- 13/06/2025
List of episodes:
- 'The Yellow Scarf' starring Boris Karloff 00:14
- 'A Cask of Amontillado' based on short story by Edgar Allan Poe and starring Bela Lugosi 23:20
- 'A Night at an Inn' starring Boris Karloff 48:02
- 'The Yellow Scarf' starring Boris Karloff 00:14
- 'A Cask of Amontillado' based on short story by Edgar Allan Poe and starring Bela Lugosi 23:20
- 'A Night at an Inn' starring Boris Karloff 48:02
Catégorie
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TVTranscription
00:00:00And now, Autolite and its 60,000 dealers and service stations everywhere present Suspense.
00:00:30Mission, sir. Mission, sir. Mission, please, sir.
00:00:47Do you need Mary? Good evening, sir.
00:00:51Can you come?
00:00:55Mission, sir. Mission, please, sir.
00:01:00Mission, sir.
00:01:15Happy birthday.
00:01:18You want to know my name? That's my name.
00:01:21At the spagat.
00:01:24Where do you live?
00:01:26Come on, miss. Tell me and I'll see you home.
00:01:30What number, miss? What street? Can't you remember?
00:01:35That's it, that's it.
00:01:37I'll have to call the wagon, miss. I can't leave you here.
00:01:41Got me friends?
00:01:43Brother?
00:01:44Sister?
00:01:46Got any kid or kid?
00:01:50But at least you live somewhere.
00:01:53I'll give up. I'll give up. Call the wagon.
00:01:55Come, miss. Haven't you got any place at all?
00:01:58Or even just a bed to sleep in.
00:01:59Call the wagon.
00:02:00Rest easy, then.
00:02:02I'll be back.
00:02:21Tom?
00:02:22Come here, please.
00:02:23Come on.
00:02:25Come on.
00:02:31Come on.
00:02:31The big shelter you're looking for, you can find it in here.
00:02:59It's alright.
00:03:29Wipe your face.
00:03:41On the floor above, you can have a room all to yourself.
00:03:58What do you want?
00:04:00I'll feed you, buy you some clothes and allow you a pound a week.
00:04:04What do you want from me?
00:04:06I'll perform the duties of an indoor servant.
00:04:09What else?
00:04:10Nothing.
00:04:11But you must obey me in two things.
00:04:15You must always keep the front door closed and you will never leave this house alone, except
00:04:21in the morning when you go to do the shopping.
00:04:24You see that door there?
00:04:27That leads to my laboratory.
00:04:30Nobody goes in there except my assistant and my clients.
00:04:38You're never to enter that room.
00:04:49This is Tilson, my assistant.
00:04:51He'll show you your room.
00:04:56I don't think I'd better...
00:04:59Sleep well, Hetty.
00:05:01You'll see things more clearly in the morning.
00:05:03...
00:05:10...
00:05:15...
00:05:19...
00:05:20...
00:05:25...
00:05:29...
00:05:39...
00:05:43...
00:05:44Yes, sir?
00:05:45I think she'll do.
00:05:46We can use her to sit in front of the shop.
00:05:49I was wondering...
00:05:50...
00:05:51...
00:05:52...
00:05:53...
00:05:54...
00:05:55...
00:05:56...
00:05:57Suppose she finds out our real business.
00:05:59How will we keep her here?
00:06:02I'll marry her.
00:06:03Oh.
00:06:04She'll look very well sitting in front of the shop.
00:06:08My wife sitting out there, perky and frilly.
00:06:12Every morning the postman's saying,
00:06:14Good morning, Mrs. Bronson.
00:06:16And the constable, too.
00:06:18That'll calm his curiosity.
00:06:20It might.
00:06:21Then again, it might not.
00:06:23Why, in six months we won't have a worry in the world.
00:06:26...
00:06:28...
00:06:30...
00:06:33...
00:06:34...
00:06:36...
00:06:38...
00:06:42...
00:06:46Good morning, Miss Eddy.
00:06:59Oh, I want a chest, you must have.
00:07:03What wind power.
00:07:05What lungs.
00:07:06Well, I can play a bit.
00:07:08I have to admit that all right enough.
00:07:09And your lips.
00:07:11Oh, you must have real muscle in your lips.
00:07:13Well, I suppose anyone that does anything alone...
00:07:16Goodbye, Miss Eddy.
00:07:19Goodbye, Mr. Tom.
00:07:34If you dare close that door again, I'll scream bloody murder off another stick, I will.
00:07:37I'll scream bloody murder off another stick, I will scream bloody murder off another stick, I will scream bloody murder off another stick, I will scream bloody murder off another stick, I will scream bloody murder off another stick, I will scream bloody murder off another stick, I will scream bloody murder off another stick, I will scream bloody murder off another stick.
00:07:42I'm sorry, I'm sorry.
00:08:12Petty.
00:08:24I won't close the door.
00:08:26I'm a human being, I am.
00:08:28Can't stay here cooked up month after month without a word to no one.
00:08:32Petty will close the door.
00:08:42Is there any detail of our marriage agreement that I have not lived up to?
00:08:55No, sir.
00:08:56You have a room to yourself?
00:08:58Yes, sir.
00:08:59Enough clothes?
00:09:01Yes, sir.
00:09:02Enough allowance?
00:09:03Yes, sir.
00:09:04Have I ever disturbed you?
00:09:05No.
00:09:06Have I ever made any demands upon your privacy or on your person?
00:09:09No.
00:09:10Then I must insist that you carry out to the last letter the agreement.
00:09:14As I've carried it out.
00:09:17And that means that you're to keep this door closed at all times.
00:09:23And you'll never leave this house alone.
00:09:26Except when you go to do the shopping.
00:09:29And you'll discontinue your silly flirtation with that boy from the mission.
00:09:35Please wait.
00:09:37Oh, man.
00:09:38Couldn't you just talk to me a little?
00:09:40Let's suffer.
00:09:41If you don't carry out the terms of our agreement, believe me, I have ways of making you.
00:09:48Couldn't you maybe say something in the evening if you like what I could?
00:09:52Or the dress I put on.
00:09:54Or smile at me now.
00:09:57A little.
00:09:58Okay.
00:09:59I must get back to my work.
00:10:05What's the matter?
00:10:06It's not fair to go out again except to shop.
00:10:08Is that what he said?
00:10:09He is a stern one.
00:10:10All right, all right.
00:10:11Then I won't be seeing you outside.
00:10:12Just through the window.
00:10:13Etty.
00:10:14I bought something for you.
00:10:15Well, not really bought it.
00:10:16I picked it out of the rummage.
00:10:17But it's absolutely my fault.
00:10:18It is.
00:10:19You got a bit.
00:10:20Would you say it?
00:10:21What's the matter?
00:10:22What's the matter?
00:10:23No.
00:10:24No way.
00:10:25No way.
00:10:26It's not fair to go out again except to shop.
00:10:27Is that what he said?
00:10:28He is a stern one.
00:10:29All right, all right.
00:10:30Then I won't be seeing you outside?
00:10:34Just through the window?
00:10:37Etty.
00:10:38I bought something for you.
00:10:40Well, not really bought it. I picked it out of the rummage.
00:10:43But it's absolutely new.
00:10:45I wanted to give it to you because of my respect.
00:10:49And then maybe...
00:10:50I thought maybe you might let me even kiss you.
00:10:54It's a yellow scar.
00:10:56Oh!
00:10:58I'm beautiful!
00:11:03Tom?
00:11:04Yes, Eddie?
00:11:05I gave my word out. I wouldn't go out.
00:11:07Well, that doesn't mean I can't come in here.
00:11:09No.
00:11:10That doesn't mean you can't come in here and kiss me.
00:11:14And kiss me.
00:11:15And kiss me.
00:11:16And kiss me.
00:11:39Mission, sir. Mission, please, sir. Thank you, sir.
00:11:44Mission, sir.
00:11:48Mission, sir.
00:11:49Mission, please, sir.
00:11:51Mission, please, sir.
00:11:52You know, Tom, it's too infernal hot tonight to be anything but honest.
00:11:53Mission, sir.
00:11:54Mission, please, sir.
00:11:54Mission, sir.
00:11:55Mission, please, sir.
00:12:00Mission, please, sir.
00:12:02Mission, please, sir.
00:12:03Mission, please, sir.
00:12:04Thank you, sir.
00:12:05It's a hot night, all right.
00:12:08You know, Tom, it's too infernal hot tonight to be anything but honest.
00:12:13Mission, sir.
00:12:14Mission, please, sir.
00:12:15Thank you, sir.
00:12:19It's a hot night, all right.
00:12:21You said it, son.
00:12:31It's a murdering hot night.
00:12:34Mary.
00:12:35Yes?
00:12:37Did you have in mind to ask me some question in reference to Hedy Bronston?
00:12:42Tom, do you know you're meddling with the mixing with another man's wife?
00:12:47I do.
00:12:48Oh, why don't you stop?
00:12:49I tried to.
00:12:50I don't blame you, Tom.
00:12:52She's a woman with a soft, loose mouth.
00:12:54Anyone can see that.
00:12:56I tried to stop a month ago when I give her a scarf, but I didn't.
00:13:01Now I can't.
00:13:02So I suppose I'll just keep on till it comes my time to pay for it.
00:13:08Mission, please, sir.
00:13:09Mission, sir.
00:13:10Mission, please, sir.
00:13:18Mission, please, sir.
00:13:56Ow!
00:14:02Where did you get that yellow scarf?
00:14:04Oh, that. I had that.
00:14:06How long?
00:14:08A month.
00:14:09Where did you get it?
00:14:11Well, Tom, the mission boy gave it to us.
00:14:13What if he did? Any arm?
00:14:14Might be.
00:14:15Oh?
00:14:16Why did he give it to you?
00:14:19An acknowledgement because I took the pledge.
00:14:21The what?
00:14:22Odd times when I've seen him, he's been so sad and serious like wanting me to take the
00:14:27temperance pledge.
00:14:28So, one night I pledged.
00:14:30And this is my reward for being temperate.
00:14:32Oh, any arm?
00:14:34Betty, give it to me.
00:14:37What?
00:14:38What?
00:14:39Take off the scarf and give it to me.
00:14:41I shan't.
00:14:42Take it off.
00:14:43You'll remember that you're my wife.
00:14:46My wife does not receive presents from other men.
00:14:49You filthy beast! Give me back my scarf!
00:14:53You ain't gonna crush me like this!
00:14:55Treat me like dirt, you filthy beast!
00:14:57Just because you played the good Samaritan, you think you can do what you want with me?
00:15:00Never speak a word to me!
00:15:01Why shouldn't I tell to Tom if I want to?
00:15:03Easy on and lively.
00:15:04He knows I got blue either.
00:15:06But that's a kitchen maid here!
00:15:07Then I'll be called myself my own.
00:15:09A wife's supposed to be mistress of her own home, ain't she?
00:15:12Well then, do you know what I'm going to do?
00:15:14I'll invite him to come to supper!
00:15:20Yes, so I am!
00:15:22And tomorrow night it is, too.
00:15:23Betty, I warn you.
00:15:26Don't ever ask anybody here to supper.
00:15:29You think I won't leave my life away with you two filthy beasts?
00:15:31Then, Betty...
00:15:32What?
00:15:35Don't touch this scarf again.
00:15:37Touch it? I'll take it!
00:15:39I don't care where you hide it, I'll find it!
00:15:41And I'll wear it tomorrow for supper, yes sir!
00:15:44I will, I will, I will!
00:15:52Drunken wanton.
00:15:55Pick her up out of the gutter.
00:15:57Give her a home.
00:16:00What does she want to do?
00:16:02Bring it down in ruins around my ears.
00:16:06Well...
00:16:08This scarf will be slowly destroyed.
00:16:12But she will be, too, if she doesn't know that.
00:16:21Tilson!
00:16:22Sir?
00:16:28Let's ask the boy from the mission to supper.
00:16:31The two of them can stand to listen.
00:16:32The two of them can stand to listen.
00:16:34The two of them can stand to listen.
00:16:54Hello, Eddie.
00:16:56Thank you, Tom.
00:16:57Come.
00:16:58Come.
00:17:29Where is he?
00:17:30No idea.
00:17:32Where's the hunchback?
00:17:33He's gone too.
00:17:35Anyone say anything?
00:17:37No.
00:17:40Ever go out like this before?
00:17:42Not at this hour.
00:17:44Maybe it's a trap.
00:17:46Maybe it is.
00:17:48Oh, Todd.
00:17:54Stay around, I tell you.
00:17:56If the door opens, we'll hear the bell ring.
00:17:59Maybe, maybe I shouldn't have come for supper.
00:18:02Tom.
00:18:09Tom.
00:18:11He took your scarf.
00:18:13He took it from him in a beastly fury.
00:18:15It's in there in his laboratory.
00:18:18You mean, on to get it?
00:18:22Found the key.
00:18:24Didn't dare go in alone.
00:18:25I've never once been in there.
00:18:28Will you go with me now, Tom?
00:18:30Do you really want the scarf so much?
00:18:33Yes, I do.
00:18:34I think I ought to stay out here and watch, and then I can warn you.
00:18:49Who does he think he is telling me not to touch it again?
00:18:52I'll touch it, all right, all right.
00:18:54I've got to show him.
00:19:00I've got to.
00:19:01I've got to.
00:19:01What's that?
00:19:21Heepleur!
00:19:27Oh!
00:19:28Oh!
00:19:30All right!
00:19:34Oh!
00:19:44Company to supper, Hattie?
00:19:46Yes, didn't I tell you yesterday?
00:19:47Oh, yes, indeed you did.
00:19:50Good evening, sir.
00:19:53Ah, Tom Weatherby.
00:19:55This is Tilsit, my assistant.
00:19:58Have you got any biscuits, Hetty?
00:20:00Biscuits?
00:20:01Yeah, Tilsit here is a can of salmon.
00:20:04I've suddenly got a hunger for a bit of cold salmon on a biscuit.
00:20:07I like it with my whiskey.
00:20:15You got the can opener, Hetty?
00:20:17I looked for it, and I couldn't find it.
00:20:20Well, it doesn't matter.
00:20:22That old hunting knife of mine will do.
00:20:26This one, sir?
00:20:29Yes.
00:20:32Hold the can steady for me, lad.
00:20:38You know, it's the funny thing about this old hunting knife.
00:20:42I've never actually killed anything with it.
00:20:45Of course, I'm not a hunter.
00:20:47But I imagine if anything came prowling around, I could frighten it away.
00:20:54Hold it steady, lad.
00:20:57That's right.
00:20:58Oh, I'm sorry, boy.
00:21:05But I've slipped.
00:21:06Oh, it's all right.
00:21:07Tom.
00:21:07It's nothing.
00:21:08Tom.
00:21:09Better bind it up, Hetty.
00:21:10Get something to bind it up.
00:21:12It's all right.
00:21:13I think I'll be going along now.
00:21:15Better that way.
00:21:16Too bad about supper, boy.
00:21:18Some other time, maybe.
00:21:21Tom, you can't go that way.
00:21:22I'll get some gauze from the labyrinth.
00:21:25No, I've got something here.
00:21:27Where did you get that scarf?
00:21:29Did you steal it from my labyrinth?
00:21:30Find your business.
00:21:30Don't use that scarf, Hetty.
00:21:32I warn you, don't use it.
00:21:33Shut up, you beast.
00:21:34Hetty.
00:21:35Aren't you seeing me?
00:21:36Hetty.
00:21:37There, you see?
00:21:38Well and rough now.
00:21:41Come, whatever it is.
00:21:42It's burning.
00:21:43There's fire in me.
00:21:46There's fire racing through my veins.
00:21:48Wash your hands, Betty.
00:21:49That powder will burn.
00:21:50It's fatal if it gets into an open cup.
00:21:51Come with me, Dad.
00:21:52I'll see what I can do for you.
00:21:54You filthy devil.
00:21:57Oh, God.
00:21:59God, I can't stand it.
00:22:02It's a scar.
00:22:04It's going all over.
00:22:08What they say, don't do me.
00:22:12Oh, Mama.
00:22:13Mama.
00:22:15Mama.
00:22:23What have you done?
00:22:27I?
00:22:29I warned you not to use that scarf.
00:22:33He's dead.
00:22:41Ah!
00:22:41Ah!
00:22:42Ah!
00:22:42Ah!
00:22:43Ah!
00:22:44Ah!
00:22:46Ah!
00:22:46Ah!
00:22:47Ah!
00:22:47Ah!
00:22:48Ah!
00:22:49Ah!
00:22:49Ah!
00:22:50Ah!
00:22:50Ah!
00:23:02Ah!
00:23:03Ah!
00:23:03Ah!
00:23:04You better get your lard.
00:23:04I think I've been needing a place to stay.
00:23:34Oh, that's not easy.
00:23:50Hey, if you hit a belt, Sarge, it warms you.
00:24:04the war is over. No way, let me sleep. This gent wants to make a deposition. He says he saw a
00:24:11murder. He wants to get it on record. Hey, hey, hey, hey. Uh, gent, murder, deposition, uh, oh. Oh, shit.
00:24:25The, uh, major says if you give me the deposition, I'll write it down for him in, uh, shorthand.
00:24:38Now, uh, first we'll, uh, we'll, uh, fill out some blanks.
00:24:43I'll see.
00:24:47Okay, count. Spill it.
00:24:55This palace used to belong to me.
00:25:02Yeah? The whole shebang?
00:25:03Early in the war, when the fascists were in full power, I had to give this property to General Fortunato.
00:25:09Yeah?
00:25:10Uh, actually, Fortunato used to be a stable boy here. But, uh, he rose by devious means until
00:25:16he became one of Mussolini's favorites. And after that, a general.
00:25:20Uh-huh. Now, look, Duke, just give me who got killed, who killed, and how come you've seen it, huh?
00:25:23Uh-huh. Now, first, uh, we'll have the place, and then the time, and then the respective parties.
00:25:30The place? Yeah.
00:25:31Do you know that under this palace, way under, there is a catacomb? A catacomb?
00:25:36Yeah, I know. There's a wine cellar about a quarter of a mile deep.
00:25:40That is right.
00:25:41You keep forever going down. A long spiral stairway. Every few steps, the corridor leads
00:25:48up. Line with vintage land.
00:25:51Mm-hmm. And then keep that out of bounds for us.
00:25:53And, uh, you know, after searching for three years through the whole of Italy, I can pronounce
00:25:59it the greatest wine cellar in the entire...
00:26:01I know it used to be.
00:26:02Okay, now, Count, uh, place of murder, huh?
00:26:05Well, the catacomb is, uh, at the bottom of the spiral staircase. It is so far down that
00:26:11it's actually under a riverbed.
00:26:12Now, look, Duke, I know this is important to you, but all I need is just five words to fill
00:26:16in the blanks.
00:26:17For thousands of years, my ancestors have been buried in that catacomb. And down there...
00:26:22Your Royal Highness, I'm telling you, baby, I don't need all that. All I need is just
00:26:26five words.
00:26:27Way under there is where the crime took place.
00:26:30Ah, that's better. Murder, catacomb. Next, time of murder.
00:26:40Time.
00:26:42Now, what do you say, Prince? Let's blow your nose and get on, huh?
00:26:45Time of murder.
00:26:46When General Fortunato took over this palace, uh, I must say first that by that time he
00:26:52had acquired so much power that he could force me to let him marry my youngest and dearest
00:26:57sister.
00:26:58Well, why the heck could you let him? Why don't you poke him one?
00:27:01You Americans are so charming and so simple. I didn't poke him one, my dear boy, because
00:27:06at his call came stormtroopers and torture chambers.
00:27:11Oh.
00:27:13Okay, Count. Time of murder, huh?
00:27:15Time.
00:27:18When General Fortunato married, after he married my daughter, my sister, he took over this place
00:27:25and he let my wife and I stay on. And we lived in a small suite over the stable.
00:27:31Yeah, nice guy.
00:27:32This opened onto a terrace that commanded a fine prospect. Every noon, the Countess used
00:27:40to have breakfast there. I used to work in a war office and my sister was in a hospital. But
00:27:45the general and my wife had more leisure.
00:27:48Good morning.
00:27:50Have you had your husband gone to the office?
00:27:54Yes, I believe so. Doesn't he usually take your wife to the hospital on his way?
00:27:59My wife didn't go this morning.
00:28:01Oh?
00:28:02I told her not to. We're leaving for Rome.
00:28:06I told her not to.
00:28:09Coffee?
00:28:10Thanks.
00:28:11May I?
00:28:12Don't you think you might button your shirt? Doesn't whet my appetite.
00:28:16We're flying in 50 minutes. Perhaps you could have one of your colonels to deputize to comb
00:28:26your hair for you in the morning. Do you know what that means?
00:28:29What are you chewing on? It means I won't come back. Not until the war is over, anyway.
00:28:36You'll keep amused. Without you...
00:28:40Why not? Am I part of your pleasure?
00:28:43Come to Rome.
00:28:45Don't be ridiculous.
00:28:47Couldn't you spend the winter in Rome?
00:28:50Where should I live? We've shut up our house there.
00:28:53I could get you a luxurious apartment.
00:28:55I dare say you'd steal it from someone if I'd let you.
00:28:58You could help me in Rome. As my sister-in-law, you could entertain brilliantly.
00:29:04It would be very good for me.
00:29:07You have a wife, haven't you?
00:29:09Oh, she's very simple, just like your brother.
00:29:12Understand? It would be good for me. And it would be good for you.
00:29:18You could have Rome at your feet.
00:29:21I think you'd better run along now.
00:29:23Give me an answer.
00:29:25We've been neighbors here. It's not been too unpleasant.
00:29:29But Rome is different. Rome is public.
00:29:32What if I won't be married?
00:29:36Answer me.
00:29:38What if you won't be married?
00:29:41General, I find your stable boy's mind very dull this morning.
00:29:47Bon voyage.
00:29:48Yeah. And, uh, and then?
00:29:53Exactly one year later, the general sat in the same chair.
00:29:59By that time, my sister had been killed in an airplane accident, and my wife was living in Rome.
00:30:16On April 12th, the general came roaring up from Rome in a Bugatti of mine he had previously taken over.
00:30:26He invited himself to dinner.
00:30:29And half an hour later, the murder took place.
00:30:33Are you finding yourself game?
00:30:43Storks!
00:30:44Two storks nesting in the chimneys.
00:30:47And one glass window when an old lady shook her hand at me.
00:30:52I'm, uh, regret very much that I have to serve you myself, but, uh, since the war, you know.
00:30:58Ah, who cares why we have that cellar?
00:31:01Who wants food?
00:31:06Our eyes met.
00:31:08I knew why he had come north.
00:31:10Either to kill me or to arrange for someone else to kill me.
00:31:13I really didn't care.
00:31:15I had come to a point where life or death held no preference.
00:31:20In that warm April sunlight, the red wine glowed and gurgled like blood.
00:31:25And I gave up.
00:31:26What hope to me?
00:31:28He was Ilduc's darling.
00:31:29He had a secret police of his own.
00:31:31Actually, I suppose, he thought he was being very decent to come in person.
00:31:35He might have sent his agents in the night.
00:31:39Well, my friend, what do you hear from your wife these days?
00:31:43She's in Rome, isn't she?
00:31:45How should I know?
00:31:46You're the husband.
00:31:47Surely the husband knows of the wife and her whereabouts.
00:31:51She spent the winter there, I believe, trying to secure a divorce.
00:31:54Do you have a cigarette?
00:31:56Yes.
00:32:00A handsome case.
00:32:01From an admirer.
00:32:04Well, now, any success with that divorce?
00:32:08No success.
00:32:10And how is that from your point of view?
00:32:14I regret it.
00:32:15It was always a misalliance.
00:32:16A divorce would keep me and would save me from living in fear.
00:32:22Fear?
00:32:23Yes.
00:32:24I often think to myself, supposing that a person of great power would want to marry her.
00:32:29A divorce is impossible.
00:32:30Therefore, this person of great power could only marry her if I were dead.
00:32:33Ha!
00:32:34You don't mean that you'd feel for your life?
00:32:37Every moment.
00:32:39Ha!
00:32:40Come now.
00:32:41Come.
00:32:43Oh, what romance you feel your mind with.
00:32:48Not at all, no.
00:32:49She has always been attracted by power.
00:32:52And she attracts power.
00:32:54The end is inevitable.
00:32:55You know, that is my third battle.
00:32:57Waiting for you to cook that nasty little meal for me.
00:33:00I regret that it is the best that I can offer.
00:33:03Well.
00:33:05It is a long, long life.
00:33:09For both of us.
00:33:12And a happier, happier conversation.
00:33:15By the way, apropos, that reminds me.
00:33:18Last week, a black marketeer brought me a casque of amontillado.
00:33:23Amontillado?
00:33:24Ha!
00:33:26That's exactly what I said.
00:33:27In these times, impossible.
00:33:28Must be sherry.
00:33:29Huh?
00:33:30He swore it was amontillado.
00:33:31Sherry!
00:33:33Nobody can get a casque of genuine amontillado these days.
00:33:37Not even I can get it.
00:33:38I had my doubts.
00:33:39Still, I bought it.
00:33:40Throw your money away.
00:33:41I'm having Lucchese come over to taste it.
00:33:43You remember Lucchese.
00:33:45Excellent palate.
00:33:46Lucchese?
00:33:47That old fool doesn't know wine from water.
00:33:49Well, of course, he hasn't got your palate.
00:33:51Where is that amontillado?
00:33:54Oh, no.
00:33:55No, I'm afraid it'll be too much trouble.
00:33:56Well, let me taste it.
00:33:57I tell you, let me taste it.
00:33:58No, no.
00:33:59I couldn't disturb you, really.
00:34:00Why?
00:34:01Where is it?
00:34:02Is it in your vaults?
00:34:03At the very bottom.
00:34:04All the better.
00:34:05I will sober up.
00:34:06Climbing down.
00:34:07No, no, General.
00:34:08Really, I couldn't disturb you that.
00:34:09Why, what's the matter with you?
00:34:10You seem to be afraid.
00:34:11You shouldn't be afraid going down with me.
00:34:12Oh, it's not that.
00:34:13It's...
00:34:14What then?
00:34:15Well, it seems a pity to drag you down there into those depths and those darknesses with
00:34:17this beautiful sunny day.
00:34:18No, I'll have Lucchese.
00:34:19Oh, get your torch and we'll go.
00:34:20But do you have the time for me?
00:34:21Don't you have to go back to Rome?
00:34:22Time for you?
00:34:23Of course, I have.
00:34:25I have the whole afternoon to kill.
00:34:26After you.
00:34:27No, no, General.
00:34:28Please.
00:34:29After you.
00:34:30No, no, General.
00:34:31Please.
00:34:32After you.
00:34:33After you.
00:34:34No, no, General.
00:34:35Please.
00:34:36After you.
00:34:37No.
00:34:38No, no, General.
00:34:39No.
00:34:40No.
00:34:41No.
00:34:42No.
00:34:43No, no, General.
00:34:44No.
00:34:45No.
00:34:46No, no.
00:34:47No, I'll go back to Rome.
00:34:49No.
00:34:50I said, after you.
00:34:51And now, the second act of A Cask of Amontillado.
00:35:21I had trapped myself.
00:35:25Of course he was anxious to taste the Amontillado deep in the vault.
00:35:29What neater way could he be rid of me?
00:35:32I think I must have mentioned the wine on purpose, because I was hopeless.
00:35:36The least I could do was to give a little help to the inevitable.
00:35:40As we kept climbing down, down, down, gradually a curious peace filled my heart where the panic had been.
00:35:48A resignation came over me, almost an eagerness to be at the bottom and done with it.
00:35:55Are you coming along all right, General?
00:35:57Coming fine.
00:36:00You tell me when you want to rest, or we still have a long way to go.
00:36:03I need a drink.
00:36:05That's what I need.
00:36:07I need warmth.
00:36:09Damn, damn down here.
00:36:57A Montiado? No, I mean Medhoek.
00:37:05Oh, yeah. That's better.
00:37:22As a matter of fact, we've gone down far enough.
00:37:26But let's forget the Montiado. No need to go any lower.
00:37:31It's silly.
00:37:34Let's make a finish of it. Right here and now.
00:37:38Sit down, dear pala.
00:37:41Need a minute to catch my wind.
00:37:45Now sit down.
00:37:49You know, I owe you a great deal and I give you credit for it.
00:38:03Even when I was your stable boy,
00:38:05you saw I had a hand to run things.
00:38:11I was always aware of a great eagerness on your part. That is true.
00:38:15So you gave me money to go to school.
00:38:18Three years and I was back here and manager of the whole place.
00:38:22Now look at me.
00:38:25Look at me now and...
00:38:27I must say, General, you have always been able to forge your way ahead.
00:38:33Do you want me to tell you the truth about yourself?
00:38:39Well, this is as good time as any other.
00:38:42You know when you made the biggest mistake of your life?
00:38:46I think I'm beginning to find out.
00:38:48I will tell you.
00:38:51When you didn't join the party, that's when.
00:38:56If I hadn't get in on the ground floor,
00:39:01I wouldn't have been the boss here now over the whole town, would I?
00:39:05No.
00:39:06My dear cowl.
00:39:07If you hadn't been the boss,
00:39:09I wouldn't have let you marry my sister.
00:39:11That's right.
00:39:13What?
00:39:15Hey, hey.
00:39:17You were catching on.
00:39:18That's right.
00:39:21Because, don't you see,
00:39:23if I hadn't married your sister,
00:39:26I wouldn't have had the money
00:39:29to buy my way in Rome.
00:39:32And if you hadn't married my sister,
00:39:34she wouldn't be dead.
00:39:36What do you mean by that?
00:39:37Well, if you hadn't been married to her,
00:39:38she wouldn't have been in the plane with you.
00:39:41Oh.
00:39:43That's different.
00:39:45I see.
00:39:46Well,
00:39:47can't help accidents.
00:39:52Matter of fact,
00:39:52your sister was never right for me.
00:39:55So simple,
00:39:56just like you.
00:39:57I need a woman of ambition.
00:40:00Someone like my wife?
00:40:01Yes,
00:40:02if you say so.
00:40:03And then you really would have reached the top,
00:40:05huh?
00:40:05You know,
00:40:06life
00:40:07is nothing but a lot of steps.
00:40:11Either you go up
00:40:12or you go down.
00:40:14And it seems that I have to go down.
00:40:20Count!
00:40:21That second lasted a year.
00:40:24I knew his revolver was on me.
00:40:26I thought of my sister.
00:40:28I thought of the lovely April sunlight
00:40:30that was far above me.
00:40:32I thought of all the tenderness of life
00:40:34trampled on in the name of the dictator state.
00:40:37Suddenly,
00:40:38at that last breathing moment,
00:40:40the ridiculous thought struck me.
00:40:41Why am I so weak?
00:40:44Why don't I kill him?
00:40:47Count!
00:40:47Count!
00:40:48Where I'm running to!
00:40:49Come back here!
00:40:50I command you!
00:40:51Come back here!
00:40:58Count!
00:41:00Count!
00:41:00Count!
00:41:00Count!
00:41:01Count!
00:41:11Count!
00:41:12Count!
00:41:13Where are you?
00:41:15What trick do you play?
00:41:17Dear brother,
00:41:18where are you?
00:41:20What type of trick
00:41:21are you playing on me?
00:41:23Are you trying to be funny
00:41:25or are you hiding to frighten me
00:41:27by leaving me alone?
00:41:41Here I am, General. Here at the bottom. Yes, I'm in the catacomb. Come on down. It's only a little bit further. The amontillado is down here. Are you coming, brother? Coming!
00:42:11Hello there. Hello. I'm at the bottom now. Where are you?
00:42:41Hello, brother. Where do I go?
00:42:50Hello. Hello. Hello. Hello. Hello.
00:43:10You're out of the room in your head. Waiting.
00:43:17Oh, you relieved me. I thought I lost you. Did you hear my gun? Oh, I'm so awkward. I always stumble when I drink.
00:43:33That's very damp here. It was a dripping water. Are we under the river now? I feel the dampness in my bones.
00:43:48I feel the dampness in my bones.
00:43:56Well, what not? Stone-mason?
00:44:02There's a bad sag overhead. Last week I ordered them to wall this end up for support. I see they haven't finished.
00:44:09Oh, perhaps that dangerous.
00:44:11Oh, yes. At any moment now, it might be the end for either of us.
00:44:17I hope, General, you don't mind a few bones lying around. It's only my family, or I should say our family.
00:44:27As I call, I ought to clean the vault out before they seal this.
00:44:34Yes.
00:44:50Thank you, the Lord. I did not know about your sister. It was an accident. Your accident. And your wife. She came after me. She came, I swear it.
00:44:54I didn't kill your sister.
00:44:57It was an accident.
00:44:58Your accident and your wife.
00:45:01She came after me.
00:45:02She came.
00:45:03I swear it.
00:45:04Would you like to be buried with my ancestors?
00:45:06They wouldn't dare shoot me.
00:45:07If you don't back into that vault, I will.
00:45:10They would find me and they would kill you.
00:45:12They would torture you.
00:45:14Back into that vault.
00:45:24Back into the vault.
00:45:35Be checked with your hands if you feel the chains.
00:45:48Back into the vault.
00:45:54Why don't you choose to be here?
00:46:00Huh?
00:46:03What are you doing?
00:46:06What are you doing?
00:46:11Are you...
00:46:12What are you doing?
00:46:16What are you doing?
00:46:20What are you doing?
00:46:24What are you doing?
00:46:54The wisteria was in bloom, covering the rooftops below me.
00:47:01I sat for half an hour on the terrace, enjoying the sunlight and the general cigarettes.
00:47:24Then what did you do? What did you do then?
00:47:33Then I disappeared. I went into Switzerland.
00:47:38And then I came back, and I joined the underground.
00:47:43And always I say, when the war is over, I will tell my story.
00:47:49And may justice be done.
00:48:19THE END
00:48:24THE END
00:48:28THE END
00:48:33The Freshmen
00:49:39Maybe some poor wayfarer.
00:49:47Could you put us up for the night?
00:49:49Sorry, sir. The house is full up.
00:49:52But my wife's in the con. She's quite ill.
00:49:56We've been driving for miles and miles over these blasted moors.
00:49:59Sorry, sir.
00:50:00But you can't be full up.
00:50:03Why, the house looks empty.
00:50:06That's right, sir. We're full up and close.
00:50:09But we really don't need a bed. We will sit by the fire all night.
00:50:14Anything to take my wife out of this misty night.
00:50:17Twelve miles on, sir, you'll find a farmhouse.
00:50:20Sometimes they take folks in.
00:50:22Come back, sir.
00:50:23But you're a tavern. You're a public inn.
00:50:28I can tell from the looks of you. You're practically empty.
00:50:31Sorry, sir.
00:50:33A certain party has taken this pub over.
00:50:36Entire and complete.
00:50:37As long as they tell us that what they do is their own business.
00:50:43What I do is my orders. Good night, sir.
00:50:50How much longer are you keeping us here for, Tuff?
00:50:52He won't tell you.
00:50:54Never know a thing with a Tuff.
00:50:56He's a quiet one.
00:50:57How long did you rent this here pub for?
00:50:59Your turn, Albert.
00:51:01Will that be all for tonight, then, sir?
00:51:03It's late, you know.
00:51:03You can leave out three meat pies and two bottles of claret.
00:51:08Yes, sir.
00:51:08And whiskey.
00:51:10They're all on the dresser. Good night, sir.
00:51:12Wait.
00:51:14You're the only one sleeping in now?
00:51:18I am.
00:51:19You sleep alone in the garage, do you?
00:51:21I do.
00:51:22Well, I hope you sleep well tonight.
00:51:25And if you should hear anything irregular,
00:51:29don't feel you have a duty to get up and investigate.
00:51:32Oh, no, sir, I won't.
00:51:35Indeed, I won't.
00:51:42What's the idea, Tuff?
00:51:44What are you up to, anyway?
00:51:45Never tell us, would you, Tuff?
00:51:47Oh, he's a clever one, Mites.
00:51:49And you and me.
00:51:50Why, who are we?
00:51:51Just three bloomin' idiots.
00:51:53Am I right, Tuff?
00:51:54That's right, Snickers.
00:51:57Three injured sailors.
00:51:59Lost on a blasted moor.
00:52:01I tell you this, Tuff.
00:52:03We're maybe three bloody merchants seeming to you,
00:52:05but there's one thing I've learned.
00:52:07What's that, Snickers?
00:52:08Yes, sir.
00:52:09I've been sailing from cape to cape
00:52:11and in all the rich corners of India.
00:52:14And there's one thing I've learned.
00:52:16I'm waiting.
00:52:17It's the clever ones, Tuff.
00:52:20The clever ones as makes a mother.
00:52:22Ah, he's right.
00:52:23It's the clever ones.
00:52:24It keeps everything to their self.
00:52:26Their plans are clever enough,
00:52:29but they don't work.
00:52:30They don't work.
00:52:32Cause they forget some one little thing
00:52:34that simple fools like us could see.
00:52:38Tell us, Tuff.
00:52:38Tell us what your plans are.
00:52:41Aren't you the clever ones, though?
00:52:46I know what he's keeping us here for.
00:52:48So they can't find us.
00:52:49Ah, but I'm sick of it.
00:52:50How can they find us?
00:52:52They're nothing but three avens.
00:52:53Who's afraid of three avens, eh, Snickers?
00:52:55We can't keep hiding forever
00:52:58and then running and hiding
00:53:00and running forever
00:53:01the old black world over.
00:53:03Remember that first night in Bombay?
00:53:05Aye, that was the Tuff's mistake then.
00:53:07He was clever, all right.
00:53:09He was so clever,
00:53:09he let some followers right onto the boat.
00:53:11That's where the old trouble started.
00:53:13If them three avens hadn't followed us onto that boat,
00:53:17we might have had our little trophy sold by now.
00:53:19Aye.
00:53:20Am I right, Snickers?
00:53:20Sold and the money divided between us,
00:53:22like we always said.
00:53:23Aye.
00:53:24Aye.
00:53:25How much do you figure that ruby's worth?
00:53:28Any price.
00:53:29How much is any price?
00:53:30Any price we ask.
00:53:31That's how much the ruby'll bring.
00:53:34Oh, and here we sit on the misty moors.
00:53:37Course you can't ever let on with a temple, ruby.
00:53:40Folks is superstitious.
00:53:41Aye.
00:53:42And no matter how big it is,
00:53:44the people knew we'd stole that ruby from a temple
00:53:46right out of the bleeding idol's eyes.
00:53:49That's right.
00:53:50They'd never touch it.
00:53:52Why?
00:53:53It's still a ruby, ain't it?
00:53:54Yes.
00:53:55But it's a temple, ruby.
00:53:57From in to stay.
00:53:59And that's what makes the difference.
00:54:01Did you hear steps?
00:54:04I heard something outside.
00:54:06Wasn't steps exactly.
00:54:07Wind.
00:54:08That's all wind.
00:54:10Wind.
00:54:10Foggy night.
00:54:12What'd you say, mates?
00:54:13Let's eat them meat pies and rip that claret and that whiskey.
00:54:16Now, when you look who's in a panic now.
00:54:19Alfred, you've seen them three events.
00:54:21That makes a difference.
00:54:22And so is Snickers.
00:54:23But not me.
00:54:25Every time I hear the noise and every time I...
00:54:27Look at here, Bill.
00:54:28It don't do no go to go looking and listening.
00:54:31Because when they come, they come from behind.
00:54:35And they come without a sound.
00:54:39Like they did to poor old Jim in Malta.
00:54:42That's right.
00:54:43Like they did to George.
00:54:45Bombay.
00:54:47Before we start.
00:54:48Oh, easy, easy, easy now, Bill.
00:54:50We're safe out here.
00:54:52I give them dark devils the slip.
00:54:55You give them the slip?
00:54:56Aye.
00:54:57Put a stick in the fire.
00:54:58I'll put right in the place up a bit.
00:55:00I had the ruby.
00:55:01And I give them the slip.
00:55:02All three of them.
00:55:03How'd you ever do it?
00:55:04Well, they were following me.
00:55:06Who told them you had the ruby?
00:55:08You didn't sell it.
00:55:09You didn't have to.
00:55:11They kind of know.
00:55:12They kind of know?
00:55:13Yes.
00:55:14They know if you've got it.
00:55:16They always know.
00:55:17That's the mystery we was trying to tell you about.
00:55:20Here they are now.
00:55:21Following me down on the streets of Arl.
00:55:23I goes up to a policeman and I tells him.
00:55:25And he says,
00:55:26Oh, they're nothing but three Hindus and they won't hurt me.
00:55:28Why don't you have the policemen arrest them?
00:55:30For what?
00:55:30For trying to get back the ruby we stole?
00:55:33Aye, sir, I walk slow.
00:55:34Then I turn the corner, then I run.
00:55:36I never sees a corner, but I turns it.
00:55:39And I never turns a corner, but I run.
00:55:41And you know the streets of Arl.
00:55:43Well, after two hours, I sits and I waits.
00:55:47I waits.
00:55:48And what do you think?
00:55:50What?
00:55:50No priests.
00:55:51What?
00:55:51No.
00:55:52Those dark devils with gold spots on their faces.
00:55:56I give them the slip.
00:55:58Well done, Albert.
00:55:59That's why I didn't jump when you said you thought you heard something.
00:56:02Because I knew we were safe.
00:56:03Now, come on, Bill, and play up.
00:56:05Play up.
00:56:06Whose son is it, anyhow?
00:56:07Mine.
00:56:08Albert, why didn't you tell us before?
00:56:10So good these are mine.
00:56:11Because the Toffee don't want me to say nothing, no.
00:56:14He's got his plans, and things must be done his way.
00:56:18Oh, you and me are stupid fools.
00:56:20And if it wasn't for me, we'll give him the slip and all.
00:56:23We might have had one of them crooked knives in him right now.
00:56:26But for me, we'll give him the slip.
00:56:30Albert, Bill, here's the idea.
00:56:32The priests have gone.
00:56:34Our money's gone.
00:56:35All right.
00:56:35So what are we left?
00:56:37Go on to London now and send that ruby.
00:56:40Toffee won't come.
00:56:41We'll leave.
00:56:42Ewan, give us the ruby.
00:56:44We'll take it.
00:56:45You...
00:56:46How?
00:56:49There's one of them.
00:56:51There's three of us.
00:56:53We'll take it tonight.
00:56:56And be in London tomorrow.
00:56:57Simple enough.
00:56:58I need to build.
00:57:00Simple enough.
00:57:02Once we get the ruby.
00:57:04Don't worry about that.
00:57:05We'll find a way to get it from them.
00:57:07Oh.
00:57:08There's one of them.
00:57:34Come on, please.
00:57:44Well, goodbye, old man.
00:57:47We'll see that you get your fair share.
00:57:50But there's nothing to do here.
00:57:52No girls.
00:57:53No dance-alls.
00:57:55We must sell that ruby.
00:57:56I'm not a fool, Bill.
00:57:57Oh, Bill!
00:57:58Oh, of course not.
00:57:59Of course you ain't.
00:58:00And you've loved us a lot.
00:58:02Well, goodbye, old man.
00:58:06Say goodbye.
00:58:08Of course.
00:58:10Goodbye.
00:58:14And open the shutters again, Bill.
00:58:26I don't suppose you want the door open, too, do you?
00:58:28Whether the door is open or closed, Bill, it doesn't matter.
00:58:33Well, the first should be last, and our last should be first.
00:58:40Goodbye, coffee, old man.
00:58:42Come on.
00:58:43Help!
00:58:56Help!
00:59:01Help!
00:59:01Hey!
00:59:03Hey!
00:59:07Hey!
00:59:11Hey!
00:59:13Hey!
00:59:15Hey!
00:59:17Hey!
00:59:19Hey!
00:59:21Hey!
00:59:23Are we back again?
00:59:25Why, so you are.
00:59:27How did they get here? How did they get here, Tom?
00:59:29It's 80 miles from here to the world.
00:59:31They can never look to hear, Toff.
00:59:32You expected them about now.
00:59:3480 miles.
00:59:35What are we to do, Toffy?
00:59:36Ask Albert.
00:59:38If they can do things like this, there's no one can help us but you, Toff.
00:59:41I always knew you was a clever one.
00:59:43We won't be fools no more.
00:59:44We'll obey it.
00:59:45You're strong enough and you're brave enough.
00:59:49There are not many who would steal a ruby eye from out an idol's head.
00:59:54And from such an idol as that was to look at it on such an eye, too.
00:59:58You're brave enough, Bill, but you're all three of you fools.
01:00:03Jim would have none of my plans and where's Jim?
01:00:06And George, what did they do to him?
01:00:08Don't stop it, George.
01:00:08So your strength is no good to you.
01:00:11You need cleverness or they'll have you the way they had Jim and George.
01:00:15Oh, widow, widow.
01:00:16Those black priests will follow you around the world in circles, year after year, until they get the ruby eye.
01:00:24And if we die with it, they'll follow our grandchildren.
01:00:29And this fool thinks he can escape from men like that by running round three streets in the town of Howard.
01:00:36The Lord's truth, you haven't escaped them because they're here.
01:00:39So I suppose.
01:00:40You suppose?
01:00:41I took this place especially to receive them.
01:00:44Well, you're a deep one.
01:00:45I saw something just then.
01:00:48And we'd better shut the shutters.
01:00:49Don't shut the shutters.
01:00:50But, Toffee, they can see us.
01:00:52One doesn't let the enemy do that.
01:00:53I don't see why we...
01:00:54Now, of course you don't.
01:00:56No revolvers now.
01:00:57Well, why not, Toffee?
01:00:58I don't want any noise at my party.
01:01:01We might have guests who haven't been invited, but knives are a different matter.
01:01:05I think they're coming now, Toffee.
01:01:07Not yet.
01:01:07But when will they come?
01:01:08When I'm quite ready to receive them.
01:01:10What do you do when they come?
01:01:11I shall do nothing.
01:01:13No problem.
01:01:15They'll creep up behind me.
01:01:18And then my three faithful friends, Sniggers and Bill and Albert, will do what they can.
01:01:24You can trust us, Toffee.
01:01:25If you're a little late or slow, you'll see reenacted the cheerful spectacle that accompanied the death of Jim in Malta.
01:01:33No, Tommy, leave me there, all right?
01:01:35Now, I shall sit here.
01:01:40Take my back to that door.
01:01:43Now, you three go out, one by one.
01:01:45Mind now, be sure you cross that open window so they'll think you've gone to the other room.
01:01:50I get it, Toffee.
01:01:51Then, crunch low, creep back so that you'll be hiding here when I need you.
01:01:58Night, Toffee.
01:02:02Night, Toffee.
01:02:05Good night, Toffee.
01:02:08Turn out the lights.
01:02:09I think the firelight will prove more inviting.
01:02:11No revolvers now.
01:02:13The police in Yorkshire are proverbially inquisitive.
01:02:17We're ready.
01:02:19We are ready.
01:02:49We are ready.
01:03:19We are ready.
01:03:49We are ready.
01:03:50We are ready.
01:03:51We are ready.
01:03:52We are ready.
01:03:54We are ready.
01:03:55We are ready.
01:03:56Coffee.
01:03:57We only got one.
01:03:59What do we do?
01:04:00Only one?
01:04:01Yes.
01:04:02Very well.
01:04:03You shall now witness my demise at my Yorkshire residence.
01:04:06I shall be knighted.
01:04:07You'll be ready to receive guests.
01:04:13You'll be ready.
01:04:14You'll be ready.
01:04:15Thanks a lot.
01:04:19We are ready.
01:04:23I don't know.
01:04:53Oh, my God.
01:05:00Without you, Toffee, what do we do now?
01:05:02Still enough.
01:05:03Yes.
01:05:04Albert, you get over to the window.
01:05:06Stay to fight with that heathen.
01:05:08I know, I know he's dead.
01:05:10But you and Bill are going to resuscitate him.
01:05:12On his feet, Snickers, help him.
01:05:14Keep low, keep low.
01:05:17Out to the window.
01:05:18Quick now, quick.
01:05:20Snickers, turn him over.
01:05:22Easy.
01:05:23Hold up.
01:05:29More.
01:05:30More.
01:05:37I'll listen.
01:05:42Cat.
01:05:52I'll listen.
01:05:53I'll listen to you.
01:05:54I'll listen.
01:05:55I'll listen.
01:05:56Come get me.
01:05:57I'll listen.
01:05:58I'll listen.
01:05:59I'll listen.
01:06:00I'll listen.
01:06:01I'll listen.
01:06:02I'll listen.
01:06:03I'll listen.
01:06:04Now, let's talk.
01:06:06How can you find it?
01:06:37Very good night's work, my friend.
01:06:54Well done, Toffee, you are a dick.
01:06:56Ah, you dick, one of their other ones.
01:06:59How much is it worth, Toffee?
01:07:00Everything they have in the shop.
01:07:02I'm sure we all ought to be very grateful to Toffee.
01:07:05Well, I just have a knack of...
01:07:07foreseeing thing.
01:07:09I shall think you did.
01:07:11I don't suppose there's anything happens
01:07:13that old Toffee doesn't foresee.
01:07:14Does it, Toffee?
01:07:15No, I don't think it does, Bill.
01:07:17I don't really think it does.
01:07:19Turn on the lights.
01:07:22What do we do with him?
01:07:23Bury him in the garden.
01:07:25Then what?
01:07:26Then we go up to London and upset the rubies.
01:07:30Well, I think we've come through this night's work very well.
01:07:33Well, the first thing we ought to do
01:07:34is give a little supper in honour of all Toffee.
01:07:37No, I don't like it.
01:07:38We've earned our bit of supper.
01:07:40Here's the Toffee
01:07:41who guessed everything right.
01:07:43Aye, good old Toffee.
01:07:44Oh, well, here's the Toffee
01:07:46who saved our lives.
01:07:47Here, here.
01:07:48It foresees everything.
01:07:50Speech, Toffee.
01:07:51Speech!
01:07:51Well, gentlemen,
01:07:54I suppose in this world
01:07:56there are two kinds of men.
01:08:01There's the kind that can see.
01:08:06Well, what would that be?
01:08:08No wind in the shutters, Simon.
01:08:10It's wind.
01:08:11It's blowing both ways at once.
01:08:13Look.
01:08:14Look at that.
01:08:15Of course it's the wind.
01:08:16Fog's lifting.
01:08:17Must be lifting.
01:08:18Must be the wind.
01:08:19Fog looks as thick as ever to me.
01:08:22Sniggers.
01:08:24Go outside
01:08:25and pass on that shutter bag.
01:08:27Go outside.
01:08:39Well, gentlemen,
01:08:40as I was saved,
01:08:42in this world
01:08:43there are two kinds of men.
01:08:46Those who can see
01:08:47and those who can foresee.
01:08:49Now, the advantage
01:08:50of being able to foresee...
01:08:52Love it!
01:08:52Oh, my!
01:08:54I've been thinking
01:08:55about my share
01:08:56in that ruby.
01:08:56I don't want it, Toffee.
01:08:58I don't want it.
01:08:58Nonsense, Sniggers.
01:08:59Nonsense.
01:09:00You should have it, Toffee.
01:09:01You should have it yourself.
01:09:03Only size Sniggers
01:09:04has no share
01:09:04in this here ruby.
01:09:05Say it, Toffee.
01:09:06Say it.
01:09:07What a ten in four,
01:09:07Miss Sniggers.
01:09:08Toffee.
01:09:09Take back my share, Toffee.
01:09:10Take it back.
01:09:11What do you mean?
01:09:12What are you driving at?
01:09:15I have...
01:09:16I'm thinking...
01:09:16I have...
01:09:17I saw something...
01:09:18I saw something
01:09:19what I didn't like.
01:09:20What didn't you like?
01:09:21Toffee, take back my share.
01:09:23Please take it, Toffee.
01:09:24What have you seen?
01:09:25The idol.
01:09:26I've seen the beach,
01:09:28the idol.
01:09:28You couldn't have.
01:09:30Take back my...
01:09:31He's lying.
01:09:32He's gropey.
01:09:34He wants that ruby eye back.
01:09:36Now, give it back, Toffee.
01:09:37Please, Toffee.
01:09:37Please give it back to him.
01:09:40I dare you, Toffee.
01:09:41Put that ruby
01:09:43in the window
01:09:43and you'll see.
01:09:45That's what he wants.
01:09:46That's what he's gropey for.
01:09:48That's what he must have.
01:09:49I...
01:10:13What is it?
01:10:32It's...
01:10:33It's that obscene idol.
01:10:36Come from India.
01:10:38It's taken its eye.
01:10:40We're safe.
01:10:41Safe.
01:10:43Mr. William Jones.
01:10:50Abel Seaman.
01:10:54Albert.
01:10:56Albert, what is it?
01:11:01Albert.
01:11:01Albert.
01:11:16What's happened?
01:11:18I've seen it.
01:11:19I've seen it.
01:11:20What was it, Snickers?
01:11:21What is it?
01:11:22What is it?
01:11:23Mr. Albert.
01:11:25Mr. Albert Thomas.
01:11:29Abel Seaman.
01:11:32What's I go, Toffee?
01:11:34What's I go?
01:11:36Bobby!
01:11:38Bobby!
01:11:39Bobby!
01:11:40Oh!
01:11:41Mr. Jacob Snickers Smith.
01:11:53Mr. Jacob Snickers Smith.
01:11:53Abel Seaman.
01:11:57I can't go!
01:12:03I can't go!
01:12:05I can't go!
01:12:06I can't go!
01:12:06I can't go!
01:12:06I can't go!
01:12:07I can't go!
01:12:07I can't go!
01:12:08I can't go!
01:12:09I can't go!
01:12:09I can't go!
01:12:10I can't go!
01:12:10I can't go!
01:12:11I can't go!
01:12:11I can't go!
01:12:12I can't go!
01:12:12I can't go!
01:12:13I can't go!
01:12:13I can't go!
01:12:14I can't go!
01:12:14I can't go!
01:12:15I can't go!
01:12:16Mr. Arnold Everett Scott Fortescue, late Esquire.
01:12:40Too late, the toffee.
01:12:46This I did not foresee.
01:12:50This is CBS, the Columbia Broadcasting System.
01:13:19This is CBS, the Columbia Broadcasting System.
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