Category
🎥
Short filmTranscript
00:00:00Hey, how much should I take you to my place, baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip her money but you won't fuck a guy?
00:00:28I'm not a hooker. Show some respect.
00:00:32You fucking bitch. I'll show you respect.
00:00:35Mr. Morgan, I am so sorry.
00:00:37She's new here. I've got to train her better.
00:00:40Just have a seat. We'll be with you shortly.
00:00:42Sorry about that.
00:00:48You ungrateful bitch.
00:00:50You remember who saved your ass?
00:00:52When you were knee deep in debt?
00:00:54Me!
00:00:58And how are we doing with the search?
00:01:00Not good, boss. Still going.
00:01:02Find her. I don't care what it takes.
00:01:05I found the perfect one for you. It's about time you settle down and get married.
00:01:12Her name is Carla. She's a daughter of a friend of mine.
00:01:15Dad, we've been over this. I don't need you to find me the perfect woman.
00:01:20Of course I do. You're an Arduin. I have to make sure my son marries the perfect woman.
00:01:24So now all of a sudden you give a shit about me?
00:01:26You never cared when you drove mom away.
00:01:28Or when you sent me to that orphanage all by myself.
00:01:31Silence! How dare you!
00:01:33It's for the Arduin family business.
00:01:35You're marrying Carla Jennings. End of discussion.
00:01:38Dad. Dad.
00:01:45I paid your 500 grand debt. And I gave you a job.
00:01:49Now if you want to quit so bad, pay me back!
00:01:52And get the fuck out of my clump!
00:01:54Please, you know I don't have $500,000. Just give me another chance!
00:01:58Then get the fuck back in there. Apologize to that nice gentleman.
00:02:01And do whatever the fuck he tells you to do!
00:02:04Now if I get any more complaints from our clients, you will be sorry.
00:02:09Got it?
00:02:10Is there a problem here?
00:02:12No, sir. Everything's fine.
00:02:17She looks just like her.
00:02:26Will you marry me?
00:02:28No, let's tell my father I've chosen a wife for myself.
00:02:39Are you sure, boss? She's a stripper.
00:02:42How about we make a deal? Name any price you want, and we get married.
00:02:47I owe my boss $500,000. He's not gonna let me go until I pay it.
00:02:56Anything else?
00:02:57This is your house?
00:03:07It's our house now. Welcome.
00:03:10All right. Sign this agreement, and we'll be contractually married for a year.
00:03:21After that, you can file for divorce. Until then, you're part of the richest family in the country.
00:03:27My heart belongs to somebody else, though. I want you to know that I'm not attracted to you. We're just gonna be married on paper.
00:03:44Is that so? Well, don't worry. I'm not attracted to you either. I just wanted the money.
00:03:54Hey, where am I staying, by the way?
00:04:07Where am I staying, by the way?
00:04:08In the guest room.
00:04:09Total jerk. This is an ad.
00:04:17It's been over 10 years. I miss you so much.
00:04:30I miss you so much.
00:04:32I miss you so much.
00:04:37Nas, I need you to find out everything you can about the woman I just married, see if
00:05:04you grew up in the same orphanage sorry I didn't mean to. This is my bathroom. What do you think you're doing? Nice try trying to use your little tricks to get my attention. It's not gonna work though, sorry.
00:05:32You mind turning that off? I just thought the carpet needed some cleaning. You're here to be my wife not a maid. Who are you? Wait, you're that stripper. What are you doing in Edward's house?
00:06:01I am. Who are you? I am Edward's fiance.
00:06:08Edward, you're marrying a stripper? I thought I was your fiance.
00:06:13My father arranged for us to get married only for the sake of our families. We wouldn't be happy even if we did get married.
00:06:19But I would be happy, Edward. Carla, you know I have someone that I love. She's the one I'm waiting for.
00:06:26I don't know who the fuck you are, but if you think you have a chance against me, you're done with than I thought.
00:06:33Miss, get it straight. I'm not competing with you.
00:06:39Stop it. Edward? Are you defending her now? You're not dumb bitch. You're just a maid.
00:06:52Wow, you got a lot of admirers, huh? Need more that I need to watch out for?
00:06:56Look, if you see me in the living room, don't show your face. Same will go for me.
00:07:02Your house, your rules, big deal!
00:07:09Hi, I'm Velma. I've worked a lot of odd jobs in the city. Waitressing and working in nightclubs.
00:07:25All for a chance to act. I'm also looking for someone. And I hope that one day he sees me on screen.
00:07:48That way he knows that I'm still here.
00:08:05Okay. I hope you see me.
00:08:18That's okay, Sarah. Velma doesn't need to dine with me. Bring my food to my room and I'll eat there.
00:08:28Yes.
00:08:30It's fine. I usually don't eat with people anyway. By the way, I'm going out for a bit today.
00:08:37Where you go is none of my concern.
00:08:41Fine.
00:08:45Is he always this big of a jerk?
00:08:47Excuse him, ma'am. He's just used to living alone.
00:08:51I'm sorry, Sarah. It must be difficult dealing with him every day.
00:08:55It's okay.
00:09:02Yeah. I'll be right there.
00:09:04Okay, sit. So, I heard a funny little rumor that you married the famous billionaire Edward Arduin. Is it true?
00:09:26I didn't know that he was a billionaire until after we were married.
00:09:29You're joking! How did you manage that?
00:09:31Shh!
00:09:33I just signed a contract. It's fake.
00:09:35What?
00:09:36Well, who cares? What are you waiting for? Seal the deal.
00:09:39I know that I can't think about anyone but Algar.
00:09:43T, it's been ten years since you two escaped the orphanage.
00:09:47I mean, Algar could be anywhere. He could be dead.
00:09:49He's not dead!
00:09:50Okay, um, it's okay. I'm sorry.
00:09:54So, what's your plan?
00:09:56Keep things the way they are, I guess, except now I can focus more on acting and not dancing in strip clubs.
00:10:05Hey! That's exciting, right? That's something you've always wanted to do since you were a kid.
00:10:09Is that audition today?
00:10:11Yeah!
00:10:12Yeah!
00:10:19Hi, I'm here for the audition.
00:10:23You think you could just show up like that, you slut?
00:10:30You slut! Are you stalking me?
00:10:33Oh, don't flatter yourself. I'm the lead of this production.
00:10:36She's not auditioning.
00:10:38Sorry.
00:10:39You can't do this! I worked so hard for this opportunity!
00:10:43Oh, like stripping for men and fucking them in strip clubs?
00:10:47Got it!
00:10:48I was dancing, that's it!
00:10:50What's the fucking difference?
00:10:52I eat girls like you for breakfast.
00:10:55Let's go, Derek.
00:10:57No!
00:10:58Please!
00:10:59Wait!
00:11:00Be quiet!
00:11:01No!
00:11:02Please!
00:11:03Wait!
00:11:09Be quiet!
00:11:10No!
00:11:11No!
00:11:40I'm ready for breakfast!
00:11:41You keep crying!
00:11:47Boss.
00:11:48Get the details.
00:11:50Thelma.
00:11:51She went to high school, not far from here.
00:11:53Dropped out.
00:11:54The husband auditioned for films.
00:11:56She worked at night clubs to make a living.
00:12:00Bad relationship with her parents.
00:12:02but not an orphan
00:12:10no name changes
00:12:12and definitely
00:12:13never been to an orphanage
00:12:15I wanted it to be her so bad
00:12:25of course it can't be
00:12:28you've been looking for this girl for 10 years
00:12:31who is she?
00:12:33someone more important to me than life itself
00:12:35oh my god
00:12:47it is her
00:12:49find me the location where this photo was sent
00:12:56got it
00:12:57photos been sent
00:12:58good, where is she?
00:13:00oh
00:13:01out like a lame
00:13:04I guess marrying Edward won't solve everything
00:13:07how about you bet it
00:13:09do whatever you want with her
00:13:10and clean it after you're done
00:13:12I've been searching for you for so long
00:13:32and you were right here
00:13:32boss, he's gone
00:13:42find him
00:13:56and keep this between us
00:13:57got it
00:13:58oh god save me
00:14:00come on, I got you
00:14:02oh god
00:14:03I'm sorry
00:14:17I can't tell you who I am
00:14:21not yet
00:14:23we'll need your names once we're out of here, right?
00:14:41yeah, we're starting a new life
00:14:44I'll be...
00:14:46Thelma, what about you?
00:14:49Algar
00:14:49Helen
00:14:51where are you?
00:14:54you have to run quick
00:14:55trying to escape again?
00:14:57I warned you it's not gonna work
00:14:59looks like I gotta give you some real punishment
00:15:02you go first
00:15:04at least one of us needs to escape
00:15:06no, you go
00:15:08she's gonna kill you
00:15:09I won't let her catch me
00:15:10just go, I'll find you
00:15:12let's meet the amusement park
00:15:18I'll wait for you, Algar
00:15:24oh, you're not going anywhere
00:15:26I'll bring her back, rest assured
00:15:29after I'm done with you
00:15:36I'll wait for you, Algar
00:15:47what happened?
00:15:49nothing to worry about
00:15:50just some issues with the film crew
00:15:52why are you being so nice to me?
00:15:55no reason
00:15:57here, take this card
00:15:59it's unlimited
00:16:01spend it however you want
00:16:02why are you doing this?
00:16:03I don't want your money
00:16:05I don't want your money
00:16:08well, if you need money
00:16:09just let me know
00:16:10and you can stop looking for
00:16:12odd jobs
00:16:17odd jobs?
00:16:19acting is my dream
00:16:21I danced in strip clubs for a living
00:16:23but
00:16:25people like you
00:16:26born from a silver spoon
00:16:27wouldn't understand that
00:16:28then stop doing it
00:16:31we're in a contract marriage
00:16:32right?
00:16:33I won't interfere with your life
00:16:35and you can't meddle in mine
00:16:38acting is something that I've always wanted
00:16:41and besides
00:16:43I'm not going to take your money
00:16:44besides the number that we agreed on
00:16:48you need to rest now
00:16:53do you mind?
00:16:54look at this mess
00:17:15clean it up if you even think about going to bed
00:17:18eat up, you must be starving
00:17:35nah, you probably worked hard for this
00:17:39come on, take it
00:17:41come on, take it
00:17:46I can't believe she locked you out for three days
00:17:48and made you do all this
00:17:50did she even feed you all?
00:17:52you made it easier for me
00:17:54no, get back before she sees you here
00:17:56excuse me, I'm calling to ask about my audition
00:18:17I'm sorry, your name has been blacklisted from reproduction
00:18:21what?
00:18:28this is the dude who took them out
00:18:30I'll send you those pictures
00:18:40how about a drink?
00:18:42there are two glasses of scotch there
00:18:44pick one
00:18:46I'm sorry, Mr. Edward
00:18:48please
00:18:49just a friendly gesture from the boss
00:18:53one more thing
00:18:55only one of those glasses is poison fruit
00:18:58you should have known better
00:19:00that would happen when you kidnapped Emma
00:19:03here, I'll do it for you
00:19:05hold it
00:19:09go
00:19:12go
00:19:15take him away
00:19:20take him away
00:19:27this
00:19:28is what I've become Thelma
00:19:31I hope you never see me like this
00:19:34ruthless
00:19:36merciless
00:19:38both glasses
00:19:40when you silenced the man
00:19:42I simply can't forgive him for what he did
00:19:45what?
00:19:46what?
00:19:47what the fuck happened to you?
00:19:48how did he find you?
00:19:49what happened?
00:19:51oh you can't even talk now?
00:19:53god, you fucking useless
00:19:55inform every production you can reach
00:19:58Thelma will never be an actress
00:19:59make sure of it
00:20:00go!
00:20:01no
00:20:02no
00:20:03no
00:20:04no
00:20:05No
00:20:06no
00:20:07no
00:20:08I'm not
00:20:09no
00:20:10no
00:20:11no
00:20:12no
00:20:13no
00:20:14no
00:20:15no
00:20:16no
00:20:17no
00:20:18no
00:20:20no
00:20:21Are you okay?
00:20:34I've been blacklisted by every production company, even the Actors Guild.
00:20:39What am I going to do?
00:20:40Hey, don't lose heart, okay?
00:20:42I happen to know of an audition going on today if you're interested.
00:20:45Since when did a good friend of mine tip me off?
00:20:48Now come on, let's go.
00:20:49All right, it's better than moping around here.
00:20:51Come on.
00:20:55Here it is.
00:20:56So I can just go in there, just like this?
00:21:00Yes, I got everything set up, okay?
00:21:01Just go ahead, go in, and do your thing.
00:21:04You got this.
00:21:06Break a leg.
00:21:19Why is she doing it here?
00:21:26Who is she?
00:21:27Nobody.
00:21:28She's not here for the audition, too, is she?
00:21:32Well, in that case, we're in for a treat.
00:21:34Karla Ginny, you're up next.
00:21:40You're up next.
00:21:41I can't believe it.
00:21:59It was you all along.
00:22:01That's right.
00:22:05I never thought you'd find me.
00:22:07But it must come to an end.
00:22:10Oh, no!
00:22:12No!
00:22:24Cut!
00:22:24I'm sorry.
00:22:28Were you shot, or did someone just step on your toe?
00:22:32Can I just try again?
00:22:33I was just a bit nervous.
00:22:36Miss Jennings, we are making a thriller with a tragic ending.
00:22:40What you just did was borderline comedy.
00:22:43Excuse me?
00:22:44Yeah.
00:22:45Do you know how close I am with your investor?
00:22:49Sir, she was indeed recommended for the role.
00:22:53May we give her another chance?
00:23:01No!
00:23:02No, no, no, no, no.
00:23:03We are creating art that appeals to our audience,
00:23:06and she is clearly not right for the role.
00:23:09Next!
00:23:11I'm sorry, Miss Jennings.
00:23:12That was great.
00:23:13Maybe another project, or another...
00:23:16What are you still doing here?
00:23:20I thought you were a blacklist.
00:23:21So it was you.
00:23:23You know, if that's the best you got,
00:23:24then I'm not that worried.
00:23:26Do you think you could do better than me?
00:23:29Then you're nothing.
00:23:31Nothing.
00:23:32Yeah!
00:23:33Show us what you got!
00:23:36Selma?
00:23:36Hi.
00:23:39Hi.
00:23:51So it was you.
00:23:53All this time!
00:23:55That's right.
00:23:56I never thought you would find me.
00:23:59But now it must come to an end.
00:24:05No!
00:24:07This can't be it for us!
00:24:15Cut!
00:24:16Well, that was amazing!
00:24:21Oh, you fully captured that role!
00:24:25Congratulations!
00:24:26You get the part!
00:24:27What?
00:24:33What about me?
00:24:34You promised me!
00:24:35Oh, come on.
00:24:36You have to admit,
00:24:37she was exceptional.
00:24:39She is perfect for the part.
00:24:40Girl, you killed it!
00:24:42You were great.
00:24:45I'm Alex.
00:24:46Looks like we're going to be scene partners.
00:24:48Selma.
00:24:48Hey, do you want to go somewhere more private?
00:24:50We can talk about the script.
00:24:52Yeah, sure.
00:25:06What the fuck?
00:25:08Hitting on the wrong girl, buddy.
00:25:09Edward, what are you doing?
00:25:10I need to go talk to Selma.
00:25:14How about you shoot another day?
00:25:20What are you doing?
00:25:22You going to explain yourself?
00:25:23I don't owe you any explanations.
00:25:26So you're seeing new guys?
00:25:30What?
00:25:30No!
00:25:31We were just acting out a scene.
00:25:33A scene where you two get real close?
00:25:35Like a couple?
00:25:35I was just doing my job.
00:25:37There's nothing wrong with it.
00:25:38And besides,
00:25:39even if I was seeing someone,
00:25:41it would be none of your business!
00:25:49Yay!
00:25:51I heard you got the lead role.
00:25:53That's amazing.
00:25:54I knew you'd kill it.
00:25:56Janet, what is Edward doing here?
00:25:58Who?
00:25:58Come on, you know who I'm talking about.
00:26:00Oh, um, gosh, you still don't know, do you?
00:26:05For what?
00:26:08Well, he's actually the investor of this movie.
00:26:11This is his project.
00:26:18Why did you bring me here then?
00:26:20Well, it was actually his idea.
00:26:23Yeah.
00:26:23Hello?
00:26:29Hi, is this Jean?
00:26:30Who is this?
00:26:31This is Edward Arduin.
00:26:33I recently invested in a film project,
00:26:35and I want you to take your friend Thelma.
00:26:37I think she'll be great for a lead role.
00:26:40Wait, wait, you're Edward Arduin?
00:26:42I wired the payment to your account.
00:26:45Wait, wait, wait!
00:26:46I still can't believe I spoke to the legendary Edward Arduin.
00:26:54I can't believe you knew all this time,
00:26:56and you didn't tell me.
00:26:58Oh, well, don't look at me.
00:26:59I'm just the middle man doing somebody else a favor, okay?
00:27:02And you still got the lead.
00:27:04It's amazing.
00:27:06But, you know, a lot of people say that Edward's not very nice.
00:27:10He's like a stone-cold man.
00:27:12Why is he being so good to you?
00:27:14Yeah, I don't get it either.
00:27:17I mean, women must be throwing themselves at him.
00:27:21Why would he help me?
00:27:30Maybe he's fallen for you.
00:27:32Come on.
00:27:33That's impossible.
00:27:34He said some pretty harsh stuff earlier, so...
00:27:37Wow.
00:27:38Is that why you look all gloomy?
00:27:40What happened?
00:27:41Did you guys fight?
00:27:41He saw me doing a scene with another actor, and...
00:27:47It's...
00:27:48Whatever.
00:27:52Why do you care what he thinks, though?
00:27:56Come on, girl.
00:27:57This does not sound like you.
00:27:59Are you sure you haven't fallen for him, too?
00:28:01No, it's just...
00:28:03There's something about him that's...
00:28:07Familiar, like...
00:28:09Like...
00:28:10I've seen him before.
00:28:13Hmm.
00:28:13Thank goodness you're here, Helen.
00:28:34This place is depressing.
00:28:35I don't know if I could make it without you.
00:28:39You're the one protecting me.
00:28:42I can't stand watching him getting hurt.
00:28:44You're as sweet as a sugar pea.
00:28:46Can I call you sugar pea?
00:28:47Sure.
00:28:48As long as I can call you my little rock.
00:28:51Why little rock?
00:28:52Because you make me feel safe.
00:28:54Like a rock that'll never break.
00:28:57Deal.
00:28:57No.
00:29:05Elker.
00:29:07What have you done to me?
00:29:14I see your face everywhere.
00:29:25Oh, good.
00:29:26Just in time.
00:29:35Damn.
00:29:38Why are you being so nice to me?
00:29:44Look, I'm...
00:29:45Sorry about today.
00:29:47It was...
00:29:48Stupid of me to react that way.
00:29:51No, I mean...
00:29:52Why did you help me get the role for your film?
00:29:56Well, you won't take my money, and I can't allow the wife of Edward Ardoin to just work a regular job.
00:30:08Oh, okay, so that's why.
00:30:13They're all rich people listening to themselves.
00:30:16What was that?
00:30:17Nothing.
00:30:18This is great.
00:30:19You know, you can be real sweet sometimes.
00:30:26This is delicious.
00:30:29I'm glad you like it.
00:30:32Sweet pea.
00:30:33Good morning, ma'am.
00:30:38Edward is left already.
00:30:42Oh, I saw you were cooking last night.
00:30:44I watched through utensils.
00:30:47Uh, yeah.
00:30:48It was Edward.
00:30:50He was the cook.
00:30:52Edward.
00:30:52I got to go.
00:30:54Are you cooking?
00:30:56Are we good?
00:31:01What is going on?
00:31:03What are we waiting for?
00:31:04Let's get started.
00:31:06One of our lead roles is not here yet.
00:31:08Oh, my God.
00:31:10The one thing I ask everyone here is to be professional.
00:31:16Woo!
00:31:16Sorry, guys.
00:31:18Traffic was nightmare.
00:31:20All right.
00:31:20I'm ready to start.
00:31:21Wait, I thought that she didn't get the part.
00:31:25Well, how about that?
00:31:26Looks like I'm going to be playing your SD.
00:31:30After this, nobody's even going to remember you.
00:31:34We'll see about that.
00:31:3842 Delta, take two.
00:31:41Ready and action.
00:31:44You have to leave now.
00:31:45Not without the love of my life.
00:31:47I'll wait for him no matter what.
00:31:51Cut, cut, cut.
00:31:57What do you think you're doing?
00:31:58Just playing my role.
00:32:00I don't want to say that maybe I'm just using it.
00:32:03Carla.
00:32:04What the hell was that?
00:32:06That wasn't even in the script.
00:32:07I was just adding some extra touch to it.
00:32:10You know?
00:32:10For the sake of art.
00:32:11Art?
00:32:12A slap doesn't make any sense.
00:32:15And who gave you the authority to change my script?
00:32:19It's fine.
00:32:21She can hit me.
00:32:22Oh.
00:32:24Thelma, are you sure about that?
00:32:26It's all good if it's all for the sake of the effect.
00:32:29Wow.
00:32:30I knew I was right.
00:32:32I'm choosing you as my lead.
00:32:34Okay, okay.
00:32:35Uh, back to ones, please.
00:32:37Yes, thank you.
00:32:38Can you pick up my script?
00:32:40And action.
00:32:42You have to leave now.
00:32:44Not without the love of my life.
00:32:46I'll wait for him no matter what.
00:32:48Edward.
00:32:55Good to see you here.
00:32:57Were you watching me?
00:32:59Me and Thelma make a perfect D. Noe.
00:33:02Jay, have these two switch roles.
00:33:05I want Thelma to do the slapping.
00:33:08Since it's all for the sake of art.
00:33:10But Thelma's the lead.
00:33:18Yeah, that wouldn't make any sense.
00:33:21We can't make more changes to the script.
00:33:23Ed, we're already behind.
00:33:24Better get right to it then.
00:33:26You don't have to do this for me.
00:33:29I'm not doing it for you.
00:33:30I'm doing it for my own investment.
00:33:37All right.
00:33:38Uh, we have added a line to the script.
00:33:42So now, Thelma, uh, Carla's new line will be your cue for the slap.
00:33:48Got it?
00:33:50All right.
00:33:51And, uh, action.
00:33:54You have to leave now.
00:33:56Not without the love of my life.
00:33:58I'll wait for him no matter what.
00:34:00But what if he's dead?
00:34:01What if he finds somebody else?
00:34:03You're just gonna spend the rest of your life waiting for someone who will never come?
00:34:08Then I'll be sure to leave no room for regret.
00:34:18Cut!
00:34:20Oh, bravo!
00:34:22That was perfect, Thelma!
00:34:24You handled that perfectly!
00:34:27Thelma, were you not supposed to stop Carla after that line?
00:34:30Uh, no need for that.
00:34:32I think that my character is above that kind of pettiness.
00:34:44I'm going to expose you, Thelma.
00:34:47Sooner or later.
00:34:48Where are you, my little rock?
00:35:02I'm doing fine.
00:35:04Don't you worry.
00:35:05You know it's bad to waste food.
00:35:10Do you think you deserve to be punished?
00:35:12Yes, headmistress, I do.
00:35:15Ma'am, Helen's sick.
00:35:16That's why she couldn't finish.
00:35:18Isn't that sweet?
00:35:20Too bad.
00:35:21She's getting more punishment because of you.
00:35:24Isn't that sweet?
00:35:25Well, if you so insist,
00:35:27you can take it for her!
00:35:28Oh, get off!
00:35:31You're alright!
00:35:44Found the worker who leaked info to our computer.
00:35:47A manager who's worked with us for 20 years.
00:35:51What do we do with him?
00:35:53Uh, fire him.
00:35:56Zoom him if we need to.
00:35:57You can't have disloyalty in the company.
00:36:00It might ruin him and his family.
00:36:03So be it.
00:36:05Alright.
00:36:06We'll see you next time.
00:36:11Bye-bye.
00:36:12Bye-bye.
00:36:14Bye-bye.
00:36:15Bye-bye.
00:36:15Bye-bye.
00:36:16Bye-bye.
00:36:16Bye-bye.
00:36:17Bye-bye.
00:36:17Bye-bye.
00:36:18Bye-bye.
00:36:18Bye-bye.
00:36:19Bye-bye.
00:36:19Bye-bye.
00:36:20Bye-bye.
00:36:20Bye-bye.
00:36:20Bye-bye.
00:36:20Bye-bye.
00:36:20Bye-bye.
00:36:21Bye-bye.
00:36:21Bye-bye.
00:36:22Bye-bye.
00:36:22Bye-bye.
00:36:23Bye-bye.
00:36:23Bye-bye.
00:36:24Bye-bye.
00:36:25Bye-bye.
00:36:25Bye-bye.
00:36:26Bye-bye.
00:36:27Bye-bye.
00:36:28Bye-bye.
00:36:29Bye-bye.
00:36:30Bye-bye.
00:36:31Bye-bye.
00:36:32Bye-bye.
00:36:33Bye-bye.
00:36:34Elk her
00:36:49Elk her
00:37:04Elk her
00:37:21Where's my
00:37:32Oh no no no
00:37:49Morning
00:37:50What are you doing?
00:37:53Nothing
00:38:01I carried you to your bed last night and that was it
00:38:12No seriously what are you doing?
00:38:14Nothing sweet pea
00:38:16What did you just call me?
00:38:18Sweet pea
00:38:22You said it in your sleep last night
00:38:27You see well don't ever do that again
00:38:30Sure
00:38:31Hi
00:38:44Could you maybe explain this scene a little bit? I'm not sure if I get it
00:38:49I mean it is pretty straight forward to just do what it says without improvising
00:38:56Thelma you were so great yesterday
00:39:00I want to go over this one part
00:39:02Uh now when you say this line
00:39:04Um about
00:39:05We'll see who wins
00:39:09Nos
00:39:10What am I doing this afternoon?
00:39:11Well
00:39:12It's kind of a very important meeting
00:39:15Did you forget?
00:39:17Canceled
00:39:18Send them my apologies
00:39:20What?
00:39:21What?
00:39:22So what do you normally do when you're not working?
00:39:25Uh
00:39:26I do striptease
00:39:27Oh
00:39:28I was thinking more along the lines of going to the movies
00:39:33There's actually a good one out right now
00:39:36I mean maybe if you're interested we could try to catch it together
00:39:39Sorry but I really need to focus on this job right now
00:39:42Oh yeah sure sure
00:39:45You're a really interesting person to talk to you know that?
00:39:50Edward
00:39:52Are you here to see me?
00:39:55Oh you're brutal dad
00:39:59Edward?
00:40:00It's not for you
00:40:01I'm sorry
00:40:02Why is she still talking about me?
00:40:05Go put the snacks in the lounge
00:40:07Got it boss
00:40:12Edward?
00:40:15What's your name again?
00:40:17Actually
00:40:18Doesn't matter
00:40:19What were you talking to my wife about?
00:40:29Oh
00:40:31Thelma I
00:40:32I had no idea that you were married
00:40:35Oh
00:40:36Don't worry about it man
00:40:37We were just talking about stuff in the script
00:40:39Is that right?
00:40:40Hey so you must be
00:40:42Edward Ardoin
00:40:44I've heard a lot about you
00:40:45I'm Alex
00:40:46Cool
00:40:47Bye Alex
00:40:48Great
00:40:49Yeah
00:40:50I'll see you later
00:40:51Thelma
00:40:52No you won't
00:40:53Good you guys are all here
00:40:55Edward brought snacks
00:40:56They're in the lounge if anyone wants them
00:40:58Yes I'll come
00:41:02Snacks
00:41:06Edward doesn't usually come to set this often
00:41:08He's quite the busy man
00:41:09He's quite the busy man
00:41:10I think he's here to see you
00:41:11He's here to see Carla not me
00:41:13Oh please
00:41:14Can you not see the way he looks at you?
00:41:17Whatever
00:41:18Oh
00:41:20Speak of the devil
00:41:22I will give you two some privacy
00:41:23Wait
00:41:24No don't
00:41:25Excuse me
00:41:32You're getting out of hand
00:41:33Don't forget
00:41:34Don't forget
00:41:35I'm the one who hired you
00:41:36Excuse me?
00:41:38Stay away from Alex
00:41:39Got it?
00:41:40What are you talking about?
00:41:41There's nothing going on between us
00:41:42Besides
00:41:43You came here to see Carla
00:41:48So you're jealous
00:41:50What are you talking about?
00:41:51I'm not just
00:41:52What are you doing?
00:41:53Carla and I are together
00:41:54I'm here for you
00:41:55You really expect me to believe that?
00:41:56Don't look
00:42:01Yeah girl?
00:42:02What?
00:42:03I'm not taking care of guys
00:42:04You're whishing William
00:42:06Jen, I'm not just
00:42:06But
00:42:09We're here to see that
00:42:10Carla and I aren't together
00:42:11I'm here for you
00:42:12You really expect me
00:42:13to believe that?
00:42:15Don't look
00:42:17Yeah girl?
00:42:18What?
00:42:23Jane are you absolutely sure?
00:42:26Yes, positive
00:42:29I used to
00:42:29know this guy from the streets
00:42:30and he and Al grew
00:42:31and he and Algar drifted around for months.
00:42:34So where is he?
00:42:35Well, they later got separated, so he has no idea after that,
00:42:39but that's got to mean that Algar's still alive, right?
00:42:43Oh my goodness.
00:42:44Thank you so much.
00:42:46You have no idea how much this means to me.
00:42:47It's been ten years.
00:42:51Don't forget, you are married too.
00:42:53What are you going to do?
00:42:55I'll divorce him once our contract is up.
00:42:58I needed the money.
00:42:59Maybe Algar will understand.
00:43:02I don't know.
00:43:03Edward seemed really into you.
00:43:07Actually, Jane, I think I should keep my distance from him.
00:43:21You okay?
00:43:22Yeah.
00:43:27Want to tell me what happened?
00:43:29I just want to be alone for a bit, okay?
00:43:33Is this about Carla?
00:43:35I told you I went to see you, not her.
00:43:39Edward, I don't care who you're seeing.
00:43:41We're only married on paper, right?
00:43:43Is this because we're moving too fast?
00:43:54Is this about Carla?
00:43:57I told you I went to see you, not her.
00:44:00Edward, I don't care who you're seeing.
00:44:02We're only married on paper, right?
00:44:04Is this because we're moving too fast?
00:44:12I just think that we should keep our distance.
00:44:15Please.
00:44:16Please.
00:44:16I thought she was playing hard to get, huh?
00:44:25Maybe she doesn't want to seem too eager.
00:44:28I mean, why would anyone reject you?
00:44:31It's impossible.
00:44:33Come on.
00:44:34Let's get to the set.
00:44:39Hey, Thelma.
00:44:40You'll be wearing this dress for the next scene.
00:44:42Is that okay?
00:44:42That's fine.
00:44:43So you think you could just take whatever you want?
00:44:53I thought this was my personal changing room,
00:44:55like it's always been.
00:44:57Carla, this room is for the lead role.
00:45:00Yours is outside.
00:45:02Well, actually, I'm all done here.
00:45:05Carla loves taking things that aren't hers.
00:45:07Be my guest.
00:45:08Use it.
00:45:09Oh.
00:45:10Well, aren't you quite generous?
00:45:13Then, hmm?
00:45:14Edward's not here, so you can drop the act.
00:45:17We actually need to get back to work,
00:45:19if there's nothing else.
00:45:21Actually, I can finish my makeup myself.
00:45:27Go on.
00:45:28What do you want to talk about?
00:45:29Let's make a deal.
00:45:31A deal?
00:45:35Who the fuck do you think you are?
00:45:37Well, as far as I know, I'm Edward's wife.
00:45:45Gunner, deal.
00:45:46Stop picking fights with me.
00:45:47Stop giving me a hard time on set,
00:45:49and I won't take anything away from you.
00:45:51I'll actually help you with whatever you and Edward have going on.
00:45:54All right, deal.
00:46:00I'm done with this room, by the way.
00:46:02It's yours if you still want it.
00:46:03I don't need your pity.
00:46:18Don't you have, like, business to run?
00:46:20What are you doing here all day?
00:46:21Hey, um, actually, about what happened.
00:46:31I think that we should talk.
00:46:34Why don't you meet me in the lounge after we wrap up?
00:46:37Why can't we talk now?
00:46:39Want it to be a surprise.
00:46:41See you later.
00:46:42See you later.
00:46:42See you later.
00:46:44What does she want to talk about?
00:46:54Does she not want to see me?
00:46:57Hi, Edward.
00:46:59Carla?
00:47:01Why are you here?
00:47:03Where's Stella?
00:47:04Who should I know?
00:47:05What are you doing?
00:47:11Are you trying to set those two up?
00:47:13Yeah, and if they're together,
00:47:15then they'll have nothing to do with me.
00:47:17Sounds like a terrible idea.
00:47:20Well, if you have a better idea,
00:47:21then let's hear it.
00:47:26Edward!
00:47:26If they're together,
00:47:31then they'll have nothing to do with me.
00:47:34Well, as long as you're okay with this.
00:47:37Of course I am.
00:47:38Why wouldn't I be?
00:47:40I mean,
00:47:41now I can just focus on what really matters,
00:47:44and I can try to find Algar.
00:47:48Edward!
00:47:48What the fuck are you doing?
00:47:56Whatever games you're playing,
00:48:00you need to stop.
00:48:01What are you talking about?
00:48:02You came here to see Carla, right?
00:48:05Thelma, come on.
00:48:07Edward,
00:48:07we're going to be divorced really soon.
00:48:10So?
00:48:10So if you're attracted to somebody,
00:48:13then go for it.
00:48:13I want you to be happy.
00:48:14The only person I love is you.
00:48:21Edward, how could you?
00:48:25Everything I do for you, Carla,
00:48:26I do for your father.
00:48:29He looked out for me,
00:48:30so this is me hanging back.
00:48:40I'm already in love with somebody else.
00:48:43It's never going to be you.
00:48:45But if that man didn't exist,
00:48:46would you consider me?
00:48:48Stop it, Edward.
00:48:49It's never going to happen.
00:48:50What do I do, Algar?
00:48:58I know you're out there.
00:49:00What do I do?
00:49:01Boss, you've been here for a while.
00:49:16Is everything okay?
00:49:20Why don't you tell her
00:49:21you're the one she's looking for?
00:49:24Do you remember what I did
00:49:25to return to the Ardoin family?
00:49:27About Algar.
00:49:41Are you telling me
00:49:42that Mr. Ardoin knows
00:49:44his illegitimate son
00:49:46is Algar?
00:49:47Yes.
00:49:48And now the old man
00:49:50wants him back.
00:49:52Mmm.
00:49:52Another brat to share
00:49:53their inheritance.
00:49:54If I could only
00:49:56get rid of his mother,
00:49:58getting rid of him
00:49:59shouldn't be a problem.
00:50:01Madam,
00:50:02it's our fault.
00:50:04Please don't withdraw
00:50:05your donation
00:50:06to the orphanage.
00:50:07If we work together on this,
00:50:10I could even help you.
00:50:13Get rid of Algar
00:50:15for good.
00:50:18Mmm.
00:50:21Take care of it.
00:50:22But make sure
00:50:24I'm not going to lose it.
00:50:28Shall we go to the
00:50:29Rose Garden?
00:50:30Yes, please, sir.
00:50:31I have to see it.
00:50:32I've heard it.
00:50:33Good news, sir.
00:50:34Yes.
00:50:37I got rid of the woman
00:50:39who killed my mother
00:50:40and sent me to an orphanage.
00:50:44I eliminated everyone
00:50:45associated with her
00:50:46over the years.
00:50:52I did whatever it took
00:50:56to gain my father's approval,
00:50:59to secure my inheritance.
00:51:02My methods were ruthless.
00:51:05My conscience,
00:51:07callous.
00:51:09You did what you had to do.
00:51:12And now I'm a different man.
00:51:14A monster she doesn't even recognize.
00:51:16If she finds out
00:51:18this is the man
00:51:19she's been looking for
00:51:20all these years,
00:51:20it'll drive her away.
00:51:24I can't lose her again.
00:51:29So it was true?
00:51:30Argonne and I,
00:51:37we roamed the city
00:51:41for a winter
00:51:41and a lot of people say
00:51:44he made some enemies.
00:51:47One night,
00:51:48under the bridge
00:51:49where we slept,
00:51:50he got stabbed
00:51:51and he died.
00:51:54No.
00:51:56You're mistaken.
00:51:57He always had a ring with him.
00:51:59It was a nice ring.
00:52:02I think it had the letters
00:52:03A and H on it.
00:52:07I told him he could
00:52:08pawn it for a few bucks,
00:52:10but he just kept it with him.
00:52:13No, he can't just be gone.
00:52:16He can't just be gone.
00:52:17It's okay.
00:52:19It's okay.
00:52:19Oh, Thelma.
00:52:29Sweetie, what's wrong?
00:52:31Oh, my God.
00:52:32Baby, you have an evening
00:52:33three days.
00:52:35Can I get you something?
00:52:37Anything?
00:52:38It's not good for you.
00:52:40Oh, my God.
00:52:43It's okay.
00:52:44It's okay.
00:52:45This is my fault.
00:52:51She's burning up.
00:52:52The doctor said
00:52:53it was from emotional distress
00:52:55and not eating.
00:52:58Go make her something light.
00:53:00I'll stay with her.
00:53:01Yes.
00:53:02You need to get some rest
00:53:10and let me handle this.
00:53:12No, it's okay.
00:53:13Leave it to me.
00:53:15Look, I know you care,
00:53:17but I've never seen you
00:53:18do this for anyone.
00:53:20And if the old lady were here,
00:53:21she'd be heartbroken
00:53:23to see you this exhausted.
00:53:26Don't worry about me, Sarah.
00:53:27You can go now.
00:53:28Please eat and get better.
00:53:45Oh, my God.
00:54:14Are you okay?
00:54:16I've been trying to call you
00:54:17ten times.
00:54:18You haven't done
00:54:19something stupid, have you?
00:54:21I can't find a reason to go.
00:54:24Stop saying that, okay?
00:54:26Don't listen to what
00:54:27that guy said.
00:54:28He doesn't know
00:54:28what he's talking about.
00:54:30If he never found Algar's body,
00:54:32maybe he's still alive.
00:54:35You've waited ten years, okay?
00:54:38You're sure you're
00:54:38going to give up now?
00:54:40Don't you want to find out
00:54:41the truth for yourself?
00:54:42Yeah, you're right.
00:54:46I should keep going.
00:54:48Good.
00:54:49Now go get some sleep
00:54:50and get back to set, girl, okay?
00:54:52That is something
00:54:53that you've always wanted,
00:54:54and you're not going
00:54:55to screw it up, all right?
00:54:57Yeah.
00:54:59I understand.
00:55:02I'll keep going for Algar.
00:55:03I want that bitch, Ted.
00:55:08You got that thing ready?
00:55:12Sure, I would do the job.
00:55:18All right.
00:55:19Don't mess this up.
00:55:21Ready for the first day.
00:55:23Coming!
00:55:23Coming!
00:55:24Coming!
00:55:24Coming!
00:55:25Coming!
00:55:26Coming!
00:55:26Coming!
00:55:27Coming!
00:55:27Coming!
00:55:28Coming!
00:55:28Coming!
00:55:29Coming!
00:55:29Coming!
00:55:30Coming!
00:55:30Coming!
00:55:31Coming!
00:55:31Coming!
00:55:32Coming!
00:55:32Coming!
00:55:33You wanted to see me?
00:55:36Yes.
00:55:37It is about the scene
00:55:39we were stabbed.
00:55:39We will be using this
00:55:41as a prop.
00:55:42So once the safety
00:55:44is clicked off,
00:55:45the blade will go back
00:55:46inside itself upon impact,
00:55:47so don't worry.
00:55:48It's not going to hurt you.
00:55:50See?
00:55:51Nice.
00:55:54Exactly.
00:55:54Thelma, Karla, all set.
00:56:02All departments ready?
00:56:08And action.
00:56:09Wait.
00:56:10Cut, cut, cut, Edward?
00:56:17Are you okay?
00:56:18Oh, God, how did this happen?
00:56:20Edward, don't die on me.
00:56:25Please.
00:56:26I know that my past is complicated
00:56:28and I'm not worthy of your time
00:56:30or your love.
00:56:32What makes me so special?
00:56:34Okay, I admit,
00:56:39I think somewhere along the way
00:56:41I became attracted to you
00:56:43and I know that you keep
00:56:44this stone-cold face,
00:56:47but I know that
00:56:48that's not the real you.
00:56:52Please.
00:56:54Show me the real you.
00:56:55Let me in.
00:57:00Edward!
00:57:00Edward!
00:57:01Edward!
00:57:04What are you doing?
00:57:08That's not funny.
00:57:09I was worried sick.
00:57:10What's the matter with you?
00:57:11How else could I get
00:57:12such a lovely monologue?
00:57:14Okay, you know what?
00:57:15I'm going to go get a doctor.
00:57:16No, no, no.
00:57:17No.
00:57:17I'm fine.
00:57:19No.
00:57:20Look, not even a scratch.
00:57:22Just need a minute.
00:57:23Are you sure?
00:57:24It seemed pretty serious.
00:57:26Yeah, the knife didn't even
00:57:27get to me.
00:57:29Something blocked it.
00:57:31Really?
00:57:32Where is it?
00:57:32No.
00:57:34Nothing.
00:57:35I'll find out what happened today.
00:57:37Meanwhile,
00:57:39be more careful on set.
00:57:40Yeah?
00:57:41No, don't worry about it.
00:57:43You're the patient.
00:57:44Just rest up now.
00:57:47I heard everything
00:57:48you were saying, by the way.
00:57:50Okay.
00:57:50You know what?
00:57:51I'm really getting you a doctor now.
00:57:52Just shut up.
00:58:03You...
00:58:05saved my life.
00:58:06How you doing, boss?
00:58:12Oh, not too shabby.
00:58:15So, what do you plan to do with karma?
00:58:19Cool.
00:58:20Almost forgot.
00:58:22Let's get payback.
00:58:23Let's go.
00:58:24I'm not sure what we're going to do
00:58:28after your little incident.
00:58:31I'm sorry.
00:58:32I wasn't thinking.
00:58:33It won't happen again.
00:58:34I promise.
00:58:35Jay, get a replacement for her role.
00:58:37She's done.
00:58:43Edward, what are you saying?
00:58:44I told you to stop
00:58:45pulling these tricks behind my back.
00:58:47I didn't do anything.
00:58:49Don't listen to her.
00:58:50She's making it all up.
00:58:51Carla had someone on the prop team
00:58:53switch the fake knife
00:58:54with a real one.
00:58:55She almost killed Thelma
00:58:56and myself.
00:58:58Edward, I'm sorry.
00:59:00I messed up.
00:59:01Please, please give me another chance.
00:59:04I've given you plenty of chances.
00:59:07Really, Edward?
00:59:09After all these years?
00:59:11Please stop embarrassing yourself.
00:59:14Hey, I...
00:59:17Doing all of this for a man,
00:59:18I hope it's worth it.
00:59:21Edward, you know everything I did
00:59:23is because I love you.
00:59:26If you try hurting her again,
00:59:28you will be sorry.
00:59:36Hand her over to the police.
00:59:41Well, now that that's over,
00:59:43we should talk about
00:59:44what you said to me earlier.
00:59:46Which is what?
00:59:48That you were attracted to me.
00:59:53No, we're not gonna talk about that.
00:59:55That's not fair.
00:59:56You tricked me.
00:59:58Got it.
00:59:59What if the person you're looking for
01:00:16is me?
01:00:20Don't be ridiculous.
01:00:22Besides, you come from a rich
01:00:26and powerful family
01:00:27and he's an orphan
01:00:28like me.
01:00:32And he's incredibly kind.
01:00:34He wouldn't even step on an ant.
01:00:38I can't say the same thing about you.
01:00:43People can change.
01:00:44And I'll never stop searching for him.
01:00:47I'm afraid that you can't stop me.
01:00:56Am I even worthy of love?
01:01:03Am I even worthy of love?
01:01:04You're a billionaire.
01:01:07I'm sure that there's plenty of women
01:01:09fighting over you.
01:01:11Plus,
01:01:12I stand by what I said.
01:01:18I don't think that this Edward
01:01:19is the real you.
01:01:23Do you remember when we first met?
01:01:25You saved me.
01:01:28You're a good person.
01:01:29You're kind to Nos.
01:01:32To Sarah.
01:01:36You'll find the love that you deserve.
01:01:44He's gone.
01:01:49I waited ten years
01:01:50and he's just gone.
01:01:55Do you like the man I am now?
01:01:58It doesn't matter.
01:01:59We're getting divorced in a year.
01:02:05If I give you all my properties
01:02:06and assets,
01:02:08can we not get a divorce?
01:02:10Oh.
01:02:14No.
01:02:14No.
01:02:29My head.
01:02:37Do you remember what happened?
01:02:47He said something about
01:02:48money
01:02:50and assets
01:02:51and then after that,
01:02:54not a thing.
01:02:59All right.
01:03:02Okay.
01:03:03Back to work.
01:03:03Come on.
01:03:03I can't be watching people get arrested all the day.
01:03:10Can we talk?
01:03:11I heard you've been looking for someone.
01:03:15Yes.
01:03:20I believe this could be helpful.
01:03:24This place is reopening soon.
01:03:27I'd like for you to come.
01:03:28What does this have to do with the man that I'm looking for?
01:03:33You'll see.
01:03:34Okay, I'll go.
01:03:38Good.
01:03:40I don't want to spoil the place.
01:03:42What does this have to do with Edward?
01:03:44You'll see.
01:03:48Look at that.
01:03:49See?
01:03:50Oh my God.
01:03:51Yes, I trusted you.
01:03:52Guys, we're blowing up.
01:03:54What do you mean?
01:03:55After we posted the behind the scenes,
01:03:57we went viral.
01:03:59Thelma became a sensation.
01:04:01She's now trending number one.
01:04:02Big star.
01:04:04Trending?
01:04:05Does this mean more money?
01:04:06Of course it does.
01:04:07And that is just the easy part.
01:04:10I was thinking about my next movie
01:04:12and I want you to be in it.
01:04:15Wow.
01:04:16This is a dream come true.
01:04:18And we're having a wrap party
01:04:20at the hottest bar tonight.
01:04:22All right.
01:04:22You'll wonder who's so generous.
01:04:24Boss, about this new contract.
01:04:35Do you think Thelma will be surprised
01:04:36by the party I'm throwing for her?
01:04:38Oh, definitely.
01:04:40So should I pick her up
01:04:41or do I just show up at the party?
01:04:44You don't do this often, do you?
01:04:46Great party, Edward.
01:05:06It'll only be fitting, right?
01:05:07I'm not entirely bad.
01:05:11So, thank you.
01:05:14How would you like to thank me?
01:05:16Sorry, everybody.
01:05:17Attention, attention.
01:05:18Thank you, thank you.
01:05:19First off, this has been an amazing three months.
01:05:26I'd like to thank everybody in here.
01:05:28And here is to its huge success.
01:05:33Cheers.
01:05:34Cheers.
01:05:34Cheers.
01:05:35Mm-hmm.
01:05:36And now, a few words from Edward,
01:05:40the man, the big boss.
01:05:41Without him, none of this would be possible.
01:05:44Thank you all so much.
01:05:46I just want to say how grateful I am
01:05:49for the opportunity.
01:05:51Jay is an exceptional director.
01:05:54His casting, remarkable.
01:05:57Thelma's performance in particular,
01:05:58out of this world.
01:06:00And I'd like to take this moment
01:06:01to tell her that I'll always
01:06:04be there to support her.
01:06:07Cheers.
01:06:11Thelma, the superstar!
01:06:14Stop it.
01:06:15By the way, do you think Alger
01:06:17will watch my new show?
01:06:19Do you think he'll recognize me?
01:06:21No.
01:06:22Thelma, I know this is really hard to hear,
01:06:25but you've got to let him go.
01:06:28Alger's gone.
01:06:30I'm not giving up until I know for sure.
01:06:43Hey!
01:06:44Let me out!
01:06:51Thelma!
01:06:52Are you quitting?
01:06:54What are you talking about?
01:06:55Production told me you turned down
01:06:57Jay's new project,
01:06:58and you didn't show up
01:06:59for any of the promo events.
01:07:00What new project is this about?
01:07:02Who told you this?
01:07:04Oh.
01:07:05Oh, no.
01:07:05It couldn't be Edward.
01:07:10Could it?
01:07:11Edward?
01:07:12Edward?
01:07:14So, he turned it down
01:07:16and he told everybody that I quit?
01:07:18Maybe he thought it was for your own good?
01:07:21Interfering with my career
01:07:23without telling me?
01:07:24How is that for my own good?
01:07:25I mean, Mr. Ardoin is in a meeting right now.
01:07:33You've got me out of my way.
01:07:35Apologies, gentlemen.
01:07:36Let's take a break.
01:07:37We'll continue this afternoon.
01:07:42Did you turn down the offer for my new film?
01:07:44Can I explain?
01:07:51This will terminate our contract marriage.
01:07:54The deal is over.
01:07:56What do you mean?
01:07:58I'll pay the penalty
01:07:59for breaching our contract.
01:08:01Once it's settled,
01:08:01I don't want you meddling in my life anymore.
01:08:04You almost got hurt on set.
01:08:06I was trying to protect you.
01:08:07God, I don't need your protection, okay?
01:08:10I can look out for myself.
01:08:11This is my life.
01:08:12You're making a big mistake here.
01:08:16Just stay out of my work
01:08:17and my personal life, Edward.
01:08:19We're done.
01:08:27Hey, it's Thelma.
01:08:28Can I see you real quick?
01:08:32Thelma, you're very talented.
01:08:36It was such a shame just seeing you give up.
01:08:38But I knew you had it in you from this start.
01:08:43I saw it in you all the way.
01:08:48Now I strictly get to make decisions for myself.
01:08:52Now let's see this next project.
01:08:54X project, X project, X project, here it is.
01:09:00What do you think?
01:09:05Let's just say that it's a pleasure doing business with you, Jay.
01:09:13Congratulations.
01:09:16Come on.
01:09:28Please move.
01:09:28I'm leaving it.
01:09:29You need to calm down.
01:09:30What are you doing?
01:09:31Excuse me.
01:09:31I'm perfectly calm.
01:09:33How about we both compromise?
01:09:35You continue with your acting
01:09:36as long as it's through Ardoin investments.
01:09:39You still don't get it, do you?
01:09:41I'm not your accessory.
01:09:42I'm not a part of the Ardoin family.
01:09:44Plus, the only person that can make decisions for me is myself.
01:09:48Can't we talk about it for the sake of our relationship?
01:09:53Look, I'm thankful for everything you've done for me.
01:09:58You've crossed the line.
01:10:01Goodbye, Edward.
01:10:05Oh, Thelma.
01:10:07Look, I have rarely seen Edward smile since his father passed away.
01:10:11And he's like a new man now that you're here.
01:10:15I'm sorry, but I can't stay here.
01:10:20It's okay, Sarah.
01:10:23Let her go.
01:10:23Since when did we become stalkers?
01:10:44Where is she?
01:10:46I know she has a bunch of crazy fans trying to get her attention,
01:10:48but if those assholes think they have a shot with my woman...
01:10:50You've not seen the news?
01:10:52Thelma has announced she's single again.
01:10:56What?
01:10:56Yeah, even a bunch of haters have turned into fans now.
01:11:00Especially after watching her show.
01:11:09Damn it.
01:11:10Knew that guy was up to do good.
01:11:11Thelma, Thelma, Thelma, Thelma, are you still working with Ardawan Investment Family?
01:11:25The Ardawan Family's never officially announced your divorce.
01:11:27Is there something that they're hiding?
01:11:29Was your marriage to Edward Edward in strictly business, like the tabloids say?
01:11:33Uh, why don't you ask the man himself?
01:11:49Hey, Mr. Ardawan, you got a second?
01:11:51I don't.
01:11:53I'm sorry.
01:11:53So, Mr. Ardawan, what brings you here?
01:12:00Thinking of joining the entertainment industry?
01:12:02You know why I'm here.
01:12:04Sorry, I can't help you with that.
01:12:07Uh, so this new film is a romantic drama with some comedy.
01:12:12You're an interesting movie, too, yeah.
01:12:14I was like...
01:12:15You ever want any...
01:12:16Like, let's go!
01:12:18No.
01:12:19Not yet.
01:12:19As always, I would love to thank our amazing director, Jay, for all of his amazing visions
01:12:25and everyone else who's helped me on this incredible journey.
01:12:29Like, hello, specifically?
01:12:32And I'm so excited to get started because I know that this is going to be another hit.
01:12:37All right, ready to check out the set for the new movie?
01:12:39I'll walk in.
01:12:40Uh, actually, do you want to check it out together?
01:12:43Sure.
01:12:46Thelma, Thelma, Thelma.
01:12:49How do you win back a little bit?
01:12:52Uh, flowers?
01:12:54Romance?
01:12:56Gifts are always a good movie.
01:12:58How original?
01:12:59Let's get back to the office, all right?
01:13:09I, uh...
01:13:10Got these for you.
01:13:14You can just leave them there.
01:13:15Thelma, I'm sorry.
01:13:23I was wrong.
01:13:29Please, give me another chance.
01:13:33I, I promise I won't be overbearing.
01:13:36I'll respect all your opinions.
01:13:38And I'll never interfere with your career again.
01:13:40The flowers look good.
01:13:53I'll take these, and we can talk about the rest later.
01:13:56Go!
01:14:05I don't want to see you again!
01:14:08Cuts!
01:14:10Well done, everybody.
01:14:11That is a wrap.
01:14:13You were great.
01:14:14Here, I got you a cup of coffee.
01:14:16Thanks, Alex.
01:14:17Oh, shoot!
01:14:18I need to know where she is.
01:14:44Now!
01:14:44Uh, I, I think I might know where she is.
01:14:49Why the hell would you know?
01:14:50Do you have something to do with it?
01:14:51No, man, look, all right, Carla was talking to some sketchy dude about Carla's basement.
01:14:55I think Thelma might be there.
01:14:57Trust me, man, I, I don't want anything bad to happen to her either.
01:15:00Believe me.
01:15:07Thelma?
01:15:10Where are you?
01:15:14Let's not do anything stupid.
01:15:23Whatever you want, just name it.
01:15:27Edward, Edward, Edward.
01:15:32How did you find this place?
01:15:39You again?
01:15:40You didn't seriously believe I would just walk away, did you?
01:15:44You're a coward.
01:15:48Kill her.
01:15:50And, Edward, I want you to watch.
01:15:52If you touch her, I will skin you alive.
01:15:56I got it!
01:16:04Thelma, run!
01:16:05It's okay.
01:16:32It's over.
01:16:32It's all over.
01:16:36It's all over.
01:16:36It's all over.
01:16:59It's today.
01:17:00I promised Nass I would go.
01:17:02It's all over.
01:17:06Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:16I thought it closed down years ago.
01:17:19Thelma?
01:17:21Edward?
01:17:22What are you doing here?
01:17:24Nass told me to come.
01:17:26What are you doing here?
01:17:28Well, now that you're here, I need to tell you a little secret.
01:17:33Be right back.
01:17:34Edward!
01:17:35Edward!
01:17:35Edward!
01:17:35Edward!
01:17:35Edward!
01:17:35Edward!
01:17:35Edward!
01:17:35Edward!
01:17:35Edward!
01:17:35Edward!
01:17:35Edward!
01:17:36Edward!
01:17:37Edward!
01:17:38Edward!
01:17:39Edward!
01:17:40Edward!
01:17:41Edward!
01:17:42Edward!
01:17:43Edward!
01:17:44Edward!
01:17:45Edward!
01:17:46Edward!
01:17:47Edward!
01:17:48Edward!
01:17:49Edward!
01:17:50Edward!
01:17:51Edward!
01:17:52Edward!
01:17:53Edward!
01:17:54Edward!
01:17:55Edward!
01:17:56Edward!
01:17:57Edward!
01:17:58Edward!
01:17:59Edward!
01:18:00Edward!
01:18:01Edward!
01:18:02Edward!
01:18:03Edward!
01:18:04Edward!
01:18:05I told you I'd meet you here, Alan.
01:18:10Algar, but how?
01:18:13Why didn't you tell me after all this time?
01:18:16After I escaped the orphanage,
01:18:19the headmistress sent people after me.
01:18:22So I had to fake my own death.
01:18:24I survived.
01:18:27But the price was becoming a different man.
01:18:30Cold.
01:18:32Ruthless.
01:18:33Even cruel.
01:18:36And I was so scared
01:18:38that if you found out this was the man I'd become,
01:18:42you wouldn't love me anymore.
01:18:43Besides, the Arduin family erased every trace of my past.
01:18:49If they find out you're the one I'm looking for,
01:18:51they'll use you against me.
01:18:53And I can't risk that.
01:18:56Algar,
01:18:56you know that I love you.
01:19:01You do?
01:19:02You do?
01:19:02Yeah, with you by my side,
01:19:07I'm not afraid of anything.
01:19:10I don't want us to ever be apart again.
01:19:12Yes!
01:19:19Yes!