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00:00:00Sous-titrage MFP.
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00:20:46Je ne sais pas, le Premier ministre.
00:20:48Un air traffic control.
00:20:50Il a re-routé chaque flot dans l'Europe pour Luton.
00:20:52Pour God's sake, tell me que le agent
00:20:54vous avez dans le field est en train de faire un progrès.
00:20:56Non, non, non, non, non, non !
00:20:58Stop !
00:21:06Donc, comment vas-tu trouver le lieu de la yacht, sir ?
00:21:08Votre facilement, Buff.
00:21:10Nous nous ringons MI7.
00:21:16Hello ? Hello ?
00:21:18Yes, I need the location of a boat called...
00:21:24Hello ? Hello, yes.
00:21:26A boat called the Dot Calm.
00:21:28Yes, it's a play on words.
00:21:30Where ?
00:21:38Looks about half a mile out, sir.
00:21:40Do we want to try and swim it ?
00:21:42Or ?
00:21:43No, Buff.
00:21:44This is a job for the shoebox inflatable.
00:21:46No !
00:21:47Don't jump in !
00:21:48This is a gasp !
00:21:55Can you reach your door handle ?
00:22:00No, sir.
00:22:02I'll try my side.
00:22:12Right, Buff.
00:22:22Right, Buff.
00:22:23Our aim is to get on board without anyone noticing.
00:22:26And how are we gonna do it ?
00:22:28Magnetic boots.
00:22:30Brilliant, sir.
00:22:32Simple mechanism.
00:22:33Left switch activates left boot.
00:22:35Right switch activates right.
00:22:37Okay.
00:22:38Let's go.
00:22:42Remember.
00:22:43The absolutely vital element of this mission...
00:22:45...is surprise.
00:22:54Remember, the absolutely vital element of this mission...
00:22:58...is surprise.
00:23:12...is surprise.
00:23:13You have to get up pretty early in the morning to help with precision intelligence.
00:23:31Quick.
00:23:32Good evening, gentlemen.
00:23:43Shall we start with your names ?
00:23:46Clearly, you have no idea who you're dealing with.
00:23:50That's why I'm starting with your names.
00:23:53Actually, would you mind coming down here ?
00:23:55It's really hard to have a conversation like this.
00:23:57I have a better idea.
00:24:08It's no good. It won't move, sir.
00:24:11We'll see about that.
00:24:13Low intensity exploding cotton bud.
00:24:19It's quite a powerful charge for such a small space, sir.
00:24:21No nonsense.
00:24:25They'll just be a slight pop.
00:24:36Shall we locate the hold and look for the source of that signal ?
00:24:38I think we should locate the hold and look for the source of that signal !
00:24:42Come on !
00:24:46Come on !
00:24:59I'd say we have our villain, Boff !
00:25:01You need to keep your voice down, sir.
00:25:04And we're not going to lose him.
00:25:12Hand me the sherbet fountain.
00:25:22Three sucks and the location transmitter is activated.
00:25:28This gin palace will show up as a hostile from 30,000 feet.
00:25:32Mmm.
00:25:33This is now an enemy target.
00:25:44Where? Where?
00:25:45Where?
00:25:48Hanna see balls.
00:25:50Yeah.
00:25:52See.
00:25:54Ah!
00:25:56Ah!
00:25:58Ah!
00:26:00Ah!
00:26:01Ah!
00:26:05If you'd wanted to kill me, you would have already done so.
00:26:12Till we meet again.
00:26:27Well, that was sooner than I expected.
00:26:29Who do you think she is, sir ?
00:26:30Well, if she's not the owner of that yacht, then she knows who is.
00:26:46Either way, she's the key to this case.
00:26:49Is it true you were teaching, sir, before all this blew up?
00:26:56If by teaching you mean scouting for potential intelligence operatives, then...
00:27:03Yes, I was.
00:27:05Hm.
00:27:06I actually got married, sir.
00:27:08I...
00:27:09Don't know if you heard.
00:27:12No.
00:27:13Oh.
00:27:15Lydia.
00:27:17Lovely go.
00:27:21You never think about getting hitched yourself, sir?
00:27:24This is no life for a married man, Boff.
00:27:28The danger, the constant travel.
00:27:30More Lydia's life than mine, sir.
00:27:33She's in the Navy, you see.
00:27:36What, as a cook?
00:27:38Or some kind of seagoing secretary, or...?
00:27:42Oh, no, sir. She's the captain of a nuclear submarine.
00:27:45Oh, right.
00:27:47Hm.
00:27:50Do you think we should get some petrol for the Aston, sir?
00:27:52Nah.
00:27:54An Aston Mountain is surprisingly economical, Boff.
00:28:00Besides, it looks like we're in business.
00:28:17Come on.
00:28:23Looks like an electric car, sir.
00:28:26Yes, and sounds like a nose-haired trimmer.
00:28:32A bunch of AAA batteries is no match for old-fashioned British horsepower.
00:28:36It feels power.
00:28:43I listen to them.
00:28:44They've got to ride.
00:28:46Keep me in mind.
00:28:48Okay.
00:28:58Look at the cornering.
00:29:00It seems so effortless, doesn't it, sir?
00:29:01It's all we have to ride.
00:29:02Let's hit the around, sir.
00:29:03Come on, sir.
00:29:05What has happened to a company?
00:29:06I've got to ride the car.
00:29:08I'm going to ride the car.
00:29:10I've got to ride the car with theаешьs, sir.
00:29:12I have to ride the car!
00:29:14Yeah.
00:29:16Can you take a ride on the truck, man?
00:29:18I can take a ride.
00:29:20I know.
00:29:21I think I've got to ride the car.
00:29:23I've got to ride the car.
00:29:25I'm out of america.
00:29:27I can't.
00:29:29I can't take a ride.
00:29:30Non.
00:29:41Je suis le missile.
00:29:42Le... quoi ?
00:29:43Le missile, l'offre, le tirgasse.
00:29:45Mais ils sont juste cyclistes.
00:29:47Nous allons passer ça en un moment.
00:29:48Ils sont français, l'offre.
00:29:50Ils sont obstrucés du secret service.
00:30:00Le stocke est arm, s'il me plaît.
00:30:11S'il me plaît.
00:30:12Je suis très très sorry.
00:30:14Nous nous apprenons.
00:30:15Stop, Bof.
00:30:16Vous ne pouvez pas d'encourager ça.
00:30:30Qu'est-ce qu'on va faire maintenant, s'il vous plaît ?
00:30:34Patience, Bof.
00:30:36Driving like that,
00:30:37her battery will be dead any moment
00:30:39and she'll roll to a humiliating stop.
00:31:00Bof.
00:31:02Bof.
00:31:03It is your job to keep an eye on the fuel gauge.
00:31:13Very impressive driving, Mr...
00:31:17Gelightly.
00:31:19Basil Gelightly.
00:31:23And you're rather useful yourself, Miss...
00:31:27Buletova.
00:31:28Ophelia Buletova.
00:31:31And this is...
00:31:33Colin.
00:31:36I thought we were using fake names.
00:31:39That is a fake name.
00:31:44Alright.
00:31:47Yes, this is Colin.
00:31:50And I'm...
00:31:55Dazzle.
00:31:57Dazzle.
00:31:59Basil.
00:32:00Maybe there's a simple way of doing this.
00:32:05Over a drink, perhaps?
00:32:06Well...
00:32:07That would be lovely.
00:32:09Shall we say...
00:32:10The bar at the Hotel de Paris in Cannes-sur-Mer?
00:32:13Eight o'clock?
00:32:15Hmm.
00:32:16It's a date.
00:32:22Well...
00:32:24I think my running out of fuel ruse worked pretty well.
00:32:29Mmm.
00:32:30What?
00:32:31Junior doctors.
00:32:32They've confirmed they are going on strike and the tube driver's coming out in support.
00:32:39Oh, God.
00:32:40Leader of the Opposition.
00:32:41Has he come round from his heart surgery?
00:32:42Yes, Prime Minister.
00:32:43Oh, Jesus Christ.
00:32:44When will something go right for me?
00:32:45What do you want?
00:32:47They've hit us again, Prime Minister.
00:32:49Huh?
00:32:50Hacked into the central traffic control system.
00:32:51Ah!
00:32:52Yes, they've turned every traffic light in London to red.
00:32:55Where's my bloody drink?
00:32:56You've got to be joking.
00:32:57Vodka tonic.
00:32:58No ice, no tonic.
00:32:59Yes, ma'am.
00:33:00Oh, and Mr. Volter's arrived, ma'am.
00:33:01Mr. Volter, welcome to Downing Street.
00:33:02I have read so much about this wonderful building.
00:33:03Is this the stone triple staircase designed by William Kent?
00:33:06Um, yes, it probably is.
00:33:08I can't swear to...
00:33:09I mean, I'm not very good on the...
00:33:10Come on, quick.
00:33:11Needs Photoshop.
00:33:12This way.
00:33:13I am horribly late.
00:33:14I do apologize.
00:33:15It's the traffic.
00:33:16It's the one thing I don't love about London.
00:33:17Yes, um, well, I must admit we are having a slight problem with the lights at the moment.
00:33:20But nothing major.
00:33:21If you want it, I could take a look.
00:33:22It is kind of what I do.
00:33:23I do.
00:33:24I do.
00:33:25I do.
00:33:26I do.
00:33:27I do.
00:33:28I do.
00:33:29I do.
00:33:30I do.
00:33:31I do.
00:33:32I do.
00:33:33I do.
00:33:34I do.
00:33:35I do.
00:33:36I do.
00:33:37I do.
00:33:38I do.
00:33:39I do.
00:33:40I do.
00:33:41I think it's actually a little bit more complex than that.
00:33:43Xander, get a web address for London's traffic control center.
00:33:47Here's the login page, Jason.
00:33:50Do you have a password?
00:33:53Um, I won't tell if you won't.
00:33:59Right, you are.
00:34:02Bypassing security.
00:34:04Security bypassed.
00:34:05Oh, that's terrific.
00:34:07Someone is hacking you.
00:34:10Oh, I don't think so.
00:34:11No.
00:34:12Denied service attack.
00:34:13Yeah.
00:34:14Primitive, but effective.
00:34:16You know what we could try?
00:34:18Rerouting all service requests to our server farm in Nevada.
00:34:22Um, I...
00:34:23Rerouting, Jason.
00:34:24Rerouting complete.
00:34:25Oh, crikey.
00:34:26So, what was it you wanted to talk to me about?
00:34:27You, Jason.
00:34:29I want to talk about you.
00:34:32Rerouting, Jason.
00:34:33Rerouting, Jason.
00:34:35Oh, crikey.
00:34:36So, what was it you wanted to talk to me about?
00:34:39You, Jason.
00:34:42Jason, j'aimerais parler de toi.
00:35:01Excellent, buv.
00:35:03C'est presque là.
00:35:05C'est presque là.
00:35:07C'est en fait un très bon hotel, buv.
00:35:10Je vais à l'aise.
00:35:26Nous nous devons nous arrêterons à l'aise.
00:35:30C'est une idée, buv.
00:35:32Si vous trouvez quelque chose.
00:35:40C'est à l'aise.
00:35:43C'est à l'aise.
00:35:45C'est à l'aise.
00:35:47C'est à l'aise.
00:35:48C'est à l'aise.
00:35:50...
00:35:51...
00:35:55...
00:35:56...
00:35:58...
00:36:00...
00:36:00...
00:36:01Oh.
00:36:01Indeed.
00:36:04...
00:36:04I thought perhaps you weren't coming.
00:36:06On the contrary, wild horses couldn't keep me away.
00:36:11Madame, monsieur.
00:36:13Morning.
00:36:13What would you like?
00:36:15I'm feeling a little homesick tonight.
00:36:17I'll have a Moscow mule.
00:36:18And I'll have a London
00:36:24lemming
00:36:25I'm not sure
00:36:29It's gin
00:36:33vodka
00:36:34Armagnac
00:36:37Sherry
00:36:39With just a little bit of parmesan
00:36:48So, what brings you to the south of France, Miss Billy Bollie?
00:36:55Bulitova
00:36:55Bulitova
00:36:57I'm just visiting a friend of mine
00:36:59And would this friend be the owner of the dot-com?
00:37:09Yes, he would
00:37:10And what about you?
00:37:18Basil
00:37:19Oh, I'm just here on business
00:37:21Although, it's rapidly turning into pleasure
00:37:25I love these
00:37:30They're really hot
00:37:37Are you alright?
00:37:48Whooa
00:37:49Well it's fine
00:37:49Hoogha
00:37:51Oh, it's very
00:37:52Yup
00:37:52I have enough
00:37:53You don't
00:37:54And I
00:37:56I have enough
00:37:58Getting
00:37:58Merci.
00:38:02Merci, beau copain.
00:38:06Cheers.
00:38:08Je ne suis pas sûr que j'ai jamais rencontré un homme comme toi, Basil.
00:38:12Laisse-moi s'assurer l'internité pour vous.
00:38:15Vous n'avez pas.
00:38:28Je suis désolée, Basil.
00:38:32J'ai besoin d'un très tôt demain matin.
00:38:34Oh, c'est malheureusement.
00:38:37Je suis désolée, Basil.
00:38:47Comment vous avez-vous fait ?
00:38:49Oh, c'est bon.
00:38:50C'est bon. C'est bon.
00:38:51C'est bon.
00:38:52C'est bon.
00:38:53C'est bon.
00:38:54C'est bon.
00:38:55C'est bon.
00:38:56Mais c'est bon.
00:38:57C'est bon.
00:38:58C'est bon.
00:38:59Je μ� pulls sur la bête.
00:39:00Elle a bien quatre passports.
00:39:01Allora, la française, la russie.
00:39:03Plus d'un nom.
00:39:04C'est bon.
00:39:05Elle est un homme et une autre.
00:39:06C'est beau.
00:39:07Juste, c'est bon.
00:39:08C'est bon.
00:39:09D'un moment.
00:39:10C'est bon.
00:39:11C'est bon.
00:39:12Et deux types de bouteilles.
00:39:13Ouais.
00:39:14Un homme va entretenir seule.
00:39:16C'est bon.
00:39:17C'est bon.
00:39:18Bien.
00:39:19Tu l'as pensé ?
00:39:21C'est un homme fait ?
00:39:23Je pense que je sais ce qu'un espionne.
00:39:53Je ne sais pas.
00:40:23Je ne sais pas.
00:40:53Je ne sais pas.
00:41:23Je ne sais pas.
00:41:53Je ne sais pas.
00:42:23Je ne sais pas.
00:42:53Je ne sais pas.
00:43:23Je ne sais pas.
00:43:53Je ne sais pas.
00:44:23Je ne sais pas.
00:44:53Je ne sais pas.
00:45:23Je ne sais pas.
00:45:53Je ne sais pas.
00:46:23Je ne sais pas.
00:46:53Je ne sais pas.
00:46:55Je ne sais pas.
00:46:57Je ne sais pas.
00:46:59Je ne sais pas.
00:47:01Je ne sais pas.
00:47:03Je ne sais pas.
00:47:05Je ne sais pas.
00:47:07Je ne sais pas.
00:47:09Je ne sais pas.
00:47:11Je ne sais pas.
00:47:13Je ne sais pas.
00:47:15Je ne sais pas.
00:47:17Je ne sais pas.
00:47:19Je ne sais pas.
00:47:21Je ne sais pas.
00:47:23Je ne sais pas.
00:47:25Je ne sais pas.
00:47:27Je ne sais pas.
00:47:31Je ne sais pas.
00:47:33Je ne sais pas.
00:47:34je ne sais pas.
00:47:36je ne sais pas.
00:47:38je ne sais pas.
00:47:40je ne sais pas.
00:47:42ne sais pas.
00:47:44je ne sais pas.
00:47:46ne sais pas.
00:47:48je ne sais pas.
00:47:50je ne sais pas.
00:47:52je ne sais pas.
00:47:54Je ne sais pas.
00:47:56Je ne sais pas.
00:48:02Je ne sais pas.
00:48:04Je ne sais pas.
00:48:34Je ne sais pas.
00:49:04Je ne sais pas.
00:49:06Je ne sais pas.
00:49:20C'est un peu.
00:49:22C'est un peu.
00:49:24C'est un peu.
00:49:26C'est un peu.
00:49:28C'est un peu la vie.
00:49:30C'est parti !
00:49:32Ah !
00:49:34Ha !
00:49:36Ha, ha, ha !
00:49:38So, we'll shortly be arriving at Admiralty House.
00:49:54And that actually used to be Oliver Cromwell's own house.
00:49:58Um...
00:50:00Uh...
00:50:02And then we'll be going to Wolfsgar's parade.
00:50:06Perhaps you'd like to sit down, sir.
00:50:24However, the agent we have on this mission
00:50:26is confident he's making major progress.
00:50:28And, uh, yes, we have a potential suspect has been identified,
00:50:31and further covert investigations are now ongoing.
00:50:37Yes, quite.
00:50:39So, I expect to have more to announce on this front...
00:50:43...shortly.
00:50:45...
00:50:59Ah.
00:51:01Sir?
00:51:03Hmm?
00:51:04Is everything alright, sir?
00:51:05Yes, I've done it, Bob.
00:51:07I've played on what all the fuss is about.
00:51:23Pleasure to see you again, Prime Minister.
00:51:25Uh, it's a hologram.
00:51:27Apparently, you just speak to it normally.
00:51:31The pleasure's all mine.
00:51:33Hate to rush you.
00:51:34But was there something in particular you needed?
00:51:37Actually, I was just calling, really,
00:51:39to see if you had had a chance to think things over.
00:51:44I have.
00:51:45But the thing is, Fiona, I just don't really do other people's security.
00:51:51Not that I don't want to, but your infrastructure is old.
00:51:55Plus, the only way I could keep you secure in the meantime
00:51:57would be by storing all your data on my own servers.
00:52:00Obviously, that would be...
00:52:01Yes.
00:52:02Jason, what I really want to do is announce this tie-up at the G12 meeting.
00:52:07Do we have a deal?
00:52:10Good luck, sir.
00:52:40Hey, sir.
00:52:41You said to get the chopper right there.
00:52:43Right there.
00:52:44Sir, right away, sir.
00:52:45Thank you.
00:52:47Father, come in.
00:52:48Okay.
00:52:49Father, can you get the chopper now?
00:52:51Sure, I'm ready.
00:52:52I'm ready to get a couple minutes.
00:52:53Alright.
00:53:10We can't keep meeting like this, Mr. Golightly.
00:53:27Oh, yes.
00:53:28Or do you want to end this charade and tell me your real name?
00:53:33Go.
00:53:35There's so much you don't understand about this world you've got caught up in.
00:53:41Spare me the idiot act.
00:53:44Your British Secret Service.
00:53:46Impressive work in France, by the way.
00:53:49When did you realize I was a spy too?
00:53:51Oh, pretty much.
00:53:54Straight away.
00:53:56Hmm.
00:53:59I've spent two years undercover.
00:54:02Simple operation until you showed up.
00:54:04And I like to keep things simple.
00:54:06Simple is my middle name.
00:54:13It would seem you've got a choice to make.
00:54:17Temporary suspension of hostilities.
00:54:19A short-term partnership.
00:54:22Agreed.
00:54:23Politicians are even more gullible than venture capitalists.
00:54:34That is correct.
00:54:35Give me a copy of the target list.
00:54:37We'll hit them once more just to be on the safe side.
00:54:40Give me your phone.
00:54:41You don't have a phone?
00:54:42A phone will be of anyone your precise location.
00:54:45And yet they're so useful for making phone calls.
00:54:48Excellent.
00:54:49I'm not fanning anyone.
00:54:51I'm gathering evidence.
00:54:55The target list, Jason.
00:54:57Four iconic central London landmarks.
00:55:00Make your selection.
00:55:01Number three.
00:55:02The London Eye.
00:55:04This cyber attack could potentially impact 16,000 visitors.
00:55:10I found him snooping around upstairs.
00:55:19And who are you exactly?
00:55:21I'm not telling you anything.
00:55:23Hmm.
00:55:24Face recognition software launched.
00:55:27Johnny English is a geography teacher from Lincolnshire.
00:55:31Rather heavily armed for a lesson on European capitals, Mr. English.
00:55:35Any thoughts, sweetheart?
00:55:40He's British intelligence.
00:55:42And there you have it.
00:55:44Two words that have no right being in the same sentence together.
00:55:48Do you really think I came here alone?
00:55:52I have a team of crack operatives out there right now just waiting to strike.
00:55:57What has happened to this country?
00:56:10How is it possible that less than a century ago the British Empire ruled a quarter of the globe?
00:56:16And now it's relying on someone like you.
00:56:22Hey! Stop!
00:56:29Stop him!
00:56:31Stop him!
00:56:46Go!
00:56:52Close the gates.
00:56:53Yes, sir.
00:56:54Help!
00:56:55Stop!
00:56:56Obstacle directly ahead, Mrs. Trattner.
00:56:58Check your mirrors and bring the car to a stop.
00:57:15Excuse me.
00:57:18Excuse me.
00:57:19Oh!
00:57:20What did you do?
00:57:21What if I...
00:57:22Thank you!
00:57:26Drive!
00:57:29Excuse me.
00:57:30What...
00:57:31What do you think you're doing?
00:57:32Excuse me.
00:57:33You are not qualified instructor.
00:57:34I...
00:57:44What about my instructor?
00:57:45Turn left.
00:57:46Turn right.
00:57:47Oh!
00:57:49For future reference I'm on your left.
00:57:50Oh!
00:57:51Oh!
00:57:52Oh!
00:57:53Oh!
00:57:54Oh!
00:57:55Oh!
00:57:56Oh!
00:57:57Please stop!
00:57:58I can't do this anymore!
00:58:00Oh!
00:58:01Oh!
00:58:02Oh!
00:58:03Oh!
00:58:04Oh!
00:58:05Oh!
00:58:06Oh!
00:58:07Oh!
00:58:08Oh!
00:58:09Oh!
00:58:10Oh!
00:58:11Oh!
00:58:12Oh!
00:58:13Oh!
00:58:14Oh!
00:58:15Oh!
00:58:16Oh!
00:58:17Oh!
00:58:18Oh!
00:58:19When I say go, turn sharp right.
00:58:22Uh huh!
00:58:233-2-1.
00:58:31Go!
00:58:32That's right, strengthen up, strengthen up, strengthen up.
00:58:35... et go !
00:58:37Let's go, let's go !
00:58:41Ha !
00:58:47Oh, now, just bare, left a little, good.
00:58:49Straighten up, straighten up.
00:58:55Good.
00:59:00Well, that was very good, Mrs. Trattner.
00:59:05I think you made some real progress today.
00:59:09You're not hearing me, English.
00:59:10Given the Prime Minister's new friendship with Volta,
00:59:12the situation has changed.
00:59:13But the facts haven't, sir.
00:59:15That attack is Volta's responsibility.
00:59:18According to you, but not according to anyone else.
00:59:20Is he here yet?
00:59:22Good afternoon, Prime Minister.
00:59:24So, this is...
00:59:25English, Prime Minister. Johnny English.
00:59:28What exactly do you have to say for yourself?
00:59:31Rather a lot, actually.
00:59:33However, men like me don't deal in prevarication, Prime Minister,
00:59:37so let me get straight to the point.
00:59:39Jason Volta is the man behind these attacks,
00:59:42and I have the evidence to prove it.
00:59:45I managed to record this inside Volta's country lair,
00:59:49but I should warn you, Prime Minister,
00:59:51that what you're about to see is evil incarnate.
01:00:00Here we are at Fifi's third birthday,
01:00:03and it's a very exciting day!
01:00:06Hooray! Hooray!
01:00:11Happy birthday to you!
01:00:16Happy birthday to you!
01:00:20Thank you.
01:00:22Can I just ask, what is wrong with you?
01:00:26The country is in a state of complete chaos.
01:00:29The press is wetting itself,
01:00:30and the only person capable of saving us
01:00:32is the man you're accusing of high treason.
01:00:34I was in the room myself when he gave the order, Prime Minister,
01:00:38but there was a...
01:00:39Do you know what I was in the room with, English?
01:00:41Your file, which I've read in its entirety,
01:00:43and I have a few questions.
01:00:44Did you or did you not burn the Côte du Roque restaurant in Antibes
01:00:47to the ground?
01:00:49Erm...
01:00:50And did you or did you not fire a guided missile
01:00:52at a peloton of French cyclists?
01:00:54Well...
01:00:55Before commandeering an open-top bus and tossing the tour guide
01:00:58off the top deck
01:00:59and then assaulting an 82-year-old grandmother
01:01:01in a sandwich shop
01:01:02before battering the employee of said sandwich shop
01:01:04with two organic sourdough baguette.
01:01:07Er...
01:01:08I don't remember...
01:01:09Do you have any idea how hard it is to be me?
01:01:16Do you have even the foggiest notion
01:01:18of how virtually impossible it is
01:01:20to get anything done
01:01:22in the face of events and
01:01:24and facts
01:01:25and
01:01:26voters
01:01:27and that tsunami of tosspots
01:01:29we call the national press
01:01:30and finally
01:01:31I get the chance to do something good
01:01:33for my country
01:01:34and what happens?
01:01:35The universe
01:01:36sends me you.
01:01:39What do you know what I say?
01:01:41I say up the universe's arse!
01:01:44And do you know what else I say?
01:01:45You're fired
01:01:46with immediate effect.
01:01:47Now get out
01:01:49and make sure I never clap eyes on that imbecile ever again!
01:01:54There.
01:01:55There.
01:02:11Qu'est-ce que vous faites, monsieur?
01:02:36Qu'est-ce que je fais, Boff? Je vais à la maison.
01:02:41Mais le Président est finalisé son deal avec Valter. Elle est en train de prendre à la G12 en Scotland comme son spécial guest.
01:02:47C'est fini, Boff. Et il n'y a absolument rien que nous pouvons faire.
01:02:52Mais, monsieur, j'ai un plan. J'en souviens de ma femme?
01:02:56Sous-titrage Société Radio-Canada
01:03:26Excellent work, Commander.
01:03:42Jeremy has always spoken very highly of you, Agent English.
01:03:46Who?
01:03:50Oh. Oh, yes. Yes.
01:03:52I'm no fan of the pen-pushers myself, so when orders came through stationing us here for the summit, well, I thought a lift was the least I could do.
01:04:01Right. Let's get a move on, Boff.
01:04:04Oh, if you wouldn't mind keeping your mobiles off until you're well clear, gentlemen.
01:04:08The launch systems on the missiles are about 1980s. Gets a tad twitchy around microwave radiation.
01:04:13No problem there, Commander. We're doing this mission old school.
01:04:17This sport's perfect.
01:04:28Come on.
01:04:31All right, Boff. Our mission here is simple.
01:04:40Gain access to Valter's bedroom and take him out.
01:04:57How are you going to get up there, though, sir?
01:05:00A walk in the park for the exoskeleton.
01:05:10Remotely operated neoprene bodysuit.
01:05:13Increases the wearer's strength a hundred times.
01:05:16Right. Power it up.
01:05:18Stick in the floppy disk and let's go.
01:05:19Crikey, sir.
01:05:46When will the weapon be ready?
01:06:04As soon as the prime minister signs the agreement tonight.
01:06:08How do I fire it?
01:06:09Press once and the attack is launched.
01:06:13After which, the data of every G12 country will be transferred to the servers on board the dotcom.
01:06:20Perfect.
01:06:23Ah.
01:06:25Cheers.
01:06:25You're working for Russian intelligence and you have been from the start.
01:06:38Which is why I've taken an antidote to the poison you keep in your ring in which you've poured into this drink.
01:06:44And remove the firing pin from that pistol.
01:06:46Everyone has to make a life for themselves.
01:06:58It's just sad that yours is over.
01:07:03Fresh from my 3D printer.
01:07:06100% plastic.
01:07:07And 100% deadly.
01:07:13Killing me won't save you.
01:07:15Don't bet on it.
01:07:18Dobroveccia, Ms. Bolitova.
01:07:22Seriously?
01:07:23This could not be happening.
01:07:24Oh, but it is.
01:07:27Drop the gun.
01:07:29Get your hands in here.
01:07:31And you.
01:07:32And you.
01:07:37There's no time for this, Johnny.
01:07:43Oh, it isn't possible.
01:07:44You cannot be working with this English idiot.
01:07:47Save the pillow talk for your prison cell, Volta.
01:07:51Are you inside, sir?
01:07:52Yes, yes, buff.
01:07:53You can power down.
01:07:55Everything's under control.
01:07:58Shut up.
01:08:02Oh!
01:08:02Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:03Oh!
01:08:04Oh!
01:08:04Oh!
01:08:04Oh!
01:08:04Oh!
01:08:05Oh!
01:08:05Oh!
01:08:07Oh!
01:08:08Oh!
01:08:09Oh!
01:08:10Oh!
01:08:10Oh!
01:08:11Oh!
01:08:11Oh!
01:08:12Oh!
01:08:12Oh!
01:08:13Oh!
01:08:13Oh!
01:08:14Oh!
01:08:15Oh!
01:08:15Oh!
01:08:16Oh!
01:08:16Oh!
01:08:17Oh!
01:08:17Oh!
01:08:18Oh!
01:08:18Oh!
01:08:19Oh!
01:08:19Oh!
01:08:20Oh!
01:08:20Oh!
01:08:21Oh!
01:08:21Oh!
01:08:22Oh!
01:08:22Oh!
01:08:23Oh!
01:08:23Oh!
01:08:24Oh!
01:08:24Oh!
01:08:25Oh!
01:08:25Oh!
01:08:26Oh!
01:08:26Oh!
01:08:27Oh!
01:08:27Oh!
01:08:28Oh!
01:08:28Oh!
01:08:29Oh!
01:08:29Oh!
01:08:30Oh!
01:08:30Oh!
01:08:31Oh!
01:08:31Oh!
01:08:32Oh!
01:08:32Oh!
01:08:33Oh!
01:08:33Oh!
01:08:34Oh!
01:08:34Oh!
01:08:35Oh!
01:08:35Oh!
01:08:36Oh!
01:08:36C'est ce qu'on arrive maintenant, s'il vous plaît ?
01:08:51Qu'est-ce qu'il y a le plan ?
01:09:06Sous-titrage Société Radio-Canada
01:09:36Sous-titrage Société Radio-Canada
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01:20:57J'espère que tous d'accord, ce n'était pas la soirée qu'on nous attendait.
01:21:06J'ai aimé vous présenter une vision de ce que Britannique pourrait être.
01:21:11Mais comme ça se passe, le homme qui nous a sauverait cette soirée,
01:21:15le homme qui, je peux ajouter, j'ai personnellement assigné à ce cas,
01:21:19a présenté nous avec un différent genre de vision,
01:21:21un embodiment vivant, si vous voulez, de ces qualités fondamentales britanniques
01:21:25qui ont assuré que notre pays de l'île nation endures.
01:21:30Courage under fire, endless ingenuity et, above tout,
01:21:34un quiet, unassailable, dignité.
01:21:55Merci.
01:21:58Merci.
01:21:59Sous-titrage Société Radio-Canada
01:22:04Sous-titrage Société Radio-Canada
01:22:34Sous-titrage Société Radio-Canada
01:22:35Sous-titrage Société Radio-Canada
01:22:37Sous-titrage Société Radio-Canada
01:22:39Sous-titrage Société Radio-Canada
01:22:40Sous-titrage Société Radio-Canada
01:22:42Sous-titrage Société Radio-Canada
01:22:43Sous-titrage Société Radio-Canada
01:22:45Sous-titrage Société Radio-Canada
01:22:46Sous-titrage Société Radio-Canada
01:22:48Sous-titrage Société Radio-Canada
01:22:50Sous-titrage Société Radio-Canada
01:22:51Sous-titrage Société Radio-Canada
01:22:52Sous-titrage Société Radio-Canada
01:22:53Sous-titrage Société Radio-Canada
01:22:54Sous-titrage Société Radio-Canada
01:22:55Sous-titrage Société Radio-Canada
01:22:56Sous-titrage Société Radio-Canada
01:22:57Sous-titrage Société Radio-Canada
01:22:58Sous-titrage Société Radio-Canada
01:22:59C'est bon, c'est bon, c'est bon.
01:23:29We all know what garrotting looks like.
01:23:31Whenever you're ready, Mr. English.
01:23:34Oh, I'm sorry, Headmaster. I'll just be one moment.
01:23:36Let's take those back in.
01:23:39That's all I should be.
01:23:41There we go.
01:23:45I always did love a jelly baby.
01:23:59I walk in the club like a million bucks.
01:24:04First, I hit the bar for a couple of shots.
01:24:06We got the beautiful women.
01:24:07I think I'm making them blush.
01:24:09Then I spill my drink, trying to cover it up.
01:24:11Got the dad dance moves, staying ready for them.
01:24:13Got the bad man groove, go steady on them.
01:24:16Hey, senorita in a beautiful dress.
01:24:18Do you want to dance?
01:24:19She's telling me, yeah.
01:24:20I got confidence in myself, but that's just to keep they giving me help.
01:24:25Trying to cover it up so you never tell.
01:24:27I feel like dancing with you.
01:24:30It's your moves, baby.
01:24:31Hey, cause I can't dance in the way that you do.
01:24:37But I got that love that you ain't used to.
01:24:41Hey.
01:24:42And when the DJ's spitting that song that we groove to.
01:24:45Oh my.
01:24:47Come and teach me how to dance.
01:24:49Slow down.
01:24:50DJ play that track.
01:24:51Checking my kung fu tricks like I'm under attack.
01:24:54I weigh my arms like this from front to back.
01:24:56Bitch, you've never seen a bad mother dance like that.
01:24:59Then you're begging me in with a kiss on the lips.
01:25:01Jumping to the middle.
01:25:02Come and wiggle your hips.
01:25:03Smile up.
01:25:04Take my hand.
01:25:05I'll give you a spin.
01:25:06Step one, step twice.
01:25:07Let the party begin.
01:25:08I got confidence in myself, but that's just to keep they giving me help.
01:25:12Trying to cover it up so you never tell.
01:25:15I feel like dancing with you.
01:25:17It's your moves, baby.
01:25:20Cause I can't dance in the way that you do.
01:25:24But I got that love that you ain't used to.
01:25:28Hey.
01:25:29And when the DJ's spinning that song that we groove to.
01:25:33Oh my.
01:25:34Come and teach me how to dance.
01:25:37Dance at the rhythm of the D-O-Dug.
01:25:39G and the thug.
01:25:40Watch I be in the club.
01:25:42Looking, staring, daring, comparing.
01:25:44In my book, they say sharing is caring.
01:25:47So give me your taste.
01:25:49And make your hips just dip to the base.
01:25:52And watch me run the line.
01:25:54See what I come to find.
01:25:55It's your moves, baby.
01:25:58Cause I can't dance in the way that you do.
01:26:02But I got that love that you ain't used to.
01:26:06Hey.
01:26:07And when the DJ's spinning that song that we groove to.
01:26:11Oh my.
01:26:12Come and teach me how to dance.
01:26:14It's your moves, baby.
01:26:16Cause I can't dance in the way that you do.
01:26:21But I got that love that you ain't used to.
01:26:25Hey.
01:26:26And when the DJ's spinning that song that we groove to.
01:26:30Oh my.
01:26:31Come and teach me how to dance.
01:26:33Oh.
01:26:49Come and teach me how to dance.
01:26:51Oh.
01:27:21...
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