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CID Episode 51 Season 2

Director:
Shachindra Vats, Santosh Shetty

Producer:
Deepak Dhar, Rajesh Chadhaa

Cast:
Shivaji Satam, Dayanand Shetty, Aditya Srivastava, Ansha Sayed, Ajay Nagrath, Saumya Saraswat, Narendra Gupta, Parul Rai

#cid

Category

😹
Fun
Transcript
02:05What would I do with you?
02:11Ira!
02:12Ira, please open the door.
02:14What happened?
02:16Why did you call me here?
02:17Why did you call me here?
02:18Why did you come here?
02:19Why did you come here?
02:20Why did you come here?
02:21Why did you come here?
02:22Everything is fine, right?
02:23I've been knocking on the door, but Ira has not opened the door.
02:25The watchman has been on the intercom, but there is no response.
02:28Yes, sir.
02:29Ira, I'm not giving any answer to the intercom.
02:31And this is the first time.
02:32Why are you taking so much attention?
02:34You might be able to get away from someone's work.
02:36You might be able to get away from your house.
02:37One second.
02:38You have Ira's house, right?
02:40Of course, I have.
02:41Please open the gate quickly.
02:46Ira!
02:47Ira!
02:48Ira!
02:50Ira!
02:54Ira!
02:55Ira!
02:56Ira!
02:57Let's go.
03:27Let's go.
03:57Let's go.
04:26Let's go.
04:56Let's go.
04:58Let's go.
05:00Let's go.
05:02Let's go.
05:04Let's go.
05:06Let's go.
05:08Let's go.
05:10Let's go.
05:12Let's go.
05:14Let's go.
05:16Let's go.
05:18Let's go.
05:20Let's go.
05:22Let's go.
05:24Let's go.
05:28Let's go.
05:30Let's go.
05:34Let's go.
05:36Let's go.
05:40Let's go.
05:42Let's go.
05:44Let's go.
05:46Let's go.
05:48Let's go.
05:50Let's go.
05:52Let's go.
05:54Let's go.
05:56Let's go.
05:58Let's go.
06:00Let's go.
06:02Let's go.
06:04Let's go.
06:06Let's go.
06:08Let's go.
06:10Let's go.
06:12Let's go.
06:14Let's go.
06:16Let's go.
06:18Let's go.
06:20Let's go.
06:22Let's go.
06:24Let's go.
06:26I said I was standing there.
06:36Sir, this is a suicide lab or a little difficult thing to say?
06:39Do things meet again?
06:41What do you mean?
06:44First of all, it's a suicide.
06:45Some things come like these two days to come challenge.
06:49Malo?
06:50In the name of the era's inner elbow has close suited.
06:54It seems like someone has put it in the air.
06:56It doesn't make any sense of you.
06:58It makes any sense to forcefully put it in the air.
07:01Is there any small?
07:02Yes, sir.
07:03Look, sir.
07:06Sir, there is a triangular wound with dried blood behind your head.
07:10Is it strong?
07:11Yes, sir.
07:12This small is 4-5 days old.
07:15Like someone has attacked a sharp object.
07:18Four days ago?
07:20What is the role in the film?
07:22I mean, there is no one after her.
07:24What is the crime scene?
07:25Sir, in the chair of the chair,
07:27Hira has attempted suicide.
07:30There are two finger prints.
07:31One is Hira and one is Arman.
07:35Arman?
07:36What?
07:37What does Arman say then?
07:38Sir, he was saying that when he made the soup,
07:40he hit his hand on the chair.
07:42Sir.
07:43We are still holding on it.
07:44We are still a prime suspect.
07:45And there is something about Vani.
07:47What?
07:48Vani was playing a lead role in a film.
07:50Yes, he was playing an artist.
07:52Then we get to the role later.
07:53Then after going.
07:54That role is so easy
07:55Then we get to the role to Vani.
07:57We get to the role quickly.
07:59There is no more than the individual.
08:01Just put the Vani.
08:03And made the sound of Vani.
08:05And Arman and Sanching,
08:06I'll take both of them to the bureau.
08:08Let's see.
08:10Marwan, the head of the ERA
08:14that was hit here,
08:16was a sharp object.
08:18Can you tell us about this?
08:25No, sir.
08:27I don't know anything about this.
08:29You were a traitor.
08:31Then, you can't understand it.
08:36It's all my fault, sir.
08:39He was very far away.
08:42It was like that.
08:44Why are you hiding something, sir?
08:46He was doing such a behavior,
08:48just like everyone else.
08:49I thought he was happy with his engagement.
08:52I asked him a lot of times,
08:54but he didn't answer me.
08:56Then, I left him to ask him.
08:58Okay.
08:59So, if you ask him more,
09:01he will lose his engagement, huh?
09:03Yes, sir.
09:04He was very beautiful.
09:06He was so successful.
09:07I thought,
09:08there will be many others.
09:10How did you see this behavior in his behavior?
09:12Three or four days before,
09:14I tried to ask him, sir.
09:16But he didn't tell me anything.
09:18He didn't tell me anything.
09:20He didn't tell me anything.
09:21He didn't tell me anything.
09:22Then, I left him to distract him.
09:24Then, I left him to distract him.
09:26Then, I left him.
09:28Yes.
09:29Yes.
09:30When I called him,
09:31he felt different.
09:32That's why,
09:33I went to Mumbai first,
09:35because I thought,
09:36that something is not good.
09:37Does this affect a film's film?
09:39No, sir.
09:41He knew how to handle pressure.
09:44He was very ambitious.
09:46He was very ambitious.
09:47He accepted all the challenges.
09:49Pressure and stress
09:51he didn't stand up.
09:53If there wasn't any stress
09:54or pressure,
09:55he was always hiding.
09:57And this is also the case of his death.
10:00Sir,
10:01we have to trace all the moments of Iraq.
10:03His phone records,
10:04CCTV footage,
10:06cab logs,
10:07building entries,
10:08everything.
10:09I wish I could explain it a little more.
10:11He will be alive.
10:12Armaan,
10:13the state of Iraq
10:15didn't get hurt,
10:16nor his death
10:18didn't get hurt.
10:20Let me know
10:21what he was hiding.
10:23Sir,
10:24Sir,
10:25the shoot location of Vani.
10:33Scene 10,
10:34shot 1, take 4.
10:35Action!
10:42Cut, cut, cut, cut, cut.
10:44Shot cut.
10:45Who did he say?
10:46Who are you guys?
10:47My shot has given me.
10:48You have to do it.
10:49Please,
10:50calm down.
10:51We are from CID.
10:52We are going to go to Vani ji.
10:53We have got to ask about Iraq's death.
10:55I've never done anything.
10:56I didn't know everything.
10:58They were all good.
10:59They will die.
11:00You're all good.
11:01You're all good to me.
11:02Because one week ago,
11:04I dropped her.
11:05And I replaced Iraq's death.
11:07It's just that way.
11:08We have noticed that you had to be injured.
11:11Did you hear that?
11:12No.
11:13I didn't do anything like that.
11:16So, look.
11:17If you remember, we will give you a message.
11:20Yes.
11:21I called her.
11:22What did you call her?
11:24That's why she stole my role from me.
11:26But I'm not saying that, sir.
11:28I didn't touch her.
11:30So, you think that Hera stole that role from you?
11:34We all know about her connections.
11:38What did Hera say?
11:40I just laughed and laughed.
11:42And nothing.
11:44Neither did I touch her, nor did I go to her house.
11:46But you gave her a blow.
11:48Sir, I was emotional.
11:50He told me something.
11:52He told me that he will be hurt.
11:55But it wasn't the real blow.
11:57Sometimes there are a lot of consequences, Mani.
12:00Especially when you're in front of the door.
12:04You gave her a blow.
12:07I didn't know about her situation.
12:10If it happens, then...
12:12But maybe, sir, you are watching the wrong situation.
12:17What happened?
12:19I heard that Hera and Armaan are going to be a problem.
12:24What?
12:25They are going to be married for two months?
12:27Ma'am.
12:28In two months, I'm going to change a lot.
12:37Sir, Vani's story is not clear.
12:39He told me a very interesting story.
12:41But...
12:42Hera and Armaan are not good at them.
12:46So, Vani's story is not done with her?
12:48Are you doing it?
12:49Are you doing it?
12:50For her to take a break?
12:51No, sir.
12:52We asked her to her co-actors.
12:54The people have to say that,
12:56Hera and Armaan are not good at her.
12:59They are not good at her.
13:00They are bad at her.
13:01Sir, actually, Armaan did not want to work after her.
13:04But the Hera was ambitious.
13:05He had to act after her.
13:07She had to act after her.
13:09And one thing I noticed, sir,
13:11that Hera was going to work with someone.
13:14Oh.
13:15And this is a good motive for knowing someone.
13:18If Armaan had to be aware of her,
13:20then she put her in anger.
13:22Yes.
13:23And Armaan also had her house of Hera's house.
13:26It can happen.
13:27We have an argument.
13:28And Armaan put her in anger.
13:30And then she put her in anger.
13:32And then she did not attack her,
13:34so that she had to kill her.
13:35So that she had to kill her.
13:37She had to kill her.
13:38It can happen.
13:39It can happen.
13:40It can happen.
13:45Look at Eera's last moment.
13:47Sir, Eera used a food delivery app.
13:50It was a quick name.
13:51And from that app,
13:52she ordered her food daily food.
13:54What?
13:55Where?
13:56In her house?
13:57No, sir.
13:58In her house,
13:59or in Armaan's house.
14:00In that app,
14:01there was a safe address
14:02from Bees Home.
14:03Who is this?
14:04Who is this?
14:05Who is this?
14:06Sir,
14:07who is this?
14:08I don't know.
14:09But Eera's last time
14:10went there.
14:11In 25 years.
14:12She died.
14:13She died.
14:14She died.
14:15She died.
14:16She died.
14:17She died.
14:18She died.
14:19She died.
14:20She died.
14:21She died.
14:22And she died.
14:23But if this happened
14:24when Ermaan got this.
14:25She died.
14:26She died.
14:27She died.
14:28It was a strong motive.
14:29It was a strong motive.
14:30Before 25 days.
14:31Ervan said that
14:33that Eera changed.
14:36Bees Home.
14:38He will get his B.
14:40Mr. Bean.
14:43Yes sir, I am Rijesh. I was a friend of Ira and I was a colleague.
14:49What did Ira ask you to eat here every day?
14:54Sir, we were working on a film project.
14:56He was coming here.
14:58Discussions were long, so he didn't get to eat.
15:01Sir, he didn't come here in the past four days.
15:04Did you have a professional relationship or something else?
15:07No sir, it was only a professional relationship.
15:09Sir, no sir.
15:10Ira's death has given me a lot.
15:13Sir, he was very talented.
15:15He was moving forward.
15:16Did you tell that you were working on a film project?
15:19No sir.
15:21He was still alive.
15:24He was still alive.
15:26Why did he leave here three days before?
15:30Rijesh?
15:31Yes.
15:32There was a frame here.
15:36Where did the frame come from?
15:39Yes sir, the frame fell down.
15:46The frame fell down.
15:47So, I had to fix it.
15:49I had to fix it.
15:51There was a frame.
15:52What was the height in Iraq?
16:04Five feet.
16:05Five inches.
16:06Five feet?
16:06Five inches.
16:07How much?
16:08Five inches.
16:09One minute, to come here.
16:11Please.
16:12Why should I stand right here?
16:15Interesting.
16:18is interesting here ike height kate satsay
16:24is kuska sir bilkul frame ke kone pate
16:28a forensic report kate satsayira ke sar pere joh chot lagi thii
16:31woh kisii sharp object ke waj se hui hai
16:35arogao bhi 4-5 din purana hai 4-5 din pahle se ira na yaana bantar dhya hai hai na
16:41baos jyaan pe kush toh hua hai ira ke sar pere chot lagi aur
16:49yuh frame toul gaya
16:53kya hai hai sir
16:56merah or ira ka 4-3 din pahle yahan pe chagda hua tha kafi bada jura
17:03main bank me confirm karchuk yuh pure 3 crore gaib e account se
17:07kya matlab gaya peera yeh humawara dream project tha
17:11or tuh maniz kredithi na pangsi haa lekin kuchhi nahi pata ki yeh kab keerse ho gaya
17:15ma ma khuti shogdu and so sorry so now you are sorry you are sorry
17:20you are sorry you are sorry tien karo dhya humawara dream project
17:23kitu nahi maniz kara tha hai kya karo you are ting me
17:26kya hai hai
17:36sir satch mani mai usse hurt nini karna chata tha
17:40sab kuch bhoot tachanak ho gaya
17:43wasser uske baad bhaen eera ko phir kubhi nahi dita
17:56kya
18:04sir
18:07the vanishing half cup pitch deck
18:09eera nye har scene ka break down kia tha
18:11priya dhekhe sir
18:13budget estimates
18:15even international film targets
18:16prijesh satch kaya rata sir
18:19eera nye sab kuch plan kaya tha
18:20arwan
18:26kya vanishing half
18:27isse project ke baare teme pata tha
18:29nahi sir mujhe is baron me kuch bhi nahi pata
18:31wu tummeh batana nahi chaathe thai kyunki usse
18:33dar tha ki kahi tum naraz na ho jau
18:35lekin wu isse projec ko lehe ke bhoot excited
18:38thai bhala me kyun naraz humga usse
18:40kyunki usse lagta tha ke
18:41tum usse support nahi karo gaya
18:43aur wu tien karo rupae uska kya
18:46uske baare me tmhe kuchh pata nahi
18:47nahi sir satch me mujhe is baron me kuch bhi nahi pata
18:50kya rupi ra tien karo rupae gaya ka
18:54uska hissa ab kwan dhega
18:58kya yisa to nahi ki tien karo rupae
19:01pira nye use kar liyo
19:03na ya
19:04isse gisum ka lifestyle tha
19:06uska ye alishan ghar rent peh
19:09yamaya peh gadi kuch bhi ho sakta hai
19:11ta ye bhi ho sakta hai
19:12usne wo pese kis ko dhe diyo
19:14jaha phir kisi ne usse wo pese chura liyo
19:16mo pese waapas nahi kari
19:18chai isse pressure mein
19:21usse site kar liya
19:22hmm
19:22But I can't do this to Arman and Vijayesh.
19:26It's the biggest problem with Vijayesh.
19:29I can do anything.
19:31Sir.
19:35Sir, the money was transferred to the account.
19:37It's been found out.
19:38It's a kind of Dhanraj Kumar.
19:40Dhanraj Kumar?
19:41See, sir.
19:47Do you know Dhanraj Kumar?
19:49No, sir.
19:50I don't know who this is.
19:51No, I don't know.
19:53Sir, there is no contact with Dhanraj Kumar.
19:56No messages, no emails.
19:58Nothing.
19:59So, this is Dhanraj Kumar.
20:02It's our missing card.
20:04We need to know everything about this.
20:12Sir.
20:14Yes.
20:16Sir, the account of Dhanraj is in a rural branch in West Bengal.
20:20Look at this.
20:22This is the name and account.
20:25Sir, the other day, the account is closed.
20:27It will be transferred to Hong Kong.
20:28It will be transferred to Hong Kong.
20:32And how did the money transfer?
20:34Sir, it's an online transaction.
20:35It's in the morning at 4.40.
20:37It's in the morning.
20:38It will be transferred to Hong Kong over 100.
20:39For that account, the ID is used for the money?
20:40Fake ID is not that great.
20:42No name.
20:44No name.
20:45It's a classic plan.
20:46To clean money for the money.
20:48I was able to check the phone.
20:49I was able to check the phone.
20:50If you use the phone, I would have used the phone, which website was used, which app was used, and which link was clicked.
21:00Everything is recorded.
21:02In 25 minutes, in the morning, in 4.40 minutes, what was the activity in the ERA, you should know.
21:10Sir.
21:11Yes.
21:18Sir, from ERA's phone data, he clicked on a suspicious link on a suspicious link.
21:33Let's see.
21:344-30 minutes?
21:364-40 minutes?
21:38Sir, it was 10 minutes before?
21:40Yes.
21:41And in that day, he told all of them.
21:44Sir, he also called a unknown number in 4-20 minutes.
21:47Yes.
21:481-4-20 minutes.
21:491-4-30 minutes.
21:501-4-30 minutes.
21:511-4-30 minutes.
21:521-4-30 minutes.
21:531-4-40 minutes.
21:541-4-30 minutes.
21:55This is a well-planned scam.
21:56Scam?
21:57Do it.
21:58Do it.
21:59Get out of the telecom data.
22:00I need the recording.
22:02If there is a sound in that recording,
22:06then we will see ERA's phone.
22:12Sir, I don't want to record from the telecom company.
22:16Come on, we have a recording ERA's.
22:17Hello?
22:18Who is talking about ERA?
22:19ERA, I am Ravi.
22:23I am in the situation.
22:25Ravi..
22:26I am not listening to your nose properly.
22:28What are you?
22:29Everything is alright?
22:30What are you all?
22:32I'm sorry, I'm calling you this night.
22:35The police have caught me in a warly shock,
22:37in a drink and driving.
22:39I forgot my wallet and phone at home.
22:42I couldn't do a phone at home,
22:43that's why I called you.
22:45They're giving me a gift,
22:46but I'm going to have a fine for 10,000.
22:48I'm calling you from the police.
22:50Please, you can send money.
22:52I'll do it tomorrow tomorrow.
22:55Please, I'm sorry.
22:57Okay, send a link.
23:00Thank you, Hera.
23:02You've saved my soul,
23:04and I'm inside.
23:08Hera used to know Ravik.
23:10Without any questions,
23:12help her.
23:14It's possible that Ravik is a scam.
23:18One thing is that he took the wrong use of her brother.
23:22You have to get this Ravik.
23:24Get this Ravik.
23:30No, he is.
23:40Sir.
23:41Yes, Sanchi told you Ravik is a Jaipur boyfriend.
23:45A couple of years ago,
23:46he had a breakup.
23:47But no one knows how they are still in contact.
23:50Sir, I used to know her name by the name of Eera.
23:55So what was the other person who didn't say about it?
23:58Maybe Eera and Arman had something in front of them.
24:03It's possible.
24:05The strange thing is that she was in contact with her ex.
24:09She told her not to her husband or her daughter.
24:13She was hiding something.
24:16Urvi, the CCTV footage of the CCTV footage, check it out.
24:22Until we meet Ravid Jays.
24:29Yes.
24:30Who are you?
24:32You had to talk about Eera.
24:34Sorry, I don't know Eera.
24:37C.I.D. slam.
24:39C.I.D. slam?
24:41Sir, my wife is in the kitchen.
24:44Okay.
24:46Uh...
24:48Uh...
24:49Uh, I have some former friends.
24:51Namaste, namaste.
24:52Namaste.
24:53Namaste.
24:54Do you want to make tea, please?
24:56Yes, make tea.
24:58Sit down.
24:59No, okay. Thank you.
25:00Sir, what happened?
25:02Have you said, sir?
25:04Do you know your wife about Eera?
25:06Yes, I know.
25:07But sir, it's an old story.
25:09It's an old story.
25:10Uh...
25:11Why do you want to make a mistake in my personal life?
25:14You've done the work like this.
25:15What did we do?
25:16You called Eera in the 25th.
25:17In the 20th.
25:18In the 20th.
25:19In the 20th.
25:20In the 20th.
25:21In the 20th.
25:22In the 20th.
25:23In the 20th.
25:24In the 20th.
25:25In the 20th.
25:26In the 20th.
25:27In the 20th.
25:28In the 20th.
25:29In the 20th.
25:30In the 20th.
25:31In the 20th.
25:32Sir, I was at home.
25:33I didn't go anywhere, sir.
25:38Come here.
25:39Come here.
25:46Yes, sir.
25:48Hello.
25:49Who are you calling?
25:50Eera.
25:51I'm Rabhi.
25:52I'm in trouble.
25:53Sir, this is not my voice, sir.
25:55Your voice is not?
25:56No, sir.
25:57Who is your voice?
25:58I'm in trouble.
25:59The Eera has clicked on that link.
26:00Because of that,
26:02it's 3 crores of the bank.
26:06I'm sorry, sir.
26:07That my voice is not my voice.
26:09I was at home.
26:10I haven't done anything, sir.
26:11Okay.
26:12Did you ask your wife?
26:13No, sir.
26:14Baba Ji.
26:15One minute.
26:16Sir.
26:17Sir.
26:18My building is CCTV.
26:19If you want to check the CCTV footage.
26:21We are checking the footage.
26:22We are checking the footage.
26:23Sir.
26:24Sir.
26:25I checked the CCTV footage.
26:26That's the night of the bank.
26:27There was a car.
26:28There was a car in the parking lot.
26:29There was a car in the parking lot.
26:30Look, sir.
26:31I'm saying,
26:32I'm going to search.
26:33I'm going to go.
26:34I'm not.
26:35I was at home.
26:36Sir, I'm going to go.
26:39No, no.
26:41We have an urgent job.
26:43Next time.
26:44Thank you very much.
26:45Thank you very much.
26:46Thank you very much.
26:47Sorry.
26:48A brand.
26:49I'm back and took your car.
26:50Yes.
26:51Why didั้h I keep away?
26:52I will tell you that.
26:54I got to tell you.
26:55Someone sent over to Harvee.
26:56Do you think I have access to Harvee?
26:58I met with Harvee.
27:00I have to ask even I have access to Harvee.
27:01He convinced him that he is Ravii.
27:04The link to ERA was a fake link.
27:07It was true.
27:08It was 4 o'clock in the morning.
27:10When the man is asleep, he keeps on sleeping.
27:13He didn't even think about it, he clicked on the link.
27:16And as ERA clicked on the link,
27:18all the details of the bank's details were hacked.
27:21And 3 crore, poof, bad.
27:23Sir, anyone who has made this financial fraud,
27:26he will take ERA to suicide.
27:28IPC section 306.
27:31Abitment of Suicide.
27:32Cut.
27:34But this Ravii and ERA's connection,
27:37everyone knows how to deal with it.
27:39Ravii was in Jaipur.
27:40Three years ago, the two break-up.
27:42And ERA's wife also told
27:43that if they are in contact or not,
27:45he didn't even tell.
27:46The one who used Ravii's name
27:49was the whole knowledge of it.
27:52But the moments of ERA track them.
27:58It was possible that someone had seen them all together.
28:00We need to find the place where ERA was going,
28:04and Ravii was able to meet Ravii.
28:07At that point, someone noticed Ravii's connection with Ravii,
28:11and took advantage of her.
28:12But, sir, if Ravii's Ravii's connection with Ravii,
28:16you must tell me.
28:17What's it, Arman?
28:21Don't believe it, but...
28:24It seems that ERA was hidden from you.
28:29There was a place where ERA was gone.
28:31Tell us about the daily routine of ERA.
28:33Sir, ERA went to the gym at 6-8 o'clock in the morning.
28:37Which gym?
28:38And what's her shooting set?
28:43The house of Brijesh?
28:48The house of Rajesh?
28:52It could happen if someone had seen ERA in the building.
28:57Any place where ERA regularly goes,
28:59there's a routine where she was able to meet Ravii from Ravii?
29:04Or there was no one in Mumbai?
29:06No, sir.
29:06There was no one in Mumbai.
29:08There was no one in Mumbai.
29:10And she was getting her.
29:12She was missing out.
29:15And she was missing out.
29:17Yes.
29:18However,
29:19he was very expert,
29:21she was always trying to keep secrets.
29:23You?
29:25That's what we did not find out.
29:28That's hidden secret.
29:28That's the one that has told her, don't you?
29:30But what?
29:32What can it happen?
29:34Sir?
29:35Yes.
29:36Sir,
29:37with a interesting concern,
29:39In the past eight days, his phone was switched off to 5.30 to 5.30 to 7.30.
29:495.30 to 7.30.
29:51What was going on? What was going on?
29:54You don't need to know this.
29:56Sir, I don't know this problem.
29:58Because his phone was off, right?
29:59This era is definitely going to be closed, sir.
30:01Oh.
30:02There is one way to know this.
30:04What?
30:05Sir, wherever there are cars, there is a tracking device.
30:08GPS system.
30:09So, we can know about that tracking device,
30:11where was the car going?
30:13Yes.
30:32Look at this.
30:33Last frequented routes.
30:35Home, gym, film set.
30:38What is this?
30:39Violet Hotel.
30:41He visited eight times.
30:4312, 14, 16, 19, 20, 22, 23, 24.
30:48It was exactly the same dates when he was on the phone.
30:53After that, the money was gone.
30:56There is no coincidence.
30:58Let's go to Violet Hotel.
31:00Do you know what she was missing.
31:11Excuse me?
31:12Your help, sir.
31:14We are from CIIT.
31:15A guy needed to know this.
31:19See the pictures here.
31:21Do you have a girl somewhere else?
31:22Yes, sir.
31:23Her era, madam, was coming here.
31:25And was always sitting in a cafe.
31:27He was sitting in the cafe.
31:29Would the madam come here alone or someone would come together?
31:32Yes, he would come every time with a man.
31:35With a man?
31:36Yes sir, he would come every time with a man.
31:39Have you seen him?
31:41Is this that man?
31:47Is this that man?
31:49No sir, he didn't.
31:53He was on his eyebrows.
31:57He was on his eyebrows.
31:59Is that Ravie?
32:01Is that the man?
32:02Yes sir, he was the man.
32:04Oh.
32:06He means that this Ira is hiding from Ravie.
32:10And Ravie didn't tell us about this.
32:14Okay.
32:16Now tell us.
32:18Arman, tell us one thing.
32:20If Ira met his ex-boyfriend,
32:24did you not know this?
32:26No sir.
32:27He never told me anything about this.
32:30I don't know anything, sir.
32:32Probably.
32:33With Ravie, his relationship started again.
32:36And he will not understand how to tell you.
32:39Sir.
32:41You're my husband.
32:42You're my husband.
32:43Don't tell me.
32:44You're a husband.
32:45You're supposed to tell me.
32:46Don't tell me.
32:47Don't tell me.
32:48Shut up.
32:49Shut up.
32:50Shut up.
32:51Shut up.
32:52Shut up.
32:53Shut up.
32:54You're a victim of a man, sir.
32:56You're a victim.
32:57My man is in a hospital.
32:58What's my fault?
32:59Sir, what's your fault?
33:00It's a fault.
33:01I've done nothing.
33:02I didn't do anything like that.
33:04Tell me, what are you doing at ERA?
33:07We were not doing dates, sir.
33:09We were working together on a film script.
33:12It was a dream of ERA.
33:13What do you need to write this script?
33:15Actually, ERA wanted to say no to us about it.
33:20My wife, my husband, we didn't want to write any drama about it.
33:25Did you meet in the cafe or somewhere else?
33:28Yes, sir.
33:28We had to meet in the cafe.
33:29And hardly only for 2 hours.
33:31After that, she had to leave her home.
33:33I didn't want to take it.
33:34Then I didn't want to take it.
33:36Abhi, come on.
33:41I think it's true.
33:43It's possible that in the hotel,
33:45someone has seen both of them.
33:49They have seen all the details of ERA,
33:51and the details of ERA.
33:52They have reached the camera.
34:02We are working.
34:05We are doing it.
34:07We know who staff has reached ERA's hotel.
34:10Sit.
34:16Manager, sir,
34:17take the receptionist and call them all.
34:20We care about everybody.
34:21Hurry up.
34:22Come.
34:23Where are you?
34:24Sir, one of them is here, Ramesh, and Manoj has not come to work on the other side.
34:40Who is Manoj?
34:41Manoj, sir, is our second one.
34:43Yesterday, he left his job and didn't come to work.
34:47Manoj?
34:48Manoj?
34:49It seems that the money and the money are sitting in one car.
34:54Pankaj Purvi, look at Manoj.
34:57He will have a job.
35:01Sir, sir, I don't know about Manoj about this.
35:06He's not on his own house and his phone is switched off.
35:09Sir, I think that he's gone.
35:12Sir, I have checked the CCTV footage of the city hotel.
35:15He's gone.
35:16He has checked the TV filter.
35:18The money and the money.
35:19The money he's gone.
35:20Manoj?
35:21He's given the details of the reviewer of the ERA.
35:25As he knows that ERA has died, he's gone.
35:28He's gone and gone and left.
35:30But he'll run.
35:31Where?
35:32I'll run until he's gone.
35:33He'll be able to do that.
35:35Once again, he'll have a phone on.
35:36I'll put a job on the phone.
35:39He'll get a phone on the phone.
35:40When he's on, he'll get the location,
35:43The Boatlinger Museum.
36:13The Boatlinger Museum.
36:43The Boatlinger Museum.
37:13The Boatlinger Museum.
37:43The Boatlinger Museum.
37:45Neha, you said.
37:47Yes.
37:48What, Manoj?
37:49Why don't you call him?
37:50Who are you?
37:52Who are you?
37:53CID.
38:13Sir, this is the location.
38:28This is all the scammer.
38:43This is all the scammer.
39:04This is all the scammer.
39:25Hello, Sir.
39:27Sir, I'm talking about the security department.
39:30Some suspicious activity has been detected in your account.
39:34If you want to secure your account,
39:36you will confirm your UPI pin.
39:45Let's go, boss.
39:46What's going on?
39:47Go up.
39:48Go up.
39:49No one will call back.
39:50Go up.
39:51Go up.
39:52Go up.
39:53Go up.
39:54Go up.
39:55Go up.
39:56Go up.
39:57Go up.
39:58Go up.
39:59Go up.
40:00Go up.
40:01Go up.
40:02Go up.
40:03This is our proof.
40:05Hey.
40:06Call, lock, delete.
40:07You won't be able to delete.
40:08Understand?
40:09Don't stop.
40:10What will you do next?
40:12Sir, we're only going to enter data,
40:14and nothing else.
40:15Okay.
40:16There are so many burner phones for data.
40:18And a fake payment link.
40:21What are you sending?
40:22Are you?
40:23Huh?
40:24But…
40:28Kira?
40:29Hira was only a target.
40:39These are the people who are new in the digital world.
40:43They are powerful, they are alone.
40:46They talk to us first.
40:48They show us urgency.
40:50And then the bank or the police,
40:52they break their trust.
40:55Hira was smart.
40:57But the voice of the phone has lost his trust.
41:01And there is no one who is working.
41:04There is a force behind him.
41:06And the people who were captured,
41:08they were only the first line.
41:10Sir, it's a call center.
41:12It's a crime center.
41:14That's the case.
41:15With the money,
41:17there is a victim of life.
41:19Hira's life.
41:21Hira has probably taken this step in guilt.
41:23If she doesn't share it,
41:25it's probably not all.
41:27Awareness, education, and vigilance.
41:30Knowledge, education, and security.
41:34These three words are our guarantee.
41:36We will have to tell people
41:38that any unknown person
41:40does not share any OTP
41:42and there is no unknown link.
41:44Don't click on it.
41:45And if there is something wrong,
41:46then report it immediately.
41:47The case of ERA is closed.
41:49But there are thousands of cases
41:51and thousands of cases
41:52will be lost
41:53until we stop the pandemic
41:54until we stop the cyber crime.
41:58The CID is the hand of the law
42:00and the peace of mind also.
42:02However,
42:03until we don't have any regrets,
42:06until these cyber crimes
42:08will be played by us.
42:10That's why
42:11be happy.
42:12ising what everything
42:13should be done.
42:14Please write about it.
42:15Please continue.
42:16Please continue.
42:17Please complete your rights.
42:19Please continue.
42:21Please continue.