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00:00To be continued...
00:30This will be me.
00:34Abbo!
00:35What?
00:37Hey, Ghanat!
00:38You don't know the meaning of love and love?
00:40Can't you have any chance?
00:42No.
00:43Okay?
00:45My father is over!
00:47Let me go, let me go.
00:48Let me go, let me go.
00:52What is this? Who is this?
00:55He's beating his daughter to his daughter.
00:58What?
01:00If we didn't have a hero in this film,
01:04then we won't make this film.
01:15What's going on?
01:16Why are you floating around in the house?
01:18He was waiting for him to give him something to the college.
01:22Go to his house, right?
01:24Is there any purpose in the warm water?
01:27What?
01:28How was he waiting for him?
01:35I have this.
01:36I'm going to give him.
01:37What's the problem with his daughter?
01:39She's injured.
01:40What?
01:41How?
01:42How are you? I don't know.
01:44I didn't see her at night. She was going to take a walk.
01:47Don't worry about it.
01:48Give it to the sir, right?
01:50And you have to ask too.
01:52Yes, sir.
01:53Assalamualaikum, auntie.
01:54Assalamualaikum.
01:55Go, go.
02:01Sir, the ending is open.
02:06It can be tragic.
02:08It can be happy.
02:10How do you feel?
02:12Better.
02:16He doesn't think he likes it.
02:18He doesn't think he can store it?
02:19What's he talking about?
02:21He's right?
02:22He's right, he's right.
02:23He's right.
02:25He's so much.
02:28He's right.
02:30He will sell it.
02:31He'll throw it…
02:33He's right.
02:38Knowing.
02:39You're welcome, sir.
02:41You're welcome.
02:51You're welcome.
02:55You're filming a film, right?
02:59You're telling me that he has now a hero cast.
03:03What are you doing, sir?
03:05Why are you doing this?
03:09You're scared.
03:11Yes, sir.
03:13It's not a problem.
03:17It's not a problem.
03:19It's not a problem.
03:21You're planning a new film.
03:23What's wrong with the news?
03:27The truth is that
03:29the people who are working on this industry
03:31are 15-16.
03:33And the people of Peer are the Sultan.
03:35Hmm.
03:37So,
03:39how can you do it?
03:41How can you do it?
03:43You're asking me.
03:45You're asking me.
03:47You're the king.
03:49You're telling me.
03:51You're asking me.
03:53You're asking me.
03:55You're asking me.
03:57Yes, sir.
04:01You're asking me.
04:03The script, the producer and the madam Rosie ready to go, then come on.
04:11That's right, sir.
04:25You?
04:26There's a script.
04:29Shiri, if you have any answers, give it to your daughter.
04:33What's your daughter?
04:37Shiri, what's your question?
04:39If it's something that's necessary, tell me.
04:43It's necessary.
04:45No.
04:47Okay.
04:48Write the script in the script.
04:51I'm going to go.
04:52Then I'll come back.
04:56I'll go.
04:57Oh, I can't.
04:59Ah, I'll be, I'll come back.
05:02No.
05:04No.
05:05No.
05:06No.
05:07No.
05:08No.
05:09No.
05:10No.
05:11No.
05:12No.
05:13No.
05:14No.
05:16No.
05:17No.
05:19No.
05:21No.
05:22No.
05:23That's why you can't wait for any kind and see your dream for yourself.
05:30Mr. Prath, Mr. Prath, Mr. Prath has called you for a few years.
05:43The whole film industry.
05:45I want to ask everyone to call all of you.
05:48Thank you sir.
05:50If you have invitations to print out, then you can go personally and deliver it.
05:55Right? Yes sir, we'll go. Good. Go.
06:01Go do.
06:02Do you have a big deal of films like this?
06:05Sir, I feel like the time is only 7 days.
06:08If it's tomorrow, then we'll do this.
06:12That's it, sir.
06:13Shiri, where did you get the driver?
06:15The driver was so far before.
06:18Now you should come.
06:20So, let's do it.
06:21Khaja sir, take time low and take care of Shifai sir.
06:25I want the song before you go.
06:27Done.
06:28Good.
06:29Salakam sir.
06:30Salakam sir.
06:31What's your wife?
06:35Allah is better.
06:38No.
06:39Golden was told that your wife has something to do.
06:43What happened?
06:44I don't know, sir.
06:45I don't know, sir.
06:46I don't know, sir.
06:47I don't know, sir.
06:48I don't know.
06:49No.
06:50It's your merit.
06:51Hello, sir.
06:53Okay.
06:54Okay.
06:55Okay.
06:56Let's go.
06:57It's better.
06:58What have you written in the film?
07:00What have you written in the film?
07:02The film you gave me, sir.
07:04I haven't written in the film.
07:05I haven't written in the film.
07:06Certainly.
07:07I don't know what the film's script is.
07:08What?
07:09Just shut up.
07:10You want me to leave.
07:11Come here.
07:12Come here.
07:13I have written in the film.
07:14I need the film script.
07:15What?
07:16What?
07:17I'm really...
07:18Just shut up.
07:19What do you want me to do?
07:20I have to bring my faith.
07:21Sorry, sir.
07:22Just get out.
07:24Go!
07:26Just get out.
07:31Go!
07:40When are you waiting for this car?
07:42Chiri?
07:43Abbu, five minutes.
07:45I'll tell you why it was late.
07:48I'll be able to get everything at home.
07:52How did Ahmed get reached?
07:54I'll tell you, brother.
07:56I'll tell you.
07:57I'll tell you.
07:59Don't forget everything for a while.
08:02That's why I didn't tell you.
08:18Danny sir, you?
08:19Master Saifuddin.
08:21He's a woman.
08:23She's a woman.
08:24He's a woman.
08:25She's a woman.
08:27She's a woman.
08:29I'm a woman.
08:30How are you?
08:33You can only speak for this.
08:35Shiri, just five minutes.
08:38Yes, of course.
08:41Just two minutes. I'm going to open the door.
09:00You didn't have to come to our house.
09:02Why are we all alone?
09:05Sir, don't do anything.
09:07I don't do anything.
09:09Yes.
09:11Yes.
09:13Yes.
09:15Yes.
09:19Yes.
09:23Yes.
09:25Yes.
09:27Yes.
09:29Yes.
09:35Sir,
09:37I don't want to talk about it.
09:39Can you talk about it?
09:41Yes.
09:43Yes.
09:45Yes.
09:47Yes.
09:49Yes.
09:51Yes.
09:53Yes.
09:55Yes.
09:57Yes.
09:59Yes.
10:01It must be wrong.
10:03It must be wrong.
10:05We have造 bromance in the field have been wrong?
10:09I don't believe I do not like it.
10:11It has been true.
10:15You don't no lie.
10:17Yes,
10:21that is more something we've worked on beforetune.
10:23That isbar,
10:25you just have to listen up there.
10:27Yes,
10:29Yes, it's a lot. What do you want to do with us?
10:38We just want to do this. If you work with us, you'll be able to work with us.
10:46Mr. Denny.
10:48Mr. Denny.
10:49One minute.
10:52What do you think? You get a stock market here?
10:59Mr. Denny.
11:02Mr. Denny.
11:03Mr. Denny.
11:04Mr. Denny.
11:05Mr. Denny.
11:06Mr. Denny.
11:07Mr. Denny.
11:08Mr. Denny.
11:09Mr. Denny.
11:10Mr. Denny.
11:11Mr. Denny.
11:12Mr. Denny.
11:13Mr. Denny.
11:26Mr. Denny.
11:27Mr. Denny.
11:28Why do you like so much, Sultan?
11:35Just...
11:37We will go.
11:40We will go from here.
11:43But we will not go from our lives.
11:51After that,
11:54you will become our best.
11:58Asan.
12:04Hmm?
12:14What happened?
12:16Whatever happened, I would like.
12:29It was good.
12:32It was good.
13:03What can I do?
13:04That's why I got here.
13:06I got here.
13:08I want to thank you, Sultan.
13:09I want to thank you, Sultan.
13:10I want to thank you, Sultan.
13:11I want to thank you, Sultan.
13:13But it's not my fight.
13:15But it's because of Shiri.
13:18But now it's my fight.
13:20It's my fight.
13:22And now it's my friend.
13:23And now it's my friend.
13:25It's my friend.
13:26It's my friend.
13:27It's my friend.
13:29I'll go back, Sultan.
13:32Golden.
13:33Golden.
13:34I'll leave the driver to the driver.
13:38Come on, sir.
13:40Come on, sir.
13:41Come on, sir.
13:42Come on, sir.
13:43Come on, sir.
13:45Look, now it's my fight.
13:47It's my fight.
13:49If there is no fight,
13:50it's a fight.
13:52It's my fight.
13:53It's my fight.
13:56And it's my fight.
13:58My son.
14:00My son.
14:01I can give my love.
14:04I can give my love.
14:06I can give my love.
14:07I can.
14:13What are you saying?
14:23What are you saying?
14:27You need to call this story.
14:30It's true.
14:32I'm not sure.
14:33I'm not sure that Shiri, Shiri,
14:35Shiri can do it.
14:36You can just tell me what I'm asking.
14:40Just tell me.
14:41If I'm in your place,
14:43I'm in my office.
14:44I'm in my office.
14:45I'm in my office.
14:46I'm in my office.
14:55Backfire.
14:56I'm in my office.
14:59So, sir,
15:00people's attention
15:02will fall out of the film.
15:06And if this news is against us,
15:08we're still going to do it.
15:10You will take over it.
15:11You're running away.
15:13You know,
15:16you are running away.
15:17You're running away.
15:18You can't think anything.
15:23No.
15:24We will take a look at some other way.
15:30Think about it. There is such a big opportunity.
15:36We want to see
15:40that the beautiful faces are so beautiful.
15:47Or not?
15:49Think about it.
15:53No.
15:58We will not see the news now.
16:02My question is,
16:05that there is a big opportunity.
16:07But it will not come.
16:10But my story and my days,
16:15what you thought about it?
16:17Our film's heroine,
16:22it will be true.
16:25It will be true.
16:27It will be true.
16:28It will be true.
16:30It will be true.
16:32It will be true.
16:33It will be true.
16:35It will be true.
16:37It will be true.
16:38It will be true.
16:39It will be true.
16:40It will be true.
16:42It will be true.
16:43It will be true.
16:44It will be true.
16:45It will be true.
16:47It will be true.
16:48It will be true.
16:49It will be true.
16:50It will be true.
16:51It will be true.
16:52It will be true.
16:53It will be true.
16:54It will be true.
16:55It will be true.
16:56It will be true.
16:57It will be true.
17:01It will be true.
17:04I will trust the Isso Only playing.
17:20Whatever I want,
17:21just translate the film quickly.
17:23Yes sir, now let me see, the reward of telling the truth is beginning to meet at home.
17:30You don't even know the truth, keep it inside.
17:35Shiri, the truth is that the truth comes out.
17:40So just wait, Danny will come.
17:46What do you think? Rosie has met Danny with Danny.
17:51And who can do it?
17:54Listen, leave me.
17:57Where will we finalize the story of the film?
18:02He has kept his name very well.
18:05Don't let him leave.
18:07What do you do with love?
18:10But sir, you haven't told me about the writer and hero.
18:16The film is showing Farhad.
18:21Really?
18:24You can't see him.
18:27You're acting.
18:29No.
18:30He didn't mean that.
18:32He told me that he was writing something.
18:35But...
18:36Where is a confused person?
18:39Let's see.
18:44I'm sorry.
18:45My heart is dying.
18:46You're so sorry.
18:48Madam, do you want to go to the studio or go to the house?
19:06Madam?
19:07What?
19:08Do you want to go to the studio or go to the house?
19:14Let's go.
19:44How do you want to go to the house?
19:51Your heart is yours.
20:01Who?
20:02Open the door, I am.
20:05How are you?
20:11What are you?
20:13Theriot?
20:15You tell me.
20:18What are you doing?
20:20I'm fine.
20:24You are here Theriot, right?
20:28I have to ask you and forgive me.
20:35I've been looking for a place and I've been looking for a long time.
20:39Love is always difficult.
20:44You're not at home.
20:48No, she's gone.
20:50She's gone.
20:51The man was forced to leave the man to leave the man and to leave the man.
21:03Do you please forgive me?
21:05I will forgive you.
21:07Because if you want to leave, then nothing will happen.
21:21But a man who has to say that...
21:26...to forgive me.
21:30Your sister has to be a sin.
21:42Shamsa, I'm okay.
21:44Shamsa!
21:45Shamsa!
21:46Shamsa!
21:47Shamsa, open your eyes!
21:50Shamsa, open your eyes.
21:55Shamsa, open your eyes.
22:07Ending?
22:10Sir, I was looking forward to it, but I didn't write.
22:15I was looking forward to it.
22:17Sir, you've never done so much before.
22:21I'm surprised.
22:28It's been 30 years in this industry.
22:31The first time I listened to this story, I believe.
22:36Really, sir?
22:40No, sir.
22:41All the driver came.
22:42Your daughter's daughter is in the hospital.
22:43Shiri Madam.
22:45Sir?
22:46In which hospital?
22:48Do that. Take care of yourself.
22:50Thank you, sir.
22:51Listen, listen.
22:54Keep it.
22:55The job will be better.
22:57Thank you, sir.
22:58I don't know.
22:59I've never come yet, Shiri.
23:00I'll come.
23:01It's night, Saifuddin.
23:02I'll come.
23:03I'll come.
23:05It's night, Shiri.
23:06No, sir.
23:07It's night, Saifuddin.
23:08I haven't come yet, Shiri.
23:10It's coming.
23:12It's late, Saifudddin.
23:15What do you do?
23:17People are going to visit the house.
23:19Don't you think you're scared?
23:21Go and call him the Sultan.
23:24I'll ask if my daughter's house is good or not.
23:28My father has called for a film.
23:30Two-two-four-four days.
23:32You have to live in this time.
23:34You have opened the world, Saifudddin?
23:37There are so many eyes.
23:39There are so many eyes.
23:41There are so many eyes.
23:43People are going to go home.
23:45But there is nothing to do.
23:47If there is something to do, then what will happen?
23:49No one can see.
23:51There are no eyes.
23:53There will be no eyes.
23:55There will be no eyes.
23:57There will be no eyes.
23:59There will be no eyes.
24:01There will be no eyes.
24:03There will be no eyes.
24:04I'll do that.
24:05There will be no eyes.
24:06I'll take care of you.
24:07I'll take care of you.
24:08All right.
24:09I'm taking care of you.
24:11It's okay.
24:14I was at home to help me.
24:17If my wife was wrong, I took the hospital.
24:26Don't worry.
24:29You told me the doctor.
24:31I had to wash my stomach.
24:35I drank it.
24:36It's okay.
24:40It's okay for me.
24:47As much as you did, it's less less than you did.
24:58I want to ask for forgiveness.
25:00I don't need it.
25:02It's necessary.
25:03It's okay for me.
25:06It's okay for me.
25:08It's okay for me.
25:14You're writing a film.
25:17Congratulations.
25:21I think everything else will do.
25:26I will pray.
25:28Ijasi.
25:30Ijasi.
25:36Shiri.
25:37I am a child.
25:39I am sorry for you.
25:41I will.
25:43I will try it.
25:45I will try it.
25:47I will try it.
25:49I will try it.
25:50I've found a place where you have been
25:56What you've been doing
26:02This heart has become your life
26:10You've come three times, Vahidah. What's the matter?
26:13There will be some work in college.
26:17What's the matter?
26:20I don't know.
26:22I don't know the script and character.
26:26What are you doing?
26:29I don't know.
26:31I don't know.
26:33I don't know.
26:35You've got to know.
26:37You've got to know.
26:39It's okay.
26:41You've got to know.
26:45You've got to know.
26:47You've got to know.
26:48You've got to know.
26:49You've got to know.
26:50You've got to know.
26:51You've got to know.
26:52You've got to know.
26:53Why?
26:54You've got to know.
26:55You've got to know.
26:56You've got to know.
26:57I've got to know.
26:58You've got to know.
26:59You've got to know what's the matter of it.
27:01I don't know.
27:15You didn't eat food?
27:33Ameem, the sun is inside the hospital again.
27:38God bless you.
27:40Is it okay now?
27:42I don't know.
27:44How did you know?
27:46What was it?
27:48He had a phone for me.
27:56Oh, God.
27:57What is this house?
27:59He also listened to him.
28:03He was on the railway station.
28:05He told me three days.
28:07Go and ask him.
28:09I don't want to listen to my name.
28:11He was on the train.
28:13He was on the train.
28:14He was on the train.
28:16He was on the train.
28:17You can eat food and get warm.
28:20He was on the train.
28:21I'm going to go.
28:22I'm going to go.
28:23I'm going to go.
28:24And I don't know.
28:25I'm going to be in a train.
28:26He was on the train.
28:27He's on the train.
28:30He's on the train.
28:33I'm getting a few cars.
28:34I'm getting the train.
28:35Would you go?
28:36What is your advice?
28:37Why did you get the advice from Shaachai Ji?
28:38The guilt is very bad.
28:40The guilt is very bad.
28:41I guess everyone is doing anything wrong.
28:43I'll watch more.
28:45I'm putting it on the train.
28:46Yeah.
29:02Chacha ji, I've come to ask you.
29:07You haven't come to me before.
29:12I remember everything that has been left for you.
29:16Chacha ji, I'm just asking my hand.
29:19I don't know what the meaning of love is about me.
29:23Love is so much, I'm sure you can learn.
29:25Let's go here.
29:27Chacha ji,
29:29my phone is in Shamsa Hospital.
29:36What did you see?
29:38Is there anything not gone?
29:41I'm asking you.
29:43I've put it on my house.
29:46It's our fate, it's our fate, it's our fate.
29:50Let's go here.
29:52Oh my gosh!
29:53The fear of me has so much to live in my life that I can't be able to live in my life.
30:00I want you to take care of yourself.
30:06I want you.
30:09I want to marry Shamsa from Shamsa.
30:12I'll give you one chance to stay alive.
30:17It's not good for me.
30:30God!
30:33My Lord has put me in this place.
30:42Hello, Jigon, one minute.
31:06It's a big thing with Kim Khanna
31:09Oh brother were we remembered?
31:11Oh
31:14Yes
31:16You hear me, it's a joke with Danny today
31:21ּू। ּू ō ۶ । ༶ ༶ ַ ॥ । । ॥ । । । । । । ք । । । । । । । । । ॥ । । । । । ॥ । । । । । । । । । । । । । । । । । । । । । । । ।
31:36It's going to happen in the film of Sultan Saab.
31:39You are right.
31:41Yes.
31:42You have said it, but you are not.
31:46The fact is that if you open the gift,
31:51we will see you now.
31:56These are very personal and powerful.
31:59You understand that life is changing.
32:04It's your purpose.
32:07This is Danny is changing.
32:11What is changing, brother?
32:13Every thing is strong.
32:15Yes, you can see yourself.
32:19We get it.
32:20You and Danny.
32:23He is a good friend.
32:27What?
32:32Danny is also the man who always sits on the ground.
32:35What is the name of Danny?
32:38Who will sit on the ground?
32:41He will be able to do it.
32:42There are two or four problems of it.
32:46But you can do it.
32:48Hmm?
32:49Oh!
32:50There will be a heroine on the big screen.
32:54Just a good producer.
32:58Yes.
33:00Do you think about it?
33:04Think about it.
33:12Do you think about it?
33:37Yes.
33:44We're going to start the film, the dressman, you will be.
33:52But we won't get money.
33:54When the film will go, it will be.
33:57No.
33:58I don't need money.
34:00I don't need money.
34:02Just let me get money.
34:06Hmm.
34:07Okay.
34:08You will tell us about the details of our P.A.
34:14Thank you very much sir.
34:20Please.
34:21Mr. Ahmed, who is your cousin, Shiri?
34:34How do you relate to our P.A.
34:36P.A.
34:37P.A.
34:38P.A.
34:39P.A.
34:40P.A.
34:41P.A.
34:42P.A.
34:43P.A.
34:44P.A.
34:45P.A.
34:46P.A.
34:47P.A.
34:48P.A.
34:49P.A.
34:50P.A.
34:51P.A.
34:52P.A.
34:53P.A.
34:54P.A.
34:55P.A.
34:56P.A.
34:57P.A.
34:59P.A.
35:00P.A.
35:01P.A.
35:02P.A.
35:03P.A.
35:04P.A.
35:05P.A.
35:06P.A.
35:13P.A.
35:14P.A.
35:15P.A.
35:16Shiri say
35:18I
35:20I
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