- 6/17/2025
Pakistani Drama 2025 Full Story REVEALED – You Won’t Believe This! is the drama that everyone is talking about right now. Discover the plot twists, behind-the-scenes secrets, and unexpected turns that are taking Pakistani television by storm in 2025. From powerhouse performances to jaw-dropping visuals, this drama is redefining the future of South Asian entertainment. Whether you're a long-time fan or a newcomer, this is the ultimate breakdown you can't afford to miss. Dive into our detailed story reveal, character analysis, and more! Stay ahead of the curve and find out why this drama is trending worldwide. Don’t forget to like, comment, and subscribe for the latest updates!
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TVTranscript
00:00Are you single?
00:02Tukleef De Hat-Pak
00:18Who did you drink this?
00:20Who did you make this?
00:22Give it to your dad.
00:24No, I just had it.
00:26Listen,
00:28Did you talk about that?
00:30No, I didn't.
00:34I'm sure you didn't talk about that.
00:42Oh, my child.
00:44I don't want anyone to know about this.
00:48Please.
00:50What are you talking about?
00:52Oh, no.
00:54We were planning a dinner.
00:56We were planning a dinner.
00:58That's what we thought.
01:00All of us have so many programs
01:02What do we do?
01:04For everyone to take care of each other?
01:06Yes, yes.
01:08If someone comes to mind, please share it with me.
01:12Absolutely, I'll tell you.
01:14Okay, my son.
01:16Amal.
01:18Amal.
01:20Yes?
01:21Everything is okay?
01:22Yes, everything is okay.
01:24I'm okay.
01:26Yes, everyone.
01:28What's up?
01:30How was that?
01:32Who is that?
01:34Who is that?
01:36Who is that?
01:39Yes.
01:40What is that?
01:42Who is that?
01:44What's that?
01:46How is this?
01:48Who's that?
01:50Who is that?
01:52Who is that?
01:54Samir, open the door, son.
02:00I'm dead, Sam.
02:06Assalamualaikum to Abbu.
02:08Yes, Assalamualaikum.
02:10Hello? Still in bed?
02:13Huh?
02:15Hey, I wasn't feeling well asleep.
02:18Do you talk about it?
02:21It's daily.
02:24Anything specific, man?
02:27No.
02:28Tell me, Ali.
02:29Don't be scared.
02:31What happened?
02:32There were 35 girls in medical college.
02:35There were five girls.
02:36Now, they all gave up and gave up.
02:38That's why their mood is bad.
02:39They didn't eat food.
02:40And they didn't talk to anyone.
02:42That's nothing.
02:43Abba, please. Just messing around.
02:44Don't focus on the issues.
02:46Well, I was talking about the Dean.
02:48And he said to him,
02:50that he was serious.
02:52Why did you talk about the Dean?
02:57I called him.
02:59But why?
03:01It's not to know that you don't miss glasses.
03:05It's because you feel like I can't manage myself.
03:08That's not.
03:10What about you?
03:11Go and see you at the bed.
03:12I think it's so much relief.
03:15With all the girls' lives of you.
07:37This is too complicated here.
07:38This is...
07:39It's a lot for me.
07:42This is something that's gotten wrong with it.
07:43It's also a mistake with it.
07:44It's not a mistake with it.
07:46Not a mistake, right?
07:47It's too overwhelming.
07:48It's too overwhelming, man.
07:50It's a lot of...
07:52I don't know what the rules are.
07:56No one doesn't do anything for someone else.
08:02No one has to do anything for someone else.
08:09You are always doing everything right now.
08:15I don't have to say that I don't want to start a relationship with you.
08:20At least the opportunity to talk to her is two.
08:24She could use a friend.
08:27We all can.
08:50What are you making, Pana?
08:57I am making a bun.
09:00I was drinking my hands with cutlets to my heart.
09:05Okay, let me show you.
09:07I have got some pepper, add some fruit, disincome.
09:10I'm taking somehts.
09:12You will have enough of one.
09:19Just one, just one, two.
09:22If you're small, give me two.
09:24God bless you.
09:27You're not afraid of me?
09:32No, I'm not afraid of you.
09:35You're not afraid of me.
09:37I was scared of you.
09:40I'm sorry, son.
09:43Forgive me.
09:45Son, my mind has become a Buddha.
09:49It's a small thing.
09:52It's a shame.
09:55And then Maha Noor told me,
09:57who did you think of me?
10:00I can't say anything.
10:05I can't say anything.
10:07Then I'll tell her to my daughter.
10:10Sorry.
10:12What are you doing, Maha?
10:14Don't be ashamed of me.
10:16What do I do?
10:18Look, one is a daughter.
10:20Who keeps me in the chair.
10:23I have been angry with her.
10:25Who will I do this?
10:27Who will I do this?
10:28No...
10:29You can't do it.
10:31Maybe...
10:32Okay, so do it. After eating the food, we will go on the walk tonight, okay? Are you ready?
10:41Okay, we will go. Let me make a potato.
10:47Potato, potato, potato, potato.
11:02Potato, potato, potato, potions, potato, potato.
11:17Assalaam laikum, are you here?
11:23аре walaikum, сley ee ваши tor fertile, sit sit.
11:26Ball Wald classroom, Schule glad you came to each other.
11:29Yes, but the first class is at 3 o'clock, right?
11:36It's time now.
11:40Actually, I took the schedule from Maya's admission office.
11:46Oh!
11:47I thought I should know about the time of the class.
11:50The first class is so bad.
11:52You should be careful.
11:54That's why I talked about Maya's van.
11:57It's time now.
12:04A woman's support is necessary.
12:06Yes, absolutely.
12:11Yes, it's necessary.
12:16Maya, this is a gift that we have for you.
12:19For a special occasion.
12:20And I will give you a gift that I have for you.
12:23I'm sorry, Maya.
12:25I'm sorry, Maya.
12:26I'm sorry, it's so bad for you.
12:30It was my understanding.
12:32I was supposed to understand that it was a place for you.
12:33You didn't know that I was supposed to know.
12:34I didn't want to know that.
12:35I'm not going to call.
12:36I'll call him.
12:38Call me.
12:39What kind of formalities do you have to do?
12:42My uncle, look, I don't want to say that my mother is suffocated.
12:49I am a man, a big man.
12:51A man is safe.
12:53I should have a little more understanding.
12:59Let's go, my uncle.
13:01Very good.
13:04My flight is 3am.
13:06If, Maya, you want, I can drop you.
13:09If you don't believe you.
13:24Go ahead.
13:25It's hard for the doctor.
13:27Keep the report.
13:30You have to tell the doctor about the previous mis-hap.
13:33No, no.
13:34What's the need for her?
13:35She's perfectly on the idea.
13:36She's perfectly on the idea.
13:37You can't stop with the doctor, right?
13:39Yes, but tell me.
13:40I don't want to talk about what's the need for her.
13:43I need to go.
13:45I'm fine.
13:46It's an appointment.
13:47Of course, I need to go.
13:48Go ahead.
13:49Why are you fighting?
13:50Let's go.
13:51Let's go.
13:52Come.
13:54Come.
13:55Come.
14:04Let's go.
14:05Have you done any more?
14:06No, why would I be a kid?
14:09Why would you have to sit down with me like this?
14:12I don't understand why I'm going to talk about it.
14:16Anything. Just talk to me.
14:20I think it would be good to talk to you.
14:23What's going on? Don't take care of it.
14:26No, I didn't.
14:28No. I didn't.
14:30No.
14:31Well, Anya's health condition has surely improved.
14:44I mean, from about four visits in a month, we're down to two.
14:48I told him I'm better.
14:50Then I'm going to take care of it.
14:52Because it will take care of it, then it will be better.
14:55Mrs. Jahangir, do you have any changes in Anya's diet?
14:59Mrs. Jahangir, I think it's working now.
15:09So, she still has some allergy to animal products.
15:16Mrs. Jahangir, do you have any changes from her?
15:18Yes, it's true. It's true.
15:20It's true, but it's true.
15:22After all, the most beautiful thing in our body is its healing power.
15:26It's true the marriage is never the same.
15:27I mean, it's true.
15:36Sheẹ gostít your art.
15:38Oh, wow
15:41Yeah
15:48I hope I have been waiting for you
15:55Why they get so many times
16:00I'm sorry.
16:24I knew I had to tell you.
16:30I'm sorry.
17:00I should tell you about it.
17:17I'm really sorry, Vali.
17:21I'm really sorry.
17:24I won't do anything.
17:30I can't.
17:33How is the dream of the dream?
17:39I'm sorry, you're the dream of the dream.
17:45I'm sorry, you're the dream of the dream.
17:53Let's go, put it here.
17:55I'm sorry.
17:56I'm sorry.
17:57I'm sorry.
17:58I'm sorry.
17:59You're the dream of the dream.
18:00What?
18:01I'm sorry.
18:02I'm sorry.
18:03I'm sorry.
18:04I'm sorry.
18:05I'm sorry.
18:06I'm sorry.
18:07I'm sorry.
18:09I'm sorry.
18:11I'm sorry.
18:12What?
18:13I'm sorry.
18:14I'm sorry.
18:15I'm sorry.
18:16You're the dream of the dream.
18:18Actually.
18:20I always say that the rules of good and good and good are all the old people, so that's okay.
18:33But you are still modern.
18:36It's a shortcut for everything.
18:38I always say that everything is wrong, nothing.
18:41How are you?
18:42How are you?
18:43How are you?
18:44How are you?
18:45How are you?
18:46How are you doing?
18:47How are you doing?
18:48How are you doing?
18:49How are you doing?
18:50I made a roti maker.
18:51I made a good one.
18:54I made a good one.
18:56I can't do it.
18:57I can't do it.
18:59I can't do it.
19:01I can't do it.
19:03I'm really enjoying it.
19:05When you do it, I don't do it.
19:06I make a great job, you're going to remember it?
19:07No, you're gonnaCap It.
19:08I'm gonna use it.
19:09No, it's making you pray.
19:10No, it's making you cur from your door.
19:14That's a good thing, sir.
19:16Fly from the family.
19:17I had no longer f metaphor, but then I put back here...
19:18After much, I started having held my back here and put into my back to us.
19:20Do not have any 돼?
19:21I didn't do it.
19:25How about my purchased ?
19:26When I paid up a tiny past, I put my back to the 근데 is見�를.
19:28I'm at a back and that happened and next.
19:29I told you were my kleeper.
19:30Again, not going?
19:32I replied, don't feel me good.
19:33I'm going to try to do the right thing.
19:38Wow, that's some ancient stuff.
19:42Let me download it and let it go.
19:47Now, some days, you say that I'm ancient stuff.
19:51You should go outside.
19:54No, that's not. Come on.
19:57It's a lot of my memories.
20:01Your father's voice recorded.
20:06It's the same.
20:09It's a lot of my voice.
20:15And what happened to you?
20:17No, I'm good. Thank you.
20:21There's nothing.
20:23If you listen to me, listen to me.
20:25My mind hurts.
20:40I'm in a cultural shock.
20:43My friend is a friend who has been wanting to do it.
20:52Just that's why they continue to do the medicine.
20:58For that, engagement is a fake engagement.
21:02That's why it will never be free.
21:05I think that's practically impossible.
21:08I think so.
21:11I think I want to add something.
21:13I don't know what you're doing.
21:14It's just that the pain of the doctor.
21:17That's your passion.
21:19Your family, it's just a way to take it.
21:20If it's my medicine, you're a doctor.
21:22You're a doctor.
21:23It's my son.
21:24This woman is a doctor.
21:25It's my son.
21:26That's my son.
21:27Your baby is a doctor.
21:29Our daughter is a doctor.
21:30Your son is a doctor.
21:32Your passion,
21:33they don't take it.
21:35I have been here and I have been here and I have been here and I have been here.
21:42There is a lot of ratio of men in medical care, but there are many men who are doing medicine
21:52or will get married or will get married.
21:55And others who are doing medicine after they get married or will get married.
22:00It's very small to continue this passion.
22:07How about our work?
22:10It's simply your support.
22:13What other mistakes have they support?
22:15This is not a cultural shock.
22:22It's a cultural tragedy.
22:25It's a very difficult job.
22:30It's a very global profession.
22:35But it's not the value of a marriage.
22:44We say that it's not the work of a girl.
22:50Or is it that the time of marriage has passed?
22:57It's like a reserving candidate's seat?
23:00Yes.
23:01As you've done it, you don't want to become a doctor.
23:05You don't want to become a person.
23:10But I think that there are many challenges in life.
23:14But you don't want to be a person.
23:18But you don't want to be a person.
23:24You don't want to become a person.
23:29I'll listen to you a song.
23:31You've got a lot.
23:33You've got a lot.
23:34What is the pain of life?
23:37What is the pain of death?
23:39What is the pain of death?
23:41What is the pain of death?
23:43What?
23:44You've never understood.
23:46But you'll understand one day.
23:49I hope.
23:50I hope.
24:13But this is where you have done.
24:14What?
24:15What?
24:16What are the pain.
24:18What?
24:19With the pain.
24:21What is the pain.
24:22What?
24:23What?
24:24What?
24:25What?
24:26What?
24:27What?
24:28Not when you ever hear.
24:30Why?
24:31What?
24:32What?
24:33What?
24:34Why?
24:35So anyways.
24:37What?
24:38What?
24:39Ah
24:41Is
24:43Is
24:45Is
24:47Is
24:49Is
24:51Is
24:53Is
24:59Is
25:01Is
25:03Is
25:05Ah, ah, ah, ah
25:18No one can't find a way
25:24How is the feeling of the loss?
25:31I swear to you, my heart will be the death of you
25:38I swear to you, my heart will be the last one
26:01What do you mean what I want, man?
26:03You told me that your engagement doesn't mean anything to you for.
26:08Yeah, that's right.
26:09What do you mean what I want, man?
26:11What do you mean what I want, man?
26:13You told me that your engagement doesn't mean anything to you for.
26:16Yeah, that's right.
26:18What was that?
26:20Mya will come straight to the point.
26:23I like you.
26:26Not just as a friend, more than that.
26:29You should go to the hotel, man.
26:59What's up?
27:03What's up?
27:05What's up?
27:07Mya...
27:11Ma...
27:13Ma...
27:29What's that?
27:30Do you want to go to the house?
27:32Yes...
27:34I'm going to go to the house.
27:38I'll go.
27:40But...
27:46We're caught in a crab.
27:49I can't walk out.
27:52Because I love you too much, baby.
27:57All I love is survive.
28:01Baba Waliyjangi.
28:03Baba, what's the matter?
28:04In two minutes, you've done your girl.
28:07You're a hero.
28:09You've got all the potential.
28:11You've got all the potential.
28:13I'm going to go.
28:14I'm going to go.
28:15I'm going to go.
28:17I've got all the potential.
28:19I'm going to go.
28:20There is something like that.
28:22You're not.
28:23I have to do this.
28:24It's not over.
28:25I have to go.
28:26You'll sign all the options.
28:27Maya?
28:28Maya...
28:29Are all right?
28:31Yes.
28:32Everything's fine.
28:33I mean...
28:34Everything's fine.
28:35Why is everything fine?
28:36This door is closed by fault.
28:37No, no.
28:38Nothing.
28:39Maya, don't open the door, don't you?
28:42Mommy, please, leave me alone.
28:53What happened?
28:56I...
28:57But...
29:01Wali, you idiot.
29:05What have you done, Wali?
29:09You...
29:11What are you doing here?
29:13I'm listening to Wali's songs.
29:16Don't open the door.
29:19Why don't you leave me alone?
29:22Take it, baby, take it.
29:25Don't open the door.
29:27I'm sorry.
29:29Tell me.
29:30I'm sorry.
29:31Come on.
29:36What have you said twice?
29:38You don't understand?
29:39Come on.
29:40Come on.
29:41Come on.
29:42Come on.
29:43Come on.
29:45Come on.
29:47Come on.
29:48Come on.
29:49Come on.
29:50Come on.
29:51Come on.
29:52Come on.
29:53Come on.
29:54Come on.
29:55Come on.
29:57Come on.
29:58Come on.
29:59You were so long.
30:01But at that time, when this show was going,
30:04I was almost like a answer to all the questions.
30:08Then you go, and run, and run, and run, and I'll tell you.
30:13I'll tell you.
30:14I know you.
30:16How do you dress?
30:18How do you dress?
30:20Not the right time to flirt.
30:21You look bad.
30:22You look bad.
30:23I'm not good.
30:24I'm not good.
30:25Come on.
30:26Come on.
30:27Don't die.
30:28Don't die.
30:29Don't die.
30:30Don't die.
30:31Put it in the kitchen.
30:32Put it in two bags.
30:34Give it.
30:35One second.
30:36Take this.
30:37Take this.
30:38Take this.
30:39Take this.
30:41Take it.
30:42Take it.
30:43Take it.
30:44Take it.
30:51Take it.
30:55Маа?!
30:56Хмм?
30:57Ухм.
30:58Ухм?
30:59Я…
31:00Джиме Бхайня.
31:01Ухм.
31:02Хмм…
31:03Всё.
31:04Ухм?
31:05Ухм.
31:06Ухм…
31:07me…
31:11Ухм…
31:12Ухм.
31:13Ухм…
31:14Ухм.
31:15Ух.
31:16И Хмм…
31:17З discovery.
31:18Ухм…
31:19BS not going to happen, my sister will not do anything about my wife.
31:23That's right.
31:25That's right.
31:27That's right.
31:29That's what you want.
31:31That's what you want.
31:35Dadu, that's what you want.
31:37What's your name?
31:39Just put it here.
31:41Thank you. Bless you. Bless you.
31:43Bless you.
31:49Bless you.
32:07I...
32:13I'm sorry.
32:15Why did you make me out?
32:17Okay, I'm sorry.
32:20Okay, just tell me. What was that?
32:24Nothing.
32:25Nothing happened.
32:26No, I'm telling you something happened.
32:28Don't tell me about it.
32:30You go, I want to read it.
32:31Okay.
32:32Go away.
32:33Okay, start.
32:34Okay.
32:37If I tell you,
32:39then don't tell anyone.
32:41It's clear. Pinky Pumas, I won't tell anyone.
32:43Basically,
32:48Waliyah told me why he likes me.
32:52So, you didn't say anything about it?
32:55It's clear. What would I give to her?
32:58Ah, that's okay.
33:04But,
33:06if you give to her,
33:08what would it be?
33:13Ah.
33:15Ah, ah, ah, ah, ah, ah, ah, ah, ah.
33:20Ah, ah, ah, ah, ah, ah, ah.
33:23Me're a nói partner,
33:24No.
33:26No.
33:28Why are you coming by the refreshing
33:33Oh,руi.
33:35I mean, it's not that I didn't have any words or feelings for expressing it, but...
34:05I don't know why I felt like every thing, every emotion, there is no doubt or God who will give a verdict of the right and wrong.
34:17It was only my fault.
34:20I don't know why I felt like it, I don't know why I felt like it.
34:39I don't know why I felt like it, I don't know why I felt like it.
34:49If I felt like it, my trust is compromised by my God.
34:57Okay, first of all, I was hiding behind the door.
35:01And what will happen next, I don't know.
35:06Okay, first of all, let's unzip it.
35:09Okay, there is no case of an RTA,
35:11or for example, if someone is unconscious in my house,
35:15then CPR is very important.
35:18First of all, we have to unwrap it or unzip it.
35:21Whatever is extra clothing, we will remove it and clear the chest.
35:27Please.
35:29It's natural to keep these things open.
35:32I don't know why it hurts.
35:33And that's why you want to write the heart.
35:35Though I'll probably be more than any of my sins.
35:39But I'm using both my heart.
35:42I'm using both my heart.
35:44I'm using both my heart.
35:46I'm using both my heart.
35:49And I'll be using both my heart.
35:52Mm-hm.
36:03Come on, take the mud.
36:05Mudals are equal, a different tall.
36:07The last time you did both of us,
36:09and the mother'sWAG became nervous.
36:10Your brother.
36:12Yes, do it.
36:13OK, OK.
36:17This too is.
36:17I use it too?
36:18Yes, this is also the mud.
36:22Good.
36:26This is a black color.
36:27It's a black color.
36:28You never wear anything with anything.
36:30This color always looks like.
36:31Okay?
36:33Rani, this is the color of the color.
36:36You put it in one side.
36:38And you put it in the t-shirt.
36:41This is the color of the color.
36:43This is the color of the color.
36:45You put it in the color.
36:46Oh, Maanur, today there are many things.
36:48There are no clothes of the whole house.
36:49You don't have to wear the clothes.
36:51You don't have to wear the clothes.
36:52You don't have to wear the clothes.
36:53You don't have to wear the clothes.
36:54We all have to be back-logged.
36:56It will become a problem.
36:57Do you want to wear another day?
36:59No, Maanur.
37:00This is not possible.
37:01My mother has set up today.
37:02She will be angry then.
37:03What happened?
37:04What's the big deal?
37:05It's just some clothes.
37:06We have to wear it tomorrow.
37:07Let's wear it tomorrow.
37:08It doesn't matter.
37:09You have to wear it now.
37:10Please, take it quickly.
37:14I don't want to wear it.
37:21Go in the traffic!
37:22We are back!
37:23We are back!
37:24We are back!
37:27We are back in the morning,
37:28We are back!
37:31We are back.
37:32We are back.
37:33truly understand.
37:34we are back!
37:40We were back!
37:40Hmm, hmm, hmm, hmm, hmm.
38:10Hmm, hmm, hmm, hmm, hmm, hmm.
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35:19
39:09
1:43:18
1:58:30
48:21
47:28
1:02:19
1:27:10
40:19