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  • 6/14/2025
مدي 1 تي في : مع عصام برطال - 13/06/2025

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04:35The other people will see the difference between what is the difference, and how are you living in your life?
04:40For example, if you have a large amount of issues with a bigger group, you will have a hard problem.
04:47So it's not a problem.
04:48Since there are a number of issues with a factor, yes, it will be a factor.
04:51Yes, any factor.
04:52But you want to add a factor, for example, if you're a big member or a big member.
04:57You begin to play with it, and you want to make it a factor with a factor.
05:01You want to be able to add a factor.
05:02We are able to give them a small amount of money,
05:05we have a family, a family, and a family.
05:08We have a little bit of a small amount.
05:10You are still calm about the domain
05:14and the difficult situation.
05:17But what can you share with us?
05:20What are the small ones to the middle of the area
05:23and after the other you can choose to?
05:27When I came to Greece, I had a different perspective in Greece.
05:33It could be a question that you would like to ask for some of the other benefits.
05:39It could be physical or mental health.
05:45But when I came to Greece, I realized that you would like to go from the bottom.
05:49When you came to Greece, you would like to take a picture of your body.
05:54That's not good.
05:56When I came to Greece, I learned a little bit.
05:59I learned a little bit.
06:00I didn't have any problems in Greece.
06:02That's what I wanted.
06:03When I came to Greece, I learned a lot.
06:06When I came to Greece, I learned a lot.
06:10What are the tools that you can use in Greece?
06:14I started studying in the Cazablau, in the Action Institute.
06:19There was a study in CineLab, which is a laborator, which is very intense with the people.
06:25There are a lot of tools that are in the Cazablau.
06:28There are many tools that are in the Cazablau.
06:30There are many tools that are in the Cazablau.
06:33There are many tools that are in the Cazablau.
06:35to learn a lot of things, especially how to deal with the plateau,
06:39how to deal with the technique of the doctor,
06:41how to be able to get ahead of the camera,
06:43and how to deal with the camera.
06:45I don't know exactly what it is,
06:47but I will be able to do that.
06:49And I will say,
06:51I will continue the journey.
06:53That's good.
06:54You can learn a lot.
06:55You can learn a lot.
06:57You can learn a lot.
06:59You can learn a lot.
07:01You can learn a lot.
07:03You can learn a lot.
07:05You can learn a lot.
07:07You can learn a lot.
07:09How do you know your work?
07:11I have been a very small job.
07:13I was in the beginning of my career.
07:17They were working on me with Fadila Abin Mouissa,
07:23Aziz Addaas and Abutazoot.
07:25I think you were a great job.
07:27I was a very good job.
07:29In the early days of my career,
07:31it was great.
07:33What I'm trying to tell in my opinion is that the power of her voice is that the power of her voice has a great power.
07:41Even if you are a young person, it will be negative.
07:45How do you do it very well?
07:46It is very negative, because I think it's the big, large, large, large, small, small, small.
07:53That thought she had to do very well.
07:56When I saw the power of the voice, the power of her voice has a great way through the cinema.
08:02It's about 100% of you and me.
08:07What's your name?
08:10I'm an amazighist.
08:13I'm a director of casting.
08:16He's an Englishman.
08:19He's an European?
08:21Yes, an American.
08:23He's an amazighist.
08:26He's not a little bit.
08:30You're a great guy.
08:32I'm a great guy.
08:34I'm a great guy.
08:35I'm a great guy.
08:36You're a great guy.
08:38What do you think?
08:40A lot of people,
08:42they're like,
08:44do you have a daughter?
08:46Do you have a daughter?
08:48This is not a real problem.
08:51For some people,
08:54some people,
08:56they are very lazy.
08:58I have 20 years of career, and I don't know anything about it.
09:03I don't know the same thing as I said in the morning.
09:08I said, you need to be quiet.
09:10Because people don't know what they are.
09:12You need to be quiet.
09:13You need to be quiet.
09:15You need to be quiet.
09:17You need to be quiet in the same time.
09:20You need to be quiet.
09:22You need to be quiet.
09:25You need to be quiet.
09:30Great.
09:31Can you tell us about the therapy of couples?
09:36This was a festival of Kourmetraj mobile.
09:41Short mobile.
09:42You need to be quiet in 3 minutes.
09:46You need to be quiet.
09:49I had the idea.
09:50I had the idea.
09:51And the book of Abdu.
09:53You have a great idea.
09:55You have to go back to the routine of the festival.
09:59That's how it is.
10:00I have to go back to the drama and the drama.
10:02I said, we'll take a lot of pity.
10:04And, to the extent that you want to be an assistant.
10:06We had 180 film to the festival.
10:07And, to the end of the festival, we won't be able to go back.
10:08We didn't take a lot of money.
10:09We could have an advantage.
10:10We had a good advantage.
10:11Yes, definitely.
10:12You are a good advantage.
10:13We have to give a report when we came back to the cinema in Greece.
10:15You can see the cinema in Greece.
10:19You have to be in Ukraine.
10:20We were in Ukraine and Turkey where we were working as a big project.
10:24We were in the same situation and we were in the same situation.
10:30But did you do it?
10:32I was in the same situation.
10:34No, I didn't do it.
10:36I was doing the work that I was in the same place.
10:38Only?
10:39No, I didn't do anything.
10:42I didn't do anything.
10:44I was working with my own business.
10:46I was working with my own business.
10:48I can't believe that I have a lot of trust in people, but I don't want to be able to be able to do anything with my own work.
10:58At the same time, I was in Ukraine, and I started doing my work in Ukraine, and I was learning a little bit about Ukraine, and I was in Russia.
11:08And my goal was to be able to do it in Ukraine, and I was able to do it in the outside.
11:15It was a war.
11:16The people who didn't know what to do was say that the war was not a bad thing.
11:23It was a situation in the region which was in the region.
11:28How did you say that?
11:29In the region of the region of the region of Russia,
11:32in the region of the region of Russia, in the region of Russia.
11:36After that we knew the developments.
11:38You were going to continue in the arts and arts field of Ukraine,
11:42but with the war didn't you?
11:44Yes, it was a law that you didn't have the right to work in Ukraine, so it was difficult for the war.
11:57You came back to the war?
11:58Yes, as I said in France, it was very good.
12:03But do you have an Arabian and a foreign country?
12:10There was a lot of work in the Arab world, which was one of the electronic networks and on the television television, without a mention of it.
12:21There was a lot of experience. Why? Because when I entered the country, I realized that there was a first time in Fas.
12:28There was one of the largest Arab communities in the Arab world.
12:32I didn't forget about the Arab communities.
12:34I wanted to show you a little bit of a note,
12:36because I knew the language of the Arab Emirates,
12:39and the language of the Arab Emirates,
12:41and the language of the Arab Emirates,
12:43from Yassine Ahjam, Amin Nagy,
12:45and Najaat Al-Wafi,
12:47and many of those who I shared with them.
12:49I had a strong experience,
12:51and I felt the language of the Arab Emirates,
12:53especially because of the Arab Emirates,
12:55which I had a long time ago,
12:57and I came back to it,
12:59and I had to write my own language in the Arab Emirates.
13:01What did you say about Arab Emirates?
13:02Yes, and Arab Emirates.
13:03Yeah, and we have to say that,
13:05from the Arab Emirates,
13:07you said that the Austrian English English English English is a lot of language.
13:08How many languages do you think?
13:095 languages or 6 languages?
13:10I understood the language of art,
13:12such as Italian,
13:13and the Portuguese English English English,
13:15and the Portuguese English English English English,
13:17from Brazil,
13:19from France,
13:20from Poland,
13:21and from Russia in Australia,
13:24from Russia,
13:25and from Russia,
13:27and from France.
13:28You understand that in the UK?
13:30Yes, not in a way.
13:31You understand that in Russia?
13:32You understand the process.
13:33English?
13:35English.
13:37I have a lot of experience in French and English.
13:41I also have a lot of experience in Spanish.
13:43Spanish and French.
13:45French and French.
13:47I would like to ask you a challenge.
13:49I would like to give you a group of girls to give you a sense of your own language.
13:55In a minute.
13:57How do you start?
13:59I would like to start with the Ukrainian.
14:01Good evening.
14:03I am Sam from the 30 years old.
14:07Russia.
14:09I am Sam from the 30 years old.
14:13I am from Morocco.
14:15I am a Canadian.
14:17Hello, my name is Sam Bertal.
14:19I am a Moroccan actor.
14:21My dream is to be a great actor in Hollywood.
14:23Hello, I am Sam Bertal.
14:25I am a Canadian.
14:27I am a Canadian.
14:29My name is Sam Bertal.
14:31I am a Canadian.
14:33I am a Canadian.
14:35I am a Canadian.
14:37I am a Canadian.
14:39I am a Canadian.
14:41Good evening.
14:43My name is Sam Bertal.
14:44My name is Swing Live.
14:45Good evening.
14:48They are smells and enjoys.
14:50I amankaaba from the cinema.
14:51We are wearing a single film.
14:53We are being cross-selling,
14:54and you will be seeing those films on a screen.
14:55You are hanging out with a slam.
14:57In this universe,
14:58you took the three clubs to get connected.
15:00What do you think about this?
15:02I'm going to start with Starquave.
15:03I'm going to talk about it.
15:04I'm going to talk about it.
15:05I'm going to talk about it.
15:06I'm going to talk about it.
15:07I'm going to talk about it.
15:08I'm going to talk about trading in the internet.
15:10I'm going to talk about the e-commerce
15:12and I'm going to buy it.
15:14I'm going to buy it.
15:16Thank God.
15:17Cowboy.
15:18It's urgent.
15:20Billy Willi has to be stopped.
15:22It's received 5 on 5.
15:23Before we go.
15:25We are Superwings.
15:27Superwings.
15:32Let's play.
15:33Superwings.
15:34Let's play.
15:35Superwings.
15:36Superwings.
15:37This is the top stage.
15:38Action.
15:40We have a conversation with Cineatlas.
15:43Cineatlas is a city of the River at the Asema.
15:45And Cineatlas is a city of the New York City.
15:48Do you have any room in cinema?
15:51I'm going to talk about the cinema.
15:53I'm going to talk about the cinema.
15:55I'm going to talk about the physical film in Chicago.
16:02But I won't talk about the movie that takes care of running into a theater lol.
16:04When we were at the entrance前,
16:05We want to highlight the pictures.
16:07These pictures are a little bit ofhic.
16:08And they are suport movies on the theater inside.
16:09Another photo,ственно?
16:10Is the movie that actually was a cinema?
16:12Yes.
16:13So, as you can see丈 people.
16:14This movie is a cinema.
16:16It is a cinema movie movie,
16:18Yes.
16:19It is out of darkness was YA,
16:21It's a comedy club in San Berto.
16:24Exactly, this is one of the concepts that I created in Rabat.
16:27As you know, the domain of the film is in Kaza.
16:33When I read in Kaza and all my friends and my friends were in Kaza,
16:37I told you why Rabat is in Dina Had'a and in Dina Had'a?
16:40Why didn't they do any event?
16:42In Dina Had'a?
16:43You know what?
16:44You know what?
16:45It's a Dina Had'a.
16:47It's a Dina Had'a.
16:48It's a Dina Had'a.
16:49Come on.
16:50You can't get stressed in Kaza and allow you to relax wherever you are.
16:53I'm going to take a lot of those who are off you.
16:56They can't get a lot of them.
16:58They can't get a lot of the time.
16:59We can't do anything to carry on you.
17:00No, it's great.
17:01But with that, you can do a lot of Die Naba.
17:02Because of Kaza is theest part that I don't have in Kaza and there's plenty of things that I don't have in Kaza.
17:06And I still want to explain what is the most interesting thing in the culture of the film is that you are going to make a stand-up comedy comedy.
17:12You believe that I am a comedy theater comedy.
17:14I was able to make a lot of effort and help a lot of the people who didn't know what they were able to do with the work studio.
17:25They helped me a lot to make this concept.
17:28I hope that I was able to get a lot of effort.
17:30But what was the concept exactly?
17:32The story of stand-up comedy.
17:35In open mic?
17:36In open mic.
17:37I was able to get a lot of things.
17:39I used to make my own ideas, to make their own art and make it work a lot.
17:44They were drawing a sketch.
17:46They were giving content.
17:48And they delivered the amount of things and the people came to work a lot.
17:51There were many people who had like a lot of people who had like a lot of things.
17:53And they didn't have anything.
17:55For example, if there were a comedians of the comedian, who wanted to share and share.
18:02They started posting ink and set their own art and the stand-up paper.
18:05?
18:06Yes, they are connected to me and they will be connected to the casting.
18:09They will be connected to a group of people who are very close to the institution.
18:14They will start to create a new building and create a new building.
18:19And they will be able to play with the people.
18:21Okay. This is all over in the business and in the business.
18:24Yes, in the business.
18:25In the business.
18:26In the business.
18:27In the business.
18:28Yes, in the business.
18:29What are the strategies for your future?
18:31What do you want to do in your own way?
18:36What do you want to do in your own way?
18:39I'm a person that I've learned a lot.
18:44What is the world?
18:46Why?
18:47Because I've learned a lot.
18:49I don't know what to say.
18:51I don't know what to say.
18:52But I've learned a lot.
18:55Why?
18:56Because I've learned a lot.
18:58I don't know what to say.
19:01We have a lot of potential for the world.
19:05Why do you want to do a lot of work?
19:07I'm sure we'll take a lot of work.
19:10And then we'll be able to do it.
19:12At the moment, we're going to work with the people of the world.
19:16So we're going to try to do a lot of work in the world.
19:22Where are you from abroad?
19:24I'm going to play in Spain.
19:26I have a lot of work in our world.
19:28Which is really good for you.
19:29And we're going to play in the future of the movie.
19:30So we'll have a lot of work in the world.
19:32And we're going to play in Russia.
19:34We're going to play in France.
19:36This is really good for you.
19:37And we're going to play as husband.
19:39And that's a question.
19:40Do you have any problem that you go back?
19:42As the figurines and silhouettes
19:45or themselves at the moment?
19:47Figurines and silhouettes?
19:49No, because you'll have to do it.
19:50You can clean up with your life.
19:52in the film of the Megoulouin, Sáid Hamish,
19:55they had to move things.
19:57They were born in the first place.
19:58They were born in the first place.
19:59They were born in the first place.
20:00And the starry of the Green Arrange,
20:01which was also born in the first place.
20:03They were born in the first place.
20:04They were born in southern Canada.
20:06With the next place we recognize
20:08because most of the film is in their houses
20:10we're going to find good
20:12and look at their presence.
20:13They have made up of an organic work.
20:15We don't have a big deal of work in the Nygur.
20:17You still have to network with the Nygur.
20:19You still have to meet the Nygur,
20:20We can see you in the next one.
20:22Yes, of course.
20:24But we can see you in Netflix and Hollywood.
20:27We started to see Netflix.
20:30Netflix is a little bit more than a Spanish one.
20:32We can see you in the next one.
20:34Netflix?
20:35Yes, of course.
20:37We can see you in the next one.
20:39As we said, I speak Spanish perfectly.
20:41Yes, I speak perfectly.
20:43You're welcome.
20:45Thank you, Usela.
20:59Thank you very much.
21:01Thank you so much for the introduction.
21:07Did you hear a lot about your video?
21:09With your friends?
21:11Yeah.
21:12You can see the video.
21:13or media-n-tv.com or media-n-tv on the media-n-tv
21:18on the social media.
21:20Thank you very much for your attention.
21:21And now, Patchwork.