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10 Movie Posters That Spoiled Everything
WhatCulture
Follow
06/06/2025
When movie posters straight-up gave everything away.
Category
📺
TV
Transcript
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00:00
It's a common complaint among film fans that movie marketing gives way too much away,
00:05
with trailers often outlining almost the entire story before audiences have even sat down to
00:10
watch it for themselves. And even if you quite sensibly decide to go spoiler blackout on a film's
00:15
trailers, it's always possible that even a single unavoidable poster will flat out tell you how
00:21
everything ends anyway. That's certainly true of these 10 movie posters, all of which shamelessly
00:27
gave the game away without a thought in the world for those who might prefer to experience the
00:31
biggest and most iconic moments for themselves, totally unspoiled. A few of these posters at
00:37
least got a few points for creativity, but most have been rightfully dinged for leaving little
00:42
to the audience's imagination and ruining the joy of discovery in the process. Some have a few subtle
00:49
elements you might not fully appreciate until you've seen the film, while others just describe
00:53
the whole-ass plot of the movie, including its ending, in the most basic and annoying way.
00:58
Either way, they're yet further proof that marketing intended to inform audiences can sometimes go
01:04
way too far. And so, with that in mind, I'm Ellie with WhatCulture, here with 10 movie posters that
01:10
spoiled everything.
01:12
Number 10. The Ritual for Cabin in the Woods
01:15
Most of the marketing for The Cabin in the Woods nicely played coy about the precise nature of its
01:20
seemingly trope-y horror movie set-up. The trailer did, of course, suggest a sci-fi twist,
01:25
but still kept things vague enough to be interesting. But the poster for the film's
01:30
Japanese release dropped any and all pretense of preserving the big secret, by blatantly showing
01:36
the underground facility which contains the various cube-like prisons containing the monsters
01:41
unleashed at the end of the film. The poster makes it painfully clear that Cabin in the Woods
01:45
isn't just an Evil Dead knockoff. It shamelessly reveals the big sci-fi conceit that isn't fully
01:51
unfurled until much late in the story. Okay, sure, it doesn't quite go the whole hog and write
01:56
it's part of a world-saving ritual in neon lights, but it gives more than enough context for most people
02:01
who see the poster to start figuring out what's going on.
02:04
Number 9. Carrie's Rampage
02:06
Carrie
02:07
Brian De Palma's Carrie features one of the most iconic and unforgettable endings to any horror movie.
02:13
Nay, any movie period. Yet even audiences watching the film upon release in 1976
02:19
were bamboozled with posters which blatantly revealed the big third act outcome.
02:24
The poster contained two pictures of Carrie, both as a smiling, beautiful prom queen and then bathed
02:30
in blood, while stating that she has the power, making it abundantly clear that Carrie causes one
02:36
hell of a massacre on prom night with her supernatural abilities.
02:39
Even without the knowledge of the humiliation Carrie suffers at the prom, namely being soaked in pig's
02:45
blood, it pretty plainly details the film's most iconic set piece and Carrie's descent into bloody
02:51
vengeance. The marketing for the 2013 remake didn't fare much better either, showing Carrie covered in
02:57
blood and wandering the fiery streets she'd just set ablaze.
03:01
Number 8. The band goes to prison, Airheads
03:04
Comedy movies are generally less susceptible to spoilers ruining the experience, but even so,
03:10
the posters for 1994's cult classic comedy Airheads dropped the ball big time. The film focuses on an
03:17
LA rock band who hijack a radio station in order to get their demo recording played on the air.
03:22
It's a fun concept and a fondly remembered movie by audiences, though certainly not by critics,
03:27
except for the fact that the main poster literally shows the trio standing in front of a police
03:32
line-up. And even if you think that's still somewhat ambiguous, the tagline at the top of
03:37
the poster literally reads,
03:39
They were a rock'n'roll band that couldn't get arrested. That was before they took an entire
03:43
radio station hostage. And so it's little surprise that Airheads Indeeds end with the band being
03:49
arrested for their act, albeit while only serving three months for their crime and going on to
03:53
finally find the success they were craving. Number 7. John Connor is a Terminator, Terminator
03:59
Genesis. Name a more iconic duo than the Terminator franchise and spoiling its own plot in the
04:05
marketing. The fifth Terminator film, Terminator Genesis, made especially baffling pains to give
04:09
away its own shocking plot twist in both the movie's later trailers and posters. The final poster
04:15
pointlessly revealed that resistance leader John Connor had somehow been turned into a villainous
04:20
Terminator, with a fiery expanse showing the robotic form below his human facade. While fans who
04:26
wanted to dodge spoilers could have avoided the trailer with relative ease, movie posters are
04:31
basically everywhere, ensuring the spoiler-cautious were almost certainly subjected to it at some point
04:37
before the movie's release. Given that this is Genesis' big reveal, it's clear that Paramount was so
04:42
desperate to lure audiences in by any means necessary that they willingly gave away the film's big surprise
04:48
for free. It didn't help much though, as while certainly not a box office bomb, Genesis' commercial
04:54
performance was much lower than expected. Number 6. The Monster, 10 Cloverfield Lane.
05:00
The marketing for 10 Cloverfield Lane did a genuinely solid job of only hinting at the dangers awaiting
05:05
protagonist Michelle outside of Howard Stambler's survival compound. That is, except for the movie's
05:12
international poster, which flipped the bird to subtlety and just straight up revealed the film's late-game
05:17
set piece. The poster shows Michelle running through a field while being pursued by a gigantic alien
05:22
spacecraft, confirming that A. Michelle does indeed make it out of the compound, B. She can safely breathe
05:28
the air out in the open, and C. The finale involves a fight with an alien. Even with the film having
05:34
Cloverfield in the title, many went in assuming it to be a smaller-scale spin-off merely existing within the
05:40
same world as Matt Reeves' 2008 found-footage film. But anyone unlucky enough to see the international
05:46
poster had any and all ambiguity ripped away, ensuring they spent the entire movie anxiously
05:51
anticipating the showdown they already knew was coming. Number 5. This is not a game, Ender's Game.
05:58
The posters and trailers for 2013's adaptation of Orson Scott Card's legendary sci-fi novel Ender's Game
06:05
tried to get a little too cute for their own good, and in turn basically gave the game away.
06:11
The posters proudly placed the tagline front and centre, which read,
06:14
This is not a game. While at first glance this might simply seem like a cool movie marketing quote,
06:20
it actually spoils the big climactic twist that the training exercise protagonist Ender believes he is
06:25
participating in is actually a very real engagement with alien combatants. Hell, even the poster that
06:31
didn't include this tagline nevertheless showed off the outcome of the final battle, with the alien
06:36
planet clearly being obliterated by Ender. Though many people going to see Ender's game would have
06:41
been familiar with the source material, given that the book came out almost 30 years before the movie,
06:47
it's also fair to say that many more likely wouldn't have. Despite the twist being surprisingly well
06:52
executed, it's a shame that the marketing needlessly spelled it out in the most literal sense.
06:58
Number 4. The Sniper's Identity Phone Booth
07:01
Joel Schumacher's Phone Booth is a criminally underappreciated little thriller in which Stu
07:05
Shepard finds himself held hostage in a New York City phone booth by an unhinged sniper.
07:11
Now, to be completely fair, if you're a fan of the TV show 24, you're probably going to figure out
07:16
very early on that the sniper on the other end of the phone is voiced by Kiefer Sutherland. But if you
07:21
weren't familiar with Sutherland's dulcet tones, the poster damn near clarified what the movie's
07:26
villain looked like, showing a sliver of Sutherland's bespectacled face staring intensely
07:31
into the distance. This wouldn't be a problem if not for the fact that the movie intentionally
07:35
conceals the sniper's identity until the very end of the film, and even attempts to mislead viewers
07:41
as to who he is. In a final failed fake-out, we're led to believe that the caller is actually
07:46
a disgruntled pizza delivery guy who encountered Stu earlier in the movie. But anyone who's seen the
07:52
poster with Sutherland's face on, or better yet, knows his voice, will be acutely aware
07:56
they're being messed with. And so, of course, minutes later, Sutherland finally makes a brief
08:01
on-screen appearance, exactly as pictured in this poster. Evidently, Fox couldn't resist the urge to
08:06
feature their 24-star in the film's marketing, as infuriatingly spoilerific as it was.
08:12
3. A Dying Embrace – Pompeii
08:15
While it's a given that audiences interested in Paul W.S. Anderson's Pompeii would be aware that
08:20
the film would depict the titular city's destruction by the eruption of Mount Vesuvius in 79 A.D.,
08:26
the outcome of its Titanic-esque love story seemed a little less certain. That was unless
08:31
you took a gander at the poster, which blatantly showed gladiator Milo and his lover Cassia
08:37
sharing an embrace while the volcano violently erupts behind them. While some might have assumed
08:41
the poster was merely a conceptual one to synergise the film's romantic and action-based elements,
08:47
lo and behold, the very end of the film indeed sees Milo and Cassia having one final kiss before
08:53
being engulfed by Mount Vesuvius' pyroclastic flow. Hell, the poster even clarifies the point
08:58
further with the tagline,
08:59
No Warning, No Escape, confirming that the movie's characters won't find a way to miraculously
09:05
survive and get their Hollywood happy ending.
09:07
2. Pete Davison is the killer – Bodies, Bodies, Bodies
09:11
The poster for A24's satirical horror film Bodies, Bodies, Bodies delivers two spoilers
09:17
for the price of one, albeit in a way that not everybody will realise until they've actually
09:21
seen the movie. It's a seemingly pretty typical poster which shows off the ensemble cast against
09:26
an unremarkable dark backdrop. But take a look at Pete Davidson, who is the only member of the
09:32
cast handling a weapon of any kind, a machete-like weapon no less. This hilariously spoils the fact
09:38
that Davidson's character David is technically the killer who kills the movie's first victim.
09:43
It just so happens that the first victim is himself. Indeed, David is the first person to
09:48
die in Bodies, Bodies, Bodies, having his throat slashed by, you guessed it, the bladed weapon
09:52
glimpsed up against his head in the poster. But the movie's big twist is that David wasn't
09:57
murdered. He accidentally killed himself while trying to open a bottle of champagne with the
10:01
weapon for a TikTok video. It's basically all blatantly hinted at visually by what we see on the
10:06
poster, even if you might not quite realise just how spoilerific it is until you've watched
10:11
the film yourself.
10:12
1. Sonya falls to her death, Plumbum or the Dangerous Game
10:17
An extremely deep cut now with the 1987 Soviet drama Plumbum or the Dangerous Game. Both of
10:24
the primary posters for the cult classic film show the face of lead actor Anton Andrasov,
10:29
who plays the title character, interspersed with an image of what appears to be a young woman
10:34
falling to her death. And so, can you guess precisely what fate befalls the movie's primary
10:39
female character, Sonya? That's right, she leaps off a roof to her brutal demise in the
10:43
film's very last scene. While one of the posters at least disguised as the falling individual's
10:48
identity, another quite blatantly shows not only that she's a woman wearing a white gown,
10:53
but makes no effort whatsoever to disguise the face. Given that Sonya's death is the grim
10:58
climax to the entire movie, it's an extremely bizarre choice indeed.
11:02
And that concludes our list, if you think we missed any then do let us know in the comments
11:06
below and while you're there don't forget to like and subscribe and tap that notification
11:10
bell. Also head over to Twitter and follow us there and I can be found across various social
11:14
medias just by searching Ellie Littlechild. I've been Ellie with WhatCulture, I hope you
11:19
have a magical day and I'll see you real soon.
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