- 6/15/2025
#entertainment
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TVTranscript
00:00You have seen it in Very Parivaric.
00:05You have seen it in Very Parivaric.
00:07Why are you staying with your earloge?
00:09You stay with it. Feel it. Experience it.
00:11U.P. and Bihar in Mumbai.
00:14Just imagine the masala, ya.
00:16Nowadays, you're making a lot of films of Bollywood,
00:19but it's like a lot.
00:22Oh, I really like it.
00:24Pen.
00:26It's small.
00:28It's a pile.
00:30How do you do it?
00:32When an average person wears a pile in the bathroom,
00:35what's going on?
00:36Shhh.
00:37Shhh.
00:38Shhh.
00:39Shhh.
00:40Shhh.
00:41Shhh.
00:42Shhh.
00:43Shhh.
00:44Shhh.
00:45Shhh.
00:46Shhh.
00:47Shhh.
00:48Shhh.
00:49Shhh.
00:50Shhh.
00:51Shhh.
00:52Shhh.
00:53Shhh.
00:54Shhh.
00:55Shhh.
00:56Shhh.
00:57Shhh.
00:58Shhh.
00:59Shhh.
01:00Shhh.
01:01Shhh.
01:02Shhh.
01:03Shhh.
01:04Shhh.
01:05Shhh.
01:06Shhh.
01:07Shhh.
01:08Shhh.
01:09Shhh.
01:10Shhh.
01:11Shhh.
01:12Shhh.
01:13Shhh.
01:14Shhh.
01:15Shhh.
01:16Shhh.
01:17Shhh.
01:18Shhh.
01:19Shhh.
01:20Shhh.
01:21Will your electric car go 40 km or more?
01:23Come on, he's stopped.
01:26It's a red light.
01:27And Papa, 40 km is more than 400 km.
01:31And Papa, today electric cars are growing.
01:34Don't mind, I've kept Anish's driver today.
01:37So he won't be able to get petrol.
01:40But Selly, you're so crazy.
01:43We've made cereal and when he got the price,
01:46he bought his car for himself.
01:48For himself.
01:50If it's only for himself, you're going to shoot in the local train.
01:53So we won't be able to shoot.
01:55What's the name of the show?
01:57Something tentative.
01:59Like, there's an in-laws at home.
02:01Hule Maabaap Udhumi Balak.
02:03What?
02:04Think of a modern name.
02:07Metropolitan Villagers.
02:08What's that?
02:09The story of Bejod Sasuki.
02:10What can't be Bejod Sasur?
02:12Flopso.
02:13Someone has seen it.
02:13Where?
02:14Sasur, people have seen it.
02:15Okay, there's another name.
02:17Modern and Sankari Mix.
02:18Listen to me and tell you how it looks.
02:20So the name is
02:22Very Parivaric.
02:25Sure.
02:27I mean...
02:28What was the truth?
02:29What was Bejod?
02:31Look.
02:32What?
02:32Bejod Sasuki?
02:33Yes, that's better.
02:34It's a cool name.
02:35It's a very English word.
02:37Parivaric is just like trying too hard to be cool.
02:44You don't tell me what to do.
03:00Okay, title shot.
03:01What?
03:02What?
03:03Title change?
03:08Come on, son.
03:09I don't know.
03:09I don't know.
03:10I don't know.
03:10I don't know.
03:11You can do it.
03:12You can do it.
03:13That's so funny.
03:17What's this, brother?
03:18People are doing it all.
03:21Father, we don't have to do it all in the film industry.
03:23Look how hard we're doing.
03:25We're taking a lot of things.
03:26Don't worry about it, right?
03:28I know that the news has given us.
03:31Look at her.
03:32Father, the people who are living in the house
03:34don't put the stone on the wall.
03:36Oh, oh, oh.
03:37What's your name?
03:39Mud Island?
03:40Mud Island.
03:40He will come to the mud, Robert.
03:42If Mona will come, he will come to the mud.
03:46Hey, all the people are doing this.
03:48Where is Bejodgari in the country?
03:50Sure, sure.
03:51Hello.
03:52Good morning.
03:53How are you?
03:54Hey.
03:55Hi.
03:56Shelly, brother.
03:57Are you ready for your life to change?
04:00Yeah, of course.
04:01Also, your lines to change?
04:06It's going to be a little improvisation.
04:09Is she an actor?
04:10Hello.
04:10You will play in the show?
04:11She is Savitri.
04:12How cute is she?
04:14That's Manish.
04:15You can call him Mash.
04:17And this is Rahab Adur Ji.
04:19He is the most respected actor in the industry.
04:21He is the most respected actor in the industry.
04:23He is the most respected actor in the industry.
04:25He is the most respected actor in the industry.
04:26So humble, sir.
04:27So humble.
04:28Let's see.
04:29I've seen a show.
04:30I've seen a show.
04:31I've seen a show.
04:31I've seen a show.
04:32I'm ready too, you can make friends, I'm just going to see.
04:41So many people are taking care of us.
04:45Think about it.
04:47Why don't you call someone to help us?
04:51This is going to help us and our brothers and sisters.
04:55We will tell you that you have to cut your hair.
04:57So I'm going to take a pocket and take a look.
05:02What a great character.
05:04What do you mean?
05:05It's very impressive.
05:07It's original and it's all over.
05:10It's all over again and it's all over again.
05:13Talk about it!
05:18I'm here with them.
05:20I'm here.
05:21Shelly, Shelly!
05:25Hey, I have to...
05:26Yes, yes, please, give her to me.
05:27It's me with you.
05:29Are we going to die?
05:33What do you think so many people are doing in the set?
05:36Here, I forgot my makeup kit.
05:38Oh, thanks.
05:39You're lying, sir.
05:41Sir, I'm a writer. It's okay.
05:45Hey!
05:46Yes, keep it here. Thank you.
05:49Is this the right brand?
05:50What? You're smoking a cigarette?
05:52No, man.
05:53I remember when my mom listened to my pile
05:57and I drank a cigarette in the bathroom.
05:59This is for that scene.
06:00Anyway, it's done, sir. Thank you.
06:03Okay, listen, keep this with you.
06:05Meera, keep this in your pocket.
06:08When I ask you, I'll come back and give it to me.
06:11And today, you are my bag man. What are you?
06:13I'm bag man.
06:14No.
06:15Bag man.
06:17Bag man.
06:18Correct.
06:19I ask you to sit, you sit.
06:20I ask you to stand, you stand.
06:21I ask you to bark, you bark.
06:23Bark.
06:27Bark. Bark. Bark.
06:29Bark.
06:29Good. Follow me.
06:32Bark. Bark. Bark.
06:34This is a bag man, siri madam.
06:37What do you want to do all these girls in the good house today?
06:53aga, what do you want to do all these girls in the good house?
06:58I'm in the bathroom.
07:00And you're not going to knock me out.
07:02How are you in my van?
07:04We are.
07:06Who are you, man?
07:08Come on, come on.
07:10Come on, come on.
07:12Come on, come on.
07:14Come on, come on.
07:16Come on, come on.
07:18Come on, come on.
07:20Come on, come on.
07:22Come on, come on.
07:28Come on, come on.
07:30Come on, come on.
07:32Come on, come on.
07:34Come on, come on.
07:36Come on, come on.
07:38Come on, come on, come on.
07:40Come on, come on.
07:42Come on, come on.
07:44Come on, come on.
07:46This script is a little crispy.
07:48And the masala is also filled.
07:50But it's not a chatti.
07:52Who is it?
07:54Dhani or Puddin?
07:56Okay.
07:58Then you'll make a big chatti.
08:00Then you'll have to eat some sauce.
08:02Hi.
08:03Hi.
08:04Sorry to disturb you.
08:05But I just want to know, why are we wearing this sadi?
08:07I'm doing that scene at home, right?
08:09Looks pretty.
08:10Yeah, of course.
08:11Very pretty.
08:12Looks pretty.
08:13Okay.
08:14And this Gunguru had written Pail in the script.
08:15I think he took it wrong.
08:17Pail, Gunguru, Junjunah.
08:19What's the diff, babe?
08:20The diff, sir, is that it wasn't in the script.
08:23You know.
08:24Shelly, brother.
08:25Shelly, brother.
08:26Aajkal Janta ko har chiz larger than life chahi hooti hai.
08:30Tum bhi ek large chai pilo.
08:32Hello, hello.
08:33Hello, hello.
08:34No, thank you.
08:35But audience paagal nahi hai.
08:37Woh kaafi intelligent ho gai hai.
08:38Ab to, ye sab...
08:39Shelly, brother.
08:40Tum jase loog na.
08:42Noland ki doh chaar picturee dekh lihte ho.
08:44A phir tumko lagta hai ki dunia mein time travel chal raha.
08:47Jabki dunia mein aaj bhi loog train mein travel kar raha hain.
08:49Without tickets.
08:50Without tickets.
08:51Nange pao.
08:52Garmi mein.
08:53Pennt me su suni kail jari hai hai.
08:54Kisne ki?
08:55Ahay, woh train mein jane haal ho.
08:57Okay.
08:58I'll take a line.
08:59Go ahead.
09:00Go ahead.
09:01See.
09:02Shelly betha, let's see.
09:03How many good girls are for you?
09:05No, we're not.
09:06We're pail her.
09:07Huh?
09:08No, ma'am.
09:09Pail.
09:10Pail.
09:11Huh?
09:12Ma'am.
09:13Gunguru nahi.
09:14Huh?
09:15Huh?
09:16Huh?
09:17Huh?
09:18We've improvised that this character,
09:20the voice of his voice,
09:22he listens to each line.
09:24Huh?
09:25Huh?
09:26Huh?
09:27Huh?
09:28No, ma'am, ma'am.
09:29Don't take this trait.
09:30Don't do that in the script.
09:31Don't do that in the script.
09:32It looks very loud.
09:33Huh?
09:34Huh?
09:35Huh?
09:36Huh?
09:37Huh?
09:38Sukuntala, bro.
09:39Did you feel funny?
09:40Huh?
09:41It's very nice.
09:43Huh?
09:44After each line,
09:45huh?
09:46It's very nice.
09:47Let's keep it.
09:48Yeah, yeah, yeah.
09:49Let's keep it.
09:50No, this is very dumb.
09:51Let's not keep this.
09:52Are you saying that your sasuma is dumb?
09:57Are you actually saying it?
09:59Like really?
10:00Like right now.
10:01Like right now, now.
10:03On a Wednesday?
10:04At 3.30 pm.
10:05On 14th of April.
10:06Are you?
10:07Are you?
10:08Shelly, brother.
10:09Like millions, millions, millions,
10:11millions, thousands,
10:12thousands,
10:13thousands,
10:14thousands,
10:15thousands,
10:16and thousands.
10:17This is our core audience.
10:18Sukuntala, brother.
10:21Thank you so much.
10:22Yeah, yeah.
10:23Sir,
10:24do you have some notes?
10:25Stop!
10:26You're getting a bank notes, right?
10:27You're telling me.
10:28Okay?
10:29You guys are making money.
10:30What's the shooting set?
10:32I'm the most senior artist of this set.
10:34And with me,
10:36I'm the most senior artist of my family.
10:38I'm the most senior artist of this set.
10:40Don't you try it?
10:41Take care of me.
10:42Take care of me.
10:43Take care of me.
10:44And take care of someone.
10:45Let's go.
10:46Lunch break.
10:47Good brother.
10:48Good brother.
10:49Massage boy.
10:51Massage boy.
10:52Let's go.
10:53Hey, Anish.
10:56What?
10:58What?
10:59What?
11:00You're the only thing?
11:01If I'm a kiddar,
11:02then I'm a fool.
11:04He will do it.
11:05If he will do it,
11:06he will feel that we will be ashamed of him.
11:08He will be ashamed of him.
11:09He will be ashamed of him.
11:10He will be ashamed of him.
11:11He will be ashamed of him.
11:14If you have told anyone,
11:17you will see my death.
11:20Go, sir.
11:21Get out of the car.
11:27Go.
11:34What? Hold, hold, hold.
11:55Hey, Anish.
11:57Shelly's husband.
11:58Right?
11:59I'm Manish.
12:01I'm playing your role in the show.
12:03Oh, okay.
12:04Yeah.
12:05You play me.
12:06I know, right?
12:07A bit of a good looking cast.
12:08But,
12:09show business,
12:10you know how it is.
12:11So, I'll tell you what.
12:12I'm very nervous.
12:14It's very difficult to copy an existing person.
12:18So, tell me,
12:19how do I act with you?
12:22I don't do anything different.
12:23No, nothing.
12:24What do you eat?
12:26I really want to be inside you.
12:30You always take this bag.
12:32What?
12:33There's nothing in the bag.
12:34What?
12:35What?
12:37Uh,
12:38someone didn't tell me about this prop.
12:39Let me show you.
12:40No, no, no, no.
12:41Don't put it in the hand.
12:42There's nothing in it.
12:43One more time.
12:44No, no, no.
12:45Please, please, please.
12:47You're possessive with your things.
12:50Okay.
12:51Noted.
12:52Okay.
12:54Listen, Manish.
12:55Nice to meet you.
12:56Now, you go.
12:57I'm in the car.
12:58Yes.
12:59Okay.
13:00Do your thing.
13:01I'll just observe you.
13:02As you were.
13:09Oh.
13:10Digital key.
13:11I mean, you're tech savvy.
13:12Noted.
13:13And, you know,
13:14it's also classy.
13:15Noted.
13:19Please, come here.
13:21Please, come here.
13:23What are you doing?
13:25What are you doing?
13:26What are you doing?
13:29Oh, man.
13:30Oh, man.
13:31Oh, man.
13:32What?
13:33Let's check up.
13:34What?
13:35Let's check up.
13:36Let's check up.
13:48Let's check up.
13:51Let's go.
13:52No, man.
13:56What?
14:09No, no, it just sits down.
14:10Yeah.
14:11No, no.
14:12No, no, no.
14:13I'm talking about the trick stuff.
14:15OK.
14:16No, no, no.
14:17Oh, no.
14:18You're here.
14:19You're here.
14:20No, I'm here.
14:21I'm here.
14:22I'm here.
14:23I'm here.
14:24You're here.
14:25No, I'm here.
14:26I'm here.
14:27No, I'm here.
14:28I'm here.
14:29You're here.
14:30You're here.
14:31But you're here.
14:32No, but here.
14:34No, why are you talking about this?
14:37They're coming.
14:38They're coming.
14:39They're doing so big.
14:40They're saying right.
14:41What's up, Mamaji?
14:43I've called you for support here.
14:46Why are you laughing on their issues?
14:49If you're looking for us, Sally,
14:52then we won't be laughing.
14:54We're doing so hard,
14:58that we won't be laughing.
15:00You're not going to tell me.
15:03I'm not going to tell you.
15:05I don't have to look for you.
15:08But what you're looking for,
15:10you're putting the script and change everything.
15:13Then you'll get the credit.
15:14But if you're doing this,
15:16your serial-on is fun.
15:18What's wrong with that?
15:19Mamaji,
15:20don't call it a serial.
15:22It's a series.
15:24Serious?
15:25Serious, yeah.
15:26It's a show.
15:27And if this show is made like these people want,
15:30then there will be no difference in the thousands of TV series.
15:33There will be no difference in it.
15:34I have to do something different.
15:36Do you understand, Mamaji?
15:37Please.
15:38Yes.
15:39Do you understand, Mamaji?
15:40Mamaji?
15:41Mamaji?
15:42Mamaji?
15:43Mamaji?
15:44Mamaji?
15:45Mamaji?
15:46Look,
15:47what did we do now?
15:48Do you want to do TV series?
15:50Do you like it?
15:56Shakundra, bro.
15:57That's amazing.
15:58Shaku, where were you all this time?
16:00I think we've found a writer for season 2.
16:02Yeah, yeah.
16:03And 3?
16:044, 5, 6.
16:056 seasons and a movie.
16:08You go, girl.
16:09More power to you.
16:10You go, girl. You'll get more power.
16:27Give me a bite.
16:29Give me one more.
16:30I'll get one more. Let's go.
16:32Don't do it again.
16:33I'm giving you a bite.
16:35I'm giving you five minutes at 7 o'clock in the morning.
16:37I've given you five minutes for 5 minutes.
16:39I feel like light team travel faster than sound team.
16:41Five minutes in 5 minutes.
16:43Take it.
16:44Take it.
16:45Take it.
16:47No, it won't be saved.
16:48Take it.
16:49Hello.
16:50Hello.
16:51How are you going?
16:52Where are you going?
16:53I'm going to take it.
16:55It's bad.
16:56This car is bad.
16:57How are you talking about this car?
16:58As long as we left the gravy for our people,
17:00we transferred the piece to this crew.
17:03My brother, we're doing this.
17:04We're giving light men to light.
17:06If we're going to light, it's dark in the picture.
17:09Everything will be made on the radio.
17:10You're listening to it later.
17:11What?
17:12You're saying something wrong.
17:12No, no.
17:13You're saying something wrong.
17:14You're not even talking to them.
17:20We're watching their kids while very late.
17:22I understand, Sonu?
17:24No.
17:24Yes.
17:25I am thinking that we're shooting heroes.
17:27No.
17:27No.
17:28Look at how smart they are.
17:29No.
17:30No.
17:31OK.
17:31Look at how smart they are.
17:33No.
17:34Yeah.
17:34They're looking around with the hair and the height body.
17:36Yeah.
17:38We thought that…
17:39these heroes are to sit with us.
17:40Everyone's eating so much.
17:42Why?
17:43I know later...
17:44You're holding the bag of heroines.
17:46You're a bag man!
17:48Look at the game of luck!
17:50There are so many people who have lost weight.
17:53But the reason to get the heroines' welcome,
17:55the heroines' welcome.
17:56You will be doing it!
17:57When you put the shoe in,
17:58and put the bag on,
17:59when you put the weight on,
18:00when you put the weight off,
18:01you will run away.
18:02When you get the weight...
18:03But it's a little bit!
18:04So much of the money...
18:06Making money,
18:07you don't have to do much work!
18:08Come on!
18:09You need to get the bag of 500 grams,
18:11We need to take a bag, we need to take a 50kg light, you need to take a 50kg.
18:14Yes, it is.
18:15What will you do?
18:16So, Saleladji, you will also be able to do this.
18:18You will have to be destroyed.
18:19Gullah, you will go.
18:20One minute, listen.
18:21I think you guys are wrong.
18:23Shelly is my wife.
18:25I am happy to take the 50kg.
18:26You will have to be able to take the 50kg.
18:29This is the best thing.
18:31It is my wife.
18:32Ha!
18:33Ha!
18:34Ha!
18:35Ha!
18:36Ha!
18:37Ha!
18:38Ha!
18:39You have to go back.
18:40Don't you get anything?
18:41It is good.
18:42What is the end of eating?
18:43No, it is a wrong thing.
18:44You will go away and you will say, then, take it.
18:47Take it!
18:48Take it!
18:49It's a matter of fact.
18:50If it doesn't happen to our wedding,
18:53We also try to sell it at Sheli Madam.
18:55Hey!
18:57We are enjoying it.
18:59Don't tell the owner.
19:02You don't know.
19:03You are listening to my voice.
19:11This is too.
19:14We didn't see it.
19:15Is it there?
19:17It's okay.
19:18We are going to watch videos.
19:23Oh, that's the name, huh?
19:35Roll camera!
19:36Rolling!
19:37Clap!
19:38Out!
19:39And...
19:40Action!
19:42Bahu!
19:43Bahu!
19:45Bahu!
19:46Bahu!
19:47Bahu!
19:48Hey, wait, wait, wait.
19:49One minute.
19:50One minute.
19:51You have to wait for me to come inside.
19:54Huh?
19:56I'm saying that you have to knock inside.
20:01You have to knock inside.
20:05Can we cut, guys?
20:06Please?
20:10Oh, my God.
20:12She's too much, man.
20:13Sir, I think there's some confusion.
20:16In this script, I wrote that
20:19Yes.
20:20Saavithri Payal's voice
20:22And they think that
20:23I have no hands
20:24And then he goes to Manish
20:25That's what's written.
20:26This is something different.
20:27Babe, babe, babe.
20:28We actually had a discussion.
20:30And we decided that
20:31You go straight into the bathroom
20:32And give hands
20:33And give hands
20:34But I'm a writer,
20:36You have no discussion with me.
20:38Shelly, brother.
20:39You're just a writer.
20:40You're just a writer.
20:41You're just writing.
20:42The audience is watching.
20:44Who comes from the room
20:45And who comes from the room
20:46And who comes from the room
20:47And who comes from the room
20:48And who comes from the room
20:49And who comes from the room
20:50And we talked to them
20:51And she liked it.
20:52She's a good girl.
20:53Shelly,
20:54Shelly,
20:55Listen and listen
20:56And don't give hands
20:57You're not giving hands
20:58It's a little bit of a laugh.
20:59Mother, exactly
21:02That's what happened.
21:03What happened?
21:04Let's forget it.
21:05Let's not start it.
21:06Let's not start it.
21:08Do it from the
21:09From the
21:10From the
21:11From the
21:12From the
21:13I'll just
21:14Take a quick pile.
21:15Yeah?
21:16From the
21:17From the
21:18Pot, Dada.
21:19No,
21:20Just tell me.
21:21What do you do?
21:22What do you do?
21:23I mean,
21:24Oral pleasure
21:25It's not oral pleasure.
21:26It's total pleasure.
21:28When will it happen?
21:29When you go inside.
21:30If you go inside
21:31Then what will it happen?
21:32Oh, okay.
21:33We'll eat too.
21:34No harm.
21:35Now,
21:36I'll stay here.
21:37You'll stay here.
21:38You'll stay here.
21:39You'll stay here.
21:40You'll stay here.
21:41You'll stay here.
21:42You'll stay here.
21:43Keep it.
21:44Keep it.
21:45Anish?
21:51Your mom is crazy
21:52And you're not
21:54with light man.
21:56Shelly,
21:57I don't have to talk to you.
21:58These people are
21:59like a back man.
22:00They're putting things in my head.
22:01No.
22:02I can't do anything.
22:03I can't do anything.
22:04Anish, you can't quit on your first day.
22:05Please.
22:06I'm already stressed.
22:07Okay, look.
22:08You're already stressed?
22:09But you tell me
22:10that I'm not a back man.
22:11I'm not a bad man.
22:12I'm a bad man.
22:13I'm a bad man.
22:14If you're a bad man,
22:15please,
22:16please,
22:17please,
22:18please,
22:19please,
22:20please,
22:21please,
22:22please,
22:23please,
22:24please,
22:25please,
22:26please.
22:27I'm not a bad man.
22:28I'm a writer.
22:29I'm a writer.
22:30I'm a father.
22:31I need full creative control
22:33or I don't give them my script.
22:35You know,
22:36they've come to us
22:37here.
22:38I don't care.
22:39Full creative control
22:40or nothing.
22:41You keep this with you.
22:42Okay?
22:43I'm covered.
22:44Hey, Shellypur.
22:45Oh my God, you are here.
22:50Where are you from?
22:53We are going to be a bag man.
22:56We are going to take a cup of light.
22:59Take a look.
23:02Take a look.
23:03Take a look.
23:04Take a look.
23:05Take a look.
23:06Take a look.
23:07Take a look.
23:09Take a look.
23:11Take a look.
23:26Take a look.
23:36I don't know.
23:43You didn't get to the league, right?
23:45No, I don't know.
23:49We'll be friends of Anupam.
23:51I've been back behind you.
23:54Anupam.
23:56Well, what did we say?
24:06What did you say?
24:08We.
24:10The only person who had victory,
24:12he was also talking about us.
24:14Security, tell us about it.
24:16Tell us about it.
24:18Idiot!
24:2012.30 am.
24:22It means it's not at night at 12 o'clock.
24:24It's not at 12 o'clock at 12 o'clock.
24:26Get out!
24:28Hello, hello.
24:30Very good. Brother,
24:32I have to talk about something very important to you.
24:34Your sasuma is a freaking genius.
24:36Force of nature.
24:38What did she do?
24:40Brother, can you tell me that I will tell you?
24:42What do you tell me?
24:44That's the shacks that was discussing with Sam's.
24:46How do you want a grandkid?
24:48How do you want a grandkid?
24:50How do you want a grandkid?
24:52No, no, Salih. We didn't say anything.
24:54He was listening to Savitri Ji.
24:56Did you know that?
24:58When we talk about the grandkid,
25:00we talk about the grandkid.
25:02Yes, yes.
25:04Shaguntla, brother.
25:06Don't talk about the grandkid.
25:08The idea was good.
25:10But the approval came from you.
25:12Who doesn't want a grandkid?
25:14One minute, one minute.
25:16Realistically,
25:18they've come to the house.
25:20To talk about pregnancy,
25:22it's weird, right?
25:24You've seen it in my house.
25:26Yes, it was exactly like that.
25:28Now, for the punishment of the cigarette,
25:30what would be the biggest thing?
25:32No.
25:33It's not going to happen like that.
25:34Look, I wrote the script.
25:36Correct?
25:37It's like I said.
25:38It's like I wrote.
25:39It's exactly like that.
25:40Otherwise, I don't want to make this show.
25:41Really?
25:42Can she even do this?
25:44Are you really doing this like now?
25:47Like now now.
25:48Like right now.
25:49On a Wednesday.
25:50Yeah, yeah.
25:51I'm doing it right now.
25:52On Wednesday, on 14th of April,
25:54I'm telling you that I want full creative control.
25:56You got it, Vig.
25:57You got it.
25:58You got it?
26:01My bag is not, man.
26:03I just did this bag for the character's feel.
26:06Anish's bag.
26:07He stole it.
26:11You mean, Shelly's bag man is stole it?
26:13One minute.
26:14Yes, the bag is mine,
26:16but it's got it, right?
26:17And what's the bag man?
26:19Shelly's husband.
26:21Shelly?
26:24You got my $10,000 victory?
26:27Uncle, why won't I steal your wig?
26:29Look, you're talking to Uncle.
26:31Why won't I steal it?
26:33For full creative control?
26:35I've seen dictatorial tendencies in you.
26:40Anish, where are you from, Vig?
26:42Please tell me.
26:45Tell me, son.
26:48Tell me, speak.
26:52Wait, wait, wait, wait.
26:53Tell me.
26:57I just don't know your smile.
26:58That's what I'm going to do about you.
26:59Yes, mommy.
27:00You're always going to love.
27:01It's a good thing for your happy.
27:02Yes, mommy.
27:04You're always going to love.
27:05To be here, I'm always going to love you.
27:07Yes, I'm going to love you.
27:08That's why we'll start right now.
27:09I'll be ready for another child's help.
27:12And then, when you've got more joy and more people.
27:14And then, there will be more joy in this house.
27:21Why are you all so many?
27:23Eh?
27:24There will be more joy in this house.
27:26Eh?
27:27Nothing.
27:29Why are you all so many?
27:47The actor's hair has been praised.
27:49Look, see how he is being praised with his own man.
27:55Let's go to our experts and know what he is doing.
27:59I was the one that happened.
28:02What are you?
28:04People are very uncomfortable.
28:06They are offended by anyone.
28:08And if it is offended, then why are you offended by the news?
28:12We are also sitting at home.
28:14We were just saying that this is not a small thing.
28:17But you guys think that we are just angry.
28:20If you talk, you don't think that we are angry.
28:23We are angry every day.
28:26We are not angry for you.
28:28We can't talk to you.
28:30Papa, please.
28:32Eh?
28:33Selly?
28:34Selly?
28:35The last time writing was weak.
28:37But if you will do it again, let's do it better.
28:40No pressure.
28:41What pressure?
28:42Selly, don't do your little heart.
28:44We are here too.
28:45You can see what we are doing.
28:47You can see that you are writing.
28:49What do you know?
28:50Do you have someone who is watching you and make a serial?
28:53You tell me.
28:55If you want another college this year, we will do more college.
28:58If you want to get another college, we will get another college.
29:01Why not?
29:02As long as you naturally do it, Papa.
29:04You are a good person.
29:05You are a good person.
29:06Whatever happens, it will be better than that.
29:08It will be great.
29:09It will be great and fun.
29:11What do you understand?
29:15Yeah.
29:16Why not?
29:17If you want another college this year to come outside using the general alteration of the church and accepting people with corruptions.
29:18Even with accidentally chewing on water from the ID has done and putting themselves in the wrong place.
29:19You are an excellent teacher of these and pretending to be.
29:20Why not?
29:21Anything are not me doing anything you should choose.
29:22Or anything else you should do.
29:23Want to rock out for a free exercise or disruptions?
29:25It will be great to me at this current question.
29:26Why not?
29:27I cannot feel better.
29:28I cannot feel too far.
29:29Of anything else you should do it?
29:30It will be great and you should repeat.
29:31I cannot feel disturbed and stay forever.
29:32Why not?
29:33About nothing?
29:34What as money the food Avrilèµ·
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