:09How did you...
00:09:10You left your bag in my car.
00:09:13How did you know where to find me?
00:09:16I have my ways.
00:09:17Hey, listen, I know it's none of my business, but it's not safe for you here.
00:09:25With everything that's happened in the last 24 hours, this is...
00:09:30all I can afford.
00:09:33Listen, I have an extra room at my place.
00:09:35Maybe you can just come stay with me.
00:09:47Welcome home.
00:09:48Welcome home.
00:09:57Welcome home.
00:10:05I really feel like my luck's starting to change.
00:10:08I mean, you've literally rescued me over and over today.
00:10:11I know what it's like.
00:10:14I've been rescued before.
00:10:16I'm sorry.
00:10:17I...
00:10:17I don't think I can make rent right away, but...
00:10:21We could sell this ring and then...
00:10:24It should cover me for a few months.
00:10:27At least until I'm back on my feet.
00:10:29I thought he was a really rich guy.
00:10:31Why did he get you such a small diamond?
00:10:33I think it's just a small diamond.
00:10:34I don't know.
00:10:35It's not a very good cut either.
00:10:36It's not a very good cut either.
00:10:37Okay.
00:10:38Never mind.
00:10:39I...
00:10:40Can just...
00:10:41No, it's fine.
00:10:42I'm just saying...
00:10:43I think you deserve a better ring than this.
00:10:46Her ring than this.
00:11:08No, babe, stop.
00:11:10It's late.
00:11:11I hope you gave her a good sign.
00:11:12Hold on with, hold on with my leg.
00:11:13First, I think...
00:11:15Uh...
00:11:15You're still thinking about her?
00:11:19Who? Tasha?
00:11:21Are you kidding me?
00:11:23Then why are you wearing the wedding ring?
00:11:25Did you forget what she and her father did to you?
00:11:27I will never forget what she and her father did to me.
00:11:31But that has nothing to do with it.
00:11:33So why don't you stop mouthing off about shit?
00:11:35You don't have nothing about it.
00:11:37That could be a sign and a sign.
00:11:45Mary?
00:12:11Mary?
00:12:13Mary?
00:12:15What?
00:12:19Hey, what's going on?
00:12:21My daughter's missing.
00:12:23What?
00:12:35Tasha, you shouldn't have barged in like this.
00:12:39If Carl finds out- No, I don't care about Carl right now, okay?
00:12:41Where's my daughter?
00:12:43Where's Anna?
00:12:45I sent her away.
00:12:47No.
00:12:49You have no right.
00:12:51Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:13:01What?
00:13:05We never settled custody.
00:13:07So just skip the theatrics and tell me where my daughter is.
00:13:11You think you're getting custody?
00:13:13I'm so sorry.
00:13:15I'm so sorry.
00:13:17On one hand, we have a mother drowning in debts with no plans to live in.
00:13:21On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned Crow group.
00:13:33Do you think the court was siding?
00:13:43Oh, what's going on?
00:13:45Carl, it's okay.
00:13:47Tasha was understandably upset about the situation.
00:13:49You know, I don't blame her for what happened.
00:13:51You trespass on my property, assault my wife in her own home?
00:13:56Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Reyna to that kind of abuse.
00:14:02You don't understand.
00:14:03Reyna sent Anna away.
00:14:05She did what any good mother would.
00:14:07I want to know where my daughter is right now.
00:14:09New Zealand.
00:14:11Getting medical care is one of the best.
00:14:13What have you done for your daughter lately?
00:14:19Abandon her?
00:14:21To go shack up with some cab driver boyfriend?
00:14:23You idiot!
00:14:25I found those cardiologists in New Zealand.
00:14:27Scheduling those appointments was the last thing I had Reyna do when she was still my assistant.
00:14:32Tasha, Tasha, you disgust me.
00:14:34Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:40I'm going to make sure Anna stays far, far away from you, so there's no possibility of her ever becoming anything like you.
00:14:52You...
00:14:54That's...
00:14:55That's...
00:14:56That's...
00:14:57That's...
00:14:58Bitch!
00:14:59I advise you stay full.
00:15:01That's enough.
00:15:02That's enough.
00:15:03That's enough.
00:15:04That's enough.
00:15:05That's enough.
00:15:06That's enough.
00:15:07By the way, the deeds still list me as the rightful owner to this house.
00:15:11So the two of you have no right to keep me from coming back here.
00:15:15Do you understand?
00:15:16Okay.
00:15:17You can forge my signature.
00:15:19You can take my money.
00:15:20Take my house.
00:15:21But you will never have a shred of the intelligence that I have.
00:15:25Tasha, you have made your point.
00:15:27I think it will be...
00:15:28Ah!
00:15:29You deserve that too!
00:15:31You should have told me about Anna a long time ago.
00:15:34Oh...
00:15:37Oh, don't stop at my account.
00:15:39Please.
00:15:40Continue.
00:15:41Miss Big Shot.
00:15:43Don't you forget that you still owe 200 million dollars.
00:15:47And 20 millions of that is owned to me, personally.
00:15:50In fact, I'm going to call my lawyer and see to it that if you don't pay right away, you're
00:15:55never going to see your daughter ever again.
00:15:57And you'll end up in debtor's prison.
00:16:01Ciao.
00:16:06Go ahead and check it out.
00:16:07But after your accountant, make sure this is all legit.
00:16:09I don't want you two jackasses hunting my girl for money ever again.
00:16:12Got it?
00:16:13Oh, and by the way, we're going to go ahead and take Anna in the future too.
00:16:23Don't worry, Carl.
00:16:24I'll be a better father to her than you ever can be.
00:16:27Tasha, you'll regret this.
00:16:30Thanks again, Kerr, today, for pretending to be my boyfriend.
00:16:43Mm-hmm.
00:16:46Was all that money real?
00:16:48As real as it comes.
00:16:50Where'd you get all that money?
00:16:52I robbed a couple of jewelry stores before I came to find you.
00:16:55Are you serious?
00:16:57No, I'm just joking.
00:17:00It was my dad's.
00:17:01Don't worry, it wasn't stolen or robbed or anything.
00:17:04But hey, listen.
00:17:06From now on, I want you to think of me as your creditor.
00:17:08Okay?
00:17:09I don't want you to worry about owing money to those scumbags.
00:17:12From now on, you'll just throw money to me.
00:17:15As long as you're okay with that?
00:17:17I could be okay with it.
00:17:19As long as you can satisfy one small request.
00:17:24What kind of request?
00:17:26My only request is that you just relax.
00:17:37Okay?
00:17:38Why don't you just take a load off.
00:17:40Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:46You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:05I have nothing.
00:18:06Well, I mean, you always have me and, you know, other things.
00:18:20I can't hear you.
00:18:21You're whispering.
00:18:22I can't hear you.
00:18:23You're whispering.
00:18:24You're whispering.
00:18:25I can't hear you.
00:18:26I can't hear you.
00:18:27You're whispering.
00:18:58Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:10That bitch.
00:19:13Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:17I'm telling you, forget about the Fitz Gallery, okay?
00:19:20The people who are running it are crooks.
00:19:23But I want my paintings to be showcased in the most prestigious venue possible.
00:19:27I know, I know.
00:19:29And I said I would help you find other galleries, remember?
00:19:33Just stop nagging me about it, okay?
00:19:36Okay.
00:19:39You're a little angel.
00:19:57It's okay.
00:20:01Just sleep in.
00:20:08Well, it's certainly going to make things more complicated.
00:20:12So you want to pretend last night never happened?
00:20:21I thought we had a good thing going on between us.
00:20:24I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:28Yeah, but that was just something I said to make my husband jealous.
00:20:33You mean your ex-husband?
00:20:36Yeah.
00:20:37Ex.
00:20:39Yeah.
00:20:41But I mean, you and I, I...
00:20:44You know I can't start a new relationship right now.
00:20:50So everything you said last night?
00:20:53We were just caught up in the heat of the moment.
00:20:56Heat of the moment.
00:20:58So it was all just bullshit.
00:20:59Why?
00:21:01To get me into bed with you?
00:21:03Just have a one-night stand?
00:21:06Because you miss being with your damn husband?
00:21:23So everything you said last night?
00:21:25Get older yourself.
00:21:32You just got divorced.
00:21:35You're not going to play mind games with men anymore.
00:21:39Hey.
00:21:42I wasn't sure what you like, so...
00:21:44I just made a little bit of everything.
00:21:48You made all this?
00:21:49Yeah.
00:21:50So what do you think?
00:22:01It's delicious.
00:22:07I mean, you deserve to have some of your awesome breakfast, too.
00:22:12Hey.
00:22:13You're not going to maybe sit here and eat this alone, are you?
00:22:15All that for some sauce, huh?
00:22:31Are you kidding me?
00:22:37Hello?
00:22:38Mommy, I miss you so much.
00:22:41Anna.
00:22:42Mommy, I miss you so much.
00:22:43Anna, honey?
00:22:44What?
00:22:45What's going on?
00:22:46Anna...
00:22:46Okay.
00:22:51Both of your resumes look excellent.
00:22:54I have a question.
00:22:57If you spilled a glass of milk in the ocean,
00:23:00how would you get it back?
00:23:02What does that question have to do with our work?
00:23:04Well, uh, I suppose you could contain the section of the ocean with the spilled milk
00:23:13and then collect that sample at a centrifugal force
00:23:17and there's probably a good chance of separation.
00:23:22So at our company, we are always trying to make the impossible possible.
00:23:26And for that, we need people who can think on their feet.
00:23:29We need derived solutions.
00:23:32No matter how outlandish the task at hand may seem.
00:23:41Hello?
00:23:46Uh-huh.
00:23:49Okay.
00:23:49Congratulations, Ms. Michaels.
00:23:59Welcome to the Eastwood Corporation.
00:24:12If you don't mind me asking,
00:24:14why didn't I get the job?
00:24:18Mrs. Roberts,
00:24:20maybe you should focus on fixing your own family problems first
00:24:24before you start to look for work again.
00:24:29We don't want to make enemies with the Crow Group.
00:24:32So I guess you didn't get it?
00:24:47I just don't understand why Carl hates me so much.
00:24:51I mean, he doesn't want me to work for his company,
00:24:53but he doesn't want me to work for any other company either.
00:24:56Look, you don't need that corporate job anyways.
00:24:59Yeah?
00:25:00What else can I do?
00:25:01I mean, I thought you were an artist.
00:25:05You know, a painter.
00:25:06What did you know about that?
00:25:07You brought an easel.
00:25:13It's just a hobby.
00:25:15I gave it up.
00:25:17I don't paint anymore.
00:25:22Okay, well, if you don't love to paint anymore,
00:25:24then why bring an easel with you?
00:25:29I haven't painted in years.
00:25:31I'm sure it'll be just like riding a bike.
00:25:34Once you start,
00:25:36it'll all come back to you.
00:25:42That's my account.
00:25:43Why are they assigning it to someone else?
00:25:46Fine, fine.
00:25:46Just get me some damn answers and give me a call back soon, okay?
00:25:53Carl, this took me three months.
00:25:56I'm sorry.
00:25:57I just got some bad news at work.
00:25:59It's ruined now.
00:26:01Fine.
00:26:01Start over.
00:26:02You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:12You're a remarkable woman, Tasha.
00:26:14Okay?
00:26:15And if the charlatan snobs in the art world can't see that,
00:26:18then screw them, okay?
00:26:20If you put your focus elsewhere,
00:26:23we could be rich enough to buy ten art galleries.
00:26:26And then you could put whatever paintings you want in them, right?
00:26:30Painting's my passion.
00:26:33What if we put painting
00:26:34on the side
00:26:36just for a little while
00:26:37and you could come join me
00:26:39at the company?
00:26:41Just together, we.
00:26:44We'd be unstoppable.
00:26:46And right now, I am drowning.
00:26:49Your dad and his
00:26:50partners have no faith in me.
00:26:54I need you.
00:26:56Look.
00:26:59You love me.
00:27:01Don't you?
00:27:04Of course I do.
00:27:06Okay, then just...
00:27:07Do this one thing for me.
00:27:10This one little thing.
00:27:12Please.
00:27:12Please.
00:27:21Fly away
00:27:23With me
00:27:25Take you high
00:27:27Sorry
00:27:29To smile
00:27:31It's my only dream
00:27:34Finished.
00:27:41Finished.
00:27:42Yep.
00:27:47That is amazing.
00:27:51I...
00:27:51I honestly never thought I'd paint again.
00:27:54Well, that would have been a shame.
00:27:55You're easily one of the most talented artists I've ever met.
00:27:58Waves come crashing onto me.
00:28:00I'm sorry.
00:28:01I'm sorry.
00:28:02I'm sorry.
00:28:03I'm sorry.
00:28:16Well, honor that you chose our gallery to showcase your work.
00:28:19I am curious about one thing, if you don't mind me asking.
00:28:22The subject in your paintings, your muse, is he your lover?
00:28:27Oh, no. He's just a friend of mine.
00:28:34But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:43Is Ken really in love with me? He's so young, though. At his age, he probably doesn't even know what love is.
00:28:55Oh, sorry, you're in the way.
00:28:59Actually, you're in my way.
00:29:03Actually, you're in my way. I'm trying to get into my home.
00:29:08Is this your new girlfriend? I've never seen you with anyone like this before.
00:29:14Ken's my roommate. Now, if you'll please step aside so I can get in.
00:29:22Call me again if you need anything, okay? Bye.
00:29:28Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:33Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:38So, if you have something private to do, just do it in your room.
00:29:41I never said you need to tell me when you're coming or going. I'm just saying.
00:29:44Fine, you don't need to explain. Just... I just want to be alone.
00:29:53What?
00:29:58I'm so sorry, sir. She just barged in without permission.
00:30:01It's okay.
00:30:03Ms. Roberts, please. Grab a seat.
00:30:06We signed a contract. Why can't you show my paintings now?
00:30:10I'm afraid I don't have the answers you're looking for.
00:30:12If you want to know what happened, ask Karl Kroh.
00:30:17I want my paintings back. Right now.
00:30:22Well, they're probably somewhere in the warehouse.
00:30:25If they haven't been thrown away yet.
00:30:26You've already searched the entire warehouse ten times.
00:30:28If you haven't found what you're looking for, it's not here yet.
00:30:29You've already searched the entire warehouse ten times.
00:30:33If you haven't found what you're looking for, it's not here.
00:30:34You better hope I find what I'm looking for.
00:30:35Or I'm gonna make this entire gallery compensate me.
00:30:36And then I'm gonna sue you. And you'll be the first to lose your job.
00:30:37Yeah, that's what I'm looking for.
00:30:38And then I'm gonna sue you. And you'll be the first to lose your job.
00:30:39Yeah, that's what I'm looking for.
00:30:40You better hope I find what I'm looking for. Or I'm gonna make this entire gallery compensate me.
00:30:41And then I'm gonna sue you. And you'll be the first to lose your job.
00:30:42Yeah, that's great lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:30:45Yeah.
00:30:51You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:30:56You better hope I find what I'm looking for. Or I'm gonna make this entire gallery compensate me.
00:31:01And then I'm gonna sue you. And you'll be the first to lose your job.
00:31:05Yeah, that's great lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:31:45You really care about her.
00:31:59Shhh, keep your voice down.
00:32:02She's had a long day.
00:32:03Also, you can't just come over here so casually in the future.
00:32:07Casually?
00:32:08Are you kicking me out?
00:32:10You didn't mind my coming over so casually when you had me digging through your body for
00:32:14bullets.
00:32:15Look.
00:32:16You men are cold as hell.
00:32:17I think my lucky star is I'm a lesbian.
00:32:19Look, I just can't help her find you.
00:32:21Are you serious about her?
00:32:26Yeah.
00:32:27Have you thought about the consequences if your dad finds out?
00:32:32Look, no.
00:32:33You and I have been best friends for over 20 years.
00:32:35Okay?
00:32:36And my dad has taught me everything that I know.
00:32:39I think maybe it's time I just figure things out on my own.
00:32:42And you know exactly what I went through last time.
00:32:46I'm not gonna lose her again.
00:32:48Don't worry, Anna.
00:32:49Mommy's gonna find a way to bring you home soon.
00:32:55All the evidence is here.
00:32:56It's exactly what you thought.
00:32:58Let me know if you want me to find out more.
00:33:05Carl.
00:33:06Let's meet.
00:33:07Oh wow.
00:33:08It's not every day.
00:33:09a famous person.
00:33:10Oh wow.
00:33:11It's not every day a famous painter comes to visit.
00:33:41To what do I owe the pleasure?
00:33:42The company I supposedly borrowed money from.
00:33:48It's a shell company owned by you.
00:33:52So what?
00:33:53All our operations are legal.
00:33:55You signed the documents.
00:33:57You borrowed the money.
00:33:58All you can do now is pay it back.
00:34:03You know, I don't think you actually want me to pay back the loans.
00:34:10You were just looking for an excuse to have me back in your life.
00:34:15You're obsessed with me.
00:34:17This is just your sick way to dominate me and make me surrender to you.
00:34:22I'm just getting even.
00:34:23For the years I spent in your father's shadow.
00:34:27The years of belittlement and him treating me like a clown.
00:34:31My father hired you when no one else would.
00:34:37Not my fault that your insecure petty took his support as belittling.
00:34:43I wouldn't upset me if I were you.
00:34:48Remember, I'm your creditor now.
00:34:51Two months.
00:34:52That's all I can give you to pay me back the remainder.
00:34:55One hundred.
00:34:56Eighty million.
00:35:07What are you doing here?
00:35:08I was just in the neighborhood.
00:35:10Thought I'd give you a ride home.
00:35:14Hi.
00:35:15Um, hey.
00:35:17Who is this?
00:35:18Uh, this is Ken's roommate.
00:35:23We're going to be dropping them off before we head home.
00:35:27Yeah, hey listen.
00:35:28I didn't introduce you last time, but this is my best friend Nell and her girlfriend Maria.
00:35:37Nell and I have been nothing more than friends since we were kids.
00:35:40She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:35:46Alright?
00:35:48I'm sorry I jumped to conclusions the other day.
00:35:52It's okay.
00:35:53I just didn't want you to get the wrong idea.
00:35:59Look, I appreciate it.
00:36:02I really do.
00:36:03I just, I still think you and I are better off just as friends.
00:36:11Just...
00:36:13Why?
00:36:18Why?
00:36:21Maybe because I'm just getting over a failed marriage.
00:36:26Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.
00:36:33I also have no idea how I'm going to get my daughter back.
00:36:37And getting into a relationship with you, that's just something I can't do right now.
00:36:42Love has brought me nothing but pain, okay?
00:36:45So just, please, just leave it.
00:36:47Leave it.
00:37:09Do you have any other paintings?
00:37:10Yeah.
00:37:11I have several.
00:37:12What are you looking for?
00:37:13I would like to buy them all.
00:37:14I love your painting style.
00:37:15It is so unique.
00:37:16I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:19Thank you for your kind words about my paintings, but I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:28None of this matters to me.
00:37:29If someone wishes to cause me trouble, well, just let me drown.
00:37:30None of this matters to me.
00:37:31None of this matters to me.
00:37:32If someone wishes to cause me trouble, well, just let me drown.
00:37:36No.
00:37:37If someone wants to die, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:38:01It has to be a mistake.
00:38:05Or a prank, or a cruel practical joke.
00:38:09I mean, it seems pretty authentic to me.
00:38:11It has their seal, and your name and address are clearly written on it, so...
00:38:18It looks authentic.
00:38:22But how would they have seen my paintings?
00:38:26I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:29I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:40I own a large gallery, and I would love to establish a long-term collaboration.
00:38:45It's him. It's him. The guy who's been on my paintings. He must be the owner of the Fitz Gallery.
00:38:53Well, in that case, we better get going.
00:38:55Where?
00:38:55Hey, gotta go get you a dress.
00:38:58Can't have you showing up to the Fitz Gala in rags.
00:39:05Babe, which one do you like more?
00:39:08This one, or this one?
00:39:10I need to be the hottest girl at the Fitz Gala.
00:39:15Everything just looks so good on you, honey.
00:39:18So, um, just pick whichever one you want.
00:39:21I gotta take a call, okay?
00:39:24Wrap this up, you twitch.
00:39:25I'll take them both.
00:39:33Wow.
00:39:34I used to buy dresses like this all the time without even thinking about the money, but I can't afford something like this now.
00:39:43You know what?
00:39:45Consider it a congratulatory gift for me.
00:39:48Alright?
00:39:48And when you make it big in the art world, you can just pay me back.
00:39:54Oh, hi. Excuse me.
00:39:55Yeah, my, uh, friend would like to try on this dress.
00:39:57Oh, your friend has amazing tastes.
00:39:59This dress is actually a limited edition, each one handcrafted by hand and therefore entirely unique.
00:40:05Truly a work of art.
00:40:06Well, how fitting that's gonna be worn by a very talented artist.
00:40:10I'll have someone on the team bring it out to you.
00:40:11Veronica, please bring the limited edition.
00:40:19What limited edition?
00:40:22Tasha?
00:40:24Do you really think you can afford this dress?
00:40:29You can afford this dress?
00:40:33Please.
00:40:35Reina, I don't think you need to worry about Tasha's finances, okay?
00:40:39We established that last time.
00:40:40Hey, you.
00:40:43Get over here.
00:40:45I'm gonna pay twice what it's worth.
00:40:48But I want this dress.
00:40:49Ma'am, this dress is $4,000.
00:40:51Did I ask you how much it cost, you pluritarian scum?
00:40:54Just shut your mouth and add it to my bill.
00:40:57She's willing to pay double.
00:40:58I'll double her offer and I'll pay $16,000.
00:41:01Okay, sir. Sold.
00:41:03$32,000.
00:41:04You know what?
00:41:07She wants the dress so bad, let her have it.
00:41:10You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:14I'll show you who's a pigeon, you little bitch.
00:41:16How dare you assault me?
00:41:19Tasha, are you okay?
00:41:20What is going on here?
00:41:24What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:28I swear to God, they're all lying.
00:41:31I never touched her.
00:41:32I saw everything.
00:41:33This gentleman and his girlfriend were very nice and politely inquired about a dress and
00:41:37suddenly your wife appears and attacks her for no reason.
00:41:40Shut your mouth, you little lying asshole.
00:41:42You know what?
00:41:42Why don't you just call security before this crazy maniac hits somebody else?
00:41:45Wait a second.
00:41:46Reina, what actually happened here?
00:41:48What's going on?
00:41:49Why don't you believe me?
00:41:50I told you.
00:41:51Don't just call 911.
00:41:54Are you blind?
00:41:55Oh, Tasha, can you stop this bullshit?
00:41:56You know what, Reina, can you just stay away?
00:41:58Can I get someone down here?
00:42:00Room A, 122?
00:42:01No, no, that's not necessary.
00:42:02We are leaving right now.
00:42:04Let's go.
00:42:04Bro, but...
00:42:05Okay, you've embarrassed us both enough for one day, okay?
00:42:08Let's go!
00:42:17Wherever Reina goes, trouble's sure to follow.
00:42:21It is nice to see her get a taste of her own medicine, though.
00:42:25Yeah.
00:42:26It's the same, though.
00:42:27You would have looked really great on that dress.
00:42:31Don't worry about that.
00:42:33I have a solution.
00:42:34I don't know.
00:42:38What are you going to do with all this stuff?
00:42:44I'm going to design my own dress and wear it to the gala.
00:42:48Are you sure there's enough time?
00:42:49Have some faith in me.
00:42:50I graduated with honors in design and fine art.
00:42:54I got this.
00:42:57All right.
00:43:08How do I look?
00:43:20How do I look?
00:43:27What?
00:43:28Is something wrong?
00:43:30Is it too much?
00:43:31Should I change something?
00:43:32No, no.
00:43:35You look...
00:43:37That dress, like...
00:43:40That is one of the most beautiful dresses I've ever seen.
00:43:45But there's something missing.
00:43:49Should I resell the beads?
00:43:52No.
00:43:53I have a gift for you.
00:43:55Something to...
00:43:57Complete the whole look.
00:43:58Just try harder, you idiot.
00:44:06Mrs. Crowe, I am doing everything I can.
00:44:09I don't know what more I can do.
00:44:12You're calling me fat?
00:44:13Of course not.
00:44:15You're not fat at all.
00:44:17It's the dress.
00:44:18It's not made for a woman's body.
00:44:21Just shut up and do it!
00:44:23Babe, just put on another dress.
00:44:26You're going to be late.
00:44:27I spent so much money on this dress.
00:44:31I am wearing this dress!
00:44:50I can't.
00:44:52It's...
00:44:52It's too much.
00:44:55No.
00:44:56It was made for you.
00:45:08I can't wait to see what you've brought to the auction.
00:45:10Can we have a little hint?
00:45:12Well, actually, I brought some of my very own paintings to auction tonight.
00:45:20What's wrong?
00:45:21It's just Tasha Roberts, my husband's dreadful ex-wife.
00:45:29I'm tired of seeing her sorry face everywhere.
00:45:32You know, she's also a horrible person.
00:45:36If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:43So, the other day, when you were trying to buy this dress, with that, um, working-class thug boyfriend of yours, you were trying to come here?
00:45:53Are you sure you were even invited?
00:45:55I'm sorry, are you working with the security detail?
00:46:02Do I need to show you my invitation?
00:46:03Honey, I'm just trying to look out for you, okay?
00:46:07I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:46:13You mean, like, how you were kicked out of the mall?
00:46:16I see.
00:46:17You still quite don't understand your place in the world.
00:46:21You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:26But don't worry.
00:46:28I'll help you figure it all out.
00:46:32What's wrong with you?
00:46:34Can't you see?
00:46:34People are walking through.
00:46:35Oh, Rina, this time you've gone too far!
00:46:38Stop shouting, you dreadful oaf.
00:46:40These were supposed to be auctioned tonight!
00:46:42Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:49Now you can go and cry to your fairy gut mother.
00:46:53What's wrong with you, sir?
00:46:55Oh, I think the auction's starting.
00:46:58Well, I'll see you there.
00:47:00Toodles!
00:47:05For our first auction item, I'd like to welcome Ms. Raina Crowe to the stage with her collection of original paintings.
00:47:15As you can see, Ms. Raina Crowe's style is very unconventional.
00:47:36Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:46as depicted here through the bold use of a duck as a central figure.
00:47:50It's a dog.
00:47:51What?
00:47:52It's a dog, not a duck, you buffoon!
00:47:54Oh, yes, of course!
00:47:56A dog!
00:47:57Seen through a very unique prism.
00:48:01Portrayed as only an artist of Raina's caliber could possibly portray it.
00:48:06Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:12The starting price will be $50,000.
00:48:14Do I hear $50,000?
00:48:17Anyone?
00:48:19$50,000!
00:48:21Do I hear $60,000?
00:48:24Anyone?
00:48:25$50,000 going once, $50,000 going twice.
00:48:30Sold!
00:48:31Sold for $50,000!
00:48:38And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be presenting a series of paintings.
00:48:46Thank you, Ms. Tasha Roberts, where are your paintings?
00:48:57I don't have my paintings tonight, but I will be auctioning off this dress.
00:49:04I don't have my paintings tonight, but I will be auctioning off this dress.
00:49:17It's beautiful!
00:49:20Stupendous!
00:49:21I've never seen a dress so beautiful!
00:49:22Oh, stupendous!
00:49:28I've never seen a dress so beautiful!
00:49:31A stunning work of art, indeed!
00:49:33There's no need for me to say another word about this masterpiece.
00:49:36Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:41Let's start the bidding at $50,000.
00:49:44$55,000!
00:49:45$75,000!
00:49:46$90,000!
00:49:48$100,000!
00:49:50$150,000!
00:49:52$250,000!
00:49:56$250,000 going once, $250,000 going twice!
00:50:01Sold!
00:50:02This beautiful dress is sold for $250,000!
00:50:05Is that the heart of some necklace that sold for $200,000 a few months ago and I beat them?
00:50:18Impossible!
00:50:19How can that lowly peasant possibly afford it?
00:50:22It must be a fake.
00:50:27Thank you so much for your bid, Ms. Wenslow.
00:50:29I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:36Have you ever considered creating your own clothing brand?
00:50:41Your creations are so extraordinary.
00:50:45You should really share your talent with the rest of the world.
00:50:48I never considered it, but I certainly will now.
00:50:52Hi.
00:50:53I'd be careful if I were you.
00:50:55I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:51:03What are you talking about right now?
00:51:05This woman is a phony and a con artist.
00:51:07For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:14And let me make it clear.
00:51:15For everybody that wants to do business with this woman,
00:51:19they won't be allowed to do business with the Crow Group.
00:51:22Is that so?
00:51:23Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:30because of the baseless rumors and lies being spread by Ms. Raina Crow,
00:51:35you will no longer be welcomed back to the Fitz Gallery.
00:51:38That's the curator of the Fitz Gallery.
00:51:42Not just the curator.
00:51:44He's also the director of the Fitz Foundation.
00:51:48The curator?
00:51:49Is he the man who bought my paintings?
00:51:53Why does he seem so familiar?
00:51:58Ms. Tasha Roberts is my guest of honor tonight.
00:52:00I invited her personally.
00:52:02So if anybody treats her with the slightest bit of disrespect,
00:52:05they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:52:08As the director of this esteemed organization,
00:52:12am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.
00:52:20She is not to be trusted.
00:52:22I'm assuming you mean her diamonds.
00:52:25What evidence do you have to prove that it's not real?
00:52:27Well, the real heart of the sun has the initials of the craft man
00:52:31engraved in the joint between the gemstone and the pendant.
00:52:35So Tasha, would you indulge us all
00:52:37and show us if what you're wearing is a genuine article
00:52:40or a cheap knockoff?
00:52:44This was just given to me by a friend.
00:52:46I never claimed it was the real heart of the sun.
00:52:50I don't want to embarrass him by having people pour over it for imperfections.
00:52:55So it's a forgery.
00:52:57You were so happy to have everyone believe it was the real thing
00:53:01until I challenged you and called your bluff.
00:53:05Ms. Roberts.
00:53:08You were so happy to have everyone believe it was the real thing
00:53:12until I challenged you and called your bluff.
00:53:15Ms. Roberts, you have nothing to fear from this woman.
00:53:18Just show her the necklace.
00:53:20And I'll personally see to it
00:53:21that there are no despairing comments
00:53:22about its craftsmanship or quality.
00:53:25And the question has to be asked
00:53:26whether it is the true heart of the sun.
00:53:36See, just like...
00:53:38What?
00:53:40How is this possible?
00:53:45I do say...
00:53:48This engraving looks entirely authentic to me.
00:53:52This is indeed the one and only heart of the sun.
00:53:55Well, that settles it then.
00:53:56This necklace is authentic.
00:53:58From now on,
00:53:59no one will be permitted to question or harass my guest of honor.
00:54:03Now, if everyone is satisfied,
00:54:05can we please get back to tonight's festivities?
00:54:06Cheers.
00:54:07Cheers.
00:54:17Ken, you have a lot of explaining to do.
00:54:21Okay, what's wrong?
00:54:23I can't accept this necklace.
00:54:25And I can't give you what you want.
00:54:28Do you even know what I want?
00:54:30I don't want to know.
00:54:33We can just be friends, nothing more.
00:54:35Tasha, you're just afraid.
00:54:38You're just afraid of going after what your heart truly desires.
00:54:42And I just think you're afraid of just being true to yourself.
00:54:46You're the last person that should be lecturing anybody on the truth.
00:54:49Who are you?
00:54:53What do you do?
00:54:54Is this even your house?
00:54:56I mean,
00:54:57how do you own a necklace that's 200 million dollars?
00:55:03I just...
00:55:04See, you...
00:55:06You don't even respect me enough to tell me the truth.
00:55:10You expect me to jump into a relationship with you?
00:55:13You could be a total stranger.
00:55:18I have no idea who you are.
00:55:21Tasha, I want to tell you.
00:55:22I do.
00:55:23But...
00:55:24I just can't right now.
00:55:27Alright?
00:55:27Like, maybe in the future, when we can sit down and...
00:55:29No, Ken, there is no future for us.
00:55:32Not if you can't tell me one thing about yourself that isn't a lie.
00:55:35When you find someone that you really love and trust, you let them in.
00:55:48But that person won't be me.
00:55:49Are you okay?
00:56:09Director Fitz, I had a wonderful time at the gala.
00:56:13Thank you for supporting me and standing up for me.
00:56:16I wasn't bothered by the way the other guests treated me.
00:56:21I've endured far worse.
00:56:26Lovely.
00:56:27I'm glad to hear it.
00:56:29I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:34Think of it as a sort of artist residency.
00:56:37Would you be interested in such an opportunity?
00:56:46This dress is every bit as exquisite as I expected it to be.
00:56:52Thank you, my dear.
00:56:54You're very welcome.
00:56:55Have you given any more thought to my proposal?
00:56:59If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:57:06It's a very gracious offer, but I just, I have to ask.
00:57:11I mean, there are so many other talented designers.
00:57:14Why do you have such faith in my abilities?
00:57:16It's not just me, you know.
00:57:18The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:24And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:36That was his first appearance ever?
00:57:38Indeed.
00:57:39His very first and only time to appear in the flesh.
00:57:43Before this, he was a figure of myth and mystery.
00:57:47Many people doubted he existed at all.
00:57:50But all because of you, he chose to grace us with his presence last night.
00:57:56Seems like a marvelous young man, don't you think?
00:58:00He certainly had a charm about him.
00:58:02Oh, undoubtedly.
00:58:03You know, many people flock to the Fitz Gallery for more than just the art.
00:58:09They want to learn all about the enigmatic young curator.
00:58:14Really? I mean, what's so interesting about him?
00:58:16Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections
00:58:24to become the top venue for fine art in just two years?
00:58:29I mean, I heard rumors.
00:58:32Something about foul play, but I always just assumed they were baseless.
00:58:36Those rumors have quite a bit of truth to them.
00:58:39Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:45The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:54He seems like such a gentleman.
00:58:56I just, I find it hard to believe that he ever was involved in something so sordid.
00:59:00You must never judge a Brookline's cover, my dear girl.
00:59:05Even people close to us may be harboring many secrets.
00:59:09We never really know what's going on inside.
00:59:12You got that right.
00:59:13I learned that lesson the hard way.
00:59:17Let me be frank.
00:59:18I have tremendous faith in you.
00:59:21Thank you, Mr. Gwendo, but I think it's dear.
00:59:25All my friends call me Laura.
00:59:29This is a good shack.
00:59:31For five million dollars.
00:59:33It should help you get your clothing brand started.
00:59:36Shall we become business partners in addition to being friends?
00:59:55Director Fitz, I'd like to work with you.
00:59:58It would be my honor, Ms. Tasha Roberts.
01:00:01Fly away with me, take you high, soaring, see your smile, it's my only dream.
01:00:16Staring out into the sea, waves come crashing up to me, my toes slip into the sand, dream that I'm with you.
01:00:35Staring out into the sea, waves come crashing up to me, my toes slip into the sand, dream that I'm with you.
01:00:51Congratulations, Ms. Roberts.
01:01:04We expect a huge success from your art exhibition.
01:01:08You're looking at her.
01:01:24You're obsessed with her.
01:01:26Didn't she humiliate me enough the other night at the gala?
01:01:30But no, now I have to watch my husband stare at her picture.
01:01:34Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:37So it's my fault now?
01:01:39Oh, wait, let me guess.
01:01:40Maybe it's my fault too when the two of you broke up.
01:01:43Okay.
01:01:45Raina, I've been thinking.
01:01:48I don't think this is working.
01:01:50I want a divorce.
01:01:53Brutto figlio di potana.
01:01:56You used me to push Tasha out of your company, take her property, and now you cast me aside like what, a huge piece of garbage?
01:02:03I won't allow this.
01:02:05Mark my words, Karl Kroh.
01:02:08You will regret this.
01:02:22I'm spending too much time around Ken.
01:02:25He's dominating all my thoughts.
01:02:27I have to distance myself from him for my own sanity.
01:02:31Is there nothing I can do to get you to stay?
01:02:49I'm sorry.
01:02:51But no.
01:02:52You and I, our relationship, we'll just keep going in circles.
01:03:01But thank you for everything you've done for me.
01:03:05I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:09And long talks, and awkward silence, late nights, walking to the garden, running, with your hand in mine.
01:03:26This is what happens when you steal from the millers.
01:03:44Please, please, let me go.
01:03:49I promise you'll never see me again.
01:03:57What do you got here?
01:03:59Right this way.
01:04:01Boss!
01:04:02I found this one peeking around the corner.
01:04:05Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:14Don't worry, boss.
01:04:15I got a knife with her name on it.
01:04:17We can dump her body with the other guy.
01:04:18No, let her go.
01:04:26What?
01:04:26Didn't you hear what I said?
01:04:27She's seen everything.
01:04:29Let her go before I rip off your fucking arms and throw them in the river.
01:04:41Walk away.
01:04:41This doesn't mean anything to you.
01:04:43Is this what you couldn't tell me about?
01:04:47Boss, you know this woman?
01:04:48You're going to kill him.
01:04:52Call the police then.
01:04:53See if they can save his life.
01:04:54No!
01:04:55Don't call the police, you stupid bitch.
01:05:00My world is more cruel than you can possibly imagine.
01:05:02So since you didn't want to get involved, just walk away.
01:05:18Hey, babe.
01:05:28What do you want for breakfast?
01:05:30My world is more cruel than you can possibly imagine.
01:05:45Since you didn't want to get involved, just walk away.
01:05:59I never imagined that Ken could be such a dangerous and violent man.
01:06:04There must be something or someone forcing him to do all of this.
01:06:09Even people close to us may be harboring many secrets.
01:06:14We never really know what's going on inside.
01:06:16Forget it.
01:06:18This has nothing to do with me.
01:06:20I decided to leave Ken, so I have to do my best not to look back.
01:06:38Tasha, let's talk.
01:06:39Your, uh, pro-magnet boyfriend.
01:06:49Is he not joining us?
01:06:51It's all over.
01:06:52I'm not with him anymore.
01:06:54Where's Reyna?
01:06:56Reyna was a mistake.
01:06:59That's all over, too.
01:07:01Tasha, um...
01:07:02I want you back.
01:07:08I can't stop thinking about us.
01:07:10You were right.
01:07:11You belong in my life.
01:07:14So, if you just sign those documents, then you can come back to me.
01:07:21Come back to the house.
01:07:22We can carry on like none of this ever happened.
01:07:25I can give you your old job back.
01:07:27That'll be fun, working together again.
01:07:29And then all that debt you owe me will be wiped clean.
01:07:32Do you, uh, do you have?
01:07:39You think I'd get back with you after everything you put me through?
01:07:47Here is...
01:07:48a hundred million dollars.
01:07:51I'll pay the rest on time, and...
01:07:54for your agreement...
01:07:56take these documents, and...
01:08:03shove them right up your ass.
01:08:07You disgust me, Carl.
01:08:09You should think about Anna.
01:08:11Do you really want her growing up without a mother?
01:08:14With all her health problems, she could really use your support?
01:08:16I don't even dare talk about Anna.
01:08:19She'll be with me soon.
01:08:21Then I'll never let her out of my sight again.
01:08:22She needs her mother and her father.
01:08:24Not a father like you, she doesn't.
01:08:27She'd be better off with no father at all.
01:08:28I'm sorry, am I interrupting?
01:08:42Are you texting a new boyfriend already?
01:08:45Can it wait?
01:08:47I'm not done talking here.
01:08:49Pathetic, Carl.
01:08:50Hey, Tasha.
01:08:53Ta...
01:08:53Tasha.
01:08:57Hey, Tasha.
01:09:00Tasha, come back.
01:09:01Where are you going?
01:09:02This place is disgusting.
01:09:04Come on, Tasha.
01:09:06Don't you remember the happy times?
01:09:07Come on, we can have that again.
01:09:09Think of Anna.
01:09:10Think of me, please.
01:09:12I love...
01:09:12Who?
01:09:12Who?
01:09:14Who?
01:09:20Sorry, folks.
01:09:35It's the end of the line for you.
01:09:38No hard feelings.
01:09:41But we've got to do what the people who pay us tell us to do.
01:09:45Who's paying you?
01:09:48I'll give you a hint.
01:09:49A very beautiful woman paid us a small fortune to make sure you two would...
01:09:54To make sure you two don't make it.
01:09:58Reina.
01:09:58That fucking bitch.
01:10:00Do you know who I am?
01:10:03I'm Carl Crow.
01:10:04The CEO of the Crow Group.
01:10:07What if she's paying you?
01:10:08I'll pay double, okay?
01:10:09Yeah, yeah.
01:10:10You pay me double.
01:10:11I guess you haven't heard the news, buddy.
01:10:14See, I don't think you have the means to outbid your pretty little friend.
01:10:19Oh, that back-stabbing slut!
01:10:24Please, pick up the phone.
01:10:27You trying to phone a friend?
01:10:29That's a big no-no, sweetheart.
01:10:30That's breaking the rules.
01:10:35Sweetie.
01:10:36Don't waste the little time you have left trying to call for help.
01:10:40It won't do you any good.
01:10:41No one.
01:10:45They can help you now.
01:10:50Three hours, where's Tasha?
01:10:54Hey, Nell.
01:10:55Hey, listen, I need you to do me a favor.
01:10:58Yeah, I need you to pull out the city surveillance system in the area
01:11:00and find all the footage.
01:11:03Yeah, no, something's wrong.
01:11:04What are you doing?
01:11:17We have to get out of here.
01:11:24Huh?
01:11:25Out?
01:11:25You should just go.
01:11:33Save yourself.
01:11:34Leave me.
01:11:35It's what I deserve.
01:11:38I'm not going to leave you.
01:11:41I'm not that type of person.
01:11:48Come on, let's go.
01:11:52Come down here.
01:11:53Wait until they come in.
01:11:54Hey, Tasha.
01:12:04I'm so sorry.
01:12:08Now's not the time for that.
01:12:09Shh.
01:12:09All in.
01:12:27All in.
01:12:27Looks like we got ourselves a suicidal prick here, fellas.
01:12:40I can't think of any other reason why somebody would kick in a door
01:12:43that's got Vincent Santorelli on the other side of it.
01:12:48Oh, shit.
01:12:50Boss.
01:12:50I didn't realize it was you.
01:12:53These your guys?
01:12:57Where the fuck are they?
01:13:01You better find them.
01:13:02Quick.
01:13:05Now it's your turn.
01:13:19Now it's your turn.
01:13:39A pretty little thing like you, I was going to make it painless.
01:13:42But I guess she didn't want that.
01:13:44All the same.
01:13:47Hey, who's this fucking monkey?
01:13:49Lower your fucking gun.
01:13:50Vinny, what the fuck is going on?
01:13:52You fucking downfield?
01:13:53Lower your fucking gun.
01:13:55Are you...
01:13:56Are you Ken Miller?
01:13:58How can that be?
01:13:59What the fuck is going on?
01:14:01Ken Miller.
01:14:02The one and the same Miller crime family
01:14:06that monopolizes all the underground trade
01:14:09in all of North America.
01:14:13It's you.
01:14:21You know what you have to do.
01:14:25Boss.
01:14:26Please.
01:14:28He's my brother.
01:14:30Rules are rules.
01:14:31I was pushing you away as Ken
01:14:47and growing closer to you as Fitz.
01:14:54I'm sorry, Tasha, but
01:14:55there's just nothing I can do
01:14:58that will make you happy.
01:14:59And I just...
01:15:01I just can't win over your heart.
01:15:08Is Ken Miller always this loving
01:15:10with the hostages he rescues?
01:15:13Or is this just special treatment
01:15:15reserved for his lovers?
01:15:18Tasha, I love you.
01:15:20My heart has belonged to you
01:15:21and only you
01:15:22for the past 15 years.
01:15:2815 years?
01:15:31No, we just met a few months ago.
01:15:34We met 15 years ago.
01:15:40You went to Marr Middle School.
01:15:43Yeah.
01:15:44And you saved my life there.
01:15:45Stand up, chicken,
01:15:55and hit us back.
01:15:56Isn't that what your dad does for a living?
01:15:59Beat people up?
01:16:00I'm not my dad.
01:16:03You and your father are both scum.
01:16:05Let's teach this little and thug a lesson.
01:16:07Yeah, idiot.
01:16:08Get up and show us what you got.
01:16:10Hey!
01:16:14Hey!
01:16:14Hey!
01:16:15Hey, hey, hey, hey!
01:16:16Stop!
01:16:16That's enough!
01:16:17That's enough!
01:16:17It's none of your business, Robert!
01:16:19Get out of here, Robert!
01:16:20Hey!
01:16:21Stop!
01:16:21Go home!
01:16:21I'll call your parents!
01:16:22Go!
01:16:22Oh, crap!
01:16:23Oh, crap!
01:16:23Oh, crap!
01:16:36Ever since I saw you that night
01:16:37in the cab
01:16:38with that necklace on
01:16:39I just, I knew I found you.
01:16:44Look, this isn't just some feeling
01:16:46for me, okay?
01:16:48This is,
01:16:49this is everything to me.
01:16:51Like, you
01:16:51are everything to me.
01:16:53No matter what happens between us,
01:16:56I will always care about you.
01:16:59And maybe
01:17:00one day we can
01:17:01make it work in a different way.
01:17:05I just
01:17:18need some time
01:17:20to process this.
01:17:24Okay.
01:17:26And after that,
01:17:28maybe we can pick up where we left off
01:17:30that first night you spent here?
01:17:31Maybe.
01:17:35You play your cards, right?
01:17:38Does everything look good to you, my artist?
01:17:54Yeah.
01:17:57Thanks for everything.
01:18:00That doesn't sound very convincing.
01:18:01Is,
01:18:01is there anything you want to change?
01:18:03No.
01:18:04I just,
01:18:05I never got around to asking
01:18:06why you
01:18:06wanted to start an art gallery
01:18:08in the first place.
01:18:10Honestly,
01:18:11it was to get to you.
01:18:13See, I thought if I owned
01:18:14the world's greatest art museum
01:18:15that
01:18:15one day you might find your way in here
01:18:17and
01:18:18I don't know,
01:18:19that I might find you.
01:18:19I don't know.
01:18:49I want to see what kind of woman
01:18:56this is that has ensnared my son.
01:19:00I doubt she's worthy of joining
01:19:02the Miller family.
01:19:04As you wish, sir,
01:19:05I will make the arrangements.
01:19:07Honestly,
01:19:12it was to get to you.
01:19:14See,
01:19:14I thought if I owned
01:19:15the world's greatest art museum
01:19:16that
01:19:16one day you might find your way in here
01:19:18and
01:19:18I don't know,
01:19:20that I might find you.
01:19:22Okay, okay.
01:19:24Just concentrate on painting.
01:19:25Don't think about him.
01:19:27Who are you?
01:19:47Miss Tasha Roberts,
01:19:49Mortimer Miller
01:19:50would like to speak with you
01:19:51privately
01:19:51at his home.
01:19:54Come here.
01:19:54Take a look.
01:20:01She's an heiress
01:20:02to the largest chain
01:20:04of luxury hotels
01:20:05in the Western Hemisphere.
01:20:07She's young,
01:20:08beautiful,
01:20:10well-educated.
01:20:12I think she'll make
01:20:13a fine wife
01:20:14for my son, Ken.
01:20:14with
01:20:16all due respect,
01:20:18sir.
01:20:20I believe that it's up
01:20:21to Ken to decide
01:20:22who he wants to spend
01:20:23the rest of his life with.
01:20:26I choose you.
01:20:29Not a chance.
01:20:31You're no match
01:20:32for my son.
01:20:33Now, you owe money
01:20:40to the Crow Group.
01:20:44I'm going to pay
01:20:46your debt.
01:20:50And in return,
01:20:51you will agree
01:20:52to never see my son again.
01:20:56It's our decision
01:20:59whether we want
01:21:00to be together or not.
01:21:02Your son and I
01:21:03love each other.
01:21:04There's nothing
01:21:05in this world
01:21:06that can keep us apart.
01:21:08Tasha,
01:21:09you want us
01:21:10to be together?
01:21:12It's impossible.
01:21:14Father.
01:21:14I forbid it.
01:21:16Father,
01:21:16this is the love
01:21:17of my life.
01:21:18I can't lose her again.
01:21:21I'd rather leave
01:21:21the family business.
01:21:23Then leave
01:21:23if you wish.
01:21:25But she will never
01:21:26have my approval,
01:21:27ever.
01:21:28And she'll never
01:21:28be a part of the
01:21:29Miller family
01:21:30as long as I live.
01:21:32You'll come running back
01:21:33without the Miller family
01:21:35power and money.
01:21:39You'll accomplish nothing.
01:21:42You're making
01:21:43a big mistake
01:21:45choosing this
01:21:46old hand
01:21:48instead of family.
01:21:53Ken,
01:22:00where are you?
01:22:01Why aren't you back yet?
01:22:06Oh, you're still awake?
01:22:08Who did this to you?
01:22:26Don't worry about me.
01:22:27I'm fine.
01:22:29There's nothing
01:22:29out of the ordinary.
01:22:30Hey, babe.
01:22:43Yeah, no,
01:22:44I'm just right outside.
01:22:48You son of a bitch.
01:22:51You make me cut
01:22:52my own brother's hand.
01:22:54Now you think
01:22:54you can betray
01:22:55the Miller family,
01:22:57walk away scot-free?
01:22:58Not a fucking chance.
01:23:01This guy means nothing
01:23:02to the Miller family now.
01:23:04He's worthless.
01:23:06Helpless.
01:23:08You're absolutely
01:23:08nothing now.
01:23:10Let's make him feel
01:23:11the pain
01:23:12that my brother felt.
01:23:14Come on, boys.
01:23:15Stop.
01:23:39Stop hitting him!
01:23:43Stupid bitch.
01:23:43Stop!
01:23:46Stop!
01:23:46Out!
01:24:08Stop at once,
01:24:09you insolent fools!
01:24:11Son,
01:24:15you know how hard
01:24:24it is for me
01:24:24to admit
01:24:25that I made a mistake?
01:24:29But today,
01:24:29the two of you
01:24:30have proved me wrong
01:24:31beyond a shadow
01:24:32of a doubt.
01:24:35Tasha,
01:24:36you are the perfect
01:24:38woman for my son.
01:24:39Go.
01:24:44Be together.
01:24:47You approve?
01:24:49You have my blessing.
01:24:52From this day onward,
01:24:55you've got nothing
01:24:56more to do
01:24:57with the legal activities
01:24:58of the family.
01:25:00But,
01:25:01you'll always be
01:25:04a milliner,
01:25:05going on,
01:25:05you're as well
01:25:07sheep.
01:25:10You're as well
01:25:11sheep.
01:25:11Get off me!
01:25:34Stop!
01:25:35Useless, impotent, man-child!
01:25:38The Krog Roof is bankrupt!
01:25:40It's hurt!
01:25:41Getting involved with you is the worst decision I could have made in my life!
01:25:45Roof!
01:25:46It's all your fault!
01:25:47You spent every single thing that we had!
01:25:49Now we have nothing left!
01:25:50No company, no house, no money, not even a dime!
01:25:54And it's all because of you, you greedy cow!
01:25:57Don't you-don't-
01:25:58Hey, hey, hey!
01:26:05The late Mrs. Miller was a beautiful woman, sir.
01:26:09Yes.
01:26:10Back then, my wife protected me from every danger that befell our family.
01:26:19And today, my son found the perfect woman that I said I'd do the same for him.
01:26:26He's a lucky man.
01:26:27Wow!
01:26:28You look so beautiful!
01:26:29No, wait!
01:26:30You can't be here right now!
01:26:31Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:36Ken, can you promise me one thing?
01:26:37I can promise you two if you'd like.
01:26:38I'm serious.
01:26:39I want you to walk away from the family business.
01:26:43There's a city called Ostia, it's on the southwest side of Rome by the ocean.
01:26:45beautiful. No, you can't be here right now. Babe, I don't want to wrestle, but everybody's
01:26:51waiting to see you. Ken, can you promise me one thing? I can promise you two if you like.
01:26:59I'm serious. I want you to walk away from the family business.
01:27:08There's a city called Ostia. It's on the southwest side of Rome by the ocean.
01:27:12What? You know what I found over there? I found you an art teaching job at a public school.
01:27:21I already took tickets. Maybe in the morning. You're sending me away? No. I opened my own
01:27:28restaurant. It's just down the street. Oh, one more thing. I enrolled Anna at the school
01:27:36they're going to be teaching at. I think she's going to really love it over there.
01:27:42So you really are walking away? Yeah.
01:27:50You got some socks.
01:27:51Come on.
01:27:52Come on.
01:27:53Come on.
01:28:01Okay.
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