Trapped in the Illusion – A tense psychological thriller where a young woman finds herself caught in a web of manipulation and deceit. As her reality begins to crumble, she must uncover the truth hidden beneath a carefully constructed illusion. A classic tale of suspense, mind games, and the terrifying power of control.
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Short filmTranscript
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00:05:59Nancy
00:06:08Hurry, hurry, they're coming along now. I saw the cab down the square.
00:06:13I'll give it a touch down.
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00:07:50All right, behind.
00:08:20See Mr. Roughjohn. Over there, with Annabelle.
00:08:29Excuse me, sir. There's a message from the vet about the mayor. He says...
00:08:36All right, sir.
00:08:39I've seen a ghost come. What here, sir?
00:08:43A ghost of a man out of my past.
00:08:46Oh, you mean when you were in the police force, sir?
00:08:48Most of my ghosts are criminals, but this one wasn't.
00:08:51I know the story of the house he lives in.
00:08:54I was on a case there once when I was a young peeler.
00:08:58Louis Bauer! The nephew of old Alice Barlow that was murdered 20 years ago.
00:09:03Louis Bauer. A foreigner he wasn't. Very cut up, I remember.
00:09:08Funny he should come back to 12 Pimlico Square after all these years.
00:09:1212 Pimlico Square is Mr. Mallon's house, sir.
00:09:14Nonsense. Louis Bauer. Right face, right house.
00:09:17No, you were wrong, sir. Impossible.
00:09:20What do you know about it, anyway?
00:09:22Well, it's the parlor, mate, sir. You see, she's a friend of mine.
00:09:25The family's name is Mallon.
00:09:27And they live at number 12?
00:09:29Yes, sir. The least way's part of it.
00:09:31Nancy says they don't use the top two stories.
00:09:34A bit queer, Nancy says.
00:09:36It means less dusting for her, though.
00:09:39It says Mallon's queer, too.
00:09:41Queer is she?
00:09:43Hmm.
00:09:44In what way?
00:09:45Well, she's sort of odd in her mind.
00:09:48She does strange things.
00:09:50Nancy says Mr. Mallon gets very upset.
00:09:52He goes out every night.
00:09:54It's a very queer place.
00:09:56Yes, it does sound queer.
00:10:02I want you to see as much of her as you can.
00:10:04What, the mayor, sir?
00:10:05No, no, no. You're Nancy.
00:10:06Oh, she's not mine, sir.
00:10:07I'm only one of the pebbles on the beach, so to speak.
00:10:09Well, you play up to her.
00:10:11I want to know everything that goes on.
00:10:14I believe I'm going to be very interested in number 12.
00:10:30A dirty evening for a stroll, sir?
00:10:32There's a lot of dirty things in London.
00:10:41I want to see it.
00:10:55Bella, what are you doing?
00:10:58Nothing, Paul. Don't wake up.
00:10:59What are you doing, Bella?
00:11:01I thought I heard the muffin man.
00:11:03Then why didn't you ring for Nancy to find out?
00:11:05I thought it would mean two journeys for her.
00:11:07Ring for Nancy, Bella.
00:11:11What do you suppose the servants are for?
00:11:22To serve us, I suppose, dear.
00:11:27Nancy, I rang the muffin man.
00:11:29Oh, I thought you rang for tea, Mum. I was just bringing it up.
00:11:32Oh, then it's too late for muffins.
00:11:34Not at all, my dear, not at all.
00:11:37Nancy, spread the cloth,
00:11:39lay the tea-things, go down and get the muffins,
00:11:42cook the muffins, and bring up the muffins.
00:11:45You see, my dear, it's all quite so good.
00:11:49Like the gas, Nancy?
00:11:50Yes, sir.
00:11:56You're looking very impudent and pretty tonight, Nancy.
00:12:01More broken hearts?
00:12:02I don't know, I'm sure, sir.
00:12:04Where do you get the colour for your cheeks, Nancy?
00:12:06Could you not give the recipe to Mrs. Mallon?
00:12:08Oh, now, sir.
00:12:10Oh, natural.
00:12:13Will that be all you're wanting, sir?
00:12:15Yes, Nancy, that'll do for the present.
00:12:24Paula, so I do anything to my face
00:12:26or ask for her assistance if I did.
00:12:28Oh, Bella was only trifling with her.
00:12:31It's so humiliating for me.
00:12:32That girl laughs at me enough as it is.
00:12:35Oh, nonsense, Bella.
00:12:37You know perfectly well how you imagine things.
00:12:41Don't say that.
00:12:43I have been better the last two weeks, haven't I?
00:12:46What do you mean?
00:12:47You know very well what I mean,
00:12:48but I've been trying so hard
00:12:50and I have been better
00:12:52because you've been kind to me.
00:12:58I'll be perfectly all right
00:13:00if only you'll be patient and gentle with me.
00:13:02Of course, Mary, of course.
00:13:05Shall I stay in this evening?
00:13:17Would you?
00:13:18Mm-hmm.
00:13:19What shall we do?
00:13:20Tea first.
00:13:22And then I'll play for you.
00:13:24We'll have an evening just like we used to.
00:13:26I'll play for you.
00:13:50Tea first.
00:13:52dee la la la la la la la la la la la la la dee dee dee dee dee dee dee dee dee dee dee...
00:14:05Oh, Pena.
00:14:07What is it?
00:14:10I've just noticed something.
00:14:13If you put it right while I'm not looking, I will see no more about it.
00:14:17What's the matter?
00:14:19I don't understand.
00:14:23Paul, don't turn your back on me.
00:14:26Look on the wall behind you.
00:14:33The picture, it's gone again.
00:14:36Yes. Where have you hidden it this time?
00:14:39I didn't take it. Why should I take it? It's no use to me.
00:14:42Why should you take other things? Pencils? Knives?
00:14:45It's all done.
00:14:47Bella, where's the picture?
00:14:49I didn't take it. I swear I didn't.
00:14:55Come. Get the picture.
00:15:02I'd know if I touched it. I'd remembered.
00:15:05I've been better lately.
00:15:07You've missed nothing.
00:15:09For days, for two weeks I've been well.
00:15:13I've had no headaches, no dreams. Why should I take them?
00:15:16Why should I take them?
00:15:17Why should I do that?
00:15:18I was going to get them.
00:15:19You'll lose!
00:15:20Okay.
00:15:22See, every moment.
00:15:23So you did know where it was.
00:15:48I promise you I didn't.
00:15:50I only supposed it was here because it was found here twice before.
00:15:53Why do you persist in lying to me, Bella?
00:15:56It's the truth.
00:15:57Bella, if you're not lying, there's only one alternative.
00:15:59You're losing your wits.
00:16:04You promised you'd never say that to me again.
00:16:07No control even of your hands.
00:16:11You'd better go to your room.
00:16:13No, no, not my room. I can't bear to be alone.
00:16:17Oh, God help me.
00:16:20God help you, indeed.
00:16:47I'm going to appeal to you, Paul.
00:16:50Please, please don't be angry with me.
00:16:54I've never lied knowingly to you.
00:16:56If I took the picture or your ring or your pencil, I...
00:16:58I didn't know.
00:16:59You must bear with me, Paul.
00:17:01Hmm.
00:17:02I'm going to appeal to you, Paul.
00:17:04Please, please don't be angry with me.
00:17:07I've never lied knowingly to you.
00:17:09If I took the picture or your ring or your pencil, I...
00:17:11I didn't know.
00:17:13You must bear with me, Paul.
00:17:17Hmm.
00:17:19I don't know how much long I can keep my patience.
00:17:21Oh.
00:17:22Oh.
00:17:23Oh.
00:17:24Oh.
00:17:25Oh.
00:17:26Oh.
00:17:27Oh.
00:17:28Oh.
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00:18:00Oh.
00:18:01Oh.
00:18:02Oh.
00:18:03Oh.
00:18:04Oh.
00:18:05Oh.
00:18:06Oh.
00:18:07Oh.
00:18:08Oh.
00:18:09Oh.
00:18:10Oh.
00:18:11Oh.
00:18:12Oh.
00:18:13Oh.
00:18:14Oh.
00:18:15Eve's dropping Nancy. No sir. I didn't do anything. I was just carrying the muffins. Your mistress is a very unusual woman.
00:18:26Quite strange you know. You mustn't let things you hear and see in this house upset you.
00:18:35You're a young girl. Inexperienced. You are inexperienced aren't you?
00:18:45Depends how you mean sir.
00:18:53Thank you Nancy.
00:23:07I'm sorry, Tillie. Won't be for long.
00:23:32I will read from the 127th Psalm.
00:23:36Except the Lord built the house.
00:23:39And they must not let build it.
00:23:43And they speak with their enemies in the gate.
00:23:47Let us pray.
00:23:54Pimlico Square, I was after.
00:23:56Oh, Number 14's the only empty house in the square, I'm afraid.
00:24:00We are the sole agents.
00:24:03My pipe worrying you?
00:24:05Not at all.
00:24:06Faces south.
00:24:07A little alley runs along the back.
00:24:09Nothing to block out the light.
00:24:13But we'll have some difficulty, I'm afraid, Mr. Ruff.
00:24:16Why's that?
00:24:17The remainder of the lease of Number 14 is in the hands of Mr. Mallon of Number 12.
00:24:21And he's already refused three good offers.
00:24:24Mr. Mallon of Number 12? Why won't he let?
00:24:27You know, I've often wondered.
00:24:29A queer profession mine, Mr. Ruff.
00:24:32So near to so many people's lives, and yet always on the doorstep, as it were.
00:24:38Yes, yes indeed.
00:24:40A fascinating study, human nature, Mr. Ruff.
00:24:43Fascinating.
00:24:46You don't think there's much chance of that house being really in the market?
00:24:49Well, if you want to make an offer, do so by all means.
00:24:53I sometimes wonder if it's the noise he's afraid of.
00:24:56The wife's a delicate woman, just had a breakdown, I understand.
00:25:00A charming creature.
00:25:02I've seen her often walking in the gardens of the square with her dog.
00:25:06Gardens?
00:25:07Oh, sounds very pleasant.
00:25:08Oh, they're charming though.
00:25:32Oh, I wonder how that happened, eh?
00:25:45Oh, my dear.
00:25:47Oh, my dear lady.
00:25:49I'm all right, thank you.
00:25:51Where's my little dog?
00:25:52Little savages.
00:25:53I hope you're not hurt, Mum.
00:25:54No, not a bit.
00:25:55Oh, you come and sit down over here.
00:25:57Oh, no, I'm all right.
00:25:58Oh, you can't possibly tell me if you're hurt until you've had time to think it over.
00:26:01It doesn't matter so much when you've soft bones like those little rascals.
00:26:05Have a good mind to go and complain to the nurses.
00:26:07Oh, it wasn't their fault.
00:26:08It was quite a...
00:26:09Oh, thank you.
00:26:10That is kind of you.
00:26:11Fond of children, I see.
00:26:12Got them of your own?
00:26:13No.
00:26:16I must go.
00:26:17Well, you haven't counted all your bones yet.
00:26:19Oh, don't worry about me.
00:26:21I'm old enough to be a father.
00:26:23They're not what they used to be.
00:26:24Who aren't?
00:26:25Children.
00:26:26I should be ashamed if I couldn't bowl a better hoop than that, wouldn't you?
00:26:29I never bothered about hoops.
00:26:30I was brought up in the country.
00:26:31Ah, so was I.
00:26:33Whereabouts?
00:26:34Devonshire.
00:26:35Devonshire?
00:26:36What part?
00:26:37I lived with some cousins near Exmouth.
00:26:39Ah, I know Exmouth very well.
00:26:41I wonder if I've met them.
00:26:42Their name was Ellswater.
00:26:45Well, don't go yet.
00:26:46I was just getting interested.
00:26:48Go away, everyone.
00:26:49How are you in the colour?
00:26:50Stop it.
00:26:51Stop it.
00:26:52You loser of the boys.
00:26:53It's just great.
00:26:54Oh, how difficult.
00:26:55Hmm.
00:26:56Poor little devils.
00:26:57I'd like to give them a taste of Devonshire.
00:26:58Yes.
00:26:59A grass bank to roll down.
00:27:00Some nice, clean mud.
00:27:02Well, thank you for being so kind.
00:27:05Toy shop.
00:27:06I beg your pardon?
00:27:07Something of those little objects to play with.
00:27:12There is a toy shop across the road.
00:27:14Oh, what a lovely idea.
00:27:15They do look so miserable.
00:27:16Well, you'll have to come along too, of course.
00:27:18I mean, that's the whole idea.
00:27:19Must have a woman about where brats are concerned, you know.
00:27:22I mean, they'd run a mile if I were to so much as call to them to come.
00:27:26I'd love to see them enjoy themselves, but...
00:27:28Well, what's the stuff?
00:27:29My husband is out and he won't be back till tea time.
00:27:31Then you'll be back in time to have it with him.
00:27:33I don't want to be silly, but I don't know you.
00:27:36Oh, this is charity, ma'am.
00:27:38That blows convention out of the window.
00:27:40Hey!
00:27:41Yes, I mean you children out there in the street.
00:27:43Come along, don't be afraid.
00:27:45I've got something for you.
00:27:54Would you like some toys to play with?
00:27:56It is such a shame you can't go into the square.
00:27:58This gentleman thought that...
00:27:59Well, there's a toy shop over there.
00:28:01Tops, if you like, or hoops.
00:28:03Let's go across, shall we?
00:28:04Let's go across, shall we?
00:28:05Oh, we've come to the wrong shop.
00:28:07Vans and ice cream are what they want.
00:28:08Do you think we should?
00:28:09Nonsense.
00:28:10Make them all sick.
00:28:11Do them a world of good.
00:28:12Well, you know what you want, don't you?
00:28:13Come on in.
00:28:14Come on in.
00:28:15Here we are.
00:28:16Help yourselves.
00:28:17Blimey!
00:28:18You know what you want, don't you?
00:28:19You know what you want.
00:28:20You know what you want, don't you?
00:28:21Come on in.
00:28:22Here we are.
00:28:23Help yourselves.
00:28:24Blimey!
00:28:25Look at them lovely tarts.
00:28:26Plenty more.
00:28:27Anything you like, in reason.
00:28:28That's right.
00:28:29Oh, we've come to the wrong shop.
00:28:31Vans and ice cream are what they want.
00:28:32Do you think we should?
00:28:33Nonsense.
00:28:34Make them all sick.
00:28:35Do them a world of good.
00:28:36Well, you know what you want, don't you?
00:28:38Come on in.
00:28:39Come on in.
00:28:43Here we are.
00:28:44Help yourselves.
00:28:46Blimey!
00:28:47Look at them lovely tarts.
00:28:48Plenty more.
00:28:49Anything you like, in reason.
00:28:52That's right.
00:28:57Fair enough.
00:28:58And what exactly can we do for you?
00:29:11Knock his block off.
00:29:13You, who cannot control yourself and your own home,
00:29:16to risk such a thing with a complete stranger.
00:29:19Who's the children, Paul?
00:29:20A horde of noisy street urchins,
00:29:23when you know the only hope for you is rest and quiet.
00:29:27Put the dog down.
00:29:28You're not listening to me.
00:29:29I am listening.
00:29:30What are you going to do?
00:29:32I told you before, I can't stand the dog in a drawing room.
00:29:34I'm very fond of her, Paul.
00:29:36It's not natural!
00:29:37The fuss you make over it.
00:29:39Sometimes I wonder if you even want to be like other people.
00:29:44Why did you ever marry me, Paul?
00:29:46When I married you, Bella, you were a normal woman.
00:29:49So I thought.
00:29:53It's only since we came to this house that I've changed.
00:29:57I never wanted to come here.
00:30:01Yet it was my money that made it possible for you to buy it.
00:30:06Is that why you married me, Paul?
00:30:08You have changed, Bella.
00:30:10And what's made me change?
00:30:12What's made you change, Paul?
00:30:14Because you have in the way you treat me.
00:30:17I believe it's ever since that day when I found that old envelope addressed to Louis Bauer.
00:30:26That was the first time that you were angry with me like this.
00:30:30Well, I told you I had forgotten that incident.
00:30:35My only anxiety has always been to get you well.
00:30:42I must get away from here.
00:30:45I'll never be well till I get away from this house just for a little.
00:30:48Judy, Judy, my dear.
00:30:51Judy!
00:30:52Well, where's she, master?
00:30:53Come outside, Judy.
00:30:54Come outside, Judy.
00:30:55Come outside, Judy.
00:30:56We're out to town.
00:30:57We're out to town.
00:30:58We're out to town.
00:30:59We're out to town.
00:31:00Yes, once.
00:31:01Look at that beautiful nose.
00:31:03Paul, I could.
00:31:05My cousin's the Ellswaters.
00:31:07It would be lovely to smell Devonshire again.
00:31:11Your cousin, Mr. Vincent Ellsworth, had the affrontery to oppose our marriage.
00:31:16Oh, but that's over and done with.
00:31:17Vincent won't mind now.
00:31:18But I mind.
00:31:19I've no desire to reopen our acquaintance.
00:31:22Besides, I don't care to drag strangers into our trouble.
00:31:25They're not strangers.
00:31:26They're my own people.
00:31:27They're all I have.
00:31:28I want to see them.
00:31:29I...
00:31:30I will see them.
00:31:31If you see anyone, it will be a doctor.
00:31:34No.
00:31:36No.
00:31:37Not a doctor, Paul.
00:31:38I'm...
00:31:39I'm...
00:31:40Well, I'm better.
00:31:41Please leave me alone, Paul.
00:31:44Oh, it serves you right.
00:31:46Whatever should I do?
00:31:48Be quiet.
00:31:49Be quiet.
00:31:50Be quiet.
00:31:51Oh, my boy.
00:31:52That was very cruel.
00:31:54Oh, my boy.
00:31:55But I don't see how I can take the responsibility for you any longer.
00:32:06Oh, Bella.
00:32:11Don't cry.
00:32:14You'll spoil your looks.
00:32:17And I wanted you to look very beautiful tonight.
00:32:23Have you any objections to being seen out with your husband?
00:32:27Why are you going to take me out?
00:32:29There's a charity concert tonight at Winterbourne House.
00:32:32I could get tickets.
00:32:33I know Lady Winterbourne.
00:32:34Can't sit and you take me.
00:32:35I should enjoy it, my dear.
00:32:37Provide it.
00:32:38Oh, how wonderful.
00:32:39Provide it that you promise to control yourself.
00:32:41To behave as you know I'd wish my wife to behave.
00:32:43I promise.
00:32:44What shall I wear?
00:32:45Whatever you look pretty, dear, my dear.
00:32:48Bella, wear the cameo brooch I gave you when we got engaged.
00:32:52I will.
00:33:12My brooch, please, Nancy.
00:33:13The big cameo.
00:33:14Yes, ma'am.
00:33:15It's not here, ma'am.
00:33:20It must go.
00:33:21Look underneath.
00:33:26Of course it's here.
00:33:27Let me look.
00:33:32Perhaps I left it in another dress.
00:33:42Bella.
00:33:43Time to start, Bella.
00:33:44Good morning, Paul.
00:33:45Nancy, my cloak.
00:33:46Which one, ma'am?
00:33:47Well, which one do you think?
00:33:48Couldn't say.
00:33:49I'm sure none.
00:33:50Oh.
00:33:53I think this will do.
00:34:10What a very lovely person.
00:34:14Oh.
00:34:18But not my brooch.
00:34:20I would have worn it.
00:34:21You know how fond I am of it.
00:34:22Only it, um, didn't go with this dress.
00:34:26Well, I wouldn't presume to criticize your taste.
00:34:29But you has it quite right.
00:34:30Come, I hold that.
00:34:31It's a quarter to eight, Bella.
00:34:40It's a quarter to eight, Bella.
00:34:44I think I'm making it worse.
00:34:45My hand's quite shaky with excitement.
00:34:50Ah, there's the can.
00:34:51There's the can.
00:34:58I think I'm going to enjoy myself tonight.
00:35:00Mr. John and Mr. Holmes.
00:35:16Mr. and Mrs. Blair.
00:35:18How do you do?
00:35:19How do you do?
00:35:20How do you do?
00:35:21Prince Hanover and Mr. Wright.
00:35:23How do you do?
00:35:24Mr. and Mrs. Mallon.
00:35:27How do you do?
00:35:28How do you do?
00:35:29May I introduce my wife?
00:35:30How do you do?
00:35:31How do you do?
00:35:32A very good cause, isn't it?
00:35:33Lady Frington.
00:35:34Miss Frington.
00:35:35Mr. Rawlings.
00:35:36Miss Rawlings.
00:35:37Charming.
00:35:38Quite a complexion.
00:35:56You're the most beautiful of all.
00:36:05I hope the stool is right.
00:37:05Pella, Pella, my watch.
00:37:30My watch is gone.
00:37:32Must have forgotten it.
00:37:35Don't worry about it now.
00:37:45I don't know anything about it, Paul.
00:37:48It was my pocket where we left the house.
00:37:52Paul, don't look at me like that.
00:37:56Let me look at your back.
00:37:58I didn't put it there, I swear.
00:38:18All right.
00:38:19Will you be gone?
00:38:20Please.
00:38:24Outtall yourself, Pella.
00:38:25Please, ma'am, you see in public.
00:38:27Oh, I see.
00:38:29Oh, I see.
00:38:30Oh.
00:38:31Come.
00:38:42Lady Winterbourne, I do apologize.
00:38:45My wife, an attack.
00:38:46Let me send for a doctor.
00:38:47Oh, thank you.
00:38:48It's nothing unusual, unfortunately.
00:38:50Come along, darling.
00:38:51Come along.
00:38:51Oh.
00:38:52Oh.
00:38:53Oh.
00:38:54Oh.
00:38:55Oh.
00:38:56Oh.
00:38:57Oh.
00:38:58Oh.
00:38:59Oh.
00:39:00Oh.
00:39:01Oh.
00:39:02Oh.
00:39:03Oh.
00:39:04Oh, speak to me.
00:39:22Don't sit there silent.
00:39:23I can't stand it.
00:39:24Hit me, hurt me, do anything, but for pity's sake, speak to me.
00:39:32Pity's sake, speak to me.
00:39:47Oh, dear.
00:39:52Thank you, Lord.
00:40:02Thank you, sir.
00:40:03Thank you, sir.
00:40:04Thank you, sir.
00:40:20Paul, how can you torture me like this?
00:40:23And have you not tortured me?
00:40:25You make my life a miserable at home, and now you shame me in public.
00:40:30At least let's keep your stealing and pickpocketing and lying to ourselves.
00:40:34I haven't lied to you.
00:40:35I didn't take your watch.
00:40:36What about the brooch?
00:40:37The brooch?
00:40:38The one I asked you to wear tonight.
00:40:39The one that didn't go with your dress.
00:40:41It's upstairs in my room.
00:40:43More lies.
00:40:44It is.
00:40:45It must be.
00:40:46It's only mislaid, Paul.
00:40:47You're feeling it away in one of your mad dreams.
00:40:49I have not.
00:40:50If it's gone, someone else has taken it.
00:40:52Someone else?
00:40:53We see about someone else.
00:41:01Elizabeth, Nancy, come up to the drawing room.
00:41:04At once, please.
00:41:10Paul, please don't question the servants in front of me.
00:41:14Oh, dear, dear, what happened now?
00:41:16Mr's been playing him up again, I suppose.
00:41:18There you are, Tilly.
00:41:19Go into your basket.
00:41:20There you are.
00:41:22Stop titivating yourself.
00:41:23Come on.
00:41:24Right.
00:41:26Paul, please don't have that girl up here.
00:41:29At least let me look again first.
00:41:46Oh, of course.
00:41:48Oh, well.
00:41:49Don't you giggle so much.
00:41:51Behave yourself.
00:41:56It may have fallen behind the dressing table.
00:41:58Let's talk this over between ourselves.
00:42:01Please.
00:42:03Please don't let the servants know.
00:42:06Come in!
00:42:09Shut the door, please, Elizabeth.
00:42:10Come into the room.
00:42:16You know the cameo brooch your mistress often wears?
00:42:19Yes, sir.
00:42:20You, Nancy?
00:42:21Yes, sir.
00:42:22It is missing.
00:42:24Do you know anything about it?
00:42:26I want you to think carefully before you answer, Elizabeth.
00:42:36No, sir.
00:42:37I don't.
00:42:39You will please kiss the Bible and talk of your truthfulness.
00:42:59You, Nancy.
00:43:00Have you ever touched the brooch?
00:43:01No, sir.
00:43:02Of course I haven't.
00:43:13You may go.
00:43:16Be careful what you do.
00:43:17Don't commit sacrilege as well.
00:43:18Who is this no sacrilege?
00:43:19I swear by almighty God that I neither took your watch nor hid away the brooch.
00:43:36Then you are mad.
00:43:38You unhappy creature.
00:43:40And you'll get worse until you die raving in an asylum.
00:43:46you'll be tired.
00:43:47Now.
00:43:48You've got to the jigsaw.
00:43:49You're sick.
00:43:50You'll be tired.
00:43:51You've got to the jigsaw.
00:43:52Yes.
00:43:53I've seen you.
00:43:54I'll get you.
00:43:55You're well.
00:43:56Yes, sir.
00:43:57Mr P 차�s.
00:43:58That's wonderful, of course.
00:43:59I can't wait for you.
00:44:00Anyway, I can't wait for you.
00:44:01But you'll get home.
00:44:02Did you say something right now?
00:44:03I can't wait for you.
00:44:04You can't wait for me.
00:44:05I can't wait for you.
00:44:06You'll see you all of the things.
00:44:07Yes, sir.
00:44:08You're going for me.
00:44:09Are you expecting to meet somebody on your way to the post?
00:44:12And they are gentlemen friends, sir?
00:44:15So I supposed.
00:44:17Well, are there any letters, sir?
00:44:21Come in for a moment, will you?
00:44:29Let me have a look at your hair.
00:44:32Very good, sir.
00:44:36Is there anything more you want, sir?
00:44:39Perhaps.
00:44:41Come closer, will you?
00:44:43Yes, sir.
00:44:48Is there anything you want, sir?
00:45:00There. Can she do that for you?
00:45:03I believe you're jealous of your mistress, Nancy.
00:45:06Huh? She's a poor thing.
00:45:07That's better than one of her secret eggs, ain't it?
00:45:10Yes, Nancy, I believe it is.
00:45:11You're mine now, aren't you?
00:45:12Because you want me.
00:45:13And do you want me?
00:45:14I've always wanted you.
00:45:15When shall we meet?
00:45:16I'll let you know.
00:45:17Not tonight.
00:45:17Now I have to go out again.
00:45:19Go along now. There's a good girl.
00:45:21Very well.
00:45:22You shall be master for a bit longer.
00:45:22Good night, your lordship.
00:45:23You shall be master for a bit longer.
00:45:24I'll let you know.
00:45:25Not tonight.
00:45:27Now I have to go out again.
00:45:27Go along now. There's a good girl.
00:45:28Very well.
00:45:29You shall be master for a bit longer.
00:45:32Good night, your lordship.
00:45:35Is there your lordship?
00:45:37A bit longer.
00:45:46Good night, Your Lordship.
00:45:55That you come?
00:45:56Yes, sir.
00:45:57All quiet.
00:45:58Well, the constable passed about ten minutes ago, sir.
00:46:00Yes, I reckon I can't get back from that concert before 11.
00:46:03That'll give me time to find out what he gets up to in number 14.
00:46:06The only thing is, sir,
00:46:08I usually meet Nancy when she comes out at nine o'clock to post the letters.
00:46:12Well, she never came.
00:46:13Well, we'll have to risk it.
00:46:29You wait about.
00:46:31If Nancy does come out, squeeze her dry.
00:46:36Of information, I mean.
00:47:06Good evening, Nancy. You're late.
00:47:07I don't ask you to wait.
00:47:08Such goings on.
00:47:09Master made us swear things.
00:47:10Can you see the Bible and all?
00:47:11Master, but I thought they were at the concert.
00:47:12Oh, they came back early.
00:47:13Must have had another row.
00:47:14Come on, I've got to take the letters.
00:47:15Come on, I've got to take the letters.
00:47:16Well, look, let me take them for you. It'll save you the trouble.
00:47:17Oh, I like a bit of air.
00:47:18And a change.
00:47:19Oh, I like a bit of air. And a change.
00:47:26Come on.
00:47:27Oh, good evening.
00:47:28Oh, you're right.
00:47:29Oh, good evening, Nancy. You're late.
00:47:30I don't ask you to wait.
00:47:31Such goings on.
00:47:32Master made us swear things.
00:47:33Can you see the Bible and all?
00:47:34Master, but I thought they were at the concert.
00:47:35Oh, they came back early.
00:47:36Must have had another row.
00:47:37Come on, I've got to take the letters.
00:47:39Well, look, let me take them for you.
00:47:41It'll save you the trouble.
00:47:42Oh, I like a bit of air and a change.
00:48:12Oh, I like a bit of air.
00:48:42Oh, I like a bit of air.
00:49:12Oh, I like a bit of air.
00:49:42Oh, I like a bit of air.
00:49:44Oh, I like a bit of air.
00:49:48Oh, I like a bit of air.
00:49:50Oh, I like a bit of air.
00:49:52Oh, I like a bit of air.
00:49:54Oh, I like a bit of air.
00:49:56Oh, dear, is there no one?
00:49:58It's all right, ma'am.
00:50:00I'm coming.
00:50:02Oh, Elizabeth, there is someone upstairs.
00:50:05Someone moving.
00:50:06There, there, ma'am.
00:50:07Don't take on so.
00:50:09There isn't anybody in the house, only you and me.
00:50:12You mustn't let yourself imagine things.
00:50:15Come into your room and drink your milk.
00:50:18But I don't imagine things, Elizabeth.
00:50:22It's true.
00:50:23You can hear it.
00:50:24Listen.
00:50:26There's a moment ago.
00:50:27There's a moment ago there was, and the gas dimmed, as it does when someone turns on another light in the house.
00:50:35Did you turn on another light, Elizabeth?
00:50:37No, ma'am.
00:50:38There's no one in the house but us.
00:50:40Nancy's out and the master.
00:50:42It did a minute ago.
00:50:49There, there, ma'am.
00:50:51There's only something wrong with the pipes.
00:50:53You must have dropped off and been dreaming you heard something.
00:50:58That's right, Elizabeth.
00:51:01Dreaming.
00:51:03I dream things when I'm awake.
00:51:06I'm going out of my mind, Elizabeth.
00:51:10Oh, ma'am.
00:51:11You mustn't say such things.
00:51:13Did you know, Elizabeth?
00:51:15Well, the master did say something, but...
00:51:19I once knew a girl who died in a lunatic asylum.
00:51:24I remember her eyes.
00:51:27That was how they first knew.
00:51:31If there's anything I can do, ma'am.
00:51:34No, thank you, Elizabeth.
00:51:36If there isn't anything anybody can do.
00:51:39Do you think anybody can do?
00:51:40No.
00:51:41No.
00:51:42No.
00:51:43No.
00:51:44No.
00:51:45No.
00:51:46No.
00:51:47No.
00:51:48No.
00:51:49No.
00:51:50No.
00:51:51No.
00:51:52No.
00:51:53No.
00:51:54No.
00:51:55No.
00:51:56No.
00:51:57No.
00:51:58No.
00:51:59No.
00:52:00No.
00:52:01No.
00:52:02No.
00:52:03No.
00:52:04No.
00:52:05No.
00:52:06No.
00:52:07No.
00:52:08No.
00:52:09No.
00:52:10No.
00:52:11No.
00:52:12No.
00:52:13No.
00:52:14No.
00:52:15No.
00:52:16No.
00:52:17No.
00:52:18No.
00:52:19No.
00:52:20Oh, my God.
00:52:50Oh, my God.
00:53:20It's a letter from Australia, sir.
00:53:22Australia? Give it to me.
00:53:31Cobb, I really am a remarkable man.
00:53:34Yes, sir?
00:53:35It's my memory. Amazing.
00:53:38They shall have it for the museum when I die.
00:53:40With any luck, this should help us.
00:53:42Yes.
00:53:45When's Nancy's next night out?
00:53:48Well, tonight, sir.
00:53:49Yes, I wish it was Mrs. Mellon's instead.
00:53:52Still, it all goes to show that I'm on the right lines, as usual.
00:53:56All I want now is evidence.
00:53:59Evidence of what, sir?
00:54:00Well, I'm certain that he's Louis Bower.
00:54:02And I've a shrewd idea of what he's up to in that house.
00:54:05Can't prove it, of course.
00:54:06The only one who can help us is that poor woman.
00:54:09And she's crazy.
00:54:10She will be if she stays there much longer.
00:54:13Does she know that he's not Mellon?
00:54:15Don't think so.
00:54:16But she knows something.
00:54:17That's her danger.
00:54:19That's why we've got to get her away from him.
00:54:21Out of that house.
00:54:22Well, that's easier said than done, sir.
00:54:23Cobb!
00:54:24What is it?
00:54:25A gentleman to see the governor.
00:54:28It's a stranger, sir.
00:54:29Shall I talk to him?
00:54:30Thank God you're here, sir.
00:54:31Come along in.
00:54:32I'm sorry, sir.
00:54:32I didn't know he was a friend.
00:54:33Never seen him in my life before.
00:54:35You, Mr. Brown?
00:54:36That's right.
00:54:37I got your letter.
00:54:38I'm Mr. Vincent Alswatter from Devonshire.
00:54:40Come along and sit down, sir.
00:54:42I've got a lot to talk to you about.
00:54:44Your boots, sir.
00:54:45Mm-hmm.
00:54:48Mrs. Mellon is in their room.
00:54:50Yes, sir.
00:54:51I think she's got an headache, sir.
00:54:53Did you ever know a time when Mrs. Mellon did not have a headache, Nancy?
00:54:56Hardly ever, sir.
00:54:58And when is your next evening out, Nancy?
00:55:00Tonight, sir.
00:55:02And where do you usually pass the evenings with your gentleman friends, Nancy?
00:55:06Oh, walking around the square, sir.
00:55:08Or in the park.
00:55:09And perhaps it would be departing too much from tradition
00:55:12if you were to come with me to a music hall.
00:55:15Oh, do you mean it?
00:55:17I always mean what I say.
00:55:19I shall meet you at 7.50 at the corner of the square.
00:55:23You're a rumman.
00:55:25I thought you was never going to do nothing.
00:55:28It'll do, Nancy.
00:55:29Answer the bell.
00:55:39Is Mrs. Mellon at home?
00:55:41What name should I say, sir?
00:55:43Her cousin, Mr. Owlswater.
00:55:45Very good, sir.
00:56:02How do you do?
00:56:04How do you do?
00:56:05Will you come in here for a moment?
00:56:17See that Mrs. Mellon is not informed of this call.
00:56:20Very good, sir.
00:56:22I hope you'll forgive me for calling at this hour,
00:56:24but I happen to be in London and I'd hope to see Bella.
00:56:26I'm sorry, but my wife is unable to see you.
00:56:33Mr. Mellon, this is a little difficult to explain,
00:56:35but you may remember that at the time of your marriage,
00:56:39there was a slight friction between us.
00:56:41I was peculiarly alive to the fact.
00:56:44My sister and I have long regretted these differences.
00:56:46They've kept us separated from Bella too long.
00:56:49In your opinion?
00:56:50We're anxious to see her again.
00:56:53Have her stay with us in Devonshire.
00:56:54The air always used to do her so much good down there.
00:56:57You're under the impression she's ill?
00:56:59Well, uh...
00:57:00And what has given you that impression?
00:57:02She was never strong.
00:57:03I'm the best guardian of my wife's health.
00:57:06All the same, I should like to see my cousin.
00:57:09Bella was with me when we heard you arrive.
00:57:12If she had wished to see you,
00:57:13she wouldn't have asked me to speak to you down here.
00:57:17She refused to see me.
00:57:19The inference appears to me perfectly clear.
00:57:23I don't think I like your tone, Mellon.
00:57:26You're under no obligation to listen to it, Mr. Alsbauter.
00:57:34I'm not going to leave this house until I've seen my cousin.
00:57:39You propose to interfere between a husband and wife?
00:57:44It would require physical force, Mr. Alsbauter.
00:57:49Nancy, will you please show this gentleman out?
00:57:51Yes, sir.
00:57:52That's all right.
00:57:53No problem.
00:58:10Vincent!
00:58:11Vincent!
00:58:22Paul, I've just seen Vincent out in the square. Has he been here?
00:58:26Yes, he's been here.
00:58:30Don't you let him go without seeing me.
00:58:35Paul, why didn't you tell me?
00:58:38So you did write to him?
00:58:41Right.
00:58:43Against my express orders, you went behind my back and complained to your cousins.
00:58:48But I didn't. I've never written to them.
00:58:51How did you know this address?
00:58:53I don't know.
00:58:55Or that you'd been ill?
00:58:57I don't know.
00:58:59What else did you tell him?
00:59:00Nothing. I never wrote.
00:59:02What lies about me have you told him?
00:59:04Paul, if I had written which I didn't, do you suppose I'd have said a word to my cousins against my husband?
00:59:10You think I can trust the insane ravings of a mad woman?
00:59:18Paul, don't say that.
00:59:19Your mind is diseased.
00:59:22You are as weakness as an animal.
00:59:24Paul, I'm desperate.
00:59:32If I do the things you say, then I am going mad.
00:59:36It's when you're angry with me like this,
00:59:39my head aches and my mind gets tired.
00:59:44You must help me, Paul.
00:59:46If you were afflicted, I would be gentle.
00:59:49I should love you more.
00:59:51Let go of my arm.
00:59:55Paul, how can you be so cruel?
00:59:59You used not to be.
01:00:01It's only since we came to this hateful, horrible house that everything's changed.
01:00:10It must be because of that envelope I found.
01:00:15Who was Louis Bauer?
01:00:17There's no such person as Louis Bauer.
01:00:21Why should that have changed our lives?
01:00:23Just a name on an old envelope.
01:00:26There was never even an envelope!
01:00:29That was the beginning of your madness.
01:00:32Then I realized you were a half-witted creature who pried through my desk and my papers.
01:00:36But this is the end.
01:00:37You're not only mad, you are dangerous!
01:00:42You're going to see a doctor, madam.
01:00:44No, Paul.
01:00:46Not a doctor.
01:00:47More than one doctor tomorrow morning.
01:00:50Oh, I'm too tired.
01:00:53Paul, have you ever loved me?
01:00:56I hate you!
01:00:57You are utterly passive to me.
01:01:07Good boy.
01:01:09Poor boy.
01:01:10What I can't understand is my cousin not wanting to see you.
01:01:23You've only got his word for it.
01:01:24She's his wife.
01:01:25I couldn't force him to let me see her.
01:01:27But surely there must be something we can do to help her.
01:01:29Nothing you can do now.
01:01:31It won't do to let him get really afraid of your interference.
01:01:34This cab of mine will take you back to your hotel.
01:01:35Oh, he's very kind of you.
01:01:37But I hate leaving you to deal with all this. After all, I am her cousin.
01:01:40Well, I can perhaps use methods that you can't.
01:01:43I may need your inference to get a warrant.
01:01:45If I can't get my evidence, good.
01:01:47But he won't risk anything that'll lead to an inquiry afterwards.
01:01:50And in the meantime, you know where to find me.
01:01:52Anderton's Hotel.
01:01:53Jim, Anderton's Hotel.
01:01:55Come on.
01:02:01Mr Ruff.
01:02:02Mr Ruff, sir.
01:02:03What's the trouble?
01:02:04It's Mrs Mullins, sir.
01:02:05He's going to have her certified in the morning.
01:02:06How do you know?
01:02:07Well, Nancy heard.
01:02:08I was going out...
01:02:09Come to the point, boy.
01:02:10Well, I waited and I saw Nancy and Mr Mallon get into a cab.
01:02:12Where have they gone to?
01:02:13Well, I heard him tell the driver to go to Canterbury Music Hall.
01:02:15This is our chance.
01:02:16Where are we going?
01:02:17Save your breath.
01:02:18You'll lead it later on.
01:02:19For one long year and two long months, three weeks, four days, five hours.
01:02:30Alas, I went to court in one of nature's fairest flowers.
01:02:34Miss Serafina Hannibal, who caused a deep sensation in the region of my heart.
01:02:39But now, I'm full of aggravation.
01:02:44How?
01:02:45For it's very aggravated when your love's not true.
01:02:51Enjoy yourself.
01:02:52Oh, I'd say so, aren't you?
01:02:55Immensely.
01:02:56That's going to be one long holiday for you after tomorrow.
01:03:00Now that.
01:03:01Bachelet.
01:03:02Oh, Elizabeth, it's you.
01:03:17Help me to move this.
01:03:19My brooch may have dropped behind.
01:03:20If only I can find my brooch, he may not send to the doctors.
01:03:24A gentleman to see you, ma'am.
01:03:25Oh, well, tell him my husband is made.
01:03:27It's you he wants to see, ma'am, not the master.
01:03:29And he says it's urgent.
01:03:32Vincent, he's come back.
01:03:34I'm sorry, Elizabeth.
01:03:35Good evening, Mrs. Mallon.
01:03:49You?
01:03:50But I thought it...
01:03:51Last time we met, your husband interrupted us.
01:03:53But he won't this time.
01:03:54I don't understand.
01:03:56Ah, you will indeed, ma'am.
01:03:58Very shortly.
01:03:59Now you just sit down.
01:04:00Make yourself comfortable.
01:04:01You're supposed to be going off your head, aren't you?
01:04:06Who told you?
01:04:07Why do you say that?
01:04:08Ladies and gentlemen, the can-can dancers.
01:04:15Direct from Paris.
01:04:17And I know you're gonna like them.
01:04:19Of course, as I know more about what they're going to do than you do at the present,
01:04:25I hope you'll excuse my back.
01:04:46Vulgar.
01:04:55Then I know...
01:04:56I'll pay attention to the finish.
01:05:07mailbox and handless in a desk.
01:05:10Alright, so, let's move.
01:05:13In the meantime, living in the
01:05:20the whole of this house was ransacked the murder had searched for those rubies all through the
01:05:41night and the opinion of the police was that he found them and vanished with them they never
01:05:45caught him no but suppose he didn't find those rubies after all suppose they were concealed in
01:05:53the walls or the floor of old alice barlow's bedroom which was the room above yours mrs mellon
01:06:01the footsteps what footsteps and the gaslight going up and down
01:06:15at me
01:06:33here what's the matter come along but there's another turn just starting i've had enough come
01:06:37along now that's what's made me sure my mind is going lying in my room watching the gaslight
01:06:45listening for someone in a place where no one can go oh yes they can along the roof from the empty
01:06:50house next door but what are you saying it fits it all fits tell me have you ever heard the name
01:06:58louis bauer it's a trap i never said i found that envelope it's a lie go away leave this house i
01:07:02don't know what do you know about louis bauer i found i i thought i found an envelope addressed to
01:07:13him it was when we first came here that's what started my i've got it i've solved it i've saved
01:07:19you god what a marvelous man i am what are you talking about your mr mallon is my mr louis bauer
01:07:26a criminal maniac who murdered his aunt and steals back to his own house at night still searching
01:07:32for those rubies he couldn't find 20 years ago and every time he lights the gas up in that room
01:07:38so it dims down here when the light brightens i i hear his key in the door a few minutes afterwards
01:07:49i can't stand it my mind oh you're not going out of your mind mrs mellon you're slowly and
01:07:56methodically being driven out of your mind why because quite by accident you got into his identity
01:08:01and that made you dangerous to him he couldn't get rid of you by ordinary means for fear of an
01:08:05inquiry so he's driving you mad in order to discredit anything that you say as the ravings of a lunatic
01:08:13thank god you're not married to him
01:08:17not married to him certainly not he married another lady long before he met you and she's still alive
01:08:22how do you know i've been finding out things about mr louis bauer where is this woman that's the
01:08:36trouble australia that's three months away by then it'd be too late to save you that's why you've got
01:08:41to give me the evidence we need whatever any proof of louis bauer's identity but i don't know where to
01:08:47find it well you can tell me where to look yes but in here you don't understand to me he's still my
01:08:56husband i couldn't betray my husband you mean the man who betrayed you into thinking you were married
01:09:02to him that's different that was before i knew him we've lived together as husband and wife if i
01:09:08betrayed him i'd be betraying myself even though i tell you that this moment he's sitting in a music
01:09:13hall with another woman your parlour mate is that true it's hard to take everything from you but i'm
01:09:23afraid it is you go straight in and i'll follow you in a moment what you gonna do
01:09:34oh take a little stroll will we go out again i'll let you know
01:09:44i know you will
01:09:51he keeps his papers in there ah then this is where we start
01:09:56but it's locked good that means there are probably some things inside that are very interesting
01:10:00do you mind if i take my coat off i always work much better with my coat off
01:10:05saucy shirt isn't it what are you going to do there's only two things i've ever wanted to be
01:10:10a gardener or a burglar both of them nice quiet occupations
01:10:13this is tougher than i thought
01:10:28you mustn't force it afraid i'll have to but what shall i say when he comes back don't you realize
01:10:33it's tonight or never tomorrow he wants to get you certified if we go back we're lost we must gamble
01:10:38on finding something now are you with me all right force it but be quick there's no hurry ma'am
01:10:45he's quite happy where he is i don't like these violent methods makes me feel like a dentist
01:10:53all over now
01:11:00drawn a blank so far give me the keys suppose he keeps his papers in here
01:11:08look he's back he's upstairs oh i'm afraid how long does he usually stay any time an hour
01:11:21ten minutes more we shall want longer than that
01:11:28that's done for i'm afraid we shall have to risk it come along
01:11:32come along i can't see him i don't you shan't go right up to your room lock yourself in and don't
01:11:38come out in any circumstances until i tell you
01:11:42you're not going you won't leave the house of course not but elizabeth oh don't you worry about
01:11:46elizabeth i've squared her now remember you're all right so long as you stay in your room
01:12:08you're not going to do it
01:12:10you're just going to be right here
01:12:12you're not going to be right here
01:12:29you're all right
01:12:30Bella.
01:12:56I've got your milk.
01:12:57Go upstairs and tell Mrs. Merrin she's to come down here at once.
01:13:03Just like that, sir.
01:13:06Very good, sir.
01:13:22Are you there, Mum?
01:13:23Mm-hmm.
01:13:25Master says you're to come to the drawing room at once.
01:13:41She won't answer.
01:13:42She's got the door locked.
01:13:43I tried it.
01:13:44All right, Nancy.
01:13:45Go to bed.
01:13:45Um, well, I've got to let the dog out first.
01:13:49You needn't worry about the dog.
01:13:51Go to bed.
01:13:53What's the go?
01:13:55What are you up to, eh?
01:13:56Will you kindly remember that you're not a guest in this house?
01:14:00All right.
01:14:01All right.
01:14:02Ella, I have your dog here.
01:14:18I found it in the drawing room, but you know it is not allowed.
01:14:21Dog, Paul, no.
01:14:23No.
01:14:23Don't hurt it.
01:14:25I'm coming.
01:14:25Give me the dog.
01:14:34What have you done with it?
01:14:35Dog?
01:14:36What dog?
01:14:37You said you had it.
01:14:37Have you hurt it?
01:14:39I haven't seen your dog.
01:14:42None of your dreams, like the one of which you dare break open my desk.
01:14:47Dream?
01:14:48Don't tell me it was a dream that he never came here.
01:14:57He?
01:14:58Who came?
01:15:01Tell me about this dream of yours.
01:15:04I dreamed that a man came.
01:15:07In here.
01:15:10I dreamed.
01:15:11I know you dreamed.
01:15:13But tell me about the man.
01:15:15Speak, will you?
01:15:20I want to know more about the man.
01:15:22I dreamed.
01:15:24I dreamed.
01:15:26Was I part of this curious dream?
01:15:29Who are you?
01:15:31Apparently a mere figment of this lady's imagination.
01:15:36How did you get in?
01:15:37All we ghosts don't have to bother about doors.
01:15:40If you don't tell me your business, I...
01:15:42I came to call upon another ghost.
01:15:44The ghost of the man who murdered Alice Varlow in this very room.
01:15:49I have no idea what you're talking about.
01:15:54Haven't you?
01:15:56Mr. Louis Bauer?
01:15:57My name is Mellon.
01:16:03No, it isn't.
01:16:06You've been listening to my wife's insane ramblings.
01:16:10Correct.
01:16:11Except that she isn't insane, nor is she your wife.
01:16:15If you dare to break into my house,
01:16:18you tamper with my desk!
01:16:20Where you and I know lies the evidence that you are Louis Bauer.
01:16:26Here's what you wanted.
01:16:42It'll give me great pleasure to see you make a fool of yourself
01:16:45before I throw you out of the house.
01:16:49Hmm. Seems to be nothing here.
01:16:51My brooch.
01:17:02And it's true.
01:17:04You did hide my things.
01:17:06You laid traps for me and said that I lied to you.
01:17:10I found the brooch only today
01:17:12and put it aside until I could give it back to you.
01:17:14Give it to me.
01:17:16This isn't your brooch.
01:17:18I gave it to my wife as an engagement presence.
01:17:21Where do you get it from?
01:17:22It's second-hand.
01:17:23How do you know?
01:17:23There's an inscription in it.
01:17:25Where? Where?
01:17:27Inside. It's a trick. I discovered it by accident.
01:17:29Show me.
01:17:332 AB.
01:17:35What are these?
01:17:37There were some sort of stones in it.
01:17:38Stones? Well, where are they? Quick.
01:17:40They were loose, so I took them out and put them in here.
01:17:42There you are.
01:17:47Alice Barlow's brooch.
01:17:49Alice Barlow's rubies.
01:17:5120,000 pounds worth.
01:17:53This brooch and these rubies are going to send you to the gallows.
01:17:58Give them to me.
01:18:03Get out of the room, quickly.
01:18:08Look!
01:18:09Help! Oh, quick! Hurry!
01:18:39Get out of the room, please.
01:18:40Come on, please.
01:18:41Come on, please.
01:19:02That'll hold him.
01:19:03We shan't need it any more.
01:19:04Did you get my message through to Mr. Ellsworth?
01:19:06Yes, sir.
01:19:06All right, well, you go for the police now and hurry.
01:19:08Well, very good, sir.
01:19:11It's all over now, ma'am.
01:19:12You can go along up to your room.
01:19:14I'll deal with the servants.
01:19:25I want to speak to my wife.
01:19:29Alone.
01:19:29You go up to your room.
01:19:32I, too, want to speak to my husband.
01:19:34No, you'll only be torturing yourself.
01:19:36I want to speak to him alone.
01:19:41Very well, if you insist.
01:19:43I don't suppose.
01:19:45I'll hear you if you call.
01:19:53Bella.
01:19:54Quick, Bella, the rubies.
01:19:56Help me to get away and give me them.
01:20:01Rubies.
01:20:04How you lusted for them.
01:20:09Look at them.
01:20:12Look.
01:20:13Bella, hurry.
01:20:15Get the knife down the drawer.
01:20:17Cut me free.
01:20:18And give them to me.
01:20:20Okay, you better cut the rope here.
01:20:24Take the knife.
01:20:32Knife?
01:20:33What knife?
01:20:39Are you suggesting this is a knife I have in my hand?
01:20:45Have you gone mad, my sane husband?
01:20:50There was a knife, but I lost it.
01:20:52I always hide things away because I'm mad.
01:20:59Bella, what are you saying?
01:21:00Rubies.
01:21:02You killed a woman for them.
01:21:05Me, you tried to kill my mind.
01:21:09You made me mad.
01:21:12Whitless is an animal, you said.
01:21:14And now you're helpless, and I'm mad.
01:21:22Bella!
01:21:23Bella!
01:21:23Bella!
01:21:44Better let him hold, though.
01:22:14Rubies.