A sexy photographer witnesses a brutal murder and Det. Bob Malone- a loose-cannon maverick who always gets his man- must now protect her.
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Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:30CastingWords
00:01:59Yes, sir. I've called in Malone. He's on his way over.
00:02:06He should be here in a minute or so.
00:02:11He's here now. He's moving.
00:02:14Okay, Robert. We say they won't move until I've talked to one of us. You're elected.
00:02:29The Chief says we have to negotiate. We have to accept all their conditions. Don't forget it.
00:02:36Robert, I don't want any other victims. A word to the wise, huh?
00:02:44I don't know.
00:03:14A word to the wise, huh?
00:03:20Oh, man.
00:03:23It is so stupid.
00:03:27Keep your head down.
00:03:52If you want it to stay on your neck.
00:03:56That's right.
00:03:57Keep going.
00:03:57Keep your head down.
00:04:04Visitors.
00:04:05Don't move.
00:04:06Keep it on.
00:04:07I'll help you.
00:04:14Okay.
00:04:15Pay attention, Pat.
00:04:16I'm only going to say this once.
00:04:18We want two million dollars in unmarked, used bills.
00:04:21Nothing smaller than tens and nothing bigger than fifties.
00:04:24No consecutive serial numbers.
00:04:26We want a limo to take us to the airport and a plane to take us to Mexico.
00:04:29You boys behave yourself and you'll get all these good folks back in one piece.
00:04:33Understand that cop?
00:04:35No way, pal.
00:04:36No way, pal.
00:04:37No way, pal.
00:04:38No way, pal.
00:04:42No way.
00:04:43No way, pal.
00:04:45Oh, my God.
00:05:15Great.
00:05:21Just great, Malar.
00:05:22You did it your way as usual.
00:05:24I gave you an order.
00:05:26You were sent in here to negotiate, weren't you?
00:05:28Except all their demands.
00:05:30No more victims.
00:05:32They're scum.
00:05:34Human garbage.
00:05:43Don't...
00:05:44Don't...
00:05:45Don't...
00:05:46Don't...
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00:06:00Don't...
00:06:01Don't...
00:06:02Don't...
00:06:03Don't...
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00:06:09Don't...
00:08:42It's a great steak, honey.
00:08:44Well, a great wind surfer deserves no less.
00:08:49You going out again?
00:08:51Mm-hmm.
00:08:52You know it.
00:08:53I wish I was attractive as four and a half square feet of canvas.
00:08:58Really.
00:09:00Well, you cook a better steak.
00:09:04You will come back sometime, won't you?
00:09:07Sooner or later.
00:09:23Let's go.
00:09:54You want to know what I think about that camper?
00:09:58Should I try to guess often? It's meant just for us.
00:10:23Let's go.
00:10:46Ken! Ken!
00:10:49Oh my God!
00:10:53Oh my God!
00:11:06No!
00:11:08No!
00:11:21Come on!
00:11:23Come on!
00:11:25Come on, young d郎 Cooper!
00:11:26Come on!
00:11:29I'm leaving you.
00:11:33Going home!
00:11:36No!
00:11:39Just like this guy is out of here.
00:11:41Who would like me to think?
00:11:43We should trade ourselves until heITCHned Godzilla.
00:11:46Ha ha…
00:11:47Come on, you've broken it off with Alan, haven't you?
00:12:12Stop right there, don't move.
00:12:14Elise, quit trying to change the subject.
00:12:16Jill, we have a job to do, or do you think I should use these flashbulbs in an interrogation room?
00:12:25I know he does it out of love, but...
00:12:26Yeah, I'm very fond of him, too.
00:12:29But right now, I need peace and quiet.
00:12:31Only it doesn't work with him.
00:12:32You know, success didn't come overnight for me.
00:12:34I worked my tail off.
00:12:36And it's hard to stay on top.
00:12:38But I'll hold on.
00:12:39When another photographer is mentioned in a column, I know I still have a lot of fighting to do.
00:12:43I've got to concentrate on nothing but my job.
00:12:47I mean it, there's no hope.
00:12:49I suppose that's enough work for tonight.
00:12:51We'll finish this off tomorrow.
00:12:52Aren't you leaving, too, Elise?
00:13:10No.
00:13:11I've got to get a few things ready for tomorrow.
00:13:14Okay.
00:13:15So long.
00:13:16So long.
00:13:18Jill, would you turn the light out as you leave, please?
00:13:20Sure.
00:13:38Who's there?
00:13:39Who's that?
00:13:42Still you, too?
00:13:43No.
00:13:50Hi.
00:13:57Hope I didn't scare you.
00:14:00You didn't scare me, Alan.
00:14:02But you've got to stop this power game.
00:14:04Don't you listen to the radio?
00:14:06The whole city is terrorized.
00:14:07All the things that are going on.
00:14:09And you, you play hide-and-seek at 11 p.m.
00:14:12You're the one who's playing hide-and-seek with me.
00:14:15My sister's not very good at lying.
00:14:17She never was.
00:14:18Just like you, keeping bargains.
00:14:21I just came by to bring you this.
00:14:22You left it.
00:14:24And because I just can't go on without seeing you.
00:14:27The fault isn't mine.
00:14:29My God.
00:14:30I just can't get you out of my head.
00:14:33Listen, Alan.
00:14:34Let's try to find a compromise.
00:14:36We'll talk often on the phone.
00:14:37All the time.
00:14:40But don't you go back on your word.
00:14:41Sure.
00:14:44We always wind up doing what you want anyway.
00:14:46Sure.
00:14:46We always wind up doing what you want anyway.
00:14:48Let's go.
00:15:13Oh, my God.
00:15:43Oh, my God.
00:16:13What's the matter, little girl?
00:16:29The sight of blood bother you?
00:16:43Forget that, God damn it.
00:16:51Get out of here.
00:16:52She took pictures of me.
00:16:54We've got to find her and get them back.
00:16:55Move your asses.
00:17:13That's her there.
00:17:34I'll get that bitch.
00:17:37I'll get that bitch.
00:18:07What seems to be the matter.
00:18:15They're murderers.
00:18:16They're trying to get me.
00:18:20They're murderers.
00:18:20They're murderers. They're trying to get me. They're murderers.
00:18:35She took my picture. That bitch took shots.
00:18:38She better be taken care of soon, I think.
00:18:40You don't think. You don't do any thinking. None at all.
00:18:44Do something for God's sake. Arrest them or they'll kill me.
00:18:47Please help me, please.
00:18:50All right, come on.
00:19:14Okay, okay, okay. I hear you, Purvis.
00:19:18Yes. Time to eat.
00:19:21Hmm, red can again.
00:19:22Okay, you got it.
00:19:26Oh, shit. I'm in trouble.
00:19:33Okay, okay. I hear you.
00:19:35Why didn't I have a cat that was colorblind?
00:19:37Let's try the blue.
00:19:46Hey, we eat, Purvis. I found one.
00:19:48I can hear myself.
00:20:05Hmm, this is something else, Purvis.
00:20:15Red label.
00:20:16Hmm.
00:20:25Good, huh?
00:20:26Better eat it all, because if you don't, I will.
00:20:28Yeah, I'm alone.
00:20:43Robert, you can get your tail here in the office.
00:20:46Need to speak to you.
00:20:47Okay, what is it this time?
00:21:11Shut the door and come in.
00:21:14I hope this is important.
00:21:17I left my cat at home, and he's alone.
00:21:19Well, what we have tonight is another murderer.
00:21:27But this time, we have someone who saw it.
00:21:30A girl called Elise Trumbo.
00:21:32About to enter her house an hour ago,
00:21:34witnessed her neighbor being killed.
00:21:37Smart girl.
00:21:38She got out of it, setting off her little camera flash,
00:21:41and winding one of those hoods.
00:21:43Temporarily, we're stuck.
00:21:44Anyway, she escaped in her car,
00:21:45and our pals took after her in their Jeep camper.
00:21:48I'm betting that that car was the same one
00:21:51that was stolen down at the beach.
00:21:53Alone, you know that double homicide, too.
00:21:55It was committed with just that M.O.
00:21:57My opinion, there's no doubt about it.
00:22:00It's obviously the same gang of nutcases
00:22:02we've been after all this time.
00:22:04But there's one important difference.
00:22:06A picture exists now of one of their heads, a portrait.
00:22:09That's worth leaving your cat for, isn't it?
00:22:14Come in.
00:22:15Now, here are the prints back from the lab.
00:22:19Thanks, Mallory.
00:22:22Oh, no.
00:22:24What a...
00:22:25What a damn disaster.
00:22:27The flash went off too close.
00:22:29Can't use a single one of these.
00:22:31That's all we needed.
00:22:33I thought it was too good to be true.
00:22:36Wait a minute.
00:22:37In any case,
00:22:40those hoods are sure to try to take out that girl.
00:22:44Robert,
00:22:45from now on,
00:22:46you're going to be right next to Elise Trumbo,
00:22:48and you're going to stick to her like glue.
00:22:52Where is she now?
00:22:54At City Hospital.
00:22:56She's still in a state of shock.
00:22:58We left a cop there to keep an eye on her.
00:23:00But she'll be out tomorrow,
00:23:01and you've got to stick with her,
00:23:03even though his honor will howl like a wolf.
00:23:05Oh, good to see if I don't have anyÃculos on my architecture.
00:23:09Oh, my God.
00:23:10Oh, yeah.
00:23:12Oh, my God.
00:23:13Oh.
00:23:13Oh, my God.
00:23:14Oh, my God.
00:23:16Oh, my God.
00:23:17Oh, my God.
00:23:20Oh, my God.
00:23:23Oh, my God.
00:23:24Oh, my God.
00:23:28Oh, my God.
00:23:33I don't know.
00:24:03I don't know.
00:24:33You stupid shit.
00:24:42Hey, what's the matter?
00:24:44How do you mind?
00:24:44I said stay away from this.
00:24:52I want you operating.
00:24:54This crap is for weak kids.
00:24:57Little boys who need to work up guts.
00:24:59It's not you guys.
00:25:14It's not you guys.
00:25:15It's the system.
00:25:17It does us all in.
00:25:18And that's what we're trying to fight against.
00:25:29It's gonna take blood.
00:25:32And not just anyone's.
00:25:33You know that.
00:25:35Just to the people who don't ever have to work for things.
00:25:38Who have it all.
00:25:39Okay, what's the news?
00:25:56The girl's still there in the hospital.
00:25:57Let's go.
00:26:13Oh, my God.
00:26:43Oh, my God.
00:27:13One look at you in the hospital and they'll believe you've got a good reason for being there.
00:27:38Oh, my God.
00:28:08Oh, my God.
00:28:10Oh, my God.
00:28:12Oh, my God.
00:28:14Oh, my God.
00:28:18Oh, my God.
00:28:20Oh, my God.
00:28:22Oh, my God.
00:28:24Oh, my God.
00:28:26Oh, my God.
00:28:28Oh, my God.
00:28:30Oh, my God.
00:28:32Oh, my God.
00:28:34Oh, my God.
00:28:38Oh, my God.
00:28:40Oh, my God.
00:28:42Oh, my God.
00:28:44Oh, my God.
00:28:46Oh, my God.
00:28:48Oh, my God.
00:28:50Our friend, he was hit by a car.
00:29:00I think he's hurt bad.
00:29:01For God's sake, call someone.
00:29:20Come on, move.
00:29:50Come on, move.
00:30:20Come on, move.
00:30:50Come on, move.
00:31:20Come on, move.
00:31:50Come on, move.
00:31:52Come on, move.
00:31:56Come on, move.
00:32:02Come on, move.
00:32:08Come on, move.
00:32:14Come on, move.
00:32:22Come on, move.
00:32:24Come on, move.
00:32:34Hey, where are you going?
00:32:36We got a wounded man here, officer.
00:32:38We got nurses for that.
00:32:40Now.
00:32:42Come on, move.
00:32:44Come on.
00:32:46Come on, move.
00:32:48Come on.
00:32:50Come on, move.
00:32:52What the hell is this?
00:33:06What's going on here?
00:33:12What do you want?
00:33:15Hey!
00:33:17Hey, what's going on here?
00:33:19Are you out of your mind?
00:33:20Take care of the girl, hurry!
00:33:50Help me!
00:33:55Come on!
00:33:55Look!
00:33:57Let's go!
00:33:58Let's go!
00:33:58Let's go!
00:34:00Let's go.
00:34:30Oh, my God.
00:34:36No.
00:34:38No.
00:34:41Get away.
00:34:42Go away.
00:35:00Oh, my God.
00:35:16Lady, lady, give me a break with all that noise.
00:35:36Oh, my God.
00:36:06All right, all right.
00:36:16It's over.
00:36:18Enough with the tears, okay?
00:36:19Okay.
00:36:20Okay.
00:36:20You could have taken one of them alive.
00:36:34Or am I wrong?
00:36:35Yeah, you're wrong.
00:36:38In this particular situation, you have to save the girl.
00:36:41What else?
00:36:43I don't need a lawyer.
00:36:46You're the ones that were wrong by putting only one guard outside the door.
00:36:49Why was there only one guard?
00:36:52Because someone at the precinct thought that one was enough.
00:36:55It's like he wasn't thinking too well.
00:36:58You know, that's the problem.
00:37:01You're paid to think.
00:37:03And for both of you, that could be a little trying.
00:37:05Now, at this time of night, people are usually sleepy and likely to make more mistakes.
00:37:09You know, Malone, nobody likes you.
00:37:13Yeah, I know.
00:37:15Sometimes I don't like myself either.
00:37:17It doesn't matter of opinion.
00:37:19And frankly, I couldn't give a damn about yours.
00:37:23All I care about is my work.
00:37:25To finish what I start.
00:37:27And I usually do.
00:37:29Now, you asked me to protect this girl.
00:37:31I did.
00:37:31It doesn't matter how I did it.
00:37:43If you still want me to keep an eye on her, she has to move over to my place.
00:37:48Well, your bunker is more like it.
00:37:50That's the way I like it.
00:37:52Let's see how Miss Trumbull feels about it first.
00:37:54I just can't take anymore.
00:37:56I don't know what's happening.
00:37:58I'm not in good control.
00:37:59Put me wherever you like.
00:38:01You said bunker just now.
00:38:03Maybe that's the only answer.
00:38:05Okay, Malone.
00:38:06Have it your way as usual.
00:38:08You ready to go, Miss?
00:38:17I may be getting an exhibition.
00:38:20Is what you do all that fascinating lady?
00:38:23Look.
00:38:24I'm just making chat.
00:38:26We've been in the car for 20 minutes and you haven't said a thing.
00:38:29Oh, yeah.
00:38:31I didn't think you'd be such a grouch.
00:38:35Okay, so what do you want to talk about?
00:38:37I don't know what to say to you.
00:38:39Well, I don't really have a one-track mind.
00:38:42And I don't think you do.
00:38:44Look, I don't know anything about fashion, lady.
00:38:45I don't know anything about fashion.
00:38:47I see.
00:38:49All right.
00:38:50Don't talk.
00:38:51It's not your duty.
00:38:53And by the way, if you don't want to protect me, I've got an idea.
00:38:59Have someone else called in on the case.
00:39:01Or next time, just let them kill me.
00:39:04That should take care of your little problem.
00:39:06I think it's about time you close your mouth.
00:39:11Too many stupid things are coming out of it.
00:39:12I don't know.
00:39:29I think that's another good one.
00:39:32This place is giving me the Creech, you know.
00:39:54Better get out of here.
00:40:01Come on.
00:40:02Let's move out.
00:40:03This ain't a healthy place.
00:40:04This ain't a healthy place.
00:40:24The police sergeant and the girl got to be killed.
00:40:29You.
00:40:30Go to her house and wait.
00:40:32She'll be back there sooner or later.
00:40:34You might see the cop coming too.
00:40:36He's pretty sure to try to hide her.
00:40:38When you find out where, let us know about it.
00:40:40And no fancy tricks.
00:40:41Right?
00:40:42And no fancy tricks.
00:40:43Right?
00:40:44No fancy tricks.
00:40:45Right?
00:40:46You.
00:40:47You.
00:40:48You.
00:40:49You.
00:40:50You.
00:40:51You.
00:40:52You.
00:40:53You.
00:40:54You.
00:40:55You.
00:40:56You.
00:40:57You.
00:40:58You.
00:40:59You.
00:41:00You.
00:41:01You.
00:41:02You.
00:41:03You.
00:41:04You.
00:41:05You.
00:41:06You.
00:41:07You.
00:41:08You.
00:41:09You.
00:41:10You.
00:41:11You.
00:41:12You.
00:41:13You.
00:41:14You.
00:41:15You.
00:41:16You.
00:41:17You.
00:41:18You.
00:41:19You.
00:41:20You.
00:41:21You.
00:41:22You.
00:41:23You.
00:41:24You.
00:41:25You.
00:41:26You.
00:41:27You.
00:41:28You.
00:41:29You.
00:41:30You.
00:41:31You.
00:41:32You.
00:41:33You.
00:41:34You.
00:41:35You.
00:41:36You.
00:41:37You.
00:42:38I need you to do me a favor.
00:42:47I want you to run down the headquarters, pick up the books with the mud shots in them.
00:42:50Bring them over here.
00:42:51What do you need them for?
00:42:527.30.
00:43:08Sunday, day of rest.
00:43:28All right.
00:43:32One, two, and three.
00:43:45Hey, mister.
00:43:46You going somewhere?
00:43:47Who's that?
00:43:48It's me, darling.
00:43:50Who else would it be?
00:43:51Oh.
00:43:52I forgot.
00:43:53I'm so stupid.
00:43:56Listen, I'm...
00:43:58Miriam.
00:43:59We've been introduced.
00:44:00Miriam.
00:44:01Oh, what a quick learner.
00:44:02You got it right the first time.
00:44:03Sweet, Miriam.
00:44:04Forgive me.
00:44:08That's awful.
00:44:09But I have to go.
00:44:12I promise I'll be back in a flash.
00:44:14Okay?
00:44:15I've seen some long flashes in my day.
00:44:20And some flashes in the pan.
00:44:23Will you still be here?
00:44:24In a hiding place.
00:44:25I'll find it.
00:44:26That's my job.
00:44:26I'll make it hard on you.
00:44:27I won't answer that.
00:44:28I'll make it hard on you.
00:44:58I'll make it hard on you.
00:45:28I'll make it hard on you.
00:45:37No.
00:45:38Not one of these.
00:45:39No way.
00:45:40Nobody who looks at all like him.
00:45:51Thank you, miss.
00:45:52You mind coming down to headquarters with us
00:45:54and helping your compositors, ma'am?
00:45:56Of course I will.
00:45:58But on one condition.
00:45:59I'm Elise, not Miss.
00:46:00Okay?
00:46:01Mm-hmm.
00:46:08It's not much, but it's better than nothing.
00:46:11How do you feel today?
00:46:14Any better, now that you've rested?
00:46:16Lots better, thank you.
00:46:18Good.
00:46:21Come in.
00:46:23Give this to the patrols and to the press.
00:46:25Where do you get these ideas from?
00:46:31You invent them all by yourself?
00:46:33Why?
00:46:35This guy thinks you have a picture of his face.
00:46:38You put this sketch in a newspaper,
00:46:40you'll know you don't have anything.
00:46:41He may never come out of his hole.
00:46:43Did you hear him?
00:46:45Do as Sergeant Malone says.
00:46:47Quick.
00:46:47We have something he wants.
00:46:51The bait.
00:46:53He's dying to bite.
00:46:54He's dying to bite.
00:47:17Mommy.
00:47:18Robert, I just have to grab a bag.
00:47:48And pack it with some old clothes and a toothbrush.
00:47:50I'll leave you a short time.
00:47:52Yeah, that's fine.
00:47:53But I'll come with you.
00:47:54Never know.
00:48:18Hold it.
00:48:22I'll open it.
00:48:30Is something wrong?
00:48:33I'll check it out.
00:48:33All right.
00:48:56Seems okay.
00:48:56If you want something to drink while you're waiting, help yourself.
00:49:07My house is yours.
00:49:08There's some great bourbon.
00:49:11Milk is more my thing.
00:49:13A man of a thousand virtues.
00:49:14What?
00:54:03Now it's time to act.
00:54:11It's time, all right.
00:57:03Put the gun away or I'll blow your daughter's head off.
00:58:03And no tricks.
00:58:05And no tricks.
00:58:07We'll cut up your daughter until she looks like a jigsaw puzzle.
00:58:10I admire your loyalty.
00:58:12I admire your loyalty, but it doesn't win you our big first prize.
00:58:16You'll be right back.
00:58:18I'll be right back.
00:58:22I'll be right back.
00:58:23I'll be right back.
00:58:24I'll be right back.
00:58:28I'm out there all the time!
00:58:29That's what we like to hear.
00:58:30Now, don't hang up.
00:58:31You've got to talk with her secretary so she can get the prize certificate.
00:58:34Well, don't worry.
00:58:35I've got to find out.
00:58:37Thanks for playing our quiz.
00:58:39It's been nice talking to you.
00:58:40You too, Mel.
00:58:41Thanks a lot.
00:58:42Okay.
00:58:43And don't forget to keep listening to Mel's Quiz Game every day of the week at this same...
00:58:53I feel like I'm going crazy.
00:58:56I'm damned if I can see any way of getting out of this mess.
00:59:01I'm damned if I can go along with their conditions.
00:59:04What's your other choice?
00:59:10I can't ask you to go.
00:59:12You just get yourself killed.
00:59:15And I spit at myself for the rest of my life.
00:59:18If I were 25 years younger, by God!
00:59:21If you were 25 years younger, you wouldn't even have a daughter.
00:59:26Look, Max.
00:59:28I've already made up my mind.
00:59:30I'm going.
00:59:31But you can't.
00:59:32It's just suicide.
00:59:37They'll kill her anyway.
00:59:41Robert.
00:59:42I know why you're doing this for me.
00:59:45But it won't help.
00:59:46I'll just kill you too.
00:59:48So forget it.
00:59:49I'm not doing it for you.
00:59:51I'm just doing it.
00:59:52I would do it even if it was Santa Claus's daughter.
00:59:56Let me go!
00:59:57No!
00:59:58No!
00:59:59No!
01:00:00No!
01:00:01No!
01:00:02No!
01:00:03No!
01:00:04No!
01:00:05No!
01:00:06No!
01:00:07No!
01:00:08No!
01:00:09No!
01:00:10No!
01:00:11No!
01:00:12No!
01:00:13No!
01:00:14No!
01:00:15No!
01:00:16No!
01:00:35No!
01:00:36No!
01:00:37No!
01:00:38No!
01:00:40No!
01:00:41No!
01:00:42Pelosi!
01:00:44Not bad for a cop's daughter, huh?
01:01:01I didn't mind fair enough.
01:01:03I don't care about that right now.
01:01:05You can wait till evening.
01:01:07She's a little too upset to enjoy it right now.
01:01:14Robert never knew his parents.
01:01:31The man in the picture is not his father.
01:01:34He adopted him.
01:01:37He was alone, too.
01:01:39Old and alone.
01:01:40They stuck together, and with all they went through,
01:01:47they found some kind of companionship with each other.
01:01:52Until one day when the walls of Jericho came crashing down.
01:01:58Robert was just a kid then, still in school.
01:02:01One morning, two drunks robbed and killed the old man.
01:02:07Yeah, you heard me.
01:02:10For seven lousy dollars.
01:02:13Robert survived somehow.
01:02:14But after that, something was different inside him.
01:02:17After he did a stint in Vietnam,
01:02:19where he won every medal in the book,
01:02:21he came back and joined the police force.
01:02:27He's not a bad guy.
01:02:31His battle against crime goes back a long way.
01:02:34Sometimes I think
01:02:39nothing else means a thing to him.
01:02:51If I could just...
01:02:52If I could get a beat on him,
01:02:54on that type of man,
01:02:55I'd give a lot to understand him.
01:02:57What did Walker want this time, Robert?
01:03:12What's so important?
01:03:15I don't like the sound of your silence, pal.
01:03:18What happened?
01:03:21I don't know what happened.
01:03:22I don't know that.
01:03:32I don't know.
01:03:32Come on, get out.
01:03:48Move.
01:03:49Tie her up.
01:04:02Move.
01:04:15Move.
01:04:19Move.
01:04:23Move.
01:04:27Move.
01:04:31GEAR.
01:04:34Medical facility aztениinstall that,
01:04:36some olabilir, diabetes.
01:04:42Would you mind if I get something too?
01:04:44Otherwise, I'll just look like I'm going fishing.
01:04:49Going to give me some cartridges, or I use popcorn?
01:05:01Don't go out.
01:05:12Don't open the door for anyone.
01:05:20Take care of it, Purvis.
01:05:25Is that thing ready?
01:05:26It's out in the car.
01:05:30It's something to eat.
01:05:31You're losing weight.
01:06:01It's in the car.
01:06:02You're losing weight.
01:06:05I'm losing weight.
01:06:07I'm losing weight.
01:06:10I'm losing weight.
01:11:44Oh, my God.
01:12:14Oh, my God.
01:12:44I have to admit that it was a pleasure.
01:13:01It was fun in a strange way, though.
01:13:03I want to say thank you.
01:13:04You don't have to.
01:13:07Anyway, if I get bored, I know where to come for excitement.
01:13:14See you around.
01:13:16Bye.
01:13:17Emergency situation, 87th and 2nd.
01:13:22Emergency situation, 87th and 2nd.
01:13:24All cars in the vicinity proceed there immediately.
01:13:31On my way.
01:13:32T柔ysis and 2nd.
01:13:46I don't know.
01:13:46We're ready to move on.
01:13:47The end of the night...
01:13:48The end of the night we had a very short time.
01:13:49I don't know.
01:14:19I don't know.
01:14:49Good evening, sir.
01:14:52There'll be a bit of a wait.
01:14:53I'll be at the bar.
01:14:54Sir, what do you have?
01:15:11Scotch.
01:15:12Double.
01:15:12I'm not an expert in fashion, but I'm sure you've been quite successful.
01:15:41Uh-huh.
01:15:42You've been doing a little research, haven't you?
01:15:44I can't believe I'm able to relax, Robert.
01:15:48I actually went and did some work this morning, and it actually turned out okay.
01:15:53I was amazed.
01:15:57Robert.
01:15:57Robert, in this whole business, you know where the biggest surprise came?
01:16:03When you invited me out.
01:16:06You gotta eat sometimes.
01:16:07Besides, it gives me a chance to get dressed up.
01:16:10But your problems might not be over yet.
01:16:12Wait till you see my face when I get the check.
01:16:14As long as you don't think you can get away with just one date, Mr. Malone.
01:16:19Next time, it's dinner at my place.
01:16:21Do you like Mexican food?
01:16:23Robert?
01:16:25Robert, what's with you?
01:16:28Hmm?
01:16:29Hmm?
01:16:29Oh, oh.
01:16:30Nothing, nothing.
01:16:31I thought I saw someone I recognized.
01:16:35Well, anyway, I hate to be forward.
01:16:37But I'd hate even more if I didn't speak up.
01:16:39I think if we managed to have fun even over this last week,
01:16:42we should seriously consider seeing more of each other.
01:16:46Robert, are you listening to me?
01:16:47Oh, sure.
01:16:48Sure, I'm listening.
01:16:50It's just that I never did talk a lot, even when I was a kid.
01:16:53Yeah, I always preferred action.
01:16:56It's a word.
01:16:56So I see.
01:17:17Oh, wait a minute.
01:17:18What's up?
01:17:19Stay down now.
01:17:19Get out.
01:17:23Oh, my God.
01:17:26Oh, my God.
01:17:26Oh, my God.
01:17:34Don't want to.
01:17:39Please.
01:17:39Ah!
01:17:48Ah!
01:17:49Ah!
01:17:50Ah!
01:17:50Ah!
01:17:51Ah!
01:17:52Let's go.
01:18:22Let's go.
01:18:52Let's go.
01:19:22Let's go.
01:19:52Let's go.
01:20:22Let's go.
01:20:52Let's go.
01:21:22Let's go.
01:21:52Let's go.
01:22:22Let's go.
01:22:52Let's go.
01:23:22Let's go.
01:23:53I hope at least you'll find your memories.
01:23:58Stop there.
01:23:58Don't move.
01:24:01For my album, nobody will know, okay?
01:24:03When will we see you again?
01:24:10I don't know, not too long.
01:24:11Okay.
01:24:13Good morning, good boy.
01:24:22Good-bye, miss.
01:24:23One more. Hold it.
01:24:46Every morning I get up early
01:24:49Drinking coffee as fast as I can
01:24:52The shower isn't too hot, not too cold
01:24:55Then I put on the same old clothes
01:24:59And the door brush stops again
01:25:02Oh
01:25:17On the road the confusion begins
01:25:20Pushing filter will rise there on time
01:25:23Like an animal in the jungle
01:25:26Riding white with a clear blue sky
01:25:29And I dream that the day I'll fly away
01:25:33The people who always cared for me
01:25:36But I'm sure this dream will be my future life
01:25:41Take me to America
01:25:44Take me to America
01:25:47Feel like a sky in the fire
01:25:50Take me to only desire
01:25:53Take me to America
01:25:56Take me to America
01:25:58Feel like a sky in the fire
01:26:02Take me to America
01:26:16You